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akg5173805 Paris, Sainte-Chapelle, vitrail des Rois. David montre à Saül la tête de Goliath.
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akg5173811 Paris, Sainte-Chapelle, vitrail des Rois. En haut de gauche à droite : L'esclave égyptien guide David ; Saül combattant les Philistins. A milieu : Saül chez la pythonisse d'Endor. En bas de gauche à droite : David et le roi Achis à cheval ; Incursions de l'armée de David.
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akg5173810 Paris, Sainte-Chapelle, vitrail des Rois. A gauche en haut : Achimélech donne à à David l'épée de Goliath. A droite en haut : Bethsabée conduite auprès de David. En bas : David montre à Saül la tête de Goliath.
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akg899183 Ludwig XVI., König von Frankreich; 1754-1793. /-"Arrestation de la famille royale à Varennes" (Festnahme der königlichen Familie auf der Flucht; Varennes, 22.Juni 1791).-Farblithographie, anonym, um 1890. Sammelbildchen der Firma "Chocolat Guérin-Boutron". Nr. 51 einer Serie französischer Könige in Medaillonbildnissen. Museum: Private Collection., Paris.
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akg863230 The crowned head of Nefertiti, wife of Akhenaton. The sculpture was made by the famous sculptor Thutmose and was found in his workshop. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: Amarna period c.1373-1357 BC. Place of Origin: Tell el Amarna. Material Size: Painted limestone.
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akg020291 Stalin, Joseph (orig. Iosif Vissarionovich Dzhugashvili), Soviet dictator. Gori 21.12.1879 - Moscow 5.3.1953. "En avant! Mar.." - Stalin caricature of the German-Soviet non-aggression pact entailing the split of Polen; Stalin with hammer and sickle shaped like a swastika. From: Marianne, 13.9.1939.
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akg601007 Statue der >Göttin Isis
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akg232002 Buffalo Bill (bornx William F. Cody), American soldier, bison hunter and showman. In 1883 he staged his first Wild West Show.- Scott County (Ia.) 26.2.1846 - Denver. (Col.) 10.1.1917. "Buffalo Bill's Wild West (...) ". Poster (Lithograph), undated, design:. Lilian (?) Etherington (print: Calhoun). Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale. Author: ANONYMOUS.
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akg076934 Hitler Stalin Pact 1939. German-Soviet trade agreement and nonagression treaty; secret negotiatons over the division of Poland. 19/23 August 1939. - "Le national-socialisme tourne le dos aus Russes.....de cette facon!" -Caricature from the French satirical newspaper "Marianne", August 1939.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg3980892  Thibaud, Jacques; French violinist; Founded the "Long-Thibaud-Competition" with Marguerite Long in 1943. 27.9.1880 Bordeaux - 1.9.1953 Mont Cemet near Barcelonnette / French Alps (aircraft crash). - Portrait (with his Stradivari violin from the year 1709). - Photo, around 1910.
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akg244838 Guevara Serna, Ernesto called Che Guevara, Cuban politician, Rosario (Argentina) 14.6.1928 - Bolivia 9.10.1967. Che Guevara drinking mate tea. Photo, undated.
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akg7983098 6614. Philistine Cult stand, four cornered altar, Yavneh excavations (central Israel) dating 9th. C. BC, Iron Age.
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akg7983077 6605. Two horned altar dating c. 9th. C. BC found in Gath,. one of the five Philistine royal cities located in Southern Judea.
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akg4755634 Buffalo Bill (William F. Cody). american. Adventurer, scout in the Indian war, organized in 1883. The first "Wildwestschau". Scott County (Ia.) 26.2.1846 - Denver (Col.) 10.1.1917. "Buffalo Bill's wild west and congress of rough riders of the world". Poster, around 1899. Design: anonymous. Color lithograph, Courier Litho. Co., Buffalo, New York.
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alb17891296 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb21692037 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb17891208 AL PACINO and MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb5430863 MARLENE DIETRICH and LIONEL ATWILL in CARNIVAL IN SPAIN (1935) -Original title: THE DEVIL IS A WOMAN-, directed by JOSEF VON STERNBERG. English title: CAPRICE ESPAGNO. Portuguese title: O DIABO É UMA MULHER.
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alb9566311 AIR (2023), directed by BEN AFFLECK. English title: AIR.
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alb2583563 CHARLTON HESTON in EL PRINCIPE Y EL MENDIGO (1977) -Original title: CROSSED SWORDS-, directed by RICHARD FLEISCHER. English title: CROSSED SWORDS.
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alb14607612 ALI LARTER, KERR SMITH and DEVON SAWA in DESTINO FINAL (2000) -Original title: FINAL DESTINATION-, directed by JAMES WONG. English title: FINAL DESTINATION. Portuguese title: O ÚLTIMO DESTINO.
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alb266154 GRETA GARBO in LA REINA CRISTINA DE SUECIA (1933) -Original title: QUEEN CHRISTINA-, directed by ROUBEN MAMOULIAN. English title: QUEEN CHRISTINA. Portuguese title: RAÍNHA CRISTINA.
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alb260203 AL PACINO and MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb568654 HAYDEN CHRISTENSEN and IAN MCDIARMID in STAR WARS: EPISODIO III-LA VENGANZA DE LOS SITH (2005) -Original title: STAR WARS: EPISODE III-REVENGE OF THE SITH-, directed by GEORGE LUCAS. English title: STAR WARS: EPISODE III.
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alb311777 HISTORIA DEL CINE: EDISON STUDIOS -Original title: FILM HISTORY: EDISON STUDIOS-. HISTORIA DEL CINE. PRIMEROS ESTUDIOS. La llamada BLACK MARIA fue construida en el invierno de 1892-93 en West Orange (Nueva Jersey) y está considerada como uno de los primeros platós cinematográficos de la historia del cine. Pertenecía a Edison Studios. English title: FILM HISTORY: EDISON STUDIOS.
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alb107000 EL PATITO FEO Y YO (2006) -Original title: THE UGLY DUCKLING AND ME!-, directed by MICHAEL HEGNER and KARSTEN KIILERICH. English title: THE UGLY DUCKLING AND ME!. Portuguese title: PUTZ! A COISA TÁ FEIA.
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alb107001 EL PATITO FEO Y YO (2006) -Original title: THE UGLY DUCKLING AND ME!-, directed by MICHAEL HEGNER and KARSTEN KIILERICH. English title: THE UGLY DUCKLING AND ME!. Portuguese title: PUTZ! A COISA TÁ FEIA.
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alb484795 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb292693 AL PACINO, JAMES CAAN, MARLON BRANDO and JOHN CAZALE in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb432836 ANTHONY QUINN in LA AMANTE DEL BÁRBARO (1954) -Original title: ATTILA-, directed by PIETRO FRANCISCI. English title: ATTILA.
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alb1957992 JOAN COLLINS in LA MUCHACHA DEL TRAPECIO ROJO (1955) -Original title: THE GIRL IN THE RED VELVET SWING-, directed by RICHARD FLEISCHER. English title: THE GIRL IN THE RED VELVET SWING. Portuguese title: A RAPARIGA DO BALOIÇO VERMELHO.
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alb1286989 MARLON BRANDO and SALVATORE CORSITTO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.
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alb4311199 A DOS METROS DE TI (2019) -Original title: FIVE FEET APART-, directed by JUSTIN BALDONI. English title: FIVE FEET APART. Portuguese title: A CINCO PASSOS DE VOCÊ.
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alb11738855 J. K SIMMONS and DWAYNE "THE ROCK" JOHNSON in RED ONE (2024), directed by JAKE KASDAN. English title: RED ONE. Portuguese title: RED ONE: MISSÃO SECRETA.
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alb15919422 Saint Justina, That Saint Justina (title on object), print maker: William Unger, after painting by: Alessandro Bonvicino Moretto, printer: A. Pisani, Vienna, 1861 - 1889, paper, etching, height 399 mm × width 294 mm, print.
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alb3710569 Omer Talon. Dated: 1649. Dimensions: overall: 225 x 161.6 cm (88 9/16 x 63 5/8 in.) framed: 261.9 x 197.5 x 7 cm (103 1/8 x 77 3/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Philippe de Champaigne.
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alb3683282 Saint Francis of Assisi Resuscitating a Dead Youth. Artist: Camillo Procaccini (Italian, Bologna 1555-1629 Milan). Dimensions: 5 11/16 x 4 7/8in. (14.5 x 12.4cm). Date: 1555-1629.Nancy Ward Neilson has suggested that the present design may be a preparatory study for one of the now-destroyed scenes from the life of Saint Francis painted during the late 1580's by or under the supervision of Camillo in the second cloister adjacent to the church of Sant'Angelo in Milan. Like the 'Annunciation' (acc. no. 80.3.181), this drawing was attributed to Camillo by Philip Pouncey in 1965. Museum: Metropolitan Museum of Art, New York, USA.
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alb3713548 Cedar Bird. Dated: 1828. Dimensions: plate: 49.9 x 31.1 cm (19 5/8 x 12 1/4 in.) sheet: 100.3 x 67.3 cm (39 1/2 x 26 1/2 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.
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alb3705567 The Assumption of the Virgin. Dated: c. 1630/1632. Dimensions: overall: 134.4 x 98.1 cm (52 15/16 x 38 5/8 in.) framed: 171.8 x 135.3 x 13.7 cm (67 5/8 x 53 1/4 x 5 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: NICOLAS POUSSIN.
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alb3705726 Alphonse Legros. Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félix Bracquemond.
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alb3633164 Self-Portrait. Artist: William Orpen (British, 1878-1931). Dimensions: 40 1/8 x 33 1/8 in. (101.9 x 84.1 cm). Date: ca. 1910.Born in Ireland, William Orpen studied in Dublin from 1892 to 1896 and went to London for further study at the Slade School of Fine Art in 1896. For the rest of his life, he lived and worked in London. There he received a number of honors, including membership in the New English Art Club, a governmental appointment as an official war artist during World War I, and a knighthood in 1918. He continued to work as a fashionable portrait painter during the 1920s, portraying wealthy and prestigious sitters in a traditional, highly polished style that rejected more recent developments in avant-garde art. He also produced a number of realistic self-portraits, both before and after the war, including Myself and Cupid (1910, Carnegie Institute, Pittsburgh) and Ready to Start (1917, Imperial War Museum, London).This self-portrait, also known as Leading the Life in the West, refers to Orpen's life as a young artist in the West End of London. Orpen stands reflected full-length in a mirror in his studio, wearing a bowler hat and holding gloves and a riding crop. A shelf below the mirror holds paintbrushes and rags, the tools of the artist's trade, as well as several bottles of liquor. Various pieces of correspondence, including an I.O.U. signed by Orpen, are tucked behind the frame of the mirror, further testifying to the pleasures and distractions of the painter's early career. The space of the picture is shallow but complex, with Orpen using his skills as a draftsman to resolve the challenges of surface, lighting, and reflection that he has set for himself. Museum: Metropolitan Museum of Art, New York, USA.
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alb3706076 The Annunciation. Dated: c. 1508/1519. Dimensions: painted surface: 110.2 x 78.4 cm (43 3/8 x 30 7/8 in.) overall (panel): 110.2 x 81 cm (43 3/8 x 31 7/8 in.) framed: 130.2 x 99 x 10.7 cm (51 1/4 x 39 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES.
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alb3707502 Sir Edward John Poynter. Dimensions: plate: 25.7 x 17.1 cm (10 1/8 x 6 3/4 in.) sheet: 35 x 25.8 cm (13 3/4 x 10 3/16 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3700529 Saint Francis and Saint Clara. Dated: c. 1480. Medium: woodcut, hand-colored in brown, rose, green, black, and yellow. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.
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alb3702905 Chapel of Saint Sebastian (Cappella di San Sebastiano). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: 1 engraved illustration. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.
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alb3891785 Salome. Date/Period: Ca. 1390. Painting. Fresco. Height: 395 mm (15.55 in); Width: 310 mm (12.20 in). Author: Spinello Aretino [Spinello di Luca Spinelli].
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alb3895101 Saint Francis Collecting the Blood of Christ. Date/Period: 1490 - 1500. Panel. Height: 20 mm (0.78 in); Width: 16.30 mm (0.64 in). Author: Carlo Crivelli.
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alb3893186 St. Justina, Venerated by a Patron. Date/Period: Between ca. 1530 and ca. 1534. Painting. Oil on panel. Height: 2,000 mm (78.74 in); Width: 1,390 mm (54.72 in). Author: MORETTO DA BRESCIA.
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alb3892272 Meeting of Saints Francis and Clara. Date/Period: Ca. 1630. Drawing. Pen and brown ink, brush and gray wash, white gouache on cream laid paper ,lined on secondary support tipped into paper frame. Author: Belisario Corenzio.
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alb3894899 The Abduction of Ganymede. Date/Period: 1520 - 1540. Painting. Oil on canvas. Height: 1,635 mm (64.37 in); Width: 720 mm (28.34 in). Author: CORREGGIO.
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alb3678141 The Rest on the Flight into Egypt. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: 20 x 17 in. (50.8 x 43.2 cm). Date: ca. 1512-15.This composition presents the Flight into Egypt as a continuous narrative. In a tiny background scene the Holy Family emerges from the forest, en route to the contemporary Netherlandish town at the left. In the foreground Mary nurses the Child in a moment of repose on their arduous journey, which the viewer is visually meant to follow. David achieved in this painting a remarkable balance of color and a serene sense of light and atmosphere. His awareness of Italian Renaissance conventions is evident in the pyramidal motif of the Virgin and Child and his use of chiaroscuro to convey the volume of the figures. Museum: Metropolitan Museum of Art, New York, USA.
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alb3678771 Johann Joachim Winckelmann (1717-1768). Artist: Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728-1779 Rome). Dimensions: 25 x 19 3/8 in. (63.5 x 49.2 cm). Date: ca. 1777.One of the most influential writers on art and archaeology--his History of Ancient Art was published in German in 1764--Johann Joachim Winckelmann was also a close friend and admirer of Mengs. Both were leading exponents of the nascent Neoclassical movement in Rome. In this idealized posthumous portrait Winckelmann is shown holding a Greek edition of Homer's Iliad. Museum: Metropolitan Museum of Art, New York, USA.
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alb3675952 Equestrian Portrait of Cornelis (1639-1680) and Michiel Pompe van Meerdervoort (1638-1653) with Their Tutor and Coachman ("Starting for the Hunt"). Artist: Aelbert Cuyp (Dutch, Dordrecht 1620-1691 Dordrecht). Dimensions: 43 1/4 × 61 1/2 in. (109.9 × 156.2 cm). Date: ca. 1652-53.Inventories of Castle Meerdervoort dating from 1680 and 1749 record Cuyp's portrait of two sons of the wealthy Pompe van Meerdervoort family with their tutor and coachman. The painting hung over the mantle in the boys' room, as the patron probably intended. In the distance Cuyp depicted not the environs of Dordrecht but the countryside near Elten on the Rhine. The castle may allude to the family's place among the landed gentry. Museum: Metropolitan Museum of Art, New York, USA.
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alb3735871 Major-General Sir Archibald Campbell. Dated: 1790-1792. Dimensions: overall: 153.4 x 123.9 cm (60 3/8 x 48 3/4 in.) framed: 174 x 144.8 cm (68 1/2 x 57 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GEORGE ROMNEY.
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alb3736521 Peter the Great of Russia. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Louis-Pierre Henriquel after Paul Delaroche.
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alb3737077 Sir E.J. Poynter, P.R.A. Medium: etching and drypoint?. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3737080 Alphonse Legros. Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félix Bracquemond.
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alb3734747 Saint Francis. Dated: 1620-1657. Dimensions: plate: 34.6 x 25.1 cm (13 5/8 x 9 7/8 in.) sheet: 36 x 26.5 cm (14 3/16 x 10 7/16 in.). Medium: etching in black. Museum: National Gallery of Art, Washington DC. Author: Pieter Claesz Soutman after Francesco Bassano II.
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alb3739721 The Refectory (Le refectoire). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3697888 Diana and Endymion. Dated: c. 1675/1680. Dimensions: overall: 149.2 x 164 cm (58 3/4 x 64 9/16 in.) framed: 170.2 x 185.4 x 9.2 cm (67 x 73 x 3 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LUCA GIORDANO.
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alb3699064 The Muses Urania and Calliope. Dated: c. 1634. Dimensions: overall: 79.8 x 125 cm (31 7/16 x 49 3/16 in.) framed: 105.4 x 150.2 x 10.2 cm (41 1/2 x 59 1/8 x 4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Simon Vouet and Studio.
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alb3697385 Antonio Calmone, Secretary to Philip II [obverse]. Dated: c. 1570. Dimensions: overall (diameter): 4.26 cm (1 11/16 in.) gross weight: 32.21 gr (0.071 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Pier Paolo Galeotti.
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alb3697387 Black-bellied Darter. Dated: 1836. Dimensions: plate: 96.6 x 65 cm (38 1/16 x 25 9/16 in.) sheet: 100.9 x 68.2 cm (39 3/4 x 26 7/8 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.
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alb3626534 The Annunciation. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm). Date: 1506.These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of northern and Italian artistic modes that perhaps reflect the patron's ties to both regions. Museum: Metropolitan Museum of Art, New York, USA.
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alb3699785 The Adoration of the Magi. Dated: c. 1508/1519. Dimensions: painted surface: 124.7 x 79 cm (49 1/8 x 31 1/8 in.) overall (panel): 126 x 82 cm (49 5/8 x 32 5/16 in.) framed: 143.2 x 99.7 x 10.7 cm (56 3/8 x 39 1/4 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES.
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alb3653389 The Annunciation. Artist: Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: Overall, 28 x 28 3/4 in. (71.1 x 73 cm); painted surface, 27 1/4 x 27 3/4 in. (69.2 x 70.5 cm). Date: ca. 1644.Philippe de Champaigne was one of the protagonists of French classicism. His art, inspired in part by his association with Jansenism (a severe Counter-Reformation movement suppressed by Louis XIV), has been described as combining "a scrupulous perfectionism verging on coldness with an inner life of deep intensity." This picture was painted for the private chapel of Queen Anne of Austria (1601-1666), the widowed wife of Louis XIII. The chapel, a small oval room in the Palais Royal, Paris, was decorated by the most prominent French painters of the day. Museum: Metropolitan Museum of Art, New York, USA.
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alb3609718 Christ Bearing the Cross. Artist: North Netherlandish (Utrecht?) Painter (ca. 1470). Dimensions: 42 3/8 x 32 3/8 in. (107.6 x 82.2 cm).Set against the backdrop of a contemporary townscape, this theatrical portrayal of Christ's Way to Calvary recalls an annual civic celebration in Bruges, the Procession of the Holy Blood, which included a reenactment of the episodes shown: Christ carrying the cross aided by Simon of Cyrene, Veronica receiving the icon of the Holy Face, and the Virgin and Saint John waiting for Christ. The procession was the responsibility of the Confraternity of the Holy Blood, whose members follow the armored horseman carrying the group's official standard.The painting reflects a lost work by Van Eyck, known from copies. Museum: Metropolitan Museum of Art, New York, USA.
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alb3601005 Guillaume Budé (1467-1540). Artist: Jean Clouet (French, active by 1516-died 1540/41 Paris). Dimensions: 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm). Date: ca. 1536.Painter to King Francis I, Jean Clouet played a key role in establishing the Renaissance portraiture tradition in France, yet this is his only extant painted portrait. It depicts Guillaume Budé, librarian to Francis I and the leading humanist of sixteenth-century France. Similar to the sitter in Metsys's Portrait of a Woman (32.100.47), Budé's fingers hold his page, as if interrupted. With the quill in his right hand, he has written in Greek, "While it seems to be good to get what one desires, the greatest good is not to desire what one does not need" (Joannes Stobaeus, 3.5.18). Museum: Metropolitan Museum of Art, New York, USA.
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alb3619147 The Nativity. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Overall 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), painted surface 18 1/2 x 13 3/8 in. (47 x 34 cm). Date: early 1480s.This painting, which most likely was intended as a single, private devotional panel, combines the depiction of the Nativity and the Adoration of the Shepherds as described in both biblical and mystical literature. It probably dates from the early 1480s, before David established himself in Bruges. The homely and naive figure types and the geometric simplification of the heads of the Virgin and angels reflect models the artist knew from his early training in the northern Netherlands. Already present is the characteristic combination of serene landscape, simple architectural setting, and meditative figures that would contribute to the painter's popularity. Museum: Metropolitan Museum of Art, New York, USA.
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alb3612235 The Three Ages of Humans. Artist: Dosso Dossi (Giovanni de Lutero) (Italian, Tramuschio ca. 1486-1541/42 Ferrara). Dimensions: 30 1/2 x 44 in. (77.5 x 111.8 cm).The three ages of humankind are represented by two boys peeping behind a bush, by two lovers, and by two old men. But the primary subject is a pastoral landscape (indeed, the old men were a second thought). Landscape was a genre inspired by classical literature and intended above all to delight the eye. Dosso's wit, much prized at the court of Ferrara, is seen in the detail of the goats that appear to spy on the young lovers. Museum: Metropolitan Museum of Art, New York, USA.
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alb3905260 Portrait of an old man. Date/Period: 1645. Painting. Oil on canvas. Height: 128 cm (50.3 in); Width: 112 cm (44 in). Author: Rembrandt.
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alb3903688 St. Sebastian Thrown into the Cloaca Maxima. Date/Period: 1612. Painting. Oil on canvas. Height: 1,670 mm (65.74 in); Width: 2,330 mm (91.73 in). Author: Ludovico Carracci.
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alb3906454 Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels. Date/Period: Ca. 1650. Painting. Oil on canvas. Height: 123 cm (48.4 in); Width: 163 cm (64.1 in). Author: DAVID TENIERS THE YOUNGER.
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alb3900397 The Lament for Icarus. Date/Period: 1898. Painting. Oil on canvas. Height: 1,829 mm (72 in); Width: 1,556 mm (61.25 in). Author: HERBERT JAMES DRAPER.
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alb3724192 The Rape of Ganymede. Dated: c. 1545. Dimensions: overall: 38.9 x 28.9 cm (15 5/16 x 11 3/8 in.). Medium: pen and brown ink with brown wash and watercolor over traces of black chalk, heightened with white on laid paper washed light brown; laid down. Museum: National Gallery of Art, Washington DC. Author: Niccolò dell' Abate.
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alb3720818 The Death of Saint Francis (La mort de St. Francois). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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alb3720443 View of the Cloaca Maxima, Rome. Dated: 1814. Dimensions: overall: 31.8 x 47.4 cm (12 1/2 x 18 11/16 in.) framed: 46.7 x 62.2 x 5.1 cm (18 3/8 x 24 1/2 x 2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Christoffer Wilhelm Eckersberg.
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alb3724719 Child with Toys - Gabrielle and the Artist's Son, Jean. Dated: 1895-1896. Dimensions: overall: 54.3 x 65.4 cm (21 3/8 x 25 3/4 in.) framed: 65.7 x 76.7 x 3.5 cm (25 7/8 x 30 3/16 x 1 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.
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alb3668478 Hatshepsut's Grandmother, Seniseneb. Artist: Howard Carter (British, London 1873-1939 London). Dimensions: Facsimile: H. 35.5 cm (17 15/16 in.); W. 34 cm (13 3/8 in.)Scale 1:1Framed: H. 47.3 cm (18 5/8 in.); W. 35.6 cm (14 in.). Dynasty: Dynasty 18. Reign: Joint reign of Hatshepsut and Thutmose III. Date: 1899. Museum: Metropolitan Museum of Art, New York, USA.
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alb4150525 The Crystal Palace. Camille Pissarro; French, 1830-1903. Date: 1871. Dimensions: 47.2 × 73.5 cm (19 × 29 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4156647 Johann Koerbecke ((?) ca. 1420-Munster, 1490). The Assumption of the Virgin. Oil on panel. 93.1 x 64.2 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
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alb4102665 A Painter with his Wife. Dating: 1791. Measurements: h 52 cm × w 47 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Wybrand Hendriks.
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alb4105243 Jacob de Vos Sr (1735-1833), Amsterdam Art Collector. Dating: 1811. Measurements: h 34.5 cm × w 29 cm. Museum: Rijksmuseum, Amsterdam. Author: Wybrand Hendriks.
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alb4105734 Winter Landscape. Dating: 1835 - 1838. Measurements: h 62 cm × w 75 cm. Museum: Rijksmuseum, Amsterdam. Author: Barend Cornelis Koekkoek.
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alb4105940 The Four Chief Commissioners of the Amsterdam Harbor Works. Dating: 1791 - 1795. Measurements: h 198.5 cm × w 213.1 cm × t 3.9 cm; d 9 cm; w 39 kg. Museum: Rijksmuseum, Amsterdam. Author: Wybrand Hendriks.
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alb4108275 Path through the Village of Manen at Ede. Weg door het gehucht Manen bij Ede. Draughtsman: Wybrand Hendriks. Dating: 1783. Measurements: h 258 mm × w 383 mm. Museum: Rijksmuseum, Amsterdam.
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alb4104233 View of the Nieuwe Gracht near the Bolwerk, Haarlem. Dating: 1800 - 1831. Measurements: h 51.5 cm × w 60 cm. Museum: Rijksmuseum, Amsterdam. Author: Wybrand Hendriks.
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alb4105980 Wernerus Köhne (1725/26-88), Notary of Haarlem, with his Clerk Jan Bosch. Dating: 1787. Measurements: h 63 cm × w 51 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Wybrand Hendriks.
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alb4143121 The Disciples at Emmaus. Jean Honoré Fragonard (French, 1732-1806); after Sebastiano Ricci (Italian, 1659-1734). Date: 1763-1764. Dimensions: 90 × 138 mm (image); 95 × 146 mm (plate); 140 × 194 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: JEAN-HONORE FRAGONARD.
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alb4112600 Landscape with castle ruin. Draughtsman: Wybrand Hendriks. After Meindert Hobbema. Dating: 1754 - 1831. Measurements: h 250 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.
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alb4115051 Saint Francis of Assisi. Draughtsman: Lionello Spada (attributed to). Dating: 1586 - 1622. Measurements: h 230 mm × w 169 mm. Museum: Rijksmuseum, Amsterdam.
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akg282461 Society, Life and Death. France. "La danse macabre des femmes / "La nouvelle Mariée, la Femme grosse" (The women's dance of death: The newly married woman, the pregnant woman). Woodcut, 10.2 x 15.5 cm. From the series: La danse macabre des femmes, 1491. (With verses by Martial d'Auvergne).
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akg679656 Hansen, Monika Schauspielerin; geb. 1943.-Monika Hansen während einer Probenpause von "Im Weißen Rößl am Wolfgangsee" in der Bar Jeder Vernunft in Berlin-Wilmersdorf.-Foto, 1994.
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akg223031 Fashion:. Sleeveless mini dress with pleated skirt; men's suit (photo taken for VVB- Konfektion, Textile-Service, GDR). Photo, 1969/70. Copyright: For editorial use only.
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akg942314 Brueghel, Jan 1568-1625. "Äneas und die Sibylle von Cumae in der Unterwelt", um 1600. (Vergil, Aeneis VI, 269-282). Öl auf Kupfer, 26,4 x 36,2 cm. Inv.-Nr. 553. Museum: Szepmüveszeti Muzeum., BUDAPEST.
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akg954589 Römisch, 50-79 n.Chr.-Wandmalerei "Bankett".-Fresko, 68 x 72 cm. Fundort: Haus V 2, 4, Pompeji. Inv.Nr. 120031. Museum: Museo Nazionale Archeologico., NEAPEL.
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akg601270 Mykene, >Schatzhaus des Atreus< (Kuppelgrab, erbaut um 1250 v. Chr.), Blick aus dem Eingang des Kuppelgrabes in den Dromos. Argolis (Griechenland, Peloponnes). Mykene, Peloponnes, Griechenland.
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akg928783 Egyptian wall painting, New Kingdom, 18th dynasty, C15th BC.-Men weighing grain.-Wall painting from the tomb of Nakht, scribe and priest under Thutmose IV, wall A. Luxor-Thebes, necropolis of Shaykh abd al-Qurnah.
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akg598181 Larnaca, Republic of Cyprus, excavations of the ancient city of Kition, temple district (12th century BC). Exterior view: temple district. Photo.
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