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akg174218 Miró, Joan Spanish painter, Montroig 20.4.1893 - Palma de Mallorca. 25.12.1983. Photo, without date or location details. (c. 1960?).
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg078634 Wagner, Richard, Composer, 1813-1883. Works: Götterdämmerung (Premiere 1874). Festival Bayreuth 1954: Scene in the 2nd act. (Produced by Wieland Wagner). Photo.
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akg077944 Wagner, Richard; German composer; 1813-1883. Works: Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg), 1868. - Design for stage set IV "Festwiese" (fairground). BayreuthFestival production, Germany, 1933/34. - Drawing (in colour) by Emil Preetorius (1883-1973). Copyright: © www. preetoriusstiftung. de.
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akg3010423 Herter, Ernst; 1848-1917. "Sterbender Achilles", um 1880. Skulptur.
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akg3092080 Wübbel, Bernhard; 1921-2013. "Tossa - Castle". Photo, 1960.
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akg4445777 Sea battle of Lepanto, 1571. Naval crash between the fleet of Mehmet Alì Pasha and that of the alloy Saint, composed of papal Spanish, Venetians and to the commando of don Giovanni of Austria. the Turkish fleet was destroyed by the Christian forces, but that Victoria was not sufficient to block Turkish expansionism in the Mediterranean. Detail from painting of anonymous person of the 16th century.
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alb29115184 JENNIFER LOPEZ in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.
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alb29115181 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.
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alb29115185 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.
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alb29115179 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.
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alb29115183 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.
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alb29116799 JASON SEGEL and SAMARA WEAVING in POR ENCIMA DE TU CADAVER (2026) -Original title: OVER YOUR DEAD BODY-, directed by JORMA TACCONE. English title: OVER YOUR DEAD BODY.
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alb29116789 JASON SEGEL and SAMARA WEAVING in POR ENCIMA DE TU CADAVER (2026) -Original title: OVER YOUR DEAD BODY-, directed by JORMA TACCONE. English title: OVER YOUR DEAD BODY.
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alb29116787 JASON SEGEL and SAMARA WEAVING in POR ENCIMA DE TU CADAVER (2026) -Original title: OVER YOUR DEAD BODY-, directed by JORMA TACCONE. English title: OVER YOUR DEAD BODY.
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alb29116101 RUPAUL in STOP! THAT! TRAIN! (2026), directed by ADAM SHANKMAN. English title: STOP! THAT! TRAIN!.
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alb29116099 LISA RINNA and JUJUBEE in STOP! THAT! TRAIN! (2026), directed by ADAM SHANKMAN. English title: STOP! THAT! TRAIN!.
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alb29116100 RUPAUL in STOP! THAT! TRAIN! (2026), directed by ADAM SHANKMAN. English title: STOP! THAT! TRAIN!.
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alb9659013 Ilustración de August von Kreling de Fausto de Goethe.
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alb29102527 Two lions fighting over an antelope, print, annotation: '1st proof', printmaker: Eugène Van Hove (signed by artist), 1879 - 1910, paper, etching, intaglio printmaking technique, height 222 mm x width 303 mm, beasts of prey, predatory animals: lion, hoofed animals: antelope, A detailed monochrome etching shows two large big cats lying on the ground amid grasses and low bushes; one cat is on its side with a prominent flowing mane and a snarling facial expression, the other is positioned with muscles and limbs tensed and its mouth open as if vocalizing or lunging; their paws and claws are visible, and the scene includes textured rocks and tufts of grass in the foreground with dense, sketchy shrubbery and a distant low horizon in the background.
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alb29102506 Zermatt, View of Zermatt, Switzerland, page, photomechanical print, maker: L. Détard, maker: Institut Graphique de Zürich, c. 1892 - in or before 1897, paper, collotype, photoprint, height 117 mm x width 165 mm, prospect of village, silhouette of village, mountains, A sepia-toned mountain landscape showing steep, rugged peaks with patches of snow near their summits and forested slopes descending into a valley where terraced fields and scattered trees appear; a village sits in the valley foreground with clustered buildings including a structure topped by a steeple and other multi-story roofs, while rocky ridges and grassy slopes frame the scene and a small wooden shelter stands on a hillside at the right edge.
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alb29109889 German Village.- on the Midway, View of a recreated German village at the World's Columbian Exposition in Chicago in 1893, page, photomechanical print, number: 'Plate 100', photographer: Charles Dudley Arnold, Chicago, photographer: HD Higinbotham, cliché maker: anonymous, 1893, Charles Dudley Arnold, HD Higinbotham, photographer, cliché maker, North America, Illinois, paper, collotype, photoprint, height 133 mm x width 191 mm, world fair, world exhibition, World's Columbian Exposition, A panoramic view of timber-framed buildings with steep, multi-gabled roofs and ornamental spires, featuring dormer windows and decorative half-timber patterns on upper walls, a tall tower with a covered balcony and a pointed roof rising above the central structure, arched openings and rectangular windows on lower levels, a foreground wall with an arcade and a lamppost casting a shadow on the lawn, awnings over entrances, bare tree branches visible at the left edge, and a skyline of varied rooflines and finials against a pale sky.
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alb29102577 Portrait of Isaac da Costa, I. Da Costa, print, poet and prose writer, bareheaded. Knee-length, seated in a chair turned to the left., printmaker: Johannes Philippus Lange, after drawing by Coenraad Hamburger, publisher: JH Laarman, 1820 - 1849, paper, steel engraving, height 228 mm x width 147 mm, Person, Gijsbertus Martinus Cort Heijligers, A monochrome engraving shows a seated man wearing a dark, textured coat with wide lapels over a buttoned vest and a high-collared shirt with a cravat, his hair short and wavy with sideburns, his face turned slightly toward the viewer with a neutral expression, one hand resting on his knee and the other on the arm of an ornate upholstered chair with carved wooden frame and curved armrest, the figure positioned against a plain light background with soft shaded areas behind the chair and a large flowing signature-like flourish visible below the seated portrait.
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alb29102560 Ship in a ditch, The wreck of the 'Fata Morgana' (original title), print, printmaker: Willem Bastiaan Tholen (signed by artist), c. 1905 - c. 1920, paper, lithography, lithografie, height 350 mm x width 542 mm, sailing-ship, sailing-boat, small canal, ditch, A pencil sketch shows two moored boats resting along a calm shoreline, their hulls and superstructures rendered with varied shading and loose lines; one boat is tilted slightly toward the viewer while the other sits alongside it, masts and spars rising and ropes draping; dense foliage and trees fill the left background with scribbled leaves and textured trunks, and reedlike grasses appear at the right edge; a wide expanse of water stretches behind the boats toward a distant, low horizon with faint landforms and a small structure, and reflections and ripples are indicated near the boats and along the shore.
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alb29102574 Das Carls-Eisfeld von der Ochsenwieshöhe, View of the Hallstätter Glacier, page, photomechanical print, number: 'VIII.', photographer: Friedrich Simony, Salzburg (city), cliché maker: Friedrich Bruckmann, Vienna, publisher: Eduard Hölzel, c. 1879 - in or before 1889, Lower Austria, paper, collotype, photoprint, height 147 mm x width 187 mm, glacier, Hallstätter Gletscher, A monochrome landscape showing layered rocky terrain rising toward jagged mountain peaks, with textured rock faces and crevices in the foreground and midground, patches of lighter smooth surfaces suggesting snow or ice tucked between ridges, and a sky filled with soft, billowing clouds above the peaks.
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alb29102546 Farmer's wife of Walcheren, print, The head of a woman in Walcheren traditional costume., printmaker: Hendrik Johannes Haverman, printer (person): Lankhout & Co, Samuel, The Hague, 1897-10-17, Hendrik Johannes Haverman, Lankhout & Co, printmaker, printer (person), paper, lithography, lithografie, height 406 mm x width 302 mm, A detailed black and white portrait of an elderly woman shown in profile facing right, wearing a large triangular headscarf with a scalloped edge, a beaded necklace, and a simple garment; her face and neck show deep wrinkles and textured skin, her brow is furrowed and her nose is prominent, and the background behind her is dark and shaded.
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alb29102597 Eccho on the Precaution, And Allusions to the Inserted Plate, Echo accompanying the print with the allegory on the virtue of Austria, 1742, text sheet, Echo belonging to a separate edition of the print with the allegory on the virtue of Austria in the War of Austrian Succession, 1742. Folded sheet printed on four sides with an explanation of the allegory in verse form., writer (clerical worker): anonymous, Northern Netherlands, writer (clerical worker), paper, letterpress printing, text in letterpress, height 220 mm x width 145 mm, The accompanying print was also used as an illustration in: Willem van Haren. The four excellent poems, together with the Polybius, as well as all the poems of praise that appeared for and against them, with a fine title plate. Harderwijk: Dionies van Lennep and Amsterdam: Arnoldus Olofsen, p. 106, 107 with the explanation of the scene in verse form., War of Austrian Succession, Period, A sheet of aged, off-white paper with printed dark ink markings arranged in large spaced lines near the top and smaller lines of dense printed text filling the lower portion, showing varied typeface sizes and spacing, with some ink irregularities and slight smudging; the paper surface displays a subtle textured grain and faint discoloration spots, and there is a small decorative mark near the bottom edge.
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alb29102591 Prospect des Marcktes gegen Mittag, View of the Market, at Rothenbrug ob der Tauber, print, Numbered top right: 5., publisher: Adam Wolfgang Winterschmidt, 1758 - 1796, printmaker, paper, etching, engraving, height 198 mm x width 302 mm, square, circus, Bavaria, Rothenburg ob der Tauber, A spacious town square is bordered by tall, steep-roofed buildings with ornate gables and rows of windows, a multi-story structure with a tower stands to the right, and a large building with arched openings and steps occupies the near right corner; a fountain with a sculptural column sits near the center front of the square, and a well or covered shaft with a crank mechanism stands slightly left of it; people in period dress are scattered across the cobbled surface in small groups and pairs, some near horse-drawn carts and carriages, while riders on horseback appear on the square and at the street edges; narrow side streets extend between the clustered buildings toward the background, and distant rooftops and hilly terrain are visible beyond; the sky above is filled with layered, textured clouds.
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alb29102509 Guanyin Giving Birth to a Son on a Rock; sculptor unknown. Figurine of the goddess made of light coffee-colored alabaster, on a stone base feldspar with red and pink spots, painted with black lacquer. Goddess holds a rosary in her right hand and a child in her left. Chinese; Qing dynasty 1644-1911; 18th-19th century. Sculpture; height 18.2 cm, width 13.8 cm., A carved figure in a warm beige color sits on a dark, glossy black base that resembles a rocky form; the figure appears draped in flowing robes with layered folds and holds a smaller figure on its lap, with a string of beads hanging from one hand and a headpiece with soft curls atop the larger figure's head; the background is a smooth gradient from deep charcoal at the top to pale gray near the bottom.
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alb29102539 Landscape with three sheep, print, printmaker: Simon van den Berg, Netherlands, 1822 - 1899, paper, chine collé, etching, proof print of etching on chine collé, height 93 mm x width 145 mm, sheep, A monochrome etching showing a pastoral scene with a large woolly sheep standing near a leafy bush at the left edge and two smaller sheep reclining on the ground to the right, rendered with fine crosshatching and line work; the standing sheep faces the bush with its head partially turned and its thick fleece detailed with dense strokes, while the reclining sheep show curved backs and relaxed poses; a textured foreground of grass and scattered small rocks extends beneath them and a distant, lightly sketched landscape with low hills occupies the background beneath a mostly empty sky.
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alb29102554 The seamstress (original title on object), print, printmaker: Philip Zilcken (signed by artist), after design by Jozef Israëls (signed by artist), 1890 - 1930, paper, etching, drypoint, intaglio printmaking technique, height 222 mm x width 182 mm, adult woman, sewing, A sepia-toned drawing shows a seated figure wearing a head covering and a simple dress, holding fabric and needlework in their hands while looking downward; the figure sits on a wooden chair with visible slats and a woven seat, and long folds of the skirt drape over the legs and feet. To the left there is a window with panes and a light curtain partially drawn, casting lighter tones against the darker interior wall panels behind the figure. The room is rendered with fine crosshatching and textured shading, creating contrasts between the illuminated window area, the mid-tones around the figure, and the deep shadowed corners of the space.
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alb29102524 Teachers of Friend's School, Providence, R.I. Group Photo., 1850 - 1930, 1874, Rhode Island, Providence (R.I.), Quakers, Teachers, Albumen prints.
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alb29102551 Les deux Femmes au Zodiaque, Photo reproduction of an engraving of two young women with a zodiac in the background by Marcantonio Raimondi, Marc Antoine Raimondi, photograph, reproduction, page, photographer: Benjamin Delessert, after print by Marcantonio Raimondi, after design by Rafaël, c. 1848 - in or before 1853, Marcantonio Raimondi, after print by, paper, salted paper print, height 277 mm x width 193 mm, adolescent, young woman, maiden (two persons), zodiac, the twelve zodiacal signs together, A monochrome engraving showing two draped women standing outdoors beside a tree and a rectangular plinth; the woman on the left is seated on the plinth with one foot on it and holds an open book or tablet, her head bowed and hair braided back, while the woman on the right stands slightly turned toward the left with flowing hair and a draped garment, one hand resting on the edge of the plinth and the other holding a narrow object; foliage appears behind them and there are shaded rays or bands in the upper right of the image.
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alb29102573 Veduta di dentro del Palazzo de ss.ri Falconier, Facade of the courtyard of Palazzo Falconieri, Roman palaces, Palazzi di Roma, Palazzi di Roma dei più celebri architett, print, album page, Print is part of an album., number: '81', printmaker: Giovanni Battista Falda, Italy, after design by Francesco Borromini, Rome, publisher: Giovanni Giacomo de' Rossi, grantor of privilege: Papal Court, Vatican City, dedicated by: Giovanni Giacomo de' Rossi, dedicated to: Antonio Barberini (I), in or after 1655, Giovanni Giacomo de' Rossi, Papal Court, Antonio Barberini (I), printmaker, after drawing by, after design by, publisher, grantor of privilege, paper, etching, height 321 mm x width 359 mm, This print is part of the series titled: Palazzi di Roma. This series consists of two books. Book one, titled: Palazzi di Roma dei più celebri architetti..., consists of 44 prints attributed to Giovanni Battista Falda (name appears only on print 27) and published by Giovanni Giacomo de'Rossi. These 44 prints are known in two states (with and without number). Book two, titled: Nuovi disegni dell'architetture... libro secondo, contains 66 prints by Giovanni Battista Falda and Simone Felice. These 66 prints are known in two states (with and without number)., palace, façade (of house or building), inner court of palace or 'hôtel', Palazzo Falconieri, A detailed architectural elevation showing a facade with multiple horizontal bands and vertical pilasters, rows of rectangular window openings with decorative cornices above some, rounded arch recesses set into flat wall panels, fluted column-like elements and plain rectangular panels, a tiled roof with a pronounced cornice, and repetitive molding and shadow lines creating a sense of depth across the surface.
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alb29102571 You-type vessel with a lid on a stand, Chinese art, Qing dynasty 1644-1911, Qianlong period 1736-1795; cloisonné cellular enamel ritual/ceremonial vessel you decorated with images of birds and a taotie mask in powerful stylization; decorative motifs and plastic insets borrowed from archaic bronzes, with animal-head terminals on the movable handle; wooden elongated stand mattly polished rosewood decorated with bas-relief bats and spiral ornament; originally used as a vessel for storing alcoholic beverages during the Shang Dynasty. Dimensions - vessel: H 39.0 cm, W 24.0 cm, D 19.0 cm, weight 5.6 kg; stand: H 55.0 cm, W 30.0 cm, D 18.0 cm, weight 1.8 kg., A decorative vessel with a rounded body and a domed lid sits on an ornate carved wooden stand, the vessel suspended by a vertical carved wooden handle that rises above it; the vessel is richly patterned in bright blue and light blue with accents of gold and touches of red and green, and features symmetrical decorative motifs and gold ornamental fittings on its sides and rim; the wooden elements are deep brown with intricate carved details and the background is a neutral gray.
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alb29102579 Young woman kneels before her mother, print, Surrounded by several men, a young woman sits with clasped hands in a kneeling position before her seated mother., printmaker: Reinier Vinkeles (I), Amsterdam, 1799, paper, etching, engraving, etching and engraving, height 239 mm x width 156 mm, Illustration from: Richardson, Samuel. History of Karel Grandison. Amsterdam: Johannes Allart, 1797-1802., picture, painting, mother and daughter(s) (family group), kneeling figure, A monochrome engraved interior shows a seated woman in a full dress holding the hands of a kneeling young girl in a flowing gown, with the girl's back to the viewer and her long hair visible; three standing men in period clothing and wigs look on from the right and left, two leaning forward and one with arms crossed, while one man rests a hand on the seated woman's chair; a window with draped curtains is visible at the left, a partially open door and framed picture hang on the wall behind them, and a single empty chair stands in the foreground.
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alb29102578 Portrait of Willem Karel Hendrik Feuilletau de Bruyn, print, printmaker: Johan Hendrik Hoffmeister, Netherlands, printer (person): Koninklijke Steendrukkerij van E. Spanier, The Hague, c. 1851 - c. 1883, printer (person), paper, chine collé, lithography, lithography on chine collé, height 400 mm x width 285 mm, historical persons ((full) bust portrait), knighthood order, A monochrome portrait of a bearded man shown from the chest up wearing a dark military uniform with decorative shoulder epaulettes and a high collar, his hair neatly combed and a full beard framing his face, buttons running down the front of his coat and several ornamental medals on his chest, shaded sketching and fine dot work create highlights and shadows across his features and uniform against a pale background.
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alb29102530 View of the Roman Forum in Rome, album page, photograph, This photo is part of an album., inscription: '292 FORO ROMANO', Rome, 1870 - c. 1895, photographer, paper, pasteboard, albumen print, height 198 mm x width 257 mm, ruin of a building, architecture, Roman Forum, A wide sepia photograph of an archaeological site showing scattered stone ruins and fragmented columns across uneven ground, with three tall standing columns with carved capitals on the left and a large archway structure with decorative details on the right, a long multi-story building with many windows and a tower rising behind the central area, rows of arches and stone stairways amid the ruins, rubble piles and stone blocks arranged in the foreground, and two small human figures walking along a pathway near the center of the scene.
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alb29102504 Wheatnut, drawing, draftsman (artist): Pieter Holsteyn (I), 1600 - 1662, draftsman (artist), paint (coating), watercolor (paint), paper, gouache (paint), gouache in colors, height 156 mm x width 198 mm, song birds: wheatear, A side view of a small bird standing on a pale, uneven surface with long thin dark legs and clawed feet, featuring a streamlined body with grayish upperparts, warm buff coloring on the throat and upper chest, white underparts, and darker brown wings and tail; the bird has a short pointed dark beak, a rounded head with a dark eye, and fine feather detail against a light, textured background.
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alb29102532 Bottle, unknown eastern workshop, Goluchów Greater Poland Voivodeship, 3rd-4th century, vessel, height 10 cm, width 3.8 cm, A worn rounded vessel with a narrow neck and flared rim, shown against a light background; the surface is predominantly deep blue with areas of darker navy and patches of lighter blue, along with several irregular mottled spots of brown and tan discoloration and some textured rough areas; the rim and neck show darker blue and near-black tones; the base sits on a reflective surface that shows a pale gray reflection.
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alb29102500 A mold for making an amulet - Bes mask, Bes myth., mask amulet casting; mold, height 0.4 cm; 664-332 BC, Late Period, Egypt., A roughly spherical, textured object with a coarse, porous surface in shades of brown and tan, showing small pits and irregularities; a few small darker brown and black specks are scattered across the surface, and there is a faint area of darker grayish markings on one side against a plain light gray background.
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alb29102596 Double-sided gingerbread mould. Obverse: rectangular floral and geometric ornament; on one side a rectangular decorative motif containing a rosette and stylised plants; date engraved on the edge: 1806, in the middle of the date the letter S against the background of an anchor mark of the woodcarver or gingerbread maker. Reverse: image of the Archangel Michael in a long, patterned robe decorated with a plant twig motif, holding scales in his right hand and a sword in his left; at the feet of the figure a geometric-plant ornament. Materials/technique: wood, bas-relief. Style: folk art, religious motifs, figurative scene. Subject: Archangel Michael, angels. Origin: Silesia, Province of Silesia 1742-1918. Date: 1806. Dimensions: height 11.6 cm; width 30.5 cm; depth 3 cm. Creator: unknown woodcarver or gingerbread maker., A single long rectangular wooden beam is shown vertically against a plain light gray background, with a worn dark brown surface and lighter areas where the finish is scuffed, small circular holes along its length, and a few small patches of off-white wear near the ends.
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alb29102522 Grabmal, Prudentia, Detail of the tomb of Pope Clement II in the cathedral of Bamberg, album page, photograph, This photo is part of an album., number: '135', Bamberg, 1900 - c. 1920, photographer, Bavaria, paper, baryta paper, gelatin silver print, developing gelatin silver print, height 166 mm x width 226 mm, Person, Clemens II, interior of church, Bamberg Cathedral, A grayscale photograph of a sculpted relief showing a seated nude figure viewed from behind and in profile, with a bobbed hairstyle and turned head, one arm bent and holding a large round vessel against the shoulder while the other arm rests downward, draped fabric cascading beside the figure, a textured stone background with diagonal streaking and surface blemishes, and the image bordered by a light brown mat.
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alb29102562 Vase, Chinese, Qing 1644-1911, ceramics; colored porcelain with landscape, architectural, and plant motifs; Bangping vase from the green family; cylindrical with a shortened neck on a wide, flat ring foot; decorated with the text by Wang Bo titled Prologue to the Poem on the Pavilion of Prince Teng and a landscape composition depicting the pavilion and its surroundings; 19th century, China; vessel; height 40.4 cm, diameter 17.8 cm, weight 2.7 kg., A tall ceramic vase with a cylindrical body and narrow neck standing against a neutral gray background; the vase surface is primarily white with a glossy finish and decorated with several bands of patterned ornament in green and reddish-orange near the neck and base, a group of dense vertical dark brushstrokes forming repeated columns across much of the body, and a few small red seals near the lower side; the top rim shows a decorative green scrolling motif and dotted border, the shoulder area has a green patterned panel with a small painted scene in muted colors, and the base features a green ribbed band above a thin brown foot ring.
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alb29102553 Descent from the Cross, print, printmaker: Christian Wilhelm Ernst Dietrich, Germany, 1730, paper, etching, height 275 mm x width 184 mm, descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached), A tall vertical etching shows a group of people clustered around a central figure being lifted near a wooden cross, with draped cloth hanging from the cross and a long pole leaning against it; the figures have varied postures and expressions, some supporting the central figure while others look upward, and one standing figure in profile is positioned to the right wearing a coat and boots; the composition is rendered in dense cross-hatching and fine lines creating deep shadow on the right side and lighter strokes on the left, with flowing garments and exposed limbs detailed throughout.
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alb29102503 Two men on a bench in the swimming pool, Les baigneurs, Men bathing, cartoon, print, Series number, 16, 30, printmaker: Honoré Daumier, printer (person): Aubert & Cie., Paris, publisher: Bauger, 1840-08-30, printer (person), paper, lithography, letterpress printing, height 244 mm x width 290 mm, Two thin, seated figures on a wooden bench face each other with hunched shoulders and expressive, gaunt faces; both wear minimal cloth wraps and have visible ribbing and muscle detail. The figure on the left sits with hands resting on the bench beside them, legs extended downward, and an anxious upward gaze. The figure on the right leans forward with one hand on the bench and the other raised near the chest, one leg bent with foot resting on the bench edge and the other leg hanging down with toes pointed. Behind them, a standing figure wrapped in a long garment is positioned near a vertical support beam and an arched structural element, while a small head appears above a lower platform at the right edge. The scene is rendered in monochrome pencil or charcoal with visible shading lines, wood grain on the floor and bench, draped cloth on the bench and floor, and vertical background markings suggesting a paneled interior.
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alb29102525 Medan. Medan Hotel, Garden and veranda of the Medan Hotel, photomechanical print, Part of Album with heliogravures of Sumatra's east coast., number: '9', photographer: Carl J. Kleingrothe, Medan, cliché maker: Johann Baptist Obernetter, Munich, in or before 1898, Carl J. Kleingrothe, Johann Baptist Obernetter, photographer, cliché maker, Bavaria, Sumatra, paper, photoaquatint, heliogravure, height 176 mm x width 290 mm, garden, trees: palm-tree, loggia, verandah, porch, A large building with a covered veranda is partly obscured by tall palm trees and other tropical foliage, with a wide driveway curving past manicured grass and planted borders, ornate columns and railings supporting the veranda, visible shuttered windows on the upper floor, a few potted plants and small decorative posts lining the lawn edge, and a person standing near the veranda under its shaded archways.
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alb29102510 Diptych of Clementinus consul of the East AD 513, photograph, page, number: 'Plate XXIII', c. 1858 - in or before 1868, photographer, paper, albumen print, height 197 mm x width 64 mm, ruler, sovereign, sculpture (relief, sculpture), A tall carved stone panel is shown with a central seated figure wearing layered garments and holding a staff, flanked by two standing figures with ornate clothing and headpieces, all beneath a round emblem and a cross; above them are two circular portrait medallions, and below the seated figure are decorative lion-like legs and a stepped platform; the lower section depicts two small cherubic figures with raised arms standing among carved decorative elements and rounded objects, and the panel is mounted on a pale background with slight spotting.
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alb29102513 Vitae Gaudium, Ex libris of Maurits Mendels, print, bookplate, Three swallows by a sheaf of corn., number: '41', printmaker: Richard Nicolaüs Roland Holst, 1924, paper, line block, height 160 mm x width 141 mm, Person, Maurits Mendels, song-birds: swallow, sheaf, A circular black and cream graphic with a thick black ring surrounding a central illustration of a person wearing a textured hat and a scarf, rendered in bold black lines and stippling, with decorative radial shapes and curved black segments around the rim.
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alb29102587 Robert Macaire posing as a banker, Caricatures, Caricaturana, cartoon, Series number, 85, 100, printmaker: Honoré Daumier, printmaker: Charles Philipon, printer (person): Aubert & Cie., Paris, 1838, printer (person), paper, lithography, letterpress printing, lithography with text in letterpress on verso, height 358 mm x width 238 mm, Print possibly from: Le Charivari, July 9, 1838., banker, A pencil sketch of a group of men standing close together, most wearing tall top hats and long coats, with visible facial hair and expressive faces; one man in front holds a hand to his chest and leans slightly back while another opposite him gestures with open hands and has a lined, open-mouthed expression; behind them are other figures peering forward, some with downturned or neutral mouths; clothing includes high collars, scarves, waistcoats, skirts or aprons on one figure, striped trousers, and shoes; the scene shows uneven cobblestone ground and a stone wall or doorway at the left edge.
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alb29102567 Table Rock, looking down, in winter. Additional, American view, Niagara Falls., 1850 - 1930. New York (State), Niagara Falls (N.Y. and Ont.). Albumen prints.
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alb29102528 Device on an electromagnet for the mechanical operation of induction currents, photograph, page, number: 'No. 195.', photographer: Fredrich Wilhelm Funckler, Netherlands, c. 1857 - in or before 1867, paper, albumen print, height 59 mm x width 52 mm, Photo on page 16., physics (tools, instruments, laboratory equipment, scientific research), A sepia-toned photograph of a mechanical device mounted on a round wooden table is centered on an aged, stained page; the device features a large circular wheel with spokes attached to a central hub and a lever-like arm with a rounded handle, all rendered in dark metal tones, and the table shows visible legs and surface wear, while the surrounding paper has foxing spots and faint shadowed impressions.
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alb29102585 Fisherman's family on board a ship, print, The man is sitting with his legs over the edge of the ship and has his fishing rod in the water. Next to him, a boy is watching the bobber. Behind them, a woman is sitting under a tarpaulin with a small child on her lap. She is pouring coffee., printmaker: Hendrik Adriaan Christiaan Dekker, Amsterdam, after painting by Hein Burgers, printer (person): Jan Dam Steuerwald, The Hague, 1846 - 1863, Hendrik Adriaan Christiaan Dekker, Hein Burgers, Jan Dam Steuerwald, printmaker, after painting by, printer (person), paper, tonal lithography, tonal lithography in black with tone block in beige, height 355 mm x width 545 mm, family group, especially parents with their child(ren), sailing-ship, sailing-boat, fisherman, A close view of a boat's bow with rigging and a curved hull set at the waterline, showing a man seated at the edge wearing a hat, a vest over a light shirt, and holding a long pole while looking downward; beside him a child leans on the gunwale with a hand to the face; behind them a seated woman wearing a headscarf and a dark dress pours liquid from a teapot into cups arranged on a small surface; ropes, pulleys, and blocks run along the mast and deck, and faint buildings appear across the water in the distant background.
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alb29102508 Landscape with sheep herders, Brin de causette, page, photomechanical print, inscription: 'Association Belge de photographie.', photographer: Abbé Motus, cliché maker: Jean Malvaux, Brussels, c. 1893 - in or before 1898, paper, autotypie, height 119 mm x width 168 mm, landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, sheep, A sepia-toned rectangular image with rounded corners shows a grassy hillside dotted with grazing sheep and a dog lying on the ground; two men in long coats and hats stand near the center facing slightly toward each other while overlooking a distant village with church spires and low buildings set against rolling hills under a pale sky.
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alb29102518 Necklace, repossession Radom. Egyptian deities, udjat eyes, beads, spherical beads, ornaments. Necklace consisting of 67 straw-shaped beads, 117 flat rings, 10 double flat rings with two holes, 4 balls, 2 udjat eyes 1 eyelet in 2 parts, 1 deity figurine without preserved feet. Predominant color: green; single beads brick-red, brown, and white. 664-332 BC, Late Period, Egypt. Amulet, jewelry; height 98 cm., A beaded necklace arranged on a flat gray background, composed of a string of small cylindrical and disc-shaped beads in pale green and off-white, with several beads in muted pink and some round beads in green and yellowish tones; a larger pale green pendant with an irregular shape is attached near the lower center, and there are a few small rough stone or clay beads in beige and brown along the strand.
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alb29102593 25 portraits of Mitzi-Dalti and Dolley, Collection Nilsson - Nouvelle Série, page, photomechanical print, number: 'No 317', c. 1895 - in or before 1900, paper, collotype, photoprint, height 239 mm x width 155 mm, historical persons - BB - woman, A vertical sheet showing a grid of sepia-toned portrait photographs of women in vintage dresses and hats, each image framed with a margin, arranged in rows and columns across the page; the women display a variety of poses including seated, standing, leaning, and looking toward or away from the camera, with different hairstyles and accessories such as flowers, ribbons, and elaborate collars; some portraits show studio backdrops like curtains or painted scenery, while others include props such as chairs or tree trunks; the overall tone is aged and warm, with photographic contrast and soft focus typical of antique prints.
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alb29102511 Saint Cecilia, print, Cloud Cover with Saint Cecilia on it. To the right of her is a harp that she holds with her right hand., printmaker: Anna Cécile Wilhelmina Jeanette Jacqueline Nahuys, Northern Netherlands, 1841 - 1905, paper, etching, height 101 mm x width 62 mm, St. Cecilia making music and, or singing, A lightly shaded line drawing of a robed, long-haired woman standing beside a tall harp, her hands resting on the instrument and her head slightly tilted; faint radiating lines surround her head like a halo. The woman wears a flowing gown with draped sleeves and exposed shoulders, and her hair falls over her shoulders. The harp has a curved top with parallel strings and a broad base set on the ground. The figure stands on textured ground indicated by crosshatched lines and sweeping strokes, and the background is mostly blank with subtle horizontal scratches and light shading.
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alb29102512 Bombardment of Venlo, 1793, print, historical print, Bombardment of Venlo by the French army, February 17-20, 1793., printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, proof print, height 160 mm x width 100 mm, Illustration for: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 volumes. volume XXIV pl. III., bombardment, siege, Venlo, Period, 1793-02, A detailed monochrome engraving showing a wide sky filled with layered clouds, a large billowing plume of smoke rising from an area near a cluster of buildings, a waterfront with a long pier extending into the water, rows of small peaked-roof houses and larger structures along the shore, scattered bales or barrels near the water, textured waves in the foreground, and vegetated banks with grasses and low shrubs.
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alb29102590 Praying nun visited by cloister members, print, printmaker: Reinier Vinkeles (I), Amsterdam, 1798, paper, etching, engraving, height 233 mm x width 154 mm, one person praying, A monochrome engraving shows an interior with a high beamed ceiling and stone walls. A barred window lets light into the room. In the foreground a woman in a long robe and head covering kneels with one hand on her chest and the other extended toward two standing figures. A robed man wearing ornate liturgical vestments and a cross around his neck stands near an arched doorway, holding a hat in one hand and gesturing with the other toward the kneeling woman. Another woman in a robe and head covering stands beside him holding a book and a rosary with a cross, her expression solemn. A fourth, partially visible figure stands behind them. A simple bed with a turned bedpost is visible to the left and the floor is made of rectangular tiles. The image is composed of detailed crosshatching and fine line work.
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alb29102575 Portrait of Antoon van Straalen, print, Mayor of Antwerp. Below the portrait his execution, by order of the Duke of Alva., FMP 5164-a, printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, engraving, etching and engraving, height 164 mm x width 114 mm, Later state print used in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Part IV., Person, Antoon van Stralen, on the scaffold or place of execution, A framed oval portrait shows a profile of an older man facing right with a receding hairline, wavy hair, and a pointed beard, wearing a high ruffled collar and a dark cloak with visible fabric texture. The oval rests against a tree trunk with bark detail and surrounding foliage. Below the oval, a crowd scene depicts numerous small figures gathered around a raised platform or stage where a seated figure and attendants appear, with architectural elements and trees in the background. The image is rendered in fine monochrome engraved lines and hatching.
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alb29102521 Pavillon du parc, View of a pavilion in a park, probably in Stockholm, page, photomechanical print, number: 'N:o XVI.', maker: V. Wolfenstein, Karlberg Palace, maker: Johannes Jaeger, c. 1888 - in or before 1891, Solna, paper, collotype, photoprint, height 120 mm x width 188 mm, rural housing, eg country-house, villa, cottage, A wide wooden pavilion with a wraparound porch and decorative railing sits partially behind a large tree trunk in the foreground, with tall porch columns and a multi-tiered roof topped by a small cupola and a slender pole; leafy tree branches frame the scene at the top and sides, and a sloped dirt path leads up to the building past a grassy area.
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alb29102537 Portrait of Gotthilf Friedemann Loeber, print, printmaker: Johann Heinrich Lips, after painting by Johann Samuel Blättner (II), 1793 - 1817, paper, engraving, height 243 mm x width 181 mm, Person, Gotthilf Friedemann Loeber, historical persons, theologian, An engraved oval portrait of an older man with powdered, curled hair wearing clerical bands and a dark coat, set against a fine crosshatched background and framed by a decorative oval mat with a ribboned ornament at the top, all above a rectangular panel filled with dense cursive and calligraphic writing.
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alb29102555 Portrait of Nicolaas Pieneman at the age of 4, print, Portrait of Nicolaas Pieneman, son of the artist, at the age of 4., printmaker: Jan Willem Pieneman, Northern Netherlands, 1813, paper, etching, height 71 mm x width 48 mm, Person, Nicolaas Pieneman, historical persons, child, A black ink sketch on aged paper showing the upper body of a young person with short, wavy hair and a rounded face, looking slightly to the side; the figure wears a garment with a ruffled collar and a bow at the shoulder, and bold, varied ink strokes create shading and texture around the neck, shoulder, and behind the figure where hatched lines suggest a background element; the paper shows subtle stains, smudges, and faint vertical scratches.
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alb29102535 Censer, Chinese, Qing dynasty 1644-1911, 18th century; ceremonial/ritual vessel; backdated signatures; material not specified; height 8.5 cm, diameter 16.8 cm., A low, rounded metal vessel with a bulbous body and a slightly flared rim sits centered on a reflective surface; its exterior shows mottled tones of brown, dark green, and muted gold with a patinated finish, and a small curved handle-like projection is visible on the front, while the interior appears darker with grayish and black hues and the background is a soft pale gray.
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alb29102566 A mold for making an amulet lion, lions, casting mold, Ptolemaic Period 332-30 BC, found in Edfu; mold; height 7.1 cm., A rectangular, worn clay object in shades of reddish-brown, tan, beige, and dark gray with an indented relief showing a reclining feline-like form; the surface is cracked and pitted with rough, uneven edges and several small chips, and there are darker smudges and patches across the lower and central areas.
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alb29102568 Built-in wardrobe front, gift, baroque, rococo, flowers, ribbon-pincer ornament, vases with flowers, pre-war, ca. 1762, Torun, fragment of furniture, height 138.5 cm, width 101 cm, depth 5.8 cm, A tall wooden door with a decorative curved pediment at the top, showing worn and weathered brown wood tones throughout; the door has a recessed central panel with visible wood grain and a vertical split, a simple frame with darker brown stiles and rails, and an old rectangular metal latch on the right side; the surface displays scratches, scuffs, and patches of lighter and darker brown, with a few small areas of beige and pale worn spots near the bottom and top edges, all set against a neutral gray background.
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alb29102584 Standing French soldier, French infantry in the Netherlands in 1795, print, A standing French soldier, facing left. Part of a series of fifteen plates of French infantry, mainly soldiers and a few officers, in irregular uniform or clothing, as it arrived in the Republic in 1795., printmaker: August Christian Hauck, Northern Netherlands, printmaker: Cornelis Bakker, 1795, paper, etching, engraving, etching and engraving, height 155 mm x width 105 mm, These plates belong to a larger group of which the Atlas van Stolk also has a part (colored)., clothes, costume, (military) uniforms (infantry), French period, infantry, Period, A delicate pencil drawing of a standing figure wearing a brimmed hat with a ribbon, a long coat with visible buttons, breeches, and buckled shoes, holding a long firearm slung over the shoulder and gripping its stock with one hand while the other arm crosses the chest, a knapsack or bag is strapped on the back and a sword or bayonet hangs at the side, all rendered in fine, light lines on a pale, slightly speckled background.
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alb29102534 Six scenes with various persons, Small scenes from daily life, Bluettes, print, Series number, 18, Print is part of a cover with eighteen prints., printmaker: Henri-Gérard Fontallard, printer (person): Victor Ratier, Paris, publisher: Dauty, publisher: Giraldon-Bovinet & Cie., 1829, printer (person), paper, lithography, hand coloring, hand-colored, height 278 mm x width 369 mm, various human types, The image shows a printed sheet with six small colored vignette illustrations arranged in two rows, each vignette depicting groups of people in period clothing; at the top center there is a decorative title in stylized lettering, and each vignette has a short caption beneath it in cursive script; the top row includes a pair of men in military-style coats and bicorne hats standing by a small building on the left, a couple seen from behind sharing an umbrella in the middle, and a woman pulling a small cart with two children led by a man on the right; the bottom row shows a tall woman in a flowing dress with a small figure beside her on the left, a crowded scene of kneeling and standing men around a central figure in a coat in the middle, and a seated woman in a yellow dress near water on the right; the sheet background is off-white with small scattered spots and the vignettes use pastel tones with hand-colored outlines.
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alb29102517 Triumph procession with prisoners, soldiers, lictors and priests, In vita Pauli aemilij Appianus Alexandrinus in Lijbico, Roman triumphs, Amplissimi ornatißimiq triumphi, uti. L. PAVLVS DE rege Macedonum Perse capto, P. Africanus Aemilianus de Carthage: nensibus excisis. C N. Pompeius Magnus ex oriente, Julius Augus: tus, Vespasianus, print, album page, Series number, 8, 11, Procession of prisoners, Roman soldiers, lictors and priests with smoking incense. Title in Latin in bottom margin. Print is part of an album., number: '108', inscription: 'lib. 1. fol. 24', printmaker: Onofrio Panvinio, Italy, after drawing by Jan Snellinck (I), Antwerp, after design by Maarten van Heemskerck, publisher: Govert van Schayck, Rome, 1618, paper, engraving, gravure, height 157 mm x width 363 mm, This print is part of a series of 11 prints (title print) depicting Roman triumphs. This series has been published in six editions (1 Gerard de Jode, 1577-85, 2 Cornelis de Jode, 1596, 3 Govert van Schayck, 4 Giacomo Lauro, 5 Giovanni Giacomo de' Rossi and heirs, 1664-1735, 6 Calcografia Camera Apostolica, after 1738)., the soldier, the soldier's life, prisoner of war (after the battle), priest, Roman religion, ceremonial procession, parade, pageant, installation of a ruler, A wide horizontal engraving showing a procession of groups of people walking from left to right across a flat ground, with clouds of smoke or incense held aloft at points above the marchers. On the left a group of clothed figures walk in close formation, some with draped garments and one carrying a shallow basket on the head. Toward the center a line of helmeted soldiers in armor and short tunics march, some holding crowns or branches and wearing plumed helmets. Further right another group of partially draped fi.
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alb29102563 Collection of portraits and a company of Indian men illustrating various types of turbans. Plain and colored, photograph, page, inscription: 'PL. I., Costume-Illustrations', collector's mark: 'Brooklyn Public Library', printer (person): William H. Griggs, c. 1861 - in or before 1866, William H. Griggs, photographer, printer (person), paper, albumen print, height 260 mm x width 207 mm, historical persons, head-gear: turban, A sepia-toned image sheet with faded portrait heads along the top and bottom edges and a larger central photograph showing a group of men seated and standing in front of a woven reed or thatch backdrop; in the central scene one man stands wearing a wrapped head covering and loose garments while three others sit on the ground in traditional wraps and turbans, one leaning on a stick and another holding a long curved pipe, with baskets and a hanging object visible against the backdrop; the sheet shows a circular stamp near the lower right of the central photograph.
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alb29102502 Antependium by Anna Barbara Orliec embroiderer, 1693. Antependium embroidered with colorful silks on a creamy pink satin background, details worked with metal thread; techniques include flat, split, and knotted stitches and metal-braided threads laid flat. Size: height 90 cm, width 274 cm. In the center, within a wide ribbon wreath supported by four archangels in short armor holding palm leaves, is a walled city surmounted by Mary and Child, St. Peter, and St. Paul. Kneeling before the city are a bishop bearing the Junosza coat of arms three lambs, an abbot with the Brinken coat of arms three roses behind a shield resembling crossed crosiers, and an abbess with the Nowina coat of arms. Around them are flowers, a floral tendril, and six angel heads encircling Mary. On the sides are two figures in antique-style robes holding horns filled with flowers and heraldic shields - one possibly showing the coat of arms of Kraków a city gate with an eagle, the other illegible. At the bottom are two inscriptions: ANNO 1693 and ANNA BARBARA ORLIEC/NATA PROFESSA. Materials: silk and metal thread; function: church furnishing antependium; origin: Poland., A long embroidered textile panel with a pale beige background showing a central religious scene with several human figures seated on stylized cloud forms and surrounded by a host of smaller angelic figures; the central seated figure group includes a robed woman holding a child and flanked by two robed men, all rendered in muted tones. The lower register shows a scene with three larger robed figures positioned before a small stylized town or architectural motif, with a reclining figure to one side and a kneeling figure nearby. The border and field are filled with an overall pattern of winding leafy vines, large floral motifs, and scattered birds and angels, with ribbonlike garlands arching across the top. The embroidery uses colors including gold, cream, pale blue, soft green, brown, and touches of darker blue and black for outli.
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alb29102558 Lotus flower with Buddhist deities, 19th century, Nepal; bronze/lotus mandala depicting Hevajra and consort Nairatmya with bodhisattva iconography, pairs of lovers, lotus iconography; cult object; height 20.3 cm, width 8.0 cm; inscriptions: none specified; function: ritual/devotional., A metallic sculptural object with a central multi-armed figure seated on a raised circular platform, surrounded by a group of petal-like blades each bearing a seated figure in relief; the metal has a dark bronze to brown patina with areas of lighter, worn highlights and subtle greenish and reddish tones; the petals are pointed and arranged radially, creating an open flower-like form, with ornate curling supports and small decorative elements around the base and edges; the background is a smooth, neutral gray.
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alb29102556 Bowl with a lid, decorated with ducks and peaches, colored porcelain. Chinese, Qing dynasty, Tongzhi period 1862-1874. Porcelain bowl on a ring foot with a lid-stand; exterior painted with a duck among reeds in delicate black line and an inscription. Lid decorated with a branch bearing peach fruit. Vessel, height 9 cm, diameter 10.3 cm., A white porcelain lidded cup with a shallow domed lid sits centered on a reflective surface against a gray background; the cup and lid have thin gold rims and delicate grayish-brown painted botanical and landscape motifs including slender leaves and a textured cluster resembling foliage, and the cup shows faint decorative marks in the same grayish-brown tone, with the reflection of the cup visible below.
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alb29102520 Trophy of a blacksmith's instruments, Trophies and festoons, print, ornament print, Vulcan sits on the cloud, forging wings for Amor. From a series of 6 sheets., printmaker: workshop of René Boyvin, after drawing by Rosso Fiorentino (possibly), after drawing by Léonard Thiry (possibly), publisher: Hans de Wael, c. 1551 - c. 1580, René Boyvin, Rosso Fiorentino, Léonard Thiry, Hans de Wael, after drawing by, publisher, paper, engraving, gravure, height 261 mm x width 76 mm, A vertical engraving showing a seated bearded man with muscular arms and a focused expression holding a hammer and tongs while working on a winged object, positioned on a cloud above a young nude child who stands beside a small anvil and tools; below them a dense cascading arrangement of various tools and hardware elements including saws, clamps, compasses, hammers, hooks, wedges, tongs, pliers, and curved metal pieces, all tightly interlocked into a pointed hanging cluster that terminates in a woven basket holding sharp fragments and a small suspended cup at the bottom.
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alb29102531 Landscape with old man with scythe, print, A landscape with ancient ruins and a river. In the foreground on the right sits an old man with a scythe (possibly Father Time or Death)., printmaker: Angelo Falconetto, Italy, 1527 - 1567, paper, etching, height 94 mm x width 130 mm, Father Time, man with wings and scythe, landscape with ruins - II - ideal landscapes, A landscape sketch in pale ink showing ruins of stone arches and columns on a hillside, with a seated bearded man holding a long staff in the foreground; layered clouds fill the upper area, and trees and low vegetation dot the slopes and valley; small human figures appear on the path near the ruins, and distant mounds or structures are visible on the horizon.
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alb29102547 Letter to Ina van Eibergen Santhagens-Waller, letter, Dated 1935 in later hand., watermark, writer (clerical worker): Richard Nicolaüs Roland Holst, 1878 - 1938, writer (clerical worker), materials by function, paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Henriëtte Roland Holst-van der Schalk, Ina van Eibergen Santhagens-Waller, applied arts, arts and crafts, industrial design, passions, emotions, affections, diseases, Oegstgeest, A pale sheet of paper with a vertical crease down the center is covered in flowing cursive handwriting in a soft gray pencil that varies in darkness across the page, with a smudged bluish scribble near the upper right and a short vertical mark in red chalk along the right margin, the handwriting lines slant slightly and fill the page from near the top edge toward the bottom with irregular spacing and occasional darker spots where the pencil pressed harder.
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alb29102561 The death of Rear Admiral Lewe van Aduard, (12 December 1832.), Four plates of the defense of the Citadel 10-18 December 1832, print, Rear Admiral Jan Evert Lewe van Aduard is killed on board the ship Euridice at the Kruisschans on the Scheldt during a French bombardment, 12 December 1832. Part of a series of four plates of the Dutch defense during the siege of the Citadel of Antwerp by the French army, December 1832., : 'Registered', printmaker: Johannes Steyn, Netherlands, printer (person): Desguerrois & Co., Amsterdam, 1832 - 1833, printer (person), paper, lithography, lithografie, height 262 mm x width 353 mm, Person, Jan Evert Lewe van Aduard, bombardment, Battle for the Citadel of Antwerp (1832), Antwerp, Scheldt, Citadel of Antwerp (19th century), Period, 1832-12-12, A black and white engraving of a crowded ship deck showing many men in period clothing and naval uniforms clustered together with varied postures and expressions; some men are standing and pointing, others are bending over or kneeling beside wounded or collapsed figures on the wooden planks, and a few sit or lean against the ship's rail. Tall masts, rigging, and furled sails rise behind the group, and a large cannon is visible at the left edge of the deck. In the sky above and behind the ship there are clouds and smoke, and flaming spherical objects with trailing sparks are shown in midair heading toward the deck. The scene is framed by a decorative border and a blank margin surrounding the image.
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alb29102580 Ditch near the Municipal Gasworks in the Binckhorst in The Hague, print, Left a meadow with a grazing cow. Right in the background two gas holders., printmaker: Willem Adrianus Grondhout (signed by artist), 1888 - 1931, paper, etching, intaglio printmaking technique, height 134 mm x width 207 mm, meadow, pasture, small canal, ditch, gasholder, gas tank, The Hague, Binckhorst, A sepia-toned etching of a riverside scene showing a row of trees along the right bank with detailed trunks and tangled branches extending across the top, their leaves sketched in fine lines. A wooden fence and a broken gate sit near the water's edge in the midground, with reflections visible in the calm water below. Low buildings and distant structures line the far bank, seen through a light, sketchy horizon. Tall grasses and reeds grow along the near bank, and delicate line work suggests ripples and shadow in the water and texture in the fields. The overall image is composed of fine, cross-hatched strokes and soft washes creating a quiet, pastoral atmosphere.
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alb29102598 Portrait of Maria Kouwenhoven, print, Portrait of Maria Kouwenhoven at the age of 101., printmaker: Pieter van der Meulen, Amsterdam, after painting by Wybrand Hendriks, 1808 - 1810, paper, stippelets, proof, height 225 mm x width 177 mm, Person, Maria Kouwenhoven, A monochrome engraved portrait of an elderly woman shown from the chest up wearing a cloth cap that covers her hair and frames her face, a scarf or kerchief tucked around her neck, and a textured dress with a patterned bodice and gathered waist; her face shows detailed skin texture and a neutral expression with eyes looking slightly to one side; a plain dotted background surrounds her and a decorative rectangular border frames the composition.
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alb29102526 Portrait of an unknown woman, page, photomechanical print, photographer: Dubois, cliché maker: anonymous, c. 1898 - in or before 1903, paper, autotypie, height 167 mm x width 140 mm, Print on second unnumbered page after page 28., historical persons not known by name - BB - woman, A grayscale portrait of a person wearing a wide-brimmed hat with decorative fabric on top, showing a neutral facial expression and short curly hair at the temples, a fur or fluffy collar around the neck, and a dark coat or garment visible at the shoulders, all set against a plain light background.
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alb29102569 Double-sided gingerbread mould. Side A: soldier in parade uniform from the early 19th century-high shako with tassel, epaulettes, decorative sleeves, an order pinned to the chest, sabre with decorative tassel; geometric and plant decoration at the bottom. Side B: baby in richly decorated swaddling clothes with geometric and plant ornament. Rectangular wooden mould, engraved on the edge with the letter B initial of the maker. 19th century; Silesia Prussia; 1742-1918. Form. Height 35.3 cm; width 11.6 cm; depth 3.5 cm. Materials/technique: wood gingerbread mould; folk motifs, decorative art., unknown provenance., A tall rectangular wooden panel carved in brown wood features a stylized human figure in relief; the figure has a round face framed by a floral halo-like pattern, simple carved eyes, nose, and mouth, and a body wrapped in an intricately patterned shroud with diagonal bands of carved motifs, ending in a tied knot and a scalloped base; the background around the figure is the same brown wood, and the surrounding area beyond the panel is a muted light gray.
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alb29102557 Funeral Oration of HM Leopold I - in the Chapel of the Ardennes, Photographic reproduction of a draft of the oration in the church during the funeral of King Leopold I of Belgium in Laeken, photograph, reproduction, This photo is part of a cover with fourteen photos., inscription: 'In Laeken.', photographer: Ghémar Frères, Brussels, after design by anonymous, c. 1861 - in or before 1866, paper, albumen print, height 167 mm x width 249 mm, Person, Leopold I (King of the Belgians), funerary ceremonial, king, Laeken, Period, 1865-12, A large sepia-toned scene shows a crowded ceremonial hall with many men dressed in formal uniforms and robes gathered around a central draped casket. Tall ornate candlestands and suspended chandeliers with visible flames hang from the ceiling, casting light over the assembly. Decorative shields, laurel wreaths, and draped fabrics adorn the walls behind the crowd, and large statues or sculpted figures are visible in niches. Several clergymen or officials stand near the casket, one with an outstretched arm, while rows of seated and standing attendees face toward the central area. The foreground includes close-up views of uniformed men from behind, and ornate architectural details and pedestals frame the sides of the composition.
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alb29102544 Young street musician, print, printmaker: Ernst Witkamp (signed by artist), 1864 - 1897, paper, chine collé, etching, intaglio printmaking technique, drypoint, drypoint and plate tone on chine collé, height 222 mm x width 174 mm, musician - CC - out of doors, street, popular music, street music, A young person stands leaning against a wall at the edge of a doorway, wearing a dark knee-length dress with long sleeves and a patterned scarf tied around the neck, holding a folded umbrella by the handle near the side; short dark hair frames a downcast face with a neutral expression. The scene is rendered in fine, closely hatched lines creating textured shading across the clothing and background; a vertical stone or wooden column is beside the figure and a ledge at hip height supports one hand. In the lighter right portion of the image, faint outlines suggest distant vertical shapes and a ghosted, indistinct figure in a skirt, while the left upper area shows framed rectangular shapes mounted on the wall. The overall palette is monochrome with detailed crosshatching and varied line density defining forms and shadows.
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alb29102540 Nude man with stick from the side and nude man in front view, Putti and human figures, print, Two prints on one sheet, numbered 21 and 22., publisher: Frederik de Wit (possibly), Amsterdam, c. 1645 - 1706, printmaker, paper, engraving, engraving on an uncut sheet, height 159 mm x width 125 mm x height 160 mm x width 125 mm, the (nude) human figure, 'Corpo humano' (Ripa), Four standing male figures drawn in ink on aged paper, arranged side by side. The figures are nude and rendered with anatomical detail, showing muscles and bone structure in different styles of shading and line work. The two left figures hold long staffs and stand on textured ground, with one shown in profile and the other turned slightly toward the viewer; their musculature is depicted with crosshatching. The two right figures stand with hands on hips or relaxed at their sides; one has stylized muscle bands outlined and minimal shading, while the other is shaded with fine lines to emphasize volume. The background is a mottled, light beige paper with subtle spots and creases.
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alb29102581 Goat and sheep, print, A goat and sheep lying by a tree., printmaker: Balthasar Paul Ommeganck, printer (person): Burggraaff, Brussels, 1809 - 1826, printer (person), paper, chine collé, lithography, lithography on chine collé, height 348 mm x width 438 mm, sheep, A detailed monochrome drawing shows two animals resting on grassy ground beneath a large tree with textured bark and leafy branches extending overhead; one animal with long curved horns and shaggy fur faces forward while the other, with a thick curly fleece, lies with its head turned and visible facial features; the background includes softly shaded hills and an open sky.
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alb29102516 Portrait of François van Aerssen, print, Portrait of François van Aerssen in an oval frame. In the center below his coat of arms with a helmet. In a frame his name., printmaker: Jan Frederik Christiaan Reckleben, Amsterdam, 1829 - 1879, paper, steel engraving, height 236 mm x width 146 mm, Person, Jonkheer François van Aerssen, An engraved oval portrait of a bearded man shown from the chest up, wearing a dark cap and a wide pleated white ruff collar over a dark textured garment with buttons, set against a finely crosshatched background, with a decorative heraldic shield and helmet depicted below the portrait.
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alb29102594 Tabac a la Violette, Coat of arms with three lilies, print, Advertising card for the tobacco brand 'Tabac a la Violette'. A coat of arms with three lilies. A crown above the coat of arms., printmaker: Jean Bernard, Amsterdam, 1785 - 1833, paper, etching, height 82 mm x width 63 mm, trade mark, trade token, trade sign, trade card, An ornate engraved design centered on a rounded shield featuring three stylized fleur-de-lis, topped by an elaborate crown with decorative fleur motifs, surrounded by swirling acanthus-like foliage and radiating ribboned beams, with a decorative pendant below that includes a star-shaped element and additional scrollwork, all rendered in fine dark line work on a light, slightly textured background and enclosed within a double-lined rectangular border.
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alb29102147 Fries with a vase and two little boys, print, ornamental print, Frieze with a vase between two imaginary animals. A naked little boy is riding on each animal., number: '12', printmaker: Heinrich Aldegrever, Germany, 1527, paper, engraving, gravure, height 26 mm x width 75 mm, child, ornament, hybrid animals, vase, A narrow rectangular engraving shows a symmetrical ornamental scene with two chubby cherubic figures facing inward and positioned on either side of a central ornate urn. Each cherub has curled hair and rounded limbs, and both grip large sweeping scroll-like elements that form part of the decorative frame. The central urn has a domed lid and sits on a pedestal decorated with scrolling acanthus motifs and shell-like carving. Stylized animal heads with curled snouts emerge from the scrollwork beside the urn. The background is densely hatched to create tonal contrast, and the entire composition is rendered in fine parallel and cross-hatched lines on aged paper.
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alb29102514 Exterior of a house, page, photomechanical print, photographer: A. Brothers & Co., c. 1889 - in or before 1899, paper, autotype, photo-lithograph in half-tone, height 111 mm x width 158 mm, housing, facade (of house or building), A sepia-toned image of a half-timbered house with steep gabled roofs and a tall central chimney, partially obscured by trees behind and to the side, a fenced entrance with ornamental metal gates and stone pillars in front, a low brick wall extending along the foreground, and windows and decorative timber patterns visible on the house facade.
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alb29102191 Fourteen depictions with devils, Incredible devilish tricks, Small and varied scenes by Aubert, Petites macédoines d'Aubert, Fantastical devils, cartoon, print, Series number, 100, printmaker: Charles Ramelet, publisher: Aubert & Cie., Paris, 1833, Charles Ramelet, Aubert & Cie., printmaker, publisher, paper, lithography, letterpress printing, lithography with text in letterpress on verso, height 298 mm x width 230 mm, A sheet filled with small detailed black and white engravings showing various human and animal figures in different scenes, including a woman bending over a small animal, a group of seated women with covered faces, a man balancing on a pole, a drummer leading a donkey carrying passengers, couples dancing, women in full skirts holding hands, a musician seated with a guitar-like instrument, a woman in a bedchamber gesturing from a curtained bed, and a scene of a devilish figure presenting a flower to a seated woman, with additional small floating objects and birds scattered across the page.
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alb29102178 Trompe l'oeil with two prints and two sheets of music, drawing, Trompe l'oeil with two partially overlapping prints and two sheets of music., annotation: '3 Stuks 772', number: 'N 26', 1700 - 1799, draftsman (artist), materials by function, paper, ink, pencil, pen, brush, pen in black with brush in gray over pencil, height 283 mm x width 237 mm, printed edition of musical score, print, eg: engraving, etching, lithograph, 'trompe l'oeil', A composition of layered sheet music and folded prints arranged over a pale paper background, showing musical staves and notes peeking from beneath overlapping rectangular pages, a central print depicting two figures with one holding a stringed instrument beneath a tree, another folded page revealing an ornamental cartouche with a small landscape, visible pencil or ink shading along page edges, and a diagonally positioned blank staff sheet with evenly spaced horizontal lines.
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alb29102105 Portrait of Sebald Justinus Brugmans, print, The sitter wears four knightly orders., printmaker: Leendert Springer (I), Leiden, after painting by Charles Howard Hodges, 1829, printer (person), paper, lithography, height 485 mm x width 345 mm, Person, Sebald Justinus Brugmans, historical persons ((full) bust portrait), knighthood order, A monochrome portrait of a middle-aged man shown from the chest up, facing slightly to viewer's left, with short curly hair and a round face, wearing a high-collared shirt and a dark formal coat with a draped outer garment; a decorative medallion hangs at his neck and several ornate medals are pinned to his chest; the shading is rendered in detailed pencil or charcoal with soft shadows around the shoulders and a plain light background.
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alb29102104 Portrait of two unknown tribesmen with turbans from Kohat, Khyber Pakhtunkhwa, Pakistan, photograph, page, number: '(258)', inscription: 'BHUTTUMEES., AFGHAN FRONTIER TRIBE., SOONNEE MUSSULMANS., KOHAT.', Kohat, c. 1862 - in or before 1872, photographer, paper, albumen print, height 109 mm x width 88 mm, head-gear: turban, human races, peoples, nationalities, A sepia-toned photograph showing two men in traditional clothing against a draped backdrop, one man standing barefoot with layered garments and a turban, the other seated on the floor wearing similar attire and a turban, both facing forward, with the standing man's shadow cast on the backdrop and a rectangular caption box below the photograph.
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alb29102190 Oeuvres philosophiques, médicales, posthumes et complètes, du docteur Cloetboom, book, annotation: 'Par mr. Gensse, employé à la, société generale', date: 'APR, 1986', publisher: Librairie polytechnique d'Auguste Decq, Brussels, 1857, Librairie polytechnique d'Auguste Decq, pasteboard, paper, printing, photolithography, height 151 mm x width 97 mm x thickness 16 mm, A grainy monochrome print showing the back of a seated figure wearing a hat and a patterned garment, sitting on a wooden ladder-back chair, with a draped curtain tied back on one side and a textured dark background behind the figure.
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alb29102128 Coat of arms of the Van Schooten and Van Egmond families, print, Family coat of arms of the Van Schooten and Van Egmond families from Haarlem (the left coat of arms striped, the right with two lions) in an oval. Belongs to a portrait of Gerrit Jansz. van Schooten., printmaker: Hendrick Goltzius, Haarlem, 1579, paper, engraving, silver engraving, height 51 mm x width 39 mm, armorial bearing, heraldry, An oval engraving printed on textured paper shows a central heraldic design with ornamental mantling and a helmet topped by a decorative crest; the crest resembles a small animal figure rising from a crown-like band. Within the oval are two shields side by side, one displaying a pattern of nested chevrons and the other divided into a checked pattern with small lion-like figures in some sections. The surrounding area inside the oval is darkly shaded with fine crosshatching, and the outer border of the oval is plain with a thin inner line. The paper outside the oval has a fibrous, slightly rough texture.
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alb29102155 Braid clasp, braid ornaments, clasps, jewelry, Mongolian art, artistic crafts, women's ornaments, late 19th century, Mongolia, jewelry; height 2.9 cm, width 2.3 cm, length 7.4 cm, A small horizontal metallic object with decorative openwork on each end and a rectangular central section containing a group of reddish-brown cylindrical pieces; one rounded red-orange domed element is visible at the left end. The metal appears silvery with areas of darker patina, and the background is a pale gray.
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alb29102127 Mountain Landscape with Architecture on a Base - Bas-Relief, Chinese, Qing 1644-1911, Mid-19th century. Sculpture; materials/technique: bas-relief. Subject: mountain landscape with architecture; decoration: landscape motifs, architectural elements. Dimensions: height 33.5 cm, width 27.5 cm., A carved stone sculpture resting on an intricately carved dark wooden stand, showing a vertical rocky landscape with layered, porous textures and delicate pierced detailing; the stone transitions in color from pale yellow and beige on the left through gray tones in the center to deep red and rust on the right, with carved overhangs and ledges resembling terraces and clustered organic forms, and a small pavilion-like carved structure nestled among the red area, all set against a dark gray gradient background.
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alb29102117 Au Bois de Boulogne, Cyclists in the Bois de Boulogne in Paris, France, page, photomechanical print, inscription: 'Agrandissement d'un cliché 6 1, 2x9 obtenu avec la Jumelle photographique de H. Mackenstein., Cet agrandissement a été fait avec la Jumelle elle-même adaptée sur l'agrandisseur économique Mackenstein., Voir l'épreuve 6 1, 2x9, page 300., Papier <, Perfection >, qualité A. - Grosvenor, Chater et Cie, 6, rue Favart, Paris.', address: 'Fabrique d'appareils pour la photographie. H. MACKENSTEIN, 15, rue des Carmes, Bois de Boulogne, cliché maker: Bonneau & Co., Geneva, c. 1891 - in or before 1896, Bonneau & Co., photographer, cliché maker, Paris, Genève, paper, autotype, similigravure, height 106 mm x width 156 mm, riding, cycling (recreation), park, A faded black-and-white scene shows a wide tree-lined pathway with several bicycles and people. In the foreground a woman in a dark dress and a hat stands holding a bicycle, looking down toward the ground. Nearby a bicycle leans against the path edge. Further back two women stand together beside a bicycle, one wearing a long skirt and a hat and the other slightly turned away. In the background along the path more figures are riding or standing with bicycles, and tall leafy trees form a canopy over the left side while an open grassy area stretches to the right with distant vague buildings on the horizon.
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alb29102182 Apollo and Hyacinthus, Paintings in Palazzo Farnese in Rome, Galeria nel Palazzo Farnese in Roma, print, Series number, 21, 29, A painting, depicting Apollo and Hyacinthus, above a doorway. The painting is flanked on either side by a sculpture of a satyr., printmaker: Carlo Cesio, Rome, after design by Annibale Carracci, Italy, publisher: François Collignon, grantor of privilege: Alexander VII, Vatican City, 1656, provider of privilege, paper, etching, height 405 mm x width 537 mm, A horizontal engraved panel shows a framed central scene of two partially draped figures in a cloud-filled sky, one reaching outward while the other looks toward them and holds a cloth, both depicted with muscular, classical bodies. Flanking the frame are two seated male figures turned inward, each perched on ornate ledges and holding flowing drapery; the figures have detailed hair and beards and strong, shaded musculature. The architectural frame is decorated with egg-and-dart motifs and carved moldings, with vertical pilasters featuring patterned surfaces and sculpted heads near the top. The lower portion contains an empty rectangular recessed panel bordered by molded trim, and the entire composition is rendered in fine parallel and cross-hatched engraving lines.
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alb29102183 Portrait of Jan Hendrik van Kinsbergen, print, Portrait of the Dutch Admiral Jan Hendrik van Kinsbergen, as an antique bust., printmaker: Reinier Vinkeles (I), Amsterdam, after design by Charles Howard Hodges (possibly), 1806 - 1816, paper, etching, height 275 mm x width 205 mm, Person, Jonkheer Jan Hendrik van Kinsbergen, An engraved oval medallion contains a left-facing bust of a person with long wavy hair, a pronounced profile, and a draped garment; the background inside the oval shows fine horizontal and crosshatch linework, and the surrounding paper is light with subtle paper texture.
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