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akg130993 re: Bismarck, Otto von; German statesman. (chancellor 1871-90); 1815-1898. - "The Iron Chancellor. A Dream of the Junker and Stirrer." (Caricature: Count Klinkowström as a representation of the continuation of Bismarck's politics). Drawing, anon. From: Der Wahre Jacob, No. 357, Stuttgart. (J.H.W.Dietz) 27 March 1900, p. 3209. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.
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akg941479 Foujita, Tsugouharu 1886-1968. "La Dompteuse et le lion" (Dompteuse und Löwe), 1930. Öl auf Leinwand, 147 x 91 cm. Inv.Nr.8279. Museum: Musée du Petit Palais., Genève.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg1636151 Militär / Deutsches Reich / Manöver.-" Aus dem Manöverleben. Offizierspatrouille württembergischer Dragoner".-Farblithographie, um 1900/10, nach Zeichnung von Richard Knötel (1859-1914). Sammelbildchen der Firma Mechanische Zwirnerei Heilbronn, Sontheim bei Heilbronn. Serie 416, Nr.2. Druck: Oehmigke Riemschneider, ...
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akg1636270 Geschichte: Deutschland / Germania.-" Deutschland".-Farblithographie, um 1900, nach Zeichnung von F. Schoen ( Fritz Schoen, geb.1871(?)). Sammelbildchen der Firma Palmin H. Schlinck Cie. Hamburg. Bild Nr.3 der Serie 107 "Die Hauptländer Europas". Aus einem Album.
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akg1029312 Künstler / Künstler und Modell.-Modellwettbewerb in einem Restaurant in Montparnasse (Paris, Frankreich); im Hintergrund Tsugouharu Foujita, Marianne Oswald und Gerard Philipe.-Foto, 1952.
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akg7279766 SCHOOL Photography souvenir of a female elementary class: 2B. The students wear all the classic white apron distinguished by a light ribbon. In the center of the first row a pair of twins appropriately posed by the photographer in order to create a choreographic mirror effect. The single teacher, posing as smiling as all the girls, managed the entire class of more than 35 students, an event not rare in the baby boom years, with the schooling set for the achievement of the diploma of eighth grade or (alternatively ) at the age of 14. The numerous successive reforms of the school have begun a period of experimentation that has led to an evolution of teaching, also decreasing the number of students per class and adding one or more colleagues alongside the owner, in order to guarantee to all schoolchildren opportunities to study, and to discourage school leaving in accordance with the increase in the age of the obligation. Group photo in the schoolyard, Milan 1968.
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akg7279767 SCHOOL Photography souvenir of a female elementary class: 5B. The students wear all the classic white apron distinguished by a light ribbon. In the first row in the middle two twins. The girls smile all or almost, just like the teacher who smiles but who, unlike her pupils, does not look in the car. The weather is cheerful, even a little girl babe takes out her tongue in a mocking expression. The single teacher alone managed the entire class of 30 students, a case not uncommon in the baby boom years, with the schooling set for the achievement of the eighth grade diploma or (alternatively) at the age of 14 years. The numerous successive reforms of the school have begun a period of experimentation that has led to an evolution of teaching, also decreasing the number of students per class and adding one or more colleagues alongside the owner, in order to guarantee to all schoolchildren opportunities to study, and to discourage school leaving in accordance with the increase in the age of the obligation. Group photo in the schoolyard, Milan 1971.
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alb2579577 FURIA (1936) -Original title: FURY-, directed by FRITZ LANG. English title: FURY. Portuguese title: FURIA.
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alb19951436 ZOOTROPOLIS 2 (2025) -Original title: ZOOTOPIA 2-, directed by BYRON HOWARD and JARED BUSH. English title: ZOOTOPIA 2.
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alb352953 TINA TURNER in MAD MAX 3 (1985) -Original title: MAD MAX III: BEYOND THUNDERDOME-, directed by GEORGE MILLER. English title: MAD MAX III. Portuguese title: MAD MAX ALÉM DA CÚPULA DO TROVÃO.
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alb3217268 TERESA PALMER, GABRIEL BATEMAN and ALEXANDER DIPERSIA in NUNCA APAGUES LA LUZ (2016) -Original title: LIGHTS OUT-, directed by DAVID F. SANDBERG. English title: LIGHTS OUT.
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alb3217270 TERESA PALMER and ALEXANDER DIPERSIA in NUNCA APAGUES LA LUZ (2016) -Original title: LIGHTS OUT-, directed by DAVID F. SANDBERG. English title: LIGHTS OUT.
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alb2001220 Luca Giordano / 'The rape of Proserpina', 1684-1686, Fresco. Museum: Palazzo Medici-Riccardi, Florence. PLUTO. PROSERPINA. PERSEPHONE.
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alb2068525 Hendrik van Balen; Jan Brueghel 'el Viejo' / 'Cybele and the Seasons in a Garland of Fruit', Before 1618, Flemish School, Oil on panel, 106 cm x 75 cm, P01414. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070490 Hendrik van Balen / 'Adoration of the Magi', Flemish School, Oil on panel, 136 cm x 102 cm, P06174. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069198 Hendrik van Balen; Jan Brueghel 'el Viejo' / 'The Four Elements', ca. 1615, Flemish School, Oil on panel, 62 cm x 105 cm, P01399. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb3681532 Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/4 x 6 in. (24.7 x 15.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3636737 Cosimo III de' Medici (1642-1723), Grand Duke of Tuscany. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Culture: Italian, Florence. Dimensions: Overall (confirmed): 39 1/8 × 31 × 16 7/8 in., 391 lb. (99.4 × 78.7 × 42.9 cm, 177.4 kg). Date: ca. 1680-82.These meltingly carved busts of father and son (see also 1993.332.2) are surely the finest examples of the portrait style of G. B. Foggini, the leading sculptor of the Florentine Baroque. While strong echoes of Bernini date the creation of the pair to shortly after the younger artist's return from Rome, they already exhibit Foggini's talent for the depiction of material opulence that earned him the post of Medici court sculptor. Dynamic contrasts abound: the fragile lace cravats and lavish mantles (emulating modes of the contemporary French court) set off the realistically depicted faces. They in turn provide their own study in contrasts: the commanding pose and classic Habsburg physiognomy of the balding father serve as counterpoint to the sweet, somewhat unformed face of the youth, overwhelmed by a delirious cascade of curls. Foggini's artistic genius inaugurated the final flourish of Medici patronage. These busts, modeled from life, were followed by a series portraying other family members, all intended to promote the political aspirations of the fading dynasty. Their acquisition served to link our major series of Roman Baroque portrait busts to a growing collection of stunning small-scale Florentine sculptures of that period. Museum: Metropolitan Museum of Art, New York, USA.
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alb3635175 Ferdinando de' Medici (1663-1713), Grand Prince of Tuscany. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Culture: Italian, Florence. Dimensions: Overall (confirmed): 38 3/4 × 28 7/8 × 14 in., 337 lb. (98.4 × 73.3 × 35.6 cm, 152.9 kg). Date: ca. 1680-82.These meltingly carved busts of father (1993.332.1) and son are surely the finest examples of the portrait style of G. B. Foggini, the leading sculptor of the Florentine Baroque. While strong echoes of Bernini date the creation of the pair to shortly after the younger artist's return from Rome, they already exhibit Foggini's talent for the depiction of material opulence that earned him the post of Medici court sculptor. Dynamic contrasts abound: the fragile lace cravats and lavish mantles (emulating modes of the contemporary French court) set off the realistically depicted faces. They in turn provide their own study in contrasts: the commanding pose and classic Habsburg physiognomy of the balding father serve as counterpoint to the sweet, somewhat unformed face of the youth, overwhelmed by a delirious cascade of curls. Foggini's artistic genius inaugurated the final flourish of Medici patronage. These busts, modeled from life, were followed by a series portraying other family members, all intended to promote the political aspirations of the fading dynasty. Their acquisition served to link our major series of Roman Baroque portrait busts to a growing collection of stunning small-scale Florentine sculptures of that period. Museum: Metropolitan Museum of Art, New York, USA.
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alb3634341 Designs for a Funerary Monument with Stairs (Recto). Various Funerary Monument Designs (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3636537 Maine Coast. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: 30 x 40 in. (76.2 x 101.6 cm). Date: 1896.William Howe Downes, Homer's first biographer, had firsthand knowledge of the coast at Prouts Neck, Maine. He described this canvas as follows: "The design is of a rigid simplicity. We are looking seaward from the cliffs at Prouts Neck on a day of storm. At our feet the dark ledges are streaming with milky retreating foam, and just beyond them a monster wave raises its huge bulk as it comes shoreward with an exuberant look of tremendous power. Still further out to sea, in the gray mist, loom the oncoming lines of wave upon wave, until the horizon loses itself in a far turmoil of dimly seen billows.". Museum: Metropolitan Museum of Art, New York, USA.
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alb3632086 Table or Basin Supported by Male Sirens (recto); Sketch for the Same Subject (verso) . Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 5/16 x 4 in. (8.4 x 10.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3701152 Holy Family with Infant Saint John. Dimensions: overall (approximate): 26.6 x 41.8 cm (10 1/2 x 16 7/16 in.). Medium: pen and brown ink with brown wash on brown paper. Museum: National Gallery of Art, Washington DC. Author: LUCA CAMBIASO.
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alb3706955 Allegorie sur l'Erection de la Statue de Louis XV (Allegory on the Establishment of a. Dated: c. 1763. Dimensions: image: 23.5 x 23.2 cm (9 1/4 x 9 1/8 in.) plate: 31.6 x 24 cm (12 7/16 x 9 7/16 in.). Medium: etching with traces of roulette and engraving. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.
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alb3707140 The Martyrdom of Saint Lawrence. Dimensions: sheet (lunette): 38.8 x 24.5 cm (15 1/4 x 9 5/8 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: LUCA CAMBIASO.
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alb3899156 Wall Decoration for Cosimo III de' Medici. Date/Period: Ca. 1690. Drawing. Pen and brown ink, brush and watercolor, black chalk, graphite on white laid paper. Height: 652 mm (25.66 in); Width: 422 mm (16.61 in). Author: Giovanni Battista Foggini.
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alb3893322 William Rufus. Date/Period: Before 1626. Painting. Oil Chamfered oak panel. Height: 572 mm (22.51 in); Width: 424 mm (16.69 in). Author: British School.
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alb3899022 Design for a monument. Date/Period: Ca. 1750. Drawing. Black chalk, pen and brown ink, brush and wash on paper. Author: CORRADO GIAQUINTO.
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alb3679805 Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 3/4 x 7 7/8 in. (29.9 x 20 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3895888 Répétition d'un ballet sur la scène Ballet Rehearsal on Stage. Date/Period: 1874. Painting. Oil on canvas. Height: 650 mm (25.59 in); Width: 810 mm (31.88 in). Author: EDGAR DEGAS.
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alb3893497 Baño de Ninfas (Las ninfas de Diana regresando de la pesca). Date/Period: 1585 - 1625. Painting. Oil on panel. Height: 580 mm (22.83 in); Width: 850 mm (33.46 in). Author: jan Brueghel the Elder.
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alb3673827 Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence) (family and workshop). Dimensions: sheet: 14 x 14 1/2 in. (35.6 x 36.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3678722 Designs for a Palmette Motif with Tendrils (recto); studies for a Male Figure and Decorative Sculpture (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 13/16 x 3 7/8 in. (7.2 x 9.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3730470 Young Girl at a Window. Dated: c. 1883-1884. Dimensions: overall: 100.3 x 64.7 cm (39 1/2 x 25 1/2 in.) framed: 133.99 × 96.52 × 12.7 cm (52 3/4 × 38 × 5 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: MARY STEVENSON CASSATT.
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alb3627008 The Dance Lesson. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 25 3/8 x 22 1/8 in. (64.5 x 56.2 cm). Date: ca. 1879.Degas made various adjustments to this composition, presumably to accommodate the violinist in his final design. He added strips of paper at the top and to the right, and there is evidence to suggest that he may have altered the dancer's pose. A pastel study for the musician is in the Museum's collection (19.51.1). The present work was formerly owned by Gustave Caillebotte, who probably bought it from or soon after the Impressionist exhibition of 1879. In 1894 he bequeathed it to Renoir, who sold it shortly thereafter. Museum: Metropolitan Museum of Art, New York, USA.
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alb3621379 Design for the Base of a Vessel with Two Satyrs. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 7/8 x 3 3/4 in. (9.9 x 9.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3621345 Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/4 x 5 7/8 in. (24.7 x 15 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3622608 The Last Judgment. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 48 3/4 x 34 in. (123.8 x 86.4 cm). Date: ca. 1520-25.This majestic scene is divided into heavenly and earthly zones, which are linked by two hovering angels blowing trumpets. Christ appears at the moment of judgment in a burst of light and color, surrounded by clouds and putti and flanked by the apostles. He blesses the saved, shown at lower left, while Saint Michael shepherds the damned into hell burning in the distance at the right. The nudes in the foreground reflect the artist's study of prints after Raphael's designs, and the figure of Christ seems to be inspired by the famous ancient sculpture of the Laocoön. Museum: Metropolitan Museum of Art, New York, USA.
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alb3629690 Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/16 x 9 3/4 in. (28.7 x 24.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3623084 Design for a Cartouche. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 15/16 x 2 3/4 in. (10 x 7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3622475 Design for a Proscenium or Alcove. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 9/16 x 5 11/16 in. (11.6 x 14.5 cm)(irregular borders). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3623590 Outline of the Design for a Two-Handled Vase. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 5/16 x 2 3/8 in. (10.9 x 6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3624094 Design for a Fountain with Two Water-Spouting Lions (recto); Sketch for Triumph of Galatea [?] (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 5 15/16 x 5 3/4 in. (15.1 x 14.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3743296 A Rake's Progress: pl.2. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
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alb3746851 Young Woman with Peonies. Dated: 1870. Dimensions: overall: 60 x 75 cm (23 5/8 x 29 1/2 in.) framed: 83.8 x 99.4 x 7.6 cm (33 x 39 1/8 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Frederic Bazille.
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alb3740973 Forest of Fontainebleau. Dated: 1834. Dimensions: overall: 175.6 x 242.6 cm (69 1/8 x 95 1/2 in.) framed: 196.9 x 262.9 cm (77 1/2 x 103 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.
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alb3741054 A Reliquary of Saint Sigismondo. Dated: 1719. Dimensions: sheet: 48 x 30.1 cm (18 7/8 x 11 7/8 in.). Medium: pen and brown ink over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Foggini.
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alb3745815 Autumn. Dated: c. 1740/1750. Dimensions: overall: 108.4 x 151.5 cm (42 11/16 x 59 5/8 in.) framed: 132.1 x 175.7 x 10.2 cm (52 x 69 3/16 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CORRADO GIAQUINTO.
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alb3606362 Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 3/8 x 6 in. (18.7 x 15.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3608672 In the Meadow. Artist: Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). Dimensions: 32 x 25 3/4 in. (81.3 x 65.4 cm). Date: 1888-92.Between 1888 and 1892 Renoir painted a number of works in which the same pair of girls--the blonde wearing a white frock and the brunette a pink one--engage in leisurely pastimes. Here, they pick flowers; the same models appear at the piano in a painting now in the Museum's Lehman Collection (1975.1.201). These intimate genre scenes, which celebrate youthful innocence, found a ready market in the early 1890s. Museum: Metropolitan Museum of Art, New York, USA. Author: AUGUSTE RENOIR.
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alb3606390 Design for a Term shaped like a Winged Female Figure. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 5/8 x 1 1/2 in. (11.7 x 3.8 cm)(irregular borders). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3607350 Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 1/2 x 3 11/16 in. (6.4 x 9.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3606039 Design for a Console or Capital with a Cherub. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 7/16 x 1 15/16 in. (6.2 x 5 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3608241 Design for Suspended Censer. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9/16 x 5 1/16 in. (1.5 x 12.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3606076 Design for a Frame Decorated with a Shell Motif. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 x 2 11/16 in. (10.2 x 6.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3605919 Satyr and Satyress Seated on a Pedestal Supporting a Vase. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 5/8 x 4 5/16 in. (19.3 x 10.9 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3608035 The Gulf Stream. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: 28 1/8 x 49 1/8 in. (71.4 x 124.8 cm). Date: 1899.Back in Prouts Neck, Maine, after one of his winter visits to the Bahamas, Homer painted this dramatic scene of imminent disaster. A man faces his demise on a dismasted, rudderless fishing boat, sustained by only a few stalks of sugarcane and threatened by sharks and a distant waterspout. He is oblivious to the schooner on the left horizon, which Homer later added to the canvas as a sign of hopeful rescue. Some art historians have read The Gulf Stream as symbolic, connecting it with the period's heightened racial tensions. The painting has also been interpreted as an expression of Homer's presumed sense of mortality and vulnerability following the death of his father. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653424 Ceiling Design. Artist: Matías Arteaga y Alfaro (Spanish, Villanueva de los Infantes 1633-1703 Seville). Dimensions: 6-5/16 x 10-1/2 in. (16.0 x 26.7 cm). Date: 1633-1703. Museum: Metropolitan Museum of Art, New York, USA.
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alb3650208 Design for an Epitaph. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/8 x 5 15/16 in. (23.8 x 15.1 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3657925 Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 8 1/16 x 5 9/16 in. (20.4 x 14.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3654290 Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 1/16 x 4 9/16 in. (10.3 x 11.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653532 Coin (Crown) Showing John George III, Duke of Saxony. Culture: German. Dimensions: H. 1 3/4 in. (4.5 cm); W. 1 13/16 in. (4.6 cm); thickness 1/16 in. (0.2 cm); Wt. 1.1 oz. (31.2 g). Date: 1683. Museum: Metropolitan Museum of Art, New York, USA.
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alb3650187 Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 1 5/8 x 4 5/16 in. (4.2 x 11 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3615762 Dancer with a Fan. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 21 7/8 x 19 1/4 in. (55.6 x 48.9 cm). Date: ca. 1890-95.This is a study for the second figure from the left in Degas's pastel of the 1890s Ballet Dancers in the Wings (Saint Louis Art Museum). In the background is a brightly colored stage flat. Museum: Metropolitan Museum of Art, New York, USA.
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alb3617163 Studies for a Kneeling Figure of Christ and Altar Fronts. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 8 1/8 x 5 7/8 in. (20.7 x 14.9 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3599890 Terracotta oinochoe (jug). Culture: Etruscan. Dimensions: H. 8 1/16 in. (20.5 cm). Date: ca. 300 B.C..The type, which clearly imitates more expensive metal vessels, is associated with Volterran workshops. In this case, a definite source of inspiration was Gnathian pottery from Southern Italy. Like this jug, Late Gnathian oinochoai are often ribbed and have elegantly curved handles that terminate in a satyr-head attachment and decorative borders in added color at the shoulder. Museum: Metropolitan Museum of Art, New York, USA.
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alb3617560 Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 1/4 x 5 9/16 in. (18.4 x 14.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3618220 Design for the Right Half of an Overdoor Decoration with a Bust. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 5 13/16 x 5 in. (14.7 x 12.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3614123 Mäda Primavesi (1903-2000). Artist: Gustav Klimt (Austrian, Baumgarten 1862-1918 Vienna). Dimensions: 59 x 43 1/2 in. (149.9 x 110.5 cm). Date: 1912-13.Mäda Primavesi's expression and posture convey a remarkable degree of confidence for a nine-year-old girl, even one who was, by her own account, willful and a tomboy. Klimt made numerous preliminary sketches for this portrait, experimenting with different poses, outfits, and backgrounds before deciding to show Mäda standing tall in a specially-made dress amid a profusion of springlike patterns. The picture testifies to the sophisticated taste of her parents, banker and industrialist Otto Primavesi and his wife Eugenia, who were ardent supporters of progressive Viennese art and design. In fact, Klimt soon painted Eugenia's portrait (Toyota Municipal Museum of Art, Japan). Museum: Metropolitan Museum of Art, New York, USA.
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alb3616106 Caricature: An Elderly Couple. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 8-1/4 x 6-1/8 in. (20.9 x 15.6 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.
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alb3619006 Allée of Chestnut Trees. Artist: Alfred Sisley (British, Paris 1839-1899 Moret-sur-Loing). Dimensions: 19 3/4 x 24 in. (50.2 x 61 cm). Date: 1878.In the 1860's, Sisley met Pissarro, Monet, Bazille, and Renoir, with whom he brought forth the practice of painting directly from nature. Exhibiting with the Impressionists, as they were formally named at the time of their independent exhibition in Paris in 1874, Sisley enjoyed short-lived but considerable success during the 1870's. While residing in Sèvres with his wife and children, Sisley painted this view of a curved pathway lined with chestnut trees in full bloom. The pathway follows a bend in the Seine, lending the viewer access across the pictorial space. The weather is pleasant, the sky a crisp pale blue, and the grass bending softly in the wind. Unlike other Impressionists who returned to their studios in their later careers, Sisley remained outdoors, painting from his sketches rendered in the countryside. Museum: Metropolitan Museum of Art, New York, USA.
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alb3617634 Dancers, Pink and Green. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 32 3/8 x 29 3/4 in. (82.2 x 75.6 cm). Date: ca. 1890.The heavily impastoed surface suggests that Degas worked directly and extensively on this picture, building up passages of oil paint with brushes and his fingers. By mixing his colors with white to make them opaque, and by applying his pigments thickly and in several layers, he approximated the pastel technique that he had perfected in the 1880s. Degas punctuated the composition with the shadowy profile of a top-hatted patron of the Paris Opéra, who enjoys the privilege of dallying with the dancers in the wings during a performance. Museum: Metropolitan Museum of Art, New York, USA.
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alb3612463 Inauguration de la statue equestre de Louis XV. Artist: After Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris); Etched by Pierre Chenu (French, Paris 1730-late 18th century). Dimensions: sheet: 8 3/8 x 5 5/16 in. (21.3 x 13.5 cm)image: 7 1/16 x 4 7/16 in. (18 x 11.2 cm). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA.
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alb3612493 Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 x 9 5/16 in. (15.2 x 23.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3614626 Design for a Fountain in a Niche flanked by Terms. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 10 9/16 x 6 1/2 in. (26.8 x 16.5 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3647151 Portrait of a Young Girl. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: 29 x 24 1/8 in. (73.7 x 61.3 cm). Date: 1899.In "Portrait of a Young Girl," Cassatt posed her young model outdoors, probably at or near Château Beaufresne, the home the artist had purchased in the Oise River valley, about fifty miles northwest of Paris, in 1894. As in contemporary images of women and girls by William Merritt Chase, Frank W. Benson, and others, the girl appears immersed in nature and isolated from the outside world. The high vantage point, flattened space, and absence of a horizon, all suggesting the influence of Japanese art, are compositional devices that Cassatt also used in her color prints of the 1890s. Museum: Metropolitan Museum of Art, New York, USA. Author: Mary Cassatt.
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alb3610790 Design for a Carved or Openworked Frame with a Variant. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 7/8 x 9 5/8 in. (17.4 x 24.5 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3617240 Design for Vase with Eagles. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 10 11/16 x 10 7/8 in. (27.1 x 27.6 cm)(irregular borders). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3903640 Madonna of the Candle. Date/Period: 1570 - 1575. Painting. Height: 1,400 mm (55.11 in); Width: 1,090 mm (42.91 in). Author: LUCA CAMBIASO.
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alb3644385 Bronze helmet of Corinthian type. Culture: Greek. Dimensions: Overall: 8 7/8 x 7 1/4 in. (22.6 x 18.5 cm). Date: ca. 600-575 B.C..Over eyes, lotos and palmettes flanked by heraldic serpents; below, at each side, palmette. Museum: Metropolitan Museum of Art, New York, USA.
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alb3905282 La Balançoire The Swing. Date/Period: 1876. Painting. Oil on canvas. Height: 920 mm (36.22 in); Width: 730 mm (28.74 in). Author: Pierre-Auguste Renoir.
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alb3903376 Study of Two Warriors' Heads for the Battle of Anghiari. Date/Period: 1504 - 1505. Drawing. Black chalk or charcoal, some traces of red chalk on paper Black chalk or charcoal, some traces of red chalk on paper. Height: 191 mm (7.51 in); Width: 188 mm (7.40 in). Author: LEONARDO DA VINCI.
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alb3906945 The Mystic Marriage of St. Catherine. Date/Period: Ca. 1547. Painting. Oil on canvas Oil on canvas. Height: 840 mm (33.07 in); Width: 1,000 mm (39.37 in). Author: Paolo Veronese (Paolo Caliari).
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alb3903379 The Annunciation. Date/Period: Ca. 1472. Painting. Oil on panel. Height: 98 cm (38.5 in); Width: 217 cm (85.4 in). Author: LEONARDO DA VINCI.
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alb3906926 Scorn. Painting. Oil on canvas. Height: 186.6 cm (73.4 in); Width: 188.5 cm (74.2 in). Author: PAOLO VERONESE.
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alb3906925 Respect. Painting. Oil on canvas. Height: 186.1 cm (73.2 in); Width: 194.3 cm (76.4 in). Author: PAOLO VERONESE.
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alb3906931 Unfaithfulness. Date/Period: 1575. Painting. Oil on canvas. Height: 189.9 cm (74.7 in); Width: 189.9 cm (74.7 in). Author: PAOLO VERONESE.
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alb3907479 Diana and Callisto. Date/Period: 1605/1608. Painting. Author: HENDRIK VAN BALEN. THE ELDER JAN BRUEGHEL.
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alb3907437 Young Ladies on the bank of the Seine - fragment of a painting (Woman with Flowers on Her Hat). Date/Period: 1857. Painting. Oil on canvas. Height: 46 cm (18.1 in); Width: 55.5 cm (21.8 in). Author: GUSTAVE COURBET.
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alb3729617 The Ecstasy of the Magdalen. Dated: 1616/1620. Dimensions: original canvas: 213.8 x 143.6 cm (84 3/16 x 56 1/2 in.) overall size (lined canvas and stretcher): 216 x 146 cm (85 1/16 x 57 1/2 in.) framed: 258.1 x 189.6 x 10.8 cm (101 5/8 x 74 5/8 x 4 1/4 in.) gross weight (painting and frame together): 65.772 kg (145 lb.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GIULIO CESARE PROCACCINI.
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alb3726365 Tobias and the Angel. Dated: c. 1475/1480. Dimensions: painted surface: 32.7 x 23.5 cm (12 7/8 x 9 1/4 in.) overall: 34.45 x 25.4 cm (13 9/16 x 10 in.) framed: 47.6 x 38.1 x 5.7 cm (18 3/4 x 15 x 2 1/4 in.). Medium: oil and tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: FILIPPINO LIPPI.
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alb3666328 Sheet with Various Designs for Tables and a Funerary Monument. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3723438 Henry, Duke of Gloucester. Dated: c. 1653. Dimensions: overall: 104.8 x 87 cm (41 1/4 x 34 1/4 in.) framed: 128.91 x 111.13 x 11.43 cm (50 3/4 x 43 3/4 x 4 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Adriaen Hanneman.
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alb3666078 Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816-1850). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: 52 x 37 1/4 in. (132.1 x 94.6 cm). Date: 1841.This likeness of the wife of the French ambassador to the Vatican expresses Chassériau's subtle defiance of J. A. D. Ingres, his teacher. He subverted Ingres's approach by casting a melancholic mood over the picture, by banishing bright colors, and by abandoning the master's meticulous naturalism and smooth polish for a stylized and painterly depiction of sitter and setting. (The countess posed in the garden of the French embassy in Rome.) When the portrait was shown at the 1841 Salon, critics objected to its Romantic qualities--the expressive elongation of the head, the gazelle-like eyes, the pallor of the skin, and the delicacy of the hands. Museum: Metropolitan Museum of Art, New York, USA.
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alb3669433 Peaceable Kingdom. Artist: Edward Hicks (American, Langhorne, Pennsylvania 1780-1849 Newton, Pennsylvania). Dimensions: 17 7/8 x 23 7/8 in. (45.4 x 60.6 cm). Date: ca. 1830-32.The Quaker minister and painter Edward Hicks is best known for his Peaceable Kingdom pictures, of which sixty-two exist. The paintings represent a messianic prophecy in the book of Isaiah (11:6): "The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together; and a little child shall lead them." During the 1820s, a severe rift formed within the Society of Friends. In this version of Hicks's favorite motif, the split is represented by the shattered tree trunk, and the desire for peace between the factions by the menagerie of discordant beasts lying down in perfect harmony. The lion and his companion, the ox, were, for Hicks, symbols of redemption. Museum: Metropolitan Museum of Art, New York, USA.
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alb3667395 Design for a Rocaille Cartouche. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 3/16 x 2 13/16 in. (5.5 x 7.1 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.
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alb3663180 View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.5 cm). Date: 1652-1725.View in three quarters of a design for a headpiece, made up of a large shell motif, flanked to the sides by scrolling acanthus leaves, forming a crown that composes the body of the headpiece, and containing a rich bundle of large, scrolling feathers. The head wearing the piece has long, curly hair; a cravat tied around the neck is sketched under the face. Museum: Metropolitan Museum of Art, New York, USA.
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alb4218852 'Allegory of the Virtuous Life'. Flanders, 1625-1626. Dimensions: 91x122 cm. Museum: State Hermitage, St. Petersburg. Author: Hendrik van Balen I. Jan Brueghel II.
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alb4138937 Chancellerie. Woven at an unknown workshop at the Manufacture Royale des Gobelins; France, presumably Paris. Date: 1718-1721. Dimensions: 117.2 × 246.1 cm (46 1/8 × 96 7/8 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: France. Museum: The Chicago Art Institute, USA. Author: Manufacture Royale des Gobelins.
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