Pesquisando por: "ABRAHAM LOUIS RODOLPHE DUCROS" - Fotoarena - Agência de fotojornalismo

2HHGRD4 Franconi, Twirling Flaming Cones 1768-1810 Abraham Louis Rodolphe Ducros Swiss. Franconi, Twirling Flaming Cones. Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne). 1768-1810. Pen and brown ink, watercolor, and white gouache. Drawings

2HH7RBM The Colosseum, Rome n.d. Abraham Louis Rodolphe Ducros Swiss. The Colosseum, Rome. Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne). n.d.. Pen and brown ink, watercolor, heightened with white. Drawings

2DHTK58 Ruins of the Basilica of Maxentius in the Roman Forum, Abraham Louis Rodolphe Ducros, 1748–1810, Swiss, 1779, Watercolor with pen and black ink over graphite on laid paper, Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm), arches, architectural subject, architecture, Grand Tour, horse (animal), landscape, men, ruins, Rome

2HW50P6 Art inspired by The Colosseum, Rome, n.d., Pen and brown ink, watercolor, heightened with white, 17 1/2 x 26 in. (44.4 x 66 cm.), Drawings, Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCD771 The Colosseum, Rome, Abraham Louis Rodolphe Ducros, n.d

2HW5BFF Art inspired by Franconi, Twirling Flaming Cones, 1768-1810, Pen and brown ink, watercolor, and white gouache, 19 x 12 3/4 in. (48.3 x 32.4 cm), Drawings, Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC9PRW Franconi, Twirling Flaming Cones, Abraham Louis Rodolphe Ducros, 1768-1810

2HW6RMF Art inspired by Interior of the Baths at Caracalla, ca. 1780, Etching, with watercolor and gouache, Mat: 23 5/16 × 32 5/16 in. (59.2 × 82.1 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6RM1 Art inspired by Interior of the Baths at Caracalla, ca. 1780, Etching, with watercolor and gouache, Mat: 31 1/8 × 23 1/4 in. (79 × 59 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW6RM5 Art inspired by Garden of Palazzo Colonna, ca. 1780, Etching, with watercolor and gouache, Mat: 23 7/16 × 31 15/16 in. (59.5 × 81.2 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXM5D Art inspired by Villa Montalto Negroni, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 3/16 in. (59 × 81.8 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXM5A Art inspired by Villa Borghese, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 1/4 in. (59.1 × 81.9 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXM5X Art inspired by Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXM5N Art inspired by Villa Pamphili, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/8 × 32 5/16 in. (58.7 × 82 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXM5C Art inspired by Villa Farnese, ca. 1780, Etching, with watercolor and gouache, Mat: 32 1/4 × 23 1/2 in. (81.9 × 59.7 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC7NXP Villa Borghese, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 1/4 in. (59.1 × 81.9 cm), Prints, Giovanni

KC7NXR Interior of the Baths at Caracalla, Giovanni Volpato, ca. 1780

KC7NXE Garden of Palazzo Colonna, Giovanni Volpato, ca. 1780

KC7NXJ Villa Farnese, ca. 1780, Etching, with watercolor and gouache, Mat: 32 1/4 × 23 1/2 in. (81.9 × 59.7 cm), Prints, Giovanni

KC7NXH Villa Pamphili, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/8 × 32 5/16 in. (58.7 × 82 cm), Prints, Giovanni

KC7NXD Villa Montalto Negroni, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 3/16 in. (59 × 81.8 cm), Prints

KC7NXC Interior of the Baths at Caracalla, Giovanni Volpato, ca. 1780

KC7NX2 Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni

2WDXG2A Abraham-Louis-Rodolphe Ducros - View of Grand Harbour.

2E41WXF Abraham Louis Rodolphe Ducros, 1748â€“1810, Swiss, Ruins of the Basilica of Maxentius in the Roman Forum, 1779. Watercolor with pen and black ink over graphite on laid paper. arches , architectural subject , architecture , Grand Tour , horse (animal) , landscape , men , ruins. Rome

MP8YT5 . English: Panoramic View of the Greek Amphitheatre at Syracuse . 18th century. Abraham-Louis-Rodolphe Ducros 957 Panoramic View of the Greek Amphitheatre at Syracuse

2WDXG0X Abraham-Louis-Rodolphe Ducros - Baia, interno Tempio di Mercurio.

2WCJN6P A Capriccio with Roman Architecture with Trajan's column Abraham-Louis-Rodolphe Ducros c.1785.

2WB7PKM ''Veduta di Messina dopo il terremoto del 1783'' (1789) di Abraham-Louis-Rodolphe Ducros (1748-1810).

2WB7NYJ ''The Temple of Apollo (Paestum)'' (1789) by Abraham-Louis-Rodolphe Ducros (Moudon, 1748 - Lausanne, 1810).

2W9HWET The Colosseum, Rome 1987 by Abraham Louis Rodolphe Ducros

2W9HTPW Franconi, Twirling Flaming Cones 1967 by Abraham Louis Rodolphe Ducros

2TCX35D Interior of the Baths at Caracalla 2009 by Abraham Louis Rodolphe Ducros

2TCX35B Villa Farnese 2009 by Abraham Louis Rodolphe Ducros

2TCX35C Villa Borghese 2009 by Abraham Louis Rodolphe Ducros

2TCX357 Villa Montalto Negroni 2009 by Abraham Louis Rodolphe Ducros

2TCX358 Garden of Palazzo Colonna 2009 by Abraham Louis Rodolphe Ducros

2TCX359 Villa Pamphili 2009 by Abraham Louis Rodolphe Ducros

2TCX356 Interior of the Baths at Caracalla 2009 by Abraham Louis Rodolphe Ducros

2TCX355 Arch of Titus 2009 by Abraham Louis Rodolphe Ducros

2T2F2YC The Colosseum, Rome Abraham Louis Rodolphe Ducros Swiss n.d. View more. The Colosseum, Rome. Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne). n.d.. Pen and brown ink, watercolor, heightened with white. Drawings

2RRJ3FP Panorama from Collis Minervalis, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F3 Interior with steps from theatre in Syracuse, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FN Panorama with city of Trapani and surroundings, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FE View of Port and Bastion in Palermo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3G3 View of the town of Ghozo on the island of Gozo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3G0 Mussel fishermen on Mar Piccolo near the fortifications of Taranto, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FY New moat of the fortifications in Taranto, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F8 View of the port from via Luogovivo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EN View of Barletta located on the coast, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3D3 View of Aqueduct and the city of Taranto, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FA Monument of Phoenicians or Carthaginians on Gozo from a different perspective, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EW View of rock detached from shore in a cove on Gozo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DX First Sicilians who see the travelers, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3CY View of Fort St. Angelo near the port of Malta and Peninsula Senglea, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FH Procession in the vicinity of Cerignola, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3G2 View of the castle in the port of Barletta, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EA Port of Barletta with ships, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EG Concorde temple within walls of old Agrigentum, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3ED Coral fishermen off the coast of Sicily at Terranova, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3E8 French brigantine ship l'Heureuse Marianne on tour from Valetta to Agrigento, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DR View of Fort St. Angelo with galley ships in the harbour, Malta, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3C2 Dining room of the inn in Barletta, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F1 View of a wharf in the port with ships in Malta, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FK Stop at the Grotta delle Capre on the border at Nemorosa and Fredda, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FF People on board the ship l'Heureuse Marianne, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3CF Tour company sedan chair overturns near river Platini, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3ET View of Taranto and harbour of Luogo Vivo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FR View from the Grotta delle Capre, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FM Monument of Phoenicians or Carthaginians on Gozo Island, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F9 View of the salt pans of Trapani, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FW Ancient sarcophagus as a fountain in Messina, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EH Remarkable lava rocks from 1669 at the city walls of Catania, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3E2 View of harbour with galleon near the wharf, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DE View of unfinished Citta Nuova at Ras il-Qala bay on Gozo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DM View of the Gulf of Gaeta opposite the posthouse at Gaeta pier, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F6 View of the large port of Palermo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FB Members of the tour group in conversation with the princess of Biscari, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DJ View of the old palace of the Count of Egmont-Pignatelli in Cerignola, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FJ Monument of Phoenicians or Carthagenians on the island of Gozo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DN View of the port of Bari on the south side, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EC View of Canosa Bridge over the Ofanto River in Puglia, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FT Negotiation between the guide of travel group and mule drivers for journey to Etna, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EY Classic column in the port of Brindisi, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DY View of the port of Trani from the water, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DK Damaged image and inscriptions bricked into wall of castle in the city of Gozo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F0 View of the harbour at Trapani,, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3D1 Dancing Maltese sailors, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DA Part of Latomia caves at Syracuse, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EB Castle of Aci Castello on a lava rock off the coast of Catania, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3DD View of the Monto Rosso at San Nicolo l'Arena monastery close to Nicolosi, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EJ View of Brucoli Castle, "La Bruca", 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3ER Meeting of sailors of the speronaras from Malta, at Catania, 1778. (The speronara was a type of small merchant craft originating from Malta). Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3C7 Wall of the Oreille de Denys cave, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3FC View of rock with hole on small island of Comino near Gozo, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F4 View near the church of Saint Blaise, built on the remains of the temple of Demeter, in Agrigento, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3EM Roman camp within the walls of Agrigentum with the Temple of Asclepius, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3G1 Old sarcophagus used as a fountain in Messina, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3F2 View of Taranto's fortifications, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.

2RRJ3D5 View of the roadstead with ships anchored at Bari, 1778. Drawing from the album 'Voyage to Italy, Sicily and Malta'.