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akg162909 Paris (Frankreich), Gaumont Palace, Boulevard de Clichy. (Lichtspielhaus der Produktionsgesellschaft Léon Gaumont). Innenansicht: Zuschauerraum mit Vorhang. Foto, undat. (um 1910?). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg162794 Picasso, Pablo 1881-1973. "Acrobate et jeune arlequin" (Acrobat and young Harlequin), 1905. Oil on canvas, 190.3 × 107.8cm. Merion (Pa), the Barnes Foundation. Museum: Merion (Pa), the Barnes Foundation. Copyright: © Pablo Picasso. This artwork of Picasso is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg020881 Picasso, Pablo Spanish painter, graphic artist, sculpt. Malaga 25.10.1881 - Mougins 8.4.1973. "Self-portrait". Paris, autumn 1906. Oil on canvas, 90 × 70cm. A.E.Gallatin Collection. Philadelphia, Museum of Art. Museum: Philadelphia, Museum of Art. Copyright: © Pablo Picasso. This artwork of Picasso is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Pablo Picasso.

akg188605 Baldung, Hans, called Grien, 1484/85-1545. "Nude maiden, looking in the mirror and combing her heir, death beckoning", 1515. Chiaroscuro drawing, pen, heightened white, on brown primed paper, 306 × 204 mm. Berlin, SMB, Kupferstichkabinett. Museum: Berlin, SMB, Kupferstichkabinett. Author: HANS BALDUNG-GRIEN.

akg199021 after: Merian, Matthaeus the Elder. 1593-1650 - "Siège de Jerusalem". (Nebuchadnezzar besieges Jerusalem; -Kings 2, 25,1-13). Engraving, 1670, by Pierre Mariette. (1634-1716) after Merian. Fr: L'Histoire du Vieux et du Nouveau Testament (..). Par le Sieur de Royaumont, Nouvelle edition, Paris (Jean Villette) 1723, p. 275. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg1108449 Letzlingen (Sachsen-Anhalt), Jagdschloß (Baubeginn 1560, 1843 Umbau durch F.A.Stüler u. L.F.Hesse nach den Wünschen König Friedrich Wilhelms IV.)-Außenansicht von Nordosten.-Foto, 2010.

akg7869706 DEFREGGER, FRANZ VON1835 Stronach - 1921 MunichPortrait of a Tirolese Farmer. Oil on canvas. 64 x 51,5cm. Signed and dated lower right: 02 / Defregger. Framed.

alb262507 BURT LANCASTER, GINA LOLLOBRIGIDA and TONY CURTIS in TRAPECIO (1956) -Original title: TRAPEZE-, directed by CAROL REED. English title: TRAPEZE. Portuguese title: TRAPEZIO.

alb265063 MARLENE DIETRICH. 1933.

alb302104 BURT LANCASTER, GINA LOLLOBRIGIDA and TONY CURTIS in TRAPECIO (1956) -Original title: TRAPEZE-, directed by CAROL REED. English title: TRAPEZE. Portuguese title: TRAPEZIO.

alb294918 JACK NICHOLSON and WILL SAMPSON in ALGUIEN VOLÓ SOBRE EL NIDO DEL CUCO (1975) -Original title: ONE FLEW OVER THE CUCKOO'S NEST-, directed by MILOS FORMAN. English title: ONE FLEW OVER THE CUCKOO'S NEST. Portuguese title: UM ESTRANHO NO NINHO.

alb3378990 CANTA! (2016) -Original title: SING-, directed by GARTH JENNINGS. English title: SING.

alb3378992 CANTA! (2016) -Original title: SING-, directed by GARTH JENNINGS. English title: SING.

alb3378995 CANTA! (2016) -Original title: SING-, directed by GARTH JENNINGS. English title: SING.

alb1997282 ALGUIEN VOLÓ SOBRE EL NIDO DEL CUCO (1975) -Original title: ONE FLEW OVER THE CUCKOO'S NEST-, directed by MILOS FORMAN. English title: ONE FLEW OVER THE CUCKOO'S NEST. Portuguese title: UM ESTRANHO NO NINHO.

alb13724789 Peter Paul Rubens/ Minerva protects Pax from Mars ('Peace and War'), 1629-30.Oil on canvas. 203.5 × 298 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

alb15879450 Judith Leyster (Judith Jans Leyster, 28/07/1609-10/02/1660) / Two Children with a Cat, c. 1629, Oil on canvas. Private collection. Height: 61 cm; Width: 52 cm. Museum: Rijksmuseum, Amsterdam, NETHERLANDS.

alb2036990 Rembrandt Harmenszoon van Rijn / 'Bathsheba in the bath', 1654, Oil on canvas, 142 x 142 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2033417 Domenico Ghirlandaio / 'An Old Man and his Grandson', c. 1490, Tempera on wood, 62 x 46 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb2019347 Joseph Mallord William Turner / 'Rain, Steam and Speed (The Great Western Railway)', 1844, Oil on canvas, 91 x 121.8 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

alb2019425 Leonardo Jusepe / 'The Surrender of Juliers', 1634-1635, Oil on canvas, 307 x 381 cm, P00858. Museum: MUSEO DEL PRADO, MADRID, SPAIN. AMBROSIO ESPINOLA. DIEGO MEXIA FELIPEZ DE GUZMAN.

alb2015790 Edgar Degas / 'Dancer in her dressing room', Pastel on paper, 59 x 45 cm. Museum: PRIVATE COLLECTION.

alb2042080 Portait of Antonio Vivaldi (1678-1741), 1723, Oil on canvas. Museum: Museo Bibliografico Musicale, BOLONIA, ITALIA. Author: FRANÇOIS MORELLON DE LA CAVE.

alb2070721 Pedro Pablo Rubens; Jan Brueghel 'el Viejo' / 'Mary Virgin and Child with Wreath of Flowers and Fruits', 1617-1620, Flemish School, Oil on panel, 79,7 cm x 63,7 cm, P01418. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070063 José Antolínez / 'The Death of Mary Magdelene', ca. 1672, Spanish School, Oil on canvas, 205 cm x 163 cm, P00591. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069668 Jacopo Robusti Tintoretto / 'Judith and Holofernes', ca. 1577, Italian School, Oil on canvas, 188 cm x 251 cm, P00391. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069192 Francisco de Goya y Lucientes / 'Duel with Cudgels', 1820-1823, Spanish School, Mural, 125 cm x 261 cm, P00758. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb213942 The Procession to Calvary, 1564, Oil on canvas, 124 cm x 170 cm. Museum: KUNSTHISTORISCHES MUSEUM, VIENA, AUSTRIA. Author: PIETER BRUEGEL THE ELDER.

alb9530575 Group of four men. Date: 1858. Origin: United States. Pencil on off-white wove paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb3717343 Waterloo Bridge, Gray Day. Dated: 1903. Dimensions: overall: 65.1 x 100 cm (25 5/8 x 39 3/8 in.) framed: 84.4 x 120 cm (33 1/4 x 47 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET.

alb38027 Jan Massys / 'David and Bathseba', 1562, Oil on panel, 162 x 197 cm, INV. 1446. Museum: Musée du Louvre, Dpt. des Peintures, Paris.

alb3710977 Cheval de charrette sorti des Limons. Dated: 1823. Dimensions: overall: 25.5 x 33.5 cm (10 1/16 x 13 3/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Théodore Géricault.

alb3710037 Red House, Paimpol. Dated: 1893. Dimensions: image: 22.7 × 16.2 cm (8 15/16 × 6 3/8 in.) sheet: 37.1 × 24.3 cm (14 5/8 × 9 9/16 in.). Medium: color lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3713224 The Lamentation. Dated: in or before 1509. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Lucas Cranach the Elder.

alb3715467 Jerusalem Artichoke Flowers. Dated: 1880. Dimensions: overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.) framed: 121.9 x 95.2 cm (48 x 37 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET.

alb3714145 The Feast of the Bohemians. Dated: 1621. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3684173 Battle of Bunker Hill (June 17, 1775). Artist: After John Trumbull (American, Lebanon, Connecticut 1756-1843 New York); Johann Gotthard Muller (German, Bernausen 1747-1830 Stuttgart). Dimensions: image: 19 13/16 x 29 5/8 in. (50.3 x 75.2 cm)plate: 23 3/8 x 32 5/8 in. (59.4 x 82.9 cm)sheet: 23 3/8 x 34 in. (59.4 x 86.4 cm). Publisher: Published London by Antonio Cesare Poggi (Italian, active London and Paris, 1769-?1836). Date: ca. 1798. Museum: Metropolitan Museum of Art, New York, USA.

alb3681859 Floral collar from Tutankhamun's Embalming Cache. Dimensions: Diam. 44 cm (17 5/16 in.); D. 15.5 cm (6 1/8 in.). Dynasty: Dynasty 18. Reign: reign of Tutankhamun. Date: ca. 1336-1327 B.C..This remarkably preserved floral collar, from the funerary cache of Tutankhamun, illustrates how the broad collars so frequently depicted in Egyptian tomb paintings were made. Alternating rows of flower petals and blossoms, leaves, berries, and blue faience beads were sewn to a papyrus backing, and linen ties secured the collar around the wearer's neck. Some of the flora used in the Tutankhamun collars have been identified as olive leaves, cornflowers, and poppies. Several collars in the cache, like this one, were bound around the edge with red cloth, and the resulting combination of red, blue, black, and green must have been very colorful and similar to the polychrome decoration on some of the terracotta vessels in same deposit. Museum: Metropolitan Museum of Art, New York, USA.

alb3639804 A Giant Seated in a Landscape, sometimes called 'The Colossus'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm). Date: by 1818.One of Goya's most striking images, the implicit subject of this work is unclear. A giant seated in a landscape turns his head over his shoulder as if he has been disturbed from thought. Perhaps he had been awaiting the dawning of a new day and turns because the moment has come. The Spanish master produced this print using burnished aquatint to achieve subtle effects of light and dark--an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated to around 1800 or 'by 1818'. There is a close relationship between the print and the famous painting of the 'Colossus' in the Museo del Prado, Madrid. Both works show the same figure. The painting has always been attributed to Goya, but in 2008 it was assigned by the Prado Museum as a studio work and not by the master himself. There is no consensus and disagreement continues. The print is critical in the debate about the authorship of the painting. If the painting is a studio work then the artist borrowed the figure of Colossus from Goya's print. Given his imagination and originality, it seems highly unlikely that Goya would borrow the figure from someone else's painting to use in his print. Museum: Metropolitan Museum of Art, New York, USA.

alb3637054 Bifolium from the "Nurse's Qur'an" (Mushaf al-Hadina). Dimensions: H. 17 1/2 in. (44.5 cm)W. 23 5/8 in. (60 cm). Date: ca. A.H. 410/ A.D. 1019-20.This double-page from a Qur'an comes down to us with the fascinating information that the nursemaid to one of the Zirid rulers of North Africa commissioned it for donation to the Great Mosque of Qairawan. It is written in a form of the 'new style kufic' script that was unique to North Africa, and it was copied on parchment, which remained in use in this region long after paper was commonly used for Qur'ans from Egypt, Iraq or Iran. Museum: Metropolitan Museum of Art, New York, USA.

alb3681147 Cuneiform tablet: administrative account of barley distribution with cylinder seal impression of a male figure, hunting dogs, and boars. Culture: Sumerian. Dimensions: 2.17 x 2.36 x 1.63 in. (5.5 x 6 x 4.15 cm). Date: ca. 3100-2900 B.C..Of the many legacies left by the ancient civilizations of southern Mesopotamia, the invention of writing is paramount. At the end of the fourth millennium B.C., written language developed in the region, first as pictographs and then evolving into abstract forms called cuneiform. The pictographs, like the ones on this tablet, are called proto-cuneiform and were drawn in the clay with a pointed implement. Circular impressions alongside the pictographs represented numerical symbols. Cuneiform (meaning wedge-shaped) script was written by pressing a reed pen or stylus with a wedge-shaped tip into a clay tablet. Clay, when dried to a somewhat hardened state, made a fine surface for writing, and when fired the records written on it became permanent.Early writing was used primarily as a means of recording and storing economic information. This tablet most likely documents grain distributed by a large temple, although the absence of verbs in early texts makes them difficult to interpret with certainty. In addition to the writing that appears on this tablet, the imagery of the cylinder seal, which was incompletely impressed on both faces and the edges of the tablet before it was inscribed, also records information. This seal apparently has not survived. The seal impression depicts a male figure guiding two dogs on a leash and hunting or herding boars in a reed marsh. He is the so-called priest-king, a male figure who can be identified by his dress and pose. Here he appears in his role as the good shepherd who protects flocks from wild predators.Adapted from, Art of the Ancient Near East: A Resource for Educators (2010). Museum: Metropolitan Museum of Art, New York, USA.

alb3630881 Seal amulet in the form of a lion's head. Dimensions: Seal Face: 4.5 x 3.7 cmHeight: 1.5 cm. Date: ca. 3300-2900 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

alb3637044 Harper's, August. Artist: Edward Penfield (American, Brooklyn, New York 1866-1925 Beacon, New York). Dimensions: Sheet: 19 5/16 × 13 1/2 in. (49.1 × 34.3 cm)Image: 18 7/16 × 11 1/8 in. (46.8 × 28.3 cm). Publisher: Harper and Brothers, Publishers. Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

alb3631509 Manuel Osorio Manrique de Zuñiga (1784-1792). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1787-88.The sitter is the son of the Count and Countess of Altamira. Outfitted in a splendid red costume, he is shown playing with a pet magpie (which holds the painter's calling card in its beak), a cage full of finches, and three wide-eyed cats. In Christian art birds frequently symbolize the soul, and in Baroque art caged birds are symbolic of innocence. Goya may have intended this portrait as an illustration of the frail boundaries that separate the child's world from the forces of evil or as a commentary on the fleeting nature of innocence and youth. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3639134 The stopping place of the gypsies: the fortune-tellers (La Halte des bohémiens: les diseuses de bonne aventure), from the series 'The Gypsies' (Les Bohémiens). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 4 13/16 x 9 5/16 in. (12.2 x 23.6 cm). Date: 1621-31. Museum: Metropolitan Museum of Art, New York, USA.

alb3633485 A Moonlit scene depicting the Areopagite judged of Athens, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 8. Artist: Willem van Swanenburg (Netherlandish, ca. 1581/82-1612); After Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: Sheet: 11 9/16 × 14 9/16 in. (29.4 × 37 cm). Publisher: Christoffel van Sichem I (Netherlandish, 1546-1624). Series/Portfolio: Thronus Justitiae, tredecim pulcherrimus tabulis.... Date: 1605.This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606. Museum: Metropolitan Museum of Art, New York, USA.

alb3637484 Head of Tutankhamun. Dimensions: H. 17.2 cm (6 3/4 in.); W. 16 cm (6 5/16 in.); D. 23.6 cm (9 5/16 in.). Dynasty: Dynasty 18. Reign: reign of Tutankhamun. Date: ca. 1336-1327 B.C..This head is a fragment from a statue group that represented a god seated on a throne with the young king Tutankhamun in front of him. The king's figure was considerably smaller than that of the god, indicating his subordinate status in the presence of the deity. All that remains of the god is his right hand, which touches the back of the king's crown in a gesture that signifies Tutankhamun's investiture as king. During coronation rituals, various types of crowns were put on the king's head. The type represented here--probably a leather helmet with metal disks sewn onto it--was generally painted blue, and is commonly called the "blue crown." The ancient name was khepresh.Statue groups showing a king together with gods had been created since the Old Kingdom, and formal groups relating to the pharaoh's coronation were dedicated at Karnak by Hatshepsut and other rulers of Dynasty 18. The Metropolitan's head of Tutankhamun with the hand of the god is special because of the intimacy with which the subject is treated. The face of the king expresses a touching youthful earnestness, and the hand of the god is raised toward his crown with gentle care.A cast of the head has recently been matched by a scholar to the remains of an indurated limestone seated statue of a god in the storerooms at Karnak in Thebes. She reports that the join is minimal, but conclusive. This confirms the long supposed origin of the Museum's head from Karnak temple, and also resolves the question of the young king's pose - he was standing rather than kneeling in front of the god. The seated god at Karnak is only preserved from the waist down and is much damaged, so that the god is not identified specificially. Amun is, however, the likely candidate. Museum: Metropolitan Museum of Art, New York, USA.

alb3637920 The Holy Family with Saints Anne and Catherine of Alexandria. Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Dimensions: 82 1/2 x 60 3/4 in. (209.6 x 154.3 cm). Date: 1648.A masterpiece of the artist's maturity, this painting combines the naturalism and quality of physical presence associated with Caravaggio with the elevated formal language of Raphael. Spanish by birth, Ribera lived all of his adult life in Rome and Naples, which was ruled by a Spanish viceroy. During his early years in Rome, he adopted Caravaggio's practice of working directly from posed models and this has enabled him to give vibrant presence to figures inhabiting a sacred realm. Museum: Metropolitan Museum of Art, New York, USA.

alb3637247 The Evacuation of Fort Sumter, April 1861. Artist: Attributed to Alma A. Pelot (American, active Charleston, South Carolina, 1850s-1860s); Attrobuted to Jesse H. Bolles (American, active Charleston, South Corlina, 1850s-1860s). Dimensions: Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm)Mount: 3 3/8 in. × 4 3/4 in. (8.5 × 12 cm). Publisher: Edward Anthony (American, 1818-1888). Date: April 1861. Museum: Metropolitan Museum of Art, New York, USA.

alb3708720 The Taking of Carthagena. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Pencz after Giulio Romano.

alb3709662 Bathsheba at Her Bath. Dated: 1519. Dimensions: sheet: 11.9 x 9.5 cm (4 11/16 x 3 3/4 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Burgkmair I.

alb3704677 Henri de Mesmes. Dated: 1650. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Robert Nanteuil.

alb3701943 Sainte-Adresse. Dated: 1867. Dimensions: overall: 57 x 80 cm (22 7/16 x 31 1/2 in.) framed: 76.2 x 99.7 x 6.9 cm (30 x 39 1/4 x 2 11/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET.

alb3703201 Interior, after Dinner. Dated: 1868/1869. Dimensions: overall: 50.2 x 65.4 cm (19 3/4 x 25 3/4 in.) framed: 76.4 x 93.4 x 7.6 cm (30 1/16 x 36 3/4 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET.

alb3700701 Volendam Street Scene. Dated: 1910. Dimensions: overall: 51 x 61.1 cm (20 1/16 x 24 1/16 in.) framed: 73.7 x 83.8 x 6.4 cm (29 x 33 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Robert Henri.

alb3891382 Mrs Rabone. Date/Period: 1871. Cartes-de-visite. Black and white photograph, albumen silver print. Height: 92 mm (3.62 in); Width: 56 mm (2.20 in). Author: American Photographic Company (Auckland).

alb3709707 Catharine. Dated: 1913. Dimensions: overall: 61 x 51 cm (24 x 20 1/16 in.) framed: 85.1 x 74.9 x 6.4 cm (33 1/2 x 29 1/2 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Robert Henri.

alb3890529 [Copy of a Sketch of Colonel Crealock's Engagement in India]. Date/Period: 1858 - 1859. Print. Albumen silver. Height: 283 mm (11.14 in); Width: 225 mm (8.85 in). Author: Felice Beato.

alb3890548 [Gateway Leading into The Residency, Commonly the Bailee Guard Gate, Held by Lieutenant-Colonel R.H.M. Aitken, of the 13th Bengal Native Infantry]. Date/Period: 1858. Print. Albumen silver. Height: 233 mm (9.17 in); Width: 302 mm (11.88 in). Author: Felice Beato.

alb3890547 [Gateway and Banqueting Hall, Lucknow]. Date/Period: April 1858. Print. Albumen silver. Height: 244 mm (9.60 in); Width: 298 mm (11.73 in). Author: Felice Beato.

alb3893275 Richard Burbage. Date/Period: Early 17th century. Painting. Oil on canvas Oil. Height: 303 mm (11.92 in); Width: 262 mm (10.31 in). Author: British School.

alb3895888 Répétition d'un ballet sur la scène Ballet Rehearsal on Stage. Date/Period: 1874. Painting. Oil on canvas. Height: 650 mm (25.59 in); Width: 810 mm (31.88 in). Author: EDGAR DEGAS.

alb3890395 Ferman (imperial decree) of Sultan Mehmed II (r. 1451-1481). Date/Period: 1459. Ink and gold on paper. Height: 495 mm (19.48 in); Width: 197 mm (7.75 in). Author: Unknown scribe.

alb3893079 La scoperta del cadavere di Oloferne e Il ritorno di Giuditta / The Discovery of Holofernes' Corpse Judith Returns from the Enemy Camp at Bethulia. Date/Period: From 1470 until 1472. Painting. Tempera on panel. Height: 31 cm (12.2 in); Width: 24 cm (9.4 in). Author: SANDRO BOTTICELLI.

alb3895924 Orchestra Musicians. Date/Period: 1872/1876. Painting. Oil on canvas. Width: 49 cm. Height: 69 cm (Complete). Author: EDGAR DEGAS.

alb3895958 Washerwomen. Date/Period: 1870/1872. Oil on canvas. Width: 21 cm. Height: 15 cm (Without frame). Author: EDGAR DEGAS.

alb3895901 Danseuses Dancers. Date/Period: 1884 - 1885. Pastel. Height: 750 mm (29.52 in); Width: 730 mm (28.74 in). Author: EDGAR DEGAS.

alb3895953 Two Dancers, c. 1905. Date/Period: Ca. 1905. Pastel on cardboard. Author: EDGAR DEGAS.

alb3891259 Un sentier aux Sablons [A path at Les Sablons]. Date/Period: 1883. Painting,oil on canvas. Height: 460 mm (18.11 in); Width: 550 mm (21.65 in). Author: Alfred Sisley.

alb3895059 Judith with the Head of Holofernes. Date/Period: Ca. 1530. Painting. On lime. Circa Height: 86 cm (33.8 in); Width: 55.7 cm (21.9 in). Author: Lucas Cranach the Elder.

alb3894603 La rue Montorgueil à Paris. Fête du 30 juin 1878 The Rue Montorgueil in Paris. Celebration of June 30, 1878. Date/Period: 1878. Painting. Oil on canvas. Height: 810 mm (31.88 in); Width: 500 mm (19.68 in). Author: CLAUDE MONET.

alb3894616 The Young Ladies of Giverny, Sun Effect. Date/Period: 1894. Painting. Oil on canvas Oil on canvas. Author: CLAUDE MONET.

alb3894633 Les Nymphéas / Waterlilies. Date/Period: 1904. Painting. Oil on canvas. 92 × 89 cm (36.2 × 35 in). Author: CLAUDE MONET.

alb3894631 Water Lilies and Japanese Bridge. Date/Period: 1899. Painting. Oil on canvas Oil on canvas. Height: 89.7 cm (35.3 in); Width: 90.5 cm (35.6 in). Author: CLAUDE MONET.

alb3894645 Poplars. Date/Period: 1891. Painting. Oil on canvas Oil on canvas. Height: 930.91 mm (36.65 in); Width: 741.68 mm (29.20 in). Author: CLAUDE MONET.

alb3894526 Nymphéas bleus Blue Water Lilies. Date/Period: 1916 - 1919. Painting. Oil on canvas. Height: 2,000 mm (78.74 in); Width: 2,000 mm (78.74 in). Author: CLAUDE MONET.

alb3894624 Les Villas à Bordighera / Villas at Bordighera. Date/Period: 1884. Painting. Oil on canvas. Height: 1,150 mm (45.27 in); Width: 1,300 mm (51.18 in). Author: CLAUDE MONET.

alb3894547 L'Été / Summer. Date/Period: 1874. Painting. Oil on canvas. Height: 57 cm (22.4 in); Width: 80 cm (31.4 in). Author: CLAUDE MONET.

alb3894520 Un coin d'appartement A Corner of the Apartment. Date/Period: 1875. Painting. Oil on canvas. Height: 810 mm (31.88 in); Width: 600 mm (23.62 in). Author: CLAUDE MONET.

alb3894549 La Pointe de la Hève at Low Tide. Date/Period: 1865. Painting. Oil on canvas. Height: 90.20 mm (3.55 in); Width: 150.50 mm (5.92 in). Author: CLAUDE MONET.

alb3894560 Peony Garden. Date/Period: 1887. Painting. Oil on canvas Oil on canvas. Height: 653 mm (25.70 in); Width: 1,000 mm (39.37 in). Author: CLAUDE MONET.

alb3894594 Les déchargeurs de charbon The Coalmen Die Kohlenträger. Date/Period: Ca. 1875. Painting. Oil on canvas. Height: 540 mm (21.25 in); Width: 660 mm (25.98 in). Author: CLAUDE MONET.

alb3894536 Haystacks. Date/Period: 1885. Painting. Oil on canvas. Height: 652 mm (25.66 in); Width: 815 mm (32.08 in). Author: CLAUDE MONET.

alb3894596 The Japanese Footbridge, Giverny. Date/Period: 1920/1924. Painting. Oil on canvas. Width: 94.1 cm. Height: 88.9 cm (without frame). Author: CLAUDE MONET.

alb3894514 Still Life with Flowers and Fruit. Date/Period: 1869. Painting. Oil on canvas. Height: 1,003 mm (39.48 in); Width: 813 mm (32 in). Author: CLAUDE MONET.

alb3894567 Port-Goulphar, Belle-Île. Date/Period: 1887. Painting. Oil on canvas. Height: 1,070 mm (42.12 in); Width: 916 mm (36.06 in). Author: CLAUDE MONET.

alb3894551 Ladies in Flowers. Date/Period: 1875. Painting. Height: 54.5 cm (21.4 in); Width: 65.5 cm (25.7 in). Author: CLAUDE MONET.

alb3894568 Régates à Argenteuil Regattas at Argenteuil. Date/Period: Ca. 1872. Painting. Oil on canvas. Height: 480 mm (18.89 in); Width: 750 mm (29.52 in). Author: CLAUDE MONET.

alb3894525 Le Bassin d'Argenteuil Bassin d'Argenteuil. Date/Period: Ca. 1872. Painting. Oil on canvas. Height: 600 mm (23.62 in); Width: 800 mm (31.49 in). Author: CLAUDE MONET.

alb3890744 Headquarter Staff, Pehtang Fort. Date/Period: August 1, 1860. Print. Albumen silver. Height: 255 mm (10.03 in); Width: 300 mm (11.81 in). Author: Felice Beato.

alb3890622 [Part of the Pillar of Kootub]. Date/Period: 1858. Print. Albumen silver. Height: 281 mm (11.06 in); Width: 235 mm (9.25 in). Author: Felice Beato.

alb3890660 [Sir W. Mansfield, K.C.B.]. Date/Period: 1858 - 1859. Print. Albumen silver. Height: 171 mm (6.73 in); Width: 138 mm (5.43 in). Author: Felice Beato.

alb3677526 Cylinder seal and modern impression: three "pigtailed ladies" with double-handled vessels. Dimensions: 0.79 in. (2.01 cm). Date: ca. 3300-2900 B.C..Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography.The modern impression of the seal is shown so that the entire design can be seen. This seal shows three "pigtailed ladies," each squatting on a platform or mat facing two double handled vessels on stands. Museum: Metropolitan Museum of Art, New York, USA.

alb3673838 The Boston Massacre. Artist: Paul Revere Jr. (American, Boston, Massachusetts 1734-1818 Boston, Massachusetts). Dimensions: image: 10 1/4 x 9 1/8 in. (26 x 23.2 cm)sheet: 11 x 9 9/16 in. (27.9 x 24.3 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

alb3675604 The Marching Gypsies (Les bohémiens en marche), also called The Advance Guard (L'avant-garde). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 4 15/16 x 9 5/16 in. (12.5 x 23.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The Gypsies (Les bohémiens). Date: 1621-31. Museum: Metropolitan Museum of Art, New York, USA.

alb3672614 Süleyman the Magnificent. Artist: Engraved by Melchior Lorck (Danish, Flensburg 1526-after 1588 Hamburg (?)). Dimensions: Sheet: 15 7/8 x 11 1/4 in. (40.4 x 28.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3676548 Cassell's Magazine: December. Artist: Louis John Rhead (American (born England), Etruria 1857-1926 Amityville, New York). Dimensions: Sheet: 12 5/8 x 15 in. (32.1 x 38.1 cm)Image: 10 11/16 x 13 3/16 in. (27.1 x 33.5 cm). Publisher: and printer: Cassell & Co., Ltd.. Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

alb3734979 Mangrove Cuckoo. Dated: 1833. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.