Pesquisando por: "ABBOTT H. THAYER" - Fotoarena - Agência de fotojornalismo

2K56YNJ Caritas by Abbott H Thayer US artist. Abbott Handerson Thayer one of the well-known artists in the United States during the 1890s

2WCJT0E A Dream - Charles C. Curran. Michaelmas daisies - F.D. Millet. Brother and sister - Abbott H. Thayer. Variations in flesh-color and green-the balcony - James McNeill Whistler. Pottery market

2R8F834 Dublin, N.H., booklet by George Willis Cooke reprinted from New England Magazine, August 1899 n.d. by Abbott Handerson Thayer, born Boston, MA 1849-died Dublin, NH 1921

2M937TE Girl in Fur Hood (Head of a Woman with Fur-Lined hood) Abbott H. Thayer (American, 1849-1921). Girl in Fur Hood (Head of a Woman with Fur-Lined hood), ca. 1908. Oil on canvas, 21 x 17 1/16 in. (53.3 x 43.3 cm). American Art ca. 1908

2M937T9 Girl in Fur Hood (Head of a Woman with Fur-Lined hood) Abbott H. Thayer (American, 1849-1921). Girl in Fur Hood (Head of a Woman with Fur-Lined hood), ca. 1908. Oil on canvas, 21 x 17 1/16 in. (53.3 x 43.3 cm). American Art ca. 1908

2M934GH Chadwick's Dog Abbott H. Thayer (American, 1849-1921). Chadwick's Dog, 1874. Oil on canvas, 20 1/2 x 16 9/16 in. (52 x 42 cm). American Art 1874

2M934HF Chadwick's Dog Abbott H. Thayer (American, 1849-1921). Chadwick's Dog, 1874. Oil on canvas, 20 1/2 x 16 9/16 in. (52 x 42 cm). American Art 1874

2M931XT Jessie Jay Burge Abbott H. Thayer (American, 1849-1921). Jessie Jay Burge, ca. 1880. Oil on canvas, 19 15/16 x 15 15/16 in. (50.6 x 40.5 cm). American Art ca. 1880

2M931Y9 Jessie Jay Burge Abbott H. Thayer (American, 1849-1921). Jessie Jay Burge, ca. 1880. Oil on canvas, 19 15/16 x 15 15/16 in. (50.6 x 40.5 cm). American Art ca. 1880

2M931YP Jessie Jay Burge Abbott H. Thayer (American, 1849-1921). Jessie Jay Burge, ca. 1880. Oil on canvas, 19 15/16 x 15 15/16 in. (50.6 x 40.5 cm). American Art ca. 1880

2M931NR William Michael Spartali Stillman Abbott H. Thayer (American, 1849-1921). William Michael Spartali Stillman, ca. 1905-1915. Oil on canvas, 26 15/16 x 24 9/16 in. (68.5 x 62.4 cm). American Art ca. 1905-1915

2M931PE William Michael Spartali Stillman Abbott H. Thayer (American, 1849-1921). William Michael Spartali Stillman, ca. 1905-1915. Oil on canvas, 26 15/16 x 24 9/16 in. (68.5 x 62.4 cm). American Art ca. 1905-1915

2M931P5 William Michael Spartali Stillman Abbott H. Thayer (American, 1849-1921). William Michael Spartali Stillman, ca. 1905-1915. Oil on canvas, 26 15/16 x 24 9/16 in. (68.5 x 62.4 cm). American Art ca. 1905-1915

2M92P3F Head of a Boy (Recto) and Head of a Girl (Verso) Abbott H. Thayer (American, 1849-1921). Head of a Boy (Recto) and Head of a Girl (Verso), ca. 1918-1919. Oil on board, 25 13/16 x 24 in. (65.5 x 61 cm). American Art ca. 1918-1919

2M92P3E Head of a Boy (Recto) and Head of a Girl (Verso) Abbott H. Thayer (American, 1849-1921). Head of a Boy (Recto) and Head of a Girl (Verso), ca. 1918-1919. Oil on board, 25 13/16 x 24 in. (65.5 x 61 cm). American Art ca. 1918-1919

2M92P42 Head of a Boy (Recto) and Head of a Girl (Verso) Abbott H. Thayer (American, 1849-1921). Head of a Boy (Recto) and Head of a Girl (Verso), ca. 1918-1919. Oil on board, 25 13/16 x 24 in. (65.5 x 61 cm). American Art ca. 1918-1919

2M92P33 Head of a Boy (Recto) and Head of a Girl (Verso) Abbott H. Thayer (American, 1849-1921). Head of a Boy (Recto) and Head of a Girl (Verso), ca. 1918-1919. Oil on board, 25 13/16 x 24 in. (65.5 x 61 cm). American Art ca. 1918-1919

2M92DHC My Children Abbott H. Thayer (American, 1849-1921). My Children, ca. 1896-1910. Oil on canvas, 48 1/16 x 60 3/8 in. (122.1 x 153.3 cm). Although Abbott Handerson Thayer's children (Gladys, Mary, and Gerald, left to right) modeled for this painting, it does not look like a standard portrait, and the children's actual identities may have little to do with Thayer's overall aims for the work. The painting was not intended to convey a particular religious content, but its composition and elaborate frame recall Italian Renaissance altarpieces showing the Virgin Mary with saints. Other elements such

2M92DHR My Children Abbott H. Thayer (American, 1849-1921). My Children, ca. 1896-1910. Oil on canvas, 48 1/16 x 60 3/8 in. (122.1 x 153.3 cm). Although Abbott Handerson Thayer's children (Gladys, Mary, and Gerald, left to right) modeled for this painting, it does not look like a standard portrait, and the children's actual identities may have little to do with Thayer's overall aims for the work. The painting was not intended to convey a particular religious content, but its composition and elaborate frame recall Italian Renaissance altarpieces showing the Virgin Mary with saints. Other elements such

2M92AJC The Cotton-Tail Rabbit among Dry Grasses and Leaves Gerald H. Thayer (American, 1883-1935). The Cotton-Tail Rabbit among Dry Grasses and Leaves, 1904. Opaque watercolor with touches of translucent watercolor and graphite on smooth-textured paper-surfaced pulpboard, 18 3/4 x 19 1/2 in. (47.6 x 49.5 cm). The artist-naturalist Abbott Handerson Thayer (1849–1921) used assistants, including his wife, Emma, and his son Gerald, to help illustrate his book on animal camouflage, Concealing-Coloration in the Animal Kingdom (1909). This meticulously rendered watercolor demonstrates “countershading,” by

2M92AJ7 The Cotton-Tail Rabbit among Dry Grasses and Leaves Gerald H. Thayer (American, 1883-1935). The Cotton-Tail Rabbit among Dry Grasses and Leaves, 1904. Opaque watercolor with touches of translucent watercolor and graphite on smooth-textured paper-surfaced pulpboard, 18 3/4 x 19 1/2 in. (47.6 x 49.5 cm). The artist-naturalist Abbott Handerson Thayer (1849–1921) used assistants, including his wife, Emma, and his son Gerald, to help illustrate his book on animal camouflage, Concealing-Coloration in the Animal Kingdom (1909). This meticulously rendered watercolor demonstrates “countershading,” by

2M92AHW The Cotton-Tail Rabbit among Dry Grasses and Leaves Gerald H. Thayer (American, 1883-1935). The Cotton-Tail Rabbit among Dry Grasses and Leaves, 1904. Opaque watercolor with touches of translucent watercolor and graphite on smooth-textured paper-surfaced pulpboard, 18 3/4 x 19 1/2 in. (47.6 x 49.5 cm). The artist-naturalist Abbott Handerson Thayer (1849–1921) used assistants, including his wife, Emma, and his son Gerald, to help illustrate his book on animal camouflage, Concealing-Coloration in the Animal Kingdom (1909). This meticulously rendered watercolor demonstrates “countershading,” by

2M9242R The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M92432 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9242E The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M92431 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9242D The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M92424 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9242N The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M92422 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M92423 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9242H The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9241W The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9241K The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M9241X The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M923X6 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M923X7 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M923X5 The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2M923XM The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayer’s biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rend

2JNA5PC Girl in Fur Hood (Head of a Woman with Fur-Lined hood) - Abbott H. Thayer

2HKK6TY Art inspired by My Children, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1896-1910, 48 1/16 x 60 3/8 in., 122.1 x 153.3 cm, altarpeice, bare arms, children, Dramatic, oil on canvas, painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HKK539 Art inspired by Girl in Fur Hood, Head of a Woman with Fur-Lined hood, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1908, 21 x 17 1/16 in., 53.3 x 43.3 cm, 1849-1921, 1908, Abbott, Abbott H Thayer, Abbott H. Thayer, American, american painting, angry, canvas, coat, cold, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HKK4X6 Art inspired by Jessie Jay Burge, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1880, 19 15/16 x 15 15/16 in., 50.6 x 40.5 cm, American Painting, female, Jessie Jay Burge, painting, portrait, woman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HKK3MG Art inspired by The Sisters, Abbott H. Thayer, American, 1849-1921, Oil on canvas, 1884, 54 5/16 x 36 1/4 in., 138 x 92.1 cm, 1884, American Painting, book, dress, female figures, hands, oil on canvas, painting, portrait, Sisters, two women, woman, women and books, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HKK33H Art inspired by Head of a Boy, Recto and Head of a Girl, Verso, Abbott H. Thayer, American, 1849-1921, Oil on board, ca. 1918-1919, 25 13/16 x 24 in., 65.5 x 61 cm, girl, ndd12, Oil on board, painterly, painting, portrait, woman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HKK314 Art inspired by Chadwick's Dog, Abbott H. Thayer, American, 1849-1921, Oil on canvas, United States, 1874, 20 1/2 x 16 9/16 in., 52 x 42 cm, 1874, American, Animal, Dog, oil on canvas, painting, Pet, pooch, portrait, shadows, somber, terrier, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HKK273 Art inspired by William Michael Spartali Stillman, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1905-1915, 26 15/16 x 24 9/16 in., 68.5 x 62.4 cm, 20th century, american art, brooding, male, oil on canvas, painting, portrait, thayer, william michael spartali stillman, young, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HK50KK Inspired by My Children, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1896-1910, 48 1/16 x 60 3/8 in., 122.1 x 153.3 cm, altarpeice, bare arms, children, Dramatic, oil on canvas, painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HK4TN9 Inspired by Girl in Fur Hood, Head of a Woman with Fur-Lined hood, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1908, 21 x 17 1/16 in., 53.3 x 43.3 cm, 1849-1921, 1908, Abbott, Abbott H Thayer, Abbott H. Thayer, American, american painting, angry, canvas, coat, cold, dark, early 20th, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HK4T3A Inspired by Jessie Jay Burge, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1880, 19 15/16 x 15 15/16 in., 50.6 x 40.5 cm, American Painting, female, Jessie Jay Burge, painting, portrait, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HK4NR0 Inspired by The Sisters, Abbott H. Thayer, American, 1849-1921, Oil on canvas, 1884, 54 5/16 x 36 1/4 in., 138 x 92.1 cm, 1884, American Painting, book, dress, female figures, hands, oil on canvas, painting, portrait, Sisters, two women, woman, women and books, x-ray, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HK4M4R Inspired by Head of a Boy, Recto and Head of a Girl, Verso, Abbott H. Thayer, American, 1849-1921, Oil on board, ca. 1918-1919, 25 13/16 x 24 in., 65.5 x 61 cm, girl, ndd12, Oil on board, painterly, painting, portrait, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HK4M3D Inspired by Chadwick's Dog, Abbott H. Thayer, American, 1849-1921, Oil on canvas, United States, 1874, 20 1/2 x 16 9/16 in., 52 x 42 cm, 1874, American, Animal, Dog, oil on canvas, painting, Pet, pooch, portrait, shadows, somber, terrier, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HK4JDP Inspired by William Michael Spartali Stillman, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1905-1915, 26 15/16 x 24 9/16 in., 68.5 x 62.4 cm, 20th century, american art, brooding, male, oil on canvas, painting, portrait, thayer, william michael spartali stillman, young man, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

2HGJRX4 Abbott H. Thayer - The Sisters

2HCJ82G Caritas, Abbott H. Thayer (1898-1931) print in high resolution by Abbott Handerson Thayer.

2HB25N8 My Children, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1896-1910, 48 1/16 x 60 3/8 in., 122.1 x 153.3 cm, altarpeice, bare arms, children, Dramatic, oil on canvas, painting

2HB22H2 Girl in Fur Hood, Head of a Woman with Fur-Lined hood, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1908, 21 x 17 1/16 in., 53.3 x 43.3 cm, 1849-1921, 1908, Abbott, Abbott H Thayer, Abbott H. Thayer, American, american painting, angry, canvas, coat, cold, dark, early 20th century painting, female, fur, fur-lined, girl, Girl in Fur Hood, head, hood, intense, lady, Oil, oil painting, painting, portrait, scowl, Thayer, woman

2HB223T Jessie Jay Burge, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1880, 19 15/16 x 15 15/16 in., 50.6 x 40.5 cm, American Painting, female, Jessie Jay Burge, painting, portrait, woman

2HB1XW5 The Sisters, Abbott H. Thayer, American, 1849-1921, Oil on canvas, 1884, 54 5/16 x 36 1/4 in., 138 x 92.1 cm, 1884, American Painting, book, dress, female figures, hands, oil on canvas, painting, portrait, Sisters, two women, woman, women and books, x-ray

2HB1W6F Head of a Boy, Recto and Head of a Girl, Verso, Abbott H. Thayer, American, 1849-1921, Oil on board, ca. 1918-1919, 25 13/16 x 24 in., 65.5 x 61 cm, girl, ndd12, Oil on board, painterly, painting, portrait, woman

2HB1W5W Chadwick's Dog, Abbott H. Thayer, American, 1849-1921, Oil on canvas, United States, 1874, 20 1/2 x 16 9/16 in., 52 x 42 cm, 1874, American, Animal, Dog, oil on canvas, painting, Pet, pooch, portrait, shadows, somber, terrier

2HB1RC7 William Michael Spartali Stillman, Abbott H. Thayer, American, 1849-1921, Oil on canvas, ca. 1905-1915, 26 15/16 x 24 9/16 in., 68.5 x 62.4 cm, 20th century, american art, brooding, male, oil on canvas, painting, portrait, thayer, william michael spartali stillman, young man

2G377WG Caritas, Abbott H. Thayer (1898–1931) print in high resolution by Abbott Handerson Thayer.

2FN8WY5 Brother and Sister (Mary and Gerald Thayer), 1889.

2CPHJ7G . Bird-life; a guide to the study of our common birds . which conform to the generallaw of protective coloration. There are, it is true, excep-tions, but every close student of bird-life must be so im-pressed with the dangers to which birds are exposed, thathe can not doubt that the chief object of color is usuallyfor its wearers concealment. The term protective coloration has lately receivedfresh significance through the studies of Mr. Abbott H.Thayer.* Mr. Thayer proves conclusively that protect-ive coloration lies not so much in an animals resem-blance in color to its surroundings as in its

2CNTPA8 . Bird-life : a guide to the study of our common birds . f which conform to the generallaw of protective coloration. There are, it is true, excep-tions, but every close student of bird-life must be so im-pressed with the dangers to Mhich birds are exposed, thathe can not doubt that the chief object of color is usuallyfor its wearers concealment. The term protective coloration has lately receivedfresh significance through the studies of Mr. Abbott H.Thayer.* Mr. Thayer proves conclusively that protect-ive coloration lies not so much in an animals resem-blance in color to its surroundings as in

2CNGJFW . Bird-lore . SNOWY OWL Property of F. F. Brewster (281) 282 Bird-Lore In 1898 therefore he went with Abbott H. Thayer, under whom he wasstudying, Gerald Thayer and Charles R. Knight, to Florida. The followingyear, as a member of the Harriman Expedition to Bering Sea, he had excep-tional opportunities to meet in life many boreal birds which had been studiedby few, if any, bird artists. The reports of this expedition contain some of thestudies made on this trip. In 1901 he accompanied a party of the BiologicalSurvey into western Texas. In 1903 he studied in California and Nevada; in1904 in Jama

2CNGF9K . Bird-lore . SECOXD-GRADE JUNIOR AUDUBON CLASS, FORSYTH, GEORGIA,MRS. T. C. PORCH, TEACHER (311). ABBOTT HANDERSON THAYER (312) The Audubon Societies 313 HONOR TO ABBOTT H. THAYER It is not generally known that the sys- New York 2 tern of protecting by wardens such of our ir-^^- J.^^^^y ^ ,., ^. ,.,. .. , Virginia 8 birds as breed in colonies was originated North Carolina 4 by the artist, Abbott H. Thayer. Florida 4 In speaking of Mr. Thayers efforts in Texas i this matter, Mr. Dutcher wrote in The Auk Michigan i (1901, page 76): The thought of this special [warden] protection was his alone,

2CNDNJW . Bird-life: a guide to the study of our common birds . which conform to the generallaw of protective coloration. There are, it is true, excep-tions, but every close student of bird-life must be so im-pressed with the dangers to which birds are exposed, thathe can not doubt that tlie chief object of color is usuallyfor its wearers concealment. The term protective coloiation has lately receivedfresh significance through the studies of Mr. Abbott H.Thayer.* Mr. Thayer proves conclusively that protect-ive coloration lies not so much in an animals resem-blance in colov to its surroundings as in it

2CDFM59 . A short history of art . ous stream of American students. Among the earliest were Kenyon Cox, J. Alden Weir, JohnF. Weir, Will H. Low, and Abbott H. Thayer. The gradualreturn of these students from Paris and Munich combined withthe Philadelphia International Exposition of 1876 to createa great artistic stir. The pictures and other art-productsfrom foreign countries opened up to the American imagina-tion a new consciousness of the beauty and value of art.In the year following, under the leadership of John LaFarge, was formed the Society of American Artists. Itsmembership included the names ab

2AX4C4X Olio . ge. ©cove fl>octs. 8i, S. J. Murphy, S2, Fred Whiting, S3, A. I). Noyes, 84, W. S. Rossiter, 85, K. W. Hubbard, 86, W . C. Fitch, 87, W. 1. White, 88, A. s. Bard, 89, w i:. Clarke, gO, c. A. 1 (urgin, >i, G. 1.. Leonard,?92, K. S. Brooks, 93, W. II. Wood, 94, II. I. lord. i . A. Andrews. ?a:, 78, D. H. Colcord, 79. H. C. Folger, So, E. S. Farrington Si, W . L. Robbins, 32, L. H. Thayer, 83, G. E. Hooker, 7S, W. D. P. Bliss, 79, L. L. Ward, So, P. T. Farwell, Si, L. J. Goodrich, S2 i F. L. Nason, S3, Williston Walker 1(v»b ©raters. 84, E. M. Bassett, 85, H. V. Abbott, 86, E. T. Fo

2AJEF2A International studio . weden, Den-mark, Italy, Spain, Norway, Russia,Belgium, Switzerland and Canada. There was also shown at the same time in agallery apart from the paintings a col-lection of Rodin bronzes, including anumber of the masters important works. The gold medal carrying with it aprize of fifteen hundred dollars wasawarded to Mr. Abbott H. Thayer, ofNew Hampshire, for his three-quarterfigure of A Young Woman in Olive Plush ;to Mr. Algernon Talmage, of London,was awarded the silver medal and onethousand dollars for his figure entitledBy the Cornish Sea ; to Mr. Walter Ufer,of Chicago

2AA8457 1905-1915. Known as the 'art reproduction' series.; Caritas, Abbott H. Thayer

WA76YE A Dream / Charles C. Curran. Michaelmas daisies / F.D. Millet. Brother and sister / Abbott H. Thayer. Variations in flesh-color and green--the balcony / James McNeill Whistler. Pottery market at Nuremberg / Louis C. Tiffany

RJBW99 . C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. hQ i'. 9^ }k . Abbott H. Thayer, MotÂ»a<lnock, N. HÂ«

REC7DD . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). PLATE I. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC7C1 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). Fig. 10. Rocky Mountain White-tailed Ptarmigan in winter plumage, on snow but itavorably lighted for ineonspicuousness. Photographed from life by E. R. Warren.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson

REC7BG . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC7AW . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC79X . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). PLATE II. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC7A3 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). Fig. 32. Nesting female Buffed Grouse. Photographed from life by James R. Miller.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, fo

REC79B . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC79G . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC797 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). FlCk 39. Rocky Mountain White-tailed Ptarmigan iu transitional plumage, against snow-brindled ground. Photographed from life by Edward R. Warren.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; T

REC78J . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). Fig. 42. Rocky Mountain White-tailed Ptarmigan among pebbles, rocks and grasses. (Female and chick.) [C Photographed from life by Edward H. "Warren.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883

REC78X . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC789 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC78D . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC747 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). Fig. 48. Young Short-eared Owls, in their nest on the ground. Photographed from life by Cherry and Richard Kearton.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-

REC738 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC73F . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC736 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC73J . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). PLATE IV. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC73N . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). PLATE III. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC734 . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC73D . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). e-co] ther ugh mids M o re ne -4-3 03 S-l r-t o ro o 3 on e) rt ft CD -u re Cp H H • 1—1 0. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b.

REC72W . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). Fig. 65. Part of a Goshawk's wing seen from below against, pine twigs and sky. [Of. Figs. 64 and 66.]. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum,

REC72M . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.

REC72Y . Concealing-coloration in the animal kingdom; an exposition of the laws of disguise through color and pattern: being a summary of Abbott H. Thayer's discoveries. Animals; Camouflage (Biology). . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Thayer, Gerald Handerson, 1883-1939; Thayer, Abbott Handerson, 1849-1921; Ketchum, Howard, b. 1902, former owner. DSI. New York, The Macmillan Co.