Menu
Fotoarena.com.br
Entrar

Imagens:

Tipos de busca:

Coleções:

Selecione: todas as coleções - limpar tudo

Coleções fora do site:

*Faça o login no site dos nossos fornecedores para ter acesso apenas ao conteúdo que pode ser licenciado no Brasil ou consulte nossa equipe no e-mail pesquisa@fotoarena.com.br

Quino
Liniers
Tute
Album
Akg
Magnum Photos
THE NEW YORK TIMES
Fotoarena
Researchers
Bridgeman
Granger
Verger
Minden
Interfoto
Science Source
Zuma
Universal
Everett
Nature
Newscom
DPA
Sipa
Glasshouse Images
Deposit
Quadrinhos
Saulo
Rita
Reuters Pictures
Science Photo Library
ImageBROKER
Angeli
Cagle Cartoons
Fabiane Langona
Caia Image
Almir Almeida
Márcio Pannunzio
María Verónica
André Barroso
PA Images
Ani Ganzala
Caloi
Ingran
British Museum
Allan Sieber
Angel Boligán
Adão Iturrusgarai
Claudia Liz
Cassio Vasconcellos
Flávio Cannalonga
Alamy
SPP
Robert Harding
TopFoto
Nando Motta
Ciro Fernandes
African Pictures

Busque também em nossas outras coleções:

Alamy Stock Science Photo Library Science Source DepositPhotos Artistas Bridgeman Newscom Reuters Fotojornalismo
Filtros
Limpar filtros
Data da imagem:
Pauta
ver mais opções...
Agência
Fotógrafo
ver mais opções...
Estado
ver mais opções...
Cidade
ver mais opções...
Local
ver mais opções...
Tipo de licença
Orientação
Coleção
ver mais opções...

Total de Resultados: 10.000

Página 1 de 100

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
DC
akg2350599 Klombeck, Johann Bernhard. (1815-1893) and Verboeckhoven, Eugène (1798-1881). Winter landscape with horse. Painting, 1863. Oil on canvas, 94 x 129 cm. Private collection.
DC
akg128587 Mittenwalde (Brandenburg), Jahndenkmal. "Mittenwalde - Salzmarkt mit Jahndenkmal und Friedenseiche". Fotopostkarte, um 1915.
DC
alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
DC
alb31059816 Bust of a young man, print, printmaker: Honoré Coussin, France, after design by Rembrandt van Rijn, 1708 - 1779, paper, etching, intaglio printmaking technique, height 126 mm x width 109 mm, youth, adolescent., A close-up pen-and-ink drawing of a person's face and upper torso rendered with fine, swirling lines, showing curly hair framing the forehead and temples, expressive eyes with detailed lashes and pupils, a straight nose, and closed lips with a slightly downturned expression; dense crosshatching and short strokes create shading on one side of the face and along the neck and collar, while looser parallel lines sketch the clothing and shoulders, all on a textured, light-colored paper background.
DC
alb31055327 Portrait of Wilhelmina of Prussia (1751-1820), print, printmaker: Willem van Senus, after painting by Johann Friedrich August Tischbein, publisher: Evert Maaskamp, Amsterdam, 1783 - 1851, paper, etching, stippelets, engraving, stippelets and engraving, height 211 mm x width 127 mm, Person, Wilhelmina van Pruisen (1751-1820)., A black and white engraved portrait within an oval frame shows a person from the chest up with wavy, voluminous hair styled away from the face and cascading curls at the shoulders; the face has a calm expression with eyes looking slightly to one side, a straight nose, and closed lips. The clothing visible includes a ruffled collar and draped fabric across the shoulders with textured shading. The oval portrait is set against a blank light background, and decorative cursive script appears beneath the portrait.
DC
alb31052545 Prayer of Thanksgiving, print, A man and a woman pray at a set table before the meal. Above them the Holy Spirit in the form of a dove. In the background a landscape with trees and bunches of grapes. Below the image a six-line Dutch prayer., printmaker: Pieter Feddes van Harlingen, Friesland, publisher: Claes Jansz. Visscher (II), Amsterdam, 1611 - 1623, paper, etching, height 437 mm x width 307 mm, prayer at table, saying grace., A detailed black and white engraving shows two adults seated at a table with folded hands, facing slightly toward each other; the person on the left has curly hair and a beard and holds a round loaf, while the person on the right wears a headscarf and has their fingers gently touching in front of their chest. A table in front of them holds a plate with food, a loaf, a knife, a small dish, and a jug. Behind them, a landscape opens with trees and a path flanked by foliage and bunches of grapes on a vine, and above, clouds part to reveal a bird in flight with outstretched wings and rays of light emanating downward. The scene is rendered with intricate line work and shading, showing detailed facial features, clothing folds, and textured natural elements.
DC
alb31055590 Calendar page for September 1898, print, calendar page, A rectangular frame with the days of the month of September surrounded by flowering plants, possibly loosestrife and hogweed, and six butterflies., printmaker: Theo Nieuwenhuis, publisher: Scheltema & Holkema's Boekhandel, Amsterdam, 1897, Theo Nieuwenhuis, Scheltema & Holkema's Boekhandel, paper, color lithography, height 357 mm x width 284 mm, flowers, insects: butterfly, plants (in general)., A vertical decorative panel showing a stylized floral design above a grid, with a large umbrella-like cluster of delicate white lacey flowers supported by a central green stem and radiating green leaves, flanked by tall narrow stalks topped with brown seedpods and red clustered blossoms at the outer edges, all set against a beige patterned background; beneath the floral area a rectangular heading band sits above a table of boxed cells forming a calendar grid, each cell containing hand-drawn numerals and small circular or sunburst motifs, while narrow decorative borders with elongated green leaves and seedpod motifs run down both sides and a horizontal decorative panel with wavy green lines and small red accents appears at the bottom.
DC
alb31053954 Washing of Peter's feet, print, number: '114', printmaker: Jan Luyken, Amsterdam, 1712, Jan Luyken, printmaker, paper, etching, proof, height 117 mm x width 152 mm, Christ washes Peter's feet., A detailed black and white etching shows a group of robed figures gathered in an interior space with a high wall and a recessed vertical panel. One figure kneels at the front with a halo-like radiance around the head and is bending toward another seated figure whose foot rests near a shallow basin; the seated figure reaches toward the kneeling person. Several onlookers in robes stand and sit around the central pair, some leaning forward and others with hands crossed or raised. To the left a round table holds a tall candlestick with a lit flame and other objects, and above it a bracket supports a multi-flame fixture. Drapery and architectural details frame the scene, and vessels sit on the floor in the foreground. The image is rendered with fine crosshatching and linear shading.
DC
alb31056897 Remarkable animals, Animaux remarquables, print, popular print, Sheet with 4 depictions of animals: an ox, a horse, an elephant, and a lion. Below each image a two-line verse in Dutch and in French. Numbered center top: no. 94., publisher: Franciscus Antonius Beersmans, Turnhout, Europe, 1866 - 1902, printmaker, paper, woodcut, colour, letterpress printing, woodcut colored in yellow, purple and green, text in letterpress, height 425 mm x width 295 mm, beasts of prey, predatory animals: lion, horse, trunked animals: elephant, animals, ox., A printed page with four framed colored engravings arranged in a two-by-two grid, each showing a different animal standing on a simple landscape; the top left frame contains a horned bovine with patches of light and dark on its hide and small buildings in the distant background, the top right frame shows a horse with a flowing mane and tail standing on grassy ground with distant trees and houses, the bottom left frame depicts an elephant with curved tusks and textured skin walking on uneven ground with vegetation, and the bottom right frame features a lion with a mane standing on a rocky, grassy terrain beneath a lined sky; each framed scene is surrounded by a thin border and set against a beige, slightly textured paper with printed lines of small text below each image.
DC
alb31051706 Saint Jerome in his study, print, printmaker, after print by, Italy, Jacopo de' Barbari, paper, engraving, height 83 mm x width 58 mm, Jerome as penitent in his study., An elderly bearded man with a thin, wrinkled torso sits draped in a flowing cloth, leaning over a tilted writing surface while holding a quill; his long beard hangs down over his chest and his hair is tied back, and a few folds of fabric gather around his lower body and legs, one foot extended forward; a tall vertical panel with dense vertical hatching sits behind him on one side, and a simple stand with a small propped object and an inkwell rests on the desk; the scene is rendered in fine linear pen-and-ink or engraving with crosshatching and parallel lines defining shadows and textures.
DC
alb31053685 Farmhouse in Mont-Saint-Jean, Ferme de Mont St. Jean. Prés de Waterloo, Loose plates from a series of lithographs of the Waterloo area, print, View of a farmhouse situated on a street in the village of Mont-Saint-Jean near Waterloo. Part of a series of twelve plates (supplemented to fourteen) with views from ca. 1840 of the area where the Battle of Waterloo took place on June 18, 1815., printmaker: H. Gérard (possibly), Brussels, 1842, printer (person), paper, lithography, height 213 mm x width 280 mm, farm (building), Battle of Waterloo, Waterloo, Mont-Saint-Jean, Period, 1840 - 1842, 1815-06-18., A grayscale illustration of a rural scene showing a cluster of connected buildings with pitched roofs and a small tower topped by two weather vanes, surrounded by trees and open land. A cobbled road runs in front of the buildings, where a group of people stand and converse, some wearing top hats and long coats. A mounted rider on a horse faces a standing figure at the roadside. Trees and distant fields extend into the background beneath a sky with scattered clouds.
DC
alb31056379 Allegorical print on the victory of the Netherlands under the leadership of William III, 1674, print, propaganda print, Large allegorical representation of the victory of the Republic under the leadership of William III in 1674. Through two stories from Greek mythology, the victory of the United Netherlands under the leadership of Prince William over its enemies, recorded in the Treaty of Westminster on February 19, is glorified. Mercury and Jupiter point the Dutch Maiden with the liberty cap to an open book of Ovid's Metamorphoses in which scenes from the stories of Apollo and Daphne and Neptune and Coronis can be seen. Below is the Dutch Lion chasing away the French rooster and an English dog. At the bottom, the fables and the political interpretation are explained on the left and right. In this copy of the print, leaves with the monogram WH of William III have been pasted over the two verses (bottom left and right and in which the fables and political interpretation are explained)., printmaker: Gerard de Lairesse, Northern Netherlands, Gerard de Lairesse, printmaker, paper, etching, height 685 mm x width 472 mm, Person, William III (Prince of Orange and King of England, Scotland, and Ireland), Daphne changed into a laurel-tree: while fleeing from Apollo, Daphne is changed into a laurel-tree by her father Peneus (Ovid, Metamorphoses I 548), Coronis changed into a crow: to escape the love of Neptune, Coronis, daughter of Coroneus, is changed into a crow by Minerva (Ovid, Metamorphoses II 569), Peace of Westminster (1654), Dutch Leo, Dutch Virgo, Mercury, Jupiter, Apollo and Daphne, Neptune and Coronis, English Dog, French Rooster, Period., An elaborate engraved scene shows an open book held aloft by two partially draped allegorical figures at the top, with a large bird perched between them over the book and rays emanating behind; the book's pages contain delicate mythological vignettes with nude and draped figures and cloudlike forms. Below the book a woman in a.
DC
alb31053103 Face of an old man, print, printmaker: Elias Stark, Netherlands, 1859 - 1933, paper, aquatint, height 102 mm x width 70 mm, old man., A softly rendered, ghostlike face emerges from a dark rectangular field, its pale contours and wispy hair sketched with textured, grainy strokes that fade into the surrounding blackness, showing a downcast expression with closed or lowered eyes and subtle shadowed features.
DC
alb31055210 Proverbs that please the ear, Do you see here in scenes, print, popular print, Sheet with 6 illustrations of proverbs. A caption under each image. Numbered bottom right: No. 9., publisher: anonymous, Netherlands, c. 1700 - c. 1899, printmaker, paper, etching, height 320 mm x width 367 mm, height 282 mm x width 306 mm, proverbs, sayings., A vertical sheet divided into three columns and several horizontal panels, each panel containing finely detailed pen-and-ink vignette scenes of people in period clothing engaged in varied activities; the left column shows a woman sweeping a cobbled area outside an arched doorway with two other figures nearby and a group sitting under trees in a lower scene, the central column features seated figures at a small outdoor table under trees with dancers in the background and a standing male figure holding a long staff near water in a lower scene, and the right column depicts a tall man wearing a hat pointing while a younger figure stands beside him near a tree and distant buildings with another scene below of a solitary man leaning on a staff by a gate; decorative borders separate the panels and faint ornamental headings run across the top.
DC
alb31057087 The funeral procession of Frederik Hendrik (text sheet 1), 1647, The funeral procession of Stadtholder Frederik Hendrik in The Hague in 1647, Funeral of His Highness Frederick Henrick, by the Grace of God Prince of Orange, Count of Nassau &c, text sheet, Series number, 1, 20, Text sheet accompanying the print series of the funeral procession of Stadtholder Frederik Hendrik in The Hague on May 10, 1647. Text sheet no. 1 addressed to Amalia van Solms. Part of a series of 30 plates and 20 text sheets, intended to be pasted together., publisher: Pieter Jansz. Post, The Hague, publisher: Pieter Nolpe, Amsterdam, printer (person): Nicolaes van Ravesteyn, grantor of privilege: States of Holland and West Friesland, 1651, writer (clerical worker), printer (person), paper, letterpress printing, text in book print, height 253 mm x width 130 mm, Person, Frederick Henry (Prince of Orange), Funeral of Frederick Henry, Period, 1647-05-10., The image shows an aged sheet with printed ornamental typography and a decorative initial letter framed by an intricate floral and scrollwork design, surrounded by lines of fine, evenly spaced script forming dense paragraphs; the paper has a slightly yellowed tone with small speckles and faint foxing, and wide margins on the sides with centered heading lines at the top and a smaller block of text and signatures near the lower portion.
DC
alb31052044 Uilenspiegel was a rascal, And carried out many whims, But children never follow his life, Which would give you not honor but shame, print, popular print, Sheet with 24 illustrations of the life of Till Eulenspiegel. Below each image a two-line verse. Numbered top right: No. 23., vendor: Hesselink & Zoon, G., Zutphen (city), publisher: TC Hoffers, Rotterdam, 1820 - 1838, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in orange and green, text in letterpress, height 420 mm x width 325 mm, Eulenspiegel., A sheet filled with a grid of small rectangular illustrations, each framed and showing scenes of people and animals in various activities, with a few illustrations depicting figures carrying objects, sitting, or interacting near simple buildings and rural elements; the drawings use muted ink tones with light washes of color and rough linework, and the overall page shows aged paper texture and slight discoloration.
DC
alb31058624 Portrait of Henriëtte Wolters-van Pee, print, Portrait of the miniature painter Henriëtte Wolters-van Pee, with a six-line poem., printmaker: Jacob Houbraken, Amsterdam, after painting by Henriëtte Wolters-van Pee, writer (clerical worker): Hermanus van den Burg, 1708 - 1732, writer (clerical worker), paper, etching, engraving, etching and engraving, height 162 mm x width 130 mm, Person., An oval framed engraved portrait of a woman with light curly hair styled with a ribbon, wearing a dark dress with a light scarf tied at the neck and a beaded necklace, set against a shaded oval background and surrounded by a textured circular frame, all positioned above a carved plinth with a rectangular panel and fine crosshatch shading.
DC
alb31053179 September 1870, The Ash Cart Driver to the Residents of Amsterdam, Fair print of the Amsterdam ash cart drivers for the year 1870, print, fair print, Fair print on behalf of the ash cart drivers (cart driver or garbage collector) in Amsterdam, September 1870. View of the fair on the Botermarkt with the Regulierswaag. Two garbage carts on the market. At the bottom, a poem in two columns. On behalf of F. Vink, the garbage collector of district no. 8., printmaker: Dirk Wijbrand Tollenaar, Amsterdam, 1870, paper, letterpress printing, wood engraving, text in letterpress with image in wood engraving, height 337 mm x width 211 mm, pleasure fair and circus, garbage collection, public road - II - ideal city, Botermarkt (Amsterdam), Weigh House on the Botermarkt, Period., A detailed monochrome engraving showing a busy street scene with a group of people gathered around market stalls and a horse-drawn cart, flanked by several multi-story buildings with rows of windows and architectural detailing; a raised platform with a crowd and decorative flags sits between buildings, and figures on the platform are visible; in the foreground a few people stand near the cart and engage in activity while a small dog stands on the street; the sky above features shaded cloud patterns and radiating lines.
DC
alb31056700 The Dutch Lodge at Surat, 1629, Lodge of Surat, print, View of the Dutch Lodge at Surat, 1629. Goods are stacked in the courtyard and the stern of a ship is visible. Part of the illustrations in the report of Pieter van den Broecke's voyages to the East Indies, 1605-1640, No. 9., printmaker: attributed to Adriaen Matham, Northern Netherlands, 1632 - 1634, 1646, Adriaen Matham, printmaker, Attributed to, paper, etching, engraving, etching and engraving, height 105 mm x width 170 mm, Person, Verenigde Oostindische Compagnie, Pieter van den Broecke, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, Reizen van Pieter van den Broecke naar Oost-Indië (1605-1640), Gujarat, Surat, Period., A detailed engraved view shows a large brick building with a high wall and gated entrance, an inner courtyard visible above the wall containing people, animals, and stacked objects. The foreground street shows figures walking, talking, and handling a small cart and horses near the open gate. On the rooftop courtyard there are groups of small figures engaged in various activities, a raised pavilion with a tiled roof and columns, a long covered walkway along one side, and a fountain or decorative relief set into a raised platform. Trees and small structures are visible beyond the courtyard, and birds appear in the sky above. The building facade features patterned windows, small arched openings, a balcony, and a coat of arms or carved panel above the inner doorway.
DC
alb31057562 9. Le nouvel Opera de Paris. Sculpture Ornamentale., Goblet in relief with dog heads on the ears, the goblet is surrounded by leaves., Le Nouvel Opéra de Paris with 50 photos, photograph, number: '9', photographer: Louis-Emile Durandelle, Paris, publisher: Ducher & Cie., c. 1878 - 1881, paper, albumen print, height 375 mm x width 279 mm, height 620 mm x width 438 mm, with book in Library RMA, See Frizot, pp. 217-223, cf. G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870., A close view of an ornate carved panel featuring a large central urn with a finial top set against a background of carved foliage. The urn has volute handles that curl outward and rest on a molded base with decorative garlands and scrollwork beneath. Surrounding the urn are stylized leaves and ribbon-like elements carved in relief, with acanthus motifs and textured panels framing the composition. Below the urn, a festoon of fruit and flowers is bound by a band and flanked by curved architectural moldings with rosettes at their ends. The surface shows tooling marks and tonal variations in the stone, and the whole arrangement is enclosed within multiple rectangular molded borders.
DC
alb31053884 Sheet with the obverse and reverse of two medals produced in honor of Laurens Jansz. Coster, print, book illustration, Obverse and reverse of two medals. Top and left: Portrait of Laurens Jansz. Coster. Bottom and right: A printing press (No. 1 and No. 2). Marked top left: Page 106., printmaker: Jan Wandelaar, Northern Netherlands, 1740, paper, etching, engraving, etching and engraving, height 164 mm x width 113 mm, Person, Laurens Janszoon Coster, printing press, medal (considered as a piece of sculpture, regardless of its specific function)., A vertical arrangement of detailed circular engravings on a light textured background, showing a large medallion at the top with a left-facing bust of a man wearing a cap and a fur-collared garment, a smaller left medallion below with another left-facing bust in similar headwear, a small right medallion depicting a printing press with a book and tools, and a larger lower medallion featuring a printing press scene with decorative scrollwork, a shield-like emblem, a pitcher, open books, and a coiled serpent bordering part of the inner rim.
DC
alb31050243 Noah's Sacrifice, print, printmaker: Jan Luyken, Amsterdam, publisher: Christoph Weigel, 1708, Jan Luyken, Christoph Weigel, printmaker, publisher, paper, etching, proof print, height 251 mm x width 201 mm, Noah's sacrifice, various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)., A monochrome engraving shows a group of robed figures gathered around a central stone altar with a tall column of flame and smoke rising from it, a large curved band like a rainbow arches across the sky behind them, and rugged hills and distant rock formations fill the background; in the foreground several figures kneel or bend toward the altar while others sit or crouch nearby, some with raised arms or clasped hands, and a few small animals and a basket with creatures lie on the ground close to the figures.
DC
alb31057364 Chasse à l'Oiseau, Landscape with figures hunting birds, print, printmaker: Jean Charles Le Vasseur, after painting by Adriaen Frans Boudewyns, after painting by Jan van der Meer (II) (possibly), publisher: Jean Daullé, Paris, 1761, Jean Charles Le Vasseur, Adriaen Frans Boudewyns, Jan van der Meer (II), Jean Daullé, printmaker, after painting by, publisher, paper, etching, engraving, height 263 mm x width 337 mm, bird hunting., A wide landscape engraving showing a winding river bordered by trees and rolling hills, with a cluster of large trees in the foreground on the right and a dense forest area on the left; figures on horseback and on foot travel along a dirt path near the river, some accompanied by dogs and others standing or resting by the water; a small group of people is engaged near the riverbank while others lead pack animals along the road; in the distant background a fortified building sits atop a hill beneath a sky filled with layered clouds and a few flying birds.
DC
alb31058530 View of Rome, View of Rome along the Tyber on the S. Peter's Church, the Vatican, the Bridge and the Castle of S. Angelo, print, View of Rome from the Tiber, on St. Peter's Basilica, the Angel Bridge and Castle., printmaker: Hendrik Spilman, Haarlem, after drawing by De Moucheron, 1742 - 1784, paper, etching, height 190 mm x width 190 mm, Peter's Basilica, Castel Sant'Angelo, Engelenbrug., A detailed black and white engraving shows a riverside cityscape with an arched stone bridge spanning the water, reflections of the arches visible on the river surface. Domed cathedral architecture rises behind the bridge with ornate facades and smaller domes flanking the central dome. On the right a round fortress-like tower with buildings atop it sits on a raised bank. Boats and small rowboats occupy the water, some with figures rowing or standing, and a larger boat with a canopy rests near the near shore. Stone steps descend to the water at the lower right where several figures stand and converse. A building with wooden balconies projects from the left edge of the image. Trees with bare branches frame the right foreground and low hills appear in the distant background beneath a sky filled with textured clouds.
DC
alb31054858 Virtue crowns Nobility, print, The personification of virtue crowns the personification of nobility. On the right a soldier lunging his spear at a figure with snakes for hair., printmaker: Francesco Bartolozzi, Italy, after painting by Francesco Fontebasso, publisher: Joseph Wagner, Venice, grantor of privilege: Senate of Venice, 1739 - 1780, granter of privilege, paper, etching, engraving, etching and engraving, height 425 mm x width 335 mm, the soldier, the soldier's life, Nobility, 'Nobiltà' (Ripa)., A detailed oval engraving shows a group of figures amid swirling clouds. Near the top a standing robed woman wearing a crown and holding a staff is accompanied by a winged figure gesturing toward her; below them a seated robed woman with a radiant emblem on her chest reclines on the clouds and looks upward while a few small cherubic children hover nearby, one holding a small object. To the right a helmeted warrior poised on a cloud brandishes a long spear and holds a round shield, with flowing drapery around the figure. A muscular male figure falls or kneels below, reaching upward with an outstretched arm. The scene is rendered in fine engraved lines with varied shading and texture.
DC
alb31051451 The City of Gorinchem, Map of Gorinchem, area plan, print, book illustration, Top left: Vereen. Nederl. VD p. 259., printmaker, cartographer, publisher, Amsterdam, paper, etching, height 176 mm x width 219 mm., An aged map showing a fortified star-shaped town with angular bastions and surrounding water, intricate hatching indicating land and water, a network of straight streets forming rectangular blocks, small building illustrations including a prominent church with towers and other roofed structures, rows of trees and ornamental garden plots with patterned beds, narrow canals or moats cutting through the town with small bridges and gates, tiny sailing ships docked at a waterfront, windmills drawn near the outer fortifications, a decorative compass rose and a small shield-shaped emblem, and dense engraved detailing throughout the layout.
DC
alb31058789 Autumn: view of Maarssen Castle, Autumnus, The Four Seasons with Castles, print, The season of autumn. In the foreground an elegant couple, on the right and left farmers are picking fruit. In the background Huis ter Meer in Maarssen. With a 4-line caption in Latin., printmaker: Hessel Gerritsz, Amsterdam, after design by David Vinckboons, writer (clerical worker): Richard Lubbaeus, 1591 - 1632, writer (clerical worker), paper, etching, width 242 mm x height 188 mm, fall, 'Autumnus', 'Autunno' (Ripa) (+ with scenes showing human occupations, seasons and months), Maarssen, Huis Ter Meer., A detailed black and white engraving shows a riverside scene with a large tree in the foreground whose twisted trunk and dense foliage dominate the left and center, beneath which grazing sheep move on the ground and a person sits leaning against the trunk. Near the water's edge two figures stand facing each other, one appearing to offer something to the other, while a small boat nearby holds two people handling baskets of produce and another person in a second boat bends over a basket. In the middle distance a group of people work among lined tree trunks with ladders, and a person is visible climbing a tree. Across the water stands a stone building complex with towers, pitched roofs, chimneys, and stepped gables, connected to a bridge over the water; birds fly in the sky above and leafy bushes and low vegetation fill the foreground near the boats.
DC
alb31053443 The Prince meets the Duke of Grafton, 1688, His Royal Highness receives the Duke of Grafton and other prominent Lords, Four plates depicting the landing and reception of William III in England in 1688, print, Prince William III shakes the hand of Henry Fitzroy, 1st Duke of Grafton. On the right other nobles on horseback, in the background the army of William III., printmaker, Northern Netherlands, paper, etching, height 168 mm x width 217 mm, Person, William III (Prince of Orange and King of England, Scotland, and Ireland), Henry Fitzroy (1st Duke of Grafton), shaking hands, 'dextrarum junctio', Glorious Revolution, Period, 1688-12., A wide scene rendered in fine black lines shows a large group of people gathered outdoors on a flat plain with low hills in the distance; a flowing ribbon shape floats across the upper sky area. In the foreground several men are mounted on horses, some with long curly hair and long coats, while others stand or walk nearby holding hats or walking sticks. A group of men kneel or bend at the center foreground engaged with others who extend hands toward them. To the left a dense formation of soldiers stands with long spears angled upward, their heads and hats visible in rows. Behind the main figures more crowds of people cluster, including musicians holding wind instruments and others standing on a slight rise beside a covered wagon and packs. On the right a few riders approach along a path near a rocky, tree-covered slope. The landscape beyond includes marshy grasses and small figures scattered across the distant plain, with sketched cross-hatching indicating sky and terrain.
DC
alb31050079 Art - Goût - Beauté, Feuillets de l' élégance féminine, February 1926, No. 66, 6th Year, p. 31, magazine, Advertisements for various products. Page from the fashion magazine Art-Goût-Beauté (1920-1933)., publisher: Charles Goy, 1926, Charles Goy, printmaker, publisher, paper, photography technique, photomechanical print, height 315 mm x width 240 mm, (+ women's clothes), walking-stick, staff, cane (+ women's clothes), costume, Period., A page divided into rectangular sections with three illustrated panels; the top left panel shows a framed black and white image of a woman in profile leaning over a basin while wearing gloves, with a steaming kettle and a hand towel nearby; the top right panel contains a bordered column of printed lines and a centered block of larger text at the top; the lower left panel features a long column of printed paragraphs with a small decorative portrait near the top of that column; the lower right panel displays an artful illustration of a figure holding an umbrella among several patterned umbrellas on a stylized shoreline with radiating lines and cloudlike shapes.
DC
alb31054475 Singing men at an inn, print, printmaker: Richard Earlom, after painting by Egbert van Heemskerck (I), publisher: John Boydell, London, 1768, paper, mezzotint, proof print, height 303 mm x width 355 mm, hotel, hostelry, inn, alcoholic drinks, ugly old man., A dimly lit interior scene shows five men wearing caps with long feathers gathered around a small round wooden table and barrel. Three men sit at the table, two leaning forward and one reclining, each with expressive faces; one man holds a small glass while another holds a rectangular object. A fourth man stands behind them smoking a pipe, and a fifth man stands with his back turned near an arched doorway. A small birdcage hangs from the ceiling above, and a paneled window with diamond-shaped panes is visible on the back wall. The room has wooden wall panels and a chair is partly visible at the edge of the scene.
DC
alb31058248 Battle of Gravelines, 1558, Die Schlacht vor Grevelingen, Series 2: Events in the Netherlands, 1555-1558, print, historical print, Series number, 15, 469, Battle on the beach at Gravelines on July 13, in which the French are defeated by the Spanish army under the command of Lamoraal, Count of Egmond. With caption of 22 lines in German., printmaker: Frans Hogenberg, Cologne, 1566 - 1572, North Rhine-Westphalia, paper, etching, height 220 mm x width 277 mm, Person, Lamoraal Count of Egmond, battle, fighting in general, Gravelines, Period, 1558-07-13., A wide monochrome engraving showing a coastal battlefield with formations of soldiers arranged in dense rectangular and curved ranks, many holding long spears or pikes and banners, and groups of mounted riders among them; cannons and limbers appear with crew nearby, some fallen figures scattered across the ground, and small boats and ships visible on the water beyond the shore; the foreground includes winding paths and dikes, a small church and a windmill on the left, fortified walls and a town corner at the lower left, and clusters of troops and horsemen advancing toward the shoreline.
DC
alb31055986 Capture of Oudenaarde, 1582, Prise de la ville d'Oudenarde le 5 Juillet l'an 1582, print, historical print, Siege and capture of Oudenaarde, July 5, 1582. In the foreground, the Duke of Parma is seated at a table eating, miraculously unharmed after a cannon shot kills his table companions., printmaker: Lamberecht Causé, Low Countries, after print by Romeyn de Hooghe, 1670 - 1699, Romeyn de Hooghe, after print by, paper, engraving, height 126 mm x width 169 mm, Person, Alessandro Farnese (governor of the Netherlands and Duke of Parma and Piacenza), capture of city (after the siege), Oudenaarde, Period, 1582-07-05., A wide, detailed black and white engraving shows a riverside battle and camp scene with soldiers, horses, and artillery. In the foreground groups of armed men in period armor and helmets sit and stand around tables and barrels while others tend to horses or carry water from a large basin. Nearby a fallen figure lies on the ground and several men gesture or point. Woven wicker defensive barriers and tents occupy a hill overlooking the river. Cavalry riders move toward a bridge where troops and cannons are aligned, and dense plumes of smoke rise from firing positions and from bombardments around fortified towers and gates of a walled town visible across the water. Along the riverbanks infantry form ranks and engage near makeshift earthworks while small boats and bridges span the flowing water. In the distance more soldiers and siege works spread across rolling terrain, with a cluster of buildings and churchlike spires dominating the town skyline. The composition is filled with fine etched lines and crosshatching that define figures, architecture, vegetation, and billowing clouds of smoke.
DC
alb31059226 Event on July 11, 1647 during the Neapolitan Uprising, print, book illustration, A crowd listens to men standing on a platform on the fifth day of the Neapolitan Uprising in 1647., 1652 - 1664, printmaker, paper, etching, engraving, letterpress printing, etching and engraving, text in letterpress on recto and verso, height 66 mm x width 64 mm, height 122 mm x width 71 mm., A black and white engraving shows a scene inside a large architectural space with tall columns and decorative panels, where several robed figures gather. In the foreground a standing figure wearing a long robe and a hat faces a small group of people who have their hands raised or clasped; another robed person kneels nearby. To the right a seated figure reclining on drapery appears partially covered while another figure sits beside them wearing a wide-brimmed hat. Background details include patterned wall hangings, balustrades, and a balcony with a small figure visible above. The image has a textured, stippled shading style and appears printed on aged paper.
DC
alb31054111 Belgium in 1831 under the protection of France, Belgium under French protection, 1831, cartoon, print, Caricature of the political situation of Belgium under French protection in 1831. A Jesuit riding on the Belgian lion leads, chained by the nose, the representatives of the various Belgian estates behind him: magistracy, peasants, militia, military, and the nobility. The Jesuit carries a staff with a muzzle. In the air hovers an angel 'France de Juillet 1830' with outstretched wings. In the caption the legend: 1. Magistrat, 2. Paysan, 3. Garde Civique, 4. Militaire 5. un Noble, printmaker, Belgium, paper, lithography, height 268 mm x width 347 mm, marking cattle, Belgian Revolution, France, Period, 1830 - 1831., A black and white lithographic scene shows a line of four men in varied historical clothing standing close together and facing a robed figure who extends a hand toward them while holding reins; behind that robed figure a woman wearing a dark dress and a hat sits astride a large lion, guiding it forward with reins attached to the men, and the lion has a heavy mane and a forward stride; above, a large winged female figure emerges from clouds with outstretched arms, and a small oval object rests near her chest; the ground beneath the group is shaded and a strip of handwritten script appears along the bottom edge.
DC
alb31052790 Clump of trees with a vista, Farmhouse among Trees, print, printmaker: Rembrandt van Rijn, 1652, paper, drypoint, intaglio printmaking technique, drypoint with plate tone, height 148 mm x width 212 mm., A lightly sketched landscape with a cluster of softly shaded trees and foliage near the center and left, rendered in delicate pencil or ink strokes that vary from faint hatching to darker, denser shading; beneath and partially within the foliage is a small, simple structure with vertical slats and beams suggested by short, straight lines, and nearby faint indications of a fence and low ground texture; the left edge shows larger, more gestural leaf and branch shapes, while the remainder of the image is mostly open, pale paper with subtle vertical grain and occasional small specks and smudges.
DC
alb31052903 Romans - Emperor Augustus, The four kingdoms, print, Emperor Augustus stands with crown and command staff next to a monster defeated by an angel. Top right the four wind directions blow., printmaker: Jeremias Falck, Paris, after design by Claude Vignon, France, 1645, paper, engraving, height 317 mm x width 220 mm, portrait of Augustus (+ mythological or allegorical portrait, allegorical representation of event from the life of historical person)., A monochrome engraved scene shows a crowned figure wearing a short tunic and cloak, one hand holding a cylindrical rod and the other resting near the chest; the cloak has a decorative animal-faced shoulder piece and draped folds. The figure stands with visible muscular legs clad in sandals and patterned greaves, while nearby a reclining cherubic figure leans forward with flowing hair and drapery. In the upper right, two small winged faces emerge from swirling clouds and appear to blow toward the crowned figure. At the lower left, a snarling beast's head lies on the ground with open mouth and prominent teeth, partly surrounded by a few disembodied hands and limbs. The background is filled with textured clouds and crosshatched shading.
DC
alb31058341 Pont du Gard, View of Pont du Gard, print, View of the Roman aqueduct Pont du Gard., printmaker: Hendrik Schwegman, Haarlem, 1771 - 1816, paper, etching, roulette, etching and roulette in brown, height 115 mm x width 194 mm, landscape with bridge, viaduct or aqueduct, aqueduct (, water supply)., A sepia-toned illustration of a multi-tiered stone bridge spanning a river, with a series of large rounded arches on the lower level and smaller rounded arches on the upper level, detailed masonry lines and texture throughout the structure, low rolling hills and rocky banks flanking the bridge, small groups of people depicted on and near the bridge and along the riverbank, rowboats on the water with figures standing and sitting, scattered vegetation and shrubs on the riverbanks, and an expanse of pale sky above.
DC
alb31056184 Portrait of the minister Johannes Hermanus Manné, print, Portrait of the Lutheran minister Johannes Hermanus Manné in a stone niche with an open book in his hand. Below the portrait, a Dutch verse on the sitter by Govert van Maser., printmaker:, Amsterdam, after drawing by Jan Wandelaar, writer (clerical worker): Govert van Maser, in or after 1719, printmaker, writer (clerical worker), paper, etching, height 170 mm x width 120 mm, Person, Johannes Hermannus Manné., A finely detailed black and white engraved portrait of a man shown from the chest up wearing a curled wig and clerical collar, seated behind a ledge. The man has a composed facial expression with eyes looking slightly to his left, and he wears layered robes with textured folds and a buttoned vest beneath. One hand rests palm up on the ledge while the other holds open a large book with visible pages. The background features a crosshatched arch above the figure and dense line shading behind him. Decorative script appears beneath the ledge and small printed inscriptions are visible near the top edge of the image.
DC
alb31052350 Plan of the city of Thionville to the Duchy of Luxembourg. Siege by the army of His Most Christian Majesty Louis XIIII, King of France and Navarre. Commanded by Monseigneur the Duke of Anguien, Peer of France, General of His Majesty's Army in Picardy, Text sheet accompanying the map of the siege of Thionville, 1643, print, map, text sheet, Text sheet accompanying the map of the siege of Thionville by the French army under the command of Louis II of Bourbon-Condé, the Duke of Enghien, June 18 - August 10, 1643. Text sheet with a list of the French regiments (nos. 48-75) in French. With ornamental border. Part (bottom right) of an unmounted ensemble consisting of the map of the siege and four text sheets., printmaker: François Collignon, France, publisher: Nicolas Berey (I), Paris, grantor of privilege: Louis XIV (King of France), 1644, François Collignon, Nicolas Berey (I), Louis XIV (King of France), printmaker, publisher, grantor of privilege, paper, letterpress printing, text in letterpress, height 337 mm x width 183 mm, Person, Louis II de Bourbon-Condé (Duke of Enghien), Siege and capture of Thionville, Thionville, Period, 1643-06-18 - 1643-08-10., The image shows a vertical printed page with several sections of centered, ornate headings and lines of smaller printed text beneath them, arranged in columns down the page; the typography varies in size and style, with some lines in a bold, decorative serif and others in a simpler serif. Along the right edge there is a repeating floral border motif running the full height of the page, and a matching decorative border runs along the bottom. Near the lower third there is a horizontal rule above a block of larger centered text that appears as a place line, and beneath that block are additional small lines of centered text in lighter type. The paper has a slightly aged, off-white tone with small flecks and minor discoloration visible.
DC
alb31050199 Portrait of Francesco Cornaro, print, printmaker: John Smith (printmaker, publisher), London, after painting by Charles d' Agar, publisher: John Smith (printmaker, 1706, John Smith (printmaker, Charles d' Agar, publisher, paper, mezzotint, height 348 mm x width 252 mm, Person, Francesco Cornaro, historical persons, other sovereign: doge., A monochrome oval portrait of a person with long, voluminous curly hair cascading around the face and shoulders, wearing a lace cravat and richly patterned garment with ornate fabric folds, set against a dark background within a lighter rectangular border.
DC
alb31051267 Statue antique de marbre d'un jeune homme, Juvenis statua marmorea antiqua, Antique statue of a young man, Antique statues from the Tuileries and the Louvre, print, printmaker: Etienne Baudet, France, 1680, Etienne Baudet, printmaker, paper, engraving, height 393 mm, width 284 mm, youth, adolescent, monument, statue, Paris, Tuileries Palace., A detailed monochrome engraving of a classical male nude statue standing on a round plinth, shown from head to feet with one arm raised and the other bent holding a small cylindrical object, the figure rendered with fine parallel hatching lines that define musculature and contours, short wavy hair, a contrapposto stance with one leg bearing weight and the other relaxed, a draped cloth hanging beside the supporting leg, and a plain light background.
DC
alb31055019 The Amsterdam Fair Joy, print, popular print, Sheet with 24 scenes at the Amsterdam fair. Below each image a two-line verse. Numbered top right: No. 23., vendor: Rynders, Erve de Wed. H., Amsterdam, publisher: Jacobus Wendel, Netherlands, 1795 - 1831, printmaker, paper, woodcut, letterpress printing, woodcut and text in letterpress, height 392 mm x width 326 mm, pleasure fair and circus, street-trader, ballad singer, ballad seller., A sheet filled with a grid of small rectangular woodcut illustrations, each showing scenes of people in period clothing engaged in everyday activities such as walking, talking, carrying objects, pushing carts, and interacting with animals; the images are arranged in neat rows and columns with narrow borders between them, and each rectangle contains figures, simple architectural elements like houses and doorways, basic outdoor features like trees and fences, and occasional props such as barrels, carts, hoops, and tools; the overall print is monochrome with strong black lines on aged paper, and a decorative title appears across the top with a small block of printed text centered along the bottom edge.
DC
alb31050434 Allegorical tomb monument for Queen Wilhelmina of Prussia, 1837, print, Allegorical tomb monument in memory of Queen Wilhelmina of Prussia, died on 12 and buried on 26 October 1837. Oval medallion with portrait resting on a pedestal with eight-line verse and crowned by the Religion with a laurel wreath. On the left the Dutch Virgin mourns, an angel in the sky., 'deposited', printmaker, publisher, Amsterdam, Netherlands, paper, lithography, height 555 mm x width 440 mm, Mauritio e Lazaro', 'Religione vera christiana' (Ripa), Period, 1837-10-12 - 1837-10-26., An engraved scene showing a central oval portrait of a woman with an ornate hairstyle and a lacy collar, set within a larger decorative composition; an angelic figure with wings leans from the upper left holding an urn above the oval while a seated robed woman on the upper right rests an arm on the oval and holds a book; below and to the left a draped female figure sits with a shield beside a reclining lion at the base, and to the right a small putto-like child stands near a brazier with smoke rising; the background includes cloud-like shading and foliage, and the whole image is framed by a narrow dark border.
DC
alb31059029 Boy shows his friend a found object, De Klaauw, print, number: '27', printmaker: Jan Luyken, Amsterdam, 1712, paper, etching, proof print, height 98 mm x width 85 mm, children's games and plays., A detailed black and white engraving shows a street scene with a group of people in coarse clothing; in the foreground a seated figure wearing a hat leans over a large bundle while another standing figure with a satchel and patched trousers gestures toward them; behind them a tall building with a steep roof and leafy trees rise against a sky filled with horizontal line shading and billowing clouds; in the middle ground a bridge spans a river and a few small figures cross it or stand nearby, with distant ornate buildings and towers visible beyond; the composition uses dense crosshatching and fine lines to render textures of clothing, stone, foliage, and water.
DC
alb31054669 Princess of Orange imprisoned at Gowerwells sluis, 1787, The Prison of his Royal Highness the Princess of Orange at Gowerwells sluis, print, Princess Wilhelmina of Prussia and her ladies-in-waiting held in the very smoky house at Gowerwells sluis and guarded by pipe-smoking and drinking soldiers, June 28, 1787. On the right, a lady-in-waiting between two Free Corps members. In the foreground a basket with bottles, three Gouda pipes and two packs of tobacco marked as 'Patriote tabacco' and 'Staaten tabacco in Holland' and marked with images of a pig and a donkey., printmaker, England, paper, etching, engraving, stippling, etching and engraving with stippling, height 417 mm x width 482 mm, ), arrest (of criminal), Arrest of Princess Wilhelmina at Goejanverwellesluis, Goejanverwellesluis, Period, 1787-06-28., A detailed monochrome engraving shows a group of people dressed in historical attire gathered indoors, with a window and a draped curtain visible at one side. Several seated women wear wide dresses with ruffled collars and ornate hats decorated with feathers, one of whom holds a cloth to her face. A seated man in a wig and embellished coat holds a glass and a long pipe, while another standing man with a tricorne-style hat holds a long pipe toward a woman whose back is turned and who wears a layered skirt and ruffled collar. Smoke swirls through the air above the group. A woven basket containing bottles sits on the floor near a chair, and a pair of long-handled utensils lie nearby. The room shows rendered textures of fabric, wood, and upholstery throughout.
DC
alb31054291 Knights in combat, print, book illustration, Three figures try to keep two fighting knights on horseback apart. In the foreground, a knight who has dismounted from his horse embraces a woman. Print marked upper right: Tom. ii pag. 134., printmaker: Jacob Folkema, 1702 - 1767, paper, etching, height 154 mm x width 90 mm, fighting., A detailed black and white engraving shows a wooded landscape with large trees on the left and distant mountains under a cloudy sky on the right; in the foreground a chaotic scene features armored horsemen and foot soldiers in motion, some on rearing horses and others grappling on the ground, with helmets, shields, and swords prominently visible; one couple stands close together near a saddled horse, the woman embracing the armored man, while discarded weapons and a helmet lie on the ground nearby; in the middle distance ranks of pike-bearing troops form a line across the plain behind the immediate skirmish.
DC
alb31057757 Keyserwert Ville de l'Archevéché de Cologne Assiegée le 16. Avril 1702, Map of the siege of Keizersweerd, 1702, print, Map of the siege of Keizersweerd on April 16, 1702 by the allies. French troops shell the besiegers from across the Rhine., printmaker, publisher, grantor of privilege, Paris, France, paper, etching, height 287 mm x width 395 mm, siege, position war, maps of cities, Capture of Kaiserswerth (1702), North Rhine-Westphalia, Keizersweerd, Period, 1702-04-16., An engraved bird's-eye view shows a fortified town with star-shaped walls and angular bastions next to a wide river that curves across the scene, with ships and small boats suggested on the water. Surrounding the fortifications are earthworks, trenches, and raised embankments, with groups of tents and clustered trees on the higher ground. Small figures of soldiers appear in formations on the plains and near the ramparts, some depicted on horseback and others marching or standing in lines. Cannons and defensive works are shown along the riverbanks and atop bastions, while smoke and cloudlike etchings rise above areas of clustered troop formations. A block of dense engraved text occupies a rectangular panel in the upper left corner, and winding roads and paths connect the fort to outlying positions and camps. The landscape is rendered with hatched shading and parallel lines to indicate fields, water, and terrain variations, and the overall composition is framed by a thin border.
DC
alb31050628 Persecution of Protestants in Krakow with two Jesuits in the foreground, 1606, Persecution of the Reformed in the Netherlands, 1574, Street fighting in Geneva in defense against an attack by Charles Emmanuel, Duke of Savoy, 1602, Capture of Den Briel, 1572, print, Uncut sheet with four prints., printmaker: Jan Luyken, Amsterdam, 1698, paper, etching, etching on uncut sheet, height 223 mm x width 307 mm, Person, Viglius van Lumey van der Marck, street-fights, riots, capture of city (after the siege), persecution of heretics, persecution of believers, massacre, war, violent death, being killed, being mishandled and maltreated, seeking death - EE - death not certain, wounded person, Eighty Years' War, Capture of Den Briel (1572), political history, religious history, Protestantism, reform, persecution, Low Countries, Geneva, Brielle, Krakow, Malopolskie voivodship, Period, 1568 - 1648., A detailed engraved print divided into four rectangular scenes showing groups of figures in historical dress engaged in combat and activity; in the upper left two figures in long cloaks and wide-brimmed hats stand with their backs to the viewer pointing toward a burning ruined building while crowds and fallen people fill the foreground and debris lies scattered; the upper right scene shows armed soldiers and kneeling captives near explosions or bursts of smoke with seated men and a fallen hat at the edge; the lower left panel depicts chaotic fighting in a ruined urban street with bursts of smoke, figures wielding weapons, and bodies on the ground while two men in the foreground gesture toward the scene; the lower right panel shows a man in a feathered hat and cape aiming a long firearm from an elevated position overlooking ships in a harbor and troops and groups of people on the shore beneath trees and architectural elements.
DC
alb31057943 Circumcision of Christ, print, The Christ Child lies on Mary's lap. A priest sits on a stool in front of her and picks up a knife from a platter held out to him by an angel. A second angel beside him looks on. Spectators stand on both sides. To the right lie the ox and donkey. In the air, an angel with a jug. Putti hold the instruments of the Passion., printmaker: Cornelis Schut (I), after painting by Cornelis Schut (I), 1618 - 1655, Cornelis Schut (I), printmaker, after painting by, paper, etching, height 33 mm, width 503 mm, circumcision of the Christ-child by the priest in the temple (Luke 2:21)., A detailed black and white etching shows a central seated woman holding a reclining infant while numerous figures surround them; to her front and sides are several winged cherubs and angels in various poses, some leaning close to the child and others floating among billowing clouds above. To the right, a group of standing and kneeling adults in draped garments look toward the child, one holding a large ornate vessel and another extending a hand as if offering something. To the left, robed male figures stand on stepped stone architecture, one grasping a tall staff and others turned toward the center scene. Above, clouds and clustered putti fill the sky, with a larger winged figure hovering to the upper right. Architectural elements including columns and a staircase frame the composition at the edges, and detailed linework creates textured folds in robes, feathers on wings, and crosshatching in the background.
DC
alb31057287 Fairground print of the Amsterdam ash cart men for the year 1850, September 1850, The Ash Cart Man to the Residents of Amsterdam, print, fairground print, Fairground print on behalf of the ash cart men (cart man or garbage collector) in Amsterdam, September 1850. View of the fair on the Botermarkt with the Regulierswaag. Two garbage carts on the market. At the bottom, a poem in two columns. On behalf of A. van der Beek, the garbage collector of district no. 30., printmaker: Dirk Wijbrand Tollenaar, Amsterdam, 1850, paper, letterpress printing, wood engraving, text in letterpress with image in wood engraving, height 330 mm x width 224 mm, pleasure fair and circus, garbage collection, public road - II - ideal city, Botermarkt (Amsterdam), Weigh House on the Botermarkt, Period., A detailed monochrome engraving shows a busy street scene with a group of people gathered around a horse-drawn cart in the foreground, several figures walking and interacting, and a couple of dogs near the street edge. On the left a tall building with large windows and shutters frames the scene, while on the right a large classical-style building with a pediment and arched entrance is visible. In the midground a raised wooden platform or balcony holds a crowd and several tall flags or banners. The sky above is filled with textured cloud patterns and streaks of light. The overall image has fine line shading and crosshatching throughout.
DC
alb31051102 Christ and the Canaanite woman, print, A Canaanite woman throws herself before Christ and begs him to heal her daughter, who is tormented by a demon., printmaker: Carlo Cesio, Rome, after design by Annibale Carracci, Italy, dedicated to: Gasparo Moroni, 1636 - 1686, paper, etching, height 339 mm x width 251 mm, a Canaanite woman kneels before Christ, asking him to heal her daughter, the metaphor of the dogs and bread (Matthew 15:21-28, Mark 7:24-30)., A monochrome engraving shows a scene with three human figures and a small dog in the foreground. A seated woman wearing draped garments leans back with one hand at her chest and the other resting near her knee, her head tilted and eyes closed. A standing man in flowing robes reaches toward her with one hand while the other grasps his cloak; his face is turned toward the woman and he has long hair and a beard. Behind him another older bearded man peers over his shoulder, partially obscured by cloak folds. A small dog sniffs at the ground near the woman's feet. The figures stand on a tiled surface with a rocky, natural area rising behind them. In the middle ground a river or stream runs beneath an arched bridge and small human figures appear on the riverbank and bridge. The background features trees framing a fortified building with towers and a round towered structure. Fine crosshatching and line work create shading and texture across garments, foliage, architecture, and the ground.
DC
alb31027146 Saint Symmachus as a hermit, Hermits, Oraculum Anachoreticum, print, Series number, 7, 25, A rocky landscape. In the foreground St. Symmachus, a hermit from the fifth century AD and later pope. He is sitting together with another monk on a bench in front of his cell. In the background several caves with hermits., printmaker: Johann Sadeler (I), Venice, after drawing by Maerten de Vos, publisher: Raphaël Sadeler (I), grantor of privilege: Rudolf II of Habsburg (German Emperor), granter of privilege: Clement VIII, 1600, paper, engraving, height 168 mm x width 208 mm, monk(s), friar(s), rock-formations, cave, grotto, anchorite, hermit, male saints (with NAME)., Two robed figures sit on a bench under a rough stone shelter carved into rock, one holding a staff and wearing a hood while the other gestures with a hand toward the first; behind them is a covered wooden structure with shelves and barrels and a person working at a hearth with hanging vessels; the rocky interior opens to an exterior landscape showing a domed building set into a distant rock face, winding paths, trees and hills, small structures, and distant mountains under a lined sky, all rendered in fine etched lines and crosshatching.
DC
alb31029850 Organ player and woman with tambourine, print, Print numbered bottom center: 22., printmaker: Mathias de Sallieth, after drawing by Jacob Perkois, after drawing by Johannes Huibert Prins, 1772 - 1791, 1818 - 1833, paper, crayon manner, stippelets, etching in crayon manner, height 218 mm x width 148 mm, tambourine, popular music, street music, barrel-organ player., A monochrome engraving showing a seated man wearing a wide-brimmed hat and period clothing holding a box-shaped musical instrument against his chest while a standing woman beside him lifts a circular frame above his head; the man has long hair, a cloak draped over his shoulders, fitted breeches and shoes with buckles, and his hand rests on the instrument; the woman wears a bonnet and a flowing dress with gathered sleeves and looks upward as she supports the circular frame with both hands; the scene is rendered in fine dotted shading on a plain background.
DC
alb31029851 Hura. Hort. Cliff. 486. sp. 1, Hura crepitans, print, book illustration, Marked upper right: TAB: XXXIV., printmaker: Jan Wandelaar, Warmond, 1738, paper, etching, letterpress printing, etching and book printing, height 281 mm x width 221 mm, flowers, plants and herbs., A detailed monochrome botanical engraving shows a potted plant with a straight stem rising from a round pot and a branching stalk bearing many ovate, serrated leaves with pronounced parallel ridges; a larger faint outline of an oversized leaf fills the background behind the central plant. The central cluster presents a group of overlapping leaves in varying orientations, some curled or folded, attached to thin petioles and a few small branch segments with visible nodes. Near the lower right, a few small separate botanical structures are depicted, each with distinct rounded or elongated shapes and textured surfaces. The composition is framed by a simple rectangular border.
DC
alb31027110 Saint Alpherius as a hermit, Trophaeum vitae solitariae, The virtuous life of hermits, print, Series number, 11, 25, St. Alpherius, a Spanish hermit from the eleventh century AD, stands with abbot's staff and monk's habit in front of the Benedictine abbey of La Cave, which was founded by him. In the background mountains., printmaker: Johann Sadeler (I), Venice, after drawing by Maerten de Vos, publisher: Raphaël Sadeler (I), grantor of privilege: Rudolf II of Habsburg (German Emperor), grantor of privilege: Clement VIII, 1598, provider of privilege, paper, engraving, width 205 mm x height 166 mm, abbey, monastery, convent, Roman Catholic church, mountains, anchorite, hermit, male saints (with NAME), Salerno., A detailed monochrome engraving shows a rocky landscape with cliffs and trees framing a small round building with circular windows and an arched doorway where a kneeling figure faces a standing statue inside; in front of the building a robed man holding a staff and prayer beads looks upward while another man works near a stack of firewood and a simple wooden structure; a donkey with packs stands to the left beside a docked wooden platform and a figure bent over near the water; distant hills, a bridgelike structure, and a small settlement by a body of water appear on the horizon, and various tools, bundles, and natural textures of rock, foliage, and flowing lines fill the foreground.
DC
alb31027181 Here you have beautiful flowers, Who would not praise nature?, print, popular print, A vase with a bunch consisting of various flowers, including a rose, a tulip, and a violet. A bird on either side of the vase. Numbered top right: No. 17., publisher: Theodorus Johannes Wijnhoven-Hendriksen, Rotterdam, 1832 - 1850, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow and red, text in letterpress, height 411 mm x width 331 mm, birds, flowers in a vase., A detailed ink drawing of a large ornate vase overflowing with a lush arrangement of various flowers and leaves, with visible shading and delicate linework and touches of muted color on some petals; the vase sits on a rectangular base and features decorative faces and sculpted motifs; a small bird stands on the base to the right of the vase while another bird to the left pecks at a sprig; the composition fills most of the page against a textured light background.
DC
alb31027189 Pan pursues the nymph Syrinx, Landscapes with mythological scenes, print, Landscape with a river. In the foreground, Pan pursues the nymph Syrinx. She flees into the thicket and transforms into a reed. The second print of a six-part series of landscapes with mythological scenes., printmaker: Johann Sadeler (I), unknown, after drawing by Gillis Mostaert (I) (possibly), Antwerp, 1560 - 1600, paper, engraving, gravure, height 138 mm x width 197 mm, river, Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705)., A monochrome landscape engraving showing a winding dirt road flanked by grassy hills and clusters of tall trees, with a small village of steeply gabled houses and a church set among trees in the middle distance; a river or wide stream runs across the scene with reeds along its banks, a watermill building with a visible wheel near the far bank, and a distant shoreline with low buildings; two human figures appear in the foreground among the reeds, one in a running posture reaching toward the other who stands partly obscured by vegetation; the sky is filled with fine horizontal hatch marks and a faint windmill sits atop a hill in the background.
DC
alb31027190 View of the Westerkerk, Seen from the Inside, in Amsterdam, Vue interieure de l'Eglise Occidentale, a Amsterdam, Interior of the Westerkerk in Amsterdam, Atlas of Fouquet, print, Series number, 50, Numbered top right: 50., printmaker: Cornelis Bogerts, Amsterdam, after drawing by Hermanus Petrus Schouten, publisher: Pierre Fouquet, c. 1770 - 1783, Cornelis Bogerts, Hermanus Petrus Schouten, Pierre Fouquet, printmaker, after drawing by, publisher, paper, etching, engraving, height 292 mm x width 391 mm, interior of church, church organ, grave digger, Westerkerk (Amsterdam)., A large vaulted interior with rows of tall columns and rounded arches extending along both sides, high arched windows with multiple panes set between the columns, and an ornate organ-like structure at the far end beneath a large arched ceiling. The floor is tiled with a central aisle where several figures stand and converse near a small cart, one person sits in a recessed area working with a pile of material, and a small dog is nearby. Wooden galleries and raised platforms project from the columns, and decorative moldings and paneling line the lower walls. Lamps and simple furnishings are visible, and the entire scene is rendered in fine linear shading with architectural detail.
DC
alb31027123 Shepherdess, print, Shepherdess with a shepherdess's staff, half-length facing left., printmaker: Jan van den Hoecke, unknown, 1621 - 1651, Jan van den Hoecke, printmaker, paper, etching, height 91 mm x width 60 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, shepherd's crook., A detailed ink drawing of a person shown from the waist up wearing a wide-brimmed hat decorated with foliage and curls of hair escaping beneath it, a curly beard and mustache, and hand holding a long staff. The figure wears voluminous, layered clothing with visible folds and textured shading, one hand grasping a coiled cord near the chest and the other gripping the staff, while the face looks slightly to the side with a neutral expression; the image is monochrome with fine hatch and stipple marks on a textured, aged paper background.
DC
alb31027133 Tom Thumb, print, popular print, Sheet with 9 illustrations from the fairy tale of Tom Thumb. A caption under each image. Numbered top right: No 364., publisher: Gordinne, Liège, 1894 - 1959, printmaker, paper, color lithography, letterpress printing, color lithography in yellow, green, orange, blue and red, text in letterpress, height 400 mm x width 268 mm, tales and fairy tales: Little Thumbling., A tall page composed of multiple illustrated panels arranged in a grid, each panel showing cartooned figures in period clothing with soft pastel colors and thin black outlines; the top row contains three scenes including a room with a fireplace and two standing men, a balcony scene with a woman in a long dress and a man holding a forked staff, and a room with a woman carrying a bundle and a man standing nearby; the middle rows show outdoor woodland scenes with children and young people walking, kneeling, and interacting with a woman who glows with light, plus a boy perched on a tree branch; lower panels depict a group of similarly dressed youths lined up facing a bearded man holding a staff and a table scene with a stern man at a feast grasping utensils while a goblet sits nearby; the bottom large panel shows a procession-like scene with two women carrying a decorated frame while a line of men in varied uniforms and top hats approach, scattered shoes and boots on the ground, and small decorative borders separating panels, all printed on an aged off-white background.
DC
alb31027168 Portrait of Pieter Florisse, print, Knee-length portrait to the right of Pieter Florisz. holding a commander's staff. To the right, a column bearing his coat of arms at the top; in the background, a naval battle. Below the portrait, his name and title in two lines in Dutch. Below that, in two columns of three lines each, a poem in Dutch., printmaker: Pieter Holsteyn (II), Northern Netherlands, after painting by Abraham Liedts, writer (clerical worker): Jan Vos, in or after 1658 - 1673, 1700 - 1799, Pieter Holsteyn (II), Abraham Liedts, Jan Vos, printmaker, after painting by, writer (clerical worker), paper, engraving, etching, engraving en etching, height 380 mm x width 277 mm, Person, Pieter Florisse., A monochrome engraved portrait of a man shown from the thighs up, wearing a dark buttoned coat with decorative chains and a medallion around his neck, a wide lace collar, and a sash; he has shoulder-length wavy hair, a mustache, and a small goatee, and his left hand rests on his hip while his right hand holds a rolled object; a sword hilt is visible at his side. In the background to the left a group of sailing ships is depicted on water with smoke or clouds above them, and to the right a tall vertical column with a ribbon-tied emblem near the top is present. The image shows detailed linework and crosshatching throughout to indicate shading and texture.
DC
alb31027155 Five portraits in a medallion: Prof. Wessel Albertus van Hengel, Prof. Herman Johan Royaards, Prof. Abraham (I) des Amorie van der Hoeven, Prof. Gerrit Jacob Hesselink and Rev. Johan Wilhelm Statius Muller, print, book illustration, printmaker: Dirk Jurriaan Sluyter, Amsterdam, after drawing by Valentijn Bing, 1864 - 1869, paper, etching, steel engraving, etching and steel engraving, height 268 mm x width 195 mm, Person, Johan Wilhelm Statius Muller, Herman Johan Royaards, Wessel Albertus van Hengel, Abraham des Amorie van der Hoeven (I), Gerrit Jacob Hesselink., A vertical engraving shows a decorative arrangement of ornate oval frames stacked in a column, each frame containing a portrait of an older man in period clothing. The frames feature elaborate scrollwork and floral embellishments and are connected by carved architectural elements that include column-like supports and leafy decorations. The portraits depict men wearing dark coats and white neckcloths or cravats, with varied hairstyles and expressions; one man wears round spectacles. Surrounding the central and upper frames are clusters of flowers and foliage, and the whole composition is rendered in fine black-and-white linework and shading on a light textured background.
DC
alb31027198 Reproduction of a print of two houses by Hendrik de Keyser, Portes, XVIIe Siècle, reproduction, page, photomechanical print, inscription: 'PORTES du recueil, ', inscription: 'LITT. P. - PL. 19.', monogram: 'JJvY', cliché maker: Joseph Maes (possibly), Antwerp, after print by Hendrick de Keyser (I), after design by Christoffel Plantijn, Amsterdam, c. 1876 - in or before 1881, Hendrick de Keyser (I), photographer, after print by, paper, photolithography, height 342 mm x width 236 mm, civic architecture, edifices, dwellings, by., A detailed ink drawing of two architectural archways side by side, each topped by an ornate entablature and pediment with decorative moldings and finials, the left design showing a triangular pediment with scroll motifs and rectangular window openings beneath, while the right design features a curved pediment with an oval medallion and ornamental finials, both arches framed by pilasters with layered moldings, keystones and rusticated blocks around the arch crowns, and delicate hatching and stippling shading on aged, slightly spotted paper.
DC
alb31027158 From children's life, New children's prints, print, popular print, Series number, 34, 48, Sheet with 10 illustrations of children's games and activities, including catching butterflies, playing with a doll, flying kites, and playing marbles. A caption under each image. Numbered top right: No. 34., publisher: HM van Dorp, Haarlem, printer (person): L. van Leer & Co., 1872 - 1883, HM van Dorp, L. van Leer & Co., publisher, printer (person), printmaker, paper, color lithography, letterpress printing, color lithography in yellow, green, orange, red, and blue, text in letterpress, height 417 mm x width 337 mm, ), children's games and plays, (playing with) dolls., A printed sheet shows a grid of small colored illustrations depicting children and adults in various outdoor and indoor scenes; one scene shows a man in a coat and hat walking with a boy carrying a net beneath a tree, another shows a boy and girl with a small goat and a dog on a path, and a group of children flying kites on a grassy hillside while a larger boy holds a string and an object over his shoulder. Other vignettes include two girls playing with dolls by a chest inside a room, children building and decorating a large snow figure with sticks and a broom while others roll a snowball, a trio of children standing together with one holding a skipping rope, a woman with an umbrella walking among several children in a street scene, and two small children playing with a toy cart and a toy horse; the illustrations are arranged in columns with pale background and decorative borders.
DC
alb31027171 Still life with vanitas symbols, print, printmaker: Jean Aubert, France, after drawing by Edme Bouchardon, publisher: Gabriel Huquier, Paris, grantor of privilege: French crown, 1708 - 1741, paper, etching, engraving, etching and engraving, height 266 mm x width 335 mm, 'Vanitas' symbols, (human) skull., A detailed monochrome still life shows a human skull centered on a draped cloth atop a flat surface, with its eye sockets and teeth clearly rendered; to the left of the skull a group of stacked open books with curled pages rests partially on the cloth; to the right an hourglass with visible sand sits beside a small bell and a pair of slender rods, all cast with fine crosshatching and surrounded by a dark textured background.
DC
alb31027131 Image of a mirror, with a picture frame reflected in it, photograph, Image of a richly decorated lacquered table mirror (18th century French), beautifully inlaid with possibly ivory border decorations. A picture frame is visible in the mirror. Originating from a furniture factory in rue Faubourg St. Antoine, the 19th-century artists' quarter in Paris., France, c. 1900, photographer, paper, albumen print, height 201 mm x width 162 mm x height 212 mm x width 172 mm., A framed mirror with an ornate dark wooden frame stands on two turned supports connected by a horizontal stretcher, the frame and supports decorated with light inlaid figures and motifs including human silhouettes, animals, floral shapes, and geometric patterns; the top of the frame has a scalloped crest with inlaid scenes and a central palm-like design, the mirror surface reflects a blurred interior edge, and the lower apron of the frame shows inlaid horse and chariot imagery, with the supports featuring repeated inlaid cartouches and small decorative motifs.
DC
alb31027126 See how this little dog waits sitting, And watches at the beckon of its master, print, popular print, Sitting dog with spots and collar. Below the image an eight-line verse in Dutch and in French. Numbered top right: N. 155., publisher: Philippus Jacobus Brepols, Turnhout, 1800 - 1833, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in gold, brown and yellow, text in letterpress, height 416 mm x width 340 mm, dog., A seated dog with a spotted coat facing left fills most of the image, showing a patterned fur of dark oval spots on a lighter background and fine line shading; the dog wears a collar rendered in a contrasting color and sits on a rectangular platform with a textured edge; the background is a flat, muted teal color within a bordered frame, and the paper shows visible creases, wear marks, and slight discoloration.
DC
alb31027105 Map of the Bay of Toulon with a plan of Toulon, during the siege of 1707, Plan de la ville et de la rade de Toulon assiegée par l'armeé des Allies, Toulon, ville forte, fameux port de la Mer Mediterranée, area plan, print, map, Map of the Bay of Toulon. Top left an inset with a plan of Toulon. The map shows the positions of the troops during the Siege of Toulon in 1707., publisher: Pieter Husson, The Hague, 1707 - 1732, Pieter Husson, printmaker, publisher, paper, etching, engraving, hand coloring, etching and engraving, hand-colored, height 390 mm x width 494 mm, maps of separate countries or regions, siege, maps of cities, Relief of Toulon (1707), Provence-Alpes-Côte d'Azur, Period, 1707., A colored antique map showing a fortified coastal town with star-shaped ramparts and a surrounding harbor, inset with a detailed plan of the walled town shaded in pink and yellow, green fortifications, and labeled docks; the main map depicts a large bay of pale green water bordered by sandy, shaded shorelines and rocky headlands, small fortified towers and citadels on promontories, clusters of mountains drawn with brown hachure inland, and a scattering of small buildings near the shore; several sailing ships with tall masts and colorful flags and sails are shown in the open water, and decorative compass roses and small anchor symbols are placed on the sea; areas of open parchment with printed blocks of text appear on the left and lower parts of the image.
DC
alb31027119 Dibbaldus. Rex Frisiae Occidentalis Primus, Dibbaldus, first king of the West Frisians, Kings and Potentates of Frisia, Frisia, sev, de Viris, print, book illustration, Series number, 26, 53, first king of the West Frisians. Standing full-length, scepter and hilt in hand. In an ornamental frame. Illustration, with text on the reverse, from the book: Frisia seu de viris rebusque Frisiae illustribus libri duo., printmaker: Pieter Feddes van Harlingen, Friesland, 1618 - 1620, paper, etching, woodcut, letterpress printing, the image etched and printed within an ornamental woodcut border with letterpress inscriptions, height 125 mm x width 100 mm, height 158 mm x width 115 mm, Person, ruler, sovereign, Merovingian and Carolingian period in the Netherlands., A tall bearded man wearing a crown stands in a framed scene, dressed in armor with a breastplate, layered skirt armor, and a cloak draped over one shoulder; one hand grasps a short sword at his hip while the other holds a slender rod pointed toward the ground. He wears knee-high, fur-trimmed boots and a circular decorative piece on his shoulder. The background shows a landscape with trees and bushes, a cloudy sky, and a shield bearing a diagonal band with three rounded shapes hanging in the upper corner of the framed area. The entire image is bordered by a decorative patterned frame.
DC
alb31027156 Portrait of Matthias Sebastian Lang with a cartouche under his kidney stone, print, printmaker: Elias Hainzelmann, after painting by Benjamin von Block, writer (clerical worker): Johann Albert Ursinus, 1691-02-14 - 1693, writer (clerical worker), paper, engraving, height 334 mm x width 239 mm, Person, Matthias Sebastian Lang, historical persons, physiology and anatomy, urogenital system, kidney., An engraved oval portrait shows a man with wavy shoulder-length hair and a small curled mustache, wearing a wide pleated ruff and a dark robe with visible folds; the oval frame is set against a lined rectangular background with decorative concentric rings, and beneath the portrait sits a circular medallion containing a detailed rendering of a bone fragment resting on a flat surface, all above a stone-like architectural plinth.
DC
alb31027195 New Year's Greeting, the Fire Extinguishers and Peat Carriers, 1846, New Year's greeting from the fire extinguishers and peat carriers of Haarlem for the year 1846, print, New Year's greeting, New Year's greeting from the Haarlem fire extinguishers and peat carriers (fuel deliverers) for the year 1846. The fire brigade rushes out with fire hoses and ladders to extinguish a fire in several buildings on a square in Haarlem. With a verse in one column., printmaker: Hermanus Numan, Haarlem, 1845 - 1846, paper, letterpress printing, woodcut, woodcut with text in letterpress, height 335 mm x width 224 mm, street, fire-department, fire-brigade, Period., A vertically oriented page showing an illustration at the top depicting a street scene with buildings and smoke rising from one building while people in period clothing are gathered and moving toward the scene, some pulling a wheeled cart and others clustered near a pile in a basket; below the illustration the page contains a large block of printed lines of text that occupy most of the lower two thirds of the page, with several lines set in larger, bold type near the top of that block and many lines of smaller type forming a centered column beneath.
DC
alb31027150 Old man teaches a little girl to read, Étude à l'estompe éxécutée sur pierre par Charlet, Croquis à l'estompe et au lavis, Studies with feather and washed ink, print, Series number, 11, 13, printmaker: Nicolas Toussaint Charlet, Paris, printer (person): Auguste Bry, publisher: Gihaut frères, 1845, printer (person), paper, lithography, height 398 mm x width 286 mm, girl (child between toddler and youth), reading to somebody, old man, tasks performed by children - AA - girl., An ink illustration shows an elderly man seated on a cushioned wooden chair facing a young girl who is kneeling beside him; the man wears a dark hat and buttoned coat and rests his hands on the girl's hands, while the girl wears a bonnet and a dress with an apron and leans forward toward him; the scene is framed by a decorative octagonal border on a textured paper background.
DC
alb31027107 Title page for: Corneille, Pierre. Théodore vierge et martyre. Tragedie chrestienne, 1663, Dog searches in the trunk of a tree, print, title page, In the center, a dog stands upright against a tree. He is searching for something in the hole of the tree. On the left, the Latin translation of 'searching' on a motto band. Verso, a text sheet with the roles of the play., printmaker, publisher, Amsterdam, Abraham Wolfgang, paper, woodcut, letterpress printing, woodcut and book printing, height 134 mm x width 69 mm, Tragedie chrestienne, sl: sn, dog, trees, title-page., A vertical aged paper page with dark printed ornamental elements and a central woodcut of a leafy tree with a textured trunk standing on grassy ground and a fox-like animal leaning against the trunk, a flowing ribbon entwined in the branches nearby, faint reversed printing visible through the paper, and several lines of evenly spaced printed words above and below the woodcut.
DC
alb31027115 Cover for Landscape Studies, Landscape studies, print, printmaker: Barend Cornelis Koekkoek, Amsterdam, printer (person): Jean Augustin Daiwaille, 1829 - 1830, printer (person), paper, lithography, lithography on blue paper, height 280 mm x width 355 mm, In 1829 and 1830, Koekkoek, together with Daiwaille, published six booklets, each containing six prints, titled Landscape Studies. These were used in drawing instruction. Fifteen years later, this series was reissued in a different composition by Meyer and Comp in Amsterdam., A textured blue paper background with ornate black calligraphic swirls and flourishes concentrated near the top, a decorative gothic-style word rendered in thick black strokes integrated into the scrollwork, a diagonal cursive line of script below the ornament, a bold block-style name in large black letters centered beneath, and delicate horizontal rule lines and faint cursive script near the lower central area.
DC
alb31027177 Lady with entourage is received at a castle, L'arrivée 1400, Physiognomy of the wealthy in Europe from the fifteenth to the nineteenth century, Physionomie de la société en Europe depuis 1400 jusqu' à nos jours, print, printmaker: Jean Baptiste Madou, printmaker: Paulus Lauters, printmaker: Philastre, publisher: Antoine Dewasme-Plétinckx, Brussels, publisher: Aubert & Cie., Paris, publisher: WJ van Oosterzee, Rotterdam, 1835 - 1837, paper, chine collé, lithography, lithography with planing technique on chine collé, height 427 mm x width 554 mm, adult woman, riding a horse, ass, or mule, rider, horseman, castle, being welcomed, travelling., A framed monochrome engraving showing a crowded medieval street scene with ornate architectural details around the border; within the central image, a group of people in period clothing gather near stone steps and a large arched building, including women in long dresses and headdresses, men in cloaks and hats, and mounted soldiers with armor and plumed helmets; several dogs move among the figures, one leaping toward the foreground; the background shows rounded towers, a distant landscape with hills and scattered trees, and cloudy sky; decorative gothic-style carvings and sculpted figures form an elaborate ornamental border around the scene.
DC
alb31027112 Almanach de Douze Sports, book, Coachman on the front cover and a windmill on the back cover. Book with sixteen text pages, an ex libris, a title page, and twelve lithographs after woodcuts in the form of an almanac, indicated by month. The month is printed on the page opposite the illustration, also as a lithograph. On the pages preceding the series, there is text in French., stamp: '...', printmaker:, publisher: Société Française d'éditions d'art, Paris, 1898, printmaker, textile materials, pasteboard, paper, linen (material), letterpress printing, lithography, color lithography, binding, book consisting of cardboard boards covered with layered paper, linen spine, lithography in black and yellow on front cover, ex libris on endpaper, letterpress printing on pages, color lithographs, height 311 mm x width 254 mm x thickness 4 mm x width 503 mm, horse, horse-racing., A stylized illustration of a man wearing a tall black top hat and a long dark coat, with yellowish sideburns and yellow gloves, holding a long thin pole and a folded umbrella against a textured brown background, with large black printed title text partially visible below the figure.
DC
alb31027124 Branch of a birch with buds, Birch, Budding branch with oval buds, photograph, signature: 'Foto, R. Tepe', annotation: 'Birch, Budding branch, with oval buds', photographer: Richard Tepe, Netherlands, c. 1900 - c. 1930, paper, daylight gelatin silver print, height 153 mm x width 118 mm., A vertically oriented close-up shows several slender branches with elongated, ovoid buds attached along their lengths; the buds have smooth overlapping outer scales and tapered tips, and the branches are thin with slightly textured bark. The image has a muted, sepia tone overall and a plain, softly mottled background. The composition places the branches diagonally across the frame, with buds at various stages of prominence and subtle surface imperfections on the paper.
DC
alb31027183 Johannes Hoornbeek, Portrait of Johannes Hoornbeeck, print, Portrait facing right of the professor of theology Johannes Hoornbeeck, seated on a chair. Below the image, the name of the sitter and a three-line Latin text listing his positions., printmaker: Abraham Dircksz. Santvoort, Netherlands, 1654 - 1666, paper, etching, height 266 mm x width 196 mm, Person, Johannes Hoornbeeck, historical persons, sitting on an elevation., A monochrome engraved portrait of a seated man shown from the waist up wearing a dark robe and a wide white collar; he has wavy shoulder-length hair, a trimmed mustache and small goatee, and a direct gaze; the background is textured with crosshatched shading and there is a partial carved chair back visible behind his shoulder; below the portrait a rectangular area contains lines of handwritten script.
DC
alb31027129 Life of George Washington, the soldier, George Washington in the Battle of the Monongahela, print, printmaker: Claude Régnier, after painting by Junius Brutus Stearns, printer (person): Joseph Rose Lemercier, Paris, publisher: Goupil & Cie., publisher: Michael Knoedler, New York (city), 1854, printer (person), North America, paper, tone lithography, height 511 mm x width 689 mm, Person, George Washington, historical persons, battle, Battle of the Monongahela, Pennsylvania., A detailed monochrome scene shows a wooded clearing filled with figures in historical clothing and military dress, with tall trees and mist in the background; a mounted officer in a tricorne hat sits upright on a horse at the right, surrounded by standing soldiers with muskets and bayonets, while in front of him men assist an injured or fainting figure supported by two comrades; to the left several men in varied period attire load and fire long guns near a kneeling drummer and other figures, and a fallen person lies face down in the foreground next to scattered weapons and a hat; horses, raised reins, and shadowed faces populate the midground, and the composition is rendered with fine stippling and shading throughout.
DC
alb31027142 Three-masted ship with sloop, Various ships series C, print, Series number, 10, 12, A three-masted ship pulling a sloop behind it, seen from an oblique angle from behind. Figures are visible on the ship. This print is part of a series of twelve prints featuring various sailing ships., printmaker: Gerrit Groenewegen, Rotterdam, 1789, paper, etching, height 127 mm x width 154 mm, ships (in general)., A detailed black and white ink drawing of a large sailing ship shown from the rear quarter with tall masts and full sails, a network of rigging and ladders, and a visible stern and hull sitting on textured water; a small rowboat is floating nearby and a few figures are faintly visible on the ship's deck.
DC
alb31027162 Dike breach at the Wijde Wormer, 1825, The breaching of the dike at the Wijde Wormer, visible from Purmerland on the morning of February 6, print, February 6, 1825. Part of the illustrations in a publication about the flood of February 3-5, 1825., printmaker: Willem van Senus, Netherlands, after drawing by Haatje Pieters Oosterhuis, 1825 - 1826, paper, etching, engraving, etching and engraving, height 207 mm x width 293 mm, flood, Watersnood February 1825, Wijdewormer, Period, 1825-02-06., A wide grayscale scene shows a flooded landscape under a dramatic cloudy sky, with waves and swirling water in the foreground carrying broken wooden debris and barrels; a few thatched huts sit partially surrounded by water on a low bank, with scattered chairs and wagon parts tangled among reeds; in the middle distance a few small figures walk along a strip of land and a person leads an animal toward the water while a small boat floats nearby; low distant buildings and a steeple line the horizon beneath expansive cloud formations.
DC
alb31027118 La Sude & La Canée, Six views of Khaniá and Soúda in Crete, Greece, page, photomechanical print, inscription: '1 Port de la Canée., (M. l'Abbé Stoffaes, photot.)., 2 Quartier des boutiques le long du, quai à la Canée., phot.)., 3 La Canée, vue du château., (M. Lagache, 4 Bateaux pêcheurs dans le port de, la Canée (Mme Barré, 5 Quai du port de la Canée., (Mme Barré, 6 Ruines de l'insurrection à la Canée., phot.).', number: 'XXXII.', photographer: various manufacturers, Crete, cliché maker: Michel Berthaud, Paris, c. 1893 - in or before c. 1898, various manufacturers, Michel Berthaud, photographer, cliché maker, paper, collotype, photoprint, height 355 mm x width 293 mm, coast, harbour, Souda, Khaniá., A vertically oriented page showing several sepia-toned photographic prints arranged in a collage style against a pale background, the top row containing two rectangular harbor scenes with boats and waterfront buildings separated by a narrow vertical gap, below them a circular vignette of a harbor with sailing ships and buildings along the shore, beneath that a pair of tilted rectangular harbor photographs placed side by side with masts and waterfront architecture, and at the bottom a darker rectangular image of ruins and silhouetted figures walking on a cobblestone surface, surrounding these images are small lines of printed captions and numbers along the left and right margins.
DC
alb31027193 Mr. Garrick in Hamlet, Portrait of David Garrick as Hamlet, print, printmaker: James McArdell, London, after painting by Benjamin Wilson, 1754-11, paper, mezzotint, height 456 mm x width 329 mm, Person, David Garrick, historical persons, portrait of actor, actress, Hamlet, Prince of Denmark., A sepia-toned portrait of a man shown from head to mid-thigh wearing a dark coat and light cravat with voluminous ruffled cuffs, standing with one arm raised and the other held forward with palms open, his face turned slightly to one side with wide eyes and a focused expression, wavy hair swept back from his forehead, a faint background suggestion of tall architectural forms and distant sailing ships on water, and a light horizontal band at the bottom of the image.
DC
alb31027167 The sawmill at Bentheim, Farmyard, print, On a yard with various barns, a large tree and some sawn-off tree trunks, a woman and a child are walking., printmaker: Gerardus Emaus de Micault, Netherlands, 1854, paper, etching, height 168 mm x width 229 mm, sawyer, Lower Saxony, Bentheim., A detailed black and white etching shows a rural courtyard scene with timber and thatch buildings clustered around a large central tree whose expansive branches and dense foliage stretch across the top of the image; in front of the buildings a woman and a small child walk away from the viewer across a textured ground scattered with logs and planks, while nearby a wooden cart with visible wheels rests beside a low stone or timber trough; the buildings display sloped tiled roofs, exposed beams, small windows, and doorways, and the scene is framed by additional trees and undergrowth at the edges.
DC
alb31027199 Behold here, O dear youth! A number of War heroes, Who once restored peace by the fire of war, print, popular print, Sheet with 16 depictions of soldiers on horseback, with weapons, instruments, and flags. Below each image a two-line verse. Numbered top right: No. 3., printmaker: Christiaan Jacob Schuyling, Rotterdam, vendor: Hesselink & Zoon, G., Zutphen (city), publisher: TC Hoffers, 1820 - 1838, paper, woodcut, colour, letterpress printing, woodcut coloured in orange and yellow, text in letterpress, height 428 mm x width 337 mm, the soldier, the soldier's life, weapons, warfare, military affairs (+ cavalry, horsemen)., The image shows a printed sheet with rows of small illustrations of mounted figures in historical military-style clothing, each figure riding a horse and posed with various weapons or flags; the figures wear different helmets, hats, and uniforms in muted colors like green, brown, and yellow, and many horses show decorative saddles and bridles; the sheet has a worn, aged background with small stains and faded areas, and there are narrow separations between the rows of illustrations.
DC
alb31027161 The monkey as a barber, New children's prints, print, popular print, Series number, 38, 48, Sheet with 16 illustrations of a monkey and a kitten, in which a sick person is cured of his gout. A caption under each image. Numbered top right: No. 38., publisher: HM van Dorp, Haarlem, printer (person): L. van Leer & Co., 1872 - 1883, HM van Dorp, L. van Leer & Co., publisher, printer (person), printmaker, paper, color lithography, letterpress printing, color lithography in yellow, green, orange, red and blue, text in letterpress, height 422 mm x width 334 mm, cat, monkeys, apes, animals acting as human beings, barber, surgeon., A printed sheet shows a grid of illustrated panels arranged in rows and columns, each panel depicting small indoor scenes with human figures and animals in a sketchy, colored-ink style. The illustrations use muted tones of green, blue, pink, yellow, and brown, with interior settings that include chairs, curtains, windows, beds, staircases, and rooftops. Many panels show a man in a long coat interacting with a cat or a monkey, and in several scenes the animal is placed on chairs, held, or carried by the man. Other panels include a woman in a dress and apron, a child, and a few additional men in varied poses such as climbing, looking up, or walking. The characters display animated body language and expressive gestures, and the animals appear lively and active. The sheet has blank margins around the illustrations and a light textured background.
DC
alb31027188 Three clergymen in a hall, Le Lutrin. Chant Sixième., print, book illustration, Three clergymen discussing with each other in a hall., printmaker: workshop of Bernard Picart, Amsterdam, 1717, paper, etching, engraving, etching and engraving, height 200 mm x width 148 mm, organization, functionaries and dignitaries in Roman Catholic church, clergy in general, corridor, debate, discussion (, meeting)., A detailed black and white engraving shows three robed men standing inside an arched architectural interior with columns and a vaulted ceiling; the central figure faces forward with raised hands and wears a long dark robe with wide sleeves and a white square collar, while the two flanking figures face toward him holding broad-brimmed hats and wearing long cloaks with wavy hair; patterned shading and crosshatching render the stone floor, walls, and decorative archway behind them, and an ornate cartouche sits at the bottom edge of the image.
DC
alb31027174 Landscape with river, print, A landscape with mountains and a river. In the distance a city., printmaker: Abraham Genoels, Rome (possibly), 1690, paper, etching, height 111 mm x width 128 mm, mountains, river (+ landscape with figures, staffage)., A narrow, arch-shaped ink drawing of a landscape showing a rocky hill with a jagged peak in the upper area, clusters of trees and shrubs across terraces, a twisted tree trunk framing the right side with dense foliage, a body of water with rippling lines in the middle, small human figures near the shore and on a small boat, textured foreground vegetation with grasses and bushes, and delicate linework creating shading and detail throughout.
DC
alb31027148 Portrait of Rutger Jan Schimmelpenninck, print, Grand Pensionary of the Batavian Republic, in an oval. Below the portrait are name and function in three lines in Dutch., printmaker: Ludwig Gottlieb Portman, Amsterdam, after drawing by Jacques Kuyper, publisher: Johannes Allart, 1805 - 1817, paper, stippling, engraving, height 343 mm x width 260 mm, Person, Rutger Jan Schimmelpenninck (1761-1825), historical persons., A sepia-toned engraved portrait shows a man in profile facing left inside an oval frame set within a rectangular panel; he has short, slightly wavy hair and sideburns, a high-collared shirt with a cravat, and a dark coat with lapels. Below the oval frame is a stone plinth topped by a decorative ribbon and laurel leaves, with additional carved blocks forming the base. The background consists of textured shading and bordered panels.
DC
alb31027104 View of the Nieuwe-Kerk, in Amsterdam, Vue de l'Eglise Neuve, à Amsterdam, View of the Nieuwe Kerk in Amsterdam, Atlas of Fouquet, print, printmaker: Hermanus Petrus Schouten (possibly), Amsterdam, after drawing by Hermanus Petrus Schouten, publisher: Pierre Fouquet, 1760 - 1783, Hermanus Petrus Schouten, Pierre Fouquet, printmaker, after drawing by, publisher, paper, etching, height 261 mm x width 358 mm, (+ city(-scape) with figures, staffage), Nieuwe Kerk (Amsterdam)., A detailed architectural engraving of a large Gothic church with tall pointed windows and ornate tracery dominates the scene, flanked by multi-story brick and stone buildings with rectangular windows and pitched roofs; a slender spire rises behind the main roof and a clock face is visible near the apex of the church gable. In front of the church a low building with a rounded doorway sits at the corner of a busy street where numerous small figures move about; people are depicted walking, conversing, carrying goods, pushing a handcart, and guiding horses harnessed to wheeled carts. The street scene includes barrels, sacks, and a few trees near the right-hand buildings, and the sky above shows layered clouds and scattered birds. The engraving uses fine linework and crosshatching to render architectural details, clothing, and shading throughout the composition.
DC
alb31027121 Title page for: Calprenède, La. Cleopatre. Second part, 1667, Text sheet with a floral motif, print, title page, text sheet, publisher: Gerrit van Goedesberg, Amsterdam, paper, letterpress printing, woodcut, letterpress and woodcut, height 130 mm x width 71 mm, floral interlace, ornament, title-page., A vertically oriented aged paper page with dark printed text lines and a decorative black ornamental floral vignette near the lower middle; the top shows a large bold headline followed by several lines of smaller serif text in different styles and spacings, with visible paper grain and slight stains and creases, and a darker printed line separating sections above a final block of text at the bottom.
DC
alb31027149 Illustration for Boccaccio's Decameron, print, book illustration, history LXXXV. Calandrin is caught by his wife in a barn with a young woman and pulled by his hair and beaten., printmaker: Romeyn de Hooghe, Netherlands, after design by Romeyn de Hooghe (attributed to), 1697, Romeyn de Hooghe, printmaker, Attributed to, paper, etching, height 74 mm x width 79 mm, (scenes from) specific works of literature: Boccaccio, Decameron., A densely engraved scene showing a crowded interior with a group of people in dynamic poses; several figures are seated or reclining on the floor and appear intertwined, with one figure leaning forward and another lying prone. A woman kneels with her torso turned and an arm raised while another person nearby holds a rectangular object. In the background a doorway or window is open and two small figures are climbing through it, one stepping down and the other bent at the waist. On the left a standing figure wearing a hat raises a hand to their face while nearby a person holds a shallow dish. The floor area in the foreground contains a few scattered objects including rounded shapes and a palette-like item. The composition is enclosed by a narrow border and rendered in fine parallel and cross-hatched lines.
DC
alb31027160 Allegorical equestrian portrait of Louis XIV, King of France, print, A two-part print with an allegory of the victory of King Louis XIV. Louis XIV sits on a horse and tramples his enemies in the form of monsters and personifications of adversaries and vices. The Holy Trinity holds the French crown above the king's head. Next to her are two angels, one of which holds a flag with territories conquered by France., printmaker: Gerard Edelinck, Paris, after design by Charles Le Brun, grantor of privilege: Louis XIV (King of France), France, 1677, Gerard Edelinck, Charles Le Brun, Louis XIV (King of France), printmaker, after design by, grantor of privilege, paper, engraving, height 530 mm x width 767 mm x width 765 mm, Person., A large monochrome engraving showing a central figure in armor riding a rearing horse, surrounded by flowing drapery and multiple human figures in dynamic poses; a robed female figure above holds a crown over the rider while other winged and crowned figures float nearby, one raising a laurel wreath and another carrying a banner; angels and warriors flank the scene, some holding shields, swords, and torches; numerous contorted bodies and mythic creatures, including serpents and a dragonlike beast, appear below and around the central horse; palm fronds frame the upper corners and billowing clouds fill the background.
DC
alb31027151 Goldsmith from the Sonar community working in Delhi, India, photograph, page, inscription: 'SONAR., GOLDSMITH., HINDOO., DELHI.', number: '(186)', photographer: Shepherd & Robertson (possibly), Delhi, c. 1859 - in or before 1869, paper, albumen print, height 129 mm x width 175 mm, jeweler, goldsmith, silversmith, human races, peoples, nationalities., A sepia photograph shows a man squatting and facing right while holding a long thin pipe to his mouth, wearing a wrapped head covering and a light-colored long garment; in front of him sits a rounded clay or earthen structure with an open mouth and a shallow basin area, and various small tools and a shallow bowl lie on the surface between him and the structure, all framed within an oval vignette on a pale background.
DC
alb31027192 Boaz speaks to Ruth, print, Ruth kneels before the rich farmer Boaz. They eventually marry each other., printmaker: Bernard Picart, after drawing by Rembrandt van Rijn, 1683 - 1733, paper, etching, proof, height 110 mm x width 139 mm, Ruth usually bowing down, or kneeling before him., A delicate ink drawing on pale paper shows two figures in close contact; one stands wearing a wide hat with flowing ribbons and layered clothing with a belted waist, while the other kneels beside them wearing a headscarf and a dress with rolled sleeves, the kneeling figure's torso and face turned toward the standing figure. Both figures are rendered with fine, cross-hatched lines and careful contour strokes that define folds in fabric and hair, and their hands rest near each other's shoulders and waist. Beneath them a loosely sketched surface of overlapping lines and textured strokes suggests a draped cloth or uneven ground extending horizontally across the lower area of the composition, and the background is left mostly empty.
DC
alb31027109 Title page with a fountain in a park, print, A park with a fountain, in the basin a statue of a woman (Fortuna?) on a unicorn, a horn of plenty in her hands. Above the image an empty frame., printmaker: workshop of Bernard Picart, Paris, 1708, paper, etching, engraving, height 155 mm x width 87 mm, garden fountain, unicorn, Luck, Fortune, Lot, 'Fato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa)., A detailed black and white engraving of an ornate fountain structure set against a background of trees, featuring a central domed canopy supported by turned columns and decorative friezes, with carved floral swags on the canopy edges and sculpted putti on top holding a bundle of reeds or branches; beneath the dome a statue of a seated female figure reclining on a reclining animal holds an object above her head while water cascades from a raised basin into a lower pool, and additional water spouts emerge from mask-like faces on the basin walls, all rendered with fine line hatching and crosshatching.
DC
alb31027100 Invitation to the Sick and the Poor, Parable of a Wedding Feast, print, Series number, 5, 6, The king's messenger invites all the sick and the poor of the city to come to the king's wedding feast. The print has a Latin caption and is part of a six-part series on the parable of a wedding feast., printmaker: Dirck Volckertsz. Coornhert, Haarlem, after design by Maarten van Heemskerck, publisher: Joannes Galle, Antwerp, 1558 - 1559, 1610 - 1676, paper, engraving, etching, gravure en etching, height 203 mm x width 250 mm, those that are invited to the royal wedding-feast excuse themselves., A detailed black and white engraving shows a group of figures gathered on stone steps and a patterned tiled floor in front of a row of tall classical columns and architectural structures; in the foreground several standing and kneeling figures wear draped clothing and varied headwear, including a man with a wide-brimmed hat gesturing with both hands toward the group, an older bearded man leaning on a staff, a figure with a crown of thorns, and a young child held by another figure; behind them a kneeling figure and a few others stand or sit, some partially clothed, while additional figures populate the middle ground near an open plaza and fountains; the background features an expansive cityscape of arches, bridges, towers, domes, and multi-story buildings with detailed façades and colonnades, and the entire scene is rendered with fine hatching and crosshatching for texture and shadow.
DC
alb31027114 After a naval battle, ca. 1652-1654, Nieuwe Scheeps Batalien, Nouvelles inventions de Combats Navaeles, print, title page, Series number, 8, English and Dutch ships after a naval battle, possibly the Battle of Dungeness on December 10, 1652. Print no. 8 in a series of seven numbered plates of naval battles, some of which can be related to the First Anglo-Dutch War of 1652-1654., printmaker: Reinier Nooms, Northern Netherlands, 1652 - 1654, paper, etching, drypoint, etching and drypoint, height 169 mm x width 256 mm, battle (+ naval force), First Anglo-Dutch War, Battle of Dungeness, Period, 1652-12-10., A wide seascape rendered in fine linework showing a group of sailing ships of varying sizes on gently rippling water; the largest vessel is near the foreground with tall masts, billowing sails, rigging, and a small flag at its top, while other ships with furled and unfurled sails and visible hull details are scattered across the middle distance and background; the sky above is filled with large, textured clouds drawn with parallel hatching and a few small flocks of birds.
DC
alb31027125 St. Albertus with the Christ Child and Mary (former title), St. Albertus of Trapani with the Christ Child and Mary, print, Mary is enthroned in the clouds and gives the Christ Child to Saint Albertus of Trapani. Beside Mary flies an angel holding a written paper. On the right in the background, figures look on in adoration. In the margin a text in Latin., printmaker: Nicolaes Lauwers, Antwerp, after drawing by Abraham van Diepenbeeck, 1619 - 1652, paper, engraving, height 448 mm x width 319 mm, Madonna: ie Mary with the Christ-child, activities of angels (in heaven)., A detailed black and white engraving shows a robed male figure with a hooded cloak holding a small child with curly hair who has a radiant halo; a seated woman draped in flowing garments leans over them, her head bowed and also surrounded by a radiant halo, while an angelic child with wings hovers on a cloud above holding a sheet of paper; below and to the side a crowd of figures looks upward with varied expressions and gestures, and the scene is set against a backdrop of layered clouds and radiating light.
DC

Total de Resultados: 10.000

Página 1 de 100