Pesquisando por: "EUPHRONIOS" - Fotoarena - Agência de fotojornalismo

2T5H2KP Attic red-figure krater (510-550 BC), Museo Nazionale Archeologico Cerite, Cerveteri, Lazio, Italy

2T5093H Kylix (wine cup) painted by Euphronios and Onesimos (500-490 BC), Museo Nazionale Archeologico Cerite, Cerveteri, Italy

2T5092Y Attic red-figure krater (510-550 BC), Museo Nazionale Archeologico Cerite, Cerveteri, Lazio, Italy

2T5092H Attic red-figure krater (510-550 BC), Museo Nazionale Archeologico Cerite, Cerveteri, Lazio, Italy

2HJ4B18 Terracotta kylix (drinking cup) ca. 500 B.C. Attributed to the Ashby Painter Interior, warrior testing his trumpetExterior, obverse and reverse, symposium (drinking party)The conceit of a drinker looking over a cup is preserved on two major vases by Euphronios and may be considered his invention. Contemporary artists like the Ashby Painter adopted it. Here, the youth holds the flutes for a flute player as she binds her hair. On the other side, a youth holds a drinking cup and a drinking horn while the flute player performs.. Terracotta kylix (drinking cup) 256167

2HHF21Y Fragments of a terracotta kylix (drinking cup) ca. 520–510 B.C. Attributed to Euphronios Interior, lyre-player and youth with kylixExterior, horse, youth, and womanThis fragment belongs to one of the earliest preserved works of Euphronios, clearly reflecting the influence of Psiax. The subject of the exterior can be reconstructed thanks to a similar cup in London.. Fragments of a terracotta kylix (drinking cup) 255785

2HHEN1B Fragment of a terracotta kylix (drinking cup) ca. 520–510 B.C. Attributed to Euphronios Exterior, nude male figure and two womenThe scene may depict Peleus and Thetis.. Fragment of a terracotta kylix (drinking cup) 255786

2HH50F3 Fragment of a terrracotta neck-amphora (jar) ca. 520–510 B.C. Attributed to Euphronios Diskos thrower.. Fragment of a terrracotta neck-amphora (jar) 255784

2HGTY9G Terracotta fragments of a psykter (vase for cooling wine) 520–510 B.C. Attributed to Euphronios One fragment depicts the head, neck, and torso of an Amazon with an earring, wearing a high crested helmet, a chitoniskos and a corselet, with her shield over her upper left arm and shoulder; above her helmet, and band of tongues; a second fragment shows the bent right arm, upper back, and right greaved leg, of a warrior to left, with his helmet pushed back on his head, holding a spear in his right hand; above his head, a band of tongues; part of an inscription, ...ELMON?; a third fragment shows par

2HGNFKB Terracotta kylix (drinking cup) ca. 490 B.C. Signed by Euphronios Interior, Herakles and young boyExterior, Herakles fighting the sons of Eurytos; Herakles fighting OpsEuphronios is probably the best known of the early red-figure artists called the Pioneers. During the latter part of his career, he signs as potter rather than painter, and he collaborates with various painters of whom Onesimos is one of the most accomplished. The representation on the interior shows the almost coloristic effects that Onesimos achieved with dilute glaze as well as his marvelous characterization of Herakles—young

2HGNFG4 Terracotta kylix (drinking cup) ca. 500 B.C. Attributed to the Colmar Painter Interior, youth with javelinExterior, obverse and reverse, symposium (drinking party)The Colmar Painter belongs to the circle of artists who were influenced by Euphronios and Onesimos. Like many artists working just before and after 500 B.C., he favored athletic scenes because they permitted the depiction of the nude body in a great variety of poses. Behind the youth here is a stone shaft on a plinth that represents the goalpost in the gymnasium.. Terracotta kylix (drinking cup). Greek, Attic. ca. 500 B.C.. Terracott

2HHY2N6 Terracotta rim fragment of a kylix (drinking cup) 520–500 B.C. Attributed to Euphronios Exterior, Herakles. Terracotta rim fragment of a kylix (drinking cup) 667683

2HHXA87 Fragment of a terracotta kylix (drinking cup) ca. 520–510 B.C. Attributed to Euphronios Reclining banqueter. Fragment of a terracotta kylix (drinking cup). Greek, Attic. ca. 520–510 B.C.. Terracotta; red-figure. Archaic. Vases

2HHW7BP Fragment of a terracotta neck-amphora (jar) ca. 515 B.C. Attributed to Euphronios Head of a satyr holding a bunch of grapesAlthough little of the decoration is preserved, the satyr's mannerliness is suggested by his delicate fingers and impeccable beard and moustache. Euphronios' use of added clay for the grapes indicates his interest in special surface effects.. Fragment of a terracotta neck-amphora (jar). Greek, Attic. ca. 515 B.C.. Terracotta; red-figure. Archaic. Vases

2HHPF7Y Terracotta hydria: kalpis (water jar) ca. 510 B.C. Greek, Attic On the shoulder, two warriors in combatThe shape and the glossy black glaze contribute decisively to the elegance and power of the hydria. The combat on the shoulder, probably deliberately anonymous, evokes a heroic encounter from the epic cycle of poems concerning the Trojan War of which only the Iliad and the Odyssey survive. The palmette ornament in the handle zone represents a motif popular with red-figure vase-painters of the generation contemporary with Euphronios.. Terracotta hydria: kalpis (water jar) 254888 Greek, Attic,

PPX4WJ Red-Figure Cup Fragment; Attributed to Onesimos, Greek, Attic, active 500 - 480 B.C., and signed by Euphronios Greek Attic

PPX4WT Attic White-Ground Cup, Lipped Inside, Fragment; Onesimos, Greek, Attic, active 500 - 480 B.C., and Euphronios Greek Attic

PPX4WM Red-Figure Cup Fragment; Attributed to Onesimos, Greek, Attic, active 500 - 480 B.C., and signed by Euphronios Greek Attic

PPX4WR Fragmentary Wine Cup with Dionysos and a Satyr; Onesimos, Greek, Attic, active 500 - 480 B.C., and Euphronios Greek Attic

PPX3EJ Fragmentary Mixing Vessel with Athena; Attributed to Euphronios, Greek, Attic, active 520 - 480 B.C., Athens, Greece

PPX3CP Attic Red-Figure Phiale Mesomphalos; Attributed to Berlin Painter, Greek, Attic, active about 500 - about 460 B.C.

PPX3CN Attic Red-Figure Phiale Mesomphalos; Attributed to Berlin Painter, Greek, Attic, active about 500 - about 460 B.C.

2HW4DFJ Art inspired by Fragment of a terracotta neck-amphora (jar), Archaic, ca. 515 B.C., Greek, Attic, Terracotta; red-figure, Overall: 3 1/8 x 3 5/8 in. (7.9 x 9.2 cm), Vases, Head of a satyr holding a bunch of grapes. Although little of the decoration is preserved, the satyr's, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW4D3R Art inspired by Fragments of a terracotta kylix (drinking cup), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, .a: 2 1/4 × 4 3/4 in. (5.6 × 12 cm), Vases, Interior, lyre-player and youth with kylix, Exterior, horse, youth, and woman. This fragment belongs to one of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC6RAP Fragments of a terracotta kylix (drinking cup), ca. 520–510 B.C

KC5CH5 Fragment of a terracotta neck-amphora (jar), ca. 515 B.C

2HTWWPX Art inspired by Terracotta kylix (drinking cup), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; red-figure, Overall: 5 x 16 in. (12.7 x 40.6cm), Vases, Interior, warrior testing his trumpet, Exterior, obverse and reverse, symposium (drinking party). The conceit of a drinker looking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCD742 Terracotta kylix (drinking cup), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; red-figure, Overall: 5 x 16 in. (12.7 x 40.6cm

HTGYGK Rider. Attic red-figure kylix by Euphronios dated from circa 510-500 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany.

HTGYG3 Fleeing Amazon. Attic red-figure kylix by Euphronios dated from circa 510-500 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany.

KNAYJJ Fragment of a terracotta kylix (drinking cup) MET sf19835245 255787 : Attributed to Euphronios, Fragment of a terracotta kylix (drinking cup), ca. 520?510 B.C., Terracotta, 2 13/16 ? 1 11/16 ? 5/8 in. (7.2 ? 4.2 ? 1.6 cm). The Metropolitan Museum of Art, New York. Gift of Dietrich von Bothmer, 1983 (1983.524.5)

EE04TD Attic Red-Figure Calyx Krater Fragments (2); Attributed to Euphronios, Greek (Attic), active 520 - 480 B.C.; Athens, Greece

EE03G5 Attic White-Ground Cup (Lipped Inside) Fragment with Dionysos and a Satyr and One Black-Gloss Cup Fragment (rim); Onesimos

2WT1919 Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490 B.C. Fragment of body and edge of lid. Exterior: Theseus (nude, fillet, hair in krobylos) attacking to the right with an axe, reaches forward to clasp the hair on Prokrustes' (bearded, nude, fillet) forehead. A hat (pilos), a sword in its scabbard and a piece of drapery hang in the tree to the right. Both figures are named. On the lid, part of a tree (?). ΘEΣEYΣ ('Theseus); Π[ΡOKΡUΣT]EΣ ('P[rokrust]es

KHX74R Euphronios krater side A MET L.2006.10

2WT1KT3 Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Body fragment. Body of Skiron (chest, legs) thrown by Theseus (a hand on Skiron's calf). Interior, red.

2WT1C36 Attic Red-Figure Lidded Skyphoid Fragment (comprised of 3 joined fragments). Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Lid fragment (plain interior, but some traces of red seen on interior of body). Small part of Doric kymation band, beneath which body of a pipe player (joins to 81.AE.214.A.21) wearing chiton facing left. Inscribed on the right, KA?OS. Above, pair of halteres, suspended with red string. KAΛOΣ ('beautiful')

2WT1C2Y Attic Red-Figure Lidded Skyphoid Fragment (comprised of 3 Joined Fragments). Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Body fragment. Root of handle. Red-figure decoration at left - landscape (rocks?). Interior, red.

2WT1C2P Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Part of handle - black exterior, undecorated inner surface.

2WT1C2R Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Exterior: black with reserved area to the left (landscape feature?), slightly raised (base of handle?). A second reserved area to the right might be part of a figure. Interior: red.

2WT1C2T Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Exterior: black, with part of a staff and edge of drapery. Interior: red.

2WT1C2M Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Upper part of vessel. Exterior, youth facing left, looking down. He wears a red fillet and a wreath in his hair. Above his head: LY. Interior, red. Inscription: LY... (Lykos)

2WT1C2W Attic Red-Figure Lidded Skyphoid Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490–480 B.C. Lid fragment (plain interior). Doric kymation band, beneath which a pipe player (wearing phorbeia) facing left. Inscribed either side of his head, the letters SE. Inscription ...SE - part of EUPH[RONIOS EPOIE]SE

2WT11B1 Attic Red-Figure Cup Type B. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) and Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490 B.C. The cup is mended from several fragments. The tondo on the interior is framed by a band of meander pattern. Within, a youth (wreathed, himation over shoulder, slippers) stoops to hold the head of his elder (wreathed and wearing a fillet, otherwise nude) who is vomiting. A staff lies to the left, and there is a partially preserved potter's inscription in added red. A: Komos. A youth (himation over his shoulders, staff in

2WT10MA Attic Red-Figure Janiform Kantharos Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490 B.C. Rim fragment with meander band. Arm of maenad holding thyrsos. Inscription: KALE. Black interior. Joins 85.AE.191.H.

2WT10M5 Attic Red-Figure Janiform Kantharos Fragment. Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 B.C.) Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 490 B.C. Fragment of handle with addorsed palmettes. Part of body with black interior. Joins 81.AE.191.H

2WT1091 Fragmentary Attic Red-Figure Cup. Euphronios, painter (Greek (Attic), active 520 - 480 B.C.) Kachrylion, potter about 490 B.C. The cup is fragmentary and badly burned. Interior: There is a reserved circle below the rim. The tondo has a simple reserved border and contains a palmette, lotus-bud and tendril complex. Exterior: There is a reserved circle below the rim and palmettes and lotus buds under each handle. Side A depicts the body of Achilles. From the right is a man (Phoenix) in chiton and himation moving to the right with head bent. The top of the head is either bald or cloaked. His right

2WT0WH5 Attic Red-Figure Phiale Mesomphalos. Manner of the Berlin Painter, painter (Greek (Attic), active about 500 - about 460 B.C.) and Euphronios, potter (Greek (Attic), active 520 - 480 B.C.) about 500–490 B.C. Black-gloss exterior. Band of tongues with dots around the rim. Coral-red interior. The (missing) omphalos is encircled by an inner ring of red-figure upright circumscribed palmettes and an outer ring of red-figure tongues with dots. Restored from fragments. A ring on the bottom of the exterior misfired grey (with some bright orange) from stacking during firing.

2T7W9XE Heracles fighting with the Amazons. As his ninth labour, Heracles travelled to the land of the Amazons to bring back the Belt of Hippolyta, the queen of the Amazons. An illustration after a detail from a volute krater, attributed to Euphronios, c500BC. In the Archaeological Museum of Arezzo, Italy.

2F5EMGM Attic Red-Figure Calyx Krater Fragments (2). Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.)

2F5EMDW Attic Red-Figure Calyx Krater Fragment. Euphronios (Greek (Attic), active 520 - 480 B.C.)

2F5EMDB Attic Red-Figure Calyx Krater Fragment. Euphronios (Greek (Attic), active 520 - 480 B.C.)

2F5D7BM Attic Red-Figure Cup Fragment. Euphronios (Greek (Attic), active 520 - 480 B.C.)

2CE7H81 . Gazette des beaux-arts . par la signaturequelle porte, Eù(ppovio; ëypacpcev, et par le sujet quelle représente^.Euphronios est un des plus habiles parmi les peintres de vases du v siècle.Nous possédons au Louvre ses deux chefs-dœuvre, la grande coupede Thésée et Amphitrite et le cratère Hercule et dAntée. La chytris deSaint-Pétersbourg est sans doute un peu antérieure au cratère, et à peuprès contemporaine de la coupe, cest-à-dire quelle doit avoir été faitevers /|70 ou /i60; le dessin en est déjà savant, mais encore un peu raide.Quatrefemmes entièrement nues, et qui nen sont pas plus séduis

2B9D3E4 Red-Figure Cup Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), and signed by Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C, Terracotta, 10 × 11.2 × 2 cm (3 15,16 × 4 7,16 × 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9D3E5 Red-Figure Cup Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), and signed by Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C, Terracotta, 10 × 11.2 × 2 cm (3 15,16 × 4 7,16 × 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9D3E8 Attic White-Ground Cup (Lipped Inside) Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), and Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 510 - 500 B.C, Terracotta, 2.7 cm (1 1,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9D3E7 Fragmentary Wine Cup with Dionysos and a Satyr, Onesimos (Greek (Attic), active 500 - 480 B.C.), and Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C, Terracotta, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9D0R0 Fragmentary Mixing Vessel with Athena, Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 510 B.C, Terracotta, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9D0JR Attic Red-Figure Phiale Mesomphalos, Attributed to Berlin Painter (Greek (Attic), active about 500 - about 460 B.C.), and Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 500 - 490 B.C, Terracotta, 3.5 × 32 cm (1 3,8 × 12 5,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9D0JN Attic Red-Figure Phiale Mesomphalos, Attributed to Berlin Painter (Greek (Attic), active about 500 - about 460 B.C.), and Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 500 - 490 B.C, Terracotta, 3.5 × 33.2 cm (1 3,8 × 13 1,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B988BN Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 14.5 × 7.4 cm (5 11/16 × 2 15/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B988BM Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 3.2 × 8 cm (1 1/4 × 3 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B988BT Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 1.6 × 1.5 cm (5/8 × 9/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B988BR Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 3.3 × 8.7 cm (1 5/16 × 3 7/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B988BP Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B988BG Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 7.3 × 5.9 cm (2 7/8 × 2 5/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B976FX Attic Red-Figure Kylix Fragment (comprised of 2 joined fragments), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 11.9 cm (4 11/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B976G3 Attic Red-Figure Kylix Fragment (comprised of 2 joined fragments), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 12.9 cm (5 1/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B976FM Attic Red-Figure Kylix Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 4.6 cm (1 13/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B976FN Attic Red-Figure Kylix Fragment (comprised of 4 joined fragments), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 15.5 cm (6 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B976FK Attic Red-Figure Kylix Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 6.9 cm (2 11/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B976FY Attic Red-Figure Kylix Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 12.1 cm (4 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B974Y2 Attic Red-Figure Cup Type B, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), and Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 10.3 × 31.4 cm (4 1/16 × 12 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B973EN Fragmentary Attic Red-Figure Janiform Kantharos with Relief Masks, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 32 cm (12 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B9721J Fragments of an Attic Red-Figure Kylix (16), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

2B0M9K8 Attributed to Euphronios, Terracotta fragments of a psykter (vase for cooling wine), Greek, Attic, Archaic, Date 520–510 B.C., Greek, Attic, Terracotta; red-figure, Vases

2B0KRNB Signed by Euphronios, Terracotta kylix (drinking cup), Greek, Attic, Late Archaic, Date ca. 490 B.C., Greek, Attic, Terracotta; red-figure, H. with handle 4 15/16 in. (12.6 cm), Vases

2B0K9W7 Attributed to Euphronios, Terracotta fragment of a stamnos (jar), Greek, Attic, Archaic, Date 520–510 B.C., Greek, Attic, Terracotta; red-figure, Vases

2ANJ0W9 Douris and the painters of Greek vases . fifth century, it is Douris who best fulfilsall these conditions, and relieves us of alluncertainties on this subject. He is a crafts-man, and can make a pot or have one madeunder his duection. The museum at Brussels 8 VASES AND HISTORY [chap. i. possesses a kantharos which Douris made(Fig. 1). But he is above all a draughtsmanand executes all his paintings hipiself, for thetwenty-eight examples mentioned, includingthe kantharos at Brussels, bear the words, Douris painted. Even Euphronios, to whomKlein devoted an entire book, making thisartist famous—an

2ANHJ7B Douris and the painters of Greek vases . kylix by Euphronios (Fig. 12), the Memnonby Douris (Fig. 8), or the Zeus carrying offa Woman upon an anonymous kylix in theLouvre (Fig. 24) which is attributed to him,the Aphrodite on the Swan in the BritishMuseum (Fig. 7) by a somewhat later artist,bear comparison with the most beautiful draw-ings of the Renaissance. Never has the beautyof the human form in motion been renderedwith more sincere joy. Here, again, the Greeksprepared the path for the moderns, teachingthe dignity of man by proving him to bemore important and necessary in art than allelse.

2AN7DJX Histoire du costume antique d'après des études sur le modèle vivant . Fg- 33- — La Tunique .grafée PAR DES CORDONS. Daprès un vase peint. Sur une coupe signée par Euphronios, Gerhard, A userlesene Vaseii-bilder, III, pi. 225; S. Reinach. Répertoire des vasrs peints, II, p. 114.. Fig. 34. MÊME DISPOSITION DE LA TUNIQUE sur nature. 70 HISTOIRE DU COSTVME AXTIÇIE fir- ^v *

2A32WH3 Euphronios kottabos 1.

2A32WJ0 Euphronios kottabos 2.

W52X0E Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 14.5 × 7.4 cm (5 11/16 × 2 15/16 in

W52X0N Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 1.6 × 1.5 cm (5/8 × 9/16 in

W52X0D Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 3.2 × 8 cm (1 1/4 × 3 1/8 in

W52X0B Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 3.3 × 8.7 cm (1 5/16 × 3 7/16 in

W52X06 Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 7.3 × 5.9 cm (2 7/8 × 2 5/16 in

W52X08 Attic Red-Figure Janiform Kantharos Fragment, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta

W51JPW Attic Red-Figure Kylix Fragment (comprised of 2 joined fragments), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 12.9 cm (5 1/16 in

W51JPN Attic Red-Figure Kylix Fragment (comprised of 2 joined fragments), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 11.9 cm (4 11/16 in

W51JPB Attic Red-Figure Kylix Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 4.6 cm (1 13/16 in

W51JPF Attic Red-Figure Kylix Fragment (comprised of 4 joined fragments), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 15.5 cm (6 1/8 in

W51JPE Attic Red-Figure Kylix Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 6.9 cm (2 11/16 in

W51JPP Attic Red-Figure Kylix Fragment, Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 12.1 cm (4 3/4 in

W51H9R Attic Red-Figure Cup Type B, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), and Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 10.3 × 31.4 cm (4 1/16 × 12 3/8 in

W51G50 Fragmentary Attic Red-Figure Janiform Kantharos with Relief Masks, Attributed to Onesimos (Greek (Attic), active 500 - 480 B.C.), Attributed to Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta, 32 cm (12 5/8 in

W51EFB Fragments of an Attic Red-Figure Kylix (16), Onesimos (Greek (Attic), active 500 - 480 B.C.), Euphronios (Greek (Attic), active 520 - 480 B.C.), Athens, Greece, about 490 B.C., Terracotta

RAXNMD Attic Red-Figure Calyx Krater Fragments (2), Attributed to Euphronios, Greek (Attic), active 520 - 480 B.C., Athens reimagined