Pesquisando por: "ANONYMOUS ARTIST. 17TH CENTURY" - Fotoarena - Agência de fotojornalismo

3BCB6K5 Oil on panel painting of The Dairy Cow, The Dutch provinces revolting against the Spanish King Philip II, are led by prince William of Orange by Anonymous artist painter in Antwerp 1633 - 1639 art artwork poster wall decor

3A3761W Portrait of a Botanist 1603 by anonymous German artist Painting art artwork masterpiece, oil on panel

2SXMK51 DEPOSORIOS DE LA VIRGEN, First third of the 17th century, Anonymous Italian, Oil on canvas, Catedral de Santa María, Burgos, Spain

2SC4X39 Mid 17th century oil on canvas painting Naval combat between Spanish and Dutch ships Ministry of Defence Naval Museum Paseo del Prado 5 Madrid Spain

2SBW2DE 17th century oil on canvas portrait Catholic Queen Isabel I of Spain by an anonymous artist Naval Museum Paseo del Prado 5 Madrid Spain Europe

3AJA7TG David Teniers the Younger’s 'A Family Concert on a Terrace' (1640-1649) depicts a musical gathering on a terrace. The genre painting is signed by the artist and features detailed figures enjoying music, reflecting 17th-century social life. It is in a private collection, with a provenance tracing back through several notable sales.

2YM1NW9 Compton Verney Warwickshire, UK. 20th Nov, 2024. a very rare portrait from 1650 depicting a Black woman and a White woman, both appearing to hold equal status, some 183 years before the abolition of slavery act. Curiously, rather than commenting on the race debate in 17th century Britain via the uncommon pairing, the anonymous artist chose to write an inscription (see the faint black script above the two women) declaring that wearing beauty patches is “a sin of pride”.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

2YM1NW4 Compton Verney Warwickshire, UK. 20th Nov, 2024. a very rare portrait from 1650 depicting a Black woman and a White woman, both appearing to hold equal status, some 183 years before the abolition of slavery act. Curiously, rather than commenting on the race debate in 17th century Britain via the uncommon pairing, the anonymous artist chose to write an inscription (see the faint black script above the two women) declaring that wearing beauty patches is “a sin of pride”.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

2YM1NW7 Compton Verney Warwickshire, UK. 20th Nov, 2024. a very rare portrait from 1650 depicting a Black woman and a White woman, both appearing to hold equal status, some 183 years before the abolition of slavery act. Curiously, rather than commenting on the race debate in 17th century Britain via the uncommon pairing, the anonymous artist chose to write an inscription (see the faint black script above the two women) declaring that wearing beauty patches is “a sin of pride”.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

2YM1JHC Compton Verney Warwickshire, UK. 20th Nov, 2024. a very rare portrait from 1650 depicting a Black woman and a White woman, both appearing to hold equal status, some 183 years before the abolition of slavery act. Curiously, rather than commenting on the race debate in 17th century Britain via the uncommon pairing, the anonymous artist chose to write an inscription (see the faint black script above the two women) declaring that wearing beauty patches is “a sin of pride”.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

2YM1JGK Compton Verney Warwickshire, UK. 20th Nov, 2024. a very rare portrait from 1650 depicting a Black woman and a White woman, both appearing to hold equal status, some 183 years before the abolition of slavery act. Curiously, rather than commenting on the race debate in 17th century Britain via the uncommon pairing, the anonymous artist chose to write an inscription (see the faint black script above the two women) declaring that wearing beauty patches is “a sin of pride”.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News

2XHR7KT The Execution of Charles I. Painting entitled 'The Execution of Charles I of England', oil on canvas, c. 1649. anonymous Dutch artist. King Charles I of England (1600-1649) was beheaded on 30th January 1649.

3AJ5HBH This 17th-century artwork remains anonymous, its origin and artist unrecorded. The piece reflects the style and techniques typical of the period.

2XBYCRP Pensinante del Saraceni, Still Life with Fruit and Carafe; 1615, oil on canvas; National Gallery of Art, Washington DC, USA

3BEKTTG A 17th-century painting of Saint Vincent Ferrier, attributed to an anonymous French artist. It is housed in the Musée du Louvre, Paris.

3BEKF4T This anonymous 17th-century portrait depicts a man in bust form. The subject is presented in a classical style, showcasing fine detail and realism typical of Baroque portraiture, with an emphasis on the sitter's features.

3BEMXR4 This 1600 painting, created by an anonymous French artist, depicts scenes from the lives of Saint Zosimus and Saint Mary of Egypt. The artwork illustrates the encounter of the two saints in the desert, a key moment in Christian monastic legend.

2WNM8B7 Still life - The Poor Man's Meal 1599-1601 Anonymous Master, Southern Netherlands, 1st quarter of the 17th century - Anonieme Meester, Zuid-Nederlands, 1ste kwart 17de eeuw Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.

2Y44WT8 Unknown painter from south Italy, Saint Catherine, 17th century, oil on canvas, Castello Ursino, Catania, Sicily, Italy.

2TCX7B1 A painting depicting a Procession on the occasion of the feast of the Immaculate Conception 1653 (Anonymous 1662) displayed in Seville Cathedral,Spain

3AHXX72 An anonymous 17th-century artist painted *Junge Dame* (Portrait of a Lady) around 1650-1680. The portrait, possibly depicting Françoise Madeleine d'Orléans, is housed in the Alte Pinakothek in Munich and is a fine example of Baroque portraiture.

3BEKBK1 This 17th-century portrait of Princess Elizabeth Stuart, created by an anonymous artist, reflects the fashion and royal portrait styles of the period, with intricate details and a dignified representation of the princess.

3BEJ9F9 This 17th-century portrait depicts Princess Anne, daughter of King Charles I of England. The artist remains anonymous, but the work reflects the royal fashion and portrait style of the time.

3BEKFC0 This early 17th-century portrait from the National Portrait Gallery depicts Robert III of Scotland, who ruled from 1390 to 1406. The artist remains unknown.

3AJ6NEW An anonymous artist painted the portrait of the priest Agostino Vecchio in 1601, located in the Church of Sant'Antonio Abate in Crema, Italy. This piece is a key example of religious portraiture in the late Renaissance period.

2TK45N8 Anonymous. Portrait of the Deceased, ca. 1650. Oil on canvas, 51 x 67 cm. Prado Museum. Madrid. Spain.

3AJ3BHW This 17th-century painting, attributed to an anonymous artist, depicts figures on a quay with ships in the background. The oil on panel work portrays a maritime scene with figures interacting in a port setting.

3AJ24YJ This 17th-century landscape painting, attributed to an anonymous artist, depicts a figure crossing a bridge over a river surrounded by dunes. The oil on panel work reflects the Dutch interest in natural landscapes.

3AJ49WH This anonymous 17th-century portrait of a woman captures her elegant features and attire. The painting, created in oil on canvas, reflects the style of the time, showcasing detailed brushwork and the fashion of the period.

3AJ0Y48 This 17th-century oil painting, attributed to Abraham van den Tempel, captures an anonymous woman's portrait, showcasing the period's distinctive style.

2J025ME Figures in Landscape. Korea, Korean, Joseon dynasty (1392-1910), 17th century. Paintings. Album leaf, ink and color on silk

2J003A8 Peasant with His Hand in His Cloak. Adriaen van Ostade (Holland, Haarlem, 1610-1685). Holland, 1638 (?). Prints; etchings. Etching

2HJ4H8Y Architectural Design Presenting Two Alternate Solutions (in two fragments) 17th century Anonymous, Italian, 17th century Italian. Architectural Design Presenting Two Alternate Solutions (in two fragments) 364535

2HJ4H0J Diogenes Throwing His Cup to the Ground 17th century Anonymous, French, 17th century French. Diogenes Throwing His Cup to the Ground 344405

2HJ451H Studies of Heads and Hands 17th century Anonymous, French, 17th century French. Studies of Heads and Hands 362299

2HJ4276 Madonna and Child in Glory 17th century Anonymous, 17th century. Madonna and Child in Glory 396214

2HJ3NPR Drawing for a Frieze with Rinceau and Grotteschi 17th century Anonymous, Italian, 17th century Italian. Drawing for a Frieze with Rinceau and Grotteschi 389333

2HJ3BWA The Choice of Hercules 17th century Anonymous, French, 17th century French. The Choice of Hercules 338781

2HJ38JK Design of an Urn with Figural Ornament. 17th century Anonymous, Italian, 17th century Italian. Design of an Urn with Figural Ornament. 368358

2HJ381E Study for a Picture 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Study for a Picture 340162

2HJ378P Allegory of Life late 16th–early 17th century Anonymous, Swiss, late 16th to early 17th century Swiss. Allegory of Life 380389 Artist: Anonymous, Swiss, late 16th to early 17th century, Allegory of Life, late 16th?early 17th century, Pen and grey ink, sheet: 2 1/4 x 2 15/16 in. (5.7 x 7.5 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.16)

2HJ32HT A Standing Cavalier late 16th–early 17th century Anonymous, Swiss, late 16th to early 17th century Swiss. A Standing Cavalier 380391 Artist: Anonymous, Swiss, late 16th to early 17th century, A Standing Cavalier, late 16th?early 17th century, Watercolor, gouache, and gold paint with traces of graphite, sheet: 2 13/16 x 1 13/16 in. (7.1 x 4.6 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.18)

2HJ31C7 Two Figures (recto); Standing Figure (Young Hercules?) (verso) 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Two Figures (recto); Standing Figure (Young Hercules?) (verso) 336474

2HJ2Y7D Female Figure with Horn 17th century Anonymous, Italian, 17th century Italian. Female Figure with Horn 389429

2HJ2N9K Two Standing Figures 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Two Standing Figures 336537

2HJ2K9H The Dead Christ 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. The Dead Christ 340380

2HJ2H61 Portrait of Cornelis de Vos 16th century Anonymous, Flemish, 17th century Flemish. Portrait of Cornelis de Vos 335507

2HJ2BDR Rustic Scene (recto); Landscape (verso) 17th century Anonymous, Italian, 17th century Italian. Rustic Scene (recto); Landscape (verso) 342171

2HJ2BB5 Man and Boys 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Man and Boys 340016

2HJ2354 Gentleman Holding a Crop 1629 Anonymous, French, 17th century French. Gentleman Holding a Crop 387247

2HJ20Y5 Piece 16th–17th century Italian. Piece 224579

2HJ20G9 Portrait of Matthias Buchinger (1674-1739) 1709 Anonymous. Portrait of Matthias Buchinger (1674-1739) 380418 Artist: Anonymous, Portrait of Matthias Buchinger (1674-1739), 1709, Etching, sheet: approx. 7 5/8 x 7 1/4 in. (19.4 x 18.4 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.45)

2HJ1Y2E Deathbed Scene 17th century Anonymous, Flemish, 17th century Flemish. Deathbed Scene 335862

2HJ1TJB Design for a Fireplace 1633 or after Anonymous, French, 17th century French This drawing reproduces a fireplace published in a print series by Melchior II Tavernier (French, Antwerp 1595-1665 Paris) in 1633. Eight years earlier, Tavernier had hired a young artist called Jean Barbet to record some of the latest novelties in interior design from in and around Paris, which were then etched by Abraham Bosse (French, Tours 1602/1604–1676 Paris). The rich and sculptural designs proved so popular, that shortly after their publication copies were made in The Netherlands, Germany and England. In additi

2HJ1RPX Saint Adoring the Madonna and Child 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Saint Adoring the Madonna and Child 340148

2HJ1PFM A Portrait of a Man 17th century Anonymous, Spanish, 17th century Spanish. A Portrait of a Man 336419

2HJ1JX9 The Conversion of Saint Paul 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. The Conversion of Saint Paul 336473

2HJ1HFF Trees and Rocks 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Trees and Rocks 340050

2HJ1G5C Group of Standing Female Saints (the Holy Virgins) 1500–1700 Anonymous, Italian, 16th to 17th century Italian This drawing entered the Met's collection with an incorrect attribution to Sodoma, which had been scribbled on the backing of the original sheet. A new attribution has been proposed to Filippo di Benedetto Paladini (ca. 1544-ca. 1614), one of the last Tuscan Mannerist painters, who worked in Malta between 1590 and 1595 (Vita Segreto, written communication, 9/2/2012). Dr. Segreto, who is publishing this rather finished drawing in her monograph on the artist, has also suggested that it r

2HJ1EXA Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso) 17th century Anonymous, Italian, Bolognese, 17th century Italian. Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso) 340003

2HJ166W Bust of a Woman looking right 17th century Anonymous, Spanish, 17th century Spanish. Bust of a Woman looking right. Anonymous, Spanish, 17th century. 17th century. Black chalk. Drawings

2HJ12XD Standing Male Nude 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Standing Male Nude 336694

2HJ0XRW Portrait of a Man 17th century Anonymous, French, 17th century French. Portrait of a Man 339875

2HHHGJP A Turkey Anonymous, Dutch Dutch. A Turkey 385465

2HHGHFJ A Saint Healing the Sick (recto); Upper Body of Nude Male with Outstretched Arms, seen from the rear (verso) 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. A Saint Healing the Sick (recto); Upper Body of Nude Male with Outstretched Arms, seen from the rear (verso) 340364

2HHFC03 Landscape with Two Figures Anonymous, French, 17th century French. Landscape with Two Figures 343669

2HHF686 The Lovers 17th century Anonymous, Italian, 17th century Italian. The Lovers 391579

2HHET06 Caricature of a Grandee 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Caricature of a Grandee 340110

2HHE8FE Virgin with a Palm Branch 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Virgin with a Palm Branch 340151

2HHCCRR Decorative Design 17th century Anonymous, Spanish, 17th century Spanish. Decorative Design 336416

2HHC5E1 Martyrdom of a Female Saint 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Martyrdom of a Female Saint 340062

2HHC4DR Flying Angel 17th century Anonymous, Italian, 17th century Italian. Flying Angel 389318

2HHC0M0 Martyrdom of Saint Lawrence 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Martyrdom of Saint Lawrence 340144

2HHBMYN Project for a Fountain 16th–17th century Anonymous, Italian, 16th to 17th century Italian. Project for a Fountain 389395

2HHBD28 Study of Nude Figure in Front View Looking Upward; Study of Torso and Left Arm 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Study of Nude Figure in Front View Looking Upward; Study of Torso and Left Arm 340375

2HHB51R The Mocking of Christ (recto); Exterior View of a Church (verso) 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. The Mocking of Christ (recto); Exterior View of a Church (verso) 340585

2HHAWPY Landscape with Figure Standing on a Bridge 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Landscape with Figure Standing on a Bridge 340044

2HHAPRM Groupe d'enfans 17th century Anonymous, French, 17th century French. Groupe d'enfans 344371

2HHAPD5 Landscape with a Bridge and a Village Church ca. 1600 (?) Anonymous, Flemish, 17th century Flemish. Landscape with a Bridge and a Village Church 396651

2HHAF4E Border Design with Saints 17th century Anonymous, Italian, 17th century Italian. Border Design with Saints 389482

2HHA7JY Interior scene with soldiers pillaging 17th century Attributed to Anonymous, 17th century. Interior scene with soldiers pillaging 383154 Artist: Attributed to Anonymous, 17th century, Interior scene with soldiers pillaging, 17th century, Pen and black ink, watercolour, gouache, sheet: 4 5/16 x 3 9/16 in. (11 x 9.1 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Fund, 1952 (52.567.1)

2HHA7FR A partially dressed man holding a bow in his left hand and pointing with his right, from the series 'Figurine' ca. 1656–1657 Salvator Rosa Italian. A partially dressed man holding a bow in his left hand and pointing with his right, from the series 'Figurine' 397931

2HH9X7T Madonna and Child with Saints 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Madonna and Child with Saints 339992

2HH9TC6 Mary Magdalen Washing Christ's Feet 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Mary Magdalen Washing Christ's Feet 340529

2HH9N52 Two Figures: Nude Youth on One Knee, Man Standing with Left Foot Raised 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Two Figures: Nude Youth on One Knee, Man Standing with Left Foot Raised 339993

2HH9G6R Christ and the Children 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Christ and the Children 340188

2HH989H Descent from the Cross 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Descent from the Cross 340599

2HH9801 Four Figures 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Four Figures 336451

2HH97WJ Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les B

2HH94DM Girl Playing a Lute 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Girl Playing a Lute 340181

2HH9089 Adoration of the Kings 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Adoration of the Kings 340221

2HH8XCA Head of a Girl 17th century Anonymous, Dutch, 17th century Dutch. Head of a Girl 335279

2HH8R7K Landscape with Ruins 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Landscape with Ruins. Anonymous, Italian, Roman-Bolognese, 17th century. 17th century. Pen and brown ink, brush and brown wash, on light tan paper. Drawings

2HH8PG9 A Girl's Head 17th century (?) Anonymous, Flemish, 17th century Flemish. A Girl's Head 335278

2HH8J7Y Oval Ornament Designs for Boxes 17th century Anonymous, French, 17th century French. Oval Ornament Designs for Boxes 359401

2HH8BGW Historical Scene 17th century Anonymous, French, 17th century French. Historical Scene 337482

2HH8AYB Man of Sorrows and Two Studies of Heads 17th century Anonymous, Flemish, 17th century Flemish. Man of Sorrows and Two Studies of Heads 381432 Artist: Anonymous, Flemish, 17th century, Man of Sorrows and Two Studies of Heads, 17th century, Pen and brown ink, red chalk; offset of a drawing in brush and black ink., sheet: 7 3/4 x 7 3/8 in. (19.7 x 18.8 cm). The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.241)

2HH864W Portrait of Marie de Gillier 17th century Robert Nanteuil French Part of a bound album containing 92 drawings and prints of anonymous and famous women of Europe.. Portrait of Marie de Gillier 378089

2HH7YXP Man Seated on the Ground, Writing 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Man Seated on the Ground, Writing 340090

2HH7XCR Bust of a Man Looking Left 17th century Anonymous, 17th century. Bust of a Man Looking Left 380400 Artist: Anonymous, 17th century, Former Attribution: Formerly attributed to Hans Rottenhammer the Younger, German, 1622?1668 Bamberg, Bust of a Man Looking Left, 17th century, Red chalk, sheet: 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.27)