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akg5012186 Alphaville - die deutsche Synthie-Pop-Gruppe mit Saenger Marian Gold bei einem Konzert am 05.03.2017 in Hamburg, Barclaycard Arena. KEINE PERSOENLICHKEITSRECHTE VORHANDEN, NUR FUER REDAKTIONELLE VERWENDUNG, KEINE WERBUNG. KEINE WEITERGABE AN DRITTE. Copyright: For editorial use only. No model release.

akg5012193 Alphaville - die deutsche Synthie-Pop-Gruppe mit Saenger Marian Gold bei einem Konzert am 05.03.2017 in Hamburg, Barclaycard Arena. KEINE PERSOENLICHKEITSRECHTE VORHANDEN, NUR FUER REDAKTIONELLE VERWENDUNG, KEINE WERBUNG. KEINE WEITERGABE AN DRITTE. Copyright: For editorial use only. No model release.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg254816 Spinello Aretino, byname for Spinello di Luca Spinelli; c. 1336 - 1410. "Saint Benedict receives the King of the Goths, Totila, and prophesies his destiny", aft. 1387. Fresco. 15th picture of a cycle with scenes from the life of Saint Benedict. Florence, S.Miniato al Monte, sacristy, south wall, lower row, left.

akg204799 Polnische Revolution 1830/31. Erhebung polnischer Truppen gegen den Oberbefehl des russischen Großfürsten Konstantin, 29. Nov. 1830-9. Sept. 1831. "Einnahme des Arsenals in Warschau" durch die Aufständischen, 1830. Gemälde, 1831, von Marcin Zaleski. (1796-1877). Öl auf Leinwand, 52 × 79,7 cm. Warschau, Muzeum Narodowe. Museum: Warschau, Muzeum Narodowe.

akg144000 Sport / Tennis. American tennis players William Tatum Tilden (1893-1953) and Hunter (right) at the Lawn-Tennis-Turnier-Club in Berlin-Grunewald. Photo, c.1925.

akg103819 re: Louÿs, Pierre; French poet; Ghent. 10.12.1870 - Paris 4.6.1925. Copulating couple. Photograph, unsigned, circa 1900 (sold on the Paris antiques market in 1994 identifying the man as Pierre Louÿs with a prostitute. The identification is not certain; the connection may be that Louÿs was the photographer or collector). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg928725 Ägyptisch, Neues Reich, 18.Dynastie, Zeit Thutmosis' IV., um 1390 v.Chr.-Drei Musikantinnen mit Doppelflöte, Laute und Harfe.-Ausschnitt aus dem "Schönen Fest vom Wüstental" (Talfest). Wandmalerei im Grab des Nacht/Nakht (TT 52), Theben-West (Ägypten), Gräberfeld von Scheich Abd el-Qurna.

akg656983 Tenerife, Parque Etnografico Piramides de Guimarco in Güimar in the southeast of the island, replica of Ra II by Thor Heyerdahl. Photo, Tenerife 1999.

akg656981 Tenerife, Parque Etnografico Piramides de Guimarco in Güimar in the southeast of the island, replica of Ra II by Thor Heyerdahl. Photo, Tenerife 1998.

akg994205 Machiavelli, Niccolò; ital.politischer Schriftsteller; Forenz 3.5.1469-ebd. 22.6.1527.-Standbild Machiavellis.-Skulptur von Lorenzo Bartolini (1770-1850). Aus der Serie von 28 Standbildern berühmter Männer in den Pfeilernischen des Erdgeschosses der Uffizien in Florenz.

akg414551 Monet, Claude 1840-1926. "Le bassin aux nymphéas, le soir". (The Waterlily pond in the Evening), c. 1916-22. (Waterlily pond in the artist's garden in Giverny). Diptych. Oil on canvas, each section 200 × 300 cm Inv. No. 1952/64. Zurich, Kunsthaus. Museum: Zürich, Kunsthaus.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg7680529 Plan and elevation of Brunoy house, Facade and floor plan Hôtel de Brunoy in Paris, Pl. 49, after p. 204, p. 305, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le caractère de leur architecture, et sur les principaux objets d'art et de curiosité qu'ils renferment. Seconde édition, corrigée avec soin dans toutes ses Parties, et considérablement augmentée. Bd. 2. Paris. Strasbourg. Treuttel et Würtz, 1818.

akg1095712 5240. GOLD COATED GOAT WITH HIS FORELEGS LEANING ON A TREE, REMINISENT OF THE GOAT GOD SENT TO ABRAHAM AT THE SACRIFICE OF ISAAC. UR, 25TH. C. BC.

akg7948844 Bingham, Robert Jefferson (Leicestershire, 1824 - Bruxelles, 1870). Portrait de Joseph Méry (1798-1865), littérateur, poète et polémiste., entre 1860 et 1890. Photographie, Tirage sur papier albuminé. PH53812, Paris, Musée Carnavalet.

alb685446 DARK WATER [LA HUELLA] (2005) -Original title: DARK WATER-, directed by WALTER SALLES. English title: DARK WATER. Portuguese title: ÁGUA NEGRA.

alb254069 KEENAN WYNN in ¿TELÉFONO ROJO?, VOLAMOS HACIA MOSCÚ (1964) -Original title: DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB-, directed by STANLEY KUBRICK. English title: EDGE OF DOOM. Portuguese title: DR. FANTÁSTICO.

alb360648 TRISTÁN ULLOA and SILVIA LLANOS in LUCÃA Y EL SEXO (2001), directed by JULIO MEDEM. English title: SEX AND LUCIA. Portuguese title: LÃºCIA E O SEXO.

alb338451 KARLHEINZ BOHM. 1961.

alb325804 PENELOPE CRUZ in TODO SOBRE MI MADRE (1999), directed by PEDRO ALMODOVAR. English title: ALL ABOUT MY MOTHER. Portuguese title: TUDO SOBRE A MINHA MÃE.

alb934581 BE COOL (2005), directed by F. GARY GRAY. English title: BE COOL. Portuguese title: BE COOL - O OUTRO NOME DO JOGO.

alb845229 ERIC NENNINGER, MARIEH DELFINO, GARIKAYI MUTAMBIRWA, TRAVIS SCHIFFNER, AL SANTOS, NICKI AYCOX and JOSH HAMMOND in JEEPERS CREEPERS 2 (2003) -Original title: JEEPERS CREEPERS II-. English title: JEEPERS CREEPERS II. Portuguese title: OLHOS FAMINTOS 2.

alb844415 BETTE DAVIS, GEORGE SANDERS, MARILYN MONROE and ANNE BAXTER in LA MALVADA (1950) -Original title: ALL ABOUT EVE-, directed by JOSEPH L. MANKIEWICZ. English title: BEST PERFORMANCE. Portuguese title: A MALVADA.

alb12273635 JEAN SIMMONS, RICHARD BURTON and VICTOR MATURE in EL MANTO SAGRADO (1953) -Original title: THE ROBE-, directed by HENRY KOSTER. English title: THE ROBE. Portuguese title: O MANTO SAGRADO.

alb724436 TOY STORY (1995), directed by JOHN LASSETER. English title: TOY STORY. Portuguese title: OS RIVAIS.

alb453835 ELISHA CUTHBERT and EMILE HIRSCH in LA VECINA DE AL LADO (2004) -Original title: THE GIRL NEXT DOOR-, directed by LUKE GREENFIELD. English title: THE GIRL NEXT DOOR.

alb1295101 TONY CURTIS. 1950.

alb1311513 HUMPHREY BOGART, ANN SHERIDAN and ERIN O'BRIEN-MOORE in LA LEGIÓN NEGRA (1937) -Original title: BLACK LEGION-, directed by ARCHIE MAYO. English title: BLACK LEGION. Portuguese title: LEGIÃO NEGRA.

alb16104602 The Birth of Saint John the Baptist, by Artemisia Gentileschi, was part of a six-painting portrayal of Saint John's life, 184 cm x 258 cm, P00149. Museum: Museo del Prado, Madrid, España. Saint John the Baptist.

alb1242986 HEATHER O'ROURKE in POLTERGEIST (1982), directed by TOBE HOOPER. English title: POLTERGEIST. Portuguese title: POLTERGEIST - O FENÔMENO.

alb2019453 François Gérard / 'Cupid and Psique', 1798, Óleo sobre lienzo, 186 x 132 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France. Author: FRANÇOIS GERARD. CUPID. PSYCHE (MYTHOLOGY).

alb2071002 Agustín Esteve y Marqués (Copy Francisco de Goya y Lucientes) / 'Carlos IV, rey de España, en traje de coronel de los Guardias de Corps', 1799-1800, Spanish School, Oil on canvas, 207 cm x 127 cm, P00727. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070363 Francisco de Goya y Lucientes / 'Tobias and the Angel', ca. 1787, Spanish School, Oil on canvas, 63,5 cm x 51,5 cm, P07856. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9531587 Vertical rectangle. Madonna in center of composition surrounded by angels. oil on canvas. Date: ca. 1775. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb9529774 A variation of the scheme of -1532 and of -1551, representing a coffered vault. Women are seated beside urns below. A mask between figures is shown on top of the pointed arch. In the center is a view at an entablature and a balustrade. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb417152 Gustave Dore, Dante's Inferno, Canto XVII New Terror I conceived from Milton's Paradise Lost. Illustrations by Gustave Doré, 1885. JOHN MILTON.

alb3680532 Man Seated Beneath a Statue of Bacchus, Receiving an Audience. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: Sheet (Trimmed): 14 3/8 × 19 11/16 in. (36.5 × 50 cm). Date: ca. 1530-61. Museum: Metropolitan Museum of Art, New York, USA. Author: Battista Franco.

alb3680760 Saint John the Baptist; Saint Lucy. Artist: Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469-died 1523 Fontignano). Dimensions: Each 63 x 26 3/8 in. (160 x 67 cm).These two panels are from an enormous, double-sided altarpiece on the high altar of the church of Santissima Annunziata, Florence. Begun by Filippino Lippi in 1502, it was completed after his death by Perugino. The altarpiece had the form of a Roman triumphal arch, with large scenes flanked by Perugino's standing saints, which are notable for the subdued coloring and subtle treatment of light. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

alb3717338 Saint Jerome in the Wilderness. Dimensions: overall: 14.3 x 20 cm (5 5/8 x 7 7/8 in.). Medium: pen and iron gall ink and gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3637920 The Holy Family with Saints Anne and Catherine of Alexandria. Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Dimensions: 82 1/2 x 60 3/4 in. (209.6 x 154.3 cm). Date: 1648.A masterpiece of the artist's maturity, this painting combines the naturalism and quality of physical presence associated with Caravaggio with the elevated formal language of Raphael. Spanish by birth, Ribera lived all of his adult life in Rome and Naples, which was ruled by a Spanish viceroy. During his early years in Rome, he adopted Caravaggio's practice of working directly from posed models and this has enabled him to give vibrant presence to figures inhabiting a sacred realm. Museum: Metropolitan Museum of Art, New York, USA.

alb3632005 La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable). Artist: Anonymous, French, 18th century. Dimensions: sheet: 6 1/8 x 8 7/8 in. (15.5 x 22.5 cm). Date: June 25, 1791. Museum: Metropolitan Museum of Art, New York, USA.

alb3709971 The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Dated: 1827. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

alb3631106 The Annunciation. Artist: Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm). Date: ca. 1450.This Annunciation is exceptional for its bird's-eye view and outdoor setting. Sheltered in the doorway of a church and greeted by Gabriel, Mary is presented not only as the recipient of the message of the Incarnation, but also as the personification of the Church (Ecclesia). The architecture, which is part Romanesque (right) and part Gothic (left), refers to the coming of Christ and the transition from Judaism to Christianity. A fragment of a larger composition, the picture is notable for its meticulous observation of plant life and was formerly ascribed to Van Eyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3894930 Rape of the Sabines. Date/Period: 1630 - 1631. Painting. Oil on canvas. Height: 2,805 mm (110.43 in); Width: 4,260 mm (13.97 ft). Author: PIETRO DA CORTONA.

alb3708014 The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate. Dated: 1827. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

alb3899870 St John the Baptist in the Wilderness. Date/Period: Ca.1636-37. Painting. Oil on canvas Oil. Height: 2,254 mm (88.74 in); Width: 1,622 mm (63.85 in). Author: GUIDO RENI.

alb3896954 Tapestry Design: Apollo in his Chariot Led by Aurora. Date/Period: 1760-89. Drawing. Pen and brush and black ink, gray wash on off-white laid paper, ruled border in pen and black ink, lined. Author: FEDELE FISCHETTI.

alb3894669 The four times of day: Midday. Date/Period: 1757. Painting. Oil on silvered copper. Height: 29.50 mm (1.16 in); Width: 43.50 mm (1.71 in). Author: Claude-Joseph Vernet.

alb3898487 A Procession of the Damned: Study for the Damned in Dante's "Inferno". Drawing. Brown ink and brown wash on thickness, texture, beige, laid paper. Height: 159 mm (6.25 in); Width: 264 mm (10.39 in). Author: GEORGE ROMNEY.

alb3675397 Koshikibu no Naishi (999-1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 in. (27.9 cm); W. 8 1/8 in. (20.6 cm). Date: ca. 1768.Immortalized in the "Hyakunin Isshu" is the poetic exchange envision here between the lady-in-waiting Koshikibu and the courtier Fujiwara Sadayori. Both had been summoned to a poetry contest. Here, Koshikibu responds to his teasing suggestion that she needs help from her absent mother, the famous poetess Izumi Shikubu, with brilliant repartee. Her response takes the form of an impromptu poem that includes a triple pun on the famous scenic places Oeyama, Ikuno, and Ama no hashidate:Oeyama ikuo michi mo to kerebamada fumi mo mizu Ama no hashidate.Both Mount Oe and the road to Ikuno are far away.I've never been there,nor has word come from Ama no hashidate. Museum: Metropolitan Museum of Art, New York, USA.

alb3897813 Rainy Season in the Tropics. Date/Period: 1866. Painting. Oil on canvas. Height: 1,428.75 mm (56.25 in); Width: 2,139.95 mm (84.25 in). Author: FREDERIC EDWIN CHURCH.

alb3672222 Quando vidi costui nel gran diserte / Misere di me gridai a lui. Artist: Louis Boulanger (French, 1807-1867 Dijon). Dimensions: Sheet: 7 13/16 × 9 3/4 in. (19.8 × 24.8 cm)Image: 6 11/16 × 9 9/16 in. (17 × 24.3 cm). Publisher: Frey. Series/Portfolio: Dante Inferno. Date: 1835. Museum: Metropolitan Museum of Art, New York, USA.

alb3673999 Two Girls Looking at a Monkey on a Leash. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 1/4 in. (26 cm); W. 7 13/16 in. (19.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3679914 The Adoration of the Magi. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Bernardino Passeri (Italian, active Rome, ca. 1577-85). Dimensions: sheet: 7 13/16 x 5 3/4 in. (19.9 x 14.6 cm). Date: ca. 1585. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS. After Bernardino Passeri.

alb3677727 Woman Admiring Plum Blossoms at Night. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: Image: 12 3/4 x 8 1/4 in. (32.4 x 21 cm).In this print, one of Harunobu's most poetic images, a nymphlike beauty dressed in an elegant kimono stands holding a lantern and gazing dreamily at the plum blossoms. The image of admiring plum blossoms at night is a classical theme in the East Asian poetic tradition, and Harunobu's lyrical rendition has much in common with the art of the Heian period (794-1185). The stylized shape of the cloud at the top of the print reinforces the classical references. Harunobu and his patrons from the elite merchant and samurai classes in the capital, Edo (now Tokyo), admired the literary and cultural tradition of Kyoto, which was the capital during the Heian period. In this print the artist applied one of the techniques of embossing uncolored areas. To emphasize their softness, the inner layers of the kimono and tabi socks worn by the woman are raised on the paper. Museum: Metropolitan Museum of Art, New York, USA.

alb3736714 The Baptism of Christ. Dimensions: overall: 13.8 x 20.2 cm (5 7/16 x 7 15/16 in.). Medium: pen and iron gall ink and gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3738559 Portrait of a Male Donor. Dated: c. 1455. Dimensions: overall: 42 x 21.2 cm (16 9/16 x 8 3/8 in.) framed: 54.3 x 35.5 x 9.2 cm (21 3/8 x 14 x 3 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETRUS CHRISTUS.

alb3697626 Studies for a Scene from Dante's "Inferno". Dimensions: sheet: 22.7 x 18.5 cm (8 15/16 x 7 5/16 in.). Medium: pen and brown ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: GEORGE HAYTER.

alb3697475 Wealth and Benefits of the Spanish Monarchy under Charles III. Dated: 1762. Dimensions: overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3622125 The Glorification of the Giustiniani Family. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 46 x 32 1/2 in. (116.8 x 82.6 cm). Date: 1783.The present model is for a ceiling of the ducal palace in Genoa (destroyed). At the top of the staircase Jacopo Giustiniani kneels before a personification of the Ligurian Republic. A female in the left corner represents the island of Chios; she holds a scroll with the initials V.I. and 1562, in reference to a sixteenth-century governor of the island, Vincenzo Giustiniani. Figures in oriental dress at right allude to the commercial enterprises of the Giustiniani in Asia Minor. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Domenico Tiepolo.

alb3620384 Saint Thecla Praying for the Plague-Stricken. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 32 x 17 5/8 in. (81.3 x 44.8 cm). Date: 1758-59.The present preliminary sketch is for one of Tiepolo's greatest religious works, the altarpiece in the apse of the cathedral at Este, near Padua. Commissioned in 1758 and installed on Christmas Day, 1759, the picture commemorates the plague of 1630 with the citizens of Este praying for the intercession of Saint Thecla. The first-century saint is shown among the victims; the town is depicted in the background. Museum: Metropolitan Museum of Art, New York, USA.

alb3621791 The Bay of Bull Arms, Trinity Bay, Newfoundland, Bonfires Lighted on the Hills to Notify of the Arrival of the Cable Fleet on August 5th, 1858. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: Sheet: 10 9/16 x 15 3/4 in. (26.9 x 40 cm). Date: 1865-66.One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing showing the cable fleet arriving in Newfoundland after successfully splicing two ends of the cable in the middle of the Atlantic in 1858. A working connection was established but lasted only three weeks. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum. Museum: Metropolitan Museum of Art, New York, USA.

alb3627723 A Young Woman and Man Playing Shogi (Japanese Chess); Chunagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjurokkasen). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm). Date: ca. 1767-69.A young woman watches her male companion make the final moves in a game of shogi (Japanese chess) next to an andon floor lamp signaling nighttime and a fan indicating summer. The series to which this print belongs links classical poems by thirty-six of the most famous poets of ancient and medieval times with up-to-date images of young men and women in fashionable garb. The ancient poem by Fujiwara no Kanesuke (877-933)--better known by his court title Chunagon (Middle Captain)--complements the languorous mood of the image: Mijika yo no fukeyuku mama ni Takasago no mine no matsukaze fuku ka to zo kiku As this short nightdeepens, is thatthe soughing of the wind through pines on the slopes of Mount Tagasago we hear?--Trans. John T. Carpenter. Museum: Metropolitan Museum of Art, New York, USA.

alb3624683 A Dance in the Country. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 29 3/4 x 47 1/4 in. (75.6 x 120 cm). Date: ca. 1755.Although Giandomenico Tiepolo assisted his father in numerous decorative enterprises, his own talent lay in the depiction of contemporary life. The picture is one of Giandomenico's most evocative and appealing works. It shows an actress dancing with a young man wearing the traditional costume of the commedia dell'arte character Mezzetino. Museum: Metropolitan Museum of Art, New York, USA.

alb3743341 The Nativity. Dated: c. 1450. Dimensions: painted surface: 127.6 x 94.9 cm (50 1/4 x 37 3/8 in.) overall (panel): 130 x 97 cm (51 3/16 x 38 3/16 in.) framed: 149.2 x 118.4 cm (58 3/4 x 46 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETRUS CHRISTUS.

alb3622336 Waves on Moonlight. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 in. (27.9 cm); W. 8 in. (20.3 cm). Date: ca. 1768.An "oiran" stands in a house by the sea, trning to look thrugh the open "shoji" at the rippling waves while the seated woman fans the fire in a hibachi to make a teakettle boil. Above is an ode by Minamoto Shitago from Juishu #171:Mizu no omo ni teru tsukinami okazofurebakoyoi zo aki no monaka narikeru.When we count the moons on the waves We know that it ismid-autumn. Museum: Metropolitan Museum of Art, New York, USA.

alb3653296 Dante's Inferno'; in the centre Lucifer torturing several damned souls, some of whom are labeled (eg. 'BRUTO, TOLOMEO, ANTENOR, CHASSIO') surrounded by other sinners being tortured by devils, derived from the 'Last Judgement' fresco in the Campo Santo, Pisa. Artist: Circle of Baccio Baldini (Italian, Florence 1436?-?1487); After Francesco Traini (Italian, active ca. 1321-45); Formerly thought to be after Andrea di Cione (Orcagna) (Italian, Florence 1315/20-1368 Florence). Dimensions: Sheet: 11 13/16 × 8 7/16 in. (30 × 21.5 cm). Date: ca. 1460-80. Museum: Metropolitan Museum of Art, New York, USA. Author: Circle of Baccio Baldini. After Francesco Traini. Formerly thought to be after Andrea di Cione (Orcagna).

alb3608654 Marcantonio Pasqualini (1614-1691) Crowned by Apollo. Artist: Andrea Sacchi (Italian, Rome (?) ca. 1599-1661 Rome). Dimensions: 96 x 76 1/2 in. (243.8 x 194.3 cm). Date: 1641.A celebrated male soprano, Pasqualini is crowned by Apollo, who had been victorious in a musical contest with the satyr Marsyas (shown in the background, defeated and tied to a tree with his bagpipes beside him). Pasqualini joined the choir of the Sistine Chapel in 1630, and from 1632 was a protagonist in many operas produced at the Palazzo Barberini. Sacchi designed sets for some of these. The singer plays an upright harpsichord decorated with the figures of Daphne and a bound satyr; Apollo is loosely based on the famous ancient sculpture known as the Apollo Belvedere. Museum: Metropolitan Museum of Art, New York, USA.

alb3746667 Two Beggars with Their Dog. Dated: c. 1728. Dimensions: overall: 34.3 x 22.8 cm (13 1/2 x 9 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3653811 View of New York from the North, 1679. Artist: George Hayward (American (born England), ca. 1800-ca. 1872); After James Carson Breevoort (American, 1810-1887); After Jasper Danckaerts (Dutch, born 1639). Dimensions: image: 7 1/2 x 12 5/16 in. (19 x 31.2 cm)sheet: 9 1/2 x 15 1/16 in. (24.1 x 38.2 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Author: George Hayward. After James Carson Breevoort. After Jasper Danckaerts.

alb3652429 Drawing the First Water of the New Year. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm). Date: ca. 1769-70.Symbols of spring abound in this poem. A young couple draws the "first water of the New Year" (wakamizu) in decorated buckets; pine saplings sit by the doorway, and plum blossoms burst into bloom. The scene also calls to mind an episode from the tenth-century Tales of Ise (Ise monogatari) known as the "Well curb," in which young lovers recall measuring their heights by the well as children. It readsHaru o hete kyo tatematsuru wakamizu ni chitose no kage ya matsu ukamuramu . As spring arrives,today, we offer to the godsthe year's first drawn waterattached with pine shoots as from time immemorial--Trans. John T. Carpenter. Museum: Metropolitan Museum of Art, New York, USA.

alb3653434 Combing His Hair. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 1/8 in. (28.3 cm); W. 8 1/8 in. (20.6 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

alb3653447 First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 8 in. (20.3 cm); W. 10 1/4 in. (26 cm). Date: ca. 1769. Museum: Metropolitan Museum of Art, New York, USA.

alb3615176 Print. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 3/4 x 7 7/8 in. (27.3 x 20 cm). Date: ca. 1762. Museum: Metropolitan Museum of Art, New York, USA.

alb3613057 Demon-crushing Bow. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 5/8 in. (29.5 cm); W. 8 3/8 in. (21.3 cm). Date: ca. 1765. Museum: Metropolitan Museum of Art, New York, USA.

alb3610075 Wisdom Conquers Ignorance. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: Aegidius Sadeler II. Bartholomeus Spranger.

alb3654583 The Watchers and the Watched. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 1/8 in. (28.3 cm); W. 8 1/4 in. (21 cm). Date: 1764-72.Harunobu, who is credited with the introduction of the polychrome print, also depicts courtesans on display in a Yoshiwara teahouse, but there is considerable difference in his treatment of the subject. While Moronobu observes the watchers and the watched with a uniform and impersonal gaze, Harunobu contrasts the observers and the observed.Like Moronobu, Harunobu uses a window, a frame within a frame, to depict inside and outside simultaneously, but, instead of a view from the street, he situates the viewer within the intimacy of the pleasure house. The neutral vantage point of a passerby has become the psychologically charged perspective of someone on the inside. We have a privileged view of the courtesans and can feast our eyes on the sumptuous attire that accentuates their beauty.Harunobu intensifies our awareness of the courtesans' self-conscious display by making the stage and audience areas more distinct. In the print by Moronobu there is an exchange between the inside and the outside. Here, however, the courtesans do not acknowledge the presence of the men peering through the window, though the letter that is being delivered by the young attendant is presumably from an admirer. There is also no visual overlap between interior and exterior spaces. The observers are confined to a cramped window in the background. They are distanced from us, unlike the passersby in the foreground of Moronobu's print, who are our surrogates. The harsh cropping of the watchers contrasts with the lavish depiction of the courtesans. This reduction of the observers to a crowd of faces and the small space allotted them serve to intensify their gaze. The observers are no longer passersby strolling along the street; here, looking is their sole activity. Museum: Metropolitan Museum of Art, New York, USA.

alb3614184 Garnet intaglio: Romulus, Remus, and the She-Wolf. Culture: Roman. Dimensions: Other: 5/16 x 7/16 x 1/8 in. (0.7 x 1.1 x 0.3 cm). Date: 2nd century B.C.-3rd century A.D..She-wolf suckling Romulus and RemusAccording to tradition, Rome was founded in 753 B.C. by the twins Romulus and Remus. Sons of the god Mars and a mortal woman named Rhea Silvia, a direct descendant of Aeneas, the twins were abandoned by their uncle in the Tibur river. A she-wolf discovered them on the banks of the river and suckled them until they were taken in by a passing sheperd, Faustulus. Faustulus raised the boys together with his own twelve children until they decided to found a city of their own. They chose the spot by the Tibur where they had been rescued by the wolf, which was near the base of the Palatine hill in Rome. The representation of the wolf suckling the twins became a popular subject in Roman Republican and Imperial art. Museum: Metropolitan Museum of Art, New York, USA.

alb3611869 Warming the Sake by Maple Leaf Fire. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 9 3/4 in. (24.8 cm); W. 7 7/16 in. (18.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3619238 The Clinging Crab. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 1/4 in. (26 cm); W. 8 1/8 in. (20.6 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

alb3641687 From Scylla to Charybdis, from 'News of the day,' published in Le Charivari, March 20, 1869. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 1/2 in. (23.9 × 21.6 cm)Sheet: 12 1/16 × 11 5/8 in. (30.6 × 29.5 cm). Printer: Walter Frères. Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: March 20, 1869. Museum: Metropolitan Museum of Art, New York, USA.

alb3905762 Romulus setting up a Trophy. Date/Period: Ca. 1625-7. Painting. Oil on panel Oil. Height: 510 mm (20.07 in); Width: 168 mm (6.61 in). Author: Sir Peter Paul Rubens.

alb3645554 Achilles and Priam, in conversation outside of Troy. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Lucas Vorsterman II (Flemish, 1624-after 1666). Dimensions: Sheet (Trimmed): 12 3/8 × 9 1/16 in. (31.4 × 23 cm). Publisher: Frans van den Wyngaerde (Flemish, Antwerp 1614-1679 Antwerp). Date: ca. 1644-66. Museum: Metropolitan Museum of Art, New York, USA.

alb3901684 Christ in Majesty and the Four Evangelists with Their Symbols. Date/Period: Ca. 1360 - 1370. Folio. Tempera colors, gold, and ink on parchment. Height: 349 mm (13.74 in); Width: 260 mm (10.23 in). Author: Master of Jean de Mandeville.

alb3903672 Finding of Romulus and Remus. Date/Period: 1720 - 1740. Painting. Oil on canvas. Author: Andrea Lucatelli (credited).

alb3906613 Divan Japonais. Date/Period: 1893. Prints-Posters. Crayon, brush, spatter and transferred screen lithograph, printed from four stones in olive-green, red, yellow and black. Height: 810 mm (31.88 in); Width: 623 mm (24.52 in). Author: Henri de Toulouse-Lautrec.

alb3787189 Raffaello Morghen (Engraver) (After Mengs, Anton Raphael); José Beratón (Drafstman) / 'The Adoration of the Shepherds'. 1791. Taille douce: etching and engraving on continuous paper; 1791. Taille douce: etching and engraving on continuous paper. Museum: Museo del Prado, Madrid, España.

alb3720274 Icarus. Dated: 1588. Dimensions: sheet: 32.8 x 33 cm (12 15/16 x 13 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius, after Cornelis Cornelisz van Haarlem.

alb3663178 Eugène Joseph Stanislas Foullon d'Écotier (1753-1821). Artist: Antoine Vestier (French, Avallon 1740-1824 Paris). Dimensions: Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm). Date: 1785.Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his appointment in June 1785 as Intendant of Guadeloupe. It was painted in Vestier's typically minute style prior to the sitter's departure for the French colonial island that November. He holds a map of Guadeloupe, and behind him is a book entitled Ordonnances de la Marine, the regulations for administering French colonies. Museum: Metropolitan Museum of Art, New York, USA.

alb3660593 Cadmus Building Thebes. Artist: Anonymous, French, School of Fontainebleau, 16th century; After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Attributed to Master of the Story of Cadmus (active ca. 1542-47). Dimensions: Sheet: 9 13/16 x 11 1/2 in. (25 x 29.2 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

alb3721140 Scene from Ancient History. Dated: c. 1750. Dimensions: overall (oval): 140.3 x 109.3 cm (55 1/4 x 43 1/16 in.) framed: 165.7 x 134.6 cm (65 1/4 x 53 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3728099 Christ in Majesty [recto]. Dated: early 12th century. Dimensions: overall: 17.7 x 12.3 cm (6 15/16 x 4 13/16 in.). Medium: miniature on vellum. Museum: National Gallery of Art, Washington DC. Author: French 12th Century.

alb3664180 Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna); After Agostino Carracci (Italian, Bologna 1557-1602 Parma); After Francesco Brizio (Italian, Bologna ca. 1574-1623 Bologna); After Giacomo Cavedone (Italian, Sassuolo 1577-1660 Bologna); After Alessandro Albini (Italian, Bologna 1568-1646 Bologna); After Leonello Spada (Italian, Bologna 1576-1622 Parma). Dimensions: sheet: 4 1/2 x 4 3/4 in. (11.5 x 12 cm). Series/Portfolio: IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno. Date: 1603.One of seven plates by Reni that illustrate the temporary decorations for the memorial service for the painter Agostino Carracci, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno, a quarto volume also containing a frontispiece by Francesco Brizio and a description of the service written by Vittorio Benacci; published in Bologna in 1603 (see also 51.501.4890, 4892, 4893). Museum: Metropolitan Museum of Art, New York, USA.

alb3666932 Evening Snow on the Heater. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm)medium-size print (chu-ban). Date: late 18th century.The interior scene in this print is fortified by double windows, both a series of bars and shoji sliding panels. The windows, however, are open. One woman, seated and holding a pipe, seems to expect that she will be seen by a man through the gaps and will be able to arrange an assignation.The other woman is making wadding by stretching sheets of floss silk over the lacquered dome-shaped heaters known as nurioke. Floss silk draped over a nurioke represents the "evening snow" in this print, one of the Eight Views of the Xiao and Xiang Rivers, which originated in China and became popular in Japan. The karazuri embossing technique outlines the shape of the floss silk, emphasizing its softness. This print is not a first edition: Slight variations in color and patterns on the walls were added, and the seal of the commissioner, Kyosen, was omitted for the commercial product. Museum: Metropolitan Museum of Art, New York, USA.

alb3669454 Young Lady Looking through Door at Her Kamuro (Little Servant) who is Asleep on the Floor. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 11/16 in. (27.1 cm); W. 8 1/4 in. (21 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3663879 From Scylla to Charybdis, from 'News of the day,' published in Le Charivari, March 20, 1869. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 5/8 in. (23.9 × 21.9 cm)Sheet: 14 1/8 × 10 3/8 in. (35.8 × 26.4 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: March 20, 1869. Museum: Metropolitan Museum of Art, New York, USA.

alb4210863 Nude Seated in a Bathtub. Marcel Duchamp; American, born France, 1887-1968. Date: 1910. Dimensions: 36 1/4 × 28 3/4 in. (92.1 × 73.1 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb3668378 Cries of London, No. 2: Buy my Goose, my fat Goose. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: Sheet: 14 1/8 × 11 7/16 in. (35.8 × 29 cm). Publisher: R. Ackermann (active 1794-1829). Series/Portfolio: Cries of London. Date: January 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb4151558 The Autumn Moon in the Mirror (Kyodai no shugetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1771. Dimensions: 28.8 x 21.8 cm (11 1/4 x 8 3/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.