Pesquisando por: ""cidade_pt:N/A"" - Fotoarena - Agência de fotojornalismo

akg892636 Map of the world according to ancient Greek geographer Eratosthenes. Handcolored 19thcentury woodcut reproduction.

akg313129 Cuba / Spanish-American war over possession of Cuba 1898 / naval battle of Santiago de Cuba, 3rd July 1898. "Naval battle of Santiago de Cuba". Coloured woodcut after water colour by Alfred Stoewer (1834-1931). From: Hans Kraemer, The XIX Century, Berlin (R.Bong), ca. 1900. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: WILLY STOEWER.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

alb16556396 THERESA RUSSELL in EUREKA (1983), directed by NICOLAS ROEG. English title: EUREKA.

alb16649979 HABLANDO CON LA MUERTE (1988) -Original title: TALK RADIO-, directed by OLIVER STONE. English title: TALK RADIO. Portuguese title: AS VOZES DA IRA.

alb5517317 JIM CARREY in ACE VENTURA, UN DETECTIVE DIFERENTE (1994) -Original title: ACE VENTURA: PET DETECTIVE-, directed by TOM SHADYAC. English title: ACE VENTURA: PET DETECTIVE. Portuguese title: ACE VENTURA - UM DETETIVE DIFERENTE. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb2247077 JESSICA CHASTAIN in NOCHE MAS OSCURA, LA [ZERO DARK THIRTY] (2012) -Original title: ZERO DARK THIRTY-, directed by KATHRYN BIGELOW. English title: ZERO DARK THIRTY.

alb5430150 ENCANTO (2021), directed by BYRON HOWARD, JARED BUSH and CHARISE CASTRO SMITH. English title: ENCANTO. Portuguese title: ENCANTO.

alb9567401 CONCHITA MONTENEGRO in EL CISCO KID (1931) -Original title: THE CISCO KID-, directed by IRVING CUMMINGS. English title: THE CISCO KID.

alb2067182 THE INCREDIBLE BURT WONDERSTONE (2013), directed by DON SCARDINO. English title: THE INCREDIBLE BURT WONDERSTONE.

alb262364 AUDREY HEPBURN and GREGORY PECK in LA PRINCESA QUE QUERÍA VIVIR (1953) -Original title: ROMAN HOLIDAY-, directed by WILLIAM WYLER. English title: ROMAN HOLIDAY. Portuguese title: A PRINCESA E O PLEBEU.

alb262366 AUDREY HEPBURN and GREGORY PECK in LA PRINCESA QUE QUERÍA VIVIR (1953) -Original title: ROMAN HOLIDAY-, directed by WILLIAM WYLER. English title: ROMAN HOLIDAY. Portuguese title: A PRINCESA E O PLEBEU.

alb509480 THERESA RUSSELL and TONY CURTIS in INSIGNIFICANCIA (1985) -Original title: INSIGNIFICANCE-, directed by NICOLAS ROEG. English title: INSIGNIFICANCE. Portuguese title: MALÍCIA ATÔMICA. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb509485 THERESA RUSSELL in INSIGNIFICANCIA (1985) -Original title: INSIGNIFICANCE-, directed by NICOLAS ROEG. English title: INSIGNIFICANCE. Portuguese title: MALÍCIA ATÔMICA. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb509491 THERESA RUSSELL in INSIGNIFICANCIA (1985) -Original title: INSIGNIFICANCE-, directed by NICOLAS ROEG. English title: INSIGNIFICANCE. Portuguese title: MALÍCIA ATÔMICA. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb509483 THERESA RUSSELL in INSIGNIFICANCIA (1985) -Original title: INSIGNIFICANCE-, directed by NICOLAS ROEG. English title: INSIGNIFICANCE. Portuguese title: MALÍCIA ATÔMICA. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb785879 LA MÁSCARA (1994) -Original title: THE MASK-, directed by CHUCK RUSSELL. English title: THE MASK. Portuguese title: O MÁSCARA.

alb356385 PUTA (1991) -Original title: WHORE-, directed by KEN RUSSELL. English title: IF YOU'RE AFRAID TO SAY IT... JUST SEE IT. Portuguese title: A PROSTITUTA.

alb3956588 LA MÁSCARA (1994) -Original title: THE MASK-, directed by CHUCK RUSSELL. English title: THE MASK. Portuguese title: O MÁSCARA.

alb3398624 AUDREY HEPBURN in LA PRINCESA QUE QUERÍA VIVIR (1953) -Original title: ROMAN HOLIDAY-, directed by WILLIAM WYLER. English title: ROMAN HOLIDAY. Portuguese title: A PRINCESA E O PLEBEU.

alb3398623 AUDREY HEPBURN in LA PRINCESA QUE QUERÍA VIVIR (1953) -Original title: ROMAN HOLIDAY-, directed by WILLIAM WYLER. English title: ROMAN HOLIDAY. Portuguese title: A PRINCESA E O PLEBEU.

alb1143951 JIM CARREY and TERENCE STAMP in DI QUE SI (2008) -Original title: YES MAN-, directed by PEYTON REED. English title: YES MAN.

alb4312685 THERESA RUSSELL and TONY CURTIS in INSIGNIFICANCIA (1985) -Original title: INSIGNIFICANCE-, directed by NICOLAS ROEG. English title: INSIGNIFICANCE. Portuguese title: MALÍCIA ATÔMICA. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb1798717 AUDREY HEPBURN and GREGORY PECK in LA PRINCESA QUE QUERÍA VIVIR (1953) -Original title: ROMAN HOLIDAY-, directed by WILLIAM WYLER. English title: ROMAN HOLIDAY. Portuguese title: A PRINCESA E O PLEBEU.

alb2033194 Jean Auguste Dominique Ingres / 'Angelica Saved by Ruggiero', 1819-1839, Oil on canvas, 47.6 x 39.4 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2033410 Giotto / 'Washing the Feet' (detail), 1304-1306, Fresco. Museum: Cappella degli Scrovegni, Pavoda. JESUS.

alb2033592 Leonardo Da Vinci / 'La belle Ferromiere', 1490-1495, Oil on panel, 63 x 45 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2068786 Antonio van de Pere / 'The Adoration of the Shepherds', 1678, Spanish School, Canvas, 185 cm x 131 cm, P05750. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069111 Mario Nuzzi / 'Florero de plata volcado sobre un paño', 17th century, Italian School, Oil on canvas, 84 cm x 152 cm, P00252. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068326 Francisco Collantes / 'Landscape with Sheperds', First half 17th century, Spanish School, Oil on copper, 26 cm x 38,8 cm, P08030. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068347 Kitagawa Utamaro (Copy) / 'Tôjin, shishi, sumô (Tres damas: coreana, león chino y sumo)', 1793; 20th century, Japanese School, Paper, 290 mm x 220 mm, G05672. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9531675 Blue and Emerald: Coal Mine. Origin: United States. Oil on wood panel. Date: 1883 or 1884. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb9535520 Tul-lock-chísh-ko, Drinks the Juice of the Stone, in Ball-player's Dress. oil on canvas. Date: 1834. Museum: Smithsonian American Art Museum.

alb9531686 Variations in Pink and Grey: Chelsea. oil on canvas. Origin: United States. Date: 1871-1872. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb9533456 Viscountess Frances Hatton. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.

alb9531136 A night view of the facades of three houses facing the canal; two figures in a gondola at the right; signed with the butterfly at lower edge, to the left of center. Date: 1882. Watercolor on paper. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb9532405 Krishna and his family admire a solar eclipse, perhaps a page from the "Kangra/Modi" Bhagavata Purana. Date: 1775-1780. Opaque watercolor on paper. Origin: Kangra, Himachal Pradesh state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb9531175 Women, one holding an umbrella, inspect market stalls before shop fronts with awnings; unsigned. Watercolor on paper. Date: 1885. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb9530620 The Steps. Date: 1880. Origin: United States. Chalk and pastel on brown paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb3719853 The Barber's. Dated: c. 1886/1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3711614 Portrait of M. Sebastien Le Prestre de Vauban. Medium: mezzotint. Museum: National Gallery of Art, Washington DC. Author: Louis Bernard after François de Troy.

alb352394 The memmon colossi statue of Amenphis III, lithograph by David Roberts, 1838.

alb3715286 Thames Warehouses. Dated: 1859. Dimensions: plate: 7.62 × 20.32 cm (3 × 8 in.) sheet: 13.97 × 26.19 cm (5 1/2 × 10 5/16 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3715195 Mother and Three Children. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

alb3713391 Vanitas Still Life. Dated: c. 1665/1670. Dimensions: overall: 20.3 x 15.2 cm (8 x 6 in.). Medium: oil on copper. Museum: National Gallery of Art, Washington DC. Author: JAN VAN KESSEL.

alb3710801 The Idle 'Prentice Executed at Tyburn. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3710881 Expulsion from Paradise. Dated: 1543. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

alb3718504 Moses and the Brazen Serpent. Dated: 1580-1633. Dimensions: sheet: 47.5 × 61.5 cm (18 11/16 × 24 3/16 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Boëtius Adams Bolswert, after Sir Peter Paul Rubens.

alb3710275 Beggar Eating. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

alb3719382 Two Turks. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

alb3718484 The Spinner. Dated: 1652. Dimensions: sheet (trimmed to plate mark): 13.7 x 17.5 cm (5 3/8 x 6 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Adriaen van Ostade.

alb3712730 Love as Folly. Dated: c. 1773/1776. Dimensions: overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 78.7 x 62.2 x 8.3 cm (31 x 24 1/2 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

alb3718394 Diana and Endymion. Dated: c. 1753/1756. Dimensions: overall: 94.9 x 136.8 cm (37 3/8 x 53 7/8 in.) framed: 125.1 x 168.3 cm (49 1/4 x 66 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

alb3718384 Travelers Resting in a Mountain Forest by a Log Bridge. Dated: 1600/1615. Dimensions: plate: 23.5 × 37.5 cm (9 1/4 × 14 3/4 in.) sheet: 23.6 × 37.5 cm (9 5/16 × 14 3/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Pieter Stevens.

alb3714776 Un service d'ami. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3717726 Saint Jerome Hearing the Trumpet of the Last Judgment. Dated: 1621. Medium: etching, drypoint, and engraving. Museum: National Gallery of Art, Washington DC. Author: Jusepe de Ribera.

alb3714035 Exeter Street. Dated: c. 1886/1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3681578 Noah's Ark. Dimensions: image: 8 1/2 x 12 3/8 in. (21.6 x 31.4 cm)sheet: 10 11/16 x 13 7/8 in. (27.2 x 35.2 cm). Publisher: Currier & Ives (American, active New York, 1857-1907). Date: 1874-78. Museum: Metropolitan Museum of Art, New York, USA.

alb3710638 The Adoration of the Shepherds. Dated: 1606. Dimensions: plate: 10.8 x 132 cm (4 1/4 x 51 15/16 in.) sheet: 11 x 13.2 cm (4 5/16 x 5 3/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

alb3683914 Father Feeding Child. Artist: After Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 4 13/16 × 3 15/16 in. (12.3 × 10 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

alb3680338 A mathematician seated at a table, working on mathematical equations, from a portfolio of prints of the Imperial Gallery of Paintings in Vienna; plate 34 of the series. Artist: Anton Joseph von Prenner (Austrian, Wallerstein 1683-1761 Vienna); After Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Dimensions: Sheet: 8 9/16 × 6 1/8 in. (21.7 × 15.5 cm). Date: 1728. Museum: Metropolitan Museum of Art, New York, USA.

alb3681021 Two standing male figures (recto); two standing male figures (verso). Artist: Anonymous, Italian, 17th century. Dimensions: 8 7/16 x 6 11/16 in. (21.5 x 17 cm). Date: 1630-80. Museum: Metropolitan Museum of Art, New York, USA.

alb3680555 The Fat Kitchen. Artist: Pieter van der Heyden (Netherlandish, ca. 1525-1569); After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Dimensions: Sheet: 8 1/4 x 11 9/16 in. (21 x 29.3 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1563. Museum: Metropolitan Museum of Art, New York, USA. Author: Pieter van der Heyden. after Pieter Bruegel the Elder.

alb3635168 Flight of the Queen of James II, from "Illustrated London News". Artist: After Alexander Johnston (British (born Scotland), 1815-1891). Dimensions: Image: 11 1/8 × 8 11/16 in. (28.2 × 22 cm)Sheet: 15 11/16 × 10 3/8 in. (39.8 × 26.4 cm). Engraver: Richard Principal Leitch (British, ca. 1827-1882). Sitter: Mary of Modena, Queen of England, Scotland and Ireland (Italian, Modena 1658-1718 Saint-Germain-en-Laye). Date: August 3, 1872.Mary of Modena, the wife of James II, here flees London for France with her infant son (Prince James Francis Edward Stuart). When her husband followed, the throne would pass to Willam III and Mary II (James II's daughter by his first marriage to Anne Hyde) in the Glorious Revolution that cemented the Protestant succession.London was unsettled when Mary of Modena left Whitehall Palace on a cold night and she here waits at Lambeth for a carriage which will convey her to a yacht at Gravesend. Related text states: "Some time elapsed however, before the horses were harnessed. Mary, afraid that she might be recognised, would not enter the house. She remained with her child standing for shelter (as the painter represents) under the tower of Lambeth Church, and distracted with terror whenever the ostler approached her with his lantern.". Museum: Metropolitan Museum of Art, New York, USA.

alb3634939 A Pole Leading a Horse by the Bridle and Speaking with Two Other Men. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 3 1/16 × 4 1/16 in. (7.7 × 10.3 cm). Date: ca. 1662. Museum: Metropolitan Museum of Art, New York, USA.

alb3633990 Five O'Clock, The World's Fair IV. Artist: Félix Vallotton (Swiss, Lausanne 1865-1925 Paris). Dimensions: Sheet: 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm)Image: 6 1/2 x 4 13/16 in. (16.5 x 12.3 cm)Plate: 7 7/16 x 5 3/8 in. (18.9 x 13.6 cm). Date: 1901. Museum: Metropolitan Museum of Art, New York, USA.

alb3636346 The Courtesan Hanaogi of the Ogiya Brothel (Ogiya no uchi Hanaogi). Artist: Ichirakutei Eisui (Japanese, active ca. 1793-1801). Culture: Japan. Dimensions: H. 14 5/8 in. (37.1 cm); W. 9 15/16 in. (25.2 cm). Date: 1790s.The courtesan Hanaogi fiddles with one of the hairpins holding her magnificent coiffure in place. She grasps a semitransparent circular fan that recalls her brothel's name, Ogiya, literally "House of Fans." Hanaogi was a name used by a succession of high-ranking courtesans of this house. This image is in all likelihood meant to represent Hanaogi VI, who was known to be talented in poetry, singing, and other literary arts. Museum: Metropolitan Museum of Art, New York, USA.

alb3632633 Erminia and the Shepherds (a scene from Torquato Tasso's Gerusalemme Liberata). Artist: Anonymous, Italian, 17th century. Dimensions: 8-15/16 x 8-15/16 in. (22.7 x 22.7 cm). Date: 1650-1700. Museum: Metropolitan Museum of Art, New York, USA.

alb3638911 [Mary Ryan]. Artist: Julia Margaret Cameron (British (born India), Calcutta 1815-1879 Kalutara, Ceylon). Dimensions: 33.1 x 24.7 cm (13 1/16 x 9 3/4 in. ). Date: 1865-66. Museum: Metropolitan Museum of Art, New York, USA.

alb3633340 "The Courtesan Hanazuma Reading a Letter," from the series Beauties Compared to Flowers (Bijin hana awase). Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: H. 15 1/4 in. (38.7 cm); W. 10 1/4 in. (26 cm). Date: 1790s.The courtesan Hanazuma, of the Hyogoya brothel, uses both hands to hold a letter very close to her eyes. In the upper left corner is a white peony in a circle; the background is in pale powdered mica. Museum: Metropolitan Museum of Art, New York, USA.

alb3633398 St. James Street. Artist: After James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: sheet: 15 9/16 x 10 11/16 in. (39.5 x 27.2 cm)image: 11 x 6 in. (28 x 15.3 cm). Date: 1878. Museum: Metropolitan Museum of Art, New York, USA.

alb3638577 Coin (One and a Half Thaler) Showing Ferdinand I. Culture: Austrian. Dimensions: Diam. 2 1/16 in. (5.2 cm); thickness 1/8 in. (0.3 cm); Wt. 1.6 oz. (45.4 g). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3635614 The Blessing. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 6 1/4 × 5 1/4 in. (15.8 × 13.3 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

alb3638762 Julia Margaret Cameron. Artist: Henry Herschel Hay Cameron (British, 1852-1911). Date: 1870.Julia Margaret Pattle was born in Calcutta in 1815, the fourth of ten children of Adeline de l'Etang and James Pattle, an official in the East India Company whose riotous life earned him the nicknames "Jim Blazes" and "the biggest liar in India." Perhaps from him she inherited a strong will and a disregard for convention. As a child, she shuttled between India and Europe and received the bulk of her education in Versailles, where she spent much of her early life with her maternal grandmother before residing more permanently in India from the age of eighteen. In 1848 she and her husband of ten years, Charles Hay Cameron, settled in England. There the Pattle sisters enchanted London society with their beauty and eccentricity, attracting many of the most original artistic, literary, and scientific minds of the day. In 1860 the Camerons moved to Freshwater, on the Isle of Wight. A Christmas gift of a camera from her daughter and son-in-law three years later--given with the words "It may amuse you, Mother, to try to photograph during your solitude at Freshwater"--led to a decade-long career in photography and more than 1,200 surviving images. It is said that her last word, as she died in Ceylon on January 26, 1879, was "Beauty.". Museum: Metropolitan Museum of Art, New York, USA.

alb3638881 Three Studies of Écorchés. Artist: Paulus Pontius (Flemish, Antwerp 1603-1658 Antwerp); After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: plate: 12 5/16 x 8 3/16 in. (31.3 x 20.8 cm)sheet: 12 5/8 x 8 7/16 in. (32 x 21.4 cm). Date: after 1640. Museum: Metropolitan Museum of Art, New York, USA.

alb3633038 The Lady of Shalott (from Tennyson's Poems, New York, 1903). Artist: After Dante Gabriel Rossetti (British, London 1828-1882 Birchington-on-Sea). Dimensions: Image: 3 11/16 × 3 1/8 in. (9.3 × 8 cm)Sheet: 8 1/16 × 6 3/16 in. (20.4 × 15.7 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Date: 1857-1903.Rossetti's 1857 illustrations of Tennyson--reissued here in 1903--incorporate startling effects derived from medieval and early Renaissance art. Space collapses, forms are cut off, and narrative details are inserted without concern for conventional perspective. The Lady of Shalott is a night scene dramatized by flaming candles and set on the river below Camelot. Rossetti criticized the engravers and insisted on many changes, delaying the publication. Museum: Metropolitan Museum of Art, New York, USA.

alb3630037 Two Fauns Carrying a Child. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)). Dimensions: 6 1/4 x 7 3/16 in. (15.8 x 18.3 cm). Date: ca. 1513-15. Museum: Metropolitan Museum of Art, New York, USA.

alb3636499 Allegory of Time. Artist: Bernard Picart (French, Paris 1673-1733 Amsterdam); After Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 22 1/16 x 15 3/4 in. (56 x 40 cm)plate: 15 3/8 x 10 5/8 in. (39 x 27 cm). Date: 1690-1733. Museum: Metropolitan Museum of Art, New York, USA.

alb3638374 Plate 29: bust of a laughing satyr, facing left in profile, from 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence); After Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Dimensions: Sheet: 5 7/16 x 4 1/4 in. (13.8 x 10.8 cm)Plate: 3 1/4 x 2 1/2 in. (8.2 x 6.3 cm). Series/Portfolio: 'Various portraits' (Recueil de diverses pièces servant à l'art de portraiture). Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

alb3638084 Artémise. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 5/16 x 8 3/8 in. (33.8 x 21.2 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

alb3632417 A Bird's-Eye View. Artist: Theodore Robinson (1852-1896). Dimensions: 25 3/4 x 32 in. (65.4 x 81.3 cm). Date: 1889.Theodore Robinson, although academically trained at France's École des Beaux-Arts, became the leading American disciple of the progressive impressionist Claude Monet. Living as a close friend and neighbor of the famous painter in the artists' colony of Giverny between 1887 and 1892, Robinson experimented with plein-air (outdoor) painting in numerous depictions of that bucolic village, such as this work. Museum: Metropolitan Museum of Art, New York, USA.

alb3636497 Two Horsemen. Artist: Anonymous, Italian, 17th century. Dimensions: 7-9/16 x 5-1/2 in. (19.2 x 13.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3702193 Rag Pickers, Quartier Mouffetard, Paris. Dated: 1858. Dimensions: plate: 15.24 × 8.89 cm (6 × 3 1/2 in.) sheet: 20.32 × 14.61 cm (8 × 5 3/4 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3634583 Youth with two Old Men. Artist: Anonymous, Italian, 17th century; After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 4 3/4 x 3 3/4 in. (12 x 9.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3634554 A procession of horsemen and cannons in the middle ground walking to the left, a cannon and two men to left, from 'Peace and War' (Divers desseins tant pour la paix que pour la guerre). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 4 1/8 × 9 15/16 in. (10.5 × 25.3 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Peace and War' (Divers desseins tant pour la paix que pour la guerre). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

alb3707131 Annunciation to the Shepherds. Dated: probably 17th century. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Probably Netherlandish 17th Century.

alb3705159 Jacques Callot. Dated: in or after 1635. Dimensions: plate: 24.2 x 14 cm (9 1/2 x 5 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3701771 Le calendrier des viellards. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Dambrun after Jean-Honoré Fragonard.

alb3702894 Garland of Flowers with Adoration of the Shepherds. Dated: c. 1625/1630. Dimensions: overall: 22.3 x 18.5 cm (8 3/4 x 7 5/16 in.). Medium: oil on copper. Museum: National Gallery of Art, Washington DC. Author: Frans Francken the Younger and Master HDB.

alb3708696 The Fellow 'Prentices at Their Looms. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3703877 Annunciation to the Shepherds. Dimensions: Overall: 36.4 x 26.3 cm (14 5/16 x 10 3/8 in.) support: 39 x 28.9 cm (15 3/8 x 11 3/8 in.). Medium: pen and brown ink with brown wash, heightened with white. Museum: National Gallery of Art, Washington DC. Author: Gerrit Pietersz Sweelinck.

alb3709420 Captain of the Barons. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3708753 Vanitas Still Life. Dated: c. 1650. Dimensions: overall: 20.3 × 16.5 cm (8 × 6 1/2 in.). Medium: oil on paper laid down on panel. Museum: National Gallery of Art, Washington DC. Author: François van Daellen.

alb3708483 Circe. Medium: chiaroscuro woodcut in burnt orange and black. Museum: National Gallery of Art, Washington DC. Author: after Parmigianino.

alb3704840 Tenth Plague of Egypt. Dated: published 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.

alb3708244 The Adoration of the Shepherds: with the Lamp. Dated: c. 1654. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt.

alb3708247 Three Celebrated Ball Players - Choctaw, Sioux and Ojibbeway. Dated: 1861. Dimensions: overall: 45.1 x 60.9 cm (17 3/4 x 24 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

alb3700017 Lady Seen from Behind, and Two Gentlemen. Dated: probably 1634. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3705881 Two Horsemen on a Rocky Path. Dated: probably c. 1645/1656. Medium: etching with drypoint. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

alb3709934 Saint John the Baptist. Dimensions: plate: 14.8 x 18.2 cm (5 13/16 x 7 3/16 in.) sheet: 15.2 x 18.5 cm (6 x 7 5/16 in.). Medium: chiaroscuro woodcut in two shades of brown with etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Frederick Bloemaert after Parmigianino.