Pesquisando por: "JOHN SINGER SARGENT" - Fotoarena - Agência de fotojornalismo

2X3CME6 John Singer Sargent, Ellen Terry as Lady Macbeth, painting in oil on canvas, 1889

2X084FE Elizabeth Winthrop Chanler (Mrs. John Jay Chapman) by John Singer Sargent in 1893

2WTXT97 Compton Verney Warwickshire, UK. 20th Mar, 2024. John Singer Sargent, At Torre Galli: Ladies in a Garden,1910, oil on canvas The Exhibition will introduced the many different ways gardens have been depicted, whether imagined, formal o naturalistic.22 March. 16 June 24. (Embargoed till 21 March 00:01) Credit: Paul Quezada-Neiman/Alamy Live News

2WTCKJR JOHN SINGER SARGENT (1856-1925) American artist. His WWI painting Battlefront.

2WP18R0 Freda Dudley Ward, Winifred May Mones, Marquesa de Casa Maury, (née Birkin, 1894-1983) English socialite, mistress of Edward, Prince of Wales (later King Edward VIII), portrait drawing in charcoal by John Singer Sargent, 1921

2WP18FG Frances Evelyn 'Daisy Greville', Countess of Warwick (née Maynard, 1861-1938), British socialite and philanthropist and her son Maynard Greville (1898-1960). Portrait painting in oil on canvas by John Singer Sargent, 1905

2WNX517 JOHN SINGER SARGENT (1856-1925) Italian-born American painter. Portrait of Madame X, 1884.

2WNX4X9 JOHN SINGER SARGENT (1856-1925) Italian-born American painter. Ellen Terry as Lady Macbeth, 1889

2WNX4WX JOHN SINGER SARGENT (1856-1925) Italian-born American painter. Edith, Lady Playfair , 1884.

2WNNG4C Madame X (Madame Pierre Gautreau). John Singer Sargent. 1883-4.

2WKJCKX London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCKR London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCKM London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCJD London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCG7 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCG2 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCFY London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCFT London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCFN London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCFE London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCDR London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCDM London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCDJ London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCDG London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCDA London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCB1 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCAW London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCAM London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCAH London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCAB London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCA7 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJCA3 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC9K London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC9W London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7N London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC98 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC9G London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC87 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7X London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC80 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7T London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7J London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7D London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7G London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC72 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC76 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC7A London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC6Y London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC64 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston. Photo of curators James Finch & Erica Hirshler., Andrew Lalchan Photography/Alamy Live News

2WKJC6R London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC6J London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC6F London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC4D London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston. Photo of curators James Finch & Erica Hirshler., Andrew Lalchan Photography/Alamy Live News

2WKJC4A London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston. Photo of curators James Finch & Erica Hirshler., Andrew Lalchan Photography/Alamy Live News

2WKJC46 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKJC42 London, UK, 20th February 2024, A new exhibition opens at Tate Britain on 22nd February and will run until 7th July 2024. It is the first major Sargent exhibition in twenty years, and it explores the style and fashioning of the sitter of his portraits. Bringing together 60 of his works in collaboration with the Museum of Fine Arts in Boston., Andrew Lalchan Photography/Alamy Live News

2WKEF30 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEF2W Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEF2T Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEF2G Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEWY Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEWM Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEWT Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEYD Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEWH Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEWD Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEW8 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEETY Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEW1 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEW4 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEETP Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEETK Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEETF Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEET3 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEET8 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEETC Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEERR Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEERK Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEERY Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEER5 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEMJ Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEMD Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEMR Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEMA Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEKW Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEM7 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEM2 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEKM Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEKB Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEKG Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEKA Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEK6 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEK2 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEK0 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEJW Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEJE Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEJN Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEJ9 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEJ3 Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

2WKEEGX Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.