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akg8035035 Tàpies, AntoniBarcelona 1923 - 2012Konvolut von 8 Lithografien (Aus: ""Berlin Suite""). 1974. Jeweils: Farblithografie auf ARCHES FRANCE (Wasserzeichen). 56 x 76cm Signiert und nummeriert. Propyläen Verlag, Berlin (Hrsg.). Ex. 100/150. - Blätter minimal gebräunt. Eines der Blätter mit vereinzelten Stockflecken oben links. Zwei der Blätter entlang der Kanten leicht gebräunt. Ansonsten in sehr gutem Zustand. WVZ. Galfetti, Nrn 476-485. . Kunsthandel, Van Ham. Copyright: © Antoni Tapies. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg607179 Sarcophagus lavishly decorated with depiction of Dionysiac Procession. Country of Origin: Italy. Culture: Roman.

akg1378341 USA / Al-Qaeda terrorist attacks in New York and Washington on September 11, 2001, killing approx. 3 000 people.-The New York World Trade Centre "Twin Towers" are destroyed when two hijacked passenger planes are flown into the buildings:-View from the East Village to the Twin Towers in the south west with both towers in smoke and flames.-.

akg3825966 The modern Chinese tunic suit is a style of male attire known in China as the Zhongshan suit (simplified Chinese: ???; traditional Chinese: ???; pinyin: Zhongshan zhuang) (after Sun Yat-Sen), also known in the West as the Mao suit (after Mao Zedong). Sun Yat-sen introduced the style shortly after the founding of the Republic of China as a form of national dress although with a distinctly political and later governmental implication. After the end of the Chinese Civil War and the establishment of the People's Republic of China in 1949, the suit became widely worn by males and government leaders as a symbol of proletarian unity and an Eastern counterpart to the Western business suit. The name 'Mao suit' comes from Chinese leader Mao Zedong's affinity for wearing them in public, thus tying the garment closely to him and Chinese communism in general in the Western imagination. Although they fell into disuse among the general public in the 1990s due to increasing Western influences, they are commonly worn by Chinese leaders during important state ceremonies and functions.

akg4219929 Lundbye, Johan Thomas; 1818-1848. "Südseite der Halbinsel Refsnaes", 1843. Bleistift, Feder in Grau und Aquarell, 26,9 x 38,9 cm. Inv. Nr. 1280 r, Kopenhagen, Den Hirschsprungske Samling.

akg458592 Manet, Edouard. 1832-1883. "Olympia", 1863. Detail: servant. Oil on canvas, 130 × 190 cm. R.F. 644. Paris, Musée d'Orsay. Museum: Paris, Musee d'Orsay.

akg6156149 France, Paris, musée d'Orsay, Edouard Manet, 1832-1883, Olympia, détail, huile sur toile, 1863.

akg7251202 Schriftzeichen / Hieroglyphen. "PAPYRUS, HIÉROGLYPHES, INSCRIPTIONS ET MÉDAILLES. / PIERRE. TROUVÉE À ROSETTE, (PARTIE INTERMÉDIAIRE, EN LANGUE ÉGYPTE VULGAIRE)". (Stein von Rosette, 196 v. Chr.; 1799 gefunden in Raschid. Priesterdekret über die Wahl des Königs Ptolemäus V. Epiphanes in hieroglyph. und demotischer Schrift mit griech. Übersetzung. Grundlage der Entzifferung der Hieroglyphen durch J. F. Champollion 1822, Basalt, 118 × 77 × 30 cm. EA 24, London, British Museum). Kupferstich von Jean Joachim Fouquet nach Zeichnung von Adrien Raffeneau-Delile (1773-1843). Aus: Description de l'Egypte, ou recueil des observations et des recherches qui ont été faites en Egypte pendant l'expédition de l'armée française, publié par les ordres de sa majesté l'empereur Napoléon le Grand, Paris, 1809-1822, A. Vol. V., Pl. 53.

akg4463002 II WORLD WAR Milan: the bodies of Benito Mussolini and hung Claretta Petacci in Loreto Large square, 29 April 1945.

orz115327 Kirk Douglas, American actor (born in 1916). Drawing for the movie 'Spartacus'.

alb15515092 Europe, Netherlands, Schaberg, JP, Kampen, Zalsman, Gerhardus Philippus, Zalmans prints, Song, verso - stamped, Sheet with sheet music for five different songs, such as 'Leve de koning!' and 'Hoe mijn vaderland heet?.' Numbered top center: XXXII., print, prent, volksprent, prints, prenten, volksprenten, height 427 mm, width 310 mm, Publication (Event), Publicatie, Nederlands, 1834 - 1910, publisher, uitgever, 1869 - 1882, paper, papier, houtgravure, letterpress printing, boekdruk, 1818-01-20 - 1903-10-09, redacteur, print maker, printmaker.

alb15388201 L'Organisation du Regne animal, Paris, Chez l'Auteur [n.d.], birds, classification, This illustration presents an anatomical study of various marine animals. It features detailed depictions of skeletal structures, including skulls, vertebrae, and rib cages, highlighting the complexity of their anatomy. The arrangement showcases similarities and variations in the skeletal designs of different species, with focus on the morphology of the spine and skull. This scientific representation serves as an educational tool for understanding marine biology and comparative anatomy, illustrating the intricate forms that adapt these creatures to their aquatic environments.

alb15883613 Mantelpiece, Ornament print with mantelpiece with candlesticks and clock. Part (16e. Cah. f.le 19) of the print album with two series of a total of 138 ornamental prints by Beauvallet and Normand, 'Fragmens d'Ornemens dans le Style Antique'., print maker: unknown, publisher: Jacques-Louis Bance, Paris, 1820, paper, etching.

alb15321080 The botanical atlas, New York, The Century Co, 1883, botany, cryptogams, pictorial works, phanerogams, This illustration features a variety of cryptogams, specifically focusing on Lycopod and Selaginella species. The top row displays detailed renderings of club moss plants, showcasing their distinctive leaf structures. Below, depictions of microscopic reproductive structures illustrate the life cycle of these plants, including spores and gametophytes. Various views highlight the arrangement and anatomy of the spores, accompanied by a life history diagram that outlines the developmental stages. The intricacies of cell structures and seed formations are also highlighted, emphasizing the complexity and diversity within this group of vascular plants.

alb15931772 Window with curtains, Grand baie drapée / Coupes et détails (title on object), L'ameublement / Collection simple (series title), A window with four windows with draped curtains. Below details of the draperies. Print from 324th Livraison., print maker: Léon Laroche, printer: Monrocq, publisher: weduwe Eugène Maincent, Paris, 1895, paper, height 359 mm × width 274 mm, print.

alb15486743 Netherlands, Amsterdam, Staden Czn., PCL van, This beautiful picture scene presents, Children, before your eyes, What one can accomplish through the noble art of art, verso - stamped, Sheet with eight representations of modern railways, vehicles and stations. A four-line verse under each picture. Numbered top right: No. 8. Ca. 1800-1850., print, prent, volksprent, prints, prenten, Frederik Muller Historieplaten, height 362 mm, width 282 mm, printer, drukker, 1850 - 1870, paper, papier, houtgravure, letterpress printing, boekdruk, kleuren, print maker, prentmaker.

alb15418950 Guide-map of New York City, 1890, Date Issued: 1890, Approximate, New York, N.Y., Manhattan (New York, N.Y.), Bronx (New York, N.Y.), New York (N.Y.), Buildings, New York (State), Local transit, Piers, Railroads, Extent: 1 map: color, 51 x 20 cm, Concrete jungle sprawls, Copper domes touches sky high, City's heartbeat beats.

alb15418515 Grate Bars, Doors and Frames., 1888, J.L. Mott Iron Works, Date Issued: 1888, Place: New York, Publisher: J. L. Mott Iron Works, Plumbing, Equipment and supplies, Catalogs, Facilities, Wood engravings, Iron gates unfold, New York's craftsmanship shines, Timeless beauty stays.

alb15425673 Plate 122: Map bounded by East 72nd Street, Third Avenue, East 67th Street, Fifth Avenue, 1857 - 1862, Perris & Browne, Manhattan (New York, N.Y.), Real property, New York (State), New York, Maps show city's charm, Avenues curve, streets unfold, New York's timeless map.

alb15415430 Hudson Business Notices cont., 1873, Date Issued: 1873, Place: Philadelphia, Publisher: D. G. Beers & Co., Columbia County (N.Y.), Real property, New York (State), Columbia County, Business enterprises, Land and commerce blend, Columbia County's great scope, Prosperity's path.

alb15416085 1. Mambéo; 2. Mangobarac; 3. Wife of Kouaoui; 4. Dorey; 5. Hani., Place: Paris, Publisher: J. Tastu, Date Issued: 1830 - 1835, Extent: 53 x 34 cm., Lithographs, Mambéo's dark fame, Mangobarac's secret kept, Hani's mystery.

alb15428796 LUNCHEON held by GRAND TRUNK RAILWAY SYSTEM at EN ROUTE IN DINING CAR (RR;), 1900, Date Issued: 1900, Extent: CARD; COL; 3.5 X 9.5, Rails rumble by slow, Lunch amidst gentle sway, Memories ride on.

alb15430624 1876, Date Issued: 1876, Place: Philadelphia, Genesee County (N.Y.), Real property, New York (State), Ancient map unfurls, Philadelphian wisdom whispers, History's old lines.

alb15451800 Erinnerung an die Calven-Feier in Chur, verso first endpaper - handwritten, book, photographs, photographically illustrated books, Donné a mon cher petit fils et f[...] Rodolphe par son grand père Lucien L'Orsa. -La Roche sur-yon 28 Août 1899.-, height 226 mm, width 301 mm, thickness, 9 mm.

alb20291448 España. Correspondencia comercial. Factura de venta de la Sociedad Anónima Sucesora de Cuadras y Prim, de Barcelona. Año 1915.

alb20337130 André Derain/ Moïse Kisling, 1921. Oil on canvas. 74.3 × 60.3 cm. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA.

alb20337566 André Derain/ Rita van Leer, ca. 1928. Oil on canvas. 41.3 × 33.3 cm. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA.

alb5084890 York House: Plan of Principle Floor, George Gladwin, active 1820s1830s, after Benjamin Dean Wyatt, 17751850, British, after Philip William Wyatt, 17771835, British, Published by James Carpenter, active 18081843, British, 1827, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/16 x 11 5/16 inches (23 x 28.8 cm), Plate: 5 15/16 x 8 inches (15.1 x 20.3 cm), and Image: 4 7/16 x 7 7/16 inches (11.2 x 18.9 cm), architectural subject, floor plan, layout, mansion, rooms, scale (rule), City of Westminster, England, Greater London, London, United Kingdom, York House, Strand.

alb2257668 PRIMO DE RIVERA , JOSE ANTONIO. POLITICO ESPAÑOL. MADRID 1903 - 1936 REPRODUCCION FOTO.

alb2255395 PRIMO DE RIVERA , JOSE ANTONIO. POLITICO ESPAÑOL. MADRID 1903 - 1936. FOTO A LA EDAD DE 30 AÑOS , JUNTO A. REDONDO , ONESIMO. POLITICO ESPAÑOL. QUINTANILLA DE ABAJO 1905 - 1936 REPRODUCCION FOTO. JOSE ANTONIO PRIMO DE RIVERA. ONESIO REDONDO.

alb2002341 Jacques-Louis David, 'The Intervention of the Sabine Women', 1799, Oil on canvas, 385 × 522 cm, Inv. 3691. Museum: MUSEE DU LOUVRE, BUDAPEST, France. ROMULUS. HERSILIE. TITO TACIO.

alb2107066 Anonymous (Wookshop Leonardo da Vinci) / 'La Gioconda or Mona Lisa', 1503-1516, Oil on wood, 76,3 x 57 cm., P00504. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2019367 Vincent Van Gogh / 'The Church at Auvers', 1890, Óleo sobre lienzo, 94 x 74 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb2033599 Jean Auguste Dominique Ingres / 'The Grand Odalisque', 1814, Oil on canvas, 91 x 162 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2068428 Johan Pietersz Schoeff / 'Paisaje fluvial', 1645-1648, Dutch School, Oil on panel, 49 cm x 70 cm, P02087. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: JOHAN PIETERSZ. SCHOEFF.

alb2067621 'Ceres and Two Nymphs', 1624, Oil on canvas, 224,5 cm x 166 cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS. FRANS SNYDERS.

alb2070458 Philippe Trière / 'Lot and his Daughters', 1786-1798, French School, Etching on paper, 417 mm x 297 mm, G05183. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9984366 Suzanne Valadon/ Bernard Lemaire, 1892 - 1893. 35 x 27 cm. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb9984342 Suzanne Valadon/Joy of Life, Painting, 1911, 122.9×205.7 cm.

alb10824256 Suzanne Valadon/ Catherine, acostada sobre la piel de un leopardo. 1923. Óleo sobre lienzo, 64.6×91.8 cm. Museum: PRIVATE COLLECTION.

alb10602224 Edgar Degas/ (Albi) Naked woman, sitting on the ground combing her hair. 1886-1890, Pastel and charcoal on beige laid paper. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb9984340 Suzanne Valadon/ Young Girl Crocheting, 1892. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb9984339 Suzanne Valadon/ Doctor Robert Le Masle [around 1930], Painting. Oil on canvas. 100 x 81 cm. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb9984362 Suzanne Valadon/ Grand' mère et petit-fils, 1910. 70 x 50 cm. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb9984357 Suzanne Valadon/ Portrait de Madame Lévy, 1922. 92 x 73 cm. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb9530982 Plate illustrating fan manufacture from Diderot's "Encyclopédie.". Engraving on paper. Date: 1751-1766. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb9531413 Thomas Jefferson. Date: 1836. Oil on wood panel. Museum: NATIONAL PORTRAIT GALLERY.

alb9984360 Suzanne Valadon/ La Couturière, 1914, 80 x 65 cm. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb9532768 Joseph Henry. oil on canvas. Date: 1860-1862. Museum: Smithsonian American Art Museum.

alb9532849 Autumn at Arkville. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.

alb9533763 Nude. Oil on canvas mounted on fiberboard. Date: ca. 1915-1916. Museum: Smithsonian American Art Museum.

alb9532498 Harbor Scene. watercolor and pencil on paper. Date: (c. 1889). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

alb9532455 Nude in Landscape. Date: 1900. Oil on canvas mounted on fiberboard. Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.

alb9237304 Andy Warhol/ Vaca, 1977.

alb25437 Juan el Habichuela (Juan Carmona Carmona). Auditorio del FNAC. Barcelona 1999.

alb820880 B.B.King on stage with his legendary guitar Lucille performing on the Midnight Special T.V. show, 1979.

alb3712141 Thomas Jefferson. Dated: c. 1821. Dimensions: overall: 66 x 54.5 cm (26 x 21 7/16 in.) framed: 90.2 x 79.4 x 10.2 cm (35 1/2 x 31 1/4 x 4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.

alb377176 Marcel Proust (1871-1922).

alb3711586 Andrea Caraffa, died 1526, Count of Santa Severina and Viceroy of Naples [obverse]. Dated: c. 1524. Dimensions: overall (diameter): 3.3 cm (1 5/16 in.) gross weight: 32 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Girolamo Santacroce.

alb3710562 Rag Doll. Dated: 1935/1942. Dimensions: overall: 31.8 x 14.9 cm (12 1/2 x 5 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

alb3717427 Young Anglers. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Robert Dunkarton.

alb3716058 Odalisque. Dated: 1870. Dimensions: overall: 69.2 x 122.6 cm (27 1/4 x 48 1/4 in.) framed: 99 x 153.7 cm (39 x 60 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.

alb3719990 Andrea Caraffa, died 1526, Count of Santa Severina and Viceroy of Naples [obverse]. Dated: early 16th century. Dimensions: overall (diameter): 6.7 cm (2 5/8 in.) gross weight: 133 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Neapolitan 16th Century.

alb3714570 The Baptism of Christ. Dated: c. 1740. Dimensions: overall: 117.5 x 146.7 cm (46 1/4 x 57 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: ALESSANDRO MAGNASCO.

alb3714104 Saint Luke. Dated: fourth quarter 12th century. Dimensions: overall: 54 x 36.5 cm (21 1/4 x 14 3/8 in.). Medium: miniature on vellum. Museum: National Gallery of Art, Washington DC. Author: Italian 12th Century.

alb3682110 An uncut sheet printed on both sides with pages from 'Perucho el Valeroso' and 'Perlina la encantadora'. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 26 3/8 × 17 1/8 in. (67 × 43.5 cm). Publisher: Probably Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1900-1910. Museum: Metropolitan Museum of Art, New York, USA.

alb3681394 La Sainte Bible (vol. 2). Dimensions: 17 1/16 × 13 1/16 × 2 1/2 in. (43.4 × 33.1 × 6.4 cm). Illustrator: Gustave Doré (French, Strasbourg 1832-1883 Paris); Hector Giacomelli (French, Paris 1822-1904 Menton-Caravan). Printer: Printed by Alfred Mame et Fils (French). Publisher: Published by Alfred Mame et Fils (French). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.

alb3682161 Female Figure (Frauengestalt). Artist: Emil Orlik (Austro-Hungarian, Prague 1870-1932 Berlin). Dimensions: sheet: 13 7/8 x 10 3/16 in. (35.2 x 25.9 cm)plate: 6 9/16 x 6 1/2 in. (16.7 x 16.5 cm). Series/Portfolio: 136/150. Date: 1919. Museum: Metropolitan Museum of Art, New York, USA.

alb3717993 The Martyrdom of Saint Catherine. Dated: c. 1540. Dimensions: overall: 62.2 x 118.2 cm (24 1/2 x 46 9/16 in.) framed: 86.3 x 141.6 x 8.2 cm (34 x 55 3/4 x 3 1/4 in.). Medium: oil on plywood transferred from panel. Museum: National Gallery of Art, Washington DC. Author: Antwerp 16th Century (Possibly Matthys Cock).

alb3682090 Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques : avec leur explication. Author: Denis Diderot (French, 1713-1784); Jean Le Rond d'Alembert (French, 1717-1783); Pierre Mouchon (French, 1733-1797). Dimensions: 11 volumes ; H: 15 3/4 in. (40 cm). Publisher: Briasson. Date: 1762-72.Chiefly engraved plates (some double, some folded) accompanying "Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers." Livraison 5-10 also called volume 6-11. Museum: Metropolitan Museum of Art, New York, USA.

alb3682080 Hoop Earring. Dimensions: H. 3.9 cm (1 9/16 in.); W. 4 cm (1 9/16 in.); Th. 0.3 cm (1/8 in.). Dynasty: Dynasty 15. Date: ca. 1648-1540 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

alb3681702 Marble funerary inscription. Culture: Roman. Dimensions: Overall: 9 3/4 x 12 3/4 x 1 1/4 in. (24.8 x 32.4 x 3.2 cm). Date: 2nd-3rd century A.D..The Latin inscription records that the plaque was set up by Lucia Papiria for her mother Carisia Maxima who died aged eighty. Museum: Metropolitan Museum of Art, New York, USA.

alb3682759 Broadsheet relating to Jesús Bruno Martinez in prison in Belen. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: 1892. Museum: Metropolitan Museum of Art, New York, USA.

alb3684407 Songs: "My love she's so pretty...". Artist: Henry Thomas Alken (British, London 1785-1851 London). Dimensions: Image: 7 15/16 × 10 1/4 in. (20.1 × 26 cm)Sheet: 10 3/4 × 15 3/16 in. (27.3 × 38.5 cm). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: Illustrations to Popular Songs. Date: 1822.One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life. Museum: Metropolitan Museum of Art, New York, USA.

alb3683439 Broadsheet relating to the execution of four men in the name of justice. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1890-1910. Museum: Metropolitan Museum of Art, New York, USA.

alb3680015 September 8th at Heart's Content, the day of the successful termination of the work of laying, recovering, completing and testing the Atlantic Telegraph Cables of 1865 and 1866. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: Sheet: 7 3/8 × 10 15/16 in. (18.8 × 27.8 cm). Date: 1866.One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing celebrators lifting Field in a chair at Heart's Content, Newfoundland after the two cables were finally declared fully operational. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum. Museum: Metropolitan Museum of Art, New York, USA.

alb3639817 A Gathering of Artists. Artist: After Louis Léopold Boilly (French, La Bassée 1761-1845 Paris); Alexandre Clément (French, ca. 1775-?1808). Dimensions: Sheet: 17 5/8 × 13 9/16 in. (44.7 × 34.4 cm). Date: 1804.This print in outline technique, and the related stipple engraving which accompanied it, both reflect the popularity of Boilly's painting, A Reunion of Artists in Isabey's Studio, (1798, Musée du Louvre, Paris). Likely intended to be sold with the stipple engraving, this work would have helped collectors identify the 29 artists depicted. Also in the Museum's collection are two preparatory drawings for the painting (2009.477 and 2010.449). Museum: Metropolitan Museum of Art, New York, USA.

alb3682921 Crucified Christ. Culture: French. Dimensions: Overall: 6 5/8 x 1 11/16 x 1 5/16in. (16.8 x 4.3 x 3.4cm). Date: ca. 1260-80.The suffering of Christ on the cross was so important in Gothic art that the mid-thirteenth-century statute of the corporations of Paris included a guild dedicated to the carving of such images, including ones in ivory. This ivory sculpture of Christ, whose pathos and agony are beautifully conveyed, was executed in the round and most certainly was intended for an altar cross. In spite of the loss of both arms and parts of the legs (which originally were attached to the body by means of pegs), the modeling of the figure reveals a profound sensitivity to form and expression. The powerful anatomical structure--portraying, naturally, the corporeality of the dying Christ--is remarkable for a crucifix of this period. The closed eyes and the long hair, which falls down the back and right side of the head, reveal the emotional impact of death. A subtle twist in the torso was produced in part by the positioning of the legs, which were crossed and mounted on the cross with a single nail. Museum: Metropolitan Museum of Art, New York, USA.

alb3680375 Female Nude. Artist: Gaston Lachaise (American (born France) 1882-1935). Dimensions: 24 x 19 in. (61 x 48.3 cm). Date: ca. 1931-35.Undated, this drawing was undoubtedly made during Lachaise's maturity, when he often exaggerated female attributes to make his work more erotic. Museum: Metropolitan Museum of Art, New York, USA.

alb3681234 Tiger: emblem of the West. Culture: China. Dimensions: H. 3 1/4 in. (8.3 cm); W. 4 3/4 in. (12.1 cm); D. 1 9/16 in. (4 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3635199 Decorated Roman alphabet. Artist: Anonymous, French, 15th century. Dimensions: Sheet: 1 7/16 × 1 7/16 in. (3.6 × 3.6 cm). Date: ca. 1499. Museum: Metropolitan Museum of Art, New York, USA.

alb3631371 Drawing of Lions. Culture: American. Dimensions: 5 1/2 x 6 3/4 in. (14 x 17.1 cm). Date: 1770-1800. Museum: Metropolitan Museum of Art, New York, USA.

alb3632872 Portrait of a Gentleman. Artist: Moses B. Russell (ca. 1810-1884). Dimensions: 2 9/16 x 2 1/8 in. (6.5 x 5.4 cm). Date: ca. 1834.In 1934 the Anderson Galleries, New York City, sold this miniature alone, without a mate, as a portrait of John Hunt. Four years later this portrait and (68.222.33) were identified in the Erskine Hewitt Collection at the Parke-Bernet Galleries, New York City, as Mr. and Mrs. Jason David Battles. Based upon a sale record at Parke-Bernet in 1944 the sitters were said to be Mr. and Mrs. James David Botter. In fact, the sitters have not been firmly identified, and the paintings do not appear to be a pair. Museum: Metropolitan Museum of Art, New York, USA.

alb3632504 Olga de Meyer, Japan. Artist: Adolf de Meyer (American (born France), Paris 1868-1946 Los Angeles, California). Dimensions: 19.3 x 15.1 cm. (7 5/8 x 5 15/16 in.). Date: 1900.Framed by the gridded panels of a sliding screen door, Olga de Meyer pauses from her reading to look languidly at the camera. De Meyer made this affectionate photograph of his new wife while on their honeymoon to Japan. The composition suggests his interest in Japanese aesthetics, as well as the influence of the painter James McNeill Whistler, a key figure of the Aesthetic movement. In its rebellion against Victorian morals, the movement sought inspiration from outside the European tradition. De Meyer's travels in Japan--as well as China, Ceylon, India, North Africa, Turkey, and Spain--nourished Orientalist fictions, and gave rise to the subjects and compositions of many of his photographs. Museum: Metropolitan Museum of Art, New York, USA.

alb3632235 Fragmentary marble inscription. Culture: Roman, Cypriot. Dimensions: Overall: 8 5/8 x 7 in. (21.9 x 17.8 cm). Date: mid-1st century A.D..Probably part of an honorific inscription, but the incomplete nature of the surviving block does not allow for an exact restoration of the text. The presence of the name Clau[dius] at the end of line 3 gives an indication of the inscription's date. Museum: Metropolitan Museum of Art, New York, USA.

alb3630884 Agate lentoid seal. Culture: Minoan. Dimensions: Diameter 1.99 cm-2.07 cm, Thickness 1 cm. Date: ca. 1400-1300 B.C..Two rampant wild goats, heraldically grouped with column in center. Museum: Metropolitan Museum of Art, New York, USA.

alb3630899 Girdle clasp. Culture: China. Dimensions: L. 3 1/16 in. (7.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3637387 Jupiter and Juno: Study for the 'Furti di Giove' Tapestries. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: Sheet: 17 x 15 3/4 in. (43.2 x 40 cm). Date: ca. 1532-35.One of Perino's most beautiful and important drawings, this monumental depiction of the Roman gods holding hands as they recline on their marriage bed is a highly finished study for one of the woven panels in a lavish and costly set of tapestries, now lost, depicting the clandestine erotic adventures of Jupiter (the "Furti di Giove"). The tapestry series was commissioned by Admiral-Prince Andrea Doria, ruler of Genoa and one of Perino's major patrons, to hang in his newly erected palace on the outskirts of the city as a dazzling display of princely magnificence and cultivated taste. The artist envisioned the amorous composition as if seen through a window complete with illusionistic framing elements lavishly decorated with classical detailing. The high degree of finish, lack of changes or revisions, and rich combination of media, as well as the large size and the inclusion of the surrounding borders and heraldic shield, suggest that this drawing was made as a presentation piece to show the patron. Trained in Raphael's studio in Rome, Perino absorbed the lessons of his master's vocabulary (steeped in classical antiquity) into his own uniquely personal, elegant Mannerist style. This mature drawing of Jupiter and Juno, with its emphasis on extreme artifice, decorative grace, and effortless refinement, represents something of a culmination in Perino's artistic career. It also more than proves his sheer technical virtuosity and capacity for extravagant invention.(Carmen C. Bambach). Museum: Metropolitan Museum of Art, New York, USA.

alb3638506 Les Singuliers et Nouveaux Portraicts... page 3 (recto). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.Sonnet printed in black with illustrated woodcut initial "L". Above the text is a frieze ornamented with a foliage pattern. Museum: Metropolitan Museum of Art, New York, USA.

alb3630922 Charles III of Spain, as Protector of the Royal Academy of Mexico. Artist: Medalist: Geronimo Antonio Gil (1732-1798). Culture: Mexican. Dimensions: Diam. 2 1/4 in. (57 mm.). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3630914 Le Bouffon - Le Salon de 1868. Artist: After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836-1912 Wiesbaden); After Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz); After Camille Corot (French, Paris 1796-1875 Paris); After Édouard Manet (French, Paris 1832-1883 Paris); After Charles-François Daubigny (French, Paris 1817-1878 Paris); After Eugène Fromentin (French, La Rochelle 1820-1876 Saint-Maurice); After Gustave Doré (French, Strasbourg 1832-1883 Paris); After Charles Sellier (French, 1830-1882); After François-Emile Ehrmann (French, 1833-1910); After Friedrich Schenk (German, born 1811); After Georg Edward Otto Saal (German, 1818-1870); After Charles-Victor-Eugène Lefebrve (French, 1805-1882); After Charles-Louis Vielcazal (French, 1825-1892); After Auguste-André Lançon (French, 1836-1887); After Charles Théodore (French, 1814-1888); After Amable-Gabriel de La Foulhouze (French, born 1825); After Joseph-Victor Ranvier (French, 1832-1896); After Alphonse-Eugène-Félix Le Cadre (French, 1842-1875); After Jules. Dimensions: Overall: 21 x 31 11/16 in. (53.3 x 80.5 cm)image: 14 5/8 x 20 1/2 in. (37.1 x 52 cm). Printer: Edward Ancourt (French, 19th century). Series/Portfolio: Troisiéme Série. No. 119. Date: May 10, 1868. Museum: Metropolitan Museum of Art, New York, USA. Author: After Sir Lawrence Alma-Tadema. after Charles-François Daubigny. After Camille Corot. After Gustave Courbet. After Édouard Manet. After Eugène Fromentin. After Gustave Doré. After Charles Sellier. After François-Emile Ehrmann. After Friedrich Schenk. After Georg Edward Otto Saal. After Charles-Victor-Eugène Lefebrve. After Charles-Louis Vielcazal. After Auguste-André Lançon. After Charles Théodore. After Amable-Gabriel de La Foulhouze. After Joseph-Victor Ranvier. After Alphonse-Eugène-Félix Le Cadre. After Jules Richomme. After Charles Monginot.

alb3631097 Fotogramm. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 23.8 x 17.8 cm (9 3/8 x 7 in.). Date: 1925.Moholy-Nagy played a key role at the Bauhaus in both Weimar and Dessau from 1923 to 1928, and at the New Bauhaus (later the Institute of Design) in Chicago from 1937 until is death in 1946. His major contribution to avant-garde photography was the new vision (das neue Sehen), in which he advocated a new approach to the medium, proposing the use of such techniques as the manipulation of light in cameraless photograms. Moholy-Nagy made this image by placing commonplace domestic objects on a sheet of photographic paper and exposing it to light. The resulting spatial, tonal, and gestural qualities of these abstract compositions challenged traditional modes of visual apprehension and representation.Dancing on the Roof label text:Although Moholy did not invent the photogram technique--which involved placing objects on photographic paper and exposing them to light--he made extraordinarily innovative use of it. In works such as this one, he delighted in the play of abstract forms in indeterminate space and the striking contrasts between the deepest black and the brightest white. Museum: Metropolitan Museum of Art, New York, USA.

alb3631944 Seal. Culture: China. Dimensions: H. 1 7/16 in. (3.7 cm); W. 1 1/2 in. square (3.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3630043 Sampler listing the counties of England. Culture: British. Dimensions: Framed: 31 1/8 x 25 5/8 in. (79.1 x 65.1 cm). Date: ca. 1851.This sampler's chart is based on information from the English census of 1851. The anonymous maker has added a little visual interest by varying the colors of the entries by region, but this sampler employs only one type of stitch (cross stitch) and no decorative patterning. Like embroidered map samplers, this work may have been produced as part of a young woman's education, as a way of practicing lettering and geographical knowledge. Museum: Metropolitan Museum of Art, New York, USA.

alb3637416 Four Figures Conversing in a Landscape. Artist: Antonio del Castillo y Saavedra (Spanish, Cordoba 1616-1668 Cordoba). Dimensions: 7-5/16 x 11-7/16 in. (18.6 x 29.1 cm). Date: 1616-68. Museum: Metropolitan Museum of Art, New York, USA.

alb3632795 Broadside relating to a news story about the destruction following a volcanic eruption, volcano erupting while animals and men on horseback flee. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 7 5/8 × 11 13/16 in. (19.3 × 30 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1900-1913. Museum: Metropolitan Museum of Art, New York, USA.

alb3638370 Girdle ornament. Culture: China. Dimensions: H. 3 5/8 in. (9.2 cm); W. 1 5/8 in. (4.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3634133 Red jasper ring stone. Culture: Roman. Dimensions: Length: 11/16 in. (1.7 cm). Date: ca. 1st century B.C.-3rd century A.D..Pan with syrinx and staff dancing before mask and tree. Museum: Metropolitan Museum of Art, New York, USA.