Pesquisando por: "Artwork of " - Fotoarena - Agência de fotojornalismo

412-42476 Teenage boys in high school art class

902_05_12513297highres The Sheldonian Theatre, located in Oxford, England, was built from 1664 to 1669 after a design by Christopher Wren for the University of Oxford. The building is named after Gilbert Sheldon, chancellor of the University at the time and the project's main financial backer. It is used for music concerts, lectures and University ceremonies, but not for drama until 2015 when the Christ Church Dramatic Society staged a production of The Crucible. There are thirteen square pillars topped by head-and-shoulder busts marking the front boundary of the Sheldonian and erected when it was built in 1662-8. When the Old Ashmolean (now the Museum of the History of Science) was built next door in 1679-83, another four matching heads were carved to go in front of that; Oxford, England

902_05_12511026highres Magic lantern slide circa 1900, Victorian, shelling of the Cathedral of Reims by German troops, 1914

902_05_12510898highres Lyrics to the Navy hymn 'Eternal Father, Strong to Save' with a background of ships on the ocean

902_05_12510897highres Lyrics to the Navy hymn 'Eternal Father, Strong to Save' with a background of ships on the ocean

902_05_12510892highres Lyrics to the Navy hymn 'Eternal Father, Strong to Save' with a background of ships on the ocean

902_05_12513220highres Black and white image of Jesus Christ carrying His cross, and the words 'in his steps' and 'what would Jesus do?'

902_05_12510895highres A verse from the navy hymn 'Eternal Father, Strong to Save' on a background of ships on the ocean

902_05_12529161highres A painted or stained glass window depicting two Saxon earls of Merica and seven Norman earls of Chester. From Old England: A Pictorial Museum, published 1847.

hx04664 Artists discussing painting in apartment

902_05_12280447HighRes Profile of an ancient Captain, aka Condottiero, The Warlord, circa 1472, after Leonardo da Vinci, 1452-1519, drawing in silverpoint on prepared paper.

902_05_12320765HighRes Old mother goose and her son Jack from Old Mother Goose's Rhymes and Tales Illustration by Constance Haslewood Published by Frederick Warne & Co London and New York circa 1890s Chromolithography by Emrik & Binger of Holland

902_05_12320766HighRes Illustration of girl and boy from Old Mother Goose's Rhymes and Tales by Constance Haslewood Published by Frederick Warne & Co London and New York circa 1890s Chromolithography by Emrik & Binger of Holland

902_05_12310265HighRes Fresco in the nave of Santa Maria Antiqua, Rome, Italy depicting the head of Saint Abbacyrus or Abba Cyrus, of Alexandria. From Roma Sacra, published 1925.

902_05_12280540HighRes Different types of Quadrupeds, including bulls, horses, boars, hogs and rhinoceros. From an 18th century print

902_05_12320763HighRes Cover from Old Mother Goose's Rhymes and Tales Illustration by Constance Haslewood Published by Frederick Warne & Co London and New York circa 1890s. Chromolithography by Emrik & Binger of Holland

4041_rf_14_efs6440 Monument to Bolshevik Commissar Ivan Malyshev, Ekaterinburg, Russia

990_16_6-Babies-Eat_4HR Japan: c. 1804. Woodblock print of Yamauba breast feeding Kintaro, who was a folk hero in Japanese folklore.

990_16_3-Rite-Hol-C-M_2HR Beverly Hills, California: December 22, 1949. This Beverly Hills resident is putting the finishing touches on her Christmas window decoration of Santa asleep in a chair.

412-19591 Living room and kitchen of rustic house

955_24_12177356 China, Hong Kong, row of Chinese seals or chops, carved stone stamps topped with animal statuettes, front view

925_07_MW017880 Sculptures on the roof of a temple, in Himachal Pradesh

925_07_MW020116 The 55 window palace, at Bhaktapur Durbar Square, in Nepal

967_04_00001310 Malignant Tumor Brain MRI

925_09_MW022691 A boy shows his artwork, during an art class, at a BRAC Non Formal Primary School (NFPE), in the Munuki neighbourhood of Juba, the capital of South Sudan

925_09_MW022690 A boy shows his artwork, during an art class, at a BRAC Non Formal Primary School (NFPE), in the Munuki neighbourhood of Juba, the capital of South Sudan

925_07_MW023345 A stone image of a musician on the wall of Konark Temple, in Orissa, India

925_07_MW023344 Stone images on the wall of Konark Temple, in Orissa, India

925_07_MW023343 Stone images on the wall of Konark Temple, in Orissa, India

925_14_MW023341 Terracotta image of a dancer on the wall of The Konrak Natyashala (dance school) and Gurukul (home of the master) at Arka Vihara, in Puri district in Orissa, India

925_14_MW023340 Terracotta image of a musician on the wall of The Konrak Natyashala (dance school) and Gurukul (home of the master) at Arka Vihara, in Puri district in Orissa, India

971_07_FR159022A Fernand Lateger's artwork in Notre-Dame of toute Grace church

971_07_AT394257A The Verdun Altar

948_05_00414089 Only in relation to his town hall Dusseldorf is not modern. The ancient building dates from the 16th century and is no longer enough for a long time the real needs. Besides that, it is a very beautiful building full of character. Prior gravely rides the most famous of the old Elector Johann Wilhelm II (Jan Wellem) on the splendid horses, created by Grupellos Meier hand in eternity therefore. This is one of the most beautiful equestrian monuments that we know, a special ornament of a city full of artworks. Jan Wellem was a very popular ruler. He has worked with his divine right not think it inconsistent, even now and in the original Düsseldorf's Old Town pubs to keep quiet contemplation.

948_05_01252816 We show here an example of a Salbbüchse, which is made of two pieces of alabaster. The heads of the prisoners are below black stone in the African and from red at the Asians. The tongue of the lion on the lid is made just like the hinges and heads made ??from red colored ivory. The hunting scenes and floral ornaments are cut into the stone and painted in color. In this Salbbüchse you notice the way an influence of Mittlelmeer Art on the Egyptian. It is certainly as beautiful as strange artwork.

948_05_01252832 While wandering we recognize that not all works of art are originals. We find a very glorious fine head of a princess from the time around 1360. Has the peculiar, one might say, unearthly train in the face, how to show him a lot of Greek female figures.

948_05_01252814 From King Tut's Amun knew, as mentioned, the history to proclaim little. The more of his predecessor, Amenhotep IV. Who had taken the bold attempt to reform the Egyptian religion and to give a new faith of his land. He was under the influence of his mother, Tiye, from which this carved in ebony head received, we see here from the front and from the side. Amenhotep IV wanted to abolish the worship of many gods and in their place put the worship of a god, the Aten, symbolized by the sun's disk. Actually called the king Amunhotep. When he did his reformation, he put the name from, in which the god Amun was indeed called and called himself Akhenaten, ie is the Aton pleasing.

948_05_01256282 This hall is 54 meters long and 25 meters wide with a height of 15.5 meters. On the wall above the throne we see the greatest Öllgemälde the world, it is about 22 meters wide and 7 meters high. It is painted by Tintoretto in the 16th century and represents Paradise. Saale In fall on two large globes, which were consulted when new campaigns or commercial ventures were discussed. On the walls of glorious events in the history of Venice are shown, but these were shown boastful and not entirely honest part.

948_05_01256119 A remarkable artist was probably Cellini, extremely versatile. This work shows that he was not only an able goldsmith, jeweler and writer, but also knew how to guide the chisel as a sculptor. The bust, at the consummate art with the smallest details with accuracy, skill are unparalleled chiseled, provides Cosimo de 'Medici is who let the artist always bestowed his protection and as a magnificent loving Florentine patron generously supported his talent.

948_05_01252828 Ombos Temple. He tells of a time when the otherwise strict Egyptian art was prone to a certain exaggeration, what seems to be in decline currently the case. How powerful and yet unmotivated part are the columns as overloaded with jewelry.

948_05_01252833 Absolutely egyptian but again this is showing a courtier named Senmut, holding a child in her lap. Senmut was a civil servant of the Queen Hatschepsuth. One is reminded of modern representations of our time. The two figures are completely penetrated by a cube. On it rests the plastic head Senmut. Including sealing, something moved sideways, the child's head. Hieroglyphs cover the same walls, the outer surfaces of the figure in which the body and its proportions are closed with the compact space form together. Actually, it's ancient Egyptian Kubsimus.

948_05_01256343 The Doge's Palace, the Piazzetta, the Campanile, St Mark's Church and many a palace and artwork we want to wave a farewell and wish all carry away with us in spirit. But we also consider it with Goethe, who writes under bright sunshine of Venice, that here the Nordic homeland gloomy occurs to him, waving ädoch always friendly creatures of the mist. Like our country do not offer the dazzling splendor of the South, but it has it 's own different kind of beauty, and that's just the beauty that is dear to our hearts and close stands from early childhood on. The knowledge of foreign countries and peoples can the German heart only serve to make him the districts of home so dear. But in some hours we still think as in holdem dream the fairytale city of Venice.

948_05_01256106 The Niobidensaal contains twelve statues of Niobegruppe. Eight of them have been found in the 1583 Lateran in Rome. Ferdiand Cardinal de Medici has bought them and placed in his villa on the Pincio. Since 1771 they are in Florence. They are ancient copies of the once placed in the Temple of Apollo in Rome BEEN defunct original group. Their age ranges probably to the 4th century before Christ.

948_05_01256112 Right on the first floor is accessed by a vestibule to the great hall, which contains the Donatello Museum since 1887. In the middle is a plaster cast of the equestrian statue of Gattamelata, whose original is in Padua. Previously, a marble lion äMarzoccoì of Donatello, the original located in front of the Palazzo Vecchio copy. Besides numerous plaster casts of originals Donatello also original works of the famous master are placed here as a statue of David in bronze, a marble statue of St Johannes, a statue of St George and others.

948_05_01256113 The statue of St George was formerly attached to the exterior of or San Michele, it was created in 1416 and is one of the most perfect chivalrous Florentine youth figures.

948_05_01256714 From the interior as the Wiesbaden Kurhaus is this an intuition. It shows the writing and reading room. Noteworthy is the large mural, but also the works of art that adorn the room wasteful. Also, walkers and passers recommend a visit to the Kurhaus.

948_05_01256280 An idea of ??the splendor and richness of Venice we gain from this picture, which shows us a hall of the Doge's Palace, the Senate Hall. The walls and ceiling are decorated with marble statues and paintings of famous artists. Even more splendid than we see now, the other rooms may have looked like when they were equipped with precious furniture rich carpets and embroidered blankets, as the councilors and nobles of Venice in ornate splendor robes they passed through, than all the glories us now but sometimes appear cold and dead, were still inhabited by a people who knew how to combine southern joie de vivre with graceful dignity in words and gestures. Venetian Crafts had a magnificent crystal service produced, which should be handed over to a foreign prince as a gift, but this, was more greedy than art understanding, let it fall and then said contemptuously: Gold remains gold as reserve even broken their Wert immediate left the Doge him hand over a number of unformed gold bars. He had surpassed humor and pride his guest.

948_05_01256120 With a reproduction of this artful and witty fountain sculpture, which stands in the garden of the Bargello, we conclude our little tour of the former prison that now holds so many wonderful works of art.

948_05_01256114 A wonderful plant possesses Florence under his immense treasures in the Pieta of Michelangelo huge that he had intended for his grave monument. The lifeless body of the divine Son rests on the bosom of Mary in a most noble attitude. The painful mother looks tearfully down at him, but it's more the heavenly devotion and deep faith, who speak from her face prints, as the soul pain.

948_05_01256116 Simple size white Donatello with grace to connect in the magnificent relief of John the Baptist at an early age. This style in bas-relief has often applied and achieved the best effects so Donatello.

948_05_01256107 Wonderful paintings of inestimable value has the gallery, so works by Raphael, Titian, Correggio, Leonardo da Vinci. Our picture shows a photograph of a painting of the Dominican monk Fra Giovanni Angelico da Fiesole, a picture full of naïve childlike piety that reaches no other master, at the same time a work of marvelous delicacy. "Burial of Mary" is the image titled alone a walk through the Uffizi to describe, would last for hours.

948_05_01252831 The wonderful genuine gold created King Tut's mummy's head of Amun, from whose grave is all valuable come to the museum. While the face and hands made ??of heavy gold are the badges are placed on the forehead with opaque glass and faience. Eyebrows and lids are made of glass lapislazulifarbenem, the eyeballs of alabaster, the pupil of obsidian. To the badge on the front is a small wreath of flowers. This work is the strongest impression we can take from ancient Egyptian art with home.

412-38020 Male artist painting at easel in art studio

412-38019 Smiling female artists with paintbrushes and palettes painting in art class studio

412-38009 Portrait smiling artists painting at easel in art class studio

412-37995 Portrait confident artists showing paintings in art class studio

HISL045_EC423 MOVING DAY IN OLD NEW YORK, by Unknown Artist, 1827, American painting, oil on wood panel. In 1820, a tradition became a law, which required all NYC rental leased to expire on May 1st. The humorous painting shows incidents of the ensuing disruption (BSLOC_2017_10_114)

HISL045_EC422 JAMES MONROE, by Gilbert Stuart, 1820-22, American painting, oil on canvas. The fifth President of the United States is depicted at a desk with books and papers, and red drapery (BSLOC_2017_10_113)

HISL045_EC419 CHRISTOPHER COLUMBUS, by Sebastiano del Piombo, 1519, Italian painting, oil on canvas. The inscription stating the sitter as Columbus was probably added after the painting was made and identification of the sitter is debated. The link to Columbus was strengthened when Theodor de Bry published an engraved portrait of Columbus based on this painting (BSLOC_2017_10_110)

HISL045_EC421 WASHINGTON REVIEWING THE WESTERN ARMY, by Kemmelmeyer,Fred., 1796-99, American oil painting. The troops were mobilized to put down the Whiskey Rebellion in western Pennsylvania on Oct. 16, 1794. The rebellion was short lived, but important as an early test of the new Federal Government (BSLOC_2017_10_112)

HISL045_EC416 1807, FRIEDLAND, by Ernest Meissonier, 1861-75, French painting, oil on canvas. The Charge of the French Cuirassiers at Friedland on June 14, 1807, is depicted in intricate realist detail in a painting executed over several years. Napoleon salutes his soldiers in the battle against Russia, that ended the War of the Fourth Coalition, and resulted in the Treaties of Tilsit (BSLOC_2017_10_108)

HISL045_EC415 THE ARAB JEWELER, by Charles Sprague Pearce, 1882, American painting, oil on canvas. An Arab artisan is painted with strong sense of light and volume. The artist studied in Paris and traveled to Egypt in the 1870s. (BSLOC_2017_10_107)

HISL045_EC412 PRAYER IN THE MOSQUE, by Jean-Leon Gerome, 1871, French painting, oil on canvas. Islamic men praying in Mosque of ?Amr, Cairo. It is an imagined scene, likely created from composite of sketches and photographs. Between 1796 and 1875, the Mosque of ?Amr, was under restoration (BSLOC_2017_10_104)

HISL045_EC414 JERUSALEM FROM THE MOUNT OF OLIVES, by Charles-Theodore Frere, 1880, French painting, oil on canvas. Frere traveled and lived in Algeria and the Eastern Mediterranean for several years between 1836 and 1861. This detailed work was probably painted from earlier studies and photographs (BSLOC_2017_10_106)

HISL045_EC410 CONSUELO VANDERBILT, DUCHESS OF MARLBOROUGH, by Giovanni Boldini, 1906, Italian oil painting. Italian born Boldini painted the portrait of the Duchess and her son, Lord Ivor Spencer-Churchill, with his painterly facility and flair (BSLOC_2017_10_102)

HISL045_EC411 CHARLES X, by Henry Bone, 1829, British copy of French painting. From original by Francois Gerard. Charles was the younger brother of Kings Louis XVI and Louis XVIII, and ruled for six years, from 1824-30, in the Bourbon restoration after the French Revolution and Napoleonic Empire (BSLOC_2017_10_103)

HISL045_EC262 Charles Evans Hughes official portrait as Governor of New York State from 1907-1910. In 1910 he was appointed to the Supreme court and resigned in 1916 to nearly deprive Woodrow Wilson of a second term. Portrait by Thomas C. Corner (BSLOC_2017_8_90)

HISL044_EC951 TOO BL--KTY SMALL FOR UNCLE JOE, 1904 cartoon about Cannons rebuff of the Vice Presidency. Theodore Roosevelt on a big elephant, fails to entice Joseph Gurney Cannon, Speaker of the House of Representatives, to be his running mate (BSLOC_2017_6_25)

HISL044_EC760 Weeping Tammany Tiger with the face of NYC Democratic Boss John Kelly. MADE HARMLESS AT LAST, PUCK Magazine March 1884 cover. Theodore Roosevelt and Grover Cleveland stand arm-in-arm, with TR holding large scissors labeled Roosevelt Bill (BSLOC_2017_4_8)

HISL044_EC749 MAKE HIM HARMLESS! PUCK Magazine 1884 cover cartoon celebrates Assemblyman Roosevelts law that allowed NYC Mayors to hire and fire government workers without approval of Tammany Democrats on the Board of Aldermen (BSLOC_2017_4_7)

HISL044_EC717 Photomontage of President Theodore Roosevelt with members of his cabinet, Dec. 1904. L-R: William Taft, War; James Wilson, Agriculture; John Hay, State; Paul Morton, Navy; Ethan Hitchcock, Interior; William Moody, AG; Robert Wynne, Postmaster; the President; Victor Metcalf, Commerce & Labor; Leslie Shaw, Treasury (BSLOC_2017_4_40)

HISL044_EC710 Theodore Roosevelt as a bucking bronco firing two revolvers. PUCK Magazine cartoon of Sept. 12, 1900 when Roosevelt was running for Vice President. In the background, a dispirited Ohio Senator Mark Hanna holds a lasso. A year later, when VP Roosevelt became President, Hanna lamented, Now that damn cowboy is President (BSLOC_2017_4_34)

HISL044_EC701 Cartoon of NY Governor Theodore Roosevelt grinding policemen with mortar and pestle. It refers to the Governors investigations into the corruption of Tammany Halls controlled New York City (BSLOC_2017_4_26)

HISL044_EC700 Cartoon shows the aging effect of 18 months as New York Governor on Theodore Roosevelt. His floor is covered with messages from Republican boss Thomas Platt and Elihu Root. Cover of satirical magazine, THE VERDICT, June 12, 1899 by George B. Luks (BSLOC_2017_4_25)

HISL044_EC699 Newly inaugurated New York State Governor, Theodore Roosevelt, sitting in his office. On his desk sits a bust of Washington and papers labeled with his achievements: Canal Investigation, Civil Service Reform, National Guard, and Police Reform (BSLOC_2017_4_24)

HISL046_EC642 Giant spectral, ?Judge Lynch,? holds a book labeled ?Lynch Law,? while leading a procession. Behind the variously armed people, in the distance is a small column of smoke, the scene of a lynching. In the early 20th century, Progressives advocated the removal of unfit judges, and more broadly, they sought to abolish lynching by Federal Law. Southern strength in the US Senate made this impossible. 1912 political cartoon (BSLOC_2017_20_89)

HISL046_EC552 Birds eye view of the theater of war in China during the Boxer Rebellion of 1900. Key points are the City of Beijing (Peking), 102 miles inland; the city of Tainjin (Tientsin) where Boxers and the Chinese Army attacked foreigners; Langfang, where Admiral Seymours advance to Beijing was blocked, and the Dagu (Taku) Forts guarding entry to the interior. The 1963 movie, 55 DAYS AT PEKING, was based on the war (BSLOC_2017_20_18)

HISL046_EC549 ON THE SOUTHERN PLAINS, by Frederic Remington, 1907, oil on canvas. The painting was originally titled, CAVALRY IN THE SIXTIES, setting it in the war against Plains Indians. The artist depicts the horses and riders in a cluster, instead of their usual attack formation, a straight horizontal line (BSLOC_2017_20_177)

HISL046_EC537 Dr. Lawrence D. Reddick, was curator of the Schomburg Collection, New York Public Library, 1939-48. Photo shows him among the artworks and books collected by and Arturo Alfonso Schomburg (BSLOC_2017_20_166)

HISL046_EC455 Russian cruiser Varyag (right) under fire by Japanese during the Battle of Chemulpo Bay, Feb. 9, 1905. The Russian cruiser VARYAG and gunboat KORIETZ were crippled with 33 killed and 97 wounded. The Japanese attacked the Russian fleet by surprise without a declaration of war (BSLOC_2017_18_92)

HISL046_EC447 At the end of the First Sino-Japanese War, Japan invaded the Pescadores Islands. In March 1894, the Japanese quickly defeated the Chinese garrison and occupied the largest island, Makun. China ceded Taiwan to Japan in the peace negotiations Shimonoseki in April 1895 (BSLOC_2017_18_85)

HISL046_EC438 Japanese naval officers plan for the naval Battle of the Yellow Sea, of September 1894, during the First Sino-Japanese War (BSLOC_2017_18_77)

HISL046_EC439 Chinese warship sunk during the Battle of the Yellow Sea, Sept 17, 1894. The Chinese northern fleet suffered heavy losses in this battle, which the Chinese called the Battle of the Yalu River (BSLOC_2017_18_78)

HISL046_EC440 Japanese Armys landward advance down Liaodong Peninsula to Port Arthur, Oct. 24, 1894. Woodblock print pays homage to General Yamaji Motoharu, showing him with his drawn sword, followed by several Japanese soldiers (BSLOC_2017_18_79)

HISL046_EC434 Battle of Songhwan, July 28, 1894, during the First Sino-Japanese War. This was the first major land battle in Korea between the forces of Meiji Japan and Qing China. The Japanese defeated the Chinese 30 miles south of Seoul. After the battle, both countries declared a state of war (BSLOC_2017_18_73)

HISL046_EC435 Japanese army storming the gates of the walled city of Pyongyang, Korea, Sept. 15, 1894. The attacking Japanese troops and the Chinese military are obscured by the smoke of battle (BSLOC_2017_18_74)

HISL046_EC429 Emperor Gojong of Korea, c. 1880-90. His troubled reign from 1863 to 1897, saw Japanese influence increase as that of China waned, culminating with Japans dominance after their victory in the Sino Japanese War 1894-95 (BSLOC_2017_18_69)

HISL044_EC695 HIS CONDITION_AN UNCONDITIONAL SURRENDER, Sept. 14, 1898 cover of PUCK Magazine. Thomas C. Platt offers his sword labeled N.Y. Republican Boss to Theodore Roosevelt. Platt surrenders to his longtime Republican rival, who received their partys nomination for governor (BSLOC_2017_4_20)

HISL044_EC514 William Howard Taft, smiles as he learns by telephone of his Republican nomination for President. He received the call from his foremost supporter, President Theodore Roosevelt, June 18, 1908 (BSLOC_2017_2_99)

HISL044_EC463 German troops storming of Berlin Police Headquarters to oust the Spartacists, Jan. 12, 1919. The adherents of ousted leftist Police Chief, Emil Eichhorm, occupied the building on Nov. 9, 1918. the attacking soldiers were from the Freikorps, an all volunteer militia (BSLOC_2017_2_52)

HISL044_EC437 Lenin and Stalin receive a delegation from the peoples of Central Asia. Soviet Russian social realist painting by Konstantin Finogenov, c. 1930-50. The painting contributed to Stalins mythmaking about his relationship with Lenin (BSLOC_2017_2_29)

HISL044_EC428 LENIN ON THE STAND, by Alexander Gerassimov, c. 1925-1940. Social-Realist painting of Lenin speaking. Gerassimov was among the most prominent and politically connected painters in mid-century Soviet Russia (BSLOC_2017_2_20)

HISL044_EC413 THE OCTOPUS-ALDRICH PLAN, THE COMING MONEY TRUST. 1912 cartoon by Alfred Owen Crozier, who opposed the re-establishment of a national central back, which Senator Nelson Aldrich proposed. In the 1913, the Federal Reserve banks that he feared were created (BSLOC_2017_2_185)

HISL044_EC404 THE INFANT HERCULES AND THE STANDARD OIL SERPENTS, May 23, 1906. Puck Magazine political cartoon shows Theodore Roosevelt fighting snakes with the heads of Nelson W. Aldrich and John D. Rockefeller (BSLOC_2017_2_177)

HISL044_EC403 John D. Rockefeller, Sr. & Jr., Henry Huttleston Rogers, and Jonathan Ogden Armour at the theater. 1906 Puck Magazine political cartoon in which they enjoy the performance of Law, Justice, and the Courts. At the time, the businessmen were under pressure from reformers and progressives (BSLOC_2017_2_176)

HISL044_EC387 STRIKE BREAKING AGENCY, political cartoon in THE MASSES, August 1915. Arthur Young drawing depicts a group of thugs, with the caption, Against this kind of capitalist warfare the laboring man is expected to be courteous, gentle and patient (BSLOC_2017_2_161)

HISL044_EC358 HE DARES TO TOUCH IT, a political cartoon on Puck Magazine cover, Oct. 2, 1912. Woodrow Wilson touching a live electric wire that spells out The Tariff. Theodore Roosevelt and William H. Taft flee in fear of getting electrocuted. During Wilsons administration, a Federal Income Tax was introduced to reduce tariffs on imports (BSLOC_2017_2_134)

HISL044_EC352 Campaign issues of 1912 as interpreted by a Puck Magazine political cartoon of Feb. 28, 1912. THE MONITORS AND THE MERRIMAC. The high cost of living is bombarded by ironclads labeled: Socialism, Municipal Market, Parcel Post, Single Tax, Tariff Board, and Free Trade (BSLOC_2017_2_129)

HISL044_EC351 SET IN THEIR WAYS, a political cartoon about the Progressive Movement in the 1911. An elderly couple labeled Republican and Democratic Reactionaries, want nothing to do with the dirigible labeled Progressive Policies. Puck Magazine, May 10, 1911 (BSLOC_2017_2_128)

HISL044_EC347 REPUBLICAN VOTERS REVOLT, political cartoon in Puck Magazine, April 20, 1910. A wave labeled Voters Revolt crashes into the dining room of a ship where Republicans are dining. Among those swamped are: Speaker Cannon; Pres. Taft; VP Knox; Sen. Aldrich; and Sen. Lodge (BSLOC_2017_2_124)