Pesquisando por: "texture of rock" - Fotoarena - Agência de fotojornalismo

ny020425212012 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

ny020425212020 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

ny020425212031 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

20241114_zea_c181_133 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_134 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_135 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_130 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_679 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_678 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zea_c181_123 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_667 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zea_c181_129 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_120 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_670 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_671 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_677 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_672 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20240720_shv_z03_095 July 20, 2024 - Mars Surface - FILE: NASA's Curiosity captured this close-up image of a rock nicknamed 'Snow Lake' on June 8, 2024, the 4,209th Martian day, or sol, of the mission. Nine days earlier, the rover had crushed a similar-looking rock and revealed crystalline textures, and elemental sulfur, inside. (Credit Image: © NASA/JPL-Caltech/MSSS/ZUMA Press Wire/ZUMAPRESS.com)

ny070522134905 Adrian D?hler, a cartographer at SwitzerlandÕs Federal Office of Topography, or Swisstopo, at work in Wabern, a suburb of Bern, on Jan. 25, 2022. Illustrations of mountains are made up of hundreds of short, yet expressive lines, called hachures.ÊSubtle changes in style and texture reflect different types of rock. (Lucia Buricelli/The New York Times/Fotoarena)

ny190319175404 Brice Marden outside his studio in Tivoli, New York, Dec. 28, 2018. The moss covering the rocks behind him have long been the source of his palette and textures. Many assumed he would slow down after his cancer diagnosis but instead he has become more prolific than ever. ?I have been able to work through it all. It hasn?t made me hurry things up. It hasn?t made me work any differently. It?s just been an extra thing to think about.? (Lauren Lancaster/The New York Times/Fotoarena)

1028_14_CLK3082 The towers of mount Civetta are reflected in the water of Lake Coldai. Dolomites. Veneto. Italy. (Photo by: ClickAlps/REDA&CO)

01069775 geography / travel, Italy, South Tyrol, close up view of shale in the mountains in South Tyrol,

00977408 geography / travel, Germany, Rhineland-Palatinate, Bad Neuenahr, dry-stone wall at the Red Wine Trail above of Ahrweiler, Bad Neuenahr-Ahrweiler, Ahrtal (Ahr Valley),

00873626 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,

00873624 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,

00873619 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873618 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873623 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873622 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873620 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00917551 geography / travel, USA, Utah, Bryce, Bryce Canyon,

00917563 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917562 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917564 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917561 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917559 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917558 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917557 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917554 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917555 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917560 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917556 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917553 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917552 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917550 geography / travel, USA, Utah, Bryce, Bryce Canyon,

00918044 geography / travel, USA, Utah, Bryce, Bryce Canyon

1016_03_62437 Pumice stone is light and brittle with a spongy texture. It is often used to soften the skin of the feet and hands. This igneous rock is riddled with tiny air pockets because the lava that formed it was full of gases. Pumice is so light that it can do what no other rock can: float on water!

alb30947119 Landscape with ruins and fantasy architecture and two women with a child in the foreground, Landscapes with ruins and fantasy architecture and figures in antique and exotic attire, print, Landscape with ruins and fantasy architecture and two women with a child in the foreground. Print from a series of landscapes with ruins and fantasy architecture., printmaker: Giovanni Battista Pittoni (I), Vicenza, 1560 - 1570, paper, etching, height 210 mm x width 310 mm, fantastic architecture, unrealistic architectural fantasies., A detailed black and white etching shows a ruined classical structure with arched openings and sculpted female figures integrated into its facade, topped by vegetation and small trees growing from its roof; in the foreground three partially clothed figures recline on rocks and among plants, one holding a small child while another leans forward; to the right a winding path leads past a bridge and small buildings nestled into hilly terrain with more clustered structures on a distant hillside; to the left tall slender trees and a spire rise beside additional architectural remains; the sky is filled with layered clouds and fine horizontal line shading, and the ground throughout is textured with rocks, grasses, and low bushes.

alb30947169 A wide engraved scene shows a procession of people and animals moving through a rocky mountain landscape, with towering crags and a flowing stream at the edge of the composition. In the foreground a woman with a radiant halo-like wreath sits sidesaddle on a donkey while holding a sprig, attended by several figures including a bareheaded older man walking and a young woman leading the donkey by a rope beneath a cloth-covered basket; nearby a man in a cloak rides a horse beside a young armored rider carrying a sword and wearing a plumed hat, and another figure on horseback holds a tall standard. Several attendants on foot carry spears and wear varied headgear, and a small foal and two dogs move among the group at the front. The figures wear draped garments, robes, and some pieces of armor, and faces show a range of expressions; the engraving uses detailed line work and shading to render textures of clothing, animal tack, rock surfaces, and foliage.

alb30947016 Landscape with veiled woman, Landscapes, series two, print, standing by a pot, looking at a person lying on the bank of a river. A city in the background. Sixth print in the series of six., printmaker: Adriaen van der Kabel, France (possibly), grantor of privilege: Louis XIV (King of France), 1648 - 1705, paper, etching, height 153 mm x width 210 mm., A detailed pen-and-ink landscape showing a wide view with trees framing both sides, a distant mountain range on the horizon, and a cluster of buildings or a small town near the middle ground. The foreground features rocky terrain, undulating ground, and a body of water with a few rocks visible. Several trees with textured foliage and winding trunks occupy the foreground and middle distance, and a group of small human figures can be seen near the center and right, including one standing figure near the water and another seated figure on a rocky rise. The sky is filled with horizontal hatch marks suggesting clouds or atmosphere, and the overall image is rendered with fine, closely spaced lines and cross hatching.

alb30946749 Landscape with trees and a man, print, Landscape with a tree in the foreground. In the background a man with a basket on his arm and a fishing rod., printmaker: Monogrammist JCW, Netherlands, after drawing by Jan Kobell, 1776 - 1888, paper, etching, height 208 mm x width 165 mm, trees., A detailed pen-and-ink landscape showing a large, gnarled tree with thick, twisting trunk and sprawling branches filling much of the scene, its bark rendered with dense crosshatching and its canopy of small leaves and twigs creating textured shading; beneath and around the tree are rocky outcrops and low shrubs drawn with fine lines; a solitary figure wearing a hat and rustic clothing stands on a path near the rocks, holding a long staff; distant trees and foliage appear faintly in the background, and the overall composition is monochrome with intricate linear detail.

alb30946773 Landscape with cow, print, book illustration, printmaker: workshop of Bernard Picart, Amsterdam, 1730, paper, etching, engraving, height 132 mm x width 186 mm, cow., A detailed ink drawing of a standing cow facing slightly toward the viewer, showing textured fur and curved horns, with a visible tail and hooves; the cow casts a reflection in a body of water below and stands on a grassy, uneven ground with a few scattered rocks and clumps of vegetation, all rendered on a light, slightly speckled background.

alb30946739 Gathering of the manna by the Israelites, print, album page, The Israelites are gathering the manna in jars and baskets. On the right in the foreground Moses, with his staff, and possibly Aaron. This print is part of an album., printmaker: Jan van Ossenbeeck, after drawing by Nikolaas van Hoy, Vienna, after painting by Jacopo Tintoretto, Italy, after painting by Lodewijk Toeput, publisher: David Teniers (II), Brussels, grantor of privilege: Spanish crown, 1660, Lower Austria, paper, etching, height 220 mm x width 320 mm, the gathering of manna (in baskets and pots)., A detailed monochrome engraving showing a broad landscape with rolling hills and distant mountains under a sky filled with fine horizontal shading, a group of trees on the right with a large, textured tree trunk dominating the foreground, numerous small human figures engaged in various activities across the scene including standing, kneeling, carrying vessels, bending to gather items, and interacting in clusters, a woman kneeling by a bucket near a standing child holding a bowl, people clustered under and beside the large tree with one man raising an arm holding a long staff or branch, tents and simple shelters visible in the middle ground, animals including a camel and a dog among the figures, a draped fabric or tent structure at the left edge with figures nearby, winding paths and textured ground punctuated by small plants and rocks, and a narrow border framing the entire image.

alb30948731 Landscape with hills and a tower in the background, Arcadian landscapes, print, In a landscape, two figures are talking to each other by a boulder. A third is resting near the water. In the background, water, hills, and a tower., printmaker: Isaac de Moucheron, Amsterdam, after painting by Gaspard Dughet, Rome, 1697 - 1744, paper, etching, engraving, etching and engraving, height 165 mm x width 257 mm, pastorals, Arcadian scenes, water course, (high) hill, tower, clock tower, monumental adornment., A detailed black-and-white landscape engraving shows a river or lake bordered by rocky banks and grassy terrain, with a group of trees framing both sides of the scene; on the left a tall, slender tree leans inward and on the right a large tree with spreading branches reaches across the composition. In the middle distance a rocky outcrop and clusters of trees sit beside the water, and farther back rolling hills and distant mountains recede under a sky filled with billowing clouds. In the foreground a few small figures are present along the shore, including two people near some rocks and another person sitting at the water's edge, while reflected ripples appear on the water's surface. The overall image is composed of fine etched lines and cross-hatching that define texture and shading throughout.

alb30949152 View of Maassluis, Postcard, print, View of the north side of the Meuse with Maassluis in the background., printmaker: Joost van Geel, Rotterdam, publisher: Jacob Quack (possibly), publisher: Jan Houwens (I) (possibly), in or after 1666, paper, etching, engraving, etching and engraving, height 148 mm x width 412 mm, city-view in general, 'veduta', river, Maas, Maassluis., A wide horizontal etching shows a shoreline in the foreground with textured sand and rock, a small rowboat near the water's edge containing two standing figures with one pointing and the other holding an oar, a rippling expanse of water extending toward a distant low coastline dotted with small structures and a large church with a tall tower, several small sailboats scattered on the water, and a sky filled with hatched cloud formations.

alb30949107 Cemetery of the Van der Capellen family, 1785, print, The cemetery of the Van der Capellen family in the Gorsselse Veld near Zutphen, founded in 1785 in honor of Joan Derk van der Capellen tot den Pol, who died in 1784., printmaker: Reinier Vinkeles (I), Amsterdam, after drawing by Jacobus Buys, 1797, paper, etching, engraving, height 230 mm x width 155 mm, Person, Joan Derk van der Capellen tot den Pol, grave-building, monumental tomb, Patriottentijd (1780-1795), Gorssel, Period, 1785 - 1788., A stone gatehouse with a curved tiled roof and a central arched doorway stands behind low brick walls and open iron gates, flanked by pillars; a tall obelisk-like ornament rises from the roof above a rectangular plaque. In front of the gatehouse three men stand on a grassy area, one seated on a rock sketching on a pad, one standing with a cane pointing toward the entrance, and a third seated on a horse at the right holding the reins; a small dog stands near the pointing man. Trees and shrubs frame the scene, with tall foliage behind the building and a leafy tree at the left, and a sky filled with textured clouds overhead.

alb30948432 Christ appears to Mary Magdalene (Noli me tangere), print, Mary Magdalene kneels before Christ who is represented as a gardener., caption: 'Odit amor latebras...', printmaker: Jacob Matham, Haarlem, after design by Hendrick Goltzius, writer (clerical worker): Simon Sovius, provider of privilege: Rudolf II of Habsburg (German Emperor), 1602, writer (clerical worker), paper, engraving, height 280 mm x width 190 mm, Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and, or a spade, 'Noli me tangere'., A detailed monochrome engraving shows a barefoot, bearded man standing with a wide-brimmed hat, draped cloth around his waist and a cloak over one shoulder, one hand raised in a gesture and the other holding the shaft of a spade that rests on the ground. Kneeling before him is a robed woman with long hair partly covered by a shawl, gazing up at him and clutching a small rounded vessel in her hands. They are set in a landscape with a rocky outcrop and a leafy tree behind them, a low fence with foliage to the side, and distant hills and buildings on the horizon beneath a sky with radiating lines. The scene features finely engraved textures and shading on clothing, skin, vegetation, and stone.

alb30948469 Lamentation of Christ, print, Angels mourn over the body of Christ. His body is supported by Mary and Mary Magdalene. The foot of the cross is still visible in the background on the left. In the margin, two lines in Latin and a caption with a dedication in Latin., inscription, printmaker: Frans van den Wijngaerde, Antwerp, after design by Anthony van Dyck, dedicated to: Balthasar Cruyt, 1636 - 1679, paper, etching, engraving, etching and engraving, height 255 mm x width 365 mm, Christ's body supported., A detailed black-and-white engraving shows a reclining male figure with draped cloth across his lower body and a muscular torso, surrounded by a group of mournful figures. To the left, winged figures and a small winged child gesture toward the central group, their flowing hair and robes rendered with fine lines. Behind and above them, clouds and a tree branch frame the scene. A hooded woman leans over the reclining man with an anguished expression while another woman kneels to the right, supporting his arm and looking down. Folded drapery, contoured shading, and textured rock surfaces fill the background and foreground, where a wide-brimmed hat and a coiled rope lie on the ground near the figures.

alb30947496 19th. Vüe d'optique representant le grand Lac de Barbarie, View of the Great Lake in Hanoi, print, optic print, Numbered in the title: 19., watermark, publisher: Jean-François Daumont, Paris, France, 1745 - 1775, Jean-François Daumont, publisher, printmaker, paint (coating), paper, watercolor (paint), etching, brush, colored etching, height 285 mm x width 396 mm, rowing-boat, canoe, sailing-ship, sailing-boat, lake (+ landscape with figures, staffage), North Vietnam., A wide waterfront scene with a calm body of water stretching toward the horizon, flanked on both sides by steep rocky cliffs dotted with vegetation and small buildings. Several sailing vessels and small boats with raised sails and flags float on the water, some nearer the foreground and others farther away. The cliffs are textured with rock faces, patches of green trees and shrubs, and scattered houses built into the slopes. Palm-like trees appear atop and along the cliffs. The sky above is pale blue, fading toward the horizon. In the foreground along the shoreline there are a few piers, stairways, and groups of people near boats. The overall image has a detailed, hand-drawn and colored appearance.

alb30948023 Three men in a garden, print, book illustration, A man standing in a garden by a waterfall. Behind him a staircase leading further into the garden, and two men in the bushes., number: '224', inscription: '1 de deel', printmaker: Samuel van Hoogstraten, Netherlands, publisher: Baltes Boekholt (possibly), 1648 - 1669, paper, etching, height 107 mm x width 61 mm, garden., A detailed monochrome etching shows a wooded scene with a group of trees filling the upper area, their leafy canopies and textured trunks rendered with fine crosshatching; beneath the trees a narrow path or clearing winds through, flanked by bushes and undergrowth. In the foreground a standing figure in period clothing faces sideways, wearing a wide-brimmed hat, a cloak draped over one shoulder, and a fitted jacket and breeches, while a long cloak or garment lies on the ground nearby. Further back along the path two smaller figures are visible, one standing and one seated or kneeling, both dressed in similar historical attire. Stone or wooden steps and a rough stacked barrier or log structure appear at the left, and the whole scene is composed of intricate line work and shading that emphasizes foliage, tree bark, and fabric textures.

alb30947665 Mary with the body of Christ, print, Mary leans against a stone and sleeps, the body of Christ lies beside her. On the stone block lie Christ's crown of thorns and the nails. Below the image a verse in Latin and an indulgence by the Bishop of Ghent, Anthony of Trieste., printmaker: Cornelis van Caukercken, Southern Netherlands, after painting by Annibale Carracci, c. 1640 - 1680, Cornelis van Caukercken, Annibale Carracci, printmaker, after painting by, paper, engraving, gravure, height 358 mm x width 430 mm, 'Pietà ', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary., A grayscale engraving showing a reclining male figure with closed eyes draped in cloth, supported by a seated female figure whose eyes are also closed and who wears a head covering, a group of small winged figures clustered behind them, flowing drapery around their bodies, a flat ledge behind them with a tangled thorny object at one end, a distant landscape visible to the right with rolling hills, a lone tree, and a winding body of water, and a textured dark background occupying the upper left.

alb30947690 Old woman with a herring in her hand, print, An old woman sits outdoors at a table and holds a herring in her hand. On the table is a wooden box with herrings and lies a bunch of onions., inscription: '... made', printmaker: Dirk Koedijck, Zaandam, after design by Gabriël Metsu, 1731, Zaanstreek, paper, mezzotint, proof print, height 308 mm x width 220 mm, old woman, bony fishes: herring, flowers: lily, (non-fruit) products of plants or trees: onion., An older person wearing a dark beret and a light scarf around the neck is seated and facing slightly toward the viewer, with a neutral facial expression and visible facial lines. They wear layered clothing including a darker vest over lighter sleeves, and one arm is extended with an open hand while the other hand holds a small bunch of elongated items above a woven basket. A tall flowering stem with large blossoms and leaves rises near the basket. The scene shows a stone or brick archway and a plain wall in the background, and a small table or ledge next to the seated figure holds a cluster of small round bulbs with trailing roots. The image is rendered in a monochrome, textured style.

alb30947766 Diana bathing with her nymphs, print, Diana and her nymphs are taking a bath. Diana is leaning against a tree while a nymph takes off her sandal. They are accompanied by hunting dogs. Above Diana, two nymphs try to conceal her from view using cloths. In the foreground left, a nymph stands with her hands covering her face next to some quivers. A hunting horn hangs next to a quiver on the large tree in the middle., printmaker: Jan Wandelaar, Northern Netherlands, after drawing by Jacob de Wit, Amsterdam (possibly), after design by Godfried Maes, Antwerp, 1710 - 1759, paper, etching, stippelets, engraving, stippelets and gravure, height 187 mm x width 239 mm., A detailed black and white engraving shows a group of mostly nude women gathered near a rocky shoreline beneath large trees and draped fabrics. Some women stand, some sit or kneel, and several hold or lift lengths of cloth while others cover their faces or bodies with fabric. A central seated woman gestures outward, and nearby a woman stands holding a spear and a small animal at her side. Various figures lean toward a small pool at the foreground where a dog laps water. The setting includes textured rocks, tree trunks and branches, hanging cloths creating a canopy, and scattered items such as bundles and a sword near the edge of the scene. The composition is densely filled with finely hatched lines and crosshatching that define forms and shadows.

alb30947712 Abraham's meeting with Melchizedek, Melchizedek greets Abraham with gifts., print, Abraham meets the king and high priest Melchizedek in Salem. He brings bread and wine and blesses Abraham., printmaker: Reinier Vinkeles (I), Amsterdam, after drawing by Jacobus Buys, 1793, Reinier Vinkeles (I), Jacobus Buys, printmaker, after drawing by, paper, etching, engraving, etching and engraving, height 240 mm x width 158 mm, the meeting of Abraham and Melchizedek, the high priest and king of Salem, who brings bread and wine (Genesis 14:18-20)., A detailed black-and-white engraving showing a group of robed and armored figures gathered outdoors among rocks and trees, with a tall tree and foliage on the right and clouded sky above; a bearded man in flowing robes stands with arms raised toward another bearded man wearing a turban and armor who leans forward with one hand on his chest, while a kneeling woman beside them looks up and holds a large basket; behind them several soldiers with spears and helmets stand in formation, and two men on the right hold vessels and baskets; the foreground includes scattered plants and textured ground.

alb30947724 Kameyama, No. 47. Kaweyawa: one of the fifty-three noted places on Tokaido, painted by Hiroshige, The Tôkaidô of Hiroshige, Hiroshige no fude Tôkaidô, picture postcard, Travelers of the Tôkaidô climb up a snowy mountain., after print by Utagawa Hiroshige (I), Japan, publisher: Fujisawa Bunjirô, 1906, Utagawa Hiroshige (I), after print by, paper, pasteboard, color woodcut, line block in black with color blocks, height 90 mm x width 141 mm., A stylized landscape showing a sloping hillside with layered rock formations and sparse vegetation, including tall, slender trees with textured foliage and visible trunks, a narrow winding path carved into the slope, small rectangular platforms or steps along the path with figures wearing blue head coverings and brown garments walking upward, a stone retaining wall and a small building perched near the top of the hill, scattered shrubs and grasses on the lower slopes, and a broad pale sky with a dark blue gradient along the top edge.

alb30947778 Enraged Medea, print, printmaker: Émile Lassalle, after painting by Eugène Delacroix, 1859, paper, chine collé, lithography, lithography with planing technique on chine collé, height 959 mm x width 685 mm, Medea kills her two children, she flees from Corinth in a chariot drawn by winged dragons., A seated woman with long flowing hair and a headpiece looks to the side while holding a group of small children against her chest; she is partly draped in fabric and wears an earring and a bracelet, and one of her hands grips a dagger. The children are clinging and pressing close, their limbs and hair entwined with the woman's drapery. They sit on a rocky ledge surrounded by foliage, with leafy plants and vines around their feet and growing on the rock face nearby. The scene is rendered in detailed monochrome shading with textured backgrounds of rock and vegetation.

alb30949091 A detailed black and white engraving shows a scene with a helmeted figure in draped clothing standing on the left, raising one arm and holding a strap, with layered fabric and a shield near their feet. In front of this figure a winged child kneels, reaching toward the standing figure, showing curly hair and small wings. To the right a partially draped woman is seated against a tree, her hands appear bound behind her and her head turned downward, while foliage and tree bark form a backdrop. The ground beneath them is textured with rocks and cloth, and the sky and distant trees are rendered with fine etched lines.

alb30949059 Shepherds among their flock at a meal, Landscapes with cows and shepherds, print, Series number, 3, 4, printmaker: Jan de Visscher, Northern Netherlands, after drawing by Nicolaes Pietersz Berchem, 1643 - 1706, paper, etching, engraving, etching and engraving, height 188 mm x width 256 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, midday meal, lunch, cow., A detailed black and white etching shows a pastoral scene with several cows and sheep in the foreground, one large horned cow standing facing forward, another cow reclining nearby, and smaller sheep and goats resting on grassy ground. To the left, three human figures sit and recline on a low rise; one person leans back drinking from a vessel while another sits beside them and a third looks toward the animals. The sky above is filled with horizontal, finely hatched clouds and a few small birds, and the ground is textured with tufts of grass and scattered rocks.

alb30947953 Three sheep, print, printmaker: Marcus de Bye, The Hague, 1657, paper, etching, height 105 mm x width 110 mm, sheep., A detailed ink drawing of a group of sheep with thick, curly wool standing and lying on grassy ground, rendered in fine stippled and hatched lines; one sheep stands central facing left, another lies with its head down at the lower left, and a third is partially visible behind a tree trunk on the right; a slender tree with textured bark and leafy branches rises at the right edge with tall grasses and foliage around its base; the background shows a lightly textured sky and distant low hills, and the foreground includes tufts of grass and small rocks.

alb30947988 The Creation of Eve, print, Adam lies asleep in front of a group of trees on the left. Eve sits kneeling beside him, looking up at God the Father who, as an old man with a beard, stands before her. With a six-line caption in Latin., date: '1572', caption: 'Non meritis Dominus...tempore perpetuo', address: 'Jo. Baptista de Cavallerijs aenis formis Romae', signature: 'Federicus Zuccha inven.', signature: 'Cornelio Cort fe', printmaker: Cornelis Cort, after design by Federico Zuccaro, publisher: Giovanni Battista de' Cavalieri, Rome, grantor of privilege: anonymous, 1572, Cornelis Cort, Federico Zuccaro, Giovanni Battista de' Cavalieri, provider of privilege, paper, engraving, height 328 mm x width 244 mm, creation of Eve., A monochrome engraving showing a bearded robed man standing with one hand raised and the other holding his drapery, looking toward a group of two nude figures in a wooded rocky landscape; one nude figure is seated and leaning against a rock with a relaxed posture and an arm resting on their head, while the other nude figure kneels with hands clasped as if in supplication, facing the standing man. Tall trees with detailed foliage occupy the left and central background, and layered hills or mountains appear in the middle distance beneath a sky rendered with horizontal hatch lines; rocks, plants, and textured ground fill the foreground around the figures.

alb30959899 Ships off a coast, print, A large ship off a coast. On the right in the foreground, three people are rowing in a small sloop towards the beach. In the background, a number of other sailing ships. The sun breaks through the clouds in the upper right., printmaker: Hendrick Goltzius, Haarlem, printmaker: Cornelis Claesz van Wieringen, publisher: Willem Janszoon Blaeu (possibly), Amsterdam, 1605 - 1620, paper, chiaroscuro woodcut, clair-obscur woodcut, line block with tone block in light brown and tone block in brown, height 135 mm x width 217 mm, sea (seascape)., A sepia-toned illustration showing a coastal scene with a group of sailing ships near the shore, several with billowing sails and visible rigging, and a few smaller boats on choppy water. The sky is filled with layered clouds and streaks of light breaking through, while birds fly near the horizon. On the right, a rocky shoreline with vegetation and textured rock formations frames the water, and the foreground shows rippling waves and reflections.

alb30959866 Rocky outcrop overgrown with bushes, print, printmaker: Arnoud Schaepkens, 1831 - 1904, paper, chine collé, etching, height 193 mm x width 127 mm, rock-formations., A monochrome etching showing a natural landscape with textured ground and dense foliage, featuring several clusters of dark, scribbled trees and bushes that form irregular shapes and shadows, a few overhanging branches extending from the top right, varied fine lines and crosshatching indicating grassy and rocky surfaces, and lighter open sky occupying the upper left area.

alb30959888 Saint Paul of Pherme, Paulus Phermensis, Hermits: Theban saints, print, Series number, 7, 81, The monk Paul kneeling and praying before a crucifix. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century, number: '7', printmaker: Frederick Bloemaert, Utrecht, after drawing by Abraham Bloemaert, after 1636 - c. 1670, paper, engraving, height 135 mm x width 85 mm, one person praying, anchorite, hermit, male saints (with NAME)., A man with a beard and long hair kneels on the ground wearing a long robe, his hands clasped together and held near his chest as he looks upward toward a simple cross propped on a rock; a book lies open near the cross. A large tree with textured bark and visible roots rises behind him, its branches extending outward. The scene is rendered in fine hatched lines, with shaded ground and a few rocks visible near the man's feet.

alb30952171 The Arrest of Christ, Passion of Christ, print, Series number, 3, 13, Christ is taken prisoner at night by the soldiers. Two of his disciples press themselves against the body of Christ to protect him. A soldier ties Christ's hands behind his back with a rope. Print from a series of 13 prints and a title print produced by Z. Dolendo and J. de Gheyn II., printmaker: Zacharias Dolendo, after design by Karel van Mander (I), publisher: Jacques de Gheyn (II), Leiden, after c. 1581 - before 1604, 1596 - 1598, Zacharias Dolendo, Karel van Mander (I), Jacques de Gheyn (II), printmaker, after design by, publisher, paper, engraving, height 140 mm x width 105 mm, the judgment of Christ, Garden of Gethsemane., A detailed black and white engraving showing a group of armed figures gathered in a rocky landscape under swirling clouds and smoke; several men wear helmets and armor and hold spears and polearms while one figure in the foreground leans back with a lantern slipping from his hand, another steadies him, and a central barefoot figure in a long robe stands with a hand on his chest; in the background a few soldiers advance carrying torches and a suspended cage-like lantern emits smoke, while craggy rock faces and textured ground fill the scene.

alb30951365 Minerva and Envy, Metamorphoses by Ovid, print, Minerva visits Envy (Invidia) in her cave and instructs her to make Aglauros jealous. In the margin a four-line caption, in two columns, in Latin., printmaker: Crispijn van de Passe (I), Cologne, writer (clerical worker): Johannes Posthius, 1602 - 1607, writer (clerical worker), North Rhine-Westphalia, paper, engraving, height 89 mm x width 131 mm, Minerva visits the cave of Envy (Invidia) in order to punish Aglauros., A detailed black-and-white engraving shows a scene with two human figures set among rocky formations and clouds. On the left a seated male figure appears partially draped with cloth, reclining inside a dark cave-like rock, his hands near his head and a snake coiled at his feet. On the right a standing female figure wears elaborate armor and a flowing cloak, holds a long spear and a round shield, and stands on a cloud with fabric billowing around her; her hair is styled in voluminous curls. The background includes distant landscape elements and a textured sky created with fine linework.

alb30951688 Daughters of Pelias kill their father, Ovid's Metamorphoses, print, Medea forces the daughters of the sleeping Pelias to kill their father. On the right, a cauldron with the ram that Medea transformed into a lamb to convince the daughters of her magic. In the background, Medea on her chariot drawn by dragons. In the margin a four-line caption, in two columns, in Latin., printmaker: Crispijn van de Passe (I), Cologne, 1602 - 1607, Crispijn van de Passe (I), printmaker, North Rhine-Westphalia, paper, engraving, height 86 mm x width 131 mm, the daughters of Pelias kill their father in his bed, Medea plunges his body in boiling water, Medea boils an old ram in a cauldron: a young lamb comes out, the daughters of Pelias watch the scene., A group of figures in classical dress occupies the foreground under a draped canopy, with one woman stepping forward holding a short object while another reaches toward a disembodied head presented on a cloth by a kneeling figure; surrounding them are attendants and flowing garments, with heavy drapery and a bed or couch partially visible behind. To the right a curtain is drawn back revealing a small outdoor scene with architectural elements and a wheeled chariot in the sky atop swirling clouds, while below a large ornamental basin emits smoke or steam and a small animal-like head appears above its rim. The image is rendered in fine line work and crosshatching, creating detailed textures in fabric, hair, and stone.

alb30951601 Tranquillité Champêtre, Flute-playing shepherd, print, printmaker: Philipp Jacques Loutherbourg (I), France, printmaker: Philippe Jacques de Loutherbourg, publisher: Lenfant (publisher), Paris, dedicated to: Marquise of Gouy, 1708 - 1812, paper, etching, height 325 mm x width 234 mm, flute, aulos, tibia - CC - out of doors, herd, flock., A detailed black and white etching shows a pastoral scene with a reclining shepherd playing a flute while leaning against a tree trunk, surrounded by grazing and resting cattle and sheep; a large horned bull stands behind the group, a tree with textured bark and foliage rises to the right, and clouded sky fills the upper background, with foreground groundcover and rocks under the animals.

alb30951679 Sermon on the Mount or Annunciation of the Destruction of the Temple, Præmonitio adversvs volvptatem ac certitvdinem, Sorrows of the world, print, Series number, 1, 5, Christ sits on the top of a mountain, expounding his teaching or predicting the downfall of Jerusalem and the destruction of the temple. He is surrounded by men listening to him. In the background, people are engaged in various activities in a field. In the margin Bible quotes from Isaiah 5 and Luke 21 in Latin., inscription: 'Luc ... fol. 78', printmaker: Hieronymus Wierix, Antwerp, after design by Maerten de Vos, publisher: Johann Sadeler (I), 1583, paper, engraving, gravure, height 204 mm x width 260 mm, Christ's sermon on the mount (Matthew 5-7), signs in nature and in the sky prophesying the destruction of Jerusalem (Luke 21:25)., A group of robed figures gathered on a rocky outcrop, many seated and some standing, with varied hair and beard styles and expressive hand gestures; one central figure wears a halo and points while others lean in, listen, or converse. The foreground shows draped fabric folds and bare feet on the rock, along with a few staffs and a small twisted plant at the rock's edge. To the right, a landscape unfolds with a tall tree with textured leaves and multiple trunks, ships with masts in a harbor, buildings with towers and terraces, people engaged in activities in fields and near the water, and distant hills beneath a sky with a few flying birds.

alb30951663 Odilienberg, Part of the Pagan wall at Saint-Odile, page, photomechanical print, This print is part of a cover with 100 prints., photographer: Charles Bernhoeft, Mont Sainte-Odile, Luxembourg (city), publisher: Heinrich, W., Strasbourg (France), c. 1889 - in or before 1894, Vosges, paper, collotype, photoprint, height 216 mm x width 155 mm, fence, wall, eel, boulder, stone., A large stacked rock formation rises from a rocky outcrop, showing layered, rounded surfaces and rough texture; the foreground includes a ledge of uneven stones and sparse low vegetation with twigs and grasses, while a tree with dense needles stands to the right and misty, distant hills and a cloudy sky form the background.

alb30955155 Holy Family with Zechariah, Elizabeth, and John the Baptist, print, Mary places the Christ Child on a pillar of sacrifice. He holds a dove in his hands. Zechariah and Elizabeth look on. John the Baptist reaches for the Christ Child. In the foreground stands the cradle., number: 'T.113', printmaker: Matthijs Pool, Amsterdam, after design by Gerard de Lairesse, 1700, paper, engraving, etching, height 231 mm x width 285 mm, Holy Family, and derived representations, cradle, crib, symbols and prefigurations of Mary., A detailed monochrome engraving shows a group of figures arranged around a stone basin set against a backdrop of columns and an open view with trees and architectural ruins. A seated woman in flowing drapery reaches toward a small child perched on the basin, the child holding a bird and looking down. A bearded man leaning forward watches the child while an older woman with a headscarf sits beside him, her hands near the basin. A naked young boy stands at the basin, facing the child and reaching up. Draped fabric and carved cushions lie on a bench in the foreground, and a rounded vessel rests on the floor near the seated woman's feet. The scene is rendered with fine hatching and crosshatching, creating textures on clothing, skin, stone, and foliage.

alb30955194 Flute-playing shepherd with his flock, print, Hilly landscape with flock of sheep, two persons, one sleeping, the other playing the flute and a dog looking at a cow in the river., printmaker: Adriaen van der Kabel, France (possibly), publisher: N. Robert, grantor of privilege: Louis XIV (King of France), 1648 - 1705, paper, etching, height 247 mm x width 432 mm, landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd., A detailed monochrome landscape drawing shows a gently rolling countryside with a cluster of tall, leafy trees near the center, their trunks and branches rendered with fine linework; a stream winds through the scene, forming a small pool and a waterfall, with rocks and banks sketched along its course. In the foreground a group of grazing sheep and a resting shepherd appear on grassy ground dotted with low plants and shrubs, while a cow stands at the water's edge on the right side. To the left, a rectangular stone structure sits near a slope, and scattered solitary trees and bushes occupy the middle and background hills. Distant hills and a mountain rise toward the horizon beneath a lightly clouded sky, and subtle hatching conveys texture and depth throughout the composition.

alb30955530 Shepherds find Benedict in his cell, print, Two shepherds stand, accompanied by some of their sheep, before Benedict who is sitting in a cave. From his cell he speaks to the shepherds., printmaker: Reinier Vinkeles (I), Amsterdam, 1805, paper, etching, engraving, height 246 mm x width 163 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, conversation, dialogue, conversation piece, sheep, cave, grotto, anchorite, hermit., A monochrome engraving shows an outdoor scene with a rocky entrance at left where a seated, long-haired figure wearing a simple garment rests one hand on the ground and gestures with the other toward two standing figures; in the center a barefoot young man with curly hair faces the seated figure, holding a long staff and wearing a short tunic with a bag at his side, while behind him an older, bald man in a loose robe leans on a taller staff and looks toward the seated person; to the right a small flock of sheep grazes and stands close together, their woolly bodies filling the lower right area; the background features textured rock formations, dense foliage and tree branches extending upward, with finely hatched sky and cloud patterns filling the upper portion of the image.

alb30956836 John the Baptist and Christ as children, print, printmaker: Cornelis Galle (I) (possibly), Southern Netherlands, after drawing by Peter Paul Rubens, c. 1630 - 1650, paper, engraving, height 337 mm x width 445 mm, the Christ-child and John the Baptist (as child)., A detailed monochrome engraving shows a wooded landscape with a group of two young children positioned near a cave-like rocky outcrop, one child kneeling and the other seated on a rock; both have curly hair and draped garments, and they interact with a sheep positioned between them, their hands touching its head and wool. Surrounding them are textured tree trunks, leafy branches, and dense foliage, with a few birds visible in the sky and a small animal perched on a branch. The foreground contains grasses, low plants, and scattered stones, while the background reveals rolling terrain, more trees, and a distant grazing animal near a stream. The scene is rendered with fine parallel and cross-hatched lines creating strong contrasts and detailed textures across figures, animals, rocks, and vegetation.

alb30956805 Mountain landscape with trees by a river, print, annotation: '24 epreuves', printmaker: Maria van Hohenzollern-Sigmaringen (Countess of Flanders) (signed by artist), 1868 - 1912, paper, etching, drypoint, intaglio printmaking technique, height 328 mm x width 258 mm, water course, mountains., A detailed black and white etching of a riverside scene showing dense trees with intricate foliage on the left, a smaller tree with lighter leaves nearby, tall grasses in the foreground by the water, and a calm stretch of water reflecting nearby vegetation. On the right bank there are large rounded rocks and a narrow vertical post near the water's edge. The sky above features layered, swirling clouds rendered with fine parallel lines, and the overall composition uses varied line work to define texture and depth.

alb30956863 Hermit with crucifix, print, printmaker: Jan Lievens, Netherlands, 1625 - 1674, paper, etching, height 122 mm x width 90 mm, anchorite, hermit., A sketch-like sepia drawing of an elderly bearded figure wearing a pointed hooded garment, seated on a rocky surface with folded hands and draped clothing, rendered in fine, uneven ink lines and cross-hatching; surrounding the figure are textured rocky forms and sparse vegetation indicated by short, jagged strokes, with open, lightly shaded negative space above and to the right, and a few rough linear marks suggesting distant rock faces.

alb30956883 Arrival of the Batavians in this country, ca. 55-10 BC, print, historical print, The arrival of the Batavians in this country. In an ornamental frame flanked by river gods of the Rhine and Waal., printmaker: Adolf van der Laan, Netherlands, after design by Louis Fabritius Dubourg, 1700 - 1755, paper, etching, height 150 mm x width 190 mm, extinct, 'historical' peoples (with NAME), Settlement of the Batavians in the Netherlands, Rhine, Waal (river)., A detailed black and white engraving showing a framed scene bordered by architectural blocks and foliage, with two bearded male figures seated on opposite sides holding long staffs and draped cloth, a carved basin with water beneath one figure, and climbing vines across the top of the frame. Inside the frame a natural landscape appears with trees, rocks, and a distant shoreline, while the foreground is crowded with a group of mostly nude figures engaged in various activities in and near water, some standing, some seated or reclining, and several using long poles. Decorative plants spill over the outer blocks at the lower corners and various textures of shading and crosshatching fill the composition.

alb30953626 Earthly paradise, print, Mountainous landscape where wild and domesticated animals including cows, sheep, and lions rest and graze peacefully side by side. Small children walk among the animals. Below the image, a Dutch verse of two times four lines., printmaker: Sophia Wilhelmina Evans, Rotterdam, after drawing by Johannes Zacharias Simon Prey, writer (clerical worker): Thomas Kaas, Netherlands, 1794, writer (clerical worker), paper, stippelets, proof print, height 267 mm x width 315 mm, dale, valley - HH - ideal landscapes (+ landscape with figures, staffage)., A detailed monochrome landscape shows a group of animals gathered in the foreground including grazing cattle, a herd of sheep, a reclining lion and a large spotted feline near the front, and a variety of other animals lying or standing. A tree with spreading branches and some drooping leaves stands near the center, flanked by clusters of dense foliage and taller trees on either side. Rocky cliffs and a rugged hillside rise in the background on one side, while the distant horizon hints at open water with small sailing vessels. Scattered clouds fill a textured sky above, and small human figures appear among the rocks and near the animals, including a childlike figure reclining and another figure partially hidden in a rocky nook. The scene is rendered in fine, stippled and line work with intricate shading and detailed textures throughout.

alb30953623 Silvio kills the large wild boar, Il pastor fido, print, Series number, 12, During the hunt, Silvio kills the large wild boar that has long endangered the farmers' harvests. His dogs charge at the prey. Print from a series of 12 prints illustrating the play Il pastor fido, 2nd scene from the 4th act., printmaker: Richard van Orley (II), Brussels, after design by Richard van Orley (II), c. 1695 - c. 1705, Richard van Orley (II), printmaker, paper, etching, engraving, etching and engraving, height 258 mm x width 192 mm, (scenes from) specific works of literature: Guarini, Pastor Fido., A detailed black and white engraving shows a wooded landscape with tall leafy trees and a cloudy sky filling the upper area. In the foreground a large boar lies on the ground surrounded by vegetation and a few dogs, some of which appear alert and active. Behind them on a rocky rise a group of figures in flowing drapery stand and crouch; one figure holds a long spear while others gesture or lean forward, their clothing and hair depicted with dynamic lines. The scene includes textured rocks, dense shrubs, and winding undergrowth, with layered foliage and branches creating depth throughout the composition.

alb30953969 Susanna and the elders, print, The half-naked Susanna sits at the edge of the bath near a fountain. Two elders watch her while she is bathing and speak to her. The print has a Latin caption., caption: 'Casta pudicitie cui dos, et conscia culpe, Nullius mens est, intemerata manet.', signature: 'H.Goltzius Inv.', printmaker, after print by, after design by, writer (clerical worker), Northern Netherlands, Hendrick Goltzius, Jan Saenredam, paper, engraving, gravure, height 241 mm x width 162 mm, Copy in Mirror Image, the elders spying upon Susanna., A finely detailed black-and-white engraving shows a partially draped young woman seated near water, her long wavy hair falling over her shoulders and chest while she rests one hand on her chest and the other near her lap. Behind her, under a large tree, a group of older figures lean forward, their faces wrinkled and expressive, with one wearing a hood and another a turban-like head covering. To the left, an ornate fountain with sculpted figures sends streams of water down into the pool. Around the woman are classical decorative elements including a large urn with flowers, drapery, and a small ornate goblet placed on a ledge near the water. In the background, there are architectural structures, trees with varied foliage, and a low balustrade, all rendered with dense cross-hatching and fine line work. The scene is rich in texture from the etched lines that define skin, fabric, leaves, and stone.

alb30953945 Buffle, Buffel, Étude aux deux crayons par Z. Gengembre, Animal studies in two types of chalk, print, Series number, 28, printmaker: Joseph Zephyris Gengembre, Paris, printer (person): François Delarue, publisher: Ernest Gambart, London, c. 1850 - in or before 1870, printer (person), paper, chalk lithograph, tone lithography, chalk lithography with tone block in beige, height 306 mm x width 466 mm, hoofed animals: buffalo., A large dark-hued bovine stands prominently in the foreground, shown in profile with a shaggy coat, curved horns, and a droplet at its mouth, while a second bovine lies on the ground nearby with a similar shaggy texture and curved horns; the scene includes a dirt path with scattered rocks, tufts of grass, short posts set into the ground, and a decorative post or carved stake leaning in the foreground, all rendered in detailed monochrome shading on a light background.

alb30953985 The Marriage of Bacchus and Ariadne, Metamorphoses by Ovid, print, The crowned Ariadne sits beside Bacchus, while a satyr fills her drinking bowl. Another satyr kneels. In the foreground lie the leopards that normally pull Bacchus' chariot., number: '48', annotation: 'Bachus en Ariadnes houwelijck. lib. 8.', printmaker: Magdalena van de Passe (possibly), publisher: attributed to Crispijn van de Passe (II), c. 1636 - 1670, Magdalena van de Passe, Crispijn van de Passe (II), printmaker, Attributed to, paper, engraving, proof, height 168 mm x width 233 mm, wedding of Bacchus and Ariadne., A detailed black and white engraving shows a rocky cave opening framing a scene with four human figures and a reclining leopard. A seated woman with draped fabric around her lower body and a veil over her hair leans toward a seated man who wears a fur cloak and a wreath of leaves, their faces turned toward each other. A dark-skinned youth stands to the left, pouring liquid from a jug into a cup held by the woman, while a kneeling youth on the right offers a cluster of grapes and looks up toward the man. Vegetation including tall grasses, vines with leaves, and grape clusters appears around the figures and on the rock walls, and a distant shoreline with a tall ship is visible through the cave opening. The engraved surface shows fine crosshatching and detailed textures on skin, drapery, foliage, and the leopard's spotted coat.

alb30956375 Nymphs on the riverbank, print, Five nymphs sit together on the riverbank. With them is Amor with a dog., printmaker: Michiel Mosijn, Amsterdam, after design by Cornelis van Poelenburch, publisher: Gerrit Lucasz van Schagen, 1640 - 1655, paper, engraving, gravure, height 212 mm x width 275 mm, (story of) Cupid, Amor (Eros), dog, nymphs (in general), 'Ninfe in commune' (Ripa)., A group of bare-backed and partially draped figures sit on rocky ground at a shoreline, their hair rendered in fine lines and their skin shaded with crosshatching; a small child sits nearer the water's edge reaching toward a small dog while an adult figure faces the child with a turned back, and other seated figures look toward each other with varied poses and gestures; to the right a craggy cliff rises with textured rock faces and scrubby vegetation and an arched ruin set into the rock; the sea stretches behind them with gentle waves and a distant horizon beneath a sky filled with fine horizontal hatch marks.

alb30956380 Sitting naked man looking at wound on foot, print, printmaker: Marcantonio Raimondi, Italy, 1510 - 1527, paper, engraving, gravure, height 175 mm x width 109 mm, male sex, man, 'Spinario', child pulling a thorn out of its foot, infections and wounds., A monochrome etching shows a seated nude man with curly hair, bent forward and looking down as he holds his foot with both hands; he sits on a tufted, textured rock or stool near the base of a tree trunk with visible bark and a few leaves; a shaded circular background of closely spaced parallel lines frames the figure, while the foreground includes rocky ground, grassy patches, and a few scattered stones.

alb30951580 Landscape with brook, print, Landscape with trees along a brook. A cattle driver wades across with three cows. Two figures are sitting by the water's edge on the right., inscription: 'After a drawing by Jan van Huysum, upholstered and engraved in copper by Corn : van Noorde, 1767', printmaker: Cornelis van Noorde, Haarlem, after drawing by Jan van Huysum, 1767, Cornelis van Noorde, Jan van Huysum, printmaker, after drawing by, paper, crayon manner, etching in crayon manner, height 194 mm x width 158 mm, cow, brook, cattle driving, cattle driver., A detailed pencil landscape showing a group of tall, leafy trees with textured trunks and branches occupying the right and center, their foliage rendered with fine strokes; a few rocks and low shrubs at the tree bases lead toward a shallow stream in the foreground where two cattle stand partially in the water; a figure near the cattle appears to be guiding them along the stream bank; distant hills and a scattering of trees fade into the background under a sky with soft, wispy cloud formations.

alb30958947 Passage de la Tête Noire, Hikers on the Tête Noire pass between Martigny and Chamonix, Views in Switzerland, Savoy and Tyrol, La Suisse, la Savoie et le Tyrol, print, Series number, 92, 120, printmaker: Eugène Cicéri, Paris, photographer: Frédéric Martens, printer (person): Joseph Rose Lemercier, publisher: Goupil & Cie., Berlin, publisher: Michael Knoedler, New York (city), 1859, printer (person), North America, paper, color lithography, height 565 mm x width 400 mm, underground road, tunnel, ravine, chasm, abyss, canyon (+ landscape with figures, staffage), Chamonix., A steep rocky cliff face with layered stone ledges and patches of vegetation occupies the foreground, with tall thin trees growing from cracks and slopes; a wooden railing and walkway sit near the base of a dark cave-like opening where small human figures are silhouetted against the entrance; exposed tree roots and moss cling to the rock surfaces, and the distant background fades into misty, textured mountains with more sparse trees visible.

alb30956772 Colonial soldier with African, Colonial soldier with native man (former title), Uniforms and traditional costumes, print, Series number, 11, 12, printmaker: Joannes Bemme, Rotterdam, after drawing by Jan Anthonie Langendijk Dzn, 1800 - 1841, paper, etching, proof, height 280 mm x width 203 mm, Africans, (military) uniforms., A detailed black and white line drawing shows a shore scene with a tall uniformed man wearing a high hat and a buttoned jacket standing and pointing toward the water, a barefoot barefooted figure with curly hair and a simple cloth around the waist reaching toward the man, a palm tree with broad leaves and textured trunk behind them, low bushes and foliage at the edge of the sand, wavy water and a sailing ship on the horizon, and textured sand and small rocks under their feet.

alb30950845 View of an Italian harbour, Vuë d'une rade, d'Italie., print, inscription: 'Rue du Fouare', printmaker: Pierre Jacques Duret, France, after painting by Claude Joseph Vernet, Paris, dedicated to: Charles Michel-Ange Challe, 1739 - 1829, paper, etching, engraving, height 391 mm x width 423 mm, harbour, ships (in general), Italy., A coastal scene rendered in sepia tones shows a rocky cliff with vegetation and buildings perched near its edge on the left, a tall tower and distant harbor structures centered along the shoreline, and several sailing vessels moored and anchored in calm water to the right with tall masts and furled sails. Small rowboats and figures are scattered near the water's edge and on rocks, including a group pulling a boat ashore in the foreground, seated and standing people on the shore, and a figure standing on a rock closer to the right. The sky is filled with textured clouds and a few flying birds, and reflections of the boats and cliffs appear in the water below.

alb30953370 Good Samaritan and the Wounded Traveler, Dominica XII. Post Pentec, print, Series number, 33, 153, The Good Samaritan offers help to the injured traveler. The Samaritan binds up his wounds. In the background are the other scenes from the story. Various elements from the scene have letters that correspond to the legend in the margin., printmaker: Antonie Wierix (II), Antwerp, after design by Bernardino Passeri, 1593, paper, engraving, height 230 mm x width 144 mm, a Samaritan tending the wounds of the traveler., A large engraving shows a wooded roadside where a group of tall, leafy trees occupies the center and right foreground, their trunks twisting and intertwining. Beneath the trees a man wearing a cloak and hat kneels and leans over another man who is seated against a trunk with torn clothing and visible wounds, the kneeling man appearing to bind or tend the other's arm. A saddled horse stands nearby with its head lowered. In the middle and background the scene opens to a winding dirt path that leads past small houses and a fortified town on a hillside, with clustered buildings and towers. Small groups of figures appear along the road and on distant hills. A cluster of buildings and a distant cityscape are visible on the far right horizon. The sky above is lightly shaded and a formation of birds flies in the distance. The engraving is detailed with fine linework showing textures of bark, clothing, rock, and distant landscape.

alb30955742 River landscape with a view of a city, Prints after drawings from the Jabach cabinet, print, Numbered bottom right: 26., printmaker: attributed to Michel Corneille (II), France, after design by Giovanni Francesco Grimaldi, 1652 - 1708, Attributed to, paper, etching, engraving, height 285 mm x width 401 mm, rowing-boat, canoe, city-view in general, 'veduta', river., A detailed sepia-toned engraving shows a river scene with rocky banks and trees framing both sides, a small boat with several standing and seated figures on the water near the foreground, and additional small groups of figures on the shore. In the middle distance a town with clustered buildings and a tall spire sits beside the river, smoke curling from a chimney. Rolling hills and layered mountains rise behind the town under a sky marked by horizontal hatch lines and scattered cloud formations. The landscape includes varied vegetation, shrubs and windswept trees, textured rocks, and reflected line work in the water.

alb30952079 Standing sheep, from behind, by fence, Sheep, print, Series number, 9, 16, printmaker: Marcus de Bye, The Hague, 1664, 1728 - c. 1761, paper, etching, height 117 mm x width 146 mm., A detailed pen-and-ink scene shows a large woolly sheep standing in profile with its head turned slightly toward the viewer, its textured fleece rendered with dense short strokes and its long legs planted on the ground; a smaller lamb stands nearby by a wooden fence with rough horizontal planks, and additional sheep are visible farther back in the landscape; the foreground includes scattered rocks and low grasses, and a group of bushes and several trees with finely drawn leaves rise to the right, all framed within a thin border and set against a blank sky with subtle horizontal hatch marks near the top.