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akg8211997 Tuscany, San Gimignano, Piazza della Cisterna: Cisterna (fountain) of 1287 in the center of the triangular square; the fountain which gave the square its name was built in 1287 of travertine and was placed on an octagonal pedestal. In 1346, under the rule of local podestá Guccio Malavolti, it was extended. Around the square, there are several houses and tower houses of 12th and 13th century with huge medieval towers.
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akg8211221 German Spinona Museum Berlin, agent portraits, eyewitness testimony from top agents of the Cold War. Berlin, May 12, 2020. Usage only with reference to "German Spy Museum".
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akg8210228 Kassak, Lajos1887 Érsekújvár/Hungary - 1967 BudapestBildarchitektur. 1921-22. Gouache on vellum. 21.5 x 16.5cm. Monogrammed lower right: L.K. Framed. The authenticity was confirmed by the artist's wife on 13 February 1980. Provenance: Private collection Bavaria Literature: Exhibition cat. Art of the Twenties. Selections of ""DER STURM"" and ""BAUHAUS"" related East-European Artists: Bortnyik, Hincz, Kadar, Kassak, Kromka, Mattis-Teutsch, Moholy-Nagy, Scheiber, Tihanyi, Uitz, Weininger. Matignon Gallery Inc., New York, 1979, no. 22, p. 9, with ill. . Art trade, Van Ham. Copyright: Additional copyrights must be cleared.
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akg8211185 German Spinona Museum Berlin, agent portraits, eyewitness testimony from top agents of the Cold War. Berlin, May 12, 2020. Usage only with reference to "German Spy Museum".
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akg8169141 Berlin, Wedding, remains of the Berlin Wall and the death strip on Bernauer Strasse, between Bergstrasse and Ackerstrasse. Today the piece of the Berlin Wall is part of the Berlin Wall Memorial. Berlin, May 1995.
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akg8211182 German Spinona Museum Berlin, agent portraits, eyewitness testimony from top agents of the Cold War. Berlin, May 12, 2020. Usage only with reference to "German Spy Museum".
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akg8211181 German Spinona Museum Berlin, agent portraits, eyewitness testimony from top agents of the Cold War. Berlin, May 12, 2020. Usage only with reference to "German Spy Museum".
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akg8202504 Fautrier, Jean. 1898 Paris - 1964 Châtenay. Nu fond bleu. 1955. Coloured aquatint etching on Arches (watermark). 53.5 x 47.5cm (76.5 x 57.5cm). Signed and inscribed. Number H.C. Framed. Minimally discoloured along the edges. Minimal traces of paint. Verso slightly discoloured. Partly slightly bled-through paint. Remains of an old mounting in the upper corners. Sheet outside the edition 50 signed and numbered copies on Arches. Provenance: - Collection Gerhard F. Reinz, Cologne Literature: - Mason, Rainer Michael: Jean Fautrier - Die Druckgraphiken, Neuer Versuch eines Werkverzeichnisses, Stuttgart 1987, cat.rais.-no. 261, ill. Art trade, Van Ham. Copyright: © Jean Fautrier. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.
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akg8203122 Poliakoff, Serge1900 Moskau - 1969 ParisComposition bleue. 1959. Farblithografie auf BFK RIVES. 51 x 65cm (56 x 76cm). Signiert und nummeriert. Nesto Jacometti, L'Oeuvre gravée, Zürich (Hrsg.). Ex. 28/110. Rahmen. Im Rahmen beschrieben. - Blatt minimal sowie Ränder leicht gebräunt. Vereinzelte bräunliche Flecken in den Randbereichen (max. ca. 0,4 x 0,5cm). Obere Kante sowie untere linke Ecke mit Knickspuren. Verso im Rahmen montiert. Das Blatt ist mit dem Blindstempel des Herausgebers versehen. WVZ. Poliakoff/schneider, Nr. 21. . Kunsthandel, Van Ham. Copyright: © Serge Poliakoff. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.
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akg8205159 Feinstein, Pavel1960 MoscowUntitled (The Artist). 2010. Oil on canvas. 130 x 120cm. Signed and dated lower right: PAVEL 10. As well as inscribed verso: 1479. Framed. Not examined out of the frame. Provenance: - Galerie Friedmann-Hahn, Berlin Exhibitions: - Museum Abtei Liesborn, Wadersloh-Liesborn 2013 - Bayer AG, Leverkusen 2014/2015 - Museum Abtei Liesborn, Wadersloh-Liesborn 2015/2016 - Städtische Galerie, Überlingen 2017 Literature: - Brunner, Michael/Vogel, Claudia (Eds.): Das Tierbild vom Mittelalter bis heute: Kunst, Kulturgeschichte, Zoologie, Petersberg 2017. . Art trade, Van Ham. Copyright: Additional copyrights must be cleared.
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akg8203756 Central rectangular lithograph - 3 potters in a pottery workshop - 10 smaller lithographs of products surround central lithograph, paper, stencil-coloured pen and ink lithographs with hand-coloured revisions. Author: G. M. KIRN.
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akg8222784 Chinese painting, 18th century. - Harvesting the leaves of the mulberry tree for silkworm breeding. - Opaque colours on rice paper. From a series on silk production in China. Lyon, Musée Historique des Tissus. Author: ANONYMOUS.
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akg8228109 Tuscany, Ulignano (community of San Gimignano), Salumificio Viani (ham and salami manufactory Viani): aging ham; Fabio Viani, owner of family run Viani manufactory, is also artist. He produces art works - presented in the degustation room of the manufactory - built from tools and items of the factory, not in use anymore. The manufactory produces 300 000 hams, each year. All have the protection seal and label "Prosciutto Toscano DOP".
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akg8228127 Tuscany, Ulignano (community of San Gimignano), Salumificio Viani (ham and salami manufactory Viani): signed art work (bird), realized by Fabio Viani, owner and artist; Fabio Viani, owner of family run Viani manufactory, is also artist. He produces art works - presented in the degustation room of the manufactory - built from tools and items of the factory, not in use anymore. The manufactory produces 300 000 hams, each year. All have the protection seal and label "Prosciutto Toscano DOP".
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akg8209732 Baba, Corneliu1906 Craiova/Rumänien - 1997 BukarestPorträt eines Mannes im Profil. Öl auf Leinwand (ohne Keilrahmen). 42 x 28cm. Signiert unten rechts: Baba. Rahmen. Kunsthandel, Van Ham. Copyright: Additional copyrights must be cleared.
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akg8229976 Schloss Stolzenfels im Mittelrheintal in Koblenz, auf der linken Rheinseite, gegenüber der Lahnmündung. Die erst Anfang des 19. Jahrhunderts vom preußischen Kronprinzen und späteren König Friedrich Wilhelm IV. zum Schloss ausgebaute Anlage geht auf eine kurtrierische Zollburg aus dem 13. Jahrhundert zurück, die 1689 zerstört wurde. Das neugotische Schloss ist das herausragendste Werk der Rheinromantik. Architekten waren Karl Friedrich Schinkel und Friedrich August Stüler. Vor der Bundesgartenschau 2011 in Koblenz begannen unter Federführung des Landesbetriebs Liegenschafts- und Baubetreuung aufwändige Sanierungsmaßnahmen. Danach wurde das Schloss, das ein herausragendes Kulturdenkmal in Deutschland darstellt und dessen Inneneinrichtung komplett erhalten geblieben ist, mit in die Bundesgartenschau integriert. Weiterführende Informationen bei: Generaldirektion Kulturelles Erbe Rheinland-Pfalz.
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akg8228061 Tuscany, Monteriggioni, cheese manufactory Salcis (Caseificio Salcis): manufactory shop with Pecorino cheeses; Cheese manufactory Salcis (Caseificio Salcis S.a.s.) was founded in 1941 as a unification of small producers dedicated in production of meat, ham, salami and sausages. In 1960, only, cheese production was added. Today, the manufactory is owned by the Morbidi family, chief is Antonio Morbidi. Around 2 million liters of sheep milk are used to produce 30 different cheeses, mostly Pecorino DOP fresco (fresh), and Pecorino DOP stagionato (long time ripened). But there are made also daily fresh Ricotta and Ricottina. All cheeses are protected with the DOP label. The number on the label indicates even the exact manufactory.
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akg8229977 Schloss Stolzenfels im Mittelrheintal in Koblenz, auf der linken Rheinseite, gegenüber der Lahnmündung. Die erst Anfang des 19. Jahrhunderts vom preußischen Kronprinzen und späteren König Friedrich Wilhelm IV. zum Schloss ausgebaute Anlage geht auf eine kurtrierische Zollburg aus dem 13. Jahrhundert zurück, die 1689 zerstört wurde. Das neugotische Schloss ist das herausragendste Werk der Rheinromantik. Architekten waren Karl Friedrich Schinkel und Friedrich August Stüler. Vor der Bundesgartenschau 2011 in Koblenz begannen unter Federführung des Landesbetriebs Liegenschafts- und Baubetreuung aufwändige Sanierungsmaßnahmen. Danach wurde das Schloss, das ein herausragendes Kulturdenkmal in Deutschland darstellt und dessen Inneneinrichtung komplett erhalten geblieben ist, mit in die Bundesgartenschau integriert. Weiterführende Informationen bei: Generaldirektion Kulturelles Erbe Rheinland-Pfalz.
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akg8224177 Religion / Shamanism / Altaic Shamanism. - In the Mongolian Altai, Tsengel district, Bayan-Ölgii province, Mongolia: A female shaman from the Turkic-speaking ethnic group of the Tuva during a shamanic ritual. - Photo, January 1999.
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akg8228098 Tuscany, Ulignano (community of San Gimignano), Salumificio Viani (ham and salami manufactory Viani): aging ham; Fabio Viani, owner of family run Viani manufactory, is also artist. He produces art works - presented in the degustation room of the manufactory - built from tools and items of the factory, not in use anymore. The manufactory produces 300 000 hams, each year. All have the protection seal and label "Prosciutto Toscano DOP".
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akg8224067 Mongolia / people. - Portrait of an old shaman woman in Khövsgöl Province, Mongolia. - Photo, 1998/1999.
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akg8228059 Tuscany, Monteriggioni, cheese manufactory Salcis (Caseificio Salcis): owner Antonio Morbidi with printer for the label "Pecorino Toscano DOP" and ripe Pecorino cheese; Cheese manufactory Salcis (Caseificio Salcis S.a.s.) was founded in 1941 as a unification of small producers dedicated in production of meat, ham, salami and sausages. In 1960, only, cheese production was added. Today, the manufactory is owned by the Morbidi family, chief is Antonio Morbidi. Around 2 million liters of sheep milk are used to produce 30 different cheeses, mostly Pecorino DOP fresco (fresh), and Pecorino DOP stagionato (long time ripened). But there are made also daily fresh Ricotta and Ricottina. All cheeses are protected with the DOP label. The number on the label indicates even the exact manufactory.
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akg8224668 Tuscany, Siena, Metropolitain Cathedral of Saint Mary of the Assumption, circular roof route Porta del Cielo (Gate of Heaven): View from the dome (cupola) to Basilica of San Domenico (also: Basilica Cateriniana San Domenico); The church was built by the Dominican Order 1226 - 1265 and extended in 14th century, in Gothic style. Several fires in 15th and damages in 16th century caused changes of the style. The church holds some relics of St. Catherine of Siena (1347 - 1380), the national patron saint of Italy and the patron saint of Europe.
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akg8199678 Raysse, Martial1936 Golfe-Juan/FranceBel été concentré. 1967. Colour silkscreen and acrylic on violet velour, each attached at the top and bottom edge to a wooden staff. 178 x 48cm (189 x 50cm). Enclosed a booklet (in the breast pocket) with individually designed collages. Here in the imprint numbered and signed: 79 MARTIAL RAYSSE. No. 79/80. Edizioni Sergio Tosi, Milan (publisher). Rolled up in original box. Provenance: - Private collection North Rhine-Westphalia. . Art trade, Van Ham. Copyright: This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. © Martial Raysse.
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akg8090901 West Berlin, Wedding, tenement block "Meyers Hof" at Ackerstrasse 132-133. The tenement, originally made up of six courtyards, was destroyed in the Second World War except for the front building and the buildings in the first back yard. In 1972 the remains of the residential complex were blown up. Here is the view from Ackerstrasse to the front building. West Berlin Wedding, September 2, 1968. Photo by Jürgen Grothe.
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akg8090865 West Berlin, Wedding, young girl at Ackerstrasse carries bucket of coals home from coal dealer. Most of the apartments were heated with stove heaters. West Berlin Wedding, February 19, 1970. Photo Jürgen Grothe.
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akg8192784 Zao Wou-ki (Zhao Wuji)1921 Peking - 2013 Nyon/SchweizOhne Titel. 1973. Farblithografie auf ARCHES FRANCE (Wasserzeichen). 62 x 46cm (76,5 x 55cm). Signiert, datiert und nummeriert. Galerie de France, Paris (Hrsg.). Ex. 13/95. - Blatt minimal gewellt. Verso minimal durchgeschlagene Farbe. Spuren alter Montierung. Mit dem Trockenstempel der Galerie Heimeshoff, Essen. WVZ. Agerup, WVZ.-Nr. 241. . Kunsthandel, Van Ham. Copyright: This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. © Zao Wou-Ki.
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akg8193088 Bortnyik, Sandor (Alexander)1893 Marosvásárhely/Ungarn - 1976 BudapestAlbum MA. 1921/1970. Mappe mit sechs Farbserigrafien auf Karton. Jeweils: 25 x 18,5cm (47 x 39cm). Signiert und nummeriert. Nochmals signiert im Impressum (Faltblatt mit Text). In originaler Mappe (48 x 40 x 1cm)Galerie Gmurzynska-Bargera, Köln (Hrsg.). Ex. 53/140. - Blätter mit minimalen bis leichten Bräunungsflecken. Einige mit minimalen Bestoßungen in der oberen linken Ecke. Ein Blatt mit leichtem Fingerabdruck an der linken oberen Kante. Faltblatt mit leichten Verschmutzungen. Mappe mit Gebrauchsspuren. Das Album erschien 1970 nach einer Mappe mit sechs Aqaurellen aus dem Jahr 1921. . Kunsthandel, Van Ham. Copyright: Additional copyrights must be cleared.
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akg8008729 Bergmann1. H. 19. Jh.Ansicht der Stiftskirche St. Gereon in Köln. Kolorierte Lithographie auf auf Papier. 31,5 x 24,5cm. Bezeichnet und datiert unten rechts: Bergmann lithogr. 1831. Rahmen. Beiliegend: Gouache von Friedrich Ortlieb (1839-1909), Gartenlandschaft, 23 x 18cm. Rahmen..
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akg8005168 Religion / Daoism / Inner Alchemy (Neidan, - meditation technique of Daoist mysticism). - Internal organs of the human body after Inner Alchemy. - Drawing, Korean, Joseon dynasty, 17th century. Ink on paper. From a Chinese treatise of inner alchemy. Onyang, Museum. Author: ANONYMOUS.
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akg8005851 SELDOM AND RARE MEDITATING BUDDHA.Thailand. Dvaravati style. 8th c.Bronze with shining, dark silver patina. Sitting on a lotus base, hands in dhyana mudra. The garment covers the whole body and is visible at the neck and hands. It seems to be made from a sheer material, which clings to and reveals the asexual body. In the face the somewhat protruding eyes and the elegant eyebrows rooting at the nose bridge in the shape of 'flying swallows' are the prominent features.The culture of the Mon from the 6th to 11th century in the basin of today's Chao-Phraya river in central Thailand is called Dvaravati. The works of art show a strong imprint through India. The Dvaravati empire played an important role in the introduction of Buddhist culture in the region. Bronze figures are rather rare. Height 11.4cm. On a base. Condition A/B.Provenance:-Collection Michael Phillips, Los Angeles, acquired at Spink & Son Ltd, London, 1980s. Published:-Stephen Little: Images of Buddha from the Michael Phillips Collection. In: Arts Of Asia, Jan-Feb 2013, p. 110, Fig. 22.
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akg8008731 Bergmann1. H. 19. Jh.Ansicht der Stiftskirche St. Gereon in Köln. Kolorierte Lithographie auf auf Papier. 31,5 x 24,5cm. Bezeichnet und datiert unten rechts: Bergmann lithogr. 1831. Rahmen. Beiliegend: Gouache von Friedrich Ortlieb (1839-1909), Gartenlandschaft, 23 x 18cm. Rahmen..
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akg8004488 Chinese art, Shandong Province, Qing dynasty, 1644-1911. - woman with lily feet and Shiz Tzu dog. - New Year image (Nianhua). Woodcut, coloured. Private collection. Author: ANONYMOUS.
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akg8000474 Comment par l'intercession de Saint Sevin la femme de Gaudentius eur abondance de lait, Histoire de Saint Savin, Peinture sur bois du 15ème, Eglise abbatiale, Saint-Savin, France.
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akg8000459 Chevet, Abbatiale, Saint-Savin, France.
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akg8000460 Chevet, Abbatiale, Saint-Savin, France.
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akg8000451 Vue générale, Saint-Savin, France.
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akg8000472 2ème panneaux en bois du 15ème, Peinture de la vie de Saint Sabin, Saint-Savin, France.
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akg8000487 Christ espagnol du 13 et 14ème siécle, Abbatiale, Saint-Savin, France.
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akg8000471 1er Panneau en bois du 15ème, Peinture de la vie de saint Savin , Saint-Savin, France.
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akg8000457 Abbatiale, Saint-Savin, France.
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akg8004605 Korean art. - Container for acupuncture needles with the symbols of longevity. - Detail. Seoul, Hoechst Collection. Author: ANONYMOUS.
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akg8004251 Chinese, Southern Song Dynasty (1127-1279), Painter Su Hanchen, 1101-1161. - Children playing with the trompo. - Scroll painting. Ink and colour on silk.
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akg8189696 Soulages, Pierre1919 RodezLithograph No. 5. 1957. Lithograph on BFK RIVES (watermark). 57.5 x 43cm (65 x 50cm). Numbered and signed. Berggruen, Paris (publisher). Number .25/60. Sheet slightly wavy. Under mat slightly discoloured. Minimal creases. Verso browned and discoloured stains. Remains of former mounting. Provenance: - Corporate collection Germany Literature: - Encrevé, Pierre/Miessner, Marie-Cécile (Ed.): Soulages - L'OEuvre imprimé, Paris 2011, 2nd ed., cat. rais. no. 47, with colour ill. . Art trade, Van Ham. Copyright: © Pierre Soulages. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.
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akg8032734 Jesus) and old town; the church is also known as Iglesia Colegial del Divino Salvador and was built in Baroque style 1679 - 1712 by architect? Leonardo de Figueroa.
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akg8032735 Jesus) and old town; the church is also known as Iglesia Colegial del Divino Salvador and was built in Baroque style 1679 - 1712 by architect? Leonardo de Figueroa.
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akg8231782 Alfred Stieglitz, 1 Jan 1864-13 Jul 1946.Alfred Maurer, 1915 (printed later).Photograph, Gelatin silver print.Inv. Nr. NPG. 99.152Washington, National Portrait Gallery.
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akg8230088 Ernest Joseph Laurent, France 1929.Female Head, 1915.Drawing, crayon.Inv. Nr. 1915.11.45Washington, Smithsonian American Art Museum.
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akg8231771 Irving Ramsay Wiles, 1861-1948.Julia Marlowe, ca 1901.Drawing, Watercolor on paper.Inv. Nr. NPG. 95.24Washington, National Portrait Gallery.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg5251948 Düsseldorf (Nordrhein-Westfalen, Deutschland); Reichsausstellung "Schaffendes Volk", Mai bis Oktober 1937. Modell: Hauptfestplatz (30000 qm, Gestaltung Emil Fahrenkamp) mit dem Hauptrestaurant in der Mitte, davor Becken für große Wasserspiele und Leuchtfontäne.
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akg5212695 Jan Steen, 1626-1679. "Ace of Hearts". Oil on canvas, 81 x 92 cm. Inv. NM 647. Stockholm, National Museum.
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akg5214966 Laessoe, Thorald; 1816-1878. "View towards Forum Romanum from the Colosseum", 1848. Oil on canvas, 134 x 185 cm. Inv. NM 3861. Stockholm, National Museum.
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akg5213708 Ruysdael, Salomon van; um 1600 - 1670. "Landscape with a Wooden Fence and Figures". Oil on oak panel, 36,3 x 48,6 cm (oval). Inv. NM 7300. Stockholm, National Museum.
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akg5218776 Technik / Fernmeldewesen / Telefon. - Telefonistinnen in einem Fernsprechamt bei der manuellen Vermittlung. - Foto, undatiert, um 1920.
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akg5214292 Hilleström, Pehr, the Elder. Swedish painter, from 1810 director of the Royal Swedish Art Academy. Väddö 18.11.1732 - Stockholm 13.8.1816. "Selfportrait", 1771. Oil on canvas, 25 × 19.5 cm. Inv. NM 1401. Stockholm, National Museum. Author: PER HILLESTROEM DER ÄLTERE.
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akg5214033 Mancini, Olympia, Countess (Eugen Moritz of Savoyen-Carignan) of Soissons. Rome 1639 - Brussels 9.10.1708. "Olympia Mancini". (Olympia Mancini as an Amazon oder as Minerva). Painting, c. 1663, copy after Charles Beaubrun (1604-1694). Oil on canvas, 130 × 99cm. Inv. NMGrh 1173. Stockholm, National Museum. Author: ANONYMOUS.
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akg5161405 Duplessis, Joseph Siffred 1725-1802. Benjamin Franklin, Painting, miniature, 1794. Watercolor on vellum, 8 × 6.2 cm. Inv. Nr. 2006.235.313. New York, Metropolitan Museum of Art.
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akg5217268 Right / murder. Johannes Dazius is slain by his brother Alphons (1546) because of the conversion to Protestantism in Neuburg. Copper engraving by Matthäus Merian the Elder (1593-1650). From: Johann Ludwig Gottfried, Historical Chronica, Frankfurt am Main (M. Merian) 1630, p. 772. Later colouring. Berlin, collection archive for art and history.
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akg5164255 Cropsey, Jasper Francis; 1823-1900. Wyoming Valley, Pennsylvania. Painting, 1864. Oil on canvas, 38.1 × 61 cm. Inv. No. 25.110.63. New York, Metropolitan Museum of Art.
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akg5512590 Les maisons combinent l'architecture arabe et andalouse et qui sont d'une blancheur eclatante et aux portes bleues cloutees dans le village de SIDI BOU SAID perche sur une falaise dominant Carthage et le golfe de Tunis.
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akg5164351 Cropsey, Jasper Francis; 1823-1900. Autumn Landscape, Sugar Loaf Mountain, Orange County, New York. Painting, c. 1867-1875. Oil on canvas, 72.4 × 90.2 cm. Inv. No. 61.262. New York, Metropolitan Museum of Art.
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akg5512617 Les maisons combinent l'architecture arabe et andalouse et qui sont d'une blancheur eclatante et aux portes bleues cloutees dans le village de SIDI BOU SAID perche sur une falaise dominant Carthage et le golfe de Tunis.
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akg5512614 Les maisons combinent l'architecture arabe et andalouse et qui sont d'une blancheur eclatante et aux portes bleues cloutees dans le village de SIDI BOU SAID perche sur une falaise dominant Carthage et le golfe de Tunis.
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akg5512603 Les maisons combinent l'architecture arabe et andalouse et qui sont d'une blancheur eclatante et aux portes bleues cloutees dans le village de SIDI BOU SAID perche sur une falaise dominant Carthage et le golfe de Tunis.
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akg5512609 Le "Cafe des Nattes" Les maisons combinent l'architecture arabe et andalouse et qui sont d'une blancheur eclatante et aux portes bleues cloutees dans le village de SIDI BOU SAID perche sur une falaise dominant Carthage et le golfe de Tunis.
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akg5513846 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513839 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513814 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513833 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513843 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513849 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513812 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513859 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513829 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513861 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5513855 Le tophet de Carthage, ou tophet de Salammbo, est une ancienne aire sacree dediee aux divinites pheniciennes Tanit et Baal. Ce tophet, " hybride de sanctuaire et de necropole ", regroupe un grand nombre de tombes d'enfants qui, selon les interpretations, auraient ete sacrifies et inhumes en ce lieu apres leur mort prematuree / Site archeologique de Carthage.
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akg5280272 François Hercule von Valois, Herzog von Alençon, Anjou, Touraine, Brabant und Château-Tierry, (jüngster Sohn König Heinrichs II. von Frankreich und der Katharina von Medici); Saint-Germain-en-Laye 18. 3. 1555 - Château-Thierry 10. 6. 1584. - "Der Kampf mit dem Kriegselefanten beim Einzug des Herzogs von Anjou in Antwerpen am 19. Februar 1582", Ausschnitt: Der Herzog von Anjou und seine Schwester Margarete von Valois. - Bildteppich, Brüssel, um 1582/85 (nach Karton von Lukas de Heere?). Aus einer Serie von acht "Fêtes des Valois" (Feste zur Zeit Heinrichs III. von Frankreich), Geschenk der Katharina von Medici an ihre Nichte Christine von Lothringen. Wolle, Seide, Gold u. Silber, 390 x 539 cm. Inv. Nr. 474. Florenz, Galleria degli Uffizi.
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akg5283665 Histoire de Paris / 18e siècle. Les petits métiers de Paris au 18e siècle, sous l'Ancien Régime, d'après les "Etudes prises dans le bas peuple ou les Cris de Paris" d'Edmé Bouchardon (1698-1762). Le marchand d'estampes qui les vendait aux cris de "Marchand d'images !". Gravure, 18e siècle (Collection particulière).
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akg5495593 The Opus Dei crypt situated at the international headquarters, villa Tevere in Rome, an architectural grouping designed by Opus Dei founder Josemaria Escriva de Balaguer, where the Prelate's councellors reside and where are buried, Escriva de Balaguer (1902-1975), Alvaro del Portillo (1914-1994) and Javier Echevarria (1932-2016) the three first Opus Dei leaders.Rome, Italy, 2006.
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akg5286988 Postwertzeichen / DDR 1967. "Vermißte Gemälde / Karl Begas / W. Schröder-Devrient". Briefmarke über 25 Pfennig. Entwurf: Fritz Deutschendorf.
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akg5495585 Bishop Javier Echevarria (1932-2016), head Prelate of Opus Dei, at the Opus Dei international headquarters, villa Tevere in Rome, Italy in 2006. Villa Tevere is an architectural grouping designed by Opus Dei founder Josemaria Escriva de Balaguer, where the Prelate's councellors reside and where Echevarria and his two predecessors Escriva de Balaguer and Alvaro del Portillo are buried.
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akg5495586 Bishop Javier Echevarria (1932-2016), head Prelate of Opus Dei, at the Opus Dei international headquarters, villa Tevere in Rome, Italy in 2006. Villa Tevere is an architectural grouping designed by Opus Dei founder Josemaria Escriva de Balaguer, where the Prelate's councellors reside and where Echevarria and his two predecessors Escriva de Balaguer and Alvaro del Portillo are buried.
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akg5495738 A woman looks at a poster of Opus Dei founder Josemaria Escriva de Balaguer in front of the Basilica of San Eugenio, Rome, the main church of Opus Dei within the Holy City.Josemaria Escriva de Balaguer (1902-1975) founded the Opus Dei in 1928. He was beatified in 1992 and canonized in 2002.Rome, Italy 2002.
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akg5495592 The Opus Dei crypt situated at the international headquarters, villa Tevere in Rome, an architectural grouping designed by Opus Dei founder Josemaria Escriva de Balaguer, where the Prelate's councellors reside and where are buried, Escriva de Balaguer (1902-1975), Alvaro del Portillo (1914-1994) and Javier Echevarria (1932-2016) the three first Opus Dei leaders.Rome, Italy, 2006.
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akg5495591 Bishop Javier Echevarria (1932-2016), head Prelate of Opus Dei, at the Opus Dei international headquarters, villa Tevere in Rome, Italy in 2006. Villa Tevere is an architectural grouping designed by Opus Dei founder Josemaria Escriva de Balaguer, where the Prelate's councellors reside and where Echevarria and his two predecessors Escriva de Balaguer and Alvaro del Portillo are buried.
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akg5495627 The Opus Dei church of San Giovanni Battista al Collatino in Rome. On the wall, a portrait of Opus Dei founder Josemaria Escriva de Balaguer (1902-1975) who founded the Opus Dei in 1928. He was beatified in 1992 and canonized in 2002.Rome, Italy 2006.
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akg5495626 The Basilica of San Eugenio in Rome is the main church of Opus Dei. By the entrance, one can buy gadgets in the effigy of Opus Dei founder Josemaria Escriva de Balaguer (1902-1975) who founded the Opus Dei in 1928. He was beatified in 1992 and canonized in 2002.Rome, Italy 2006.
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akg5495734 Pilgrims from all the world went to pray in front of the remains of Opus Dei founder José Maria Escriva de Balaguer in Santo Eugenio's basilica three days before his canonisation by pope John Paul II on October 2002.The Basilica of San Eugenio in Rome the main church of Opus Dei. Portrait of Opus Dei founder Josemaria Escriva de Balaguer (1902-1975)Rome, Italy 2002.
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akg5495730 Opus Dei Prelate Bishop Javier Echevarria salutes Pope John Paul II during the canonization of Opus Dei founder Josemaria Escriva de Balaguer on October 6, 2002 in Saint Peter's square at the Vatican.Josemaria Escriva de Balaguer (1902-1975) founded the Opus Dei in 1928. He was beatified in 1992 and canonized in 2002.
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akg5495628 The Opus Dei church of San Giovanni Battista al Collatino in Rome. On the wall, a portrait of Opus Dei founder Josemaria Escriva de Balaguer (1902-1975) who founded the Opus Dei in 1928. He was beatified in 1992 and canonized in 2002.Rome, Italy 2006.
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akg5396463 Monet, Claude; 1840-1926. "Champ de tulipes à Sassenheim près de Haarlem" (Tulpenfelder bei Sassenheim nahe Haarlem), 1886. Öl auf Leinwand, 59,7 x 73 cm. Acquired by Sterling and Francine Clark, 1933. Inv. Nr. 1955.615. Williamstown, S.& F.Clark Art Institute.
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akg5869612 Camille Pissarro. 1830-1903. "Rue de Voisins à Louveciennes" (Rue des Voisins at Louveciennes), 1871. Oil on canvas, 46 × 55.5 cm. Manchester, City Art Gallery.
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akg5562559 Paysage des environs de Vassieux-en-vercors, Vercors, France.
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akg5086720 Visentini, Antonio Maria 1688-1782. Elevation of Wall Decoration in the Villa Medici, Drawing, ca. 1688-1782. Pen and brown ink, brush and blue and pink wash, 36 × 48.4 cm. Inv. Nr. 60.632.27. New York, Metropolitan Museum of Art.
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akg5332287 Wenzel Jamnitzer. Illustration of sculpture. Pattern book, with objects and classical shapes. In pairs. Geometric designs illustrating Euclidian principles of geometry. , 1568. Wenzel JAMNITZER. Perspectiva corporum regularium. Das ist, ein fleyssige Furweysung, wie die Fu¨nff Regulirten Co¨rper, darvon Plato inn Timaco, unnd Euclides inn sein Elementis schreibt, etc. Durch einen sonderlichen, newen. weg. inn die Perspectiua gebracht, Und darzu ein scho¨ne Anleytung, wie auss denselbigen Fu¨nff Co¨rpern one Endt gar viel andere Co¨rper mancherley Art und gestalt, gemacht. werden mu¨gen. Nuremberg. From: Perspectiva corporum regularium. C. 113. hh. 2 Ev. London, British Library. Copyright: Additional permissions needed for non-editorial use.
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akg5224012 vignette patriotique en l'honneur du 32° Régiment d'Infanterie. (dessin de G. Chanorier). - les lieux de casernement du régiment le 2 août 1914 : le 3° bataillon est caserné à Châtellerault (caserne de Laage , ancienne caserne Neuve) et le reste du régiment est caserné à Tours (caserne Meusnier , autrefois nommée caserne de Guise). - les chefs de corps du 2 août 1914 au 11 novembre 1918 :. - du 2 août 1914 au 8 septembre 1914 : colonel Mézières. - du 8 septembre 1914 au 14 septembre 1914 : capitaine Dorat. - du 14 septembre 1914 au 18 octobre 1914 : lieutenant-colonel Vincent. - du 18 octobre 1914 au 23 octobre 1914 : commandant Robillot. - du 23 octobre 1914 au 17 novembre 1914 : commandant Potier. - du 17 novembre 1914 au 24 novembre 1914 : commandant Naquard. - du 24 novembre 1914 au 17 juillet 1915 : lieutenant-colonel Rondeau. - du 17 juillet 1915 au 6 juillet 1917 : lieutenant-colonel Desgouille. - du 6 juillet 1917 au 22 décembre 1917 : lieutenant-colonel Guidon. - du 22 décembre 1917 au 11 novembre 1918 : lieutenant-colonel Sauget. - les différents engagements portés sur le drapeau :. - Ypres - Artois 1914 - 1915. - L'Aisne 1917. - Le Matz 1918. - La Marne 1918. - les décorations et la fourragère portées au drapeau :. - cravate décorée de la Croix de Guerre avec 4 citations du régiment à l'ordre de l'armée et de la Médaille Militaire. - fourragère aux couleurs du ruban de la Médaille Militaire. (du 15 au 31 mai 1917 , des actes de désobéissance sont signalés après le désastreux assaut du plateau de Craonne ; 5 hommes sont jugés ; il y a 2 acquittements , 1 condamnation à mort qui sera gracié et 2 condamnations aux travaux forcés. le 22 mai , 8 hommes sont jugés ; 2 condamnations à mort et 2 grâces). (la devise du régiment est une phrase du général Bonaparte : "J'étais tranquille , la brave 32° était là" puis "L'invincible").
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akg5051679 Ding Fuzhi 1879-1946. Fruit, Album leaf, 1945. Album leaf; ink and color on paper, 30.8 × 63.8 cm. Inv. Nr. 1986.267.253. New York, Metropolitan Museum of Art.
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akg5059563 Bonifacio de' Pitati (Bonifacio Veronese); 1487-1553. The Legend of the Infant Servius Tullius. Painting, c. 1507-1553. Oil on canvas, 26.7 × 102.2 cm. Inv. N. 32.100.78. New York, Metropolitan Museum of Art.
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akg5051722 Hanabusa Itcho 1652-1724. Itcho Picture Album (Itcho gafu), Illustrated book, 1770. Edo period (1615-1868). Set of three woodblock printed books; ink on paper, 25.6 × 17.5 cm. Inv. Nr. JIB100a-c. New York, Metropolitan Museum of Art.
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