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Total de Resultados: 38

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alb3906578 Venere di Urbino / Venus of Urbino. Date/Period: 1538. Painting. Oil on canvas. Height: 119.2 cm (46.9 in); Width: 165.5 cm (65.1 in). Author: TITIAN.
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alb2015917 Édouard Manet / 'Lunch on the Grass', 1863, Oil on canvas, 208 × 264.5 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.
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alb3743441 Le lecture du charivari. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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alb3658101 -They're talking about new elections. -Before I vote for a candidate, I want him to be examined by a doctor to make sure he is not declared invalid again, from 'News of the day,' published in Le Charivari, September 27, 1869. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 8 3/8 × 7 15/16 in. (21.3 × 20.2 cm)Sheet: 11 15/16 × 8 3/8 in. (30.4 × 21.3 cm). Printer: Walter Frères. Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: September 27, 1869. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653690 Cover for L'Estampe originale, Album I, publiée par les Journal des Artistes. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: Sheet: 23 in. × 32 5/8 in. (58.4 × 82.8 cm)Image: 22 1/4 × 25 11/16 in. (56.5 × 65.2 cm). Printer: Edward Ancourt (French, 19th century). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album I. Date: 1893.Print albums were a popular means for dealers and publishers to promote the work of artists. These portfolios ranged widely in quality and price and offered collectors a preassembled and expertly chosen selection of contemporary art. Published from 1893 to 1895, L'Estampe Originale was among the most popular examples of the genre, in spite of its short lifespan. Toulouse-Lautrec's cover for the inaugural edition shows the expert printer Père Cotelle presenting cabaret performer Jane Avril with a newly printed artwork. In this depiction of his two close friends, Toulouse-Lautrec intended to suggest the modernity and stylishness of lithography during the 1890s. Museum: Metropolitan Museum of Art, New York, USA.
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alb4100957 The Three Bathers (Les trois baigneuses). Dimensions: 32.8 cm x 24.6 cm, 18.2 cm x 11.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: FELIX VALLOTTON.
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alb3894368 Men of Progress. Date/Period: 1862. Painting. Oil on canvas. Height: 1,283 mm (50.51 in); Width: 1,905 mm (75 in). Author: Christian Schussele.
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akg915034 Former slaves learning printing at Hampton Institute in Virginia, 1870s. Handcolored woodcut of a 19thcentury illustration.
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akg897948 Druckgrafik, Frankreich, um 1890.-"Saint Jean Porte Latine / Compositeur Typgraphes / Imprimeurs / Lithographes" (Der Hl.Johannes von Porta Latina als Patron der Schriftsetzer, Drucker und Lithographen).-Farblithographie, anonym. Sammelbildchen. Aus einer Serie der Heiligen als Patrone von Berufen. Museum: Private Collection., Paris.
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alb3614888 Caricature of Eugène Delacroix Painting Medea about to Kill Her Children. Artist: Benjamin Roubaud (called "Benjamin") (French, 1811-1847). Dimensions: Sheet: 14 7/16 x 10 1/16 in. (36.7 x 25.5 cm). Printer: Printed by Aubert et Cie. Sitter: Caricature of Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Date: 1839. Museum: Metropolitan Museum of Art, New York, USA.
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alb3893156 Bradley his book. Date/Period: 1896. Poster. Colour lithograph on paper. Height: 1,068 mm (42.04 in); Width: 730 mm (28.74 in). Author: WILLIAM HENRY BRADLEY.
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alb4146144 Portrait of Senefelder. Lorenzo Quaglio; German, 1793-1869. Date: 1818. Dimensions: 284 x 228 mm (image); 520 x 366 mm (sheet). Lithograph on paper, printed from two stones. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Lorenzo Quaglio, II.
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akg1063625 Technik / Graphisches Gewerbe:-"Imprimeur lithographe".-(Steindrucker). Farblithographie, monogrammiert "B.S.", Frankreich, um 1900. Aus einer Serie mit Berufsdarstellungen. Museum: Private Collection., Paris.
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akg916021 Genussmittel / Alkohol / Wein.-"Le Pressoir".-(Weinpresse). Farblithographie, anonym, Frankreich um 1900. Sammelbildchen aus der Serie: "Les instruments de travail". Museum: Private Collection., Paris.
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alb3634879 Moses' Hands Held Up (Dalziels' Bible Gallery). Artist: After Frederick Richard Pickersgill (British, London 1820-1900 Yarmouth, Isle of Wight). Dimensions: Image: 8 3/8 × 6 7/8 in. (21.3 × 17.5 cm)India sheet: 10 9/16 × 9 1/16 in. (26.9 × 23 cm)Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1865-81. Museum: Metropolitan Museum of Art, New York, USA.
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alb3629169 Moses Slaying the Egyptian (Dalziels' Bible Gallery). Artist: After Sir Edward John Poynter (British (born France), Paris 1836-1919 London). Dimensions: Image: 6 15/16 × 6 3/16 in. (17.7 × 15.7 cm)India sheet: 9 3/16 × 8 1/8 in. (23.3 × 20.7 cm)Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1863-81. Museum: Metropolitan Museum of Art, New York, USA.
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alb3654927 Emancipated Slaves, from "Le Journal Illustré". Artist: Frédéric Lix (French, Strasbourg 1830-1897 Paris). Dimensions: Sheet: 9 5/16 × 12 15/16 in. (23.7 × 32.8 cm). Engraver: Amand Jacob (French, born 1834). Date: July 23-30, 1865.Roughly one month following the end of the American Civil War, Le Journal Illustré, a French weekly newspaper, published this wood engraving that illustrated the stakes of the Union victory. Although Abraham Lincoln had issued the Emancipation Proclamation in 1863, it was not until 1865 that the congress passed the Thirteenth Amendment and the abolition of slavery was assured nationwide. While the image conveys a jubilant celebration of newfound freedom, the commentary that accompanied it was more pessimistic. The text asks what these men and women will do next for work and describes victims of starvation left in the path of triumphant processions such as this. Museum: Metropolitan Museum of Art, New York, USA. Author: Frédéric Lix.
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akg893320 Joseph Pulitzer holding a press printing the New York "World" newspaper 1901. Handcolored halftone of an illustration.
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akg892046 Typesetters and printers at work in a print shop, 1800s. Handcolored halftone of a 19thcentury illustration by A. B. Frost.
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akg915165 Proslavery mob burning the printshop of abolitionist Elijah P. Lovejoy, Alton, Illinois, 1835. Handcolored woodcut of a 19thcentury illustration.
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akg970523 Hoe printing press, showing type locked on the bed and overlays fixed on the cylinder; ink rollers on far right, 1800s. Handcolored woodcut of a 19thcentury illustration.
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alb9532651 Frederick Douglass. oil on canvas. Date: c. 1845. Museum: NATIONAL PORTRAIT GALLERY.
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akg829895 Celebrations: balls.-"Fêtes de la Presse Parisienne pour les Soldats de Madagascar".-Poster by Georges Meunier (1869-1934), France, Paris, 1895. Print: Imprimerie Chaix, Paris. Colour lithograph, 124.5 x 87 cm. Inv.Nr. DPM 11281; Deutsches Plakat Museum,. Museum: Museum Folkwang., Essen.
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akg916242 Housework / Ironing-"Les Repasseuses" (Women ironing;-18th Century scene).-Colour lithograph, anonymous, French, c.1890/1900. Collector's pictures producted by the "Chocolat Louit" company. From a series depicting various prefessions. Museum: Private Collection., Paris.
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akg915951 Housework / Ironing.-"Le Fer à repasser".-(Woman ironing). Colour lithograph, anonymous , French c.1900. Collector's picture from the seris: "Les instruments de travail". Museum: Private Collection., Paris.
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alb3629969 The Parable of the Burning Pot (Dalziels' Bible Gallery). Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: Image: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm)India sheet: 8 15/16 × 7 1/16 in. (22.7 × 18 cm)Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1865-81. Museum: Metropolitan Museum of Art, New York, USA. Author: After Sir Edward Burne-Jones.
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akg1567127 Buch / Buchdruck. /-"Imprimeuer, 1400".-/ (Buchdrucker 1400). Farblithographie, undatiert, um 1880, nach Valiquet. Sammelbildchen der Firma Chocolat du Planteur. Aus einer Serie mit historischen Darstellungen der Handwerke und Gewerbe. Museum: Private Collection., Privatsammlung.
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akg914416 Johannes Gutenberg examining a proof. Handcolored engraving of a 19th century illustration.
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alb3623104 Lewis Cass (The Gallery of Illustrious Americans). Artist: After Mathew B. Brady (American, born Ireland, 1823?-1896 New York); Francis d' Avignon (French, 1813-1861, active America 1840-60). Dimensions: oval image: 11 3/16 x 9 5/8 in. (28.4 x 24.4 cm)stone: 13 15/16 x 10 3/8 in. (35.4 x 26.4 cm)sheet: 18 3/4 x 13 3/8 in. (47.7 x 33.9 cm). Printer: D'Avignon's Press (New York, NY). Publisher: Brady, D'Avignon and Company (New York, NY). Sitter: Lewis Cass (American, 1782-1866). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.
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akg897870 Druckgrafik, Frankreich, um 1890.-"Saint Jean Porte Latine / Compositeur Typgraphes / Imprimeurs / Lithographes" (Der Hl.Johannes von Porta Latina als Patron der Schriftsetzer, Drucker und Lithographen).-Farblithographie, anonym. Sammelbildchen. Aus einer Serie der Heiligen als Patrone von Berufen. Museum: Private Collection., Paris.
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akg897872 Druckgrafik, Frankreich, um 1880.-"St.Jean Porte Latine / Patron des Imprimeurs / Fête le 6 Mai".-(Der Hl.Johannes von Porta Latina als Patron der Drucker).-Farblithographie, anonym. Sammelbildchen. Aus einer Serie der Heiligen als Patrone von Berufen. Museum: Private Collection., Paris.
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akg897510 Delhi (Nord-Indien), Grabmal Humayuns (Mogul-Zeit; erbaut unter Akbar 1562-71 für seinen Vater Humayun; Architekten: Mirak Sayid Ghiyat und Sayid Muhammad).-"Sepolcro dell'Imperatore Osmaniù presso Deli".-/ Stahlstich, anonym. Aus: A.Ph.Dubois de Jancigny u. X. Raymond, India, ital. v.F.Falconetti, Venedig (G.Antonelli) 1846. Museum: Private Collection., Privatsammlung.
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akg1552367 o 30 centimes Journal pour tous semaine universelle illustrée|, Chéret, Jules Jean. Museum: Les Arts Décoratifs., Paris.
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alb3708101 Antonius Pius and Faustina Joining Hands [reverse]. Dated: fourth quarter 15th century. Dimensions: overall (diameter): 10.13 cm (4 in.) gross weight: 521.1 gr (1.149 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Filarete.
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alb3732897 Architecture Holding a Compass and Square [reverse]. Dimensions: overall (diameter): 4.34 cm (1 11/16 in.) gross weight: 38.23 gr (0.084 lb.) axis: 6:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Caradosso Foppa.
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alb3738892 Antonio Sarzanella de' Manfredi, Este Diplomat [obverse]. Dated: c. 1463. Dimensions: overall (diameter): 7.3 cm (2 7/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Sperandio.
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HISL044_EC687 Civil Service Commissioners, Theodore Roosevelt, Thompson, and Charles Lyman exerting their pull. PUCK Magazine cartoon of Oct. 2, 1889, shows President Benjamin Harrison on a Republican Elephant, labeled Tannerism, which is tearing down civil service rules. It refers to the actions of Harrisons appointee, James Tanner, as Military Pension Commissioner (BSLOC_2017_4_13)
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akg1724748 Thiers, Adolphe; French politician and historian. (1840 Prime Minister of France, 1871-73 President of the Third Republic); 1797-1877. "Un parricide" (A parricide). (Caricature: Thiers attempts to oppress the press). Lithograph by Honoré Daumier (1808-1879), 22.4 × 20.4cm. Plate No. 106 from the series "Actualités". From: Le Charivari, 16 April 1850. Mönchengladbach, Honoré-Daumier-Gesellschaft. . Museum: Mönchengladbach, Honoré-Daumier-Gesellschaft.
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Total de Resultados: 38

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