Pesquisando por: "texture of rock" - Fotoarena - Agência de fotojornalismo

ny020425212012 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

ny020425212020 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

ny020425212031 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

20241114_zea_c181_133 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_134 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_135 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_130 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_679 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_678 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zea_c181_123 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_667 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zea_c181_129 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_120 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_670 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_671 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_677 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_672 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20240720_shv_z03_095 July 20, 2024 - Mars Surface - FILE: NASA's Curiosity captured this close-up image of a rock nicknamed 'Snow Lake' on June 8, 2024, the 4,209th Martian day, or sol, of the mission. Nine days earlier, the rover had crushed a similar-looking rock and revealed crystalline textures, and elemental sulfur, inside. (Credit Image: © NASA/JPL-Caltech/MSSS/ZUMA Press Wire/ZUMAPRESS.com)

ny070522134905 Adrian D?hler, a cartographer at SwitzerlandÕs Federal Office of Topography, or Swisstopo, at work in Wabern, a suburb of Bern, on Jan. 25, 2022. Illustrations of mountains are made up of hundreds of short, yet expressive lines, called hachures.ÊSubtle changes in style and texture reflect different types of rock. (Lucia Buricelli/The New York Times/Fotoarena)

ny190319175404 Brice Marden outside his studio in Tivoli, New York, Dec. 28, 2018. The moss covering the rocks behind him have long been the source of his palette and textures. Many assumed he would slow down after his cancer diagnosis but instead he has become more prolific than ever. ?I have been able to work through it all. It hasn?t made me hurry things up. It hasn?t made me work any differently. It?s just been an extra thing to think about.? (Lauren Lancaster/The New York Times/Fotoarena)

1028_14_CLK3082 The towers of mount Civetta are reflected in the water of Lake Coldai. Dolomites. Veneto. Italy. (Photo by: ClickAlps/REDA&CO)

01069775 geography / travel, Italy, South Tyrol, close up view of shale in the mountains in South Tyrol,

00873624 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,

00873619 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873620 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00917564 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917561 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917557 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917554 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917555 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917560 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917556 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917553 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917552 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917550 geography / travel, USA, Utah, Bryce, Bryce Canyon,

1016_03_62437 Pumice stone is light and brittle with a spongy texture. It is often used to soften the skin of the feet and hands. This igneous rock is riddled with tiny air pockets because the lava that formed it was full of gases. Pumice is so light that it can do what no other rock can: float on water!

alb3717503 Pharaoh's Army Drowns in the Red Sea. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3718837 Arcas Preparing to Kill His Mother. Dimensions: overall: 17.5 x 25.5 cm (6 7/8 x 10 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrick Goltzius, after Hendrick Goltzius.

alb3715989 Saint Jerome in Penitence. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Attributed to Hans Springinklee.

alb3700339 Ambassades envoyées des extrêmités de la Terre (Embassies Sent from the Extremities of the Globe) [pl. 15]. Dated: published 1752. Dimensions: sheet: 64 × 45.8 cm (25 3/16 × 18 1/16 in.) plate: 48.4 × 30.2 cm (19 1/16 × 11 7/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Pierre Soubeyran (engraver) after Charles Le Brun.

alb3679068 Plate 5: figures unloading goods from a boat at the right. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). Dimensions: Sheet: 6 9/16 in. × 18 in. (16.6 × 45.7 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: ca. 1660-90. Museum: Metropolitan Museum of Art, New York, USA.

alb3738586 Job Tormented by Demons and Abused by His Wife. Dimensions: sheet: 39.1 x 27 cm (15 3/8 x 10 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lucas Emil Vorsterman after Sir Peter Paul Rubens.

alb3737446 Crane Flying. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3737474 Modesty. Dated: 1552. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

alb3697331 Two Eagles, Both with Heads Turned to the Left. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

alb3606887 Boy Sketching Ruins. Artist: Charles Hutin (French, Paris 1715-1776 Dresden). Dimensions: sheet: 8 3/16 x 6 1/4 in. (20.8 x 15.9 cm)plate: 7 5/8 x 5 9/16 in. (19.4 x 14.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3655576 Plate 6: Zephir carrying off Psyche to an enchanted palace, from 'The Fable of Psyche'. Artist: Master of the Die (Italian, active Rome, ca. 1530-60); After Michiel Coxie (I) (Netherlandish, Mechelen ca. 1499-1592 Mechelen). Dimensions: sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

alb3654397 Jérusalem, Saint-Sépulcre, Détails de la façade. Artist: Auguste Salzmann (French, 1824-1872). Dimensions: Image: 22.7 × 33.1 cm (8 15/16 × 13 1/16 in.)Mount: 59.9 x 44.6 cm (23 9/16 x 17 9/16 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.

alb3618175 The Two Beams Floating in the Water. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 2 5/8 × 4 1/2 in. (6.6 × 11.4 cm)Sheet: 2 15/16 × 4 3/4 in. (7.4 × 12.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3615898 Les Taupes. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 19 1/8 × 12 1/16 in. (48.6 × 30.7 cm)Plate: 10 5/8 × 7 5/8 in. (27 × 19.4 cm). Printer: Auguste Delâtre (French, Paris 1822-1907 Paris). Published in: Paris. Publisher: Cadart & Luquet. Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.

alb3648414 Plate 9: the Arch of Constantine to left, seen from the side, part of the Colosseum to right, various horses and figures in foreground and background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Plate: 5 1/16 × 5 3/16 in. (12.9 × 13.1 cm)Sheet: 5 1/4 × 5 3/8 in. (13.4 × 13.7 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Roman landscapes and ruins' (Paysages et ruines de Rome). Date: ca. 1646. Museum: Metropolitan Museum of Art, New York, USA.

alb3649378 Hercules Strangling the Nemean Lion. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). Dimensions: Sheet: 9 7/8 × 7 11/16 in. (25.1 × 19.5 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA.

alb3729190 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3727645 Two Eagles, One Eating a Small Lamb. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

alb3724352 J'aimerais autant voir un ouragan se promener dans mon jardin qu'une de ces satanées crinolines!. Dated: September 9, 1857. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb4131741 Saint Francis Receiving the Stigmata. Federico Barocci; Italian, 1526/28-1612. Date: 1576-1586. Dimensions: 230 x 147 mm (plate); 233 x 150 mm (sheet). Etching on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4139751 Title page from Silvae Urbanianae. Cornelis Galle I (Flemish, 1576-1650); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1637. Dimensions: 193 × 133 mm (image/sheet, trimmed within plate mark); 197 × 137 mm (mount). Engraving in black on cream laid paper, perimeter mounted to ivory wove paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4152997 Portrait of Juguda Kazaz, Misiz, at Work as a Tomb Sculptor in the Josaphat Valley, Near Tchioufout-Galeh, Crimea. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Éditeur Ernest Bourdin (French, active 19th century). Date: 1837. Dimensions: 255 × 195 mm (image); 256 × 197 mm (primary support); 452 × 349 mm (secondary support). Lithograph in black on gray wove chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4107198 Countess Ada besieged in the Castle of Leiden, 1204. Draughtsman: Jacobus Buys (signed by artist). Dating: 1783 - 1785. Measurements: h 149 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

alb4147076 Family Scene in Landscape. Jean Jacques de Boissieu; French, 1736-1810. Date: 1803. Dimensions: 185 × 230 mm (image); 205 × 250 mm (plate); 215 × 265 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean Jacques de Boissieu.

alb29169432 Pompei: Rue des tombeau fouilles 1763, Remains of buildings on the Street with Tombs (Via delle Tombe) in Pompei, with Mount Vesuvius in the background, photograph, Part of Travel album with photos of sights in Naples and the surrounding area., negative number: '4207', Pompeii, c. 1865 - c. 1875, photographer, paper, albumen print, albumendruk, height 201 mm x width 248 mm, street, grave, tomb, excavation, archaeology, A wide grayscale image of an ancient street lined with stone and plaster ruins, showing broken walls, column bases, and rectangular tomb-like structures with decorative reliefs. A paved roadway runs through the center foreground toward the background, flanked by low retaining walls and narrow passageways between structures. Tall slender trees and cypress-like evergreens stand on a raised embankment behind the ruins, with a line of taller bare-branched trees further back. Rolling hills and a mountain rise in the distant background beneath a pale sky. The scene shows worn stone textures, crumbling masonry, and scattered rubble amid patches of vegetation.

alb29169441 Soldier leaning on a cannon, Soldiers, print, Series number, 8, Numbered top right: 8., printmaker: Johann Georg Wille, Paris, after design by Charles Parrocel, 1753, paper, etching, height 202 mm x width 148 mm, This print is part of a series of at least twelve prints depicting soldiers., the soldier, the soldier's life, firearms: cannon, A detailed black and white engraving shows several armored figures from behind and in profile; a central figure stands with one arm extended holding a long pole, wearing a helmet with decorative plumes, a breastplate, a draped cloak, loose breeches, and hose, with visible musculature and garment folds; to the left another helmeted figure leans forward near a large wooden wheel and a plank, his face partly visible beneath a rounded helmet; to the right two seated or crouching figures in helmets and armor look toward the central figure, one resting an arm on his knee and the other holding a pole; cannonballs lie on the ground near the seated figures and detailed grass, rocks, and textured ground fill the foreground; the sky is filled with layered cloud linework and the overall scene is rendered with fine crosshatching and engraved line detail.

alb29169528 Map of the coasts of the islands of Malakula, New Caledonia, and Tanna, print, book illustration, map, Series number, 21, 51, Numbered top right: 21., publisher: Abraham Honkoop (II), Leiden, publisher: Johannes Allart, Amsterdam, publisher: Isaac van Cleef, The Hague, 1799 - 1800, printmaker, paper, etching, height 274 mm x width 216 mm, A faded sepia-toned map printed on paper shows coastal outlines, islands, and reef patterns with stippled and dotted textures indicating shallow areas and submerged features, punctuated by small numerical depth markers and clusters of tiny plus-shaped symbols. The map includes two ornate compass roses with north-pointing fleur-de-lis, a rectangular distance scale bar with segmented marks, and a thin horizontal border line separating the top and bottom map sections. The coastlines are drawn with irregular hand-drawn lines and shaded sandflats, small inland contours, and a few tiny islets and rocks depicted near the shores. The lower portion shows a large curved bay with a textured inner area and a narrow channel, while the upper portion contains fragmented atolls and irregular shore indentations. Fine speckling and light age stains appear across the paper, and the overall drawing uses uniform dark brown ink lines and stippling.

alb29172128 Relief depicting Ramesses II with a ritual vessel. Relief shows the king in right profile; preserved face and part of a wig with a hanging uraeus. Around the neck is a wide, smooth necklace. In the hands are a hes vase and a possible incense burner not preserved. Iconography: uraeus, ibes wig, ritual vessels, king; religious scenes, sacred and Egyptian architecture. Maker: Ramesses II ruler of Egypt; ca. 1279-1213 BC. Date: c. 1279-1213 BC; New Kingdom, 19th Dynasty reign of Ramesses II. Provenance/site of discovery: Faras; place of creation: Aksha. Type: architectural element, bas-relief. Dimensions: height 33.5 cm, width 54 cm, depth 23 cm; weight 49.5 kg., A large textured rock slab fills the image against a plain gray background, showing a rough, weathered surface in shades of brown, tan, beige, and hints of gray, with a few darker brown patches and subtle lighter areas; the stone has an uneven, pitted texture with several rounded depressions and a group of circular holes bored into its face, the edges are irregular and worn, and the underside rests on a slightly darker base area.

alb29171318 January, The Twelve Months, print, From a series of twelve prints, the depiction of the month of January. By the fireplace, a woman sits behind the spinning wheel, a man holds a bowl in his hands., printmaker: Simon Fokke, Amsterdam, after design by, 1722 - 1784, paper, etching, height 0 mm x width 0 mm, January and its 'labours', A detailed interior scene rendered in fine crosshatched lines shows a high beamed ceiling and a hanging geometric lantern, a wall with framed round objects and windows with small panes through which branches are visible, and a doorway opening to an outdoor area with trees. In the foreground a small wooden table holds tools and objects, beside which a wheel rests on the floor and a stool stands nearby. Two seated men wearing long robes occupy chairs by a hearth; one man sits at the table holding a small item while the other leans back, hands clasped. A small dog lies curled on the floor near the table, and various household items and a bundle of sticks are scattered on the floor. The scene includes detailed textures of wood, fabric, and stone, and a cascading plume of smoke rising from the hearth area.

alb29171671 Box with a lid; creator, Chinese; Qing dynasty 1644-1911; 2nd half of the 18th century. Vessel, height 11.0 cm, width 4.8 cm. Materials and/or decoration: figurative scenes of sages, scholars, and servants; landscape motifs with pine trees and rocks; rosettes; geometric ornament including kikko pattern., The image shows a round, scalloped-edge carved box in a deep red color against a muted gray background. The top surface features raised, textured carving with organic, leaf-like shapes and layered relief. The sides display a repeating hexagonal geometric pattern in low relief, with smooth raised bands encircling the box separating the top and bottom sections. The red finish varies slightly in tone, with some areas appearing darker and others slightly lighter, and there are small patches where the surface shows a different sheen. The background is a flat, even gray.

alb29175334 The Cliff Palace, View of the Cliff Palace in Mesa Verde National Park, page, photomechanical print, number: 'XII', inscription: 'G. Nordenskiöld: Klippboningar.', photographer: Gustaf Nordenskiöld, Mesa Verde National Park, cliché maker: Librairies-Imprimeries Réunies (Ancienne Maison Quantin), Paris, c. 1891 - in or before 1893, North America, Colorado, paper, photoaquatint, height 190 mm x width 242 mm, ruin of a dwelling, house, castle, cave-dwelling, Cliff Palace, A wide rock overhang forms a recessed alcove in a cliff face, with layered rock strata and textured surfaces visible on the ceiling and walls of the overhang; beneath the shelter, a cluster of multi-level stone structures with rectangular openings and angular walls sits among scattered boulders and rubble; the foreground shows a slope of rocky terrain and dense vegetation with leafy and twiggy shrubs and small trees, some with pale, bare branches; the upper area of the scene displays a rough plateau of rock with sparse low plants and uneven ledges.

alb29172647 Vilnius. Cathedral, entrance to the royal crypt, Bulhak, Jan 1876-1950, Vilnius Lithuania, Archcathedral Basilica of St. Stanislaus and St. Ladislaus, crypts, archaeological excavations, flood in Vilnius 1931, 1931, Vilnius, photograph from nature, height 11.5 cm, width 16.5 cm, The image shows a dark, rocky interior space with rough stone surfaces and a jagged opening leading down into a shadowed area; a group of cables or wires run along the upper right across the stone, and a rough wooden beam or plank is visible near the opening with metal fittings; the ground inside the opening is uneven with small rocks and debris, and there are areas of deep shadow and lighter stone texture creating contrast in tones of gray, black, and off-white.

alb29170844 Forest view with a brook on the left, print, printmaker: Alfred Elsen, 1879, paper, chine collé, etching, etching on chine collé, height 185 mm x width 278 mm, forest, wood, brook, A densely shaded forest scene rendered in dark ink tones on a light background shows tall, slender trees with textured trunks and branches filling the frame, interwoven with leafy canopies and understory foliage. In the foreground a rocky, uneven ground is scattered with various rounded stones and exposed roots, and a narrow stream winds through the rocks toward the left side. The middle ground contains more trunks and clusters of foliage that create layered depth, while the background shows lighter, more distant trees partially obscured by the nearer vegetation. The overall image emphasizes detailed linework and crosshatching to depict bark, leaves, rocks, and the flowing water.

alb29170850 Le Renard Anglois Fable CCXXXVI, Five dogs jump at an owl and fox hung in a tree, print, book illustration, printmaker: Louis Claude Legrand, after design by Jean-Baptiste Oudry, publisher: Durand, Paris, 1755 - 1759, paper, etching, height 289 mm x width 215 mm, A detailed engraving shows a group of hounds gathered around the base of a tree, several of them howling or looking upward with open mouths and visible teeth, their bodies lean and muscular with short fur and spotted markings, tails raised or curved. A fox hangs limp by its legs from a branch above, its head tilted downward and fur rendered with fine lines. An owl is suspended from the same branch nearby, wings partially spread and eyes staring forward. The tree has a thick, textured trunk and leafy branches, and a simple rural building with stepped terraces, arched openings, and a tower stands in the background beside a stone wall and tall vegetation. The ground in the foreground is uneven with rocks and tufts of grass, and a narrow fence or wooden posts separate parts of the middle ground. The image is framed by a decorative border.

alb29172036 Reproduction of Forêt de Fontainebleau by Auguste Allongé, Forêt de Fontainebleau, reproduction, page, photomechanical print, inscription: 'Lefevre - Photographie', cliché maker: anonymous, after design by Auguste Allongé, printer (person): Lemercier & Cie., Paris, c. 1883 - in or before 1888, photographer, printer (person), paper, Woodburytype, Woodburytypepie, height 107 mm x width 75 mm, Print opposite title page., forest, wood, painting, drawing and the graphic arts, A vertical monochrome scene showing a wooded landscape with tall slender trees and branching limbs extending upward and across the image, trunks and thin branches creating a dense network against a textured background; large irregular boulders and rock formations occupy the lower foreground and midground, with a narrow stream or path winding between the rocks toward the background; foliage and undergrowth are visible around the rocks and along the bases of the trees, and the overall image has a shaded, etched appearance with grainy tonal variations.

alb29172239 Lamentation of Christ (Pieta), print, album page, The grieving Mary leans with two angels on a block of stone. Christ's head rests on her lap. Beside her lie the instruments of the Passion, the crown of thorns and the nails. Behind her, a view of a hilly landscape. This print is part of an album., printmaker: Peter van Liesebetten, Antwerp, after painting by Annibale Carracci, Italy, publisher: David Teniers (II), Brussels, grantor of privilege: Spanish crown, 1660, Peter van Liesebetten, Annibale Carracci, David Teniers (II), Spanish crown, printmaker, after painting by, publisher, grantor of privilege, paper, engraving, height 168 mm x width 205 mm, Print after the painting by Carracci which is in the collection of the Kunsthistorisches Museum in Vienna (inventory number: GG_230). David Teniers probably produced an oil study on canvas or panel (so-called pasticcio) of all the paintings in the collection of Leopold William of Austria, which served as a model for the printmakers. It is not always clear whether the pasticci were made by him or by his studio. Not all pasticci have survived., the dead Christ in Mary's lap, A black and white engraved scene showing a reclining male figure with a cloth around his waist, his eyes closed and his body draped over a ledge, supported by a seated woman wearing flowing garments and a head covering whose eyes are closed and whose head leans back, a second adult figure behind them with a visible face and hand resting on the woman's shoulder, a crown of thorns and a small tool or object placed on the ledge nearby, a background divided between a dark textured wall and a lighter landscape with a tree and distant hills, and drapery and folds beneath and around the figures.

alb29170247 Canopy, house of wood stones?, with a man in front of it, photograph, with a man in front of it., inscription: 'Ph. J Carrianes ?', c. 1870 - c. 1900, photographer, pasteboard, paper, albumen print, height 197 mm, width 262 mm x width 443 mm, height 325 mm, A sepia photograph showing a large, rounded rock formation with layered, weathered textures and several deep crevices; the rock occupies the central foreground and middle distance, with smaller rocky outcrops and patches of sparse vegetation around its base and extending into the background; a man wearing a dark jacket, light trousers, and a hat is seated in a recess of the rock near the lower center of the image; the horizon and flat landscape stretch behind the rock under a clear, pale sky.

alb29171059 Medallion with the portrait of Cornelia, mother of the Gracchi, print, book illustration, Stone with a medallion. On it the portrait of Cornelia, mother of the Gracchi. The portraits of the brothers Gaius and Tiberius Gracchus are partially visible behind the portrait of the woman., printmaker: Reinier Vinkeles (I), Amsterdam, publisher: Adriaan Pietersz. Loosjes, Haarlem, 1798, paper, etching, proof print, height 236 mm x width 155 mm, Roman Antiquities of Freedom and Love of Fatherland. Haarlem: A. Loosjes, 1798., Person, Cornelia Africana, (story of) Tiberius Sempronius Gracchus, (story of) Gaius Sempronius Gracchus, A detailed engraved profile of a person facing right is set within an oval medallion, the figure wearing a draped head covering with visible folds and textured hair at the forehead, the face rendered with fine stippling and line work; the medallion rests on a patterned rectangular plinth with crosshatch and linear textures, and decorative leafy branches and small foliage curl around the top and sides of the medallion, all executed in fine engraved lines on a light background.

alb29174480 Faust in his study, print, printmaker: Willem Linnig (II), 1868 - 1876, paper, chine collé, etching, aquatint, etching and aquatint, height 190 mm x width 159 mm, book - MM - book open, (human) skull, scholar in his study, Faust, A dark, aged etching with a rectangular framed area showing a seated figure draped in flowing fabric turned slightly away from the viewer, the figure's head bowed and shoulders covered by a cloak. To the right of the figure, radiating linear marks suggest a bright source or glow extending outward across the scene. Surrounding the central subjects are heavily textured, crosshatched shadows and indistinct architectural or rock-like forms, with worn edges and a mottled, stained border that gives the paper an antique appearance. The image overall is rendered in deep sepia and black tones with fine, sketchy lines and areas of denser shading.

alb29174427 Military parade at amphitheater, Courses de Têtes et de Bagues, Tournaments given by Louis XIV in 1662, print, Series number, 2, 11, printmaker: Israël Silvestre, grantor of privilege: Louis XIV (King of France), 1664, paper, etching, height 182 mm x width 561 mm, tournament, military parade, pageant, A wide panoramic engraving showing a large open parade ground bordered by a long row of buildings and walls in the background, with a central multi-story gatehouse and a distant city skyline under a clouded sky. In the foreground a dense formation of mounted figures on horses moves across the scene, interspersed with foot attendants and a few dogs, while crowds of spectators line the edges behind barriers. Architectural details include classical facades, pitched roofs, chimneys, and a long balustrade or terrace along the left side. The engraving uses fine linework and hatching to render textures of stone, fabric, and clouds.

alb29170099 Departing travelers, Bon voyage, print, printmaker: Benoît Audran (II), France, after painting by Jean Antoine Watteau, grantor of privilege: French crown, 1708 - 1772, paper, etching, height 208 mm x width 243 mm, The painting on which Audran based this print is a fragment of Watteau's 'Embarkation for Cythera'., waving farewell, departure on a journey, ships (in general), A detailed pen-and-ink scene shows a woman seated on a rock wearing a flowing dress and holding a folded fan while a man kneels beside her in a hat and layered clothing, leaning close and gesturing with his hand; behind them a group of figures stand and talk near a shoreline with tall billowing sails and small boats, some figures appearing to climb or hang from the rigging; to the left a textured tree trunk and branches frame the couple, and the sky and sea are rendered with fine parallel and wavy lines creating clouds and distant ships.

alb29173026 Fall, print, number: '120', printmaker: Virgilius Solis, Nuremberg, 1524 - 1562, Bavaria, paper, engraving, etching, height 73 mm x width 112 mm, Adam and Eve holding (and possibly eating) the fruit, A detailed black and white engraving shows two nude human figures beneath a grove of trees, one standing and the other seated on a rock, both shown in three-quarter profile. The standing figure faces the seated figure and holds a rounded object in both hands while a serpent winds around a tree trunk between them. The seated figure reaches toward the object with one hand and rests the other hand on the rock. Trees with textured bark and foliage rise behind them, and a spotted animal with pointed ears sits near the seated figure. In the background a pastoral landscape stretches to the horizon with rolling hills, a fountain, grazing cattle near water, scattered trees, and a sky populated by flying birds and clouds. The foreground shows grassy ground, small plants, and stones.

alb29173495 Fries with birds, including peacock and pelican, print, ornamental print, On the right a peacock., Netherlands (possibly), 1500 - 1600, height 41 mm x width 160 mm, water-birds: pelican, A horizontal black and white engraving shows a variety of birds on a gently rolling ground with sparse vegetation and a few small trees; birds are depicted in different poses and orientations, some perched on branches, some standing on the ground, some with wings spread and one with its beak open and head raised, others bending forward as if pecking or drinking, and a couple of birds appear to have long ornate tail feathers, while another has a fanned tail behind it like a rounded plume; the scene includes detailed feather textures, curved beaks of varying shapes, taloned feet, scattered small rocks and plants on the ground, and thin trunks and branches with leaves punctuating the background.

alb29173471 Landscape with ancient temples, print, printmaker: Christian Haldenwang, after design by Heinrich Theodor Wehle, publisher: Franz Nöldeke, Karlsruhe, 1804, Baden-Württemberg, paper, aquatint, height 123 mm x width 174 mm, A monochrome landscape engraving showing tall leafy trees in the foreground with textured trunks and dense foliage, a path winding between them, low shrubs and ground plants, and a waterfall flowing over rocks into a stream; to the left a classical building with fluted columns and a pediment is partially visible behind the trees, and a pair of human figures stand on the path near the trees; in the distant background there are rolling hills with scattered trees and a round tower or temple-like structure on a ridge under a cloudy sky.

alb29171870 Landscape of the Coal Age, Reproduction of a print of a landscape in the coal age, reproduction, page, photomechanical print, name: 'Motty', name: 'Jonnard', maker: unknown, after print by anonymous, c. 1884 - in or before 1889, after print by, paper, printing block, height 183 mm x width 120 mm, Print opposite title page, behind semi-transparent cover., forest, wood, brook, A monochrome etched scene of a dense forest with tall trunks and patterned bark framing a narrow view of a waterway that winds into the distance, reflecting light. Ferns, leafy undergrowth, and various textured plants crowd the foreground and banks, with rounded stones and a fallen log partially submerged. A small cluster of rounded shapes sits in the water nearer the foreground, and a solitary rock or head-like shape breaks the surface further back. Trees with intricate branches and foliage create a layered canopy, and light areas of the water contrast with the dark, heavily hatched trees and vegetation.

alb29172733 A lion fight, Lion fight, print, Series number, 27, A lion bites the other in the neck. On the right, a bull lies on the ground. Numbered top left: Pantheon Pl. XXVII., : 'Deposited.', printmaker: Carel Christiaan Antony Last, after design by Raden Sarief Bastaman Saleh, printer (person): Soetens & Fils, The Hague, 1837 - 1840, printer (person), paper, lithography, height 305 mm x width 445 mm, beasts of prey, predatory animals: lion, cow, animals (fighting animals, aggressive relations), A detailed black-and-white engraving shows two large male lions locked in a violent struggle, their bodies muscular and fur textured with fine crosshatching, manes wild and faces contorted with bared teeth and snarling expressions; one lion is positioned above the other with paws clamped around its rival, tails curved upward, and claws visible. They are set against a rocky landscape with steep rock faces and a small tree branch extending from the upper right, and a distant horizon visible on the left under a cloudy sky. At the lower right edge of the scene a large bovine head lies on the ground with its tongue protruding and eyes partially closed. The engraved image is framed by decorative ruled borders and surrounded by a blank margin.

alb29172790 Sacrifice of Isaac, print, Abraham is about to behead Isaac, who is sitting next to him, with his sword. An angel in the air grasps the sword., printmaker: Agostino Veneziano, Italy, after design by Raphael (possibly), 1500 - c. 1536, paper, engraving, gravure, height 285 mm x width 212 mm, the sacrifice of Isaac (Genesis 22), A detailed black and white engraving shows a bearded man standing on a rocky ledge draped in flowing robes, his muscular torso exposed and one arm raised as he grasps the hand of a winged child who hovers above him; the child has curly hair and wears a short tunic while reaching down with both hands. At the man's side a younger, limp figure with long hair leans against him, the man's other hand resting on the younger figure's head. The foreground includes textured ground, rocks, plant foliage, and a fur or rug under the man's feet. In the background there are layered hills and a sky with stylized clouds. The composition emphasizes detailed line work, shading, and classical drapery folds.

alb29174197 View of the Aare near Handegg, Cours de l'Aar à la Handeck, Twelve views in Lauterbrunnen and Meiringen, Douze vues des Vallées de Lauterbrunnen et Meyringen, print, Series number, 9, 12, printmaker: Alexandre Calame, printer (person): Schmid (printer), Geneva, printer (person): Henri Betremieux, Paris, publisher: Gihaut frères, publisher: JH Wessel, 1842, Alexandre Calame, Schmid (printer), Henri Betremieux, Gihaut frères, JH Wessel, printmaker, printer (person), publisher, paper, tone lithography, height 320 mm x width 488 mm, Print published in: 'Douze vues des Vallées de Lauterbrunnen et Meyringen, designs of nature and lithographs by A. Calame', 2nd cahier, Geneva 1842 (publisher: JH Wessel), brook, mountains, Handegg, A monochrome drawing of a rocky river scene with turbulent water cascading over large boulders, dark shaded cliffs and dense foliage on the left, a fallen tree limb with exposed roots lying across the rocks, misty tones and textured shading suggesting spray and shadow, and varied rock surfaces and vegetation framing the water.

alb29175498 Seaweed gatherers on the coast near Veules, Les ramasseurs de varech à Veules (original title), Souvenir du Hâvre (original series title), print, View of a beach with boulders where people are gathering seaweed in the surf., printmaker: Carel Nicolaas Storm van 's-Gravesande, c. 1873, Carel Nicolaas Storm van 's-Gravesande, paper, etching, intaglio printmaking technique, height 131 mm x width 360 mm, beach (landscape with figures, staffage), gathering herbs, Veules (city), A horizontal seascape rendered in monochrome shows a shallow shoreline with large irregular rocks scattered across the water and foreground, their textured surfaces emphasized by dense crosshatching and shadowing, while thin horizontal lines indicate calm water and a distant horizon under a pale sky with a few wispy clouds; several figures in simple dark clothing stand or bend near the rocks and water's edge, some carrying baskets or tools and one appearing to lean on a stick on a rock, with smaller distant figures wading near the horizon, all composed in a wide, low-contrast tonal range.

alb29172475 Carrying of the Cross by Christ, print, book illustration, printmaker: Christoffel van Sichem (II), Amsterdam, after design by Hendrick Goltzius, publisher: Pieter Jacobsz. Paets, 1648, 1657, paper, woodcut, height 108 mm x width 72 mm, A densely hatched black and white woodcut scene showing a crowded outdoor setting with many robed figures. In the foreground a bearded man leans forward carrying a large wooden cross while surrounding figures reach toward him and the cross. Some figures wear head coverings and cloaks, others hold staffs or gesturing hands. Behind them, clustered buildings and towers rise on rocky terrain with steep, shaded hills and a multi-level structure with arched openings. In the distant background craggy mountains fill the skyline under layered, linear cloud formations. The image is composed of fine linear shading and crosshatching throughout, with strong contrasts and detailed textures on clothing, architecture, rocks, and vegetation.

alb29172473 Photo reproduction of Le repas partagé by Ch, Jacques, photograph, reproduction, page, after painting by Charles Jacques, c. 1858 - c. 1863, photographer, paper, albumen print, albumendruk, height 148 mm x width 112 mm, picture, painting, fowl (cock, hen, chicken, etc.), child (at home), A sepia-toned scene shows two children seated on a stone ledge or step beside a rough plaster wall partially covered with foliage and a hanging metal pail; one child wears a dark vest and looks downward while the other, wearing a light bonnet, leans on the stone with folded arms and a contemplative expression; a cluster of chickens and roosters peck and move on the ground in front of them, and a small metal pot with a handle sits nearby on the dirt floor; the background includes textured walls, a doorway, climbing plants, and scattered vegetation.

alb29162175 Fragment of a necklace, unknown northern Mesopotamian workshop, beads, Early Jazira III period ca. 2600-ca. 2350 BC; Early Dynastic III period, nine irregular elongated rock crystal lumps. Originally a conical lump of frit with a hole for stringing was glued to each lump. Found at Tell Rad Shakra, northeastern Syria Al-Jazira, Khabur basin, Northern Mesopotamia. decoration, A group of small translucent irregular stones scattered against a plain background, with visible surfaces showing glossy and rough textures; the stones are mostly clear to milky white with patches of pale yellowish-brown and hints of gray and light brown on some surfaces.

alb29163668 Primavera (original title), Landscape with river, bridge and houses, print, printmaker: Philip Zilcken, after design by Matthijs Maris, publisher: Buffa & Co., Amsterdam, 1890 - 1930, paper, etching, intaglio printmaking technique, height 140 mm x width 267 mm, river, bridge, A monochrome sketch of a rural scene showing a stone arched bridge over a body of water, with reflections beneath the arch. A figure stands on the near bank holding a long pole, facing the bridge. To the right of the bridge a small boat lies along the water's edge. Behind the bridge there are dense, scribbled trees and a cluster of roofed cottages with visible chimneys. A bird is sketched in flight near the cottages. The foreground shows a winding, textured path leading toward the bridge and scattered low vegetation along the banks. The sky is lightly marked with faint horizontal lines and speckled texture.

alb29161784 Two superimposed elongated friezes with different birds, Plusieurs oyseaux au servisce de tous ceux qui aim à portrair, print, Series number, 8, 9, 12, The upper frieze is numbered 9 at the bottom left and bottom right, the bottom frieze is numbered at the bottom left and bottom right 8., after design by Virgilius Solis (possibly), publisher: Claes Jansz. Visscher (II), Amsterdam, 1649, printmaker, paper, engraving, uncut sheet, height 186 mm x width 299 mm, height 41 mm x width 183 mm x height 43 mm x height 180 mm, birds, A rectangular print showing two horizontal bands of etched bird scenes separated by blank space, each band containing stylized birds perched on rocks and among tufts of grass and decorative foliage, with a variety of bird poses including standing, flying, preening, and spreading wings, and ornamental curling plant forms woven through the lower band; the image is monochrome with fine linework and shading on a pale textured background.

alb29163395 Farewell of Paul in Antioch, Magnus fletus factus est omnium et procumbentes super collum Pauli osculabantur eum, Representations by Raphael in the Vatican, print, Paul bids farewell to his disciples. Title and reference to Bible text in the bottom margin., printmaker: Pietro Sante Bartoli, Italy, after design by Raphael, Vatican City, publisher: Giovanni Giacomo de' Rossi, Rome, grantor of privilege: Papal Court, 1645 - 1700, Pietro Sante Bartoli, Raphael, Giovanni Giacomo de' Rossi, Papal Court, grantor of privilege, paper, etching, engraving, etching and engraving, height 107 mm x width 263 mm, A horizontal engraved scene of a row of robed figures standing on a narrow plinth against a textured background, with two figures at the left embracing and kissing, several figures in the center gesturing with raised arms or hands placed on their chests, a vertical rock-like formation breaking the line near the middle, and a group of figures at the right standing close together with some leaning or whispering; all figures wear flowing draped garments and sandals, show varied facial hair and long hair, and cast subtle linear shading, with a decorative border around the image and an ornamental band of script beneath the scene.

alb29162272 The Soldier, The Twenty-Four Hours of Human Happiness, Le Ventiquattr'Hore dell'humana felicità, print, Series number, 21, 24, A soldier (Guerriero). Standing military commander, command staff in hand, an army camp on the right. With two four-line verses in Italian. Numbered top right: 21. Part of the series 'The Twenty-Four Hours of Human Happiness'., printmaker: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height 275 mm x width 200 mm, height 394 mm x width 280 mm, commander-in-chief, general, marshal, (military) camp with tents, the 24 hours of day and night, scenes symbolizing 'Vanitas', personifications, the life of man, A detailed ink drawing shows a figure in ornate armor walking across a landscape, wearing a plumed helmet with decorative scrollwork and a flowing plume, a breastplate with engraved ornament, layered tassets at the waist, and articulated arm and leg armor; a sash is tied around the waist with a long scarf-like cloth draped from one arm and a separate cloak billowing behind the shoulders; the figure holds a cylindrical baton in one hand and extends the other hand palm up, a sheathed sword hangs at the hip, and the face beneath the helmet displays a beard and mustache; in the background there are tents with pointed tops and a distant fortified settlement, with ground textures and small rocks in the foreground.

alb29162200 Temple of Castor and Pollux, Italian landscapes with ruins, Variae antiquitates Romanae, print, Series number, 10, 26, View of the ruins of the Temple of Castor and Pollux in Rome. Several figures are located near the ruins, one of which is pointing towards the temple., printmaker: Claes Jansz. Visscher (II), Amsterdam, after drawing by Guilliam van Nieulandt (II), 1618, paper, etching, height 102 mm x width 157 mm, riding a horse, ass, or mule, rider, horseman, landscape with ruins, index finger forwards, pointing, indicating, Rome, A detailed black and white etching shows a rocky landscape with architectural ruins and small buildings. Tall, fluted columns stand near a carved stone basin with decorative faces and a wheel beside it. Figures appear on a path among the rocks, including a mounted person and another reaching or gesturing, and a small group of three people standing near a low building. In the middle distance there are clustered houses, layered walls, and a ruined arched structure with vegetation growing around it. The sky is filled with outlined clouds and fine horizontal shading lines. The foreground terrain is textured with layered rock forms and scattered stones.

alb29162267 Mary and Child in the desert, print, check stamp: 'Bulla freres & Jouy editeurs Paris', printmaker: Achille Louis Martinet, Rome, after painting by Paul Delaroche, printer (person): Chardon ainé & Aze., Paris, publisher: Bulla frères & Eugène Jouy, publisher: Ernest Gambart, London, 1846 - 1869, printer (person), paper, chine collé, steel engraving, steel engraving on chine collé, height 480 mm x width 300 mm, Mary sitting or enthroned, the Christ-child lying on her knee (Christ-child to Mary's left), A seated woman wearing a draped head covering and flowing robes looks forward with a calm expression while holding a sleeping child on her lap; the child is partially wrapped in cloth and rests with one arm across the woman's body and legs extending over her skirt. The woman sits on a rocky ledge with textured fabric folds cascading around her and a halo-like circular ring depicted above her head. The background shows a rocky landscape with distant cliffs and a cloudy sky, and a small figure stands on a distant rock outcrop. The foreground includes a textured ground with small scattered stones and the edge of the rock where the woman is seated.

alb29161031 The Nieuwe-Zyds-Kapel, seen from the inside, towards the East, Interior of the Nieuwezijds Chapel in Amsterdam, seen towards the east, print, printmaker: Jan Goeree, Amsterdam, 1680 - 1731, paper, etching, engraving, height 252 mm x width 170 mm, interior of church, Nieuwezijds Kapel, Heilige Stede, A detailed interior view of a large vaulted hall with rows of tall, fluted columns topped by decorative capitals, arched ribbed ceilings, and a central nave leading toward an elevated apse with layered architectural ornament. Stone or tiled flooring stretches down the center, with niches, raised platforms, and wooden structures along the sides. High arched windows punctuate the side walls, admitting light that defines the architectural forms. Small groups of people are scattered along the floor, some standing and conversing, others walking, and a few nearments performing tasks with tools and materials visible on the floor. Decorative railings, balustrades, and gallery walkways run above the columns, and various sculptural and carved details appear on column capitals and wall elements. The overall image is rendered in fine line engraving with crosshatching and stippling, creating tonal depth and texture.

alb29160981 Angel with city crown and palm branch standing next to a monument for the 50th regiment, print, printmaker: Célestin François Nanteuil, 1823 - 1873, paper, lithography, probably proof, height 359 mm x width 276 mm, monument, statue, garland, wreath, sceptre, staff (symbol of sovereignty), city-crown, mural crown, angels crowning and, or bringing palm-branches, A monochrome drawing of a winged female figure wearing a small crown and draped garments, leaning on a large rounded stone with one arm resting atop it and the other hand gripping the drapery, a long flowing cloth cascading from her torso; behind her are softly shaded wings and a textured background. On the stone surface are faint carved shapes and a small skull motif beneath them. To the left of the stone is a cluster of plants and foliage intermingled with a helmet and other military accoutrements resting on a ledge. Below the stone is a sculpted relief depicting two uniformed men facing each other amid fallen figures and scattered objects, with additional figures and landscape details carved into the panel. The overall image is rendered in detailed pencil shading with varied line work and soft highlights.

alb29160974 Cain Kills Abel, Liber Genesis, print, Series number, 11, 60, Cain is about to kill Abel with a donkey's jawbone. On the right in the background, two sacrificial altars: Abel's sacrifice is approved by God (the smoke rises), Cain's sacrifice is disapproved (the smoke falls). In the margin, a two-line caption in Dutch., printmaker: Crispijn van de Passe (I), Utrecht, publisher: Isaac Greve, Amsterdam, 1700 - 1750, Crispijn van de Passe (I), Isaac Greve, printmaker, publisher, paper, engraving, height 82 mm x width 127 mm, Print also used in: Liber Genesis, The Book of Genesis, third edition. Amsterdam: Y. Greve., the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon, the fume of Abel's sacrifice goes straight to heaven, whereas the smoke of Cain's offering is beaten down, with God blessing Abel, A black and white engraved scene shows two partially draped men in the foreground, one standing with an arm raised holding a curved object and the other on the ground grasping the standing man's torso, with cloths swirling around them; behind them a landscape with rolling hills, scattered trees, and small flocks of sheep is visible, and groups of figures near smoky fires appear on the hills, with one figure kneeling and another gesturing toward the sky; the left foreground contains a large tree with textured bark and a pile of cut logs at its base, while the sky displays clouds and radiating lines.

alb29161477 The Strawberry Market in Amsterdam, View of the strawberry market in Amsterdam, print, View of the strawberry market on the Prinsengracht at the height of the Berenstraat. Seen in a northerly direction. The Berensluis is on the left. The Westertoren is in the background., printmaker: Joannes Pieter Visser Bender, Haarlem, after drawing by Jacob Cats (1741-1799), 1799 - 1813, paper, etching, stippelets, etching and stippelets, height 85 mm x width 89 mm, market, bridge in city across river, canal, Amsterdam, Westerkerk (Amsterdam), Strawberry Market, A detailed black and white etching of a street scene showing a stone arched bridge over a canal with a railing and people walking across it, buildings lining the right side of the street, a church tower visible in the distance, and trees with dense foliage framing the view. In the foreground, market activity is depicted with women carrying baskets suspended from poles, baskets and goods stacked near the canal edge, and several seated and standing figures engaged around the baskets. A small boat is visible under the bridge in the waterway. On the right, a hanging sign extends from a building and a lamp projects outward, while a few figures and a dog stand or move along the cobbled street. The image is composed of fine lines and crosshatching to render textures and shading.

alb29163047 Landscape with ruins and fishermen, print, printmaker: Gabriel Perelle, publisher: Pierre Ferdinand, Paris, grantor of privilege: French Crown, France, 1627 - 1655, paper, etching, height 187 mm x width 247 mm, landscape with ruins, fishing (sports), A monochrome landscape engraving showing a river with a small waterfall and rocky banks, large trees with detailed foliage on the left and scattered trees on the right, ruined stone arches near the center background, a low bridge or causeway across the river, several human figures engaged in activities along the water including a person pulling on a rope from the bank and seated figures in a small boat, a figure leading a horse and another walking nearby on the right, layered horizontal lines filling the sky with scattered clouds, and textured foreground rocks and vegetation.

alb29163436 Crossguard tsuba, Oval tsuba tatemaru gata with an irregular edge, surface textured to imitate rock and cut into openwork irregular elongated holes. Inlaid in high relief with a motif of a blooming rose bush, a snail and flying bats. Signed: signature in flat gold inlay: italic character ju naga. 18th century Edo period, 1603-1868, Japan. Tsuba; height 8.0 cm, width 7.5 cm, depth 0.5 cm., A round, flat metal object with an irregular, rough edge suspended against a plain light gray background; the metal surface is primarily dark brown with areas of darker gray and black, and it features a few smooth oval cutouts and several irregular holes. There are small decorative floral elements in a bright gold color clustered along one side and a few tiny gold accents elsewhere, while some areas of the metal show a subtle sheen and slight texture variations.