Pesquisando por: "ANTOINE-JEAN GROS" - Fotoarena - Agência de fotojornalismo

3D6P12M GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Sappho at Leucate 1801 Oil on canvas, 122 x 100 cm Mus?e Baron G?rard, Bayeux The young Gros moved his Salon audience in 1801, with his unearthly Sappho at Leucate, in which the poetess, in agonies of rejection, casts herself into the sea. Touched by the moonlight shimmering through her transparent veil, Sappho seems poised between two worlds; behind her on the cliffs stands a sacrificial altar. --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Sappho at Leucate Form: painting Time-line: 1801-1850 School: French Type: m

3D6P10D GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Portrait of the Second Lieutenant Charles Legrand c. 1810 Oil on canvas, 249 x 162 cm Los Angeles County Museum of Art, Los Angeles Charles Legrand was killed on 1 May 1801 in Madrid, when rebelling peasants attacked a regiment of Napoleon's cuirassiers on the Puerta del Sol, tore the men from their horses, and knifed them. Legrand was the son of a French general. In his memory his parents commissioned Gros to execute a life-size portrait. --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Portrait of the Second Lieutena

3D6P12X GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) The Battle of Abukir 1806 Oil on canvas, 578 x 968 cm Mus?e National du Ch?teau, Versailles Gros was the forerunner of the later Romantic school, but he forced himself to sustain David's heritage and counter the Romantics, although he had himself inspired them. The comparison of works depicting a large number of figures by David (e.g. The Intervention of the Sabine Women), by Delacroix (e.g. The Massacre of Chios) and by Gros' The Battle of Abukir demonstrates that Gros led the Romantic movement. --- Keywords: -------------- Author

3D6P10C GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Portrait of Madame R?camier - Oil on canvas Galeria, Zagreb --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Portrait of Madame R?camier Form: painting Time-line: 1801-1850 School: French Type: portrait

3D6P10A GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Portrait of Madame R?camier - Oil on canvas Galeria, Zagreb --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Portrait of Madame R?camier Form: painting Time-line: 1801-1850 School: French Type: portrait

3D6P0YW GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Christine Boyer c. 1800 Oil on canvas, 214 x 134 cm Mus?e du Louvre, Paris --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Christine Boyer Form: painting Time-line: 1801-1850 School: French Type: portrait

3D6P100 GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Madame Pasteur 1795-96 Oil on canvas, 86 x 67 cm Mus?e du Louvre, Paris Refugee in Italy during the Revolution, Gros painted several portraits, mainly in Genoa in 1795-96. This early work of the artist reflects the spirit of the 18th century. --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Madame Pasteur Form: painting Time-line: 1801-1850 School: French Type: portrait

3D6P104 GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Napoleon Bonaparte on the Battlefield of Eylau, 1807 1808 Oil on canvas, 521 x 784 cm Mus?e du Louvre, Paris The battle of Eylau (8 February 1807) in Poland, in which the Russian army was defeated by the French during the fourth coalition, was an extremely bloody engagement, resulting in 25,000 dead and wounded. Napoleon wished to commemorate the victory, and had it made the subject of a competition; but he wanted his humanity to be emphasized, rather than his war-like qualities. The day after the battle, he had toured the battlefield, and

3D6P0YT GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Bonaparte on the Bridge at Arcole c. 1796 Oil on canvas, 134 x 104 cm The Hermitage, St. Petersburg --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Bonaparte on the Bridge at Arcole Time-line: 1801-1850 School: French Form: painting Type: historical

3D6P101 GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Napoleon Bonaparte on the Battlefield of Eylau, 1807 1808 Oil on canvas, 521 x 784 cm Mus?e du Louvre, Paris The battle of Eylau (8 February 1807) in Poland, in which the Russian army was defeated by the French during the fourth coalition, was an extremely bloody engagement, resulting in 25,000 dead and wounded. Napoleon wished to commemorate the victory, and had it made the subject of a competition; but he wanted his humanity to be emphasized, rather than his war-like qualities. The day after the battle, he had toured the battlefield, and

3D6P0YP GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Bonaparte on the Bridge at Arcole 1796 Oil on canvas, 73 x 59 cm Mus?e du Louvre, Paris Gros was filled with enthusiasm for the events of the Napoleonic ear, for he was just 18 when the revolution broke out. This and Bonaparte's rise to imperial power were to be the formative influences on his work. In 1797, when Napoleon was still a general, he gave the young Gros his first commission. It was Bonaparte on the Bridge at Arcole. On 17 November 1796 Napoleon led his troops in the battle at Arcole and he won in three days. In the dynamic han

3D6P0YH GROS, Antoine-Jean (b. 1771, Paris, d. 1835, Meudon) Bonaparte on the Bridge at Arcole c. 1796 Oil on canvas, 134 x 104 cm The Hermitage, St. Petersburg --- Keywords: -------------- Author: GROS, Antoine-Jean Title: Bonaparte on the Bridge at Arcole Time-line: 1801-1850 School: French Form: painting Type: historical

3CG5D0H THE BATTLE OF THE PYRAMIDS 21 July 1798 painted in 1810 by by French artist Antoine-Jean Gros

3D2MY5J Antoine-Jean Gros (Paris, 1771 - Meudon, 1835), Portrait of Napoleon, Emperor, 1804, watercolour and gouache on ivory, Miniature Portraits,The Paola S

3BMMW8W The Embarkation of the Duchess of Angoulême at Pauillac (French: Embarquement de la duchesse d'Angoulême à Pauillac) is an 1818 history painting by the French artist Antoine-Jean Gros.[1] Gros had made his reputation depicting scenes of Napoleon Bonaparte and the French Empire. By contrast, this work was created under the Restoration era and celebrated an iconic royalist moment of recent history.[2]

3BMMNWM The Embarkation of the Duchess of Angoulême at Pauillac (French: Embarquement de la duchesse d'Angoulême à Pauillac) is an 1818 history painting by the French artist Antoine-Jean Gros.[1] Gros had made his reputation depicting scenes of Napoleon Bonaparte and the French Empire. By contrast, this work was created under the Restoration era and celebrated an iconic royalist moment of recent history.[2]

3D01HHC France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Salle des Colonnes (Room 645). coffered ceiling : 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HFF France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Salle des Colonnes (Room 645). coffered ceiling: on left 'Victorious Mars, who, on the advice of Moderation, stops his steeds and lowers his javelins', on right 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3CJ1DXA France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Salle des Colonnes (Room 645). coffered ceiling : on left 'Real Glory is supported by Virtue', on right 'Time raises Truth to the throne of Wisdom' by Antoine-Jean Gros

3CJ1DTA France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Salle des Colonnes (Room 645). coffered ceiling : 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3CJ1DTR France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Salle des Colonnes (Room 645). coffered ceiling : 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HFR France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HF3 France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HE6 France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HE9 France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Victorious Mars, who, on the advice of Moderation, stops his steeds and lowers his javelins' by Antoine-Jean Gros

3D01HDP France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HDR France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3D01HEN France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

3CJ1DWJ France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'The Time raises Truth to the throne of Wisdom' by Antoine-Jean Gros

3CJ1DT4 France, Ile de France region, Paris 1st arrondissement, Musée du Louvre (museum), Department of Greek, Etruscan and Roman Antiquities, Salle des Colonnes (Room 645), coffered ceiling, 'Real Glory is supported by Virtue' by Antoine-Jean Gros

2SXA03E Rome, Italy. 23rd Feb, 2025. Rome, Italy - 23.02.2025: Antoine Dupont of France, Jean-Baptiste Gros of France celebrate after try during the Guinness Six Nations 2025 match between Italy and France at Olympic Stadium. Credit: Independent Photo Agency/Alamy Live News

2SX9WF4 Rome, Italy. 23rd Feb, 2025. Rome, Italy - 23.02.2025: Antoine Dupont of France, Jean-Baptiste Gros of France celebrate after try during the Guinness Six Nations 2025 match between Italy and France at Olympic Stadium. Credit: Independent Photo Agency/Alamy Live News

2S89AE8 Baron Antoine Jean Gros - Portrait of the Maistre Sisters - 1990.110 - Art Institute of Chicago

3AJD7AX In 1804, Antoine-Jean Gros painted 'Bonaparte Visiting the Pesthouse in Jaffa.' The oil on canvas depicts Napoleon during his visit to the plague-stricken city of Jaffa in 1799, emphasizing his compassion through a powerful historical narrative.

2XFJ9NF The Battle of Nazareth is an oil on canvas painting by French painter Antoine-Jean Gros, from 1801. Egyptian campaign of Napoleon.

2XEED78 A Mameluke Chief on Horseback Signaling for Help, 1817. Antoine-Jean Gros (French, 1771–1835). Lithograph

2XBH4D1 Portrait of Count Jean-Antoine Chaptal, 1824. Antoine-Jean Gros (French

2Y39P0E Bonaparte on the Bridge at Arcole (15 November 1796), 1796, Oil on canvas, Antoine-Jean GROS, Paris, 1771 - Meudon, 1835, Musée du Louvre, Paris, Fran

2Y39P0G Portrait of Madame Pasteur, née Madeleine Alexandre (1773-1841), 1795-1796, Oil on canvas, Antoine-Jean GROS, Paris, 1771 - Meudon, 1835, Musée du Lou

2YYY8HF Eleazar préfère la mort - Antoine-Jean Gros - MM 1938F478.

2X18M9G Paris, France. 14th Apr, 2024. Annaelle Deshaye of France and Emeline Gros of France during the Women's Six Nations 2024, rugby union match between France and Italy on April 14, 2024 at Jean Bouin stadium in Paris, France - Photo Antoine Massinon/A2M Sport Consulting/DPPI Credit: DPPI Media/Alamy Live News

2X03T4X Bonaparte at the pont d'Arcole, 1796 Antoine-Jean Gros -

2WP1HMK Portrait of Second Lieutenant Charles Legrand 1810 Antoine-Jean Gros

2WNFFWM Bonaparte Visiting the Pesthouse in Jaffa Antoine-Jean Gros (1771–1835)

2WNB455 Bonaparte Visiting the Plague Victims of Jaffa Antoine-Jean Gros

3BP0W3Y Gros, Antoine-Jean, baron - Napoleon Bonaparte on the Bridge at Arcole Late 1796 - early 1797

3BEN54P Painting by Antoine-Jean Gros from the 1800s titled 'Study of a Harnessed Arabian Horse', showing detailed equine anatomy and tack.

2S9902F Napoleon on the Battlefield of Eylau (Antoine-Jean Gros).

2WR88M0 Arab with horse in the desert, Arabe du désert (title on object), print maker: Antoine-Jean Gros, printer: Charles Philibert de, Comte de Lasteyrie du Saillant, Paris, 1817, paper, height 275 mm × width 370 mm, print

2WR7RX3 Portrait of Claude-Victor Perrin, Le M.al Duc de Bellune (title on object), print maker: anonymous, after painting by: Antoine-Jean Gros, printer: Mademoiselle Formentin (Joséphine Clémence), Paris, 1824 - 1850, paper, height 360 mm × width 272 mm, print

2WR7GE4 Medal with portrait of Antoine-Jean Gros, A.J. Gros (title on object), Series of medallions with prominent figures from the early nineteenth century (series title), print maker: Achille Collas, (possibly), Pierre Jean David d'Angers, France, in or after 1832, paper, height 238 mm × width 212 mm, print

2WR7GD5 Medal with portrait of Antoine-Jean Gros, A.J. Gros (title on object), Series of medallions with prominent figures from the early nineteenth century (series title), Trésor de Numismatique et Glyptique (series title on object), print maker: Achille Collas, (possibly), Pierre Jean David d'Angers, publisher: Rittner & Goupil, print maker: France, France, publisher: Paris, in or after 1832, paper, height 355 mm × width 251 mm, print

2WR7EC2 Portrait of Antoine-Jean Gros, Gros (title on object), print maker: Nicolas Maurin, after own design by: Nicolas Maurin, printer: veuve Delpech (Naudet), Paris, 1825 - 1842, paper, height 483 mm × width 316 mm, print

2WR7EB2 Portrait of Antoine-Jean Gros, Gros (title on object), print maker: Bernard Romain Julien, (attributed to), printer: Junca, publisher: Aubert & Cie., Paris, c. 1835 - c. 1838, paper, height 326 mm × width 240 mm, print

2X559BJ Portrait of Count Fournier-Sarlovèze' by Antoine-Jean Gros, painted in 1812, housed at the Louvre Museum, Paris, France. This portrait captures Count Fournier-Sarlovèze, a notable French cavalry officer known for his fiery temperament and heroism. Gros, a prominent painter during the Napoleonic era, depicts the Count in his military uniform, emphasizing his commanding presence and the intensity of his character.

2RGTAFA EMPRESS JOSEPHINE BONAPARTE (1763-1814) wife of Napoleon. Painting by Antoine-Jean Gros about 1809

2RGPEWA NAPOLEON BONAPARTE (1769-1821) Bonaparte at the Pont d'Arcole (detail) by Antoine-Jean Gros (c 1801)

2RGM05P NAPOLEON accepting the surrender of Madrid on 4 December 1808 by Antoine-Jean Gros

2RGM034 NAPOLEON BONAPARTE (1769-1821) on the Pont d'Arcole leading his troops against the Austrians during he War of the First Coalition in the Republic of Venice in November 1796.Painting by Antoine-Jean Gros

3C89J9P Detail of Napoleon on the battlefield at Eylau by Antoine-Jean Gros, Louvre Museum, France

3C89J9M Napoleon on the battlefield at Eylau by Antoine-Jean Gros, Louvre Museum, France

3AJDAC0 This portrait by Antoine-Jean Gros, painted between 1796 and 1797, shows Napoleon Bonaparte on the Bridge at Arcole during the Italian campaign. It portrays the famous general in an oil on canvas work, now housed in the Hermitage Museum.

2S97CD7 Gros, Antoine-Jean, baron - Napoleon Bonaparte on the Bridge at Arcole

2RECY8R Clovis et Clothilde; Clovis Ier, roi des francs (466-511) et son epouse Clothilde (sainte Clothilde) (475-545), qui l'a converti a la foi catholique. Esquisse de detail pour le decor de la coupole de l'eglise Sainte Genevieve (le Pantheon), Paris, vers 1811, de Baron Jean Antoine Gros (1771-1835). Musee du Petit Palais, Paris.

2RECY95 Antoine Jean Gros, peintre neoclassique (1771-1835)- in 'Le Plutarque francais', par Mennechet, Paris, 1844-47

2RECXWJ L'enlevement d'Helene (Fragment). Peinture du baron Jean Antoine Gros (1771-1835), 18e-19e siecle. Musee des Beaux Arts d'Arras (France).

2RD27H5 RAS AL-KHAIMAH - CIRCA 1970: a stamp printed in Ras al-Khaimah shows Napoleon accepts the surrender of Madrid, painting by Antoine-Jean Gros, circa 19

2R25AB2 Paris, France - 05 13 2023: Louvre Museum. Portrait of Madame Pasteur painted by Antoine-Jean Gros

2T2F34W Arabe du Desert baron Antoine Jean Gros French 1817 View more. Arabe du Desert. baron Antoine Jean Gros (French, Paris 1771–1835 Meudon). 1817. Lithograph. Prints

2TCTN5G Chantilly castle, Conde museum, Chantilly, Oise, France. Painting gallery. Napoleon Bonaparte visiting the plague victims of Jaffa, Antoine-Jean Gros,

2TCTN5J Chantilly castle, Conde museum, Chantilly, Oise, France. Painting gallery. Napoleon Bonaparte visiting the plague victims of Jaffa, Antoine-Jean Gros,

3BEJBAC A painting by Antoine-Jean Gros, circa 1800, depicting opera singer Celeste Meuricoffre-Coltellini with her two eldest sons, Achille and Georges. The portrait includes her husband, banker Jean-Georges Meuricoffre. The work captures a family scene in late 18th-century France.

2WF107W Antoine-Jean Gros Celeste Meuricoffre-Coltellini zeichnet ihre ältesten Söhne.

3AHY8HC Portrait of Eugène de Beauharnais, painted by Antoine-Jean Gros around 1797 or 1798. Beauharnais, the son of Joséphine de Beauharnais and stepson of Napoleon Bonaparte, was a significant French military and political figure during the Revolutionary and Napoleonic periods.

2RWR8P2 Napoleon on the Battlefield of Eylau painting by Antoine Jean Gros in the Louvre Museum in Paris France

2M4B3A1 MOSCOW, RUSSIA - OCTOBER 29, 2022: Postage stamp printed in Ras Al Khaimah shows Bonaparte as first consul to horseback; by Antoine-Jean Gros, 200th b

2J043C7 Napoleon on the Battlefield of Eylau, oil on canvas painting by Antoine-Jean Gros, 1808

2J0438R Napoleon accepts the surrender of Madrid, 4th December 1808, oil on canvas painting by Antoine-Jean Gros, 1809

2J03BPY Portrait of Second Lieutenant Charles Legrand. Baron Antoine-Jean Gros (France, Paris, 1771-1835). France, circa 1810. Paintings. Oil on canvas

2J006G3 Arabe du Désert. Baron Antoine-Jean Gros (France, Paris, 1771-1835). France, 1817. Prints; lithographs. Lithograph

2HWE1PG Bataille des Pyramides (Battle of the Pyramids). Engraver: Charles-Amédée Colin, French, 1808–1873After: Antoine-Jean Gros, French, 1771–1835

2HWE1PC Bonaparte à Jaffa (Bonaparte at Jaffa). Engraver: Jean-Jacques Frilley, French, born 1797After: Antoine-Jean Gros, French, 1771–1835

2HWE1KY François 1er et Charles-Quint (François I and Charles V). Engraver: Louis Hercule Sisco, French, 1778–1861After: Antoine-Jean Gros, French, 1771–1835

2HWE1AK Bataille d’Eylau (Battle of Eylau). Engraver: Charles-Amédée Colin, French, 1808–1873After: Antoine-Jean Gros, French, 1771–1835

2HWE1AB Louis XVIII quitte les Tuileries (Louis XVIII Leaving the Tuileries). Engraver: Alphonse Charles Masson, French, 1814–1898After: Antoine-Jean Gros, French, 1771–1835

2HWC1AJ Chef du Mamelucks a Cheval. Artist: Antoine-Jean Gros, French, 1771–1835

2HTD2KF THE BATTLE OF THE PYRAMIDS 21 July 1798. An 1810 painting by Baron Antoine-Jean Gros showing Napoleon defeating the Mamluks

2HJ4K94 [Reproduction of Napoleon on the Battlefield of Eylau by Antoine-Jean Gros] 1850s Unknown. [Reproduction of Napoleon on the Battlefield of Eylau by Antoine-Jean Gros] 259815

2HJ2NDK View near Rouen ca. 1825 Richard Parkes Bonington British As Bonington was born in England but received his training in France—with Antoine-Jean Gros—his work enjoys a place in the history of both British and French art. This small view, painted from the bank of the Seine opposite Rouen, was probably made in the late summer or autumn of 1825. Bonington had recently returned from London, where he fell under the spell of Constable and Turner, and where he encountered Delacroix and other French Romantic painters.. View near Rouen 438449

2HHET4M Mars Crowned by Victory and Listening to Moderation n.d. baron Antoine Jean Gros French. Mars Crowned by Victory and Listening to Moderation 354037

2HH8PW6 A Man and a Woman Embracing baron Antoine Jean Gros French. A Man and a Woman Embracing 334706

2HGR48A Le Suicide 1846 Eugène Leroux The palette, pistol, and note lying on the floor indicate that an artist, overcome by adversity, has tragically taken his life. This lithograph reproduces a painting by Decamps of ca. 1836, now at the Walters Art Museum in Baltimore, whose subject may have been suggested by the 1835 suicides of fellow artists Léopold Robert and Baron Antoine-Jean Gros–the latter distressed by harsh criticism of his late paintings. The print is number 59 in the series 'Les Artistes Contemporains.'. Le Suicide. Les Artistes Contemporains, tome II, 1848-49. After Alexandre-Gabriel De

2HGNKCE Serenade at the Tuileries on New Year's Eve, from 'Illustrated London News' December 24, 1853 After Eugène-Louis Lami Members of the National Guard troop through the Tuileries Gardens early on New Year's morning and pause infront of the palace to perform out of respect to Emperor Napoleon III. Related text suggests that the loud noise of brass and drums were not welcomed by Parisians, coming so close on the heels of New Year's Eve celebrations. Lami, who designed the image had studied with Horace Vernet and Antoine-Jean Gros and was known for his military subjects. The 'Illustrated London News

2HHYG14 Battlefield with Soldier on Horseback (Napoleon?) ca.1810 baron Antoine Jean Gros French. Battlefield with Soldier on Horseback (Napoleon?) 381957

2HHXDC0 François Gérard (1770–1837), later Baron Gérard ca. 1790 baron Antoine Jean Gros French Gros and Gérard were favored students in the rough and tumble fraternity that was David’s studio, where intense friendships and rivalries abounded. Gros probably made this sensitive, delicate portrait in Paris before his friend Gérard departed for study in Rome in 1790. Its lively surface texture and intimacy are shared with Gros’s smaller, contemporary Self-Portrait, a recent gift to The Met. Despite a subsequent rift in their friendship, Gérard kept his portrait for the rest of his life, and it remained w

2HHXBM6 Portrait of a Woman ca.1793–1800 baron Antoine Jean Gros French Baron Gros was a highly successful student of Neoclassical painter Jacques Louis David (French, 1748–1825). Gros received many commissions for large history paintings during the Napoleonic period, but eventually relied on portraiture to support himself. This signed pair of half-length portraits (see also 2014.271.1) offer few clues as to the sitters’ identities. Presumably a husband and wife, they sit in simple chairs against an unadorned background.Their frank and intimate expressions alone carry the force of expression.. Portrai

2HHXBK9 Portrait of a Man ca.1793–1800 baron Antoine Jean Gros French Baron Gros was a highly successful student of Neoclassical painter Jacques Louis David (French, 1748– 1825). Gros received many commissions for large history paintings during the Napoleonic period, but eventually relied on portraiture to support himself. This signed pair of half-length portraits (see also 2014.271.2) offer few clues as to the sitters’ identities. Presumably a husband and wife, they sit in simple chairs against an unadorned background. Their frank and intimate expressions alone carry the force of expression.. Portrai

2H8J6DG Napoleon on the Battlefield of Eylau by the French artist, Antoine-Jean Gros (1771-1835), oil on canvas, 1807

2J61BE0 The Apotheosis of Saint Genevieve depicted in the fresco designed by French painter Antoine-Jean Gros (1811–1834) inside the main dome of the Panthéon designed by French architect Jacques-Germain Soufflot (1758-1790) in Paris, France.

2J61BAW Interior of the main dome of the Panthéon designed by French architect Jacques-Germain Soufflot (1758-1790) in Paris, France. The Apotheosis of Saint Genevieve depicted in the fresco by French painter Antoine-Jean Gros (1811–1834) is seen in the middle of the dome.