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Total de Resultados: 8

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alb3603316 The Rest on the Flight into Egypt. Artist: Follower of Quentin Metsys (Netherlandish, mid-16th century); and Master of the Liège Disciples at Emmaus (Netherlandish, active mid-16th century). Dimensions: 37 1/2 x 30 1/4 in. (95.3 x 76.8 cm). Date: ca. 1540.The Virgin and Child, painted by a follower of Massys, reflect the influence of Italian painting, particularly the classical figure types favored by Leonardo da Vinci. The landscape, however, ascribed to the Master of the Liège Disciples at Emmaus, sets the stage for the expansive views in Netherlandish paintings of the later sixteenth century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3613073 Rest on the Flight into Egypt. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam). Dimensions: 8 3/4 × 7 11/16 in. (22.3 × 19.5 cm). Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1613. Museum: Metropolitan Museum of Art, New York, USA.
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alb2650549 Sebastiano de' Valentinis (Italian, active ca. 1540-1560). Rest on the Flight into Egypt, 16th century. Etching. First state.
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alb2070630 Cornelys Massys / 'Rest on the Flight into Egypt', ca. 1540, Flemish School, Oil on panel, 68 cm x 112 cm, P01612. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb3716287 Landscape with the Rest on the Flight into Egypt. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Sebastiano de Valentinis.
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alb4156203 Anonymous Flemish artist active ca. 1540 (Active ca. 1540). The Rest on the Flight into Egypt (ca. 1540). Oil on panel. 43.5 x 29.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
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alb4135296 Rest on the Flight into Egypt. Bernardino Passeri; Italian, c.1540-1591. Date: 1583. Dimensions: 430 x 281 mm. Engraving in black on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.
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alb3534380 The Rest on the Flight into Egypt, ca. 1540, Oil on wood, 37 1/2 x 30 1/4 in. (95.3 x 76.8 cm), Paintings, Follower of Quentin Metsys (Netherlandish, mid-16th century), and Master of the Liège Disciples at Emmaus (Netherlandish, active mid-16th century), The Virgin and Child, painted by a follower of Massys, reflect the influence of Italian painting, particularly the classical figure types favored by Leonardo da Vinci. The landscape, however, ascribed to the Master of the Liège Disciples at Emmaus, sets the stage for the expansive views in Netherlandish paintings of the later sixteenth century.
DC

Total de Resultados: 8

Página 1 de 1