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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg254816 Spinello Aretino, byname for Spinello di Luca Spinelli; c. 1336 - 1410. "Saint Benedict receives the King of the Goths, Totila, and prophesies his destiny", aft. 1387. Fresco. 15th picture of a cycle with scenes from the life of Saint Benedict. Florence, S.Miniato al Monte, sacristy, south wall, lower row, left.

akg103819 re: Louÿs, Pierre; French poet; Ghent. 10.12.1870 - Paris 4.6.1925. Copulating couple. Photograph, unsigned, circa 1900 (sold on the Paris antiques market in 1994 identifying the man as Pierre Louÿs with a prostitute. The identification is not certain; the connection may be that Louÿs was the photographer or collector). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg928725 Ägyptisch, Neues Reich, 18.Dynastie, Zeit Thutmosis' IV., um 1390 v.Chr.-Drei Musikantinnen mit Doppelflöte, Laute und Harfe.-Ausschnitt aus dem "Schönen Fest vom Wüstental" (Talfest). Wandmalerei im Grab des Nacht/Nakht (TT 52), Theben-West (Ägypten), Gräberfeld von Scheich Abd el-Qurna.

akg656981 Tenerife, Parque Etnografico Piramides de Guimarco in Güimar in the southeast of the island, replica of Ra II by Thor Heyerdahl. Photo, Tenerife 1998.

akg994205 Machiavelli, Niccolò; ital.politischer Schriftsteller; Forenz 3.5.1469-ebd. 22.6.1527.-Standbild Machiavellis.-Skulptur von Lorenzo Bartolini (1770-1850). Aus der Serie von 28 Standbildern berühmter Männer in den Pfeilernischen des Erdgeschosses der Uffizien in Florenz.

akg656983 Tenerife, Parque Etnografico Piramides de Guimarco in Güimar in the southeast of the island, replica of Ra II by Thor Heyerdahl. Photo, Tenerife 1999.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg1095712 5240. GOLD COATED GOAT WITH HIS FORELEGS LEANING ON A TREE, REMINISENT OF THE GOAT GOD SENT TO ABRAHAM AT THE SACRIFICE OF ISAAC. UR, 25TH. C. BC.

akg7680529 Plan and elevation of Brunoy house, Facade and floor plan Hôtel de Brunoy in Paris, Pl. 49, after p. 204, p. 305, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le caractère de leur architecture, et sur les principaux objets d'art et de curiosité qu'ils renferment. Seconde édition, corrigée avec soin dans toutes ses Parties, et considérablement augmentée. Bd. 2. Paris. Strasbourg. Treuttel et Würtz, 1818.

akg7948844 Bingham, Robert Jefferson (Leicestershire, 1824 - Bruxelles, 1870). Portrait de Joseph Méry (1798-1865), littérateur, poète et polémiste., entre 1860 et 1890. Photographie, Tirage sur papier albuminé. PH53812, Paris, Musée Carnavalet.

alb254069 KEENAN WYNN in ¿TELÉFONO ROJO?, VOLAMOS HACIA MOSCÚ (1964) -Original title: DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB-, directed by STANLEY KUBRICK. English title: EDGE OF DOOM. Portuguese title: DR. FANTÁSTICO.

alb338451 KARLHEINZ BOHM. 1961.

alb325804 PENELOPE CRUZ in TODO SOBRE MI MADRE (1999), directed by PEDRO ALMODOVAR. English title: ALL ABOUT MY MOTHER. Portuguese title: TUDO SOBRE A MINHA MÃE.

alb360648 TRISTÁN ULLOA and SILVIA LLANOS in LUCÃA Y EL SEXO (2001), directed by JULIO MEDEM. English title: SEX AND LUCIA. Portuguese title: LÃºCIA E O SEXO.

alb844415 BETTE DAVIS, GEORGE SANDERS, MARILYN MONROE and ANNE BAXTER in LA MALVADA (1950) -Original title: ALL ABOUT EVE-, directed by JOSEPH L. MANKIEWICZ. English title: BEST PERFORMANCE. Portuguese title: A MALVADA.

alb845229 ERIC NENNINGER, MARIEH DELFINO, GARIKAYI MUTAMBIRWA, TRAVIS SCHIFFNER, AL SANTOS, NICKI AYCOX and JOSH HAMMOND in JEEPERS CREEPERS 2 (2003) -Original title: JEEPERS CREEPERS II-. English title: JEEPERS CREEPERS II. Portuguese title: OLHOS FAMINTOS 2.

alb724436 TOY STORY (1995), directed by JOHN LASSETER. English title: TOY STORY. Portuguese title: OS RIVAIS.

alb453835 ELISHA CUTHBERT and EMILE HIRSCH in LA VECINA DE AL LADO (2004) -Original title: THE GIRL NEXT DOOR-, directed by LUKE GREENFIELD. English title: THE GIRL NEXT DOOR.

alb12273635 JEAN SIMMONS, RICHARD BURTON and VICTOR MATURE in EL MANTO SAGRADO (1953) -Original title: THE ROBE-, directed by HENRY KOSTER. English title: THE ROBE. Portuguese title: O MANTO SAGRADO.

alb1295101 TONY CURTIS. 1950.

alb1311513 HUMPHREY BOGART, ANN SHERIDAN and ERIN O'BRIEN-MOORE in LA LEGIÓN NEGRA (1937) -Original title: BLACK LEGION-, directed by ARCHIE MAYO. English title: BLACK LEGION. Portuguese title: LEGIÃO NEGRA.

alb1242986 HEATHER O'ROURKE in POLTERGEIST (1982), directed by TOBE HOOPER. English title: POLTERGEIST. Portuguese title: POLTERGEIST - O FENÔMENO.

alb9531587 Vertical rectangle. Madonna in center of composition surrounded by angels. oil on canvas. Date: ca. 1775. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb9529774 A variation of the scheme of -1532 and of -1551, representing a coffered vault. Women are seated beside urns below. A mask between figures is shown on top of the pointed arch. In the center is a view at an entablature and a balustrade. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb417152 Gustave Dore, Dante's Inferno, Canto XVII New Terror I conceived from Milton's Paradise Lost. Illustrations by Gustave Doré, 1885. JOHN MILTON.

alb3680760 Saint John the Baptist; Saint Lucy. Artist: Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469-died 1523 Fontignano). Dimensions: Each 63 x 26 3/8 in. (160 x 67 cm).These two panels are from an enormous, double-sided altarpiece on the high altar of the church of Santissima Annunziata, Florence. Begun by Filippino Lippi in 1502, it was completed after his death by Perugino. The altarpiece had the form of a Roman triumphal arch, with large scenes flanked by Perugino's standing saints, which are notable for the subdued coloring and subtle treatment of light. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

alb3717338 Saint Jerome in the Wilderness. Dimensions: overall: 14.3 x 20 cm (5 5/8 x 7 7/8 in.). Medium: pen and iron gall ink and gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3632005 La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable). Artist: Anonymous, French, 18th century. Dimensions: sheet: 6 1/8 x 8 7/8 in. (15.5 x 22.5 cm). Date: June 25, 1791. Museum: Metropolitan Museum of Art, New York, USA.

alb3709971 The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Dated: 1827. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

alb3631106 The Annunciation. Artist: Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm). Date: ca. 1450.This Annunciation is exceptional for its bird's-eye view and outdoor setting. Sheltered in the doorway of a church and greeted by Gabriel, Mary is presented not only as the recipient of the message of the Incarnation, but also as the personification of the Church (Ecclesia). The architecture, which is part Romanesque (right) and part Gothic (left), refers to the coming of Christ and the transition from Judaism to Christianity. A fragment of a larger composition, the picture is notable for its meticulous observation of plant life and was formerly ascribed to Van Eyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3896954 Tapestry Design: Apollo in his Chariot Led by Aurora. Date/Period: 1760-89. Drawing. Pen and brush and black ink, gray wash on off-white laid paper, ruled border in pen and black ink, lined. Author: FEDELE FISCHETTI.

alb3708014 The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate. Dated: 1827. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

alb3675397 Koshikibu no Naishi (999-1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 in. (27.9 cm); W. 8 1/8 in. (20.6 cm). Date: ca. 1768.Immortalized in the "Hyakunin Isshu" is the poetic exchange envision here between the lady-in-waiting Koshikibu and the courtier Fujiwara Sadayori. Both had been summoned to a poetry contest. Here, Koshikibu responds to his teasing suggestion that she needs help from her absent mother, the famous poetess Izumi Shikubu, with brilliant repartee. Her response takes the form of an impromptu poem that includes a triple pun on the famous scenic places Oeyama, Ikuno, and Ama no hashidate:Oeyama ikuo michi mo to kerebamada fumi mo mizu Ama no hashidate.Both Mount Oe and the road to Ikuno are far away.I've never been there,nor has word come from Ama no hashidate. Museum: Metropolitan Museum of Art, New York, USA.

alb3677727 Woman Admiring Plum Blossoms at Night. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: Image: 12 3/4 x 8 1/4 in. (32.4 x 21 cm).In this print, one of Harunobu's most poetic images, a nymphlike beauty dressed in an elegant kimono stands holding a lantern and gazing dreamily at the plum blossoms. The image of admiring plum blossoms at night is a classical theme in the East Asian poetic tradition, and Harunobu's lyrical rendition has much in common with the art of the Heian period (794-1185). The stylized shape of the cloud at the top of the print reinforces the classical references. Harunobu and his patrons from the elite merchant and samurai classes in the capital, Edo (now Tokyo), admired the literary and cultural tradition of Kyoto, which was the capital during the Heian period. In this print the artist applied one of the techniques of embossing uncolored areas. To emphasize their softness, the inner layers of the kimono and tabi socks worn by the woman are raised on the paper. Museum: Metropolitan Museum of Art, New York, USA.

alb3679914 The Adoration of the Magi. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Bernardino Passeri (Italian, active Rome, ca. 1577-85). Dimensions: sheet: 7 13/16 x 5 3/4 in. (19.9 x 14.6 cm). Date: ca. 1585. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS. After Bernardino Passeri.

alb3673999 Two Girls Looking at a Monkey on a Leash. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 1/4 in. (26 cm); W. 7 13/16 in. (19.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3738559 Portrait of a Male Donor. Dated: c. 1455. Dimensions: overall: 42 x 21.2 cm (16 9/16 x 8 3/8 in.) framed: 54.3 x 35.5 x 9.2 cm (21 3/8 x 14 x 3 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETRUS CHRISTUS.

alb3697626 Studies for a Scene from Dante's "Inferno". Dimensions: sheet: 22.7 x 18.5 cm (8 15/16 x 7 5/16 in.). Medium: pen and brown ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: GEORGE HAYTER.

alb3736714 The Baptism of Christ. Dimensions: overall: 13.8 x 20.2 cm (5 7/16 x 7 15/16 in.). Medium: pen and iron gall ink and gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3621791 The Bay of Bull Arms, Trinity Bay, Newfoundland, Bonfires Lighted on the Hills to Notify of the Arrival of the Cable Fleet on August 5th, 1858. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: Sheet: 10 9/16 x 15 3/4 in. (26.9 x 40 cm). Date: 1865-66.One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing showing the cable fleet arriving in Newfoundland after successfully splicing two ends of the cable in the middle of the Atlantic in 1858. A working connection was established but lasted only three weeks. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum. Museum: Metropolitan Museum of Art, New York, USA.

alb3622125 The Glorification of the Giustiniani Family. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 46 x 32 1/2 in. (116.8 x 82.6 cm). Date: 1783.The present model is for a ceiling of the ducal palace in Genoa (destroyed). At the top of the staircase Jacopo Giustiniani kneels before a personification of the Ligurian Republic. A female in the left corner represents the island of Chios; she holds a scroll with the initials V.I. and 1562, in reference to a sixteenth-century governor of the island, Vincenzo Giustiniani. Figures in oriental dress at right allude to the commercial enterprises of the Giustiniani in Asia Minor. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Domenico Tiepolo.

alb3624683 A Dance in the Country. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 29 3/4 x 47 1/4 in. (75.6 x 120 cm). Date: ca. 1755.Although Giandomenico Tiepolo assisted his father in numerous decorative enterprises, his own talent lay in the depiction of contemporary life. The picture is one of Giandomenico's most evocative and appealing works. It shows an actress dancing with a young man wearing the traditional costume of the commedia dell'arte character Mezzetino. Museum: Metropolitan Museum of Art, New York, USA.

alb3743341 The Nativity. Dated: c. 1450. Dimensions: painted surface: 127.6 x 94.9 cm (50 1/4 x 37 3/8 in.) overall (panel): 130 x 97 cm (51 3/16 x 38 3/16 in.) framed: 149.2 x 118.4 cm (58 3/4 x 46 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETRUS CHRISTUS.

alb3622336 Waves on Moonlight. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 in. (27.9 cm); W. 8 in. (20.3 cm). Date: ca. 1768.An "oiran" stands in a house by the sea, trning to look thrugh the open "shoji" at the rippling waves while the seated woman fans the fire in a hibachi to make a teakettle boil. Above is an ode by Minamoto Shitago from Juishu #171:Mizu no omo ni teru tsukinami okazofurebakoyoi zo aki no monaka narikeru.When we count the moons on the waves We know that it ismid-autumn. Museum: Metropolitan Museum of Art, New York, USA.

alb3627723 A Young Woman and Man Playing Shogi (Japanese Chess); Chunagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjurokkasen). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm). Date: ca. 1767-69.A young woman watches her male companion make the final moves in a game of shogi (Japanese chess) next to an andon floor lamp signaling nighttime and a fan indicating summer. The series to which this print belongs links classical poems by thirty-six of the most famous poets of ancient and medieval times with up-to-date images of young men and women in fashionable garb. The ancient poem by Fujiwara no Kanesuke (877-933)--better known by his court title Chunagon (Middle Captain)--complements the languorous mood of the image: Mijika yo no fukeyuku mama ni Takasago no mine no matsukaze fuku ka to zo kiku As this short nightdeepens, is thatthe soughing of the wind through pines on the slopes of Mount Tagasago we hear?--Trans. John T. Carpenter. Museum: Metropolitan Museum of Art, New York, USA.

alb3608654 Marcantonio Pasqualini (1614-1691) Crowned by Apollo. Artist: Andrea Sacchi (Italian, Rome (?) ca. 1599-1661 Rome). Dimensions: 96 x 76 1/2 in. (243.8 x 194.3 cm). Date: 1641.A celebrated male soprano, Pasqualini is crowned by Apollo, who had been victorious in a musical contest with the satyr Marsyas (shown in the background, defeated and tied to a tree with his bagpipes beside him). Pasqualini joined the choir of the Sistine Chapel in 1630, and from 1632 was a protagonist in many operas produced at the Palazzo Barberini. Sacchi designed sets for some of these. The singer plays an upright harpsichord decorated with the figures of Daphne and a bound satyr; Apollo is loosely based on the famous ancient sculpture known as the Apollo Belvedere. Museum: Metropolitan Museum of Art, New York, USA.

alb3746667 Two Beggars with Their Dog. Dated: c. 1728. Dimensions: overall: 34.3 x 22.8 cm (13 1/2 x 9 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3653296 Dante's Inferno'; in the centre Lucifer torturing several damned souls, some of whom are labeled (eg. 'BRUTO, TOLOMEO, ANTENOR, CHASSIO') surrounded by other sinners being tortured by devils, derived from the 'Last Judgement' fresco in the Campo Santo, Pisa. Artist: Circle of Baccio Baldini (Italian, Florence 1436?-?1487); After Francesco Traini (Italian, active ca. 1321-45); Formerly thought to be after Andrea di Cione (Orcagna) (Italian, Florence 1315/20-1368 Florence). Dimensions: Sheet: 11 13/16 × 8 7/16 in. (30 × 21.5 cm). Date: ca. 1460-80. Museum: Metropolitan Museum of Art, New York, USA. Author: Circle of Baccio Baldini. After Francesco Traini. Formerly thought to be after Andrea di Cione (Orcagna).

alb3653811 View of New York from the North, 1679. Artist: George Hayward (American (born England), ca. 1800-ca. 1872); After James Carson Breevoort (American, 1810-1887); After Jasper Danckaerts (Dutch, born 1639). Dimensions: image: 7 1/2 x 12 5/16 in. (19 x 31.2 cm)sheet: 9 1/2 x 15 1/16 in. (24.1 x 38.2 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Author: George Hayward. After James Carson Breevoort. After Jasper Danckaerts.

alb3653434 Combing His Hair. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 1/8 in. (28.3 cm); W. 8 1/8 in. (20.6 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

alb3652429 Drawing the First Water of the New Year. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm). Date: ca. 1769-70.Symbols of spring abound in this poem. A young couple draws the "first water of the New Year" (wakamizu) in decorated buckets; pine saplings sit by the doorway, and plum blossoms burst into bloom. The scene also calls to mind an episode from the tenth-century Tales of Ise (Ise monogatari) known as the "Well curb," in which young lovers recall measuring their heights by the well as children. It readsHaru o hete kyo tatematsuru wakamizu ni chitose no kage ya matsu ukamuramu . As spring arrives,today, we offer to the godsthe year's first drawn waterattached with pine shoots as from time immemorial--Trans. John T. Carpenter. Museum: Metropolitan Museum of Art, New York, USA.

alb3653447 First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 8 in. (20.3 cm); W. 10 1/4 in. (26 cm). Date: ca. 1769. Museum: Metropolitan Museum of Art, New York, USA.

alb3613057 Demon-crushing Bow. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 5/8 in. (29.5 cm); W. 8 3/8 in. (21.3 cm). Date: ca. 1765. Museum: Metropolitan Museum of Art, New York, USA.

alb3610075 Wisdom Conquers Ignorance. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: Aegidius Sadeler II. Bartholomeus Spranger.

alb3654583 The Watchers and the Watched. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 1/8 in. (28.3 cm); W. 8 1/4 in. (21 cm). Date: 1764-72.Harunobu, who is credited with the introduction of the polychrome print, also depicts courtesans on display in a Yoshiwara teahouse, but there is considerable difference in his treatment of the subject. While Moronobu observes the watchers and the watched with a uniform and impersonal gaze, Harunobu contrasts the observers and the observed.Like Moronobu, Harunobu uses a window, a frame within a frame, to depict inside and outside simultaneously, but, instead of a view from the street, he situates the viewer within the intimacy of the pleasure house. The neutral vantage point of a passerby has become the psychologically charged perspective of someone on the inside. We have a privileged view of the courtesans and can feast our eyes on the sumptuous attire that accentuates their beauty.Harunobu intensifies our awareness of the courtesans' self-conscious display by making the stage and audience areas more distinct. In the print by Moronobu there is an exchange between the inside and the outside. Here, however, the courtesans do not acknowledge the presence of the men peering through the window, though the letter that is being delivered by the young attendant is presumably from an admirer. There is also no visual overlap between interior and exterior spaces. The observers are confined to a cramped window in the background. They are distanced from us, unlike the passersby in the foreground of Moronobu's print, who are our surrogates. The harsh cropping of the watchers contrasts with the lavish depiction of the courtesans. This reduction of the observers to a crowd of faces and the small space allotted them serve to intensify their gaze. The observers are no longer passersby strolling along the street; here, looking is their sole activity. Museum: Metropolitan Museum of Art, New York, USA.

alb3619238 The Clinging Crab. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 1/4 in. (26 cm); W. 8 1/8 in. (20.6 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

alb3611869 Warming the Sake by Maple Leaf Fire. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 9 3/4 in. (24.8 cm); W. 7 7/16 in. (18.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3641687 From Scylla to Charybdis, from 'News of the day,' published in Le Charivari, March 20, 1869. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 1/2 in. (23.9 × 21.6 cm)Sheet: 12 1/16 × 11 5/8 in. (30.6 × 29.5 cm). Printer: Walter Frères. Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: March 20, 1869. Museum: Metropolitan Museum of Art, New York, USA.

alb3614184 Garnet intaglio: Romulus, Remus, and the She-Wolf. Culture: Roman. Dimensions: Other: 5/16 x 7/16 x 1/8 in. (0.7 x 1.1 x 0.3 cm). Date: 2nd century B.C.-3rd century A.D..She-wolf suckling Romulus and RemusAccording to tradition, Rome was founded in 753 B.C. by the twins Romulus and Remus. Sons of the god Mars and a mortal woman named Rhea Silvia, a direct descendant of Aeneas, the twins were abandoned by their uncle in the Tibur river. A she-wolf discovered them on the banks of the river and suckled them until they were taken in by a passing sheperd, Faustulus. Faustulus raised the boys together with his own twelve children until they decided to found a city of their own. They chose the spot by the Tibur where they had been rescued by the wolf, which was near the base of the Palatine hill in Rome. The representation of the wolf suckling the twins became a popular subject in Roman Republican and Imperial art. Museum: Metropolitan Museum of Art, New York, USA.

alb3901684 Christ in Majesty and the Four Evangelists with Their Symbols. Date/Period: Ca. 1360 - 1370. Folio. Tempera colors, gold, and ink on parchment. Height: 349 mm (13.74 in); Width: 260 mm (10.23 in). Author: Master of Jean de Mandeville.

alb3903672 Finding of Romulus and Remus. Date/Period: 1720 - 1740. Painting. Oil on canvas. Author: Andrea Lucatelli (credited).

alb3645554 Achilles and Priam, in conversation outside of Troy. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Lucas Vorsterman II (Flemish, 1624-after 1666). Dimensions: Sheet (Trimmed): 12 3/8 × 9 1/16 in. (31.4 × 23 cm). Publisher: Frans van den Wyngaerde (Flemish, Antwerp 1614-1679 Antwerp). Date: ca. 1644-66. Museum: Metropolitan Museum of Art, New York, USA.

alb3720274 Icarus. Dated: 1588. Dimensions: sheet: 32.8 x 33 cm (12 15/16 x 13 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius, after Cornelis Cornelisz van Haarlem.

alb3721140 Scene from Ancient History. Dated: c. 1750. Dimensions: overall (oval): 140.3 x 109.3 cm (55 1/4 x 43 1/16 in.) framed: 165.7 x 134.6 cm (65 1/4 x 53 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3728099 Christ in Majesty [recto]. Dated: early 12th century. Dimensions: overall: 17.7 x 12.3 cm (6 15/16 x 4 13/16 in.). Medium: miniature on vellum. Museum: National Gallery of Art, Washington DC. Author: French 12th Century.

alb3660593 Cadmus Building Thebes. Artist: Anonymous, French, School of Fontainebleau, 16th century; After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Attributed to Master of the Story of Cadmus (active ca. 1542-47). Dimensions: Sheet: 9 13/16 x 11 1/2 in. (25 x 29.2 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

alb3663879 From Scylla to Charybdis, from 'News of the day,' published in Le Charivari, March 20, 1869. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 5/8 in. (23.9 × 21.9 cm)Sheet: 14 1/8 × 10 3/8 in. (35.8 × 26.4 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: March 20, 1869. Museum: Metropolitan Museum of Art, New York, USA.

alb3669454 Young Lady Looking through Door at Her Kamuro (Little Servant) who is Asleep on the Floor. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 11/16 in. (27.1 cm); W. 8 1/4 in. (21 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb4210863 Nude Seated in a Bathtub. Marcel Duchamp; American, born France, 1887-1968. Date: 1910. Dimensions: 36 1/4 × 28 3/4 in. (92.1 × 73.1 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb3668378 Cries of London, No. 2: Buy my Goose, my fat Goose. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: Sheet: 14 1/8 × 11 7/16 in. (35.8 × 29 cm). Publisher: R. Ackermann (active 1794-1829). Series/Portfolio: Cries of London. Date: January 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb4158302 Scylla and Charybds, plate 44 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1869. Dimensions: 246 × 222 mm (image); 436 × 309 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4132267 The Inferno According to Dante, from the Campo Santo Frescos in Pisa. Unknown Artist; Italian, 15th century. Date: 1475-1505. Dimensions: 222 × 282 mm (plate); 232 × 293 mm (sheet). Engraving in black on paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: BACCIO BALDINI.

alb4151558 The Autumn Moon in the Mirror (Kyodai no shugetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1771. Dimensions: 28.8 x 21.8 cm (11 1/4 x 8 3/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4223107 'Childhood of Romulus and Remus'. Italy, Circa 1708. Dimensions: 185x170 cm. Museum: State Hermitage, St. Petersburg. Author: SEBASTIANO RICCI.

alb4104302 The Temptation of St Anthony. Dating: 1640 - 1660. Measurements: h 31 cm × w 23 cm; d 3.5 cm. Museum: Rijksmuseum, Amsterdam. Author: David Teniers (II).

alb4105550 Meeting between David and Abigail. Dating: 1597. Measurements: h 99 cm × w 131 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JOACHIM WTEWAEL.

alb4145208 Poem by Sanjo'in no Nyokurodo Sakon, from an untitled series of Thirty-Six Immortal Poets. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1762-1770. Dimensions: 28.4 x 21.4 cm (11 1/8 x 8 3/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4142051 Seiro niwaka onna geisha no bu : Asazumabune Ogiuri Uta..... Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1788-1798. Dimensions: 37.5 x 25.0 cm. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4143437 Lovers Parting in the Morning. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1760-1770. Dimensions: 11 3/8 x 8 1/2 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4144537 A Young Monk, Courtesan, and Attendant atLattice Window. Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1760-1770. Dimensions: 27.8 x 20.7 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4114929 The Death of Lucretia or Laying of Freedom. Draughtsman: Jan Goeree. Dating: 1680 - 1731. Measurements: h 142 mm × w 86 mm. Museum: Rijksmuseum, Amsterdam.

akg5086518 Goya (Francisco de Goya y Lucientes) 1746-1828. Plate 19 from ' Los Caprichos': All will fall (Todos Caerán), Print, 1799. Etching and burnished aquatint, 21.4 × 14.4 cm. Inv. Nr. 18.64 (19). New York, Metropolitan Museum of Art.

akg256521 Tuna al-Jabal - Hermopolis-West (Upper Egypt), tomb chapel of the High Priest Petosiris in the necropolis of Hermopolis. (early Ptolemaic period, 2nd half of the 4th century BC). People making offerings. Relief in the vestibule, south wall. Painted limestone.

akg361241 Moreau, Leon; French composer. Portrait photo, 1931 (Henri Manuel, Paris). Paris, Private Collection. Museum: Paris, Private Collection.

akg226355 Unas, Egyptian King, Old Kingdom, 5th Dynasty; ruled 2367-2347.-An unknown goddess gives King Unas her breast.-Relief. Section. From the Temple of Unas in Sakkara (Egypt). Museum: Egyptian Museum., KAIRO.

akg897970 Kolumbus, Christoph; Seefahrer, Entdecker Amerikas; 1451-1506.-"Découverte de l'Amerque. Premier depart de Palos" (Aufbruch zur ersten Entdeckungsfahrt, Palos, 3.August 1492). Farblithographie, anonym, französisch, um 1900. Sammelbildchen der Firma "Cacao van Houten". Aus einer Serie zur Geschichte. Museum: Private Collection., Paris.

akg093939 Dawes, Charles Gates; US banker and politician (1925-29 US Vice President; 1929-32 US Ambassador to London; initiated the Dawes Plan; Nobel Peace Prize 1925); Marietta (Ohio) 27.8.1865 - Evanston (Ill.) 23.4.1951. Portrait photo, 1930.

akg947662 Berlin-Mitte, Friedrichstraße.-Verkehrsszene bei Nacht.-Foto, um 1938; digital koloriert.

akg222792 Lebasque, Henri. 1865-1937. "Fillettes dans un paysage mediterraneen" (Girl in a Mediteranien landscape), c. 1907/10. Oil on canvas, 54 × 65.5cm. Private collection.

akg104578 Amélie Louise Hélène ; dernière reine (Charles Ier) du Portugal ; née princesse de Bourbon-Orléans (fille de Louis-Philippe, comte de Paris) ; Twickenham 28.9.1865 - Versailles. 25.19.1951. Portrait photographique, v. 1890 (Reutlinger, Paris). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg099277 Dawes, Charles Gates; US banker and politician (1925-29 US Vice President; 1929-32 US Ambassador to London; Nobel Peace Prize 1925); 1865-1951. Dawes (middle) and Owen D. Young arrive in Berlin 1924. Photo, 1924.

akg141107 Nietzsche, Friedrich Wilhelm, 15th October 1844 Röcken near Lützen - 25th August 1900 near Weimar, German philologist, philosopher, cultural critic, poet and composer. Portrait. Drawing after a lithograph, c.1883. (With facsimile signature).

akg231993 Buffalo Bill (born William F. Cody), American soldier, bison hunter and showman. In 1883 he staged his first Wild West show.- Scott County (Ia.) 26.2.1846 - Denver. (Col.) 10.1.1917. "Buffalo Bill's Wild West (...) ". Poster (Lithograph), undated. (Print: Chaix, Paris). Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale. Author: ANONYMOUS.

akg017273 Lamoureux, Charles franz. Dirigent (gründete 1881 die "Société des nouveaux concerts"). Bordeaux 28.9.1834 - Paris 21.12.1899. Porträtaufnahme, um 1890.

akg405866 Alcala de Guadaira / Burg von aussen Aufnahmeformat / Filmsize: Kleinbild/24 × 36 mm.

akg1545812 Spielzeug / Kriegsspielzeug. /-Spielzeugpanzer "RS 51".-(Miniatur des sowjetischen Panzers T 34). DDR, 1960er Jahre. Hersteller: VEB Mechanische Spielwaren Brandenburg (MSB). Blech, mit batteriebtriebenem Elektromotor. Museum: Private Collection., Privatsammlung.

akg4755633 Buffalo Bill (William F. Cody). american. Adventurer, scout in the Indian war, organized in 1883. The first "Wildwestschau". Scott County (Ia.) 26.2.1846 - Denver (Col.) 10.1.1917. - Cody, Buffalo Bill. - Portrait shot, between 1913 and 1917 (Harris & Ewing).

akg7343803 Pénicaud, Jean, I 1490-1543. Triptych with The Way to Calvary, Crucifixion, and Descent from the Cross, ca. 1500-1599. Painted enamel, copper (frame: gilt copper), 25.2 × 42.1 cm. Inv. Nr. 49.7.109. New York, Metropolitan Museum of Art.

alb16556460 KATHLEEN TURNER in 2 BRIBONES TRAS LA ESMERALDA PERDIDA (1984) -Original title: ROMANCING THE STONE-, directed by ROBERT ZEMECKIS. English title: ROMANCING THE STONE. Portuguese title: TUDO POR UMA ESMERALDA.