Pesquisando por: "texture of rock" - Fotoarena - Agência de fotojornalismo

ny020425212012 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

ny020425212020 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

ny020425212031 A tablescape featuring fruits, vegetables and rocks adding texture designed by Kristin Shockley, owner of Lustre Theory, in Virginia Beach, Va., on March 12, 2025. Shockley, an event designer who specializes in maximalist decor, is determined to make the absolute most of your nuptials. (Kristen Zeis/The New York Times/Fotoarena)

20241114_zea_c181_133 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_134 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_135 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_130 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_679 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_678 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zea_c181_123 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_667 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zea_c181_129 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zea_c181_120 November 14, 2024, Madrid, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Zuma Press/Fotoarena)

20241114_zna_c181_670 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_671 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_677 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20241114_zna_c181_672 November 14, 2024, Madrid, Spain: Artist Aaron Rux poses for Europa Press on October 14, 2024, in Madrid, Spain. He is a singer-songwriter, musician and composer, based in Madrid. The music has soul, soft-rock and folk with vintage textures of the 60's and 70's reminiscent of artists like J.J. Cale, The Troggs, and even echoes of Ramsey Lewis and The Blackbyrds...NOVEMBER 14;2024..Ricardo Rubio / Europa Press..11/14/2024 (Credit Image: © Ricardo Rubio/Contacto/Zuma Press/Fotoarena)

20240720_shv_z03_095 July 20, 2024 - Mars Surface - FILE: NASA's Curiosity captured this close-up image of a rock nicknamed 'Snow Lake' on June 8, 2024, the 4,209th Martian day, or sol, of the mission. Nine days earlier, the rover had crushed a similar-looking rock and revealed crystalline textures, and elemental sulfur, inside. (Credit Image: © NASA/JPL-Caltech/MSSS/ZUMA Press Wire/ZUMAPRESS.com)

ny070522134905 Adrian D?hler, a cartographer at SwitzerlandÕs Federal Office of Topography, or Swisstopo, at work in Wabern, a suburb of Bern, on Jan. 25, 2022. Illustrations of mountains are made up of hundreds of short, yet expressive lines, called hachures.ÊSubtle changes in style and texture reflect different types of rock. (Lucia Buricelli/The New York Times/Fotoarena)

ny190319175404 Brice Marden outside his studio in Tivoli, New York, Dec. 28, 2018. The moss covering the rocks behind him have long been the source of his palette and textures. Many assumed he would slow down after his cancer diagnosis but instead he has become more prolific than ever. ?I have been able to work through it all. It hasn?t made me hurry things up. It hasn?t made me work any differently. It?s just been an extra thing to think about.? (Lauren Lancaster/The New York Times/Fotoarena)

1028_14_CLK3082 The towers of mount Civetta are reflected in the water of Lake Coldai. Dolomites. Veneto. Italy. (Photo by: ClickAlps/REDA&CO)

01069775 geography / travel, Italy, South Tyrol, close up view of shale in the mountains in South Tyrol,

00977408 geography / travel, Germany, Rhineland-Palatinate, Bad Neuenahr, dry-stone wall at the Red Wine Trail above of Ahrweiler, Bad Neuenahr-Ahrweiler, Ahrtal (Ahr Valley),

00873626 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,

00873624 geography / travel, USA, Arizona, Striations, Coyote Butte North, Vermillion Cliffs Wilderness,

00873619 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873618 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873623 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873622 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00873620 geography / travel, USA, Arizona, The Wave, Coyote Butte North, Vermillion Cliffs Wilderness,

00917551 geography / travel, USA, Utah, Bryce, Bryce Canyon,

00917563 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917562 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917564 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917561 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917559 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917558 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917557 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917554 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917555 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917560 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917556 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917553 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917552 geography / travel, USA, Utah, Bryce, Bryce Canyon

00917550 geography / travel, USA, Utah, Bryce, Bryce Canyon,

00918044 geography / travel, USA, Utah, Bryce, Bryce Canyon

1016_03_62437 Pumice stone is light and brittle with a spongy texture. It is often used to soften the skin of the feet and hands. This igneous rock is riddled with tiny air pockets because the lava that formed it was full of gases. Pumice is so light that it can do what no other rock can: float on water!

alb4138983 Forest Crossed by a Stream, from The Small Landscapes. Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586-1659); after Peter Paul Rubens (Flemish, c. 1577-1640). Date: 1633-1645. Dimensions: 304 × 443 mm (image); 317 × 450 mm (plate/sheet). Engraving on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4138908 Saint Jerome in Penitence. Ferdinand Bol; Dutch, 1616-1680. Date: 1644. Dimensions: 283 x 244 mm (plate); 288 x 248 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

alb4138909 A River between Rocks, from the series Set of Landscapes. Herman Naijwincx; Dutch, 1624-1651. Date: 1644-1651. Dimensions: . Etching on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Herman Naijwincx.

alb4138624 Crispin. Gérard Edelinck (French, born Flanders, 1640-1707); after Theodorus Netscher (Dutch, born France, 1661-1732). Date: 1682. Dimensions: 482 x 370 mm (plate); 497 x 382 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4132073 Mercury and the Graces. Agostino Carracci (Italian, 1557-1602); after Jacopo Robusti, called Tintoretto (Italian, 1518-1594). Date: 1589. Dimensions: 202 x 258 mm (image); 205 x 258 mm (plate); 208 x 258 mm (sheet). Engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4132232 Saint Francis Penitent in a Large Landscape. Cornelis Cort (Netherlandish, 1533/36-1578); Girolamo Muziano (Italian, 1528-1592). Date: 1575. Dimensions: 500 x 372 mm (image); 519 x 373 mm (sheet). Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Cort.

alb4139411 Bacchus and Drunken Silenus--The Dream of Silenus. Frans van den Wyngaerde (Flemish, 1614-1679); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1635-1640. Dimensions: 326 × 429 mm (image); 346 × 440 mm (plate); 422 × 532 mm (sheet). Etching and engraving in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4137564 Abraham and Isaac. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1645. Dimensions: 156 x 128 mm (image/plate); 159 x 131 mm (sheet). Etching and drypoint on white laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4137598 Plate Five, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 265 x 368 mm (sheet, trimmed to platemark). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4136901 The Death of the Children of Niobe. School of Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1541. Dimensions: 332 x 445 mm (sheet). Engraving in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: School of Marcantonio Raimondi.

alb4133232 Misfortune. Sebald Beham; German, 1500-1550. Date: 1536-1546. Dimensions: 77 x 50 mm (image/sheet, trimmed unevenly to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

alb4138464 Abraham's Arrival at Sichem. Cornelis Visscher (Dutch, c. 1629-1658); after Jacopo Bassano (Italian, 1510-1592). Date: 1648-1658. Dimensions: . Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

alb4138091 Plate Four, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 266 x 369 mm (sheet, trimmed to platemark). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4168447 The Lauterbrunnen. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 280 x 363 mm (image/plate); 287 x 369 mm (sheet). Etching in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4151341 Woman Lighting a Rocket, also called Peace Gets Me Going, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur). Cornelis Dusart (Dutch, 1660-1704); published by Jacob Gole (Dutch, 1660-1737). Date: 1695. Dimensions: 247 x 180 mm (plate); 241 x 182 mm (sheet). Mezzotint in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

alb4154649 Great Victory of Our Troops at the Fierce Battle of the Ansong Ford (Anjo no watashi waga gun taisho no zu). Migita Toshihide; Japanese, 1863-1925. Date: 1894-1895. Dimensions: . Color woodblock print; oban triptych. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4142506 Remains of the Villa of Maecenas at Tivoli, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1762-1763. Dimensions: 450 x 667 mm (image); 455 x 672 mm (plate); 555 x 784 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4142547 View of the Arch of Titus, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1771. Dimensions: 475 × 708 mm (image); 477 × 711 mm (plate); 533 × 759 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4145148 William John, Earl of Ancrum. John Dixon (Irish, c. 1740-1811); after Sawrey Gilpin (English, 1733-1807) and Richard Cosway (English, 1742-1821); published by John Boydell (English, 1719-1804) and John Dixon. Date: 1773. Dimensions: 513 x 606 mm (image); 543 x 606 mm (plate); 575 x 692 mm (sheet). Mezzotint in black on ivory laid paper, discolored to tan. Origin: Ireland. Museum: The Chicago Art Institute, USA.

alb4142022 View of the Grand Cascade at Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1766. Dimensions: 471 x 702 mm (image); 505 x 720 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4140566 The Overloaded Donkey. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1628-1664. Dimensions: 243 x 305 mm (image); 250 x 313 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4141041 Landscape, from Set of Landscapes. Herman Naijwincx; Dutch, 1624-1651. Date: 1644-1651. Dimensions: . Etching in black on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Herman Naijwincx.

alb4140033 Two Riders Passing a Flock, plate five from The Six Large Views of Rome and the Campagna. Stefano della Bella; Italian, 1610-1664. Date: 1654. Dimensions: 289 x 260 mm (image); 290 x 263 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4141841 Consecration of the Bishop of Noyon with Scene of Pentecost Above. Pieter Claesz. Soutman (Dutch, c. 1580-1657)?after Peter Paul Rubens (Flemish, 1577-1640). Date: 1640-1657. Dimensions: 331 x 204 mm (sheet). Etching in black with traces of foul bite on buff laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb4141179 Plate Two, from Five Wise and Five Foolish Virgins. Jan Saenredam; Netherlandish, 1565-1607. Date: 1606. Dimensions: 266 x 370 mm (plate); 273 x 375 mm (sheet). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

alb3907290 The Expulsion from Paradise. Date/Period: 1493. Woodcut on laid paper. Width: 32.1 cm. Height: 47 cm (sheet). Author: MICHAEL WOLGEMUT.

alb4100873 Titlepage for 'les Fables et Contes de Hippolyte' by Thierry-Faletans. Dimensions: 40.5 cm x 32.7 cm, 26.1 cm x 20.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: Rodolphe Bresdin.

orz083500 ESCULTURA EN PIEDRA TALLADA REPRESENTANDO CABEZA O ROSTRO DE DON MIGUEL DE UNAMUNO CON RASGOS ESTILIZADOS Y TEXTURAS RUGOSAS -1975-30X20X28 cm. Author: FRANCISCO OTERO BESTEIRO (1933-1994). Location: FUNDACION SANTANDER CENTRAL HISPANO-COLECCION. MADRID. SPAIN. MIGUEL DE UNAMUNO (1864-1936).

alb31135126 Mountain stream with rising rock, print, Series number, 21, printmaker: Louis-Julien Jacottet, printer (person): François Jean Villain, Paris, publisher: Veith & Hauser, c. 1836 - c. 1838, printer (person), paper, lithography, height 420 mm x width 289 mm, brook, rock-formations., A detailed pencil or ink drawing of a rocky cliffside rising steeply from a stream, with large vertical rock faces, jagged ledges, and clusters of trees and shrubs growing in crevices and at the base, rounded boulders and smaller stones scattered near the water's edge, rippling water reflecting the nearby rocks, dense foliage on the right side blending into shaded rock, and a textured paper background showing subtle speckling.

alb31135114 Fable of the goat and the young wolf, print, book illustration, A goat allows a young wolf to feed on the milk from her udder. Mercy transcends even the greatest enemies., printmaker: Marcus Gheeraerts (I), Bruges, printer (person): Pieter de Clerck, 1567, printer (person), commissioner (person who orders works), paper, etching, height 95 mm x width 112 mm, she-goat, nanny-goat, beasts of prey, predatory animals: wolf, fables of Aesop (with TITLE) : Use 85., A large goat occupies the foreground, shown in profile with curved horns, textured fur, and cloven hooves, while a smaller animal at its side appears to be nuzzling its belly. Behind them a stone archway and a bridge connect to a village scene with thatched and tiled roofs, a round tower, and a few clustered buildings; a person is visible carrying a tub on a yoke and another person stands near the arch. In the midground a pair of seated figures converse beside a low structure, and scattered vegetation and rocks appear in the foreground. The sky is filled with hatched lines and a few small birds.

alb31135544 John the Baptist in the desert, print, printmaker: Bon Boullogne, 1659 - 1717, paper, etching, engraving, height 464 mm x width 326 mm, John the Baptist in the wilderness, usually accompanied by a lamb., A monochrome engraved scene shows a bare-chested man with a beard and shoulder-length hair standing on uneven ground. He wears a fur-like garment draped around his waist and over one shoulder, leaving one arm and chest exposed. One arm is extended outward with an open hand, while the other hand holds a long staff that reaches above his head and has a flowing ribbon attached. Behind him are trees with detailed leaves and a textured sky of horizontal lines. Rocks and foliage appear at his feet and in the surrounding landscape, and a distant shoreline or horizon is visible in the background. The image is rendered with fine crosshatching and line work.

alb31134910 Sarcophagus, Urna di marmo, ritrovata nella Stanza sepolcrale vicina a quella di L. Arrunzio, Le Antichità Romane, Archeologische vondsten in en rond Rome, print, A sarcophagus (called an urn on the print). Surrounding the sarcophagus are various detailed illustrations and views. Title and explanatory list with letters in the lower margin. Numbered above: To. II., XX., printmaker: Giovanni Battista Piranesi, Rome, printmaker: Jean Barbault, Italy, c. 1756 - c. 1757, paper, etching, etching printed from two plates on one sheet., height 395 mm x width 479 mm x height 47 mm x width 480 mm., A detailed black and white engraved illustration shows architectural elements and carved stonework arranged in a formal composition, centered on a small temple-like façade with a triangular pediment decorated with a wreath and ornamental scrolls above a recessed niche containing two classical sculptures of a partially draped female figure and a male figure wearing a helmet, standing on a stepped base flanked by fluted columns with ornate capitals; surrounding this central structure are cross-sections of coffins or sarcophagi revealing layered interiors and rounded decorative moldings, some with carved wave-like fluting and acanthus-like motifs, while torn and irregular fragments of rock and mineral textures appear lodged against and through the stonework in multiple places; inset panels display ornamental medallion shapes with spiral foliate designs and a slender column fragment, and the composition is rendered with dense hatching and fine linework emphasizing depth and texture.

alb31134933 Raising of Lazarus, print, Christ raises Lazarus from the dead. Lazarus rises from his grave. A group of onlookers reacts with surprise and wonder., printmaker: Salvatore Castiglione, Italy, 1645, paper, etching, brown etching, height 114 mm x width 215 mm, the raising of Lazarus ('Lazarus, come out')., A sepia-toned etching shows a group of robed figures on a rocky ledge at left, many leaning forward with varied postures and intense facial expressions, their garments rendered with fine cross-hatching; to the right a solitary robed figure stands on a raised surface, head tilted upward and arms slightly extended, with flowing drapery and radiating lines around them; below and in the foreground a reclining figure lies partially covered by drapery on a lower plane; the scene is composed of textured rock formations, linear shading across the background, and detailed line work defining clothing, hair, and rugged terrain.

alb31134993 Dimostrazioni dell'Emissario del Lago Albano, Afvoerkanaal van Meer van Albano, Descrizione e Disegno dell'Emissario del Lago Albano di Gio Battista Piranesi, Beschrijving en ontwerp van hetafvoerkanaal van het Meer van Albano door Giovanni Battista Piranesi, print, View of the remains of the drainage channel of the Lake of Albano. Title bottom left. Numbered above: Tav. V., printmaker: Giovanni Battista Piranesi, Rome, 1762, paper, etching, height 454 mm x width 640 mm, lake, ruin of a building, architecture, sewers, Lake Albano (Lazio)., A large stone archway and surrounding masonry dominate the scene, with massive rusticated blocks forming walls and columns that recede into a vaulted tunnel; vegetation and tree roots grow over and between the stones, with branches and leaves hanging down from the upper edges. In the foreground are scattered wooden beams and rough planks leaning and lying atop rubble near the base of the stonework. A group of small human figures in period clothing stand, sit, and work among the stones and rubble, some on ledges and others near the ground, with a few appearing to interact or gesture. The composition is rendered in detailed monochrome with strong contrast, textured hatching, and fine lines that emphasize the weathered surfaces of the rock, the bark of the trees, and the uneven ground.

alb31136324 Destruction of Idolatry, left leaf (former title), Triumph of the Eucharist over Idolatry, print, Men and women worship the Greek god Zeus at altars in a temple; they offer sacrifices such as a young bull. To their great horror, this idolatry is disturbed by an angel who appears surrounded by rays of light and shows them a chalice with a host. This is the left leaf of two separate prints which form a whole., printmaker: Schelte Adamsz. Bolswert, after painting by Peter Paul Rubens, 1596 - 1659, paper, engraving, height 636 mm x width 437 mm, (story of) Jupiter (Zeus)., A detailed black and white engraving showing a dramatic scene with several robed figures on an ornate architectural stage. At the top left a winged cherub leans over a draped cloth while a luminous, partly nude, floating figure extends an arm holding a cup toward the right; rays of light emanate behind this floating figure. Below, a standing figure with drapery over the head grasps a long torch-like object pointing upward, and another bearded figure on the right recoils with an arm raised. In the foreground a seated, partially reclined figure looks upward while clutching a decorative object, and a small childlike figure near an elaborate carved chair reaches toward the scene with a distressed expression. Tall fluted and twisted columns frame the composition, and carved ornamental moldings, garlands of fruit, a sculpted ram head, and draped fabric populate the architectural setting. The image is rich in fine engraving lines that define folds of cloth, textures of stone, and facial expressions.

alb31136335 The Perverse Bishop, Caricature of the Bishop of Münster, 1665, cartoon, print, Reproduction of a caricature of Christoph Bernard von Galen, the Bishop of Münster, at the outbreak of the Second Anglo-Dutch War, 1665. The bishop half dressed as a soldier and half as a bishop, standing with a sword and a book in his hands. In the background on the left, the bishop kills the sheep as a soldier, and on the right, as a bishop, a shepherd for the sheep., printmaker: Emrik & Binger, Netherlands, 1877 - 1879, paper, lithography, height 191 mm x width 92 mm, Person, Christoph Bernhard von Galen, Second English War, Period., A tall engraved figure stands full-length wearing a combination of armor and long robes with a feathered hat, holding a sword in one hand and an open book in the other; the figure has facial hair and a sash across the chest, and is positioned within a framed rectangular scene. In the background there is a landscape with a group of grazing sheep, a shepherd with a staff, and another robed figure standing near the flock; the ground shows textured lines and small rocks, and the sky is filled with horizontal hatch marks. The overall image is monochrome with detailed line engraving and shading.

alb31136309 Christ appearing to the three Marys, print, book illustration, Christ with Mary Cleophas, Mary Magdalene and Mary Salome in landscape., unknown: attributed to Master of Delft, Low Countries, unknown: attributed to Master of the Delbecq-Schreiber Passion, unknown: attributed to Master of the Virgo inter Virgines, 1480 - 1500, 1503, Master of the Delbecq-Schreiber-Passion, Attributed to, paper, woodcut, height 98 mm x width 142 mm, Christ appearing to the holy women, usually the three Maries., A black and white woodcut scene shows a standing robed figure with long hair and a halo holding a tall staff with a flowing banner, facing a group of kneeling and seated women who wear long flowing garments and headdresses; one woman holds a vessel while another clasps her hands, and a third looks toward the standing figure. The setting includes grassy ground with stylized tufts and plants, a tree with leafy branches on the left, and a rounded rock or draped backdrop behind the seated women. The image is composed of dark ink lines and hatch marks on a light background, with patterned folds in the clothing and textured shading throughout.

alb31135744 Conquest of the strong city of Gibraltar by the combined English and Dutch War Fleet, Conquest of Gibraltar by an Anglo-Dutch fleet, 1704, print, historical print, The conquest of Gibraltar by a combined Anglo-Dutch fleet, August 3, 1704. With the city and the castle on the rock, the naval battle in the foreground. Written in pen in the image: Ao. 1704., printmaker: Zacharias Chatelain (II), Northern Netherlands, 1704 - 1705, paper, etching, height 160 mm x width 268 mm, battle (+ naval force), Capture of Gibraltar (1704), Gibraltar, Period, 1703-08-03., A wide coastal scene showing a fortified town at the base of a large rocky promontory with a cluster of buildings, a domed structure, and defensive walls, with a few small figures visible near the shoreline. The foreground and middle distance are filled with a group of sailing ships and smaller boats on wavy water, many with raised sails and visible rigging, some emitting puffed clouds near their sides. The sky contains several clouds rendered with lined shading, and the overall image is a detailed black-and-white line engraving with fine crosshatching and textured shading.

alb31136039 The Entombment of Christ, print, In a cave, Christ is laid in a tomb by his family, disciples, and friends., printmaker: Raphaël Sadeler (I), Munich, after design by Hans von Aachen, grantor of privilege: Rudolf II of Habsburg (German Emperor), c. 1593, Bavaria, paper, etching, engraving, engraving and etching, proof print, height 241 mm x width 181 mm, Christ's entombment (possibly by angels)., An oval engraving showing a cave opening with a reclining male figure being lowered onto a stone slab by several surrounding figures, most of whom are robed and have solemn expressions; a woman with long hair kneels at the foot of the slab holding cloth, another woman stands nearby with a head covering and clasped hands, and several bearded men assist or observe while two men hold long staffs with lit tips; rough rock forms the cave ceiling with hanging vegetation and a distant landscape visible through the opening, while detailed drapery and textures appear on the clothing and on a fur-lined cloak of one man.

alb31136093 Ships in distress off a rocky coast, Various ships on the water, print, Series number, 6, Storm at sea. On the left, a three-masted ship about to strike the rocks. On the right, a fishing boat with two people at the helm. This print is part of a series of six prints featuring various ships., printmaker: Gerrit Groenewegen, Rotterdam, 1807, paper, etching, height 150 mm x width 230 mm, storm at sea, ships (in general) - CC - more than one ship., A detailed monochrome engraving shows a turbulent sea with a group of sailing vessels struggling in rough waves; a larger ship leans heavily with torn rigging and partly furled sails while several smaller boats nearby pitch and crest on choppy water. The sky is filled with dense, dramatic clouds rendered in cross-hatching, and the horizon is broken by a steep cliff face on one side. Waves break around floating debris and a partly submerged mast, and figures are visible aboard some of the smaller boats tending sails and handling lines. The composition emphasizes movement and stormy conditions through swirling water, angled masts, and textured cloud patterns.

alb31136023 Paintings on the east side, St. Michael's Abbey Antwerp, print, View of the paintings on the east side of the church of St. Michael's Abbey in Antwerp. Christ is in the house of the Pharisee Simon where a woman washes his feet with her tears and then dries them with her hair., printmaker: Hendrik Causé, Antwerp, after painting by Erasmus Quellinus (II), c. 1699, paper, etching, engraving, etching and engraving, height 308 mm x width 162 mm, celebration meal, feast, banquet, interior of church, a woman washes Christ's feet with her tears, and wipes them with her hair., An architectural scene rendered in fine line work showing a grand arched interior with classical columns and balustrades, an elevated terrace with a large urn and steps leading down, and a group of people gathered across multiple levels. Several figures sit and recline around a long table on the terrace, some gesturing and leaning toward one another, while others stand nearby or on the steps. A few people appear in niches and doorways framed by columns, and a person carries a tray at an entrance. On the lower level a few reclining figures rest against a stone ledge while children and small figures move near arched openings and a dog is visible by a standing figure. Decorative architectural details include carved capitals, mouldings, and an ornate vaulted ceiling filling the upper portion of the image, with distant foliage and a hint of sky visible through the central opening. The scene is composed in monochrome hatch and crosshatch engraving style with detailed textures on fabrics, stone, and pottery vessels placed near the railings.

alb31136012 La boutique de Vulcain et le dieu Pan, accompagnez des bacchantes et des faunes, Forge of Vulcan and Pan with followers, print, printmaker: Jean Baptiste de Poilly, after painting by Pierre Mignard (1612-1695), publisher: Nicolas de Poilly (I), Paris, provider of privilege: French crown, 1679 - 1728, grantor of privilege, paper, etching, engraving, height 514 mm x width 715 mm, (story of) Pan, Vulcan in his smithy, Saint-Cloud., A large semicircular engraving shows a crowded classical scene framed by an ornate carved arch with a central decorative mask and garland; beneath the arch a rocky cavern opens to a landscape with trees and a smoking mountain in the distance. In the foreground a group of muscular male figures and robed women occupy rocky ground and a raised platform; one bearded, muscular man stands with a staff and animal skin, another stands at a rock opening holding a hammer, while other men work at forges inside the cave with anvils, bellows, and hanging shields. Several reclining putti lie on the platform near a decorative helmet and broken armor pieces, one holding a wreath or flowers. Women and youths sit or reach toward each other, some wearing flowing drapery and floral crowns, one woman with long hair seated near the center. On the right a woman balances a basket of fruit on her head while a youth nearby supports a long staff entwined with foliage. Stone textures, metal tools, and detailed drapery are rendered in fine engraved lines throughout the composition.

alb31135839 Dover, Ships at Dover in heavy weather, print, printmaker: James Tibbits Willmore, England, after painting by Joseph Mallord William Turner, publisher: Ernest Gambart, London, 1851, paper, etching, engraving, height 525 mm x width 676 mm, sailing-ship, sailing-boat, storm at sea, rocky coast., A coastal scene rendered in monochrome showing choppy waters and several sailing vessels near a rocky shoreline, with a larger castle complex perched atop high cliffs in the background. In the foreground a small boat with a curved sail carries wrapped cargo and figures leaning over the side, while nearby other small sailboats and rowing craft navigate waves, some with passengers visible on deck. The cliff face rises steeply behind a stone wall and fortifications leading to towers and a central keep, with scattered buildings at the cliff top and an arched structure set into the rock. Dark, swirling clouds fill much of the sky, with shafts of light breaking through and a few birds in flight, and smoke trails extend from one of the boats toward the right. The water surface shows textured waves and foam, and various harbor elements like piers and posts are visible along the shoreline.

alb31135495 Fishing among Native Americans, Fishing with bow and arrow (former title), Venationes, Piscationes et Aucupii Typi, Hunting and fishing, print, Series number, 44, 54, Native Americans catch fish in a river by shooting them from the bank with a bow and arrow. The print has a Latin caption and is part of a series of 54 prints., printmaker: attributed to workshop of Philips Galle, Antwerp, after design by Hans Bol, publisher: Theodoor Galle, 1582 - 1633, 1582, Philips Galle, Attributed to, paper, engraving, gravure, width 215 mm x height 81 mm, Native peoples of the Americas, fishing (sports) (+ bow and arrow), indigenous peoples of America, South America, North and Central America., A wide, detailed black-and-white engraving of a coastal scene showing a group of people engaged in fishing and hunting activities along a shoreline and shallow water. On the left, a few figures stand on a bank near tall, grasslike plants, handling a large net and gathered fish. Toward the center, several people wade in the water, carrying or holding large fish and using spears, while a few fish are visible swimming or lying in the shallows. In the background, low islands or marshy clumps and distant trees stretch toward a horizon of hills and a textured sky. On the right, a group of figures stand on rocky ground beneath tall plants, two of them drawing bows aimed toward the water where other figures reach or swim. Rocky outcrops and a raised, rugged hillside with scattered trees frame the scene on the far right. The overall composition is populated by multiple human figures, various fish, shoreline vegetation, rocks, and a layered landscape receding into the distance.

alb31135929 Vue de l'Eglise de St. Sebastien hors des Murs, Veduta della Chiesa di S. Sebastiano fuori delle Mura, View of Saint Sebastian outside the Walls, print, book illustration, printmaker: Freicenet, Rome, after drawing by Jean Barbault, publisher: Bouchard & JJ Gravier, J., dedicated by: Bouchard & JJ Gravier, dedicated to: Prospero Colonna di Sciarra, Italy, 1763, Freicenet, Jean Barbault, Bouchard & JJ Gravier, Prospero Colonna di Sciarra, printmaker, after drawing by, publisher, paper, etching, height 387 mm x width 532 mm, city-view in general, 'veduta', church (exterior), Saint Sebastian outside the Walls., A sepia-toned architectural engraving shows a large classical building with a columned arcade and a pedimented façade flanked by a long walled structure extending to domed and towered rooflines, surrounded by trees and a high retaining wall; the foreground contains an open, uneven plain with small groups of people walking and standing, a cart and animals near scattered rocks, and an ornamental gate fragment at one side, while the sky above is filled with shaded, textured clouds.

alb31135968 Saint Roch distributing alms, print, View into a structure with columns and round arches. On a platform to the left, Saint Roch stands handing out alms to a crowd of men, women and children, some with disabilities., printmaker: attributed to Guido Reni, Italy, after painting by Annibale Carracci, publisher: Pietro Stefanoni, 1610, unknown, grantor of privilege, Attributed to, paper, etching, height 286 mm x width 454 mm, Roch distributes his riches to the poor, and leaves on a pilgrimage., A densely filled pencil or ink drawing shows a large crowd of people inside a columned architectural space with arched openings revealing distant buildings; the figures are rendered in detailed line work and arranged across the foreground and midground in dynamic poses, with some standing, some seated, and several carrying or tending to children. On the left a robed figure holds a long staff and gestures toward the crowd while others reach toward him, a wheelbarrow with a limp body is pushed nearby, and muscular figures appear lifting and supporting the afflicted. In the center a woman in draped clothing holds a child and looks outward as surrounding figures jostle and offer hands or bowls, while a reclining figure with flowing garments lies in the foreground. To the right a cluster of adults and children congregate near a column, one adult cradles a child and another bends forward, with expressions and gestures shown through finely hatched shading. Architectural details include fluted columns and archways with decorative capitals, and the entire scene is created with intricate crosshatching and contour lines giving texture to fabrics, hair, and stone.

alb31136136 Breach of the Waal dike at the Loendersche Bosch. in January 1809, Breach of the Waal dike at Loenen, 1809, print, Breach of the Waal dike at the forest near Loenen during the flood of January 1809. High piles of ice floes along the bank. In the foreground and background, people are seeking refuge. See the pendant., printmaker: Johannes de Vletter, Netherlands, after drawing by Jan Lodewijk Jonxis, paper, aquatint, etching, aquatint and etching, stated on the print as a proof, height 490 mm x width 610 mm, dike-break, Flood of 1809, Gelderland, Rhine, Waal (river), Period, 1809-01., A monochrome scene showing a riverside landscape with broken ice floes and jagged slabs along the shore, a group of people near the water helping each other across ice and rocks, a fallen tree trunk and scattered branches in the foreground, a large bare-branched tree at right with a person perched partway up its trunk and another figure clinging lower down, a line of dense leafless bushes or small trees curving into the distance behind a small group with a cart and animals, a stretch of water with textured ripples and a small waterfall over a ledge, distant low horizon, and a sky filled with large, soft-edged cloud shapes.

alb31136143 Picnic in the mountains, Genre scenes, print, Series number, 2, 19, A company picnicking by a rock. Some men are playing music, the rest of the company is eating. Articles of clothing lie in the foreground., printmaker: Cornelis de Wael, Italy, 1630 - 1648, paper, etching, engraving, height 115 mm x width 149 mm, picnic, alfresco, 'déjeuner sur l'herbe', (high) hill, music - CC - out of doors., A detailed black-and-white etching shows a group of people gathered outdoors on uneven ground near a rocky outcrop, with a textured sky above. Several seated and reclining figures form a loose circle around a low central surface, with some leaning forward and others resting their heads on hands. A few standing figures include one holding a round stringed instrument and another reaching upward toward the rocky cliff. Clothing appears draped and loose, with visible folds and varied hairstyles. In the foreground are scattered garments and small objects lying on the ground, and the background includes a distant shoreline and a horizon. The scene is rendered with fine cross-hatching and line work that defines shading and texture.

alb31136137 Pan en Syrinx, print, printmaker: Nicolas Perelle, printmaker: Adam Perelle, printmaker: Gabriel Perelle, after print by Guilliam van Nieulandt (II), after design by Paul Bril, publisher: Pierre Drevet, Paris, 1673 - 1695, Guilliam van Nieulandt (II), after print by, paper, etching, height 252 mm x width 332 mm, landscapes with waters, waterscapes, seascapes (in the temperate zone), satyr(s) pursuing nymph(s), Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705)., A detailed monochrome landscape engraving showing a wooded scene with large, textured trees framing a central clearing and a calm body of water, dense foliage and tangled roots on either side, and layered hills in the distance under a sky with wispy clouds and small flying birds. In the foreground near the water's edge two nude figures stand among tall grasses and reeds, one facing the water with an arm raised to the head and the other reaching toward the first. Rocks and low shrubs line the bank, and distant trees and rolling terrain extend toward the horizon.

alb31135005 Saint Jerome in the wilderness, print, Saint Jerome kneeling with a crucifix and a stone in his hands. Beside him lie books, an hourglass, and a skull. To the right, his cardinal's hat hangs from a tree. Dedication, coat of arms and three lines of Latin text in the bottom margin., printmaker: Francesco Villamena, Italy, after painting by Federico Barocci, grantor of privilege: Clement VIII, Vatican City, dedicated to: Paolo Sanvitali, dedicated by: Francesco Villamena, 1600, Francesco Villamena, Federico Barocci, Clement VIII, Paolo Sanvitali, printmaker, after painting by, grantor of privilege, paper, engraving, height 375 mm x width 273 mm, Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast, a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him., An elderly bearded man with a bare torso and draped cloth kneels inside a dim rocky shelter, holding a long wooden staff and a small bottle while looking toward a shelf with an hourglass and a skull; folds of cloth and baskets lie around him, a small window opens to an exterior view of buildings and a winding river framed by foliage, and textured rock and plant life surround the foreground and edges of the scene.

alb31134585 Map of the Santa Constanza in Rome, Pianta del Mausoleo di Costanza figlia di Costantino Magno Imperatore, Le Antichità Romane, Archaeological finds in and around Rome, print, Map of the Santa Constanza in Rome. Title and list with explanatory letters in bottom margin. Numbered above: Tom. II., XXI., printmaker: Giovanni Battista Piranesi, Rome, c. 1756 - c. 1757, paper, etching, height 399 mm x width 600 mm, plan, architecture, mausoleum, Roman Catholic Church, Santa Constanza., A detailed black and white architectural plan drawn on an irregular rocky background, showing a symmetrical layout with two large elongated oval pools flanking a central rectangular corridor, circular and semicircular chambers at the top and bottom connected by colonnaded passages, dotted lines indicating rows of small circular elements, patterned paving around the pools, stair-like rectangular blocks along the outer edges, shaded rock textures framing the plan, and labeled single letters placed at various interior locations.

alb3711567 Capital and Base of a Column. Dated: 1545. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

alb3711516 The Lion Pardons Reynard before the Other Animals. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.