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71096_rf_28_total ecipse of the sun_195a1h A Total Eclipse Of The Sun , As Seen From Space, Showing The Earth & The Total Eclipse In Action.
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71096_rf_28_roaring t_rex_196a1h A Carnivorous T.Rex Dinosaur From Earths Cretaceous Era Roaring.
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71096_rf_28_creation of the moon,195a1h A 3D Conceptual Image, Showing The Creation Of The Moon, Many Millions Of Years Ago.
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71096_rf_28_creation of the moon_195a2h A 3D Conceptual Image, Showing The Creation Of The Moon, Many Millions Of Years Ago.
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990_05_1-Sci-Astro-HB_5HR Moon: May, 1969 View of the earth rising above the lunar horizon photographed from the Apollo 10 Lunar Module, (Snoopy) as it orbited around the moon. © Underwood Archives / The Image Works
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00624439 astronomy, moon, first photo of the earth (left), taken from the vicinity of the moon, by Lunar Orbiter I, 23.8.1966,
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948_05_01252797 From the Middle Kingdom from there were three main places of worship in Thebes, Elephantine on the upper Nile and in Memphis. Was worshiped there Gods triads, was handed out by the chief god a wife and a son. So it was in Thebes: Amun, the sun god and the goddess Mut and Khonsu All-Father, the moon-god; in Elephantine Khnum was the Allbildner, the others were Hekat and Amakt, in Memphis was worshiped Hapi, the sun, the Nile and earth god with the sacred bull Apis him, the war goddess Sekhmet and their son Nefertum, the god of death. These and other deities were worshiped now in a myriad of temples that attract as stone witnesses of a bygone time both our religion, as cultural and art historical interest. The mightiest abundance of temples offered the old 100 - engined Thebes, in which we recognize here the hewn in the rock temple of Deir el Bahri, the mighty Queen Hatshepsut create.
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akg6359202 Apollo 11 Mission / 20th Century. The Lunar Module is shown making its descent to the lunar surface, while Astronaut Collins piloted the Command Module in a parking orbit around the Moon. The Apollo 11 mission launched from The Kennedy Space Center, Florida aboard a Saturn V launch vehicle on July 16, 1969 and safely returned to Earth on July 24, 1969. The 3-man crew aboard the flight consisted of Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. Armstrong was the first human to ever stand on the lunar surface. Photo, July 20th, 1969.
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alb31135327 Opening of the fifth and sixth seals, Copies after Dürer's Apocalypse, print, The opening of the fifth seal: martyrs put on white robes, the opening of the sixth seal: the day of wrath, the sun turned black, the moon blood red, a great earthquake made mountains and islands move. The stars fell from heaven on the Pope, Emperor and the common people., printmaker: Ieronimus Greff von Frankfurt, after print by Albrecht Dürer, 1502, Ieronimus Greff von Frankfurt, Albrecht Dürer, printmaker, after print by, paper, woodcut, height 390 mm x width 280 mm, opening of the sixth seal: a great earthquake, the sun turns black, the moon red as blood, and the stars fall on earth, mankind hiding in caves, opening of the fifth seal: white robes are given to (the souls of) the martyrs under the altar., A dense, highly detailed woodcut scene filled with many human figures and angels positioned among swirling clouds, with a central heavenly group at the top featuring winged beings surrounding a raised platform draped with cloth and several reclining bodies nearby; beams of light or rays descend from the cloud bank toward the middle of the image, intersecting with many small star- or leaf-shaped forms falling downward; to the left and right near the upper middle are stylized sun and moon faces set within radiant halos; lower in the composition a chaotic crowd of people in varied robes and headwear react with expressive gestures and contorted poses, some clutching their faces, some reaching upward, and a few appearing partially entwined with foliage or drapery; throughout the image there are billowing clouds, clusters of stars, and intricate linear hatching that defines faces, fabric folds, and landscape elements, with several reclining and seated figures occupying the foreground among scattered objects and ornamental patterns.
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alb3896519 Assumption of the Virgin. Date/Period: From 1577 until 1579. Painting. Oil on canvas. Height: 4,032 mm (13.22 ft); Width: 2,118 mm (83.38 in). Author: EL GRECO.
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alb3733100 The Opening of the Fifth and Sixth Seal. Dated: 1498. Dimensions: image: 39.2 x 28.6 cm (15 7/16 x 11 1/4 in.) sheet: 45.6 x 31.2 cm (17 15/16 x 12 5/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: DURER.
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alb31132439 General map of the world, or Description of the terrestrial and aquatic world, General world map, or Description of the land and water world, World map, print, map, World map. Above the map is a bar with the title in French and Dutch. At the top of the map are five spheres with, from left to right, representations of day and night on Earth, the Earth without water, the phases of the moon, and the western and eastern hemispheres. Next to the first three spheres are references to passages from Genesis. The map features a grid and a degree scale along the edges. Marked in the upper right: Tom 1. Page. 2. Fold-out map in the second part of the illustrated Bible with the New Testament, published by Pieter Mortier, Amsterdam 1700., colorer (graphic design artist): Dirk Janszoon van Santen, Amsterdam, printmaker: Johannes L. van Luchtenburg, publisher: Pieter Mortier (I), grantor of privilege: States of Holland and West Friesland, 1700, colorer (graphic design artist), paint (coating), paper, deck paint, gilt paint, engraving, hand coloring, hand-colored and heightened with gold, height 400 mm x width 477 mm, full moon, map of the world, Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve., A colored antique world map showing the Americas, Europe, Africa, and parts of Asia with ornate coastlines and hand-colored borders, grid lines dividing the map into rectangular sections, and detailed place names in small script; the top area contains four circular insets depicting planetary or lunar diagrams and two hemispherical world maps, each with distinct coloring and decorative borders; compass roses and latitude/longitude markings appear in several places, and decorative elements and scale bars run along the top and bottom edges; the paper shows slight age toning and faint spots.
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alb31129884 Creation of Eve: 'I believe in God, the Almighty Father, Creator of heaven and earth', Credo in devm patrem omnipotente creatorem coeli et terrae, Apostolic Creed, print, The first article of faith: the belief in one God, Creator of heaven and earth. God the Father creates Eve from Adam's rib. On the right in the background, God the Father bends over Adam and breathes life into him. On the left, the creation of the world and of the animals. The print has a Latin inscription with a Bible quote that refers to the depicted Bible story and a Latin caption regarding the Apostolic Creed. The first print in a twelve-part series about the credo., printmaker: Johann Sadeler (I), Cologne, after design by Maerten de Vos, publisher: Johann Sadeler (I), provider of privilege: Philip II of Spain, 1579, Johann Sadeler (I), Maerten de Vos, Philip II of Spain, printmaker, after design by, publisher, provider of privilege, North Rhine-Westphalia, paper, engraving, height 209 mm x width 242 mm, creation of Eve, Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve, 'Credo in Deum Patrem omnipotentem, creatorem coeli et terrae', articles of faith., A detailed engraving depicting a landscape with a variety of figures, animals, and vegetation. In the foreground a reclining naked male figure lies on the ground near a naked female figure who kneels with hands clasped; nearby a standing bearded man in flowing robes gestures toward them while another robed figure stands with arms raised. A group of animals including sheep, a lion, a bear, a peacock, a rabbit, a cow, and other livestock populate the scene around the figures. Trees with detailed foliage and a large central tree occupy the middle ground, while a mountainous horizon and a sky filled with stars, a crescent moon, and a radiating sun appear in the background. Smaller human figures appear in the distance, some in motion and some reclining, and decorative vegetation and rocks fill the spaces betwe.
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alb31124025 August calendar page with Eurasian Jay, Calendar 1904 12 lithographs by Th. v. Hoytema, print, calendar page, The bird sits on a pole above water. Rosehips in the ornamental border. Below the dates a full moon and the constellation Virgo. A tear line at the top of the page., printmaker: Theo van Hoytema, Hilversum, printer (person): Tresling & Comp., Amsterdam, 1903, printer (person), paper, color lithography, height 450 mm x width 210 mm, August, other concepts, song-birds: jay, Virgo (zodiacal sign of August), full moon represented as face., A vertically oriented vintage illustration divided into sections, with a decorative leafy border and stylized fruit motifs along the sides. At the top is a rectangular panel with large block letters. Below that is a framed square illustration of a bird perched on a rounded post emerging from water, with rings of ripples around the post. The bird has patterned feathers on its head and wings and a slightly curved beak. Under the illustration is a grid of squares resembling a calendar, each square containing a single character, and small bird head silhouettes appear in a few squares. A narrow horizontal panel at the bottom contains three small boxed elements, one showing a circular face, the center a band of text, and the rightmost showing a seated figure holding an object. The overall color palette is muted earth tones with greens, browns, and pale oranges, and the image has a textured, printed appearance.
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alb31117800 Planisphaerium caeleste secundum restitutionem Hevellanam, Celestial map with the northern and southern constellations, print, Celestial map with the northern and southern constellations. Above, from left to right, views of the Tycho Brahe system, the Ptolemaic system, and the effect of the moon on the tides. Below, depictions of the phases of the moon, the system of Nicolaus Copernicus, and the position of the Earth while orbiting the sun, according to Philippus Lansbergen., after design by Georg Christoph Eimmart (II), publisher: Johann Baptista Homann, Nuremberg, 1707, printmaker, Bavaria, paper, engraving, etching, hand coloring, etching and engraving, hand-colored, height 491 mm x width 567 mm, full moon, sun as celestial body, zodiac, the twelve zodiacal signs together, solar eclipse, star-chart, star map., A colored engraving showing two large circular star maps side by side with faint green backgrounds, detailed constellation illustrations and many small golden star markers, each map bordered by a thin yellow rim and intersected by radial lines; above them a pink ribbon arc with large capital letters stretches between a pale green circular diagram with concentric rings and two smaller circular diagrams on either side set against a cloudy sky background; below the maps additional circular diagrams and a pink ribbon with decorative scrolls appear among engraved clouds, and a narrow vertical seam runs down the center of the image.
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alb31074621 Pentateuchus Moysis commentario illustratvs, Title page for Jacobus Bonfrerius, Pentateuchus Moysis commentario illustratus, print, title page, In the center a rectangular frame containing the title of the book. Around the frame several cartouches with depictions of the Old Testament. From left to right the pillar of smoke, Jacob's ladder, Noah's ark, the Earthly Paradise, the sun, the moon, the Tree of Life, the Ark of the Covenant, Manna, the pillar of fire and Moses and Aaron., printmaker: Theodoor Galle, Antwerp, publisher: widow Johannes II Moretus, 1625, paper, engraving, height 313 mm x width 202 mm, in the morning manna falls to the earth, Exodus, the ark floating on the waters (destruction of mankind not visible), Moses (not in biblical context), possible attributes: rays of light or horns on his head, rod, Tables of the Law, Garden of Eden, paradise, creation of sun, moon and stars, Aaron sacrifices sacrifices (Leviticus 9), Jacob's ladder (alone), Ark of the Covenant elsewhere (not in Tabernacle), the tree of life in the Garden of Eden, by night a pillar of fire gives the Israelites light (Exodus 14), during the day a pillar of cloud (and, or the angel of God) shows the people the way., A detailed engraved title page framed by ornate architectural borders with decorative scrollwork and cartouches; central rectangular panel contains a block of text framed by multiple layered borders; above the central panel are three round medallion scenes set within scrollwork showing the sun with rays over a landscape and the moon with stars over a harbor with ships; flanking the central panel are two vertical columns of oval vignettes each containing different narrative scenes, including a garden with fountains, a large tree in a landscape, a boat on water, figures handling a box on a platform, a ladder with people, and a group gathered around a rocky area where a figure stands with a staff; bottom center features a rounded medallion with two robed figures standing besi.
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alb31024877 Doctor Spiritus and the Moon, Munich plates, print, popular print, Sheet with 13 illustrations from the story of Doctor Spiritus and the Moon. About the doctor's fear that the moon will fall to earth. A caption under each image. Numbered bottom center: No. 52. Numbered top right: 52., printmaker: Oswald Adalbert Sickert, Germany, publisher: K. Braun and Fr. Schneider, Munich, printer (person): Carl Robert Schurich, 1843 - c. 1920, Oswald Adalbert Sickert, K. Braun and Fr. Schneider, Carl Robert Schurich, printmaker, publisher, printer (person), Bavaria, paper, wood engraving, letterpress printing, wood engraving and text in letterpress, height 441 mm x width 352 mm, full moon represented as face., A large page with a grid of illustrated vignettes showing a man in various situations involving a large round moon; the top shows a title and a man looking out a window, a man on a rooftop peering through a telescope at a face in the sky, and a group of people struggling under a huge round object; the middle row includes a chaotic scene of objects and people falling, a flooded street with people in small boats, figures hauling water from a pump, and a reclining man in a chair with a lamp beside him; lower panels show a man standing over a fissure in the ground, a landscape with a large moon over a group gathered around a fire, a grotesque moon face with smaller round objects nearby, and additional vignettes at the bottom including a man asleep by a window with a moon peering in, a man walking along a railing under a moonlit sky, and a bed surrounded by many small round faces; the illustrations are monochrome engravings with detailed line work and shaded textures, arranged with narrow margins and blocks of blank space between them.
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orz003160 Ivory diptych. Detail from the emperor on a horse. Byzantine 6th century. 34 x 26.6 cm. Paris, musée du Louvre. Location: MUSEO DEL LOUVRE-EBORARIA-MARFILE. France. JUSTINIAN I. ZENON DE CITIO. CRISTO IMBERBE. ATANASIO-DISCIPULO DE SANTIAGO APOSTOL.
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alb31018947 Twelve illustrations for the Book of Genesis, print, Twelve illustrations on one sheet. Top illustrations from left to right: the creation of heaven and earth by God the Father, God parts the waters, God creates the land. Below: the creation of the sun, moon, and stars, the creation of fish and birds, the creation of Adam and Eve. Below: God the Father gives Adam and Eve to each other, the Fall, the Expulsion from Paradise. Bottom scenes: Cain killing Abel, a city with towers (Babel?) and Noah in the ark., 1795 - 1850, printmaker, paper, engraving, height 279 mm x width 223 mm, expulsion of Adam and Eve from paradise (Genesis 3:22-24), Eve is fashioned from Adam's rib, Temptation and Fall (scenes with both Adam and Eve), the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon, the six days of creation (Genesis 1:3-25), the ark, story of Noah., A sheet divided into rectangular panels arranged in a grid, each panel containing a simple line drawing of human figures and scenes; the top row shows a robed figure touching a large circle above low plants, a haloed figure standing inside a concentric circular frame with four partial angel faces at the corners, and a robed figure standing near rocks and stylized trees; the next row includes a haloed figure beneath a sky filled with stars and two round faces, a haloed figure standing at the edge of water with birds flying and fish swimming nearby, and a robed figure leaning toward a reclining nude figure beside leafy plants; the central row presents a robed haloed figure flanked by two nude figures holding hands, a nude man and woman standing by a tree with a serpent coiled around it, and a robed figure gesturing toward two nude figures walking with one holding an object above; the lower rows depict a scene with a person striking another near a burning altar, a clustered cityscape of towers and roofs, and a boat with a cabin carrying seated and standing figur.
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alb31014225 Universe with earth, sun, moon and stars, print, number: '1', printmaker: Caspar Luyken, Amsterdam, 1712, paper, etching, proof, height 113 mm x width 145 mm, earth, world as celestial body, stars, moon as celestial body, sun as celestial body., A monochrome engraving showing a large luminous circle in the upper left with radiating lines, a partially visible globe with continent shapes emerging from swirling clouds, dense crosshatched shading creating a crescent shadow on the globe, textured clouds curling around the sphere, a field of small star shapes scattered across the right side, and a round textured moonlike shape near the lower right, all rendered with fine linework and stippling.
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alb3655026 The Seven Angels with the Trumpets, from The Apocalypse, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 5/16 x 11 1/16 in. (38.9 x 28.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
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alb3663441 Temperance (Temperantia) from The Virtues. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Dimensions: Sheet: 9 5/8 x 12 5/16 in. (24.4 x 31.2 cm)Plate: 8 3/4 x 11 7/16 in. (22.3 x 29.1 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca.1559-60.Bruegel's design for Temperance depicts a maelstrom of human activity collapsed into an impossible space. Figures crowd the print in clusters of activity that bleed into one another, from choir singers accompanied by a small orchestra to actors performing for a rapt audience to cosmographers futilely attempting to measure a smoke-billowing, swiftly rotating earth. Groups of surveyors occupy the rightmost edge of the image, gauging fortifications and artillery, while in the foreground students furiously read and transcribe texts, and lenders busily settle their accounts. Anything but temperate, the image juxtaposes the central figure--a personification of temperance and the virtue upon which the study of the liberal arts was supposed to be based--with the chaotic reality of human experience. Museum: Metropolitan Museum of Art, New York, USA. Author: after Pieter Bruegel the Elder. Philips Galle.
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alb30986641 Doctor Spiritus and the Moon, Munich plates, print, popular print, Sheet with 13 illustrations from the story of Doctor Spiritus and the Moon. About the doctor's fear that the moon will fall to earth. A caption under each image. Numbered bottom center: No. 52. Numbered top right: 52., printmaker: Oswald Adalbert Sickert, Germany, publisher: K. Braun and Fr. Schneider, Munich, printer (person): Carl Robert Schurich, 1843 - c. 1920, Oswald Adalbert Sickert, K. Braun and Fr. Schneider, Carl Robert Schurich, printmaker, publisher, printer (person), Bavaria, paper, wood engraving, color, letterpress printing, wood engraving colored in green, pink, yellow, brown and blue, text in letterpress, height 441 mm x width 349 mm, full moon represented as face., A large printed sheet with a series of colored vignette illustrations arranged in rows and columns showing various scenes, including indoor scenes with people sitting or reclining on chairs and beds, several outdoor scenes with figures near cliffs, rivers, boats, and buildings, a scene of a large round moon-like face in the sky, groups of people reacting in different ways, a scene with people carrying a large round object overhead, a scene of people falling with scattered objects around them, a scene of figures collecting water from a pump, panels showing small groups gathered around a fire in a landscape, and another circular sun-like face surrounded by swirling shapes; decorative borders and narrow margins surround the images and there is printed text occupying header and caption areas that has been visually integrated with the images.
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alb30966373 Portrait of Dirck Volckertsz. Coornhert in an allegorical frame, print, Portrait of Dirck Volckertsz. Coornhert surrounded by ten burning hearts held by hands. Below the portrait a heart with the All-Seeing Eye from which ears of corn protrude. Above the portrait two putti holding a palm branch. At the bottom the Amsterdam city coat of arms, a banner and a balance with three weights on both sides. Above that, on the left the sun and on the right the moon., inscription: 'Soevis tranquillus', inscription: 'God is greatly exalted by the shields, on earth. Psal. 47.10', printmaker: Theodor Matham, Northern Netherlands, 1621 - 1676, paper, etching, engraving, pen, engraving and pen in brown, proof, height 379 mm x width 292 mm, Coornhert, the Sacred Heart, the all-seeing eye, triangle with eye, symbol of God the Father., A detailed monochrome engraving centered on a bearded older man shown from the shoulders up with a solemn expression and a halo-like cloud formation surrounding his head, flanked by swirling clouds that contain a row of small heart-shaped objects with flames atop them on each side; above him two cherubic children stand on clouds holding a long ribbon or cloth stretched between them beneath decorative drapery, while below his face a large hand rises holding a round object that bears a single eye and sprouts of foliage from its top, and additional allegorical elements like a radiant sun face, suspended bells, heraldic shapes, and ornamental ribbons fill the surrounding space.
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alb30967740 Sun, earth and moon, print, The sun shines on and along the earth and thereby obscures the half moon. Symbol of the manner in which, through the intervention of the earthly, the light is sometimes obscured., printmaker: Vincent Laurensz. van der Vinne (II), Haarlem, 1714, paper, etching, engraving, etching and engraving, height 99 mm x width 122 mm, eclipse of the moon., A monochrome engraving showing a starry sky with textured crosshatching, featuring two circular celestial bodies rendered with concentric etched lines, one near the top left and a larger one near the center. Wispy, cloud-like shapes in pale tones drift across the scene, and a broad diagonal beam of darker shading cuts from the upper left toward the center. Radiating, linear streaks emerge from the lower right corner like rays, and small bright dots are scattered across the background. The lower edge shows a narrow border.
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alb30958546 Man's first look at earth from the moon, space photo, Press photo with instructions for the editor., photographer: Lunar Orbiter 1, publisher: NASA, publisher: Associated Press, 1966, Associated Press, NASA, Lunar Orbiter 1, photographer, publisher, paper, baryta paper, gelatin silver print, developing gelatin silver print, height 103 mm x width 270 mm, earth, world as celestial body, surface of the moon., A high-contrast black-and-white scene showing a textured curved foreground that resembles a mottled surface, a dark horizontal band above it, and a bright semicircular shape emerging from the dark band; above that band is a pale blank area with a small dark silhouetted shape that has a few thin elongated elements projecting upward.
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alb30952366 Mary with Child on globe, print, LeBlanc 13, printmaker: Etienne Picart, after painting by Carlo Maratta, grantor of privilege: Louis XIV (King of France), France, dedicated to: Maria Theresa (Queen of France), 1665, paper, engraving, etching, height 445 mm x width 319 mm, 'Immaculata', 'Purisima': Mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent), Christ triumphing over devil(s), Mary standing (or half-length), the Christ-child lying on her arm (Christ-child to Mary's left), Mary standing or resting on the earth., A central robed female figure stands on a curved surface above clouds, holding a naked infant in her arms; a halo of radiating lines encircles her head. The infant reaches toward a long staff topped with a small cross and a flowing banner, which is held by a nearby cherubic child. Multiple cherubic children with wings surround the central figures, some with hands clasped or raised and others looking toward the woman and child. The scene includes layered clouds filling the background and a small winged head in the upper corner. At the bottom, a coiled serpent lies on the curved surface beneath the woman's foot where the staff meets the serpent. The image is rendered in a monochrome engraving style with fine hatching and drapery folds.
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alb30956674 Jacob's dream in Bethel, print, Jacob is sleeping, leaning against a stone, in Bethel. In the background his dream. He dreams of a ladder to heaven on which angels go up and down., monogram: 'IP', printmaker: Jan Symonsz Pynas, printmaker: Jacob Symonsz Pynas, printmaker: Jan Porcellis, Netherlands, printmaker: Monogrammist IP (Nederlanden), 1592 - 1631, Jan Symonsz Pynas, Jacob Symonsz Pynas, Jan Porcellis, Monogrammist IP (Nederlanden), paper, etching, height 87 mm x width 130 mm, the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down, usually with God at the top of the ladder., A reclining figure draped in flowing fabric rests against a rocky ledge, one arm extended and a staff leaning nearby, with long hair partially covered by a hood and a bag placed at the figure's feet; in the background a crescent moon hangs in a lined sky and billowing, swirling clouds form a stairlike path on which multiple winged figures ascend and move among the cloud bands, while a small cluster of distant buildings sits on a low horizon.
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alb30941592 God separates light and darkness, Allegory of the Fall and The dove returns with olive branch, print, Three representations on one sheet. Top: Representation of the separation of light and darkness. Above the earth, the tetragram as a symbol of God the Father. On the left, the sun, and on the right, the moon and the stars. Center: Allegorical representation of the Fall. The serpent has coiled itself around the globe and holds an apple between head and tail. Behind the globe, Death appears as a skeleton with an arrow in his hand. Bottom: The dove returns to Noah with an olive branch, after the Flood. In the background, Noah's Ark on a mountain., printmaker: workshop of Bernard Picart, Amsterdam, after drawing by Bernard Picart, 1683 - 1733, Bernard Picart, printmaker, after drawing by, paper, etching, engraving, etching and engraving, uncut sheet, height 381 mm x width 244 mm, division of light and darkness, earth, world as celestial body, Death as skeleton, the dove returns with an olive-branch, story of Noah, tetragram (in Roman or Hebrew script), symbol of God the Father, Temptation and Fall (Genesis 3:1-7) (+ variant)., A monochrome engraving shows a skeletal figure reclining among stylized clouds, one hand resting on a large circular orb with concentric rings and the other clutching a long arrow; a snake coils around the orb and extends toward a leafy branch bearing round fruit, while radiating lines from a bright sun fill the sky and a small crescent-like shape appears nearby.
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alb30944466 Mary with Child on globe, print, printmaker: Etienne Picart, after painting by Carlo Maratta, grantor of privilege: Louis XIV (King of France), France, dedicated to: Maria Theresa (Queen of France), 1665, paper, engraving, etching, height 445 mm x width 319 mm, 'Immaculata', 'Purisima': Mary, usually standing on a crescent moon, descending from heaven, exempt from original sin (sometimes trampling serpent), Christ triumphing over devil(s), Mary standing (or half-length), the Christ-child lying on her arm (Christ-child to Mary's left), Mary standing or resting on the earth., A grayscale engraving shows a robed female figure standing on a globe with a crescent beneath her feet, holding a naked child who reaches toward a long staff topped with a cross and a flowing ribbon; the woman has a halo of radiating light around her head and a serene downward gaze, while the child looks slightly toward the staff. They are surrounded by clouds and a group of cherubic figures with wings who look toward them with varied expressions and gestures; one cherub floats higher to the right, another leans close to the child, and several cluster on the left in prayerful poses. The woman's drapery is depicted with flowing folds and highlights, and a coiled serpent is shown beneath the staff on the globe. The background is filled with finely engraved rays of light and textured cloud forms.
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alb30939307 Jacob's dream, print, A passage from the biblical story of Jacob is depicted here (Gen. 28: 10-22). During a journey, Jacob falls asleep against a stone. He dreams of a staircase reaching to heaven, on which angels ascend and descend. At the top of the stairs is God. He promises to protect Jacob and his descendants., printmaker: Jacob Bos, Rome, after design by Rafaël, Italy, 1530 - 1580, Jacob Bos, Rafaël, printmaker, after design by, paper, engraving, gravure, height 255 mm x width 352 mm, the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down, usually with God at the top of the ladder., A detailed engraving shows a reclining figure in the foreground with draped clothing and curly hair, resting against a large rock and holding a staff, with a small vessel and scattered pebbles nearby; behind and above this figure a wide stairway ascends through layers of billowing, textured clouds, and several winged figures walk up and down the stairway, some mid-step and some facing each other; at the top of the composition a large bearded figure with flowing robes and outstretched arms appears among the clouds, while to the left distant mountains and rolling landscape lie beneath a crescent-shaped moon.
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alb30929503 Enormous terrors on earth preceding the Last Judgment, Dominica I. Adventvs, print, Series number, 98, 153, Terrors preceding the Last Judgment. The sun is darkened, the moon gives no light, the stars fall from the sky, and the heavenly powers waver. In the sky appears the sign that announces the coming of the Son of Man. All the tribes of the earth beat their breasts in terror at the sight of this sign. Various elements from the scene have letters that correspond to the legend in the margin., printmaker: Johannes Wierix, Antwerp, after design by Bernardino Passeri, 1593, paper, engraving, height 231 mm x width 145 mm, the fifteen signs before Doomsday., A monochrome engraving shows a dramatic scene divided into upper and lower halves. In the sky, a central figure stands on a cloud beside another figure, surrounded by groups of smaller standing figures on adjacent clouds and angels flying nearby; rays and concentric bands radiate outward with stars and cherubic heads scattered among them. Below the clouds, winged creatures and angels cluster around a cross-like instrument suspended from cloud, with trumpets and swirling flames beneath. A turbulent sea fills the middle ground with ships overturned and waves surging toward a distant shoreline dotted with buildings and towers, while beams of light or fire descend from the sky onto the water. In the foreground, numerous human figures react in varying poses-some reaching upward, some collapsed, some supporting others, and some gathered near a rocky cave opening-set among rolling hills and rocky ground. The entire composition is finely engraved with dense linework, hatching, and stippling to render texture, light, and shadow.
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alb30918829 God creates the sun and the moon, Paintings in the Loggia of Raphael, Imagines Veteris ac Novi Testamenti, Raphael Bible, print, album page, Series number, 3, 52, God, an old man with a beard, hovers above the earth. With his left hand he creates the sun. With his right hand he creates the moon. Bible verse below the image. Print is part of an album., number: '126', printmaker: Cesare Fantetti, Italy, after painting by Raphael, Vatican City, publisher: Giovanni Giacomo de' Rossi, Rome, grantor of privilege: Papal Court, 1675, Cesare Fantetti, Raphael, Giovanni Giacomo de' Rossi, Papal Court, grantor of privilege, paper, etching, height 225 mm x width 337 mm, creation of sun, moon and stars., A monochrome engraved scene shows a bearded man with flowing hair and draped robes leaning forward above a curved surface that resembles a globe; his arms are outstretched toward two bright circular light sources, one on each side, and rays radiate from the left one while the right one appears as a plain bright disk; the man's musculature and folds of his clothing are rendered with fine hatch shading, his feet are bare, and the whole scene is framed within a hexagonal border set against a plain background.
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alb30915969 Creation of Eve: 'I believe in God, the Almighty Father, Creator of heaven and earth', Credo in devm patrem omnipotente creatorem coeli et terrae, Apostolic Creed, print, The first article of faith: the belief in one God, Creator of heaven and earth. God the Father creates Eve from Adam's rib. On the right in the background, God the Father bends over Adam and breathes life into him. On the left, the creation of the world and of the animals. The print has a Latin inscription with a Bible quote that refers to the depicted Bible story and a Latin caption regarding the Apostolic Creed. The first print in a twelve-part series about the credo., printmaker: Johann Sadeler (I), Cologne, after design by Maerten de Vos, publisher: Johann Sadeler (I), provider of privilege: Philip II of Spain, 1579, Johann Sadeler (I), Maerten de Vos, Philip II of Spain, printmaker, after design by, publisher, provider of privilege, North Rhine-Westphalia, paper, engraving, height 209 mm x width 242 mm, creation of Eve, Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve, 'Credo in Deum Patrem omnipotentem, creatorem coeli et terrae', articles of faith., A detailed engraving showing a pastoral landscape with a group of human figures and many animals. In the foreground a reclining naked man lies beside a seated naked woman with long hair, near a tree where an older bearded man gestures toward the woman while standing. Several domesticated and wild animals surround them including a cow, a bear, sheep, goats, a peacock, a rabbit, and other birds. To the left and background there are more robed figures with raised arms facing a sky that contains a bright sun, a crescent moon, and many stars. Trees, bushes, and distant hills fill the scene, and decorative framing and blocks of printed text appear along the top and bottom edges.
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alb30892860 Seven angels with trumpets, print, album page, book illustration, God hands trumpets to seven angels in heaven. When they blow them, great disaster comes upon the earth: cities are set on fire, ships sink. An eagle laments over the inhabitants of the earth with the words 'We we we'., printmaker: Christoffel van Sichem (II), Amsterdam, after print by Albrecht Dürer, Nuremberg, publisher: Pieter Jacobsz. Paets, in or after 1629 - in or before 1646, Albrecht Dürer, after print by, Bavaria, paper, woodcut, letterpress printing, paste, woodcut pasted onto album page, verso with text in letterpress, height 112 mm x width 75 mm. Two states of these prints are known. In this second state, the image of God the Father has been removed from the illustration. The print originates from one of the publications by PJ Paets from Amsterdam. The print may already have been used for: Der Zielen Lust-hof. Leuven, I. Jacobosz for PJ Paets = Amsterdam, PJ Paets, 1629. In any case, it appears in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, 1646., the seven angels with trumpets, Revelation of John., A densely detailed black and white woodcut scene shows numerous winged figures among swirling clouds and rays of light; at the top center a bearded figure with radiating lines around the head sits on a thronelike structure surrounded by smaller winged figures reaching toward him, while below and around them angels with flowing robes and large feathered wings play long trumpets or hold staffs. The composition includes stylized clouds, a sun with a face in one corner and a crescent moon with a face in another, boats on a choppy sea, flames and bursts of light, a falling figure amid waves, rocky shorelines, and various architectural elements and stars scattered through the lower area, all rendered with dense parallel hatching and intricate linear patterns.
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alb30899367 Pentateuchus Moysis commentario illustratvs, Title page for Jacobus Bonfrerius, Pentateuchus Moysis commentario illustratus, print, title page, In the center a rectangular frame containing the title of the book. Around the frame several cartouches with depictions of the Old Testament. From left to right the pillar of smoke, Jacob's ladder, Noah's ark, the Earthly Paradise, the sun, the moon, the Tree of Life, the Ark of the Covenant, Manna, the pillar of fire and Moses and Aaron., printmaker: Theodoor Galle, Antwerp, publisher: widow Johannes II Moretus, 1625, paper, engraving, height 313 mm x width 202 mm, in the morning manna falls to the earth, Exodus, the ark floating on the waters (destruction of mankind not visible), Moses (not in biblical context), possible attributes: rays of light or horns on his head, rod, Tables of the Law, Garden of Eden, paradise, creation of sun, moon and stars, Aaron sacrifices sacrifices (Leviticus 9), Jacob's ladder (alone), Ark of the Covenant elsewhere (not in Tabernacle), the tree of life in the Garden of Eden, by night a pillar of fire gives the Israelites light (Exodus 14), during the day a pillar of cloud (and, or the angel of God) shows the people the way., An ornate engraved title composition with a central rectangular panel surrounded by decorative cartouches and vignettes, featuring a symmetrical vertical layout. The central panel contains large framed text and blank ornamental borders, topped by an elaborate pediment with two circular medallions showing celestial scenes and a small circular emblem between them, and flanked by scrolling acanthus and grotesque mask ornament. Along each side of the central panel are a series of oval vignettes enclosed in carved frames showing various scenes: garden and fountain imagery, an ark on waves, a man climbing a ladder with figures below, a tall tree in a landscape, a box or chest with two figures, and a rustic scene with people and rocky outcrops. At the lower center is a roundel wi.
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alb30880832 The opening of the fifth and the sixth seal, print, album page, book illustration, Angels distributing clothing to the souls of the martyrs beneath the altar. Below them the sun and the moon, and stars falling to the earth - pope, emperor and ordinary men, women and children duck away from it in panic., printmaker: Christoffel van Sichem (II), Amsterdam, after print by Albrecht Dürer, Nuremberg, publisher: Pieter Jacobsz. Paets, in or after 1629 - in or before 1646, Albrecht Dürer, after print by, Bavaria, paper, woodcut, letterpress printing, paste, woodcut pasted onto album page, verso with text in letterpress, height 112 mm x width 76 mm. The print originates from one of the publications by PJ Paets from Amsterdam. The print may already be used in: Der Zielen Lust-hof. Leuven, I. Jacobosz for PJ Paets = Amsterdam, PJ Paets, 1629. In any case, it appears in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, 1646., opening of the sixth seal: a great earthquake, the sun turns black, the moon red as blood, and the stars fall on earth, mankind hiding in caves, opening of the fifth seal: white robes are given to (the souls of) the martyrs under the altar., A densely detailed black and white woodcut scene filled with many human figures and winged beings among swirling clouds and radiating beams of light, with stylized sun and moon faces in the sky; a group of standing and seated figures appear on a raised platform at the top, some with wings, while other robed figures stand and gesture below them; clouds form arcs and billows throughout the composition, intersected by vertical rays and small star-like shapes that descend toward a crowded assembly of figures, some looking upward and some turned toward one another; at the lower edges are reclining and seated people in varied poses, drapery and flowing hair rendered with dense linework, and a signature-like monogram near the bottom center.
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alb30872586 Enormous horrors on earth preceding the Last Judgment, print, album page, book illustration, Horrors preceding the Last Judgment. The sun is eclipsed, the moon gives no more light, the stars fall from the sky and the heavenly powers waver. In the sky appears the sign announcing the coming of the Son of Man. All tribes on earth beat their breasts in terror at the sight of this sign. Letters are placed next to various elements of the image., printmaker: Christoffel van Sichem (II), Amsterdam, after print by Johannes Wierix, Antwerp, after design by Bernardino Passeri, publisher: Pieter Jacobsz. Paets, 1629, Johannes Wierix, after print by, paper, woodcut, letterpress printing, paste, woodcut pasted onto album page, verso with text in letterpress, height 104 mm x width 75 mm, the fifteen signs before Doomsday., A densely detailed black and white engraving showing a crowded heavenly scene above a chaotic terrestrial one. In the upper portion a central figure stands on a cloud with a halo, surrounded by concentric rays and bands filled with small winged figures and cherubs, while angels kneel and stand on clouds on either side. From a cloud near the center a cross rises with an angel blowing a long trumpet beneath it and other small winged figures nearby; stylized rays and serrated circular shapes radiate outward. Below the clouds a shoreline scene contains small boats on choppy water and figures in the water and on land, some reaching upward and some embracing, with a group of standing figures near the shore and others climbing into or falling from boats. The lower foreground shows muscular, partially draped and nude human figures in dramatic poses, arms raised or shielding faces, with detailed crosshatching indicating waves, rocky ground, and flowing fabric. Decorative elements such as stars, radiating lines, and stylized floral or flame-like motifs appear throughout the composition.
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alb30854219 Jacob's dream in Bethel, print, Jacob is lying, leaning against a stone, sleeping in Bethel. In the background his dream. He dreams of a ladder to heaven on which angels go up and down., inscription: 'JW Holman, 1868', inscription: 'Declaration? 4, Jans: 16', monogram: 'IP', inscription: 'Jacques Pienas', printmaker: Jan Symonsz Pynas, printmaker: Jacob Symonsz Pynas, printmaker: Monogrammist IP (Netherlands), printmaker: Jan Porcellis, 1592 - 1631, Jan Symonsz Pynas, Jacob Symonsz Pynas, Monogrammist IP (Netherlands), Jan Porcellis, paper, etching, height 86 mm x width 132 mm, the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down, usually with God at the top of the ladder., A reclining figure draped in flowing cloth occupies the left foreground, showing a bare torso, long wavy hair, and a hood or cloak over the head, with one arm resting and the other reaching down toward the ground. A small rounded vessel lies near the figure's hand. Behind the figure, rocky formations and foliage frame the scene. To the right, a wide expanse leads upward through billowing swirling clouds that open to reveal a group of winged figures moving along stepped terraces, some gesturing and some in motion. A crescent moon appears in the sky above the distant small cluster of buildings on the horizon. The image is rendered with fine linear etching lines and extensive crosshatching, creating textured shading throughout.
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alb30794359 God creates the sun and the moon, Paintings in the Loggia by Raphael, La Sacra Genesi, print, Series number, 3, 20, Fourth day of creation on which the sun, moon, and stars are created. God the Father hovers above the earth and places the sun and the moon in the sky. Numbered lower right: 3. Reference to Bible text in lower margin., printmaker: Francesco Villamena, Italy, after painting by Raphael, Vatican City, 1626, paper, engraving, etching, height 144 mm x width 252 mm, creation of sun, moon and stars., A monochrome engraving shows a robed figure floating above a curved surface that resembles a planet, the figure seen from behind with hair flowing and arms outstretched toward two circular light sources, one on each side, each surrounded by radiating lines; the figure's drapery billows and clings to the body, revealing muscular contours and bare feet extended behind, while the background is filled with closely spaced horizontal lines within a hexagonal frame.
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alb3669661 Creation of Eve, from The Dance of Death. Artist: Designed by Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 5/8 x 1 15/16 in. (6.6 x 4.9 cm). Printmaker: Hans Lützelburger (German, died Basel, before 1526). Date: ca. 1526, published 1538. Museum: Metropolitan Museum of Art, New York, USA.
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alb29174947 God creates the sun and the moon, Paintings in the Loggia by Raphael, print, Series number, 3, 52, God, an old man with a beard, hovers above the earth. With his left hand he creates the sun. With his right hand he creates the moon., printmaker: Orazio Borgianni, Italy, after painting by Raphael, Vatican City, 1615, paper, etching, height 137 mm x width 232 mm, A black and white line drawing shows a robed male figure seen from behind, floating above a curved surface that suggests a globe. The figure reaches outward with both arms extended, each hand touching a glowing circular disc surrounded by radiating lines. The robe drapes and folds around the figure's body, with detailed cross-hatching emphasizing musculature and fabric texture. The head is turned slightly to the side, with short wavy hair. Framing the scene is a hexagonal border with hatched shading along its inner edges. The background contains parallel and radiating lines indicating light and space.
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alb29160012 Souls receive white clothes and burning stars fall to earth, Revelation of John on Patmos, Icones Revelationum S Johs Evangeliste in Pathmo, print, Series number, 5, 24, The opening of the fifth seal: the souls stand by an altar, all receiving white clothes. Below that, the opening of the sixth seal: burning stars fall to earth after an earthquake. In the margin, a four-line caption in Latin. Fifth print from a series of twenty-four with the revelation of John on Patmos., inscription, printmaker: attributed to Adriaen Collaert, after design by Jan Snellinck (I) (attributed to), publisher: Gerard de Jode, Antwerp, 1585, Attributed to, paper, engraving, gravure, height 85 mm x width 80 mm x height 141 mm x width 100 mm, Print used in: Thesaurus sacrarum historiarum veteris (et novi) testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera : nunc primum in lucem editus. Antwerp: Gerard de Jode, 1585., opening of the sixth seal: a great earthquake, the sun turns black, the moon red as blood, and the stars fall on earth, mankind hiding in caves, opening of the fifth seal: white robes are given to (the souls of) the martyrs under the altar (angel(s) floating in the air), A circular engraving framed by a rectangular border shows a scene with figures among clouds and flames. At the top center a winged figure sits on a cloud with rays emanating behind, flanked by other seated and standing figures on clouds. Below them a series of reclining and rising human figures appear on swirling clouds and terrain, some reaching upward while others lie curled. Stars and small flame-like motifs dot the middle area between clouds and figures. Around the circle, decorative corner elements feature concentric circular shapes, and the lower margin of the sheet contains handwritten scrip.
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alb29132080 Souls receive white clothes and burning stars fall to earth, Revelation of John on Patmos, Icones Revelationum S Johs Evangeliste in Pathmo, print, Series number, 5, 24, The opening of the fifth seal: the souls stand by an altar, all receiving white clothes. Below that, the opening of the sixth seal: burning stars fall to earth after an earthquake. In the margin, a four-line caption in Latin. Fifth print from a series of twenty-four with the revelation of John on Patmos., inscription, printmaker: attributed to Adriaen Collaert, after design by Jan Snellinck (I) (attributed to), publisher: Gerard de Jode, Antwerp, 1585, Attributed to, paper, engraving, gravure, height 85 mm x width 80 mm x height 141 mm x width 100 mm, Print used in: Thesaurus sacrarum historiarum veteris (et novi) testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera : nunc primum in lucem editus. Antwerp: Gerard de Jode, 1585., opening of the sixth seal: a great earthquake, the sun turns black, the moon red as blood, and the stars fall on earth, mankind hiding in caves, opening of the fifth seal: white robes are given to (the souls of) the martyrs under the altar (angel(s) floating in the air), A circular engraved scene framed by an ornate border shows a group of reclining and seated nude figures on a landscape with undulating lines and small flame-like stars scattered across the ground; above them a large cloud holds a central seated winged figure radiating light, flanked by other smaller standing and kneeling figures and additional winged beings, while stylized sun and moon faces appear near the cloud edges and trees rise in the distant background; decorative corner motifs sit outside the circular frame and a block of flowing handwritten script occupies the lower portion of the page.
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alb29127062 Fourth angel blows trumpet, Revelation of John on Patmos, Icones Revelationum S Johs Evangeliste in Pathmo, print, Series number, 9, 24, The fourth angel blows the trumpet and causes darkness on earth. Another angel cries: 'Woe! Woe!'. In the margin a four-line caption in Latin. Ninth print from a series of twenty-four with the revelation of John on Patmos., inscription: 'La 4ieme trompete ... sont obscurcies.', printmaker: attributed to Adriaen Collaert, after design by Jan Snellinck (I) (attributed to), publisher: Gerard de Jode, Antwerp, 1585, Attributed to, paper, engraving, height 85 mm x width 76 mm x height 138 mm x width 103 mm, Print used in: Thesaurus sacrarum historiarum veteris (et novi) testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera : nunc primum in lucem editus. Antwerp: Gerard de Jode, 1585., the fourth of the seven angels sounds the trumpet: the sun, the moon and the stars are partially darkened, an angel (or eagle) crying the three woes, the seven angels with trumpets, A circular engraved scene framed by decorative corner elements shows two winged angels in flowing robes hovering above a detailed landscape of buildings, hills, and trees; one angel faces forward with curly hair and outstretched arms while a long beam of light projects downward from its mouth, and the other angel reclines on clouds blowing a long trumpet; the sky contains stylized sun rays and a crescent moon, and the entire composition is rendered in fine linear hatching and crosshatching.
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alb29089300 Aspect of an eclipse of the Sun by the Earth, as it would appear as seen from the Moon, print, page, name: 'Published by John Murray, Albemarle Street, Piccadilly', number: 'Plate XXII.', after drawing by James Nasmyth, United Kingdom, printmaker: Vincent Brooks, Day & Son, publisher: John Murray, London, c. 1870 - in or before 1873, paper, color lithography, height 154 mm x width 216 mm, Print for page 165., solar eclipse, surface of the moon, Moon, A dark sky fills the upper portion of the image with a circular dark disc surrounded by a glowing ring and a tapered, luminous trail extending diagonally; below, rugged mountainous terrain with jagged peaks and ridges is rendered in dark tones with highlights of warm orange and pale green along crests and valleys, creating textured contrasts across the rocky landscape.
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alb29096909 Pacatum Ipse Regam Avitis Virtutibus Orbem, Donec Totum Impleat Orbem, Ring with globe and crowned fish, Crescent with crown, Symbola Divina et Humana Pontificum Imperatorum Regum, print, book illustration, An emblem with two representations. Above, a ring containing a globe into which a palm branch and an olive branch are inserted. Beside this, a crowned fish. Below, a crescent with a crown above it. This concerns foreign exchange of Henry II of France., after print by Aegidius Sadeler (II), 1666, Aegidius Sadeler (II), printmaker, after print by, paper, engraving, letterpress printing, verso with text in letterpress, height 120 mm x width 67 mm, Page from Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, JF Hagen, 1666 or from the title edition of 1669 or 1679. Typotius' work was first published in 1601 with prints by Aegidius Sadeler., Person, Hendrik II (king of France), fishes, earth, world as celestial body, moon as celestial body, ring, A vertical engraving showing two ornate oval frames stacked one above the other, each surrounded by decorative scrollwork. In the top oval is a circular globe with landmasses and oceans, flanked by a leafy branch on one side and a long feather-like plume on the other, a shell-like motif above the globe, and a long fish with textured scales and a small crown on its head positioned below the globe. The bottom oval contains a crescent shape curving upward with a small crown floating above it. Both ovals have ribbon-like banners draped around their inner edges. The image is monochrome with fine line shading and crosshatching throughout.
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alb29092955 Fourth angel blows trumpet, Revelation of John on Patmos, Icones Revelationum S Johs Evangeliste in Pathmo, print, Series number, 9, 24, The fourth angel blows the trumpet and causes darkness on earth. Another angel cries: 'Woe! Woe!'. In the margin a four-line caption in Latin. Ninth print from a series of twenty-four with the revelation of John on Patmos., inscription: 'La 4ieme trompete ... sont obscurcies.', printmaker: attributed to Adriaen Collaert, after design by Jan Snellinck (I) (attributed to), publisher: Gerard de Jode, Antwerp, 1585, Attributed to, paper, engraving, height 85 mm x width 76 mm x height 138 mm x width 103 mm, Print used in: Thesaurus sacrarum historiarum veteris (et novi) testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera : nunc primum in lucem editus. Antwerp: Gerard de Jode, 1585., the fourth of the seven angels sounds the trumpet: the sun, the moon and the stars are partially darkened, an angel (or eagle) crying the three woes, the seven angels with trumpets, A circular engraved scene framed by ornamental corners shows two winged angelic figures floating among clouds above a landscape of buildings and trees; one angel faces forward with flowing robes and outstretched arms, the other leans forward blowing a long trumpet, and a broad beam of light descends from the angels toward the town below.
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akg138815 Verne, Jules French writer; 1828-1905. Works: From the Earth to the Moon (De la terre a la lune, 1865). Moon rocket. Woodcut, 1865. Author: ANONYMOUS.
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akg6359164 Apollo 11 Mission / 20th Century. Launch of the Saturn V vehicule. The Apollo 11 mission, the first manned lunar mission, launched from the Kennedy Space Center, Florida via the Marshall Space Flight Center (MSFC) developed Saturn V launch vehicle on July 16, 1969 and safely returned to Earth on July 24, 1969. The Saturn V vehicle produced a holocaust of flames as it rose from its pad at Launch complex 39. The 363 foot tall, 6,400,000 pound rocket hurled the spacecraft into Earth parking orbit and then placed it on the trajectory to the moon for man's first lunar landing. Aboard the space craft were astronauts Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. Photo, July 16, 1969.
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akg6359172 Apollo 11 Mission / 20th Century. Launch of the Saturn V vehicule. The Apollo 11 mission, the first manned lunar mission, launched from the Kennedy Space Center, Florida via the Marshall Space Flight Center (MSFC) developed Saturn V launch vehicle on July 16, 1969 and safely returned to Earth on July 24, 1969. The Saturn V vehicle produced a holocaust of flames as it rose from its pad at Launch complex 39. The 363 foot tall, 6,400,000 pound rocket hurled the spacecraft into Earth parking orbit and then placed it on the trajectory to the moon for man's first lunar landing. Aboard the space craft were astronauts Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. Photo, July 16, 1969.
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akg6359173 Apollo 11 Mission / 20th Century. Launch of the Saturn V vehicule. The Apollo 11 mission, the first manned lunar mission, launched from the Kennedy Space Center, Florida via the Marshall Space Flight Center (MSFC) developed Saturn V launch vehicle on July 16, 1969 and safely returned to Earth on July 24, 1969. The Saturn V vehicle produced a holocaust of flames as it rose from its pad at Launch complex 39. The 363 foot tall, 6,400,000 pound rocket hurled the spacecraft into Earth parking orbit and then placed it on the trajectory to the moon for man's first lunar landing. Aboard the space craft were astronauts Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. Photo, July 16, 1969.
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akg6359187 Apollo 11 Mission / 20th Century. View of the Saturn V launch platform. Aboard a Saturn V launch vehicle, the Apollo 11 mission launched from The Kennedy Space Center, Florida on July 16, 1969 and safely returned to Earth on July 24, 1969. The space vehicle is shown here during the rollout for launch preparation. The 3-man crew aboard the flight consisted of Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. Armstrong was the first human to ever stand on the lunar surface, followed by Edwin (Buzz) Aldrin. The crew collected 47 pounds of lunar surface material which was returned to Earth for analysis. The surface exploration was concluded in 2½ hours. With the success of Apollo 11, the national objective to land men on the Moon and return them safely to Earth had been accomplished. The Saturn V launch vehicle was developed by the Marshall Space Flight Center under the direction of Dr. Wernher von Braun. Photo, July 16, 1969.
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akg6359237 Apollo 11 Mission / 20th Century. Launch of the Saturn V vehicule. The Apollo 11 mission, the first manned lunar mission, launched from the Kennedy Space Center, Florida via the Marshall Space Flight Center (MSFC) developed Saturn V launch vehicle on July 16, 1969 and safely returned to Earth on July 24, 1969. The Saturn V vehicle produced a holocaust of flames as it rose from its pad at Launch complex 39. The 363 foot tall, 6,400,000 pound rocket hurled the spacecraft into Earth parking orbit and then placed it on the trajectory to the moon for man's first lunar landing. Aboard the space craft were astronauts Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. Photo, July 16, 1969.
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alb457168 Buzz Aldron on the moon from Apollo 11. NEIL ARMSTRONG. BUZZ ALDRIN.
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alb5575520 A starship from Earth travels to a red planet to begin an exploratory expedition.
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alb5576846 Full moon seen from Earth. Flying saucers over the highway.
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alb5576874 Terraformed moon seen from Earth.
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alb5578626 Total eclipse of the Sun as seen from space.
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alb5576733 Terraformed Moon. View from Earth or Exo Solar Planet. Calm water and green forest at the horizon.
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alb5570846 Artist's conception of Jupiter and one of its moons, Io, seen from 10 kilometres above the frozen surface of Europa, another of the giant planet's moons. The sun is seen here as a very bright star, since it is over five times the distance it is from Earth.
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alb5575660 A total eclipse of the Sun as seen from being in Earth's orbit.
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alb5575691 Amber sand desert with terraformed moon or Earth from terraformed moon or exoplanet.
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alb5578192 Mountain Vista. Terraformed moon seen from the Earth. 3D rendering.
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alb5579430 View of the universe and planets as seen from a distant moon.
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alb5576901 Terraformed moon seen from Earth ocean.
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alb5570015 A thin veil of gaseous material surrounding the blue-white star Vega is seen here as a hazy sunrise on a small moonlet in orbit around the cloudy planet. Vega itself is still below the horizon. The Vega system is over 25 light years from Earth.
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alb5579303 Lunar city. Earth rise seen from the moon.
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alb5579351 Terraformed Luna seen from field on Earth.
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alb5579291 Terraformed moon from Earth or exosolar planet.
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alb5570303 An artist's depiction of the view from a rocky and barren alien moon. An Earth-like planet rises over the airless environment.
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alb5578023 A starship from Earth with ion drive propulsion explores the cosmos.
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alb5578027 Terraformed Moon seen from Earth.
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alb5575493 Mountain Vista. Terraformed moon seen from the Earth. 3D rendering.
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alb5577672 Terraformed moon as seen from highway on future Earth.
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alb5570406 August 18, 2013 - The waxing gibbous moon above the blue shadow of the Earth and pink Belt of Venus band, with dark blue crepuscular rays converging on the anti-solar point in the east, at sunset, from the badlands of Dinosaur Provincial Park, Alberta, Canada.
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alb5576455 Earth From moonscape.
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alb5577773 Terraformed moon seen from Earth.
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alb5577731 Terraformed moon seen from Earth. Flying saucers over the highway.
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alb5577241 Terraformed moon seen from Earth.
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alb5577275 A shuttle from an Earth base makes its way with supplies to a space station in orbit over the planet.
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alb5577257 Solar flares radiate from a huge sun near a planet and its orbiting moons.
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alb5576686 Three spaceships from Earth travel to a planet near the Crab Nebula.
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alb5570717 An artist's depiction of the view from a rocky and barren alien world. A moon rises over the airless environment. Elements of this image furnished by NASA.
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alb5566741 Most of the nine major rings of Uranus can be seen in this back-lit painting of Uranus. At far right the distant sun can be seen, dimmed by its distance of over 19 times as far away as when seen from Earth. The object at lower center is very likely U15-Puck, one of the many minor inner satellites lying between the rings and the major moons of Uranus. With a diameter of 150 km and radius of 70 km this minor moon is probably composed of dirt and ice and has a very low albedo, or reflectivity. The rings of Uranus, aligned with the equator, shows how the planet is tipped over 90 degrees, which makes it unique within our solar system and causes the north and south poles to alternately point toward the sun during the planets' 84-year period of completing a single orbit around the sun.
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alb5566715 Io is the innermost of the Galilean moons orbiting Jupiter. Io is on average around 400 000 km away from Jupiter, which is approximately the same distance as our moon is from Earth. Jupiter looks 37 times larger than our full moon does in the night sky.. Io faces great tidal forces from Jupiter, and the other three Galilean moons Europa, Ganymede and Callisto, which are tidally locked with respect to each other. At some places the tidal forces move the surface by as much as 100 meters up and down. This twists the moon inside out, but it is not because of this that the moon is the second hottest place (1 700 degrees C) in the solar system, next to the sun.. Io's surface is being constantly bombarded by electromagnetic radiation from Jupiter. This radiation rips off about 1 000 kg of sulphur and other materials from the surface each second. This material (plasma) creates a physical bond between Jupiter and Io. As Io moves through Jupiter's magnetic field, it acts as a giant generator, inducing 400 000 volts and more than 3 000 000 amperes across Io's surface. Because of this bond, massive electrical discharges have been observed in Jupiter's atmosphere.. More than 400 active volcanoes have been observed on Io, and the moon is known to change its' physical appearance over short periods (few years). An impact by an asteroid is seen on Jupiter's night side.
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alb5566799 The view from an alien moon towards the massive planet it orbits. Four of the five moons are large enough to sustain life, and the planet at their center is a monster 3 times the mass of the Earth. On the near moon it is dusk, when the Lamplight plants turn on, they use bioluminescence to attract the flying insect-like creatures that pollinate their glowing globes.
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alb5566769 Futuristic illustration concept depicting astronaut in orbit over earth-like planet system with space station.
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alb5568162 September 21, 2013 - Stars over the hoodoos in the Red Deer River valley on Highway 10 east of Drumheller, Alberta, Canada. Light from a waning gibbous moon provided the illumination.
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alb5567369 Our home-planet hangs in the low lunar sky as a sleek moonship heads home after a late 1950's exploration trip from Earth. The barren lunar hills are side-lit by the sun as the ship rises from the rocky plain.
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alb5568776 The moon in total eclipse, on January 20, 2019, in a multiple exposure composite showing the moon moving from right to left (west to east) through the Earths umbral shadow.
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alb5568756 An artist's depiction of the view from a rocky and barren alien world. A large cratered moon rises over the airless environment.
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alb5568799 An artist's depiction of the view from a rocky and barren alien world. A large Earth-like planet rises over the airless environment.
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alb5569190 Artist's concept of Earth as a lifeless and vast desert with almost no vegetation, and with deadly mutated animals. The Earth can't take it anymore, we've taken everything we could from it, including water.
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alb5568223 An artist's depiction of an Earth-like planet in deep space with an orbiting moon observed from the surface of a rocky sister moon.
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alb5569235 An artist's depiction of the view from a rocky and barren alien world. A moon rises over the airless environment. Elements of this image furnished by NASA.
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alb5567481 August 12/13, 2017 - Two bright Perseid meteors over the moonlit landscape of Dinosaur Provincial Park, Alberta, Canada. The waning gibbous moon is off frame at right providing the illumination. Smoke in the air from forest fires provides the banding and haze in the sky. A faint aurora colorrs the horizon yellow-green.. The meteors point back to the radiant point in Perseus. The Double Cluster is at centre; M31, the Andromeda Galaxy, is at right. Capella is low above the northeast horizon. Polaris is just above the upper meteor. The base image contains the sky and ground, and the meteor at upper left. The bright meteor at centre is from a later exposure, with its layer blended with Lighten mode and masked to reveal only the meteor, and rotated to align its sky to the base image sky, so the meteor is in the correct location with respect to the stars.
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alb5567443 October 8, 2014 - An HDR stack of images to encompass the range of brightness from the bright portion of the lunar disk (at right ) still just in the penumbral shadow, to the dark portion of the disk at left deep in the umbral shadow. Ive processed the total lunar eclipse for enhanced contrast to bring out the color variation along the umbral shadow boundary where it appears blue, from sunlight filtering through the high atmosphere of Earth in the stratospheric ozone layer.
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alb5565932 An artist's depiction of the view from a rocky and barren alien world. A large Earth-like planet rises over the airless environment.
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alb5567696 September 14, 2014 - The Milky Way over Athabasca Glacier and the Columbia Icefields in Jasper National Park, Alberta, Canada, on a very clear night before moonrise. The centre of the Galaxy area in Sagittarius is setting in the southwest behind the icefields. The foreground light on the moraines is wash from lights on the Glacier View Inn and Icefields Centre. Other ground illumination on the peaks is from starlight though the tops of the peaks are just being lit by light from the rising waning moon which is also beginning to light the sky a deep blue. Mount Andromeda is at left. The Summer Triangle stars are at centre.
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