Pesquisando por: "Young woman in business concept " - Fotoarena - Agência de fotojornalismo

alb2033196 Diego Velázquez / 'The Spinners or The Fable of Arachne', c. 1657, Oil on canvas, 220 × 289 cm, P01173. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb4105571 The Tailor's Workshop. Dating: 1661. Measurements: h 66 cm × w 53.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Quiringh Gerritsz. van Brekelenkam.

alb3684234 Soldiers and peasants, sitting and fighting near a table. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Artist and publisher: Frans van den Wyngaerde (Flemish, Antwerp 1614-1679 Antwerp). Dimensions: Sheet (Trimmed): 9 1/2 × 13 3/4 in. (24.2 × 34.9 cm). Date: ca. 1635-79. Museum: Metropolitan Museum of Art, New York, USA.

alb3683538 Lippincott's, May. Artist: William L. Carqueville (American, Chicago, Illinois 1871-1946). Dimensions: Sheet: 18 9/16 × 11 15/16 in. (47.2 × 30.4 cm). Publisher: J. B. Lippincott Company (Philadelphia). Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.

alb3725312 Distillation: pl.7. Dated: c. 1580/1590. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Theodor Galle after Jan van der Straet.

alb31106233 Old man points at a man and a woman in the street, Emblem: human, print, book illustration, An old man sits on the corner of a street. He points at a young couple., printmaker: Jan Luyken, Amsterdam, publisher: Christoph Weigel, Nuremberg, 1695 - 1705, Bavaria, paper, etching, height 102 mm x width 118 mm, birthday, street, old man, index finger forwards, pointing, indicating, Abstract Ideas and Concepts., A detailed monochrome etching shows three draped figures in the foreground standing on a stepped platform against a cityscape. On the left a seated bearded man wears loose robes and a headwrap, his hand resting on his chest and his legs folded. In the center a standing figure wears layered garments and a wreath-like headpiece, hands crossed at the waist. On the right a standing woman draped in flowing robes holds a shallow bowl containing a rounded object and wears a head covering with a decorative element. Behind them a busy scene of small figures moves among architectural ruins and multi-story buildings, with trees and chimneys visible, and a sky filled with fine horizontal lines and softly shaded clouds.

alb3634835 The March to Finchley (A Representation of the March of the Guards towards Scotland in the Year 1745). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 17 x 21 15/16 in. (43.2 x 55.8 cm). Engraver: Luke Sullivan (Irish, 1705-1771 London). Date: December 31, 1750. Museum: Metropolitan Museum of Art, New York, USA.

alb3623727 The Reeling of Silk, Plate 6 from "The Introduction of the Silkworm" [Vermis Sericus]. Artist: Karel van Mallery (Netherlandish, Antwerp, 1571- after 1635 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: Sheet: 7 3/16 × 10 9/16 in. (18.3 × 26.8 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1595.Sixth plate from the series Vermis Sericus, engraved by Karel van Mallery, after Jan van der Straet, called Stradanus, and published by Philips Galle around 1595. Illustration of a factory where silk-reeling takes place. In the background on the left, women outside of the factory gather up cocoons of silk from the ground to be transported inside. In the factory women reel threads of silk from the cocoons. In the foreground on the right a women adds logs to the fire below the silk-reeler. Museum: Metropolitan Museum of Art, New York, USA.

alb2037220 Johannes Vermeer / 'The Lacemaker', c. 1669, Oil on canvas, 25 x 21 cm. Museum: MUSEE DU LOUVRE, Paris, France.

alb4221723 'Feast in the House of Simon the Pharisee'. Flanders, Between 1618 and 1620. Dimensions: 189x284,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anthony Van Dyck. Peter Paul Rubens (Pietro Pauolo).

alb4224417 'Slave Market in Ancient Rome'. France, Circa 1884. Dimensions: 92x74 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-LEON GEROME.

alb4224174 'Stolen Kiss'. France, Late 1780s. Dimensions: 45x55 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-HONORE FRAGONARD.

alb4221113 'Iron Forge Viewed from Without'. Great Britain, 1773. Dimensions: 105x140 cm. Museum: State Hermitage, St. Petersburg. Author: JOSEPH WRIGHT OF DERBY.

alb4224389 'Game of Billiards'. France, 1807. Dimensions: 56x81 cm. Museum: State Hermitage, St. Petersburg. Author: Louis-Leopold Boilly.

alb3899903 Rue de Paris, temps de pluie / Paris Street in Rainy Weather. Date/Period: 1877. Painting. Oil on canvas Oil on canvas. Height: 2,122 mm (83.54 in); Width: 2,762 mm (108.74 in). Author: Gustave Caillebotte.

alb3891527 "For Only One Short Hour". Date/Period: 1854. Painting. Oil on canvas. Height: 470 mm (18.50 in); Width: 394 mm (15.51 in). Author: Anna Blunden.

alb4101179 Poster for the novel Reine de joie, moeurs du demi-monde by Victor Joze. Dimensions: 151.5 cm x 100 cm, 137 cm x 93.2 cm, 159 cm x 107 cm. Museum: Van Gogh Museum, Amsterdam. Author: Henri de Toulouse-Lautrec.

alb3893746 In a Roman Osteria. Date/Period: 1866. Painting. Oil on canvas. Height: 1,485 mm (58.46 in); Width: 1,775 mm (69.88 in). Author: CARL BLOCH.

alb3666167 Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio. Artist: George Collins Cox (American, 1851-1902). Dimensions: 18.8 x 23.6 cm (7 3/8 x 9 5/16 in. ). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA.

alb3895943 The Millinery Shop. Date/Period: 1879/86. Painting. Oil on canvas Oil on canvas. Height: 1,000 mm (39.37 in); Width: 1,107 mm (43.58 in). Author: EDGAR DEGAS.

alb3906618 Jane Avril. Date/Period: 1893. Print. Color lithograph Color lithograph. Height: 1,279.65 mm (50.37 in); Width: 914.40 mm (36 in). Author: Henri de Toulouse-Lautrec.

alb3664337 "Any Thing for Me, if you Please?" Post-Office of the Brooklyn Fair in Aid of the Sanitary Commission (Harper's Weekly, Vol. VIII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 13 5/8 x 9 1/8 in. (34.6 x 23.2 cm)sheet: 15 3/4 x 10 9/16 in. (40 x 26.8 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: March 5, 1864. Museum: Metropolitan Museum of Art, New York, USA.

alb4162267 The Simpson Chain. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 815 × 1,190 mm (image); 852 × 1,230 mm (sheet, sight). Color brush and spatter lithograph (poster) on tan wove paper with lettering by another hand. Origin: France. Museum: The Chicago Art Institute, USA.

alb4158713 Shitaya Hirokoji, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1856. Dimensions: 36.1 x 24.9 cm (14 3/16 x 9 13/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb2016294 Joaquín Sorolla / 'Women of Valencia at the Beach', 1915, Oil on canvas, 93 x 126 cm. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb3726030 La Promenade Publique. Dated: 1792. Dimensions: Overall (outer framing line): 36.6 x 60 cm (14 7/16 x 23 5/8 in.) sheet (trimmed within the platemark): 45.2 x 63.7 cm (17 13/16 x 25 1/16 in.). Medium: etching and wash manner, printed in blue, carmine, dark pink, yellow, and black inks. Museum: National Gallery of Art, Washington DC. Author: Philibert-Louis Debucourt.

alb3705763 A Rake's Progress: pl.4. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3646940 Labor. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Raphael Sadeler I (Netherlandish, Antwerp 1560-1628 Venice (?)). Dimensions: Sheet: 9 1/4 × 10 15/16 in. (23.5 × 27.8 cm)Plate: 8 11/16 × 10 1/4 in. (22 × 26 cm). Date: 1591.Love, labor, honor, and pain: these are the four stages of human life according to many early modern artists, including Sadeler. In this image of labor, Minerva, goddess of crafts, commerce, and the arts (as well as wisdom), appears above a muscular young man who seems to have been interrupted in the act of measurement. He gazes at a building under construction, with a compass in his left hand, a large architectural treatise in his right, and various instruments of the liberal arts at his feet. In the distance are industrious scenes of men and women engaged in harvesting and weaving. Labor is understood here to encompass not only the virtues of physical activity but also the diligence required to produce works of art, mathematics, and science. Museum: Metropolitan Museum of Art, New York, USA.

alb3891178 3ra. Exposición de Bellas Artes é Industrias Artísticas. Date/Period: 1896. Poster. Colour lithograph on paper. Height: 933 mm (36.73 in); Width: 1,480 mm (58.26 in). Author: Alexandre de Riquer.

alb1999343 Henri de Toulouse-Lautrec / 'La Modiste', 1900, Oil on cardboard, 61 x 49.3 cm. Museum: MUSEE TOULOUSE-LAUTREC, ALBI, France. MARGOUIN (MADEMOISELLE).

alb3682661 MISS TRÄUMEREI. Artist: Ethel Reed (American, 1874-after 1900). Dimensions: Sheet: 21 15/16 × 13 9/16 in. (55.8 × 34.5 cm)Image: 18 3/8 x 12 3/8 in. (46.7 x 31.4 cm). Publisher: Lamson Wolffe & Co.. Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.

dpa16436649 engineers working on solar panel.

dpa16434556 Woman jumping with office items.

alb4151595 Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi). Chobunsai Eishi; Japanese, 1756-1829; Publisher: Izumi-Ya Ichibei; Japanese, 19th century. Date: 1783-1793. Dimensions: 38.4 x 25.7 cm (15 1/8 x 10 1/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA. Author: Chobunsai Eishi.

alb3682307 Dance in a Subterranean Roundhouse at Clear Lake, California. Artist: Jules Tavernier (American, born France, 1844-1889). Dimensions: 48 × 72 1/4 in. (121.9 × 183.5 cm). Date: 1878.Parisian-trained artist Jules Tavernier settled in San Francisco, in the 1870s, where he received his most important commission from Tiburcio Parrott, the city's leading banker. During a visit from his Parisian business partner Baron Edmond de Rothschild, in 1876, Parrott was able to obtain entry to a sacred ritual in the Pomo Indian's underground roundhouse at Clear Lake, north of San Francisco. The two men were in the process of acquiring the mineral rich lands of the Pomo Indians, which the tribe had inhabited for generations.Tavernier spent two years working on this recently discovered masterwork, creating a composition of nearly one hundred figures, including two young Pomo male dancers, who, surrounded by the tribe and the white visitors, including Parrott and Rothschild, act out a coming of age ritual. Tavernier renders the light illuminating the dimly lit interior with brilliant technical finesse by means of highly controlled tonal variation and flashes of color to enliven the scene. Upon its completion, Parrott presented the painting to Rothschild, where it remained in their family until present time. The painting captures the very moment when white settlers laid claim to the Pomo lands. Museum: Metropolitan Museum of Art, New York, USA.