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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg5196745 Britain's Queen Elizabeth II standing in front of the Leonardo Da Vinci's 'Last Supper' inside the Santa Maria delle Grazie convent in Milan, Italy, on October 19, 2000.

akg160505 Versailles Treaty / Signing of the treaty in Versailles on 28 June 1919. "Versailles". (Signing of the treaty - in the background history of Versailles). Colour print from anonymous gouache. School wall picture. Serie: Zeitgeschichte 1918-1932. Munich (Köster & Co.) o. J. Dortmund, Westfälisches Schulmuseum. Museum: Dortmund, Westfälisches Schulmuseum.

akg130321 Neruda, Pablo Chilean Lyricist and Diplomat, 1971. Nobel Prize for Literature Parral 12.7.1904 - Santiago de Chile. 23.9.1973. Portrait photo, c. 1965.

akg280980 Buglioni, Benedetto. 1461-1521. "Saint Benedict", c. 1510. (Benedict of Nursia, founder of the order, c. 480 - 547). Terracotta, glased. Florence, S.Miniato al Monte, sacristy.

akg363509 Turchi, Alessandro, aka L'Orbetto c. 1578 - 1649. "Bacchus und Ariadne", date unknown. (Bacchus finding Ariadne on Naxos abandoned by Theseus). Oil on canvas, 122 × 148cm. Pavlovsk, Imperial Palace. Museum: Pavlovsk, Imperial Palace.

akg155373 Vivarini, Alvise c. 1445 - c. 1505. in collaboration with Marco Basaiti. "Enthroned Ambrose inbetween music making angels and eight saints", 1503. On wood. Venice, church S.Maria dei Frari, Cappella dei Milanesi.

akg899357 Flaubert, Gustave franz. Schriftsteller Rouen 12.12.1821-Croisset (bei Rouen) 7.5.1880. Porträtaufnahme, um 1870 (Nadar?); digital koloriert.

akg337664 Flemish (?), 1st half of the 17th century, after motifs by Jacques Callot. "View of a square with masked dancers". Oil on copper, 26 × 35cm. Cat. no. 132. Loan of the Galleria dell'Accademia, Venice, Ca' d'Oro, Galleria Franchetti. Museum: Venice, Ca' d'Oro, Galleria Franchetti.

akg386444 Monteverdi, Claudio ; compositeur italien ; 1567-1643. Oeuvre : L'Arianna (opéra, livret : Ottavio Rinuccini ; 1re Mantoue 28.5.1608). Reprise à l'occasion de l'ouverture du Teatro di San Moïse à Venise 1640 : frontispice du livret. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg106013 Neruda, Pablo (born Ricardo Eliezer NeftalÌ Reyes Basoalto), 1904 - 1973, Chilean poet-diplomat and politician. Portrait. Photo, c.1965.

akg144990 Gandhi, Mohandas Karamchand, called Mahatma; Leader of the Indian Independence Movement; Porbandar (Kathiawar) 2.10.1869 - (murdered) Neu-Delhi. 30.1.1948. In October 1946. Photo: Kanu Gandhi.

akg324105 Féval, Paul (Féval fils); French author. 1860-1933. Works: "D'Artagnan contre Cyrano de Bergerac": "Le Chevalier Mystère" (novel, 1890?). Cover illustration. Colour lithograph by Félix Jobbe Duval; Baudinière edition, Paris, undated (c. 1890/1900). Societé des Amis d'Alexandre Dumas. Museum: Societé des Amis d'Alexandre Dumas.

akg322717 Dumas, Alexandre (Dumas père); 1802-1870. Works: Les Trois Mousquetaires (The Three Musketeers; 1844). Chapter LXIII: "Une goutte d'eau" (Madame Bonacieux, who fled to the Carmelites, dies in the arms of d'Artagnan after being poisoned by Milady). Woodcut after Philippoteaux (1815-84). From: Les Bons Romans, Nr. 40, 21st September 1860. Private Collection. Museum: PRIVATE COLLECTION. Author: FELIX PHILIPPOTEAUX.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg7286364 Ceausescu, Elena (born Lenuta Petrescu); Petresti (Dâmbovita), Romania, 07.01.1916 - Târgoviste, Romania, 25.12.1989 (executed); Romanian politician, wife of communist leader Nicolae Ceausescu and Deputy Prime Minister of Romania. Elena Ceausescu on the terrace of the Presidential Palace, the "Palace of Spring" (Palatul Primaverii) in Bucharest. Archive photo, 1970s.

akg7421225 Beijing, China. Old Observatory / Gu Guanxiangtai. (built 1437-1446 during the Ming Dynasty, extension and renewal of the instruments in 1673 under the Qing Dynasty by the Jesuit Ferdinand Verbiest). - Partial view: In the foreground the celestial globe (1673 by Ferdinand Verbiest); behind it an armillary sphere. - Photo, undated.

akg7873956 Swiss Guards in the Regia Hall near the door of the Sistine chapel in the Apostolic palace at the Vatican (2010). (Palais Apostolique - sala Regia - salle royale)The Regia hall was begun under Pope Paul III by Antonio da Sangallo the Younger and was completed in 1573. The elegant barrel vault is graced by the very impressive plaster decorations of Perino del Vaga. The stucco ornaments over the doors are by Daniele da Volterra. The walls were decorated by Livio Agresti, Giorgio Vasari and Taddeo Zuccari. -The grandiose and solemn Apostolic Palace is a secretive place, forbidden to the public and jealously guarded by the Swiss Guard. It hosts the Holy See administration, the Church's spiritual authorities and before all, the apartments of the Pontiff Sovereign.

orz176384 SALON DE LA RUE DES MOULINS - 1894 - O/L - 111,5x132,5 - (DETALLE). Author: Henri Marie Raymond de Toulouse-Lautrec. Location: MUSEO TOULOUSE LAUTREC. ALBI. France. BARON MADAME. Rolande.

orz176377 Adele Tapie de Celeyran, Countess of Toulouse-Lautrec-Monfa - 1881 - oil on canvas - 93,5x81. Author: Henri Marie Raymond de Toulouse-Lautrec. Location: MUSEO TOULOUSE LAUTREC. ALBI. France. TOULOUSE-LAUTREC MADRE. TAPIE DE CELEYRAN ADELE ZOE MARIE.

alb28922887 CHO YOU-HYUN and KIM HYUN-MOK in 3670 (2025), directed by PARK JOON-HO. English title: 3670.

alb28922882 ZACK GOMEZ-ROLLS in 9 LUNAS (2026), directed by PATRICIA ORTEGA. English title: 9 LUNAS.

alb28922877 JORGE SANZ and ZACK GOMEZ-ROLLS in 9 LUNAS (2026), directed by PATRICIA ORTEGA. English title: 9 LUNAS.

alb28922879 KITI MANVER, MARIA LEON and ZACK GOMEZ-ROLLS in 9 LUNAS (2026), directed by PATRICIA ORTEGA. English title: 9 LUNAS.

alb28922888 CHO YOU-HYUN in 3670 (2025), directed by PARK JOON-HO. English title: 3670.

alb28922890 CHO YOU-HYUN in 3670 (2025), directed by PARK JOON-HO. English title: 3670.

alb28922881 JORGE SANZ and ZACK GOMEZ-ROLLS in 9 LUNAS (2026), directed by PATRICIA ORTEGA. English title: 9 LUNAS.

alb28922878 KITI MANVER and ZACK GOMEZ-ROLLS in 9 LUNAS (2026), directed by PATRICIA ORTEGA. English title: 9 LUNAS.

alb28922889 CHO YOU-HYUN in 3670 (2025), directed by PARK JOON-HO. English title: 3670.

alb28922880 JORGE SANZ and ZACK GOMEZ-ROLLS in 9 LUNAS (2026), directed by PATRICIA ORTEGA. English title: 9 LUNAS.

alb28922891 3670 (2025), directed by PARK JOON-HO. English title: 3670.

alb28922691 LOS CUATRO DE TEXAS (1963) -Original title: 4 FOR TEXAS-, directed by ROBERT ALDRICH. English title: FOUR FOR TEXAS.

alb28922692 LOS CUATRO DE TEXAS (1963) -Original title: 4 FOR TEXAS-, directed by ROBERT ALDRICH. English title: FOUR FOR TEXAS.

alb28922690 URSULA ANDRESS in LOS CUATRO DE TEXAS (1963) -Original title: 4 FOR TEXAS-, directed by ROBERT ALDRICH. English title: FOUR FOR TEXAS.

alb28922689 URSULA ANDRESS in LOS CUATRO DE TEXAS (1963) -Original title: 4 FOR TEXAS-, directed by ROBERT ALDRICH. English title: FOUR FOR TEXAS.

alb28922688 LOS CUATRO DE TEXAS (1963) -Original title: 4 FOR TEXAS-, directed by ROBERT ALDRICH. English title: FOUR FOR TEXAS.

alb28923065 MICHELLE JENNER in EL NIDO (2026), directed by HUGO STUVEN. English title: EL NIDO.

alb28923064 MICHELLE JENNER in EL NIDO (2026), directed by HUGO STUVEN. English title: EL NIDO.

alb28923066 LUISA GAVASA in EL NIDO (2026), directed by HUGO STUVEN. English title: EL NIDO.

alb28923067 MICHELLE JENNER and HUGO STUVEN in EL NIDO (2026), directed by HUGO STUVEN. English title: EL NIDO.

alb28923063 LUISA GAVASA in EL NIDO (2026), directed by HUGO STUVEN. English title: EL NIDO.

alb4312654 PAULETTE GODDARD.

alb13501966 Gustav Klimt/ Buchenwald (Beech trees). Oil on canvas (1903). Museum: Oesterreichische Galerie im Belvedere, VIENA, AUSTRIA.

alb13501967 HENRI JULIEN FELIX ROUSSEAU/ The Hungry Lion Throws itself on the Antelope.

alb8413548 Germán Hernández Amores/ Eva, 1854. Oil on canvas. 201 x 138cm. Museum: REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO, MADRID, SPAIN.

alb8395326 Germán Hernández Amores/ Medea, con los hijos muertos, huye de Corintio en un carro tirado por dragones, óleo sobre lienzo, hacia 1887. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb10818680 TOULOUSE-LAUTREC / Toulouse-Lautrec, de dos, 1884. Oil on canvas. 50 x 42.5 cm. Museum: Fontevraud, le musée d'Art moderne, FONTEVRAUD-L'ABBAYE, France.

alb2070294 Jacob Peter Gowy / 'Hippomenes and Atalanta', 17th century, Flemish School, Oil on canvas, 181 cm x 220 cm, P01538. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2019362 Jean Auguste Dominique Ingres / 'Jupiter and Thetis', 1811, Oil on canvas, 327 x 260 cm. Museum: Musée Granet, AIX-EN-PROVENCE, France.

alb9300203 Joaquín Sorolla/ recogiendo la red, Valencia 1903-1904. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300246 Joaquín Sorolla/ Piling up the hay, Asturias 1904. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300217 Joaquín Sorolla/ El ratón, Guetaria 1908. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300231 Joaquín Sorolla/ Pouet de Sant Vicent 1892. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300233 Joaquín Sorolla/ terrace 1889-1890. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300240 Joaquín Sorolla/ 59th Street, New York. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300213 Joaquín Sorolla/ Barcas en pasajes 1904. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300212 Joaquín Sorolla/ Alquería de Valencia 1890. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300237 Joaquín Sorolla/ Merendero en la playa de Valencia, 1894-1895. Óleo sobre tela, 8,20 x 27,40 cm. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300218 Joaquín Sorolla/ Estudio de chumberas 1914. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300253 Joaquín Sorolla/A Sevillian farmhouse, 1914. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300242 Joaquín Sorolla/ Outskirts of Rome, 1885-86. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300267 Joaquin Sorolla/ Seville. The Nazarenes, 1914. Series: Vision of Spain. Oil on canvas, 351 cm x 305 cm. Museum: HISPANIC SOCIETY OF AMERICA, NUEVA YORK, USA.

alb9300230 Joaquín Sorolla/ Zarauz Beach, 1910. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300224 Joaquín Sorolla/ The Cathedral of Burgos 1910. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300235 Joaquín Sorolla/ Tower of the Seven Peaks, The Alhambra, 1910. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300220 Joaquín Sorolla/ Higueras del Generalife, Granada 1910. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300254 Joaquín Sorolla/Chumberas, Seville, 1914. Oil on canvas, 50x79,50 cm. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300226 Joaquín Sorolla/ the Valencian tavern 1889-1890. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300229 Joaquín Sorolla/ Courtyard of a house. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300223 Joaquín Sorolla/ The House of the Saint 1892. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300221 Joaquín Sorolla/ Hórreo de Asturias 1904. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300248 Joaquín Sorolla/Central Park, New York, 1911. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300193 Joaquín Sorolla/ Barcas de Valencia (1903-1904). Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300194 Joaquín Sorolla/ Clotilde en la playa, 1904. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb9300196 Joaquín Sorolla/ Dos niños desnudos, 1904. Óleo sobre lienzo. Museum: MUSEO SOROLLA, MADRID, SPAIN.

alb345739 'Franz Schubert', ca. 1825, Oil on canvas. Museum: Museen der Stadt, VIENA, AUSTRIA. Author: AUGUSTE RIEDER.

alb3718961 Cambronne's Word (Le Mot de Cambronne). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

alb3681178 Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), Princesse de Broglie. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 47 3/4 x 35 3/4 in. (121.3 x 90.8 cm). Date: 1851-53.Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist's final commission. Ingres captures the shy reserve of his subject while illuminating through seamless brushwork the material quality of her many fine attributes: her rich blue satin and lace ball gown, the gold embroidered shawl, and silk damask chair, together with finely tooled jewels of pearl, enamel, and gold. The portrait was commissioned by the sitter's husband, Albert de Broglie, a few years after their ill-fated marriage. Pauline was stricken with tuberculosis soon after completion of the exquisite portrait, leaving five sons and a grieving husband. Through Albert's lifetime, it was draped in fabric on the walls of the family residence. The portrait remained in the de Broglie family until shortly before Robert Lehman acquired it. Museum: Metropolitan Museum of Art, New York, USA.

alb3705742 Madame David. Dated: 1813. Dimensions: overall: 72.9 x 59.4 cm (28 11/16 x 23 3/8 in.) framed: 93.6 x 79.7 x 9.5 cm (36 7/8 x 31 3/8 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JACQUES LOUIS DAVID.

alb3632514 General Étienne-Maurice Gérard (1773-1852). Artist: Jacques Louis David (French, Paris 1748-1825 Brussels). Dimensions: 77 5/8 x 53 5/8 in. (197.2 x 136.2 cm). Date: 1816.Following Napoleon's defeat at the battle of Waterloo in 1815, Jacques Louis David, a leading figure in the French revolution and first painter to the Emperor, went into exile in Brussels. There he painted General Gérard, a commander in the French army and a member of the imperial aristocracy who had also settled temporarily in the Belgian capital. This portrait is among the first David painted abroad and it is remarkable for its clear, bright color and sharp realism. Museum: Metropolitan Museum of Art, New York, USA.

alb3680758 Merry Company on a Terrace. Artist: Jan Steen (Dutch, Leiden 1626-1679 Leiden). Dimensions: 55 1/2 x 51 3/4 in. (141 x 131.4 cm). Date: ca. 1670.In this late painting of about 1673-75, Steen casts himself as the inebriated innkeeper on the left. The artist's second wife, Maria, probably modeled for the provocatively posed hostess (she wears an apron) in the center. Her glass and the fat man's jug are sexually suggestive, but the woman's familiarity with the young musician and the shape of his cittern suggest that he has more to offer her. The overdressed boy serves as a marginal remark about the adults' behavior: a bridled horse and a whip usually stand for Temperance, but not when hitched to a spoiled brat and his indignant dog. The man with a sausage pinned to his hat is Hans Wurst, a fool familiar from the comic stage. Steen wittily blends symbols and themes (for example, child-rearing and the Garden of Love) into an original creation, quite as the picture's style seems to blend oil and water by mixing the manners of Gerard ter Borch and Jacob Jordaens. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Steen.

alb3892120 Grant and His Generals. Date/Period: 1865. Painting. Oil on canvas. Height: 3,048 mm (10 ft); Width: 4,877 mm (16 ft). Author: OLE PETER HANSEN BALLING.

alb3704041 The Attentive Nurse. Dated: 1747. Dimensions: overall: 46.2 x 37 cm (18 3/16 x 14 9/16 in.) framed: 61.9 x 53.7 x 7.3 cm (24 3/8 x 21 1/8 x 2 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JEAN SIMEON CHARDIN.

alb3895206 The Death of Nelson. Date/Period: 1859 - 1864. Painting. Oil on canvas. Height: 9,850 mm (10.77 yd); Width: 35,300 mm (38.60 yd). Author: Daniel Maclise.

alb3892410 The Death of Nelson. Date/Period: 1806. Painting. Oil on canvas and panel. Height: 182 mm (7.16 in); Width: 247.50 mm (9.74 in). Author: Benjamin West.

alb3895086 Waterloo. Date/Period: Ca. 1838. Painting. Oil on panel. Height: 229 mm (9.01 in); Width: 171 mm (6.73 in). Author: Thomas Creswick.

alb3892398 The Apotheosis of Nelson. Date/Period: 1807. Painting. Oil on canvas. Height: 1,003 mm (39.48 in); Width: 737 mm (29.01 in). Author: Benjamin West.

alb3626305 Woman with a Rake. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm). Date: probably 1856-57.Millet first treated this subject in a woodcut, one of ten in the series Labors of the Fields that were published in a popular periodical in 1853. The art dealer Martinet, in whose gallery such avant-garde artists as Courbet and Manet exhibited, included this painting in a show in 1860. Museum: Metropolitan Museum of Art, New York, USA.

alb3675059 The Stolen Kiss. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 19 x 25 in. (48.3 x 63.5 cm). Date: ca. 1760.One of a few highly finished works painted by Fragonard during his first Italian sojourn, the canvas was painted between 1756 and 1761. It belonged to the Bailli de Bréteuil, who was ambassador to Rome from Malta. While the figure group reminds us that Fragonard was trained under Boucher, the intensity, the color harmonies, and the warm, dark atmosphere are his own. Museum: Metropolitan Museum of Art, New York, USA.

alb3677807 The Visit. Artist: Pieter de Hooch (Dutch, Rotterdam 1629-1684 Amsterdam). Dimensions: 26 3/4 x 23 in. (67.9 x 58.4 cm). Date: ca. 1657.Two women of uncertain reputation entertain visiting gentlemen. While rich in shadowy effects, this picture is one of the first in which De Hooch employed linear perspective to construct a realistic interior space (the bed, however, is underscaled). At the time, he was exchanging ideas with Vermeer, whose influence is evident in the most luminous passages. The French art critic Thoré-Bürger assigned this panel to Vermeer in his pioneering articles of the 1860s. Museum: Metropolitan Museum of Art, New York, USA.

alb3889409 Dona Mariana Belsunse y Salasar. Date/Period: 18th century. Painting. Oil on canvas. Author: José Joaquín Bermejo.

alb3623760 Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788-1839). Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 47 x 36 1/2 in. (119.4 x 92.7 cm). Date: 1823.For this portrait there are more than two dozen drawings investigating a variety of poses (Musée Ingres, Montauban). Similar studies do not exist for the likeness of Madame Leblanc's husband (19.77.1). The two paintings--the only pair of portraits Ingres produced--were probably intended to hang facing one another, since the light falls differently in each, but they are unified by the visual harmony of hands, gold chains, and rich textiles that enhance the couple's black clothing. This work, however, was exhibited without its pendant at the Salon of 1834. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN AUGUSTE DOMINIQUE INGRES.

alb3608842 Tea. Artist: James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). Dimensions: 26 x 18 7/8 in. (66 x 47.9 cm). Date: 1872.When Tissot moved to London in 1871, he immersed himself in the local scene, with work for Vanity Fair and genre paintings with the river Thames as backdrop. This canvas is a repetition of the left-hand portion of one of his most famous London pictures, Bad News (National Museum of Wales, Cardiff), which shows a captain and his girlfriend absorbing the news of his imminent departure while a companion prepares tea, with the Pool of London in the background. Here, the view is of the dense cityscape beyond that stretch of the river. Tissot's friend Degas owned a pencil study for this work. Museum: Metropolitan Museum of Art, New York, USA.

alb3604436 The Lovesick Maiden. Artist: Jan Steen (Dutch, Leiden 1626-1679 Leiden). Dimensions: 34 x 39 in. (86.4 x 99.1 cm). Date: ca. 1660.Doctors were familiar targets of parody in Steen's native Leiden, the home of a famous medical school. Borrowing from the comic stage, Steen identifies the old man as a quack by his peculiar clothing, while the nature of the young lady's malady is suggested by the Cupid over the door, and other intimations like the open bed. The picture dates about 1660. Museum: Metropolitan Museum of Art, New York, USA.

alb3606905 View of Heidelberg. Artist: Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp). Dimensions: 7 7/8 x 12 in. (20.0 x 30.5 cm). Date: ca. 1588-89.This drawing, the earliest known by Jan Brueghel the Elder, records the city of Heidelberg seen from the west across the Neckar River. The castle appears as it did before additions were made between 1590 and 1592. Brueghel's sketch dates from about 1588-89, when the artist traveled from Antwerp to Italy, arrriving in Naples in 1590. The definition of forms with a combination of short, vertical lines in fine pen, which in places are blurred, and the broadly applied translucent washes are characteristic, as is the composition. Brueghel made several drawings of Heidelberg and used motifs from these travel sketches in paintings such as the Allegory of Spring of 1611 (private collection, Scotland), which shows Heidelberg castle as it appears in a copy after a drawing by Brueghel in the Kurpfalzisches sketchbook (Staatsgalerie, Stuttgart). Museum: Metropolitan Museum of Art, New York, USA.

alb3655792 View from the Quai d'Orsay. Artist: Johan Barthold Jongkind (Dutch, Latrop 1819-1891 La-Côte-Saint-André). Dimensions: 17 1/4 x 26 in. (43.8 x 66 cm). Date: 1854.This view from the left bank of the Seine River encompasses the Tuileries Gardens and the Louvre, at left, and the Palais d'Orsay and Hôtel de Salm (Palais de la Légion d'Honneur), at right. Yet the prominence of the industrial barges and crane underscore the appeal of Paris's working waterfront to Jongkind's aesthetic sensibility. Jongkind first moved from Holland to France in 1846, sketching along the banks of the Seine from 1849 onward. In his studio, he transformed the sketches into oil paintings such as this one, which he showed in the 1855 Exposition Universelle in Paris. Museum: Metropolitan Museum of Art, New York, USA.

alb3651326 Portrait of a Young Woman. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: Oval, 31 3/4 x 25 in. (80.6 x 63.5 cm). Date: 1770s. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN-HONORE FRAGONARD.

alb3607821 Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810). Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 16 x 12 7/8 in. (40.6 x 32.7 cm). Date: ca. 1831-34.The sitter was an artist who exhibited regularly at the Salon and was also the author of popular drawing manuals. At the time Ingres painted her, she was married to one of his pupils, Clément Boulanger (1805-1842). Traces of a curving edge on the surface of the canvas indicate that the portrait had been framed as an oval before Ingres added the dedication to her as Madame Cavé, which must have taken place a decade later, after she remarried. Ingres's 1844 portrait of Monsieur Cavé (43.85.2) was conceived as a pendant to the present work. Museum: Metropolitan Museum of Art, New York, USA.

alb3600152 Ashida Station. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm). Date: ca. 1836. Museum: Metropolitan Museum of Art, New York, USA.

alb3653455 Joseph-Antoine Moltedo (born 1775). Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 29 5/8 x 22 7/8 in. (75.2 x 58.1 cm). Date: ca. 1810.Corsican by birth, Moltedo was an enterprising businessman and inventor, agent to the French clergy at the Vatican, and director of the Roman post office from 1803 until 1814. Painted during one of the most productive periods of Ingres's nascent career, this refined portrait belongs to a series of commissions he received from French officials in Napoleonic Rome. They are distinguished by the inclusion of Roman views as backdrops--in this case the Appian Way and the Colosseum--as well as by stormy gray skies, a Romantic conceit that serves as a foil to the calm and secure expressions of the men portrayed. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN AUGUSTE DOMINIQUE INGRES.