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akg390134 Enluminure catalane, entre 1398-1405.-"L'Adoration des Mages ". D'un bréviaire du roi Martin Ier d'Aragon. H. 0,35 ; L. 0,25. Rothschild 2529, fol. 145. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg097905 Dietrich, Marlene Filmschauspielerin und Sängerin, 1901 - 1992. Marlene Dietrich mit Tochter Maria und Ehemann Rudolf Sieber. Foto, um 1932. Copyright: For editorial use only.
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akg330758 Egusquiza, Rogelio de 1845-1913. "Concert de Famille", 1878. Oil on canvas, 61.5 × 86.5cm. New York, Sotheby's. Lot 75, 24/5/88.
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akg084483 Jordan, Wilhelm Dichter, Schriftsteller und Politiker, Insterburg 8.2.1819 - Frankfurt / Main. 25.6.1904. Porträt. Holzstich nach Photographie, 1881.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg1663659 Zola, Émile; franz. Schriftsteller; 1840-1902. Werke: L'Assommoir (Roman, 1877; dt. Der Totschläger).-Plakat des Théâtre de la Porte Saint-Martin, Paris, 1900.-Farblithographie von Alexandre Steinlen (1859-1923). Museum: Private Collection., Privatsammlung.
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akg1111047 Die "Schlacht von Dertrosa" oder auch " Schlacht von Ibera" im Frühjahr 215 v. Chr. in der Hannibals Bruder Hasdrubal Barca gegen Gnaeus Cornelius Scipio Calvus und Publius Cornelius Scipio kämpfte.-Niederlage des Hasdrubal, Bruder Hannibals.-/ Buchmalerei, Frankreich, 14. Jahrhundert. Die " Römische Geschichte" des Titus Livius... Museum: Bibliothèque Sainte-Geneviève., Paris.
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akg079428 Fr|bel, Friedrich Educationalist (Founder of the Kindergarden); Oberweissbach (Thuringia) 21.4.1782 - Marienthal 21.6.1852. Portrait. Lithograph, c. 1850, after drawing by Heinrich Strauch (1819-1856).
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akg7674922 Metamorphosenmaschine, Various mirror machines and catoptric experiments, iconism XXXIII, p. 783, 1671, Athanasius Kircher: Athanasii Kircheri [...] Ars magna lucis et umbrae, in X. libros digesta: quibus admirandae lucis et umbrae in mundo, atque adeo universa natura, vires effectusque uti nova, ita varia novorum reconditiorumque speciminum exhibitione, ad varios mortalium usus, panduntur. Amstelodami [Amsterdam]: apud Ioannem Ianssonium à Waesberge [etc.], 1671.
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akg4507653 Spanien, Valencia, Stadttor " Torres de Serranos " , Stahlstich aus einem Buch, um 1840 . Spain, Valencia, town gate " Torres de Serrans " , steel engraving from a book , about 1840.
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akg7751725 Espagne, Catalogne, Poblet, monastère, église, voûte, médaillon (photo juillet 2019).
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alb289123 WILLIAM HURT and KATHLEEN TURNER in FUEGO EN EL CUERPO (1981) -Original title: BODY HEAT-, directed by LAWRENCE KASDAN. English title: BODY HEAT. Portuguese title: CORPOS ARDENTES.
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alb256356 ROBERT DUVALL in APOCALYPSE NOW (1979), directed by FRANCIS FORD COPPOLA. English title: APOCALYPSE NOW.
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alb919951 KIRSTEN DUNST in MARÍA ANTONIETA (2006) -Original title: MARIE ANTOINETTE-, directed by SOFIA COPPOLA. English title: MARIE ANTOINETTE.
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alb269367 REGADOR REGADO (1895) -Original title: L' ARROSEUR ARROSE-, directed by LOUIS LUMIERE. English title: TABLES TURNED ON THE GARDENER.
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alb310449 WILLIAM HURT and KATHLEEN TURNER in FUEGO EN EL CUERPO (1981) -Original title: BODY HEAT-, directed by LAWRENCE KASDAN. English title: BODY HEAT. Portuguese title: CORPOS ARDENTES.
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alb244890 WILLIAM HURT and KATHLEEN TURNER in FUEGO EN EL CUERPO (1981) -Original title: BODY HEAT-, directed by LAWRENCE KASDAN. English title: BODY HEAT. Portuguese title: CORPOS ARDENTES.
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alb294943 ROBERT DUVALL and JOHN TRAVOLTA in PHENOMENON (1996), directed by JON TURTELTAUB. English title: PHENOMENON. Portuguese title: FENOMENO.
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alb296323 WILLIAM HURT and KATHLEEN TURNER in UN TROPIEZO LLAMADO AMOR (1988) -Original title: THE ACCIDENTAL TOURIST-, directed by LAWRENCE KASDAN. English title: THE ACCIDENTAL TOURIST. Portuguese title: O TURISTA ACIDENTAL.
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alb1333336 EL LOCO DEL PELO ROJO (1956) -Original title: LUST FOR LIFE-, directed by VINCENTE MINNELLI. English title: LUST FOR LIFE. Portuguese title: A VIDA APAIXONADA DE VAN GOGH.
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alb15591368 Man and woman sitting at a table in a café, L'Assommoir d' Emile Zola (title on object), Poster announcing the performance of l'Assommoir by Emile Zola at the Théâtre de la Porte-Saint-Martin. Next to the woman is a large basket. Behind them are a few men at the bar., poster, print maker: Théophile Alexandre Steinlen, (mentioned on object), printer: Charles Verneau, (mentioned on object), Paris, 1900, paper, height, 1984 mm × width, 1371 mm.
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alb5517208 Andrea Mantegna (1431-1506)/ Madonna and Sleeping Child, 1465-1470. Glue tempera on linen, 43x32 cm. Museum: Gemaldegalerie Gemald, BERLIN, DEUTSCHLAND.
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alb5147518 Théophile-Alexandre Steinlen, Imprimerie Charles Verneau, L'Assommoir, paper, lithograph, total: height: 195 cm; width: 139 cm, signed: im Druck u. r.: Steinlen, theater posters, worker/working class, inn, coffee house, pub, relations between the sexes, washing clothes.
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alb2036299 Leonardo Da Vinci / 'The Strangled Body of Bernardo Baroncelli'. Museum: MUSEE BONNAT, Bayona, France.
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alb2037638 Tintoretto / 'Susanna in her Bath', c. 1550, Oil on canvas, 167 x 238 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.
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alb2033417 Domenico Ghirlandaio / 'An Old Man and his Grandson', c. 1490, Tempera on wood, 62 x 46 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.
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alb2015532 King Louis XVIII of France and Navarre (1755-1824). 1823, Oil on canvas, 40cm x 44 cm. Museum: Museé Versailles, Versalles, France. Author: FRANÇOIS GERARD.
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alb2012705 Fra Angelico / 'Coronation of the Virgin', 1434-1435, Tempera on panel, 213 x 211 cm, Inv.314. Museum: MUSEE DU LOUVRE, BUDAPEST, France. VIRGIN MARY.
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alb2066874 Bathers on beach at Trouville, 1869, Óil on canvas, 31 cm x 48 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France. Author: EUGENE BOUDIN.
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alb2068523 Paolo Veronese (and workshop) / 'San Jerónimo meditando', ca. 1585, Spanish School, Canvas, 93 cm x 77 cm, P07074. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069061 Giovanni Battista Moroni / 'Portrait of a Soldier', ca. 1560, Italian School, Oil on canvas, 119 cm x 91 cm, P00262. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb9532356 Young woman reading a book of poems. Origin: China. Date: 16th-17th century. Period: Ming dynasty. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
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alb9532541 Frances Folsom Cleveland. Date: 1899. oil on canvas. Museum: NATIONAL PORTRAIT GALLERY.
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alb9711625 Berthe MORISOT/ View of Paris from the Trocadero, 1871-73. Oil on canvas. 46 × 81.6 cm. Museum: Santa Barbara Museum of Art.
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alb19932636 John Singer Sargent/ The Daughters of Edward Darley Boit, 1882. Oil on canvas, 222.5 x 222.5 cm. Museum: MUSEUM OF FINE ARTS / BOSTON / ES. UNIDOS.
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alb9532464 Celestina. oil on canvas. Date: (1908). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.
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alb350522 Captain Kidd burying his treasure, from ‘Treasura Island.’ Illustrated by Howard Pyle, who developed the typical pirate costume. WILLIAM KIDD.
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alb3711349 Ben Arthur. Dated: published 1819. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Goff Lupton.
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alb3712577 The Rape of Proserpine. Dated: early 16th century. Dimensions: overall (diameter): 5.2 cm (2 1/16 in.) gross weight: 39 gr. Medium: bronze//Very dark patina. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.
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alb3712882 Isabella d'Este. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pieter Holsteyn II after Correggio after Parmigianino.
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alb3716359 Madonna and Child with Angels. Dated: 1465/1470. Dimensions: overall: 86.7 x 57.8 cm (34 1/8 x 22 3/4 in.) overall (with edge strips): 89.2 x 60 cm (35 1/8 x 23 5/8 in.) framed: 137.2 x 101.6 cm (54 x 40 in.). Medium: oil and tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Attributed to Sandro Botticelli.
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alb3715618 Die Halle auf dem Heidelberger Schlosse (The Hall of Heidelberg Castle). Dated: 1806. Dimensions: plate: 36.6 × 47.4 cm (14 7/16 × 18 11/16 in.) sheet: 36.8 × 47.5 cm (14 1/2 × 18 11/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Georg Primavesi, after Peter Speeth.
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alb3715758 Saint Catherine's Hill Near Guilford. Dated: 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and J. C. Easling.
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alb3717391 Scene in the Campagna. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.
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alb3710508 Hanging the Laundry out to Dry. Dated: 1875. Dimensions: overall: 33 x 40.6 cm (13 x 16 in.) framed: 52.4 x 60 x 5.7 cm (20 5/8 x 23 5/8 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Berthe Morisot.
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alb3719152 Cephalus Punished at the Hunt. Dated: c. 1520/1522. Dimensions: overall: 211.4 x 110.3 cm (83 1/4 x 43 7/16 in.). Medium: fresco. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3717572 Apollo on Parnasus. Dated: published 1502. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Süss von Kulmbach.
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alb3716252 Countess. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.
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alb3711838 Wife of a Member of the de Hondecoeter Family. Dated: 1543. Dimensions: painted surface: 24.5 x 18.8 cm (9 5/8 x 7 3/8 in.) overall (panel): 26 x 20.1 cm (10 1/4 x 7 15/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Probably Antwerp 16th Century.
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alb3711954 Saint Jerome in the Wilderness. Dated: c. 1490/1500. Dimensions: overall: 60 x 41.9 cm (23 5/8 x 16 1/2 in.) framed: 73.7 x 55.3 x 9.8 cm (29 x 21 3/4 x 3 7/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Follower of Pietro Perugino.
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alb3715463 Beach Scene at Trouville. Dated: 1863. Dimensions: overall: 34.8 x 57.5 cm (13 11/16 x 22 5/8 in.) framed: 55.6 x 78.1 x 3.8 cm (21 7/8 x 30 3/4 x 1 1/2 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.
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alb3715496 Portrait of a Youth. Dated: c. 1485. Dimensions: overall: 52.1 x 36.5 cm (20 1/2 x 14 3/8 in.) framed: 90.8 x 71.8 x 15.2 cm (35 3/4 x 28 1/4 x 6 in.). Medium: oil and tempera on panel. Museum: National Gallery of Art, Washington DC. Author: FILIPPINO LIPPI.
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alb3719208 The Gathering of Manna. Dated: 1540/1555. Dimensions: overall: 111.8 x 95.3 cm (44 x 37 1/2 in.) framed: 141 x 123.2 x 8.3 cm (55 1/2 x 48 1/2 x 3 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BACCHIACCA.
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alb3714150 The Madonna of the Carnation. Dated: c. 1515. Dimensions: overall: 43.8 x 40.3 cm (17 1/4 x 15 7/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3717898 Portrait of a Lady. Dated: 1520/1525. Dimensions: overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.) framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3714516 Self-Portrait with White Collar. Dated: c. 1857. Dimensions: overall: 20.5 x 15 cm (8 1/16 x 5 7/8 in.) framed: 29.9 x 24.1 x 4.4 cm (11 3/4 x 9 1/2 x 1 3/4 in.). Medium: oil on paper on canvas. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS.
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alb3714372 Self-Portrait in a Velvet Cap with Plume. Dated: 1638. Dimensions: plate: 13.5 x 10.3 cm (5 5/16 x 4 1/16 in.) sheet: 18 x 14.2 cm (7 1/16 x 5 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.
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alb3717993 The Martyrdom of Saint Catherine. Dated: c. 1540. Dimensions: overall: 62.2 x 118.2 cm (24 1/2 x 46 9/16 in.) framed: 86.3 x 141.6 x 8.2 cm (34 x 55 3/4 x 3 1/4 in.). Medium: oil on plywood transferred from panel. Museum: National Gallery of Art, Washington DC. Author: Antwerp 16th Century (Possibly Matthys Cock).
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alb3711106 The Leader Sea Piece. Dated: published 1809. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.
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alb3710727 Christ Crucified between the Two Thieves (The Three Crosses). Dated: 1653. Medium: drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.
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alb3681698 Battle of Hercules and the Giants. Artist: Anonymous, Italian, 15th century; After Antonio Pollaiuolo (Italian, Florence ca. 1432-1498 Rome). Dimensions: sheet: 14 5/16 x 21 3/4 in. (36.4 x 55.2 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3683429 Close Helmet with Mask Visor in Form of a Human Face. Armorer: Attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: H. 12 in. (30.5 cm); W. 9 3/4 in. (24.8 cm); D. 13 in. (33 cm); Wt. 4 lb. 12 oz. (2146 g). Date: ca. 1515.Helmets fitted with masklike visors were a popular German and Austrian fashion about 1510 to 1540. With their visors forged and embossed as humorous or grotesque human masks, such helmets were often worn in tournaments held during the exuberant pre-Lenten (Shrovetide) festivals, celebrations somewhat akin to the modern Mardi Gras. Substitute visors of more conventional type were often provided for everyday use. Museum: Metropolitan Museum of Art, New York, USA.
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alb3682714 Philip II, King of Spain, from the series Counts and Countesses of Holland, Zeeland, and West-Frisia. Artist: Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1629-1658 Amsterdam). Artist and publisher: Pieter Soutman (Dutch, ca. 1580-1657). Author: Written by Petrus Scriverius. Dimensions: sheet: 20 1/2 x 15 1/8 in. (52 x 38.4 cm)plate: 16 x 11 3/4 in. (40.6 x 29.8 cm). Series/Portfolio: Counts and Countesses of Holland, Zeeland, and West-Frisia. Date: 1650. Museum: Metropolitan Museum of Art, New York, USA. Author: Engraved by Cornelis Visscher.
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alb3682728 Falling Buffe. Armorer: Attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: H. 10 in. (25.4 cm); W. 8 1/2 in. (21.6 cm). Date: ca. 1525.This type of face defense is called a falling buffe because its segments can be collapsed downward to allow for easier breathing and greater visability, or locked in an upright position to fully protect the face. It was probably made by the celebrated Augsburg armorer Kolman Helmschmid in about 1525 and is very similar in form and decoration to another helmet in the Metropolitan Museum of Art, also attributed to Helmschmid, which is a type known as a closed burgonet (accession number 27.159.18). Both that helmet and this buffe came from the armory of the Dos Aguas family in Valencia, Spain. Museum: Metropolitan Museum of Art, New York, USA.
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alb3680973 The Peasant Couple at Market (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 1/8 × 2 13/16 in. (10.4 × 7.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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alb3633164 Self-Portrait. Artist: William Orpen (British, 1878-1931). Dimensions: 40 1/8 x 33 1/8 in. (101.9 x 84.1 cm). Date: ca. 1910.Born in Ireland, William Orpen studied in Dublin from 1892 to 1896 and went to London for further study at the Slade School of Fine Art in 1896. For the rest of his life, he lived and worked in London. There he received a number of honors, including membership in the New English Art Club, a governmental appointment as an official war artist during World War I, and a knighthood in 1918. He continued to work as a fashionable portrait painter during the 1920s, portraying wealthy and prestigious sitters in a traditional, highly polished style that rejected more recent developments in avant-garde art. He also produced a number of realistic self-portraits, both before and after the war, including Myself and Cupid (1910, Carnegie Institute, Pittsburgh) and Ready to Start (1917, Imperial War Museum, London).This self-portrait, also known as Leading the Life in the West, refers to Orpen's life as a young artist in the West End of London. Orpen stands reflected full-length in a mirror in his studio, wearing a bowler hat and holding gloves and a riding crop. A shelf below the mirror holds paintbrushes and rags, the tools of the artist's trade, as well as several bottles of liquor. Various pieces of correspondence, including an I.O.U. signed by Orpen, are tucked behind the frame of the mirror, further testifying to the pleasures and distractions of the painter's early career. The space of the picture is shallow but complex, with Orpen using his skills as a draftsman to resolve the challenges of surface, lighting, and reflection that he has set for himself. Museum: Metropolitan Museum of Art, New York, USA.
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alb3635227 Amorini Celebrate the Rape of Proserpine. Artist: Francesco Rosaspina (Italian, Montescudo 1762-1841 Bologna); After Francesco Albani (Italian, Bologna 1578-1660 Bologna). Dimensions: oval image: 22 1/8 x 27 in. (56.2 x 68.6 cm)sheet (trimmed within platemark): 24 3/8 x 29 7/8 in. (61.9 x 75.9 cm). Date: 1805-12.Rosaspina believed that he could translate the color and style of a painting only if the work was in front of him as he engraved, which is one reason it took him so long to complete this, his most famous print. Because there were long intervals between his visits to Milan, where Albani's painting was located, several proofs in different stages of completion survive. Albani's famous painting of dancing cupids, now in the Pinacoteca di Brera, Milan, is based on Ovid's account of Proserpina's ravishment by Pluto (the Greek Hades). See 45.78.123 for the finished state. Museum: Metropolitan Museum of Art, New York, USA.
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alb3681136 Democritus in Meditation. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 18 7/16 x 11 1/8 in. (46.8 x 28.2 cm). Date: 1662. Museum: Metropolitan Museum of Art, New York, USA.
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alb3636741 Speculum Romanae Magnificentiae: Tivoli Palace and Gardens. Artist: Attributed to Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 14 7/16 x 20 1/2 in. (36.7 x 52 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 3, plate 65 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
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alb3639571 Roundel (tondo). Artist: possibly workshop of Giovanni Maria Vasaro (Italian (Castel Durante), active early 16th century). Culture: Italian, Castel Durante. Dimensions: Diameter: 8 3/4 in. (22.2 cm). Date: ca. 1510-20.Regarded as one of the most beautiful pieces of maiolica (a refined tin-glazed pottery) ever made, this bowl is splendidly decorated with symbols of papal authority, such as keys and the tiara, and personal references to Pope Julius II della Rovere and his family, such as the oak tree. Julius probably commissioned the bowl for his supporter, the Bolognese envoy Melchiorre di Giorgio Manzoli--whose coat of arms appears at the lower edge--to commemorate the reestablishment of papal rule in Bologna in 1506. Giovanni Maria Vasaro, whose name is inscribed on the back, may have been the painter or the owner of the workshop in Castel Durante that produced the bowl. Museum: Metropolitan Museum of Art, New York, USA.
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alb3638427 Composition. Artist: Piet Mondrian (Dutch, Amersfoort 1872-1944 New York). Dimensions: 19 1/2 x 19 1/2 in. (49.5 x 49.5 cm). Date: 1921.This is an early example of the geometric mode of painting that Mondrian called Neo-Plasticism. The abstract two-dimensional nature of these compositions formed a new universal aesthetic language that was popularized through the magazine De Stijl. The avant-garde movement known by the same name held the promise of constructing a postwar world with a common point of visual reference, a way of abolishing artistic and even social hierarchies. Here, Mondrian uses thick black lines to divide the canvas into eleven different rectangles, some of which are painted in primary shades of red and blue. He created lighter hues by mixing primary colors with white. Over time, Mondrian ceased diluting his palette altogether in favor of pure primary colors. Museum: Metropolitan Museum of Art, New York, USA.
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alb3637621 Reinforcing Pieces for the Tourney. Armorer: Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: as mounted, H. 37 in. (94 cm). Date: ca. 1510-15.In the late fifteenth century, specialized exchange and reinforcing pieces were devised that allowed a single field armor to be adapted for use in various forms of the tournament. The ensemble of pieces was known as a garniture. The armorers Lorenz Helmschmid (about 1445-1516) and his son Kolman, working for Emperor Maximilian I (1459-1519), were among the principal inventors of the garniture. Exhibited here are some of the earliest pieces stamped with the mark of Kolman, the most innovative armorer of his generation.These reinforces represent an early form of garniture for the tourney, a combat fought by groups of horseman armed with blunted lances and swords. The decoration imitates the elaborately brocaded textile that was fashionable in court costume. Museum: Metropolitan Museum of Art, New York, USA.
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alb3633784 The Annunciation. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 34 x 31 1/2 in. (86.4 x 80 cm). Date: ca. 1525.Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. The altarpiece and the woodcut on the wall, for example, show Old Testament prophets as prefigurations of New Testament themes. Influenced by Italian art, Joos appropriated a new canon of beauty, a new repertory of rhetorical gesture, and a striking grace of movement in his figures. Museum: Metropolitan Museum of Art, New York, USA.
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alb3631840 View of Amsterdam from the Northwest. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Plate: 4 7/16 x 6 in. (11.2 x 15.2 cm)Sheet: 4 3/4 x 6 1/4 in. (12 x 15.8 cm). Date: ca. 1640. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).
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alb3706841 Junction of Severn and Wye. Dated: published 1811. Medium: etching, mezzotint, and aquatint. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.
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alb3631131 Armor. Armorer: Helmet, pauldrons, and vambraces attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: Wt. approx. 48 lb. 7 oz. (21.97 kg). Date: ca. 1525 and later.The helmet, pauldrons (shoulder defenses), and vambraces (arm defenses) of this armor are attributed to Kolman Helmschmid based on comparison with his known works. The helmet's distinctive snub-nosed visor appears to be a form that he originated and used on three other helmets, all dating from the mid-1520s. The decoration of these elements is typical of the style of Daniel Hopfer of Augsburg (about 1470-1536), a celebrated armor-etcher and printmaker, who is known to have decorated armors made by members of the the Helmschmid family.The remainder of this armor is composed of southern German elements from about 1520 to 1530, except for minor restorations. Museum: Metropolitan Museum of Art, New York, USA.
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alb3702543 Three Oriental Figures (Jacob and Laban?). Dated: 1641. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.
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alb3630151 Medal of Kolman Helmschmid (1471-1532). Culture: German, Augsburg. Designer: After a model by Hans Kels the Younger (German, 1508/10-1565). Dimensions: Diam. 1 15/16 in. (50 mm); Wt. 1.6 oz. (44.96 g). Date: dated 1532.This is an exceedingly rare example of a Renaissance medal of an armorer, which celebrates the life and accomplishments of Kolman Helmschmid (1471-1532), one of the greatest armorers of sixteenth-century Europe, and one of the most important artists represented in the Metropolitan Museum of Art's holdings of arms and armor.Designed by the Augsburg medalist Hans Kels the Younger, the medal is among his earliest works, and one of only four examples known. The comparable examples are preserved in the Münzkabinett of the Staatliche Museen zu Berlin-Preussischer Kulturbesitz, Berlin; the Münzkabinett of the Herzog Anton Ulrich Museum, Brunswick; and the Staatliche Münzsammlung, Munich.The medal provides an eloquent testimony of the high standing of Kolman Helmschmid among the artists of his day, and of the recognized need to preserve his memory from oblivion. Renaissance medals were almost exclusively created in honor of princes and powerful noblemen and patricians. Kolman is not only one of very few European armorers of whom medals are known; he also is the earliest to have secured that distinction. Since the date on the medal is the year of his death, it is probable that the latter was commissioned posthumously, as a supplement to an earlier medal of him, which the Augsburg medalist Hans Schwarz had created in 1518. Museum: Metropolitan Museum of Art, New York, USA.
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alb3700819 Winchelsea, Sussex. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and J. C. Easling.
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alb3700814 Procris' Prayer to Diana. Dated: c. 1520/1522. Dimensions: overall: 228.6 x 140.3 cm (90 x 55 1/4 in.). Medium: fresco. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3705604 The Bridge in Middle Distance. Dated: published 1808. Medium: etching, aquatint and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Charles Turner.
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alb3705743 Rivaux Abbey. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Henry Edward Dawe.
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alb3702005 Cephalus Hiding the Jewels. Dated: c. 1520/1522. Dimensions: overall: 221.6 x 150.2 cm (87 1/4 x 59 1/8 in.). Medium: fresco. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3709680 Portrait of a Member of the Quaratesi Family. Dated: 1561. Dimensions: overall: 103.5 x 87 cm (40 3/4 x 34 1/4 in.) framed: 129.5 x 113.7 x 6.4 cm (51 x 44 3/4 x 2 1/2 in.). Medium: oil on probably oak. Museum: National Gallery of Art, Washington DC. Author: French 16th Century.
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alb3707385 Venus. Dated: c. 1530. Dimensions: overall: 106.7 x 135.9 cm (42 x 53 1/2 in.) framed: 138.4 x 167.2 x 9.2 cm (54 1/2 x 65 13/16 x 3 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3700209 Madonna and Child. Dated: c. 1532. Dimensions: overall: 34.4 x 24.8 cm (13 9/16 x 9 3/4 in.) framed: 51.4 x 41.9 cm (20 1/4 x 16 1/2 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JAN GOSSAERT.
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alb3702245 Mars and Venus. Dated: 1588. Dimensions: plate: 44.1 x 33 cm (17 3/8 x 13 in.) sheet: 44.4 x 33.4 cm (17 1/2 x 13 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius, after Bartholomaeus Spranger.
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alb3708550 Saint Valentine. Dated: c. 1500/1525. Dimensions: overall: 155.6 x 51.7 cm (61 1/4 x 20 3/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Tyrolean 16th Century.
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alb3707525 Portrait of a Man. Dated: 1522. Dimensions: painted surface: 57.6 x 39.9 cm (22 11/16 x 15 11/16 in.) support: 58.7 x 41 cm (23 1/8 x 16 1/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Lucas Cranach the Elder.
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alb3703893 Procris Pierced by Cephalus' Javelin. Dated: c. 1520/1522. Dimensions: overall: 144.1 x 123.2 cm (56 3/4 x 48 1/2 in.). Medium: fresco. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
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alb3703211 Madonna and Child with Saint Anthony Abbot and Saint Sigismund. Dated: c. 1490/1495. Dimensions: overall: 158.5 x 142 cm (62 3/8 x 55 7/8 in.) framed: 194 x 178.4 x 12.7 cm (76 3/8 x 70 1/4 x 5 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: NEROCCIO DE' LANDI.
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alb3700250 Madonna and Child in a Landscape. Dated: c. 1480/1485. Dimensions: overall: 71.7 x 52.8 cm (28 1/4 x 20 13/16 in.) framed: 115.4 x 97.6 x 6.2 cm (45 7/16 x 38 7/16 x 2 7/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BELLINI.
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alb3702375 Christ in Limbo. Dated: c. 1550/1575. Dimensions: overall: 108.4 x 41.2 cm (42 11/16 x 16 1/4 in.) overall (with added strip): 109.7 x 42.9 cm (43 3/16 x 16 7/8 in.) framed: 125.1 x 58.1 x 7 cm (49 1/4 x 22 7/8 x 2 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hans Mielich.
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alb3706575 Lamentation. Dimensions: overall: 65 x 65.7 cm (25 9/16 x 25 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Marco Tintoretto.
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alb3703036 The Crucifixion. Dated: probably 1491. Dimensions: painted surface: 41.2 x 52.9 cm (16 1/4 x 20 13/16 in.) overall size: 42.6 x 53.8 cm (16 3/4 x 21 3/16 in.) framed (with three other paintings): 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BENVENUTO DI GIOVANNI.
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alb3704046 The Annunciation and Expulsion from Paradise. Dated: c. 1435. Dimensions: overall: 40 x 46.4 cm (15 3/4 x 18 1/4 in.) painted surface: 38.7 x 44.7 cm (15 1/4 x 17 5/8 in.) framed: 54.93 x 58.74 x 6.99 cm (21 5/8 x 23 1/8 x 2 3/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI DI PAOLO.
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alb3700157 Madonna and Child Enthroned with Donor. Dated: 1470. Dimensions: painted surface: 125.3 x 50.7 cm (49 5/16 x 19 15/16 in.) overall (including unpainted margins): 129.5 x 54.4 cm (51 x 21 7/16 in.) framed: 185.4 x 91.8 x 7.9 cm (73 x 36 1/8 x 3 1/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Carlo Crivelli.
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alb3700133 The Rape of Proserpine. Dated: 1839. Dimensions: overall: 92.6 x 123.7 cm (36 7/16 x 48 11/16 in.) framed: 124.1 x 154.9 x 10.1 cm (48 7/8 x 61 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.
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alb3704056 Christ Carrying the Cross. Dated: probably 1491. Dimensions: painted surface: 41.4 x 47.4 cm (16 5/16 x 18 11/16 in.) overall size: 42.8 x 50.1 cm (16 7/8 x 19 3/4 in.) framed (with three other paintings): 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BENVENUTO DI GIOVANNI.
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