Pesquisando por: "Artwork of " - Fotoarena - Agência de fotojornalismo

RC2SH7AZONJ6 A man takes a photo of artwork by street artist Tvboy depicting Spanish tennis player Rafael Nadal handing the crown over to Spanish tennis player Carlos Alcaraz as the Madrid Open tennis tournament goes under way in Madrid, Spain, May 1, 2024. REUTERS/Susana Vera

ny040524142907 Cicada artwork on display in the halls at Cumberland Elementary School in Des Plaines, Ill., on April 30, 2024. Teachers have created a curriculum to prepare students for the upcoming emergence of 17-year cicadas, Brood XIII, with art projects, assemblies and other activities. Two groups of cicadas are expected at once, leaving some people queasy, others thrilled. (Jamie Kelter Davis/The New York Times/Fotoarena))

ny040524142106 Students at Cumberland Elementary work on artwork related to cicadas, in Des Plaines, Ill., on April 30, 2024. Two groups of cicadas are expected at once, leaving some people queasy, others thrilled. (Jamie Kelter Davis/The New York Times/Fotoarena)

ny040524144606 Students at Cumberland Elementary School in Des Plaines, Ill., on April 30, 2024, where a board was dedicated to cicada artwork. Illinois is the center of the cicada emergence that is on the way. Two groups of cicadas are expected at once, leaving some people queasy, others thrilled. (Jamie Kelter Davis/The New York Times/Fotoarena)

ny020524133607 Jack Butler YeatsÕs ÒThe Liffey Swim,Ó which earned a silver medal at the 1924 Paris Olympics, on display at the National Gallery of Ireland in Dublin, April 29, 2024. The founder of the modern Games thought they should honor both body and mind Ñ but the tradition died years ago, and the winning artworks are largely forgotten. (Ellius Grace/The New York Times/Fotoarena)

RC2VD7A72OF2 A message and an artwork are painted on plywood as students gather at an encampment as they protest in support of Palestinians, amid the ongoing conflict between Israel and the Palestinian Islamist group Hamas, at the University of California in Los Angeles, California, U.S., April 25, 2024. REUTERS/Mike Blake

ny040524213907 Facón, a tourist?s dream shop, offering textiles, artwork and other items that are sourced from local masters as well as some high-design items in the Chacarita neighborhood of Buenos Aires, Argentina on April 18, 2024. Strolling through this once-traditional nook of the Argentine capital, the author found Art Deco houses on cobblestone streets, decadent churros and pizza slices, and whimsy around every corner. (Sarah Pabst/The New York Times/Fotoarena)

ny190424191706 The entry for ?Polonia Uncensored,? a show near the Venice Biennale by Polish artist Ignacy Czwartos, a politically conservative painter whose work is full of religious, historical and military images, in Venice, Italy, April 17, 2024. A new government of liberal, centrist and moderately conservative political parties canceled Czwartos? selection by the previous Law and Justice Party ruling majority to represent Poland at the Biennale. He went anyway and set up a show nearby. (Matteo de Mayda/The New York Times/Fotoarena)

ny190424191507 The painting ?Nord Stream 2? by politically conservative Polish artist Ignacy Czwartos, who said the work is ?a warning? about Germany and Russia?s close ties, at his show near the Venice Biennale, in Venice, Italy, April 17, 2024. A new government of liberal, centrist and moderately conservative political parties canceled Czwartos? selection by the previous Law and Justice Party ruling majority to represent Poland at the Biennale. He went anyway and set up a show nearby. (Matteo de Mayda/The New York Times/Fotoarena)

ny190424192606 Polish artist Ignacy Czwartos, a politically conservative painter whose work is full of religious, historical and military images, outside the Venice Biennale, in Venice, Italy, April 17, 2024. A new government of liberal, centrist and moderately conservative political parties canceled Czwartos? selection by the previous Law and Justice Party ruling majority to represent Poland at the Biennale. He went anyway and set up a show nearby. (Matteo de Mayda/The New York Times/Fotoarena)

ny190424192407 Polish artist Ignacy Czwartos, a politically conservative painter whose work is full of religious, historical and military images, outside the Venice Biennale, in Venice, Italy, April 17, 2024. A new government of liberal, centrist and moderately conservative political parties canceled Czwartos? selection by the previous Law and Justice Party ruling majority to represent Poland at the Biennale. He went anyway and set up a show nearby. (Matteo de Mayda/The New York Times/Fotoarena)

ny190424191907 A video work at Poland?s show, ?Repeat After Me II,? for the Venice Biannale by the Ukrainian collective Open Group that features Ukrainians who fled Russia?s invasion, at the country?s pavilion in Venice, Italy, April 17, 2024. A new government of liberal, centrist and moderately conservative political parties canceled conservative Polish artist Ignacy Czwartos? selection by the previous Law and Justice Party ruling majority to represent Poland at the Biennale. He went anyway and set up a show nearby. (Matteo de Mayda/The New York Times/Fotoarena)

ny190424192207 Marta Czyz, curator of Poland?s show for the Venice Bianelle of work by the Ukrainian collective Open Group, outside the country?s pavilion in Venice, Italy, April 17, 2024. A new government of liberal, centrist and moderately conservative political parties canceled conservative Polish artist Ignacy Czwartos? selection by the previous Law and Justice Party ruling majority to represent Poland at the Biennale. He went anyway and set up a show nearby. (Matteo de Mayda/The New York Times/Fotoarena)

ny160424101307 The sign on the window of the Israeli pavilion at the Venice Bienalle in Venice, Italy on April 16, 2024. When the Biennale?s international pavilions open for a media preview, the doors to the Israel pavilion will nonetheless remain locked, at the behest of the artist and curators representing Israel.(Matteo de Mayda/The New York Times/Fotoarena)

ny160424101107 Work by the artist Ruth Patir, Israel?s representative at the Venice Bienalle who says she won?t open her show in the national pavilion until Israel and Hamas reach ?a cease-fire and hostage release agreement,? is installed inside the pavilion in Venice, Italy on April 15, 2024. Though the doors will be closed, visitors will still be able to see parts of Patir?s video pieces through the pavilion?s windows. (Matteo de Mayda/The New York Times/Fotoarena)

ny160424100807 Work by the artist Ruth Patir, Israel?s representative at the Venice Bienalle who says she won?t open her show in the national pavilion until Israel and Hamas reach ?a cease-fire and hostage release agreement,? is installed inside the pavilion in Venice, Italy on April 15, 2024. As well as a video work about ancient fertility statues, some real examples of the artifacts are also statues in the pavilion. (Matteo de Mayda/The New York Times/Fotoarena)

ny160424100307 Tamar Margalit, left, and Mira Lapidot, the curators of the Israel pavilion at the Venice Bienalle, in Venice, Italy on April 15, 2024. They reached the decision to close down the pavilion together with the artist Ruth Patir. (Matteo de Mayda/The New York Times/Fotoarena)

RC2D07A5PT0T French artist Baptiste Chebassier poses in the middle of a part of his artwork, made from rolls of recycled paper on which names of 30,249 Olympic medallists will be written, at the Chebassier workshop in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2D07AMNK8S Names of Olympic medallists are seen on the artwork of French artist Baptiste Chebassier, made with rolls of recycled paper on which the names of the 30,249 Olympic medallists will be written, at the Chebassier workshop in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2O37APBP59 French artist Baptiste Chebassier poses in the middle of a part of his artwork, made from rolls of recycled paper on which names of 30,249 Olympic medallists will be written, at the Chebassier workshop in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2D07AWFVN2 French artist Baptiste Chebassier poses in the middle of a part of his artwork, made from rolls of recycled paper on which names of 30,249 Olympic medallists will be written, at the Chebassier workshop in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2C27A5JE5C Olympic athlete Perrine Pelen poses with her 1980 Bronze Olympic medal during an interview with Reuters and a meeting with French artist Baptiste Chebassier about his artwork, made with rolls of recycled paper on which the names of the 30,249 Olympic medallists will be written, in Aix-les-Bains, France, April 8, 2024. REUTERS/Cecile Mantovani

RC2D27A7XGDK French artist Baptiste Chebassier and Olympic athlete Perrine Pelen pose as they point Pelen's name on Chebassier's artwork, made with rolls of recycled paper on which the names of the 30,249 Olympic medallists will be written, in Aix-les-Bains, France, April 8, 2024. REUTERS/Cecile Mantovani

RC2D27AGU5K8 French artist Baptiste Chebassier and Olympic athlete Perrine Pelen pose as they point Pelen's name on Chebassier's artwork, made with rolls of recycled paper on which the names of the 30,249 Olympic medallists will be written, in Aix-les-Bains, France, April 8, 2024. REUTERS/Cecile Mantovani

RC2F07A1G9TB Names of Olympic medallists are seen on the artwork of French artist Baptiste Chebassier, made with rolls of recycled paper on which the names of the 30,249 Olympic medallists will be written, at the Chebassier workshop in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2D07AFF5MO French artist Baptiste Chebassier unrolls his artwork, made from rolls of recycled paper on which names of 30,249 Olympic medallists will be written, at the Chebassier workshop in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2F07AKHNCV French artist Baptiste Chebassier writes the name of athlete Wolfgang Gunkel on a roll of recycled paper to create an artwork with the names of 30,249 Olympic medallists, in his appartment in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

RC2F07AKB30H French artist Baptiste Chebassier writes athletes names on a roll of recycled paper to create an artwork with the names of 30,249 Olympic medallists, in his appartment in Saint-Ouen, near Paris, France, April 5, 2024. REUTERS/Noemie Olive

ny110424161607 A visitor studies Wolfgang Beurer?s ?Wild Man With von Rückingen Coat of Arms,? while another visitor looks at the painting?s reverse side, Beurer?s portrait of Johann von Rückingen at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings.(Jeenah Moon/The New York Times/Fotoarena)

ny110424161807 A visitor studies ?Branch of Holly,? circa 1430s, from the workshop of Rogier van der Weyden, the reverse side of ?Portrait of a Man With an Open Book,? at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny110424162407 ?Portrait of a Lady (recto)?, 1470s, from the circle of the Venetian artist Jacometto Veneziano, at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny110424161706 A visitor views Ridolfo Ghirlandaio, Attributed to Giuliano di Piero di Simone Bugiardini, ?Cover With a Mask, Grotteschi, and Inscription?; at right, Ridolfo Ghirlandaio, Giuliano di Piero di Simone Bugiardini, ?Portrait of a Woman (La Monaca),? both circa 1510 at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny110424162107 ?Portrait of a Man With an Open Book,? (recto), thought to be the Burgundian cleric Guillaume Fillastre, circa 1430, from the workshop of Rogier van der Weyden on display at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny190424192807 Artist Erick Meyenberg, who is representing his country at the Venice Biennale with a solo exhibition in the Mexican Pavilion, at his studio in Mexico City, April 1, 2024. Meyenberg?s multimedia installation, which explores the immigrant experience, is a response to the Biennale?s official theme of ?Foreigners Everywhere.? (Brian Harkin/The New York Times/Fotoarena)

ny190424193507 Artist Erick Meyenberg, who is representing his country at the Venice Biennale with a solo exhibition in the Mexican Pavilion, at his studio in Mexico City, April 1, 2024. Meyenberg?s multimedia installation, which explores the immigrant experience, is a response to the Biennale?s official theme of ?Foreigners Everywhere.? (Brian Harkin/The New York Times/Fotoarena)

ny190424193206 Artist Erick Meyenberg, who is representing his country at the Venice Biennale with a solo exhibition in the Mexican Pavilion, works on a model at his studio in Mexico City, April 1, 2024. Meyenberg?s multimedia installation, which explores the immigrant experience, is a response to the Biennale?s official theme of ?Foreigners Everywhere.? (Brian Harkin/The New York Times/Fotoarena)

ny190424193307 A model for a sculpture by Erick Meyenberg, who is representing Mexico at the Venice Biennale, from his 2022 installation ?Things We Do for Love,? at his studio in Mexico City, April 1, 2024. Meyenberg?s solo multimedia exhibition in the Mexican pavilion of the Venice Biennale explores the immigrant experience, a response to the Biennale?s official theme of ?Foreigners Everywhere.? (Brian Harkin/The New York Times/Fotoarena)

ny190424193007 Artist Erick Meyenberg, who is representing his country at the Venice Biennale with a solo exhibition in the Mexican Pavilion, at his studio in Mexico City, April 1, 2024. Meyenberg?s multimedia installation, which explores the immigrant experience, is a response to the Biennale?s official theme of ?Foreigners Everywhere.? (Brian Harkin/The New York Times/Fotoarena)

ny040424150306 A visitor studies two works by Pema (Tintin) Dorjee Tshering in the show ?Reimagine? ? the painting ?Buddha With the Passions Surrounding? and the angled pillars ?Objective Happiness,? both from 2023, at the Rubin Museum of Art in Manhattan, March 29, 2024. The Rubin, with its Tibetian-centered collection that is mostly ancient and mostly religious, will leave its wonderful physical space in October and transition to being, in its own vague words, a ?museum without walls.? (Jeenah Moon/The New York Times/Fotoarena)

ny040424150507 The Tibetan Buddhist Shrine Room, that is modeled on an affluent household shrine and is one of the most popular installations at the Rubin Museum of Art in Manhattan, March 29, 2024. The Rubin, with its Tibetian-centered collection that is mostly ancient and mostly religious, will leave its wonderful physical space in October and transition to being, in its own vague words, a ?museum without walls.? (Jeenah Moon/The New York Times/Fotoarena)

ny040424200707 **EMBARGO: No electronic distribution, Web posting or street sales before FRIDAY 5:01 A.M. ET APRIL 5, 2024. No exceptions for any reasons. EMBARGO set by source.** The artist Gala Porras-Kim in New York, March 28, 2024. Porras-Kim has confronted the restitution of cultural artifacts and now Ñ with melting Antarctic ice Ñ climate change. (Victor Llorente/The New York Times/Fotoarena)

ny040424200407 **EMBARGO: No electronic distribution, Web posting or street sales before FRIDAY 5:01 A.M. ET APRIL 5, 2024. No exceptions for any reasons. EMBARGO set by source.** The artist Gala Porras-Kim in New York, March 28, 2024. Porras-Kim has confronted the restitution of cultural artifacts and now Ñ with melting Antarctic ice Ñ climate change. (Victor Llorente/The New York Times/Fotoarena)

ny040424200506 **EMBARGO: No electronic distribution, Web posting or street sales before FRIDAY 5:01 A.M. ET APRIL 5, 2024. No exceptions for any reasons. EMBARGO set by source.** The artist Gala Porras-Kim in New York, March 28, 2024. Porras-Kim has confronted the restitution of cultural artifacts and now Ñ with melting Antarctic ice Ñ climate change. (Victor Llorente/The New York Times/Fotoarena)

RC2CU6AUBY6K Britain's Queen Camilla receives artwork of herself and King Charles from well-wishers during her visit to the Farmers' Market, in Shrewsbury, Britain, March 27, 2024. Chris Jackson/Pool via REUTERS

RC2CU6AVBGOE Britain's Queen Camilla receives artwork of herself and King Charles from well-wishers during her visit to the Farmers' Market, in Shrewsbury, Britain, March 27, 2024. Chris Jackson/Pool via REUTERS

RC2CU6AG5IG0 Britain's Queen Camilla receives artwork of herself and King Charles from well-wishers during her visit to the Farmers' Market, in Shrewsbury, Britain, March 27, 2024. Chris Jackson/Pool via REUTERS

ny270424184107 Tania Dolz, left, and Maria Galindo wear an artwork by Haydee Alonso, ??Bad? Hyphens Separate; ?Good? Hyphens Attach,? a slender bar of brass that is an earring designed to be worn by two people, at this year?s Border Biennial, in El Paso, Texas, March 26, 2024. The collaborative exhibition is organized by two museums on either side of the U.S.-Mexico border: The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ). (Justin Hamel/The New York Times/Fotoarena)

ny270424183506 Artist Haydee Alonso, whose work is in this year?s Border Biennial, in El Paso, Texas, March 26, 2024. The collaborative exhibition is organized by two museums on either side of the U.S.-Mexico border: The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ). (Justin Hamel/The New York Times/Fotoarena)

ny270424184407 Edward Hayes, director of the El Paso Museum of Art, who has extended the Border Biennial there by reinstalling select works, through Aug. 11, at the museum in El Paso, Texas, March 26, 2024. This year?s Border Biennial, a collaborative exhibition organized by two museums on either side of the U.S.-Mexico border, was the first in six years because of pandemic-era border closures and other issues. (Justin Hamel/The New York Times/Fotoarena)

ny270424183807 Andres Payan Estrada?s 2023 work ?Queer Topographies (Briar Patch)? at the El Paso Museum of Art, in this year?s Border Biennial, in El Paso, Texas, March 26, 2024. The collaborative exhibition is organized by two museums on either side of the U.S.-Mexico border: The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ). (Justin Hamel/The New York Times/Fotoarena)

ny270424183907 Work at the El Paso Museum of Art by artists born or based in cities on both sides of the border, for this year?s Border Biennial, in El Paso, Texas, March 26, 2024. The collaborative exhibition is organized by two museums on either side of the U.S.-Mexico border: The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ). (Justin Hamel/The New York Times/Fotoarena)

ny270424183706 Four works by Eric Manuel Santoscoy-Mckillip at the El Paso Museum of Art in this year?s Border Biennial, in El Paso, Texas, March 26, 2024. The collaborative exhibition is organized by two museums on either side of the U.S.-Mexico border: The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ). (Justin Hamel/The New York Times/Fotoarena)

ny270424183407 A photograph at the El Paso Museum of Art of an artwork by Haydee Alonso, ÒÔBadÕ Hyphens Separate; ÔGoodÕ Hyphens Attach,Ó a slender bar of brass that is an earring designed to be worn by two people, at this yearÕs Border Biennial, in El Paso, Texas, March 26, 2024. The collaborative exhibition is organized by two museums on either side of the U.S.-Mexico border: The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Ju?rez (MACJ). (Justin Hamel/The New York Times/Fotoarena)

RC24R6A5HYJ9 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6A0MZTC 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AK506N 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AUU9CD 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6A6P91F 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AKJX7N 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC23R6AQL89R 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AWRBEQ 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AK3U4C 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6ARANK7 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC23R6A9FADL 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24Z5AH0WLB Visitors look at the artwork of South African township artist, Mongezi Gum, displayed in a contemporary gallery ?16 on Lerotholi? as part of his sentimental collection reflecting on the complexities of life in the ghetto, in Cape Town?s oldest township, KwaLanga, South Africa February 9, 2024. REUTERS/Esa Alexander

RC22Z5AK1TCX South African township artist, Mongezi Gum, is busy with his artwork of sentimental collection reflecting on the complexities of life in the ghetto in Cape Town, South Africa February 9, 2024. REUTERS/Esa Alexander

RC24Z5AHUS6H Visitors look at the artwork of South African township artist, Mongezi Gum, displayed in a contemporary gallery ?16 on Lerotholi? as part of his sentimental collection reflecting on the complexities of life in the ghetto, in Cape Town?s oldest township, KwaLanga, South Africa February 9, 2024. REUTERS/Esa Alexander

RC22Z5AYFM2L South African township artist, Mongezi Gum, is busy with his artwork of sentimental collection reflecting on the complexities of life in the ghetto in Cape Town, South Africa February 9, 2024. REUTERS/Esa Alexander

RC2W36AKZVJF A visitor looks at the artwork of South African township artist, Mongezi Gum, displayed in a contemporary gallery ?16 on Lerotholi? as part of his sentimental collection reflecting on the complexities of life in the ghetto, in Cape Town?s oldest township, KwaLanga, South Africa February 9, 2024. REUTERS/Esa Alexander

RC24Z5ASTHGY Visitors look at the artwork of South African township artist, Mongezi Gum, displayed in a contemporary gallery ?16 on Lerotholi? as part of his sentimental collection reflecting on the complexities of life in the ghetto, in Cape Town?s oldest township, KwaLanga, South Africa February 9, 2024. REUTERS/Esa Alexander

RC24Z5A30TR2 Visitors look at the artwork of South African township artist, Mongezi Gum, displayed in a contemporary gallery ?16 on Lerotholi? as part of his sentimental collection reflecting on the complexities of life in the ghetto, in Cape Town?s oldest township, KwaLanga, South Africa February 9, 2024. REUTERS/Esa Alexander

RC23Z5AC2HTB South African township artist, Mongezi Gum, poses in front of his artwork, a part of the sentimental collection reflecting on the complexities of life in the ghetto in Cape Town, South Africa February 9, 2024. REUTERS/Esa Alexander

ny290324203307 A mural work by Tozamile Mnapu, an artist who offers three-hour tours of artwork in Langa, one of the country?s oldest townships, which is about 30 minutes outside central Cape Town, South Africa, March 17, 2024. The country?s apartheid former government forced non-white South Africans to live in established townships in the least desirable areas, which the residents often turned into communities of vibrant resistance and robust arts and culture. (Samantha Reinders/The New York Times/Fotoarena)

RC2ML6ABM8F9 French contemporary artist Daniel Buren speaks during an interview at the entrance of the Copacabana Palace Hotel, as he presents his artwork “Haltes Colorees” (Colorful Halts), decorating the hotel’s facade, in Rio de Janeiro, Brazil March 14, 2024. REUTERS/Pilar Olivares

RC2VL6AKP369 People take photos of the artwork “Haltes Colorees” (Colorful Halts) by French contemporary artist Daniel Buren, in the Copacabana Palace Hotel in Rio de Janeiro, Brazil March 14, 2024. REUTERS/Pilar Olivares

RC2ML6AQ66D8 French contemporary artist Daniel Buren sits at the entrance of the Copacabana Palace hotel to present his artwork “Haltes Colorees” (Colorful Halts), decorating the hotel’s facade, in Rio de Janeiro, Brazil March 14, 2024. REUTERS/Pilar Olivares

RC2NL6AHJQ6T French contemporary artist Daniel Buren stands at the entrance of the Copacabana Palace Hotel, presenting his artwork “Haltes Colorees” (Colorful Halts), decorating the hotel’s facade, in Rio de Janeiro, Brazil March 14, 2024. REUTERS/Pilar Olivares

ny140324165906 Artwork by the Indigenous artist and activist Demian DinéYazhi? with blinking lights that slowly spelled out the phrase ?Free Palestine,? at the Whitney Museum of American Art in New York on March 14, 2024. Museum curators said they had been unaware that the artist Demian DinéYazhi? included the message through the flickering letters of their neon installation. (Charlie Rubin/The New York Times/Fotoarena)

RC2MJ6A1TK3L A Ukrainian serviceman Oleg Bazylewicz, 59, draws a picture with mud, clay and ashes from a frontline, amid Russia's attack on Ukraine, at an exhibition of his artworks in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6A23J6T A Ukrainian serviceman Oleg Bazylewicz, 59, visits an exhibition of his artworks made of mud, clay and ashes in a trench at a frontline, amid Russia's attack on Ukraine, in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6AAR8OF A Ukrainian serviceman Oleg Bazylewicz, 59, sits on a bench during a visit to an exhibition of his artworks made of mud, clay and ashes in a trench at a frontline, amid Russia's attack on Ukraine, in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6A1RLJ4 A Ukrainian serviceman Oleg Bazylewicz, 59, draws a picture with mud, clay and ashes from a frontline, amid Russia's attack on Ukraine, at an exhibition of his artworks in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6AMR85A A Ukrainian serviceman Oleg Bazylewicz, 59, sits on a bench during a visit to an exhibition of his artworks made of mud, clay and ashes in a trench at a frontline, amid Russia's attack on Ukraine, in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6A9HQ42 A Ukrainian serviceman Oleg Bazylewicz, 59, draws a picture with mud, clay and ashes from a frontline, amid Russia's attack on Ukraine, at an exhibition of his artworks in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6AUGRCA A Ukrainian serviceman Oleg Bazylewicz, 59, visits an exhibition of his artworks made of mud, clay and ashes in a trench at a frontline, amid Russia's attack on Ukraine, in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2MJ6AVJYMQ A Ukrainian serviceman Oleg Bazylewicz, 59, visits an exhibition of his artworks made of mud, clay and ashes in a trench at a frontline, amid Russia's attack on Ukraine, in Kyiv, Ukraine March 11, 2024. REUTERS/Gleb Garanich

RC2VH6AAXOX8 People walk in front of Athens City Hall as a projection of artist Georgia Lale's "Pink Flag", an artwork depicting a Greek flag made from strips of bed sheets to raise public awareness for the victims of domestic violence, is seen over its facade, in Athens, Greece March 8, 2024. REUTERS/Louisa Gouliamaki

RC2VH6ASJY63 Women walk in front of Athens City Hall as a projection of artist Georgia Lale's "Pink Flag", an artwork depicting a Greek flag made from strips of bed sheets to raise public awareness for the victims of domestic violence, is seen over its facade, in Athens, Greece March 8, 2024. REUTERS/Louisa Gouliamaki

ny280324162107 On the ground floor, lavish flower arrangements and a state of the art animation by Oyoram Visual Composer at the Tiffany flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny290324113706 HEADLINE: Museum-Quality RetailingCAPTION: Looming next to vitrines filled with engagement rings are Daniel ArshamÕs ÒBronze Eroded Venus of ArlesÓ (2022), at left, and Anish KapoorÕs ÒRandom Triangle MirrorÓ (2016) at right, on the third floor of the Tiffany flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. CREDIT: (Jeenah Moon/The New York Times/Fotoarena)

ny280324162307 Looming next to vitrines filled with engagement rings are Daniel ArshamÕs ÒBronze Eroded Venus of ArlesÓ (2022), at left, and Anish KapoorÕs ÒRandom Triangle MirrorÓ (2016) at right, on the third floor of the Tiffany flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny280324162407 Sarah CharlesworthÕs ÒUnidentified Man, Ankara, TurkeyÓ (1980), an appropriated image of a man falling from a building, in the Tiffany Gallery, at itÕs flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny280324162506 Julian SchnabelÕs ÒPeter MarinoÓ (2022) and Franois-Xavier LalanneÕs ÒGrands Mountons de Peter,Ó 2004, in the Tiffany Gallery, at itÕs flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

RC2DG6AX1C98 A drone view shows Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi TPX IMAGES OF THE DAY

RC2AG6ABRI47 A view shows Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi TPX IMAGES OF THE DAY

RC2DG6AKC63W A drone view shows Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi

RC2AG6AW6W6Z A view of Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi

RC2AG6ANO6HF A view shows details of Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi

RC2DG6A4JTZY A drone view shows Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi

RC2AG6A5443G A view of Italian artist Michelangelo Pistoletto's 'Venus of the Rags' which has been reconstructed after the original artwork was destroyed in an arson attack, in Piazza Municipio, Naples, Italy, March 6, 2024. REUTERS/Yara Nardi