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ny020425212012 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)
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ny020425212020 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)
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ny020425212031 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)
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20241114_zea_c181_133 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zea_c181_134 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zea_c181_135 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zea_c181_130 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zna_c181_679 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20241114_zna_c181_678 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20241114_zea_c181_123 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zna_c181_667 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20241114_zea_c181_129 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zea_c181_120 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)
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20241114_zna_c181_670 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20241114_zna_c181_671 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20241114_zna_c181_677 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20241114_zna_c181_672 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)
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20240720_shv_z03_095 July 20, 2024 - Mars Surface - FILE: NASA's Curiosity captured this close-up image of a rock nicknamed 'Snow Lake' on June 8, 2024, the 4,209th Martian day, or sol, of the mission. Nine days earlier, the rover had crushed a similar-looking rock and revealed crystalline textures, and elemental sulfur, inside. (Credit Image: © NASA/JPL-Caltech/MSSS/ZUMA Press Wire/ZUMAPRESS.com)
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ny070522134905 Adrian D?hler, a cartographer at SwitzerlandÕs Federal Office of Topography, or Swisstopo, at work in Wabern, a suburb of Bern, on Jan. 25, 2022. Illustrations of mountains are made up of hundreds of short, yet expressive lines, called hachures.ÊSubtle changes in style and texture reflect different types of rock. (Lucia Buricelli/The New York Times/Fotoarena)
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ny190319175404 Brice Marden outside his studio in Tivoli, New York, Dec. 28, 2018. The moss covering the rocks behind him have long been the source of his palette and textures. Many assumed he would slow down after his cancer diagnosis but instead he has become more prolific than ever. ?I have been able to work through it all. It hasn?t made me hurry things up. It hasn?t made me work any differently. It?s just been an extra thing to think about.? (Lauren Lancaster/The New York Times/Fotoarena)
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1028_14_CLK3082 The towers of mount Civetta are reflected in the water of Lake Coldai. Dolomites. Veneto. Italy. (Photo by: ClickAlps/REDA&CO)
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01069775 geography / travel, Italy, South Tyrol, close up view of shale in the mountains in South Tyrol,
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00977408 geography / travel, Germany, Rhineland-Palatinate, Bad Neuenahr, dry-stone wall at the Red Wine Trail above of Ahrweiler, Bad Neuenahr-Ahrweiler, Ahrtal (Ahr Valley),
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00873626 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,
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00873619 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,
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00873618 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,
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00873623 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,
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00873622 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,
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00917551 geography / travel, USA, Utah, Bryce, Bryce Canyon,
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00917563 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917562 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917564 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917561 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917559 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917558 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917557 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917554 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917555 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917560 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917556 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917553 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917552 geography / travel, USA, Utah, Bryce, Bryce Canyon
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00917550 geography / travel, USA, Utah, Bryce, Bryce Canyon,
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00918044 geography / travel, USA, Utah, Bryce, Bryce Canyon
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1016_03_62437 Pumice stone is light and brittle with a spongy texture. It is often used to soften the skin of the feet and hands. This igneous rock is riddled with tiny air pockets because the lava that formed it was full of gases. Pumice is so light that it can do what no other rock can: float on water!
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alb3666275 Speculum Romanae Magnificentiae: The Column of Trajan. Artist: Anonymous, Italian, 16th century; After Antonio da Labacco (Italian, near Vigevano ca. 1495-after 1567). Dimensions: mount: 26 5/16 x 19 1/2 in. (66.8 x 49.6 cm)sheet: 21 1/8 x 14 3/8 in. (53.6 x 36.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 1, plate 95 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
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alb5575143 A broken down petrified android robot, signifying the death of technology.
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alb5578996 Abandoned relics from an advanced martian civilization.
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alb5578883 Remnants of an advanced Martian civilization on the surface of the red planet.
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alb5568799 An artist's depiction of the view from a rocky and barren alien world. A large Earth-like planet rises over the airless environment.
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alb5566418 The Martian sun sets over the high walls of Mojave Crater.
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akg7532817 Edward Lear, English artist, 12.5.1812 - 29.1.1888. Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866). Watercolour with pen in brown ink over graphite on medium, slightly textured, cream wove paper mounted on very thick, smooth, cream cardboard. 24 x 36 cm. Inv. No. 2189614. Yale Center for British Art, New Haven. New Haven, Yale Center for British Art.
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alb3896212 Entrance to the Port of Marseilles. Landscape. Pen and brown ink, graphite and gouache on medium, slightly textured, blue wove paper, mounted on card. Height: 165 mm (6.49 in); Width: 248 mm (9.76 in). Author: Edward Lear.
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alb4159712 Prout's Neck, Breaking Wave. Winslow Homer; American, 1836-1910. Date: 1887. Dimensions: 380 x 544 mm. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over resist and traces of graphite, on medium weight, moderately textured, ivory wove paper, laid down on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.
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alb3899362 Saint Cuthbert's Holy Island. Date/Period: 1797. Architectural subject. Watercolor with pen in brown ink over graphite on thick, moderately textured, blued white, wove paper. Height: 349 mm (13.74 in); Width: 422 mm (16.61 in). Author: Thomas Girtin.
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alb18466709 Geographic Center of Catalonia, Rose of the Winds, Santa María de Pinós, Solsónés, Catalonia, Spain.
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alb18466676 Geographic Center of Catalonia, Rose of the Winds, Santa María de Pinós, Solsónés, Catalonia, Spain.
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alb18466626 Geographic Center of Catalonia, Rose of the Winds, Santa María de Pinós, Solsónés, Catalonia, Spain.
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764-4947 Red and yellow sandstone wave channel, Coyote Buttes Wilderness, Vermilion Cliffs National Monument, Arizona, United States of America, North AmericaLegenda da Fotoarena:Red and yellow sandstone wave channel, Coyote Buttes Wilderness, Vermilion Cliffs National Monument, Arizona, United States of America, North America
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764-4946 Sandstone wave and cones under clouds, Coyote Buttes Wilderness, Vermilion Cliffs National Monument, Arizona, United States of America, North AmericaLegenda da Fotoarena:Sandstone wave and cones under clouds, Coyote Buttes Wilderness, Vermilion Cliffs National Monument, Arizona, United States of America, North America
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764-4941 Sandstone formations at sunrise, Coyote Buttes Wilderness, Vermilion Cliffs National Monument, Arizona, United States of America, North AmericaLegenda da Fotoarena:Sandstone formations at sunrise, Coyote Buttes Wilderness, Vermilion Cliffs National Monument, Arizona, United States of America, North America
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764-4930 Pine tree and sandstone at dawn with pink clouds, Zion National Park, Utah, United States of America, North AmericaLegenda da Fotoarena:Pine tree and sandstone at dawn with pink clouds, Zion National Park, Utah, United States of America, North America
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764-4925 The Narrows of the Virgin River in the fall, Zion National Park, Utah, United States of America, North AmericaLegenda da Fotoarena:The Narrows of the Virgin River in the fall, Zion National Park, Utah, United States of America, North America
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764-4922 Sunrise from atop a sandstone hill, Grand Staircase-Escalante National Monument, Utah, United States of America, North AmericaLegenda da Fotoarena:Sunrise from atop a sandstone hill, Grand Staircase-Escalante National Monument, Utah, United States of America, North America
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alb3730476 Harlech (No.2). Dated: 1880. Medium: mezzotint with etching and drypoint (copper) in brown-black. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.
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alb3648713 Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 in. (17.8 x 25.4 cm)sheet: 8 9/16 x 11 5/8 in. (21.7 x 29.5 cm). Date: May 23, 1812.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where Turner also developed the tone, here using mezzotint to detail an image of glacier developed from sketches made in Switzerland near the St. Gothard pass. Working experimentally, he rocked only part of the plate to create the darks, rather than following conventional mezzotint practice, where the plate is rocked completely, and highlights creates by scraping and burnishing. The "M" in the upper margin refers to Turner's category of Mountainous landscape. Museum: Metropolitan Museum of Art, New York, USA.
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1359-1934 Abstract details of orange slot canyon wall, Antelope Canyon X, Page, Arizona, United States of America, North AmericaLegenda da Fotoarena:Abstract details of orange slot canyon wall, Antelope Canyon X, Page, Arizona, United States of America, North America
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1184-13136 Aerial of the Ilulissat Icefjord, UNESCO World Heritage Site, Western Greenland, Denmark, Polar RegionsLegenda da Fotoarena:Aerial of the Ilulissat Icefjord, UNESCO World Heritage Site, Western Greenland, Denmark, Polar Regions
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1251-186 Ray of light through Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North AmericaLegenda da Fotoarena:Ray of light through Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North America
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1251-181 Lights and shadows in Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North AmericaLegenda da Fotoarena:Lights and shadows in Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North America
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1251-180 Lights and shadows in Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North AmericaLegenda da Fotoarena:Lights and shadows in Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North America
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1251-183 Girl visiting Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North AmericaLegenda da Fotoarena:Girl visiting Upper Antelope Canyon, Navajo Tribal Park, Arizona, United States of America, North America
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1179-479 Sunrise on Mount Rosa seen from Lac Blanc, Natural Park of Mont Avic, Aosta Valley, Graian Alps, Italy, EuropeLegenda da Fotoarena:Sunrise on Mount Rosa seen from Lac Blanc, Natural Park of Mont Avic, Aosta Valley, Graian Alps, Italy, Europe
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1179-496 Autumn landscape at the Natural Park of Mont Avic, Aosta Valley, Graian Alps, Italy, EuropeLegenda da Fotoarena:Autumn landscape at the Natural Park of Mont Avic, Aosta Valley, Graian Alps, Italy, Europe
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1112-2601 Upper Antelope Canyon, Tse' bighanilini, LeChee Chapter, Navajo Nation, Arizona, United States of America, North AmericaLegenda da Fotoarena:Upper Antelope Canyon, Tse' bighanilini, LeChee Chapter, Navajo Nation, Arizona, United States of America, North America
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1112-2602 Upper Antelope Canyon, Tse' bighanilini, LeChee Chapter, Navajo Nation, Arizona, United States of America, North AmericaLegenda da Fotoarena:Upper Antelope Canyon, Tse' bighanilini, LeChee Chapter, Navajo Nation, Arizona, United States of America, North America
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1179-62 The geyser field of El Tatio, Chile, South AmericaLegenda da Fotoarena:The geyser field of El Tatio, Chile, South America
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816-7921 Woman rapelling down a giant arch, canyoneering, Moab, Utah, United States of America, North AmericaLegenda da Fotoarena:Woman rapelling down a giant arch, canyoneering, Moab, Utah, United States of America, North America
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816-7843 Multicoloured strata in the Painted Hills unit in the John Day Fossil Beds National Monument, Oregon, United States of America, North AmericaLegenda da Fotoarena:Multicoloured strata in the Painted Hills unit in the John Day Fossil Beds National Monument, Oregon, United States of America, North America
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816-7848 The colourful hills of the Painted Hills unit in the John Day Fossil Beds National Monument, Oregon, United States of America, North AmericaLegenda da Fotoarena:The colourful hills of the Painted Hills unit in the John Day Fossil Beds National Monument, Oregon, United States of America, North America
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816-7849 The colourful hills of the Painted Hills unit in the John Day Fossil Beds National Monument, Oregon, United States of America, North AmericaLegenda da Fotoarena:The colourful hills of the Painted Hills unit in the John Day Fossil Beds National Monument, Oregon, United States of America, North America
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alb15332591 Wild life of the world, London, F. Warne and Co, 1916, Zoology, Porcupine, Richard Lydekker, Friedrich Wilhelm Kuhnert, Mammals, Hystrix cristata, Crested Porcupine, Hist Sci Art, Richard Lydekker, A porcupine is depicted in a serene pose, showcasing its distinctive quills that radiate like sharp, elegant spikes. The animal is nestled against a textured background that suggests a natural habitat, perhaps near rocks or foliage. Its small, expressive face and curious eyes convey a sense of calm and introspection. The interplay of light and shadow enhances the striking detail of the quills, capturing the unique characteristics of this fascinating creature in a moment of stillness. The overall composition draws the viewer's attention to the intricate patterns and textures of both the porcupine and its surroundings.
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alb15335630 A general synopsis of birds. London, Printed for Benj. White, 1781-1785, birds, classification, pictorial works, A detailed illustration of a guillemot, depicted in a side profile stance. The bird stands atop a rock formation, highlighting its elongated body and distinctive beak. Its plumage is primarily dark, showcasing intricate patterns that add texture to its appearance. The base of the illustration includes the name 'Marmetus Guillemot,' labeled in an elegant script, emphasizing the scientific classification of this species. This representation captures the essence and elegance of the guillemot in a stylized format, merging art with natural history.
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alb15331938 The Naturalist's Pocket Magazine or Complete Cabinet of the Curiosities and Beauties of Nature. London., A detailed illustration of a crocodile is prominently displayed, showcasing its elongated body covered in textured scales. The creature is depicted with a powerful tail and strong limbs, positioned near a water's edge amidst a landscape of green foliage and rocks. Its head is characterized by a long snout filled with sharp teeth, suggesting its predatory nature. The coloration features a blend of earthy browns and vibrant yellows, enhancing the detailing of its skin and environment. Surrounding the crocodile are patches of water and plant life, adding to the natural setting, while the artistic style reflects an effort to capture the essence of this majestic reptile.
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alb15337469 General zoology, or Systematic natural history pt. 2. London, Printed for G. Kearsley, 1800-1826, Zoology, The illustration features two distinct species of jackals. The top section depicts a jackal in a dynamic pose, showcasing its slender body and upright ears, alongside a stone it appears to be interacting with. Below, the Cape jackal is illustrated in a more upright posture, exhibiting its characteristic bushy tail and distinctive fur pattern. The details highlight the unique traits of each species, with attention to their fur textures and physical features, set against a simple background.
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alb15339944 Historiae naturalis de quadrupedibus libri, Amstelodami, Apud Ioannem Iacobi Fil. Schipper, MDCLVII [1657], birds, animals, insects, snakes, zoology, pre-Linnean works., A detailed illustration showcasing various species of insects and arachnids, meticulously arranged for educational purposes. The central feature is a large, textured rock formation or coral-like structure, surrounded by an array of smaller depictions of different insects, including ants, beetles, and other arthropods. The creatures are labeled with Latin names, highlighting their scientific classification. The layout is methodical, providing a clear visual reference for entomology and the diverse anatomy and characteristics of each organism, reflecting the exploration of natural history and biodiversity.
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alb15335436 Traité de paléontologie végétale, ou, La flore du monde primitif dans ses rapports avec les formations géologiques et la flore du monde actuel, Paris, J.B. Baillière et fils, 1869-1874, Paleobotany, An intricate arrangement of various plant species is showcased, illustrating diverse types of ferns and foliage. The composition includes detailed botanical illustrations labeled with numbers, indicating specific varieties and their classifications. Among the displayed plants, one can see finely rendered leaves in various shapes and sizes, showcasing the complexity of different fern species. A textured overlay represents soil or rock formations, enhancing the natural theme. The title 'Cryptogames' suggests a focus on plants that reproduce by spores rather than seeds, highlighting the diversity and beauty of non-flowering plants in the natural world. This educational piece serves as both an artful representation and a reference for botanical study.
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alb15335910 The, aquarium, an, unveiling, of, the, wonders, of, the, deep, sea, London, J. Van Voorst, 1856, natural, history, aquariums, Woods Hole, The scene captures an underwater landscape featuring a rocky formation adorned with vibrant marine life. A starfish rests on a submerged rock, showcasing its textured, vivid red and pink arms. Nearby, a large sea star with a distinct star pattern prominently displays its bright colors and unique shape. Surrounding these creatures are delicate corals bursting with intricate detail, adding depth and richness to the environment. Soft vegetation can be seen in the background, contributing to the serene and dynamic underwater ecosystem.
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alb15335908 Wildlife of the World, London, F. Warne and Co, 1916, Zoology, Thrush, Richard Lydekker, Friedrich Wilhelm Kuhnert, Ornithology, Birds, Rock Thrush, Monticola saxatilis, Richard Lydekker, A rock thrush is depicted perched on a moss-covered boulder, showcasing its striking plumage. The bird features a vibrant orange underside and a light gray head, contrasting beautifully with its darker back and wings. Surrounding the thrush are lush, green foliage and distant, blurred trees that create a serene natural habitat. The intricate details of the bird's feathers and the textures of the rocky surface emphasize the blend of color and nature, highlighting the elegance and beauty of this avian species. The scene evokes a sense of tranquility and the wonders of wildlife in its natural environment.
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alb15330131 The birds of Australia. London, Printed by R. and J. E. Taylor pub. by the author 1840-1848. Australia, birds, pictorial works, Australia, Gould, John Gould, ornithology, Gould, Gouldian, Herodias greyi, taxonomy:trinomial= egretta sacra sacra, Pacific reef heron, A majestic white heron stands poised on a rocky outcrop, its long neck elegantly curved as it surveys its surroundings. The bird's feathers are meticulously detailed, showcasing a soft texture that contrasts beautifully with the rugged rocks beneath it. In the background, gentle waves lap against the shore, hinting at a tranquil aquatic habitat. Two smaller herons are visible nearby, adding depth to the scene. This depiction captures the serene beauty of these graceful birds in their natural environment, emphasizing their elegance and the interplay of nature.
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alb15330715 The, human, side, of, birds, New York, Frederick, A, Stokes, company, [c1917], birds, Falco, peregrinus, 598208, An owl perched on the edge of a rocky cliff, observing its surroundings with keen interest. The rugged terrain is lined with various stones and boulders, creating a dramatic backdrop against a vast, open expanse that suggests a view of the horizon. The delicate features of the owl contrast with the rough texture of the rocks, emphasizing the harmony between the creature and its natural habitat. The scene captures a moment of stillness, showcasing the owl's watchful demeanor as it surveys the landscape below, embodying the essence of wilderness and tranquility.
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alb15381392 Planches enluminées d'histoire naturelle, Paris?, s.n, 1765-1783?, birds, pictorial works, zoology, rock ptarmigan, lagelinoteblanche, Lagopus muta, François Nicolas Martinet, A white dove stands gracefully on a textured surface, showcasing its elegant form. The bird features a soft, feathery coat that glistens subtly, hinting at its smooth plumage. Its round, expressive eye is framed by delicate lashes, giving it a serene and gentle appearance. In the background, a slender vine with small leaves climbs upward, adding a touch of nature and life to the scene. At the bottom, the text 'La Cédinote blanche' elegantly labels the species, providing a sense of identity to this tranquil avian representation.
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alb15385345 A synopsis of the classification of the British Palæozoic rocks, London, J.W. Parker and Son, 1855, Fossils, Geology, Geologystratigraphic, Great Britain, Paleontology, Paleozoic, Museum of Comparative Zoology, The artwork features detailed illustrations of various species of fish, showcasing their distinctive shapes, scales, and fins. Each fish is meticulously rendered, highlighting anatomical features such as the texture of the skin and the arrangement of the fins. The composition includes multiple views of each species, providing insight into their physical characteristics. Additionally, there are labeled diagrams that point out specific parts of the fish, emphasizing their unique traits. This educational piece serves as a reference for ichthyology, illustrating the diversity and complexity of aquatic life.
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alb15388138 The natural history of Norway, London, Printed for A. Linde, 1755, Norway, Natural History, A rugged cliffside towers prominently, marked by a variety of textures and patterns, with small evergreen trees perched atop its summit. At the base of the cliff, a few small boats navigate the water, suggesting a sense of exploration or adventure. The surrounding landscape is detailed with shaded areas that indicate the play of light and shadow, enhancing the dramatic features of the rock face. This scene conveys a sense of grandeur and the untamed beauty of nature, evoking the spirit of discovery in a remote and wild environment.
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alb15389677 Planches enluminées d'histoire naturelle, Paris?, s.n, 1765-1783?, birds, zoology, pictorial works, Attacus atlas., A beautifully illustrated bird perched on a rock, showcasing intricate feather patterns in shades of brown and amber. Its round body and distinct white underside contrast elegantly with the rich textures of its plumage. In the background, an expanse of green grass and a leafy branch add a natural setting, enhancing the serene ambiance of the scene. The caption identifies the bird as a species from the islands of Maderia, highlighting its unique attributes and vibrant natural habitat.
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alb15388706 Narrative of the Canadian Red River Exploring Expedition of 1857, London, Longman, Green, Longman, and Roberts, 1860, 1858, The scene captures a stunning natural landscape featuring a cascading waterfall surrounded by towering cliffs and dense, coniferous trees. The waterfall tumbles gracefully down a rocky precipice, creating an ethereal mist that softly blends into the serene river below. The surrounding cliffs display layered rock formations, showcasing textures and patterns carved by nature over time. In the foreground, lush vegetation adds depth to the composition, with the rich foliage contrasting beautifully against the rugged terrain. The overall atmosphere evokes a sense of tranquility and awe, inviting viewers to appreciate the grandeur of the natural world.
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alb15381404 Nouvelles illustrations de zoologie A Londres, 1776, birds, insects, mammals, pictorial works, reptiles, A majestic owl perched atop a rocky outcrop, its striking features highlighted by a textured plumage that displays a mix of soft browns and warm hues. The owl gazes intently forward with vibrant yellow eyes, conveying a sense of keen awareness and intelligence. Its rounded body and distinctive facial disc are complemented by the intricate patterns of its feathers, which offer a beautiful representation of nature's artistry. Surrounding the base of the rock, hints of greenery and earthy tones suggest a natural habitat, while distant landscapes fade into the background, emphasizing the owl's prominent stance in its environment.
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alb15384494 Catalogue, North American, mammals with drawings, and proof of plates [1856?], mammals, natural history, North America, pictorial works, The illustration depicts a small mammal, characterized by its slender body and elongated tail. It sits on a textured surface resembling rock or grass, with subtle details that indicate its natural environment. The animal has a soft, muted coloration, primarily gray with hints of lighter tones, which serves to highlight its delicate features. Surrounding the illustration are faint outlines, possibly indicating other animals or elements of the same habitat. The craftsmanship showcases a blend of scientific observation and artistic representation, suggesting this creature is part of a larger study on mammals. The caption indicates it belongs to a series focused on wildlife.
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alb15387414 Catalogue, North American, mammals, drawings, plates, mammals, natural history, North America, pictorial works, Spermophilus grammurus, rock squirrel., A detailed illustration of a small mammal with a long tail, characterized by its striped fur. The creature is depicted in a playful pose, standing on its hind legs while resting its front paws on a rocky surface. Surrounding the animal are faint markings of its tracks, hinting at its active nature in its natural habitat. The interplay of textures in the fur and the detailed rendering of the environment showcase the artist's attention to detail and scientific accuracy. The overall composition captures the essence of this creature's agility and curiosity.
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alb15386047 British, mammals, by, Sir, Harry, Johnston, London, Hutchinson, 1903, Great, Britain, mammals, fossil, lutra, otter, European, otter, lutra, lutra,, Two playful otters are depicted lounging atop smooth, sunlit rocks, surrounded by splashing water. One otter rests comfortably, its body stretched out, while the other appears to be in mid-movement, perhaps engaging in a playful act. The vibrant colors of the scene illustrate the natural habitat, with gentle ripples in the water and a textured backdrop of rocks and foliage. The focus is on the lively, humorous nature of the otters, showcasing their sleek fur and expressive features as they enjoy their environment.
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