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Total de Resultados: 27

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alb3705474 Helios. Dated: 1588/1590. Medium: chiaroscuro woodcut in gold, olive and black. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.
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alb30987225 Sol, Apollo, The Seven Planets, print, Apollo naked and seated on a throne, next to him a sun, before him Phaeton kneels and asks permission to ride the sun chariot. One of a series of seven prints with gods representing the planets., printmaker: Heinrich Aldegrever, Germany, 1533, paper, engraving, gravure, height 97 mm x width 63 mm, Titan, Phaethon asks Apollo (Sol) for the chariot of the sun., A detailed black-and-white engraving shows a seated male figure wearing a crown and holding a long scepter, his muscular torso and limbs exposed and one hand extended palm-up. Kneeling before him is another nude male figure, turned away from the viewer with visible back muscles and curly hair, leaning forward toward the seated figure. Behind them are draped curtains and architectural elements including columns and a rounded step. To the left a stylized sun with a human face and radiating wavy rays peers from behind fabric. Cushions with tassels appear near the seated figure and on the raised platform beneath them. The scene is rendered with fine line work and cross-hatching throughout.
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alb30968902 Astrologia, The Seven Liberal Arts, print, A man looks up at a winged Astrologia, who holds her hand to an armillary sphere. An eagle and a putto sit on a balustrade with a view of the sea. Another putto points upwards at Apollo in his celestial chariot., printmaker: Cornelis Schut (I), 1618 - 1655, paper, etching, engraving, etching and engraving, height 256 mm x width 329 mm, Sol (Helius), Titan, 'Astrologia' (Ripa)., A detailed ink engraving shows a winged female figure seated above a large armillary sphere, draped fabric covering her lower body and one shoulder while she raises an arm holding a rod, her hair loose and stars around her head; below and beside her are three muscular partially draped male figures in reclining and seated poses looking upward, with one reaching toward the sphere and another resting on a balustrade; a few cherubic children appear, one seated on the balustrade and another at the lower edge, near a bird with outstretched wings perched on the railing; in the sky behind are clouds, radiating lines, and a distant chariot drawn by horses with a small standing figure; architectural balusters form a foreground railing and various draped textiles and a round compass-like instrument lie near the seated figures.
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alb30960884 Defeat of the Titans, print, The Titans attempt to conquer Mount Olympus, but are repelled by Jupiter and the other gods and pelted with lightning and stones. The Titans fall from the sky and land in Tartarus, the underworld., printmaker: Philip van Gunst, Amsterdam, after design by Giulio Romano, 1685 - 1732, paper, etching, engraving, etching and engraving, height 165 mm x width 222 mm, war of the Titans against Jupiter and allies: titanomachy., A dramatic monochrome engraving showing a chaotic rocky scene populated by a group of nude and partially draped figures in dynamic poses. Several muscular adults strain to lift or support massive boulders, with one central figure standing with one foot on a rock and arms raised under a large stone, a cloth draped around his waist. A few figures appear to be falling or tumbling among the rocks with limbs extended, and smaller childlike figures are also depicted among them, some airborne. The composition is filled with densely shaded rock forms and intense hatched lines that create strong contrasts and a sense of movement, with most figures shown with contorted expressions and tense musculature. The overall image is tightly composed, with figures overlapping rocks and each other across the frame.
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alb30957786 Fourth Day of Creation: Creation of Sun, Moon, and Stars, Creation of the World, print, The fourth day of creation, on which the sun and the moon were created and a separation was established between day and night. The sun is depicted by Apollo as the sun god with a bow and quiver. Time, with a clock on her head, holds his cloak. On the right, the moon, as the moon goddess Diana. Behind her, a black woman with a starry cloak as a personification of the stars. Based on the Bible text in Gen. 1:14-19., printmaker: Jan Harmensz. Muller, Amsterdam, after design by Hendrick Goltzius, 1589, paper, engraving, proof, diameter 270 mm, other allegories of Time, eg 'Tempo' (Ripa), Apollo as sun-god, ie Sol (Helius), Titan, Diana as moon-goddess, ie Luna (Selene), moon and stars., A circular engraving showing a group of nude and partially draped figures standing on a cloudlike platform within a rounded frame, with a muscular male figure striking a confident pose and raising one arm, a second female figure beside him looking downward and holding drapery, and a third female figure facing sideways with a small circular object near her head; a fourth shadowed figure stands partially behind a curved border, and flowing drapery, curved lines, and radiating hatch marks fill the background.
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alb30824396 Atlas ob inhospitalitatem in montem sui nominis, Atlas turned into a mountain, Metamorphoseon sive transformationum, Metamorphoses of Ovid, print, Series number, 43, 150, Perseus transforms the titan Atlas into a mountain range using the head of Medusa. Title in Latin in lower margin., printmaker: Antonio Tempesta, Italy, publisher: Pieter de Jode (I), Antwerp, 1606, paper, etching, height 104 mm x width 117 mm, Atlas turned into a mountain as punishment for his inhospitality., A monochrome engraving shows a winged horse in midair ridden by an armored figure holding a decorated shield, with flowing mane and tail and detailed feathered wings; opposite them a robed figure wearing a crown recoils with an arm raised and fingers splayed, fabric folds and crosshatching defining clothing and muscles; the background contains a rocky, hilly landscape with distant ridges and textured sky lines.
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alb30834897 Atlas ob inhospitalitatem in montem sui nominis, Atlas turned into a mountain, Metamorphoseon sive transformationum, Metamorphoses of Ovid, print, Series number, 43, 150, Perseus transforms the titan Atlas into a mountain range using the head of Medusa. Title in Latin in lower margin., printmaker: Antonio Tempesta, Italy, publisher: Pieter de Jode (I), Antwerp, 1606, paper, etching, height 104 mm x width 117 mm, Atlas turned into a mountain as punishment for his inhospitality., A detailed black-and-white etched scene shows a figure wearing a crown and flowing robes standing on a rocky ledge with an arm raised and the other extended forward, their face tilted back. Opposite them a mounted figure in armor sits atop a winged horse in mid-leap, the rider holding a round ornamental shield and wearing a helmet with a plume. The winged horse has a flowing mane and tail, visible muscular legs, and large feathered wings. The background contains a landscape of rolling hills and distant mountains beneath a sky with linear cloud markings. The image is framed by a rectangular border.
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alb29155271 Sol, Apollo as Sol with angel, Series after paintings by Raphael in the Chigi Chapel in Rome, print, Series number, 5, 9, print maker: Nicolas Dorigny, France, after design by Raphael, Rome, grantor of privilege: Papal court, 1695, printmaker, paper, etching, engraving, height 289 mm x width 218 mm, angels, Apollo as sun-god, i.e. Sol (Helius), Titan, A detailed black and white engraving shows a muscular, partially nude male figure drawing a bow with a taut string, his face turned slightly and his gaze focused along the arrow line, curly hair framing his head, a sash crossing his torso, and a curved bow held in his raised hand; above him a winged angelic figure leans forward, draped in flowing garments, holding a radiant circular disc between both hands, the angel having curled hair and large feathered wings spread behind; concentric arc motifs and finely hatched shading fill the background, and ornamental linework and a small reclining lion figure appear within the circular design behind the archer.
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alb295101 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb252093 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb12330033 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb252090 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb252091 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb295102 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb12303185 RESCATEN EL TITANIC (1980) -Original title: RAISE THE TITANIC-, directed by JERRY JAMESON. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS.
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alb3610557 Firedog (Jupiter Victorious over the Titans) (chenet) (one of a pair). Artist: After models by Alessandro Algardi (Italian, Bologna 1598-1654 Rome). Culture: probably Italian. Dimensions: Height: 45 1/2 in. (115.6 cm). Date: 18th century.According to the prominent biographer of artists Giovanni Pietro Bellori (1613-1696), the Baroque sculptor Alessandro Algardi, active in Rome, modeled a set of four firedogs representing the four elements in the guise of mythological figures. Commissioned for Philip IV, king of Spain, the models were created not long before the artist's death, in 1654. Two of the designs, the figures of Jupiter and Juno as fire and air--a symbolism quite appropriate to their use as firedogs--were executed on a reduced scale for the French court, both in silver and in bronze. Firedogs of this exuberant model, which create a sense of movement and are interesting in the round, also found a market among the French aristocracy and are listed in late seventeenth- and eighteenthcentury inventories and sale catalogues. It is generally thought that some of them--varying slightly from Algardi's originals, which are still extant in Spain--were made in France rather than in Italy. The Museum's firedogs were cast in multiple pieces, which have been carefully joined together. They have largely kept their original patina.The chief Roman god, Jupiter, ruler of the sky and master of lightning and thunder, is seated on an eagle, a form he once assumed, atop a globe. Two kneeling Titans shoulder the rocks on which the globe is poised, while a third reclines on the base. Facing her husband, the goddess Juno is perched on her own symbolic animal, the peacock. Representing beauty, this bird stands on a globe carried by wind gods, their cheeks full of air.Although the casts have long been considered seventeenth century, the raised heads of the deities and the sweet, smiling countenance of Juno, as well as her hair ornament and details of her sandals, suggest an eighteenth century date for the Museum's majestic firedogs instead. Museum: Metropolitan Museum of Art, New York, USA.
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alb4978281 Vz: Mars standing to the right with spread legs visible to the knee, in his right hand he holds a spear, in his left a shield, Greek helmet on his head, on the ground a Titan, who with his raised arm tugging at his hair, cameo, sardonyx, 3 layers, Color: light brown.
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akg4214382 The Titanic Dock and Pump House in Belfast Harbor, Northern Ireland. Copyright: For editorial use only. For editorial use only.
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alb2162816 Original film title: RAISE THE TITANIC. Spanish title: RESCATEN AL TITANIC. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS. Year: 1980. Director: JERRY JAMESON. Stars: ALEC GUINNESS.
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alb252092 Original film title: RAISE THE TITANIC. Spanish title: RESCATEN AL TITANIC. English title: RAISE THE TITANIC. Portuguese title: A GUERRA DOS ABISMOS. Year: 1980. Director: JERRY JAMESON. Stars: ALEC GUINNESS; RICHARD JORDAN.
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akg998489 Belfast (Prov. Ulster, Nordirland), Lagan.-Absperrung im Breich der Uferzone am Donegall Quay nahe dem Lagan Lookout: Bemalung mit Segelboot-Motiv.-Foto, 2001. Aus der Serie: "Topography of the Titanic".
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akg998483 Belfast (Prov. Ulster, Nordirland), Lagan.-Laganside: Uferbebauung an der Queen's Bridge.-Foto, 2001. Aus der Serie: "Topography of the Titanic".
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akg4214357 In the harbor of Belfast in the morning with the Titanic Belfast Museum. Copyright: For editorial use only. For editorial use only.
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akg4214356 Dawn in the harbor of Belfast, Northern Ireland, UK. Copyright: For editorial use only. For editorial use only.
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MSDRATH_EC027 RAISE THE TITANIC, 1980. ?Associated Film Distribution/ Courtesy: Everett Collection
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MSDKIKO_EC003 KING KONG VS. GODZILLA, poster art featuring the battling two titans, 1963
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MCDWROF_EC076 WRATH OF THE TITANS, Edgar Ramirez on US poster art, 2012, ?arner Bros. Pictures/courtesy Everett Collection/Fotoarena
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Total de Resultados: 27

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