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akg217799 History / United States of America:. African Americans. Cotton pickers in Pulaski County, Arkansas, before setting off for work. Photo (Ben Shahn), October 1935. Copyright: © Ben Shahn. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg258495 Pagani, Gregorio. 1558-1605. "Lot and his Daughters", 1604/05. (Genesis 19,31-38). Oil on canvas, 230 × 180cm. Inv. no. 3829. Florence, Galleria degli Uffizi. Museum: Florenz, Galleria degli Uffizi.

akg135759 Gregory IX, Pope (1227-42), previously Cardinal Ugolino, Count of Segni, c. 1170-1241. Pope Gregory IX and Saint Francis of Assisi. Fresco, c13th. Subiaco, Sacro Speco.

akg566722 Botany / Charts:. King Humbert tomato; Perfection tomato; best frisee lettuce from Louviers; purple celery from Tours; large, purple potato Vicar of Laleham. Colour lithograph, by E. Godard. Plate 37, 1886, from: Album Vilmorin, Les Plantes Potagères, Paris (Vilmorin Andrieux & Cie.) 1850-1895. Paris, Natural History Museum. Museum: Paris, Natural History Museum.

akg967326 Old Mexican, Teotihuacan.-Priest wearing resplendent robes with head dress in the shape of a crocodile; either sowing seeds or using an incense burner during a ritual ceremony.-Wall painting (reconstruction), polychrome, c.1-750 BC. Teotihuacan, Tepantitla.

akg015058 Wilde, Oscar English writer. 1856-1900. Works: Salome (Tragedy in one act; first performance Paris 1896). Scene: Hedwig Reicher as Salome. Photo, partly coloured, c. 1900.

akg234472 Columbus, Christopher. 1451 - 1506. Navigator, discoverer of America. The first landing of Columbus. Copper engraving, tinted, by Theodore de Bry from H. Benzano, Americae Retectio, Frankfurt 1596. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg466639 Cherubini, Luigi ; compositeur italien ; 1760-1842. Oeuvre : Medée (opéra ; livret : François Benoît Hoffmann, 1re Paris 1797). Représentation à Paris, théâtre du Châtelet, 2005 (mise-en-scène : Yannis Kokkos, direction musicale : Evelino Pidó) : scène avec Anna Caterina Antonacci dans le rôle de Médée. Copyright: For editorial use only.

akg468570 Antonacci, Anna Caterina ; mezzosoprano italienne ; né à Ferrara. Salzbourg, 2005. Copyright: For editorial use only.

akg466638 Cherubini, Luigi ; compositeur italien ; 1760-1842. Oeuvre : Medée (opéra ; livret : François Benoît Hoffmann, 1re Paris 1797). Représentation à Paris, théâtre du Châtelet, 2005 (mise-en-scène : Yannis Kokkos, direction musicale : Evelino Pidó) : scène avec Anna Caterina Antonacci dans le rôle de Médée. Copyright: For editorial use only.

akg6156116 France, Paris, musée d'Orsay, Henri Pierre Picou, 1824-1895, La Naissance de Pindare, huile sur toile, 1849.

akg7315270 Maximilian II (1527-1576) was the son of Emperor Ferdinand I. He served during the Italian Wars in 1544, as well as the Schmalkadic War. His uncle, Emperor Charles V, made him marry his cousin and Charles' daughter Mary of Spain in 1548, and Maximilian acted temporarily as the emperor's representative in Spain. Questions of succession soon saw trouble brew between the German and Spanish branches of the Habsburg dynasty, and it was suspected that Maximilian was poisoned in 1552 by those in league with his cousin and brother-in-law, Philip II.The relationship between Maximilian and his cousin Philip soon became uneasy, with Philip being a Spaniard born and raised, while Maximilian idenitifed himself as the quintessential German prince: outgoing, charismatic and religiously tolerant. He governed the Austrian hereditary lands alongside his father, defending them against Ottoman incursions. He was chosen and crowned as King of Germany in 1562 after assuring the Catholic electors of his faith, and was crowned a year later as King of Hungary. By the time his father died in 1564, Maximilian had inherited the crowns of Croatia, Bohemia and of the Holy Roman emperor.Maximilian's rule was marred by the ongoing Ottoman-Habsburg wars as well as deteriorating relations with his Habsburg cousins in the Spanish Empire. By the time of his death in 1576, he had not succeeded in achieving his three major goals: rationalising the governmental structure, unifying Christianity and evicting the Ottomans from Hungary. He refused to receive the last sacraments of the Church while on his deathbed.

alb8396075 VIAJE A LA LUNA (1902) -Original title: LE VOYAGE DANS LA LUNE-, directed by GEORGES MELIES. English title: VOYAGE TO THE MOON.

alb15124223 ¿QUE PASO ANOCHE? (1986) -Original title: ABOUT LAST NIGHT...-, directed by EDWARD ZWICK. English title: ABOUT LAST NIGHT....

alb8591921 MICHELLE MONAGHAN and ANNA DIOP in NANNY (2022), directed by NIKYATU JUSU. English title: NANNY.

alb22242837 HOPPERS (2026), directed by DANIEL CHONG. English title: JUMPERS. Portuguese title: SALTITÕES.

alb20633113 MARTIN SCORSESE in MR. SCORSESE (2025), directed by REBECCA MILLER. English title: MR. SCORSESE.

alb2922501 AY, QUE ME CAIGO! (1930) -Original title: FEET FIRST-, directed by CLYDE BRUCKMAN. English title: FEET FIRST.

alb9204426 JAKE GYLLENHAAL and DAR SALIM in THE COVENANT (2023), directed by GUY RITCHIE. English title: THE COVENANT.

alb2959713 AY, QUE ME CAIGO! (1930) -Original title: FEET FIRST-, directed by CLYDE BRUCKMAN. English title: FEET FIRST.

alb2959037 CONAN, EL BÁRBARO (1982) -Original title: CONAN THE BARBARIAN-, directed by JOHN MILIUS. English title: CONAN THE BARBARIAN.

alb9609766 VIAJE A LA LUNA (1902) -Original title: LE VOYAGE DANS LA LUNE-, directed by GEORGES MELIES. English title: VOYAGE TO THE MOON.

alb9204425 JAKE GYLLENHAAL and DAR SALIM in THE COVENANT (2023), directed by GUY RITCHIE. English title: THE COVENANT.

alb316992 DANNY KAYE.

alb256975 HAROLD LLOYD in AY, QUE ME CAIGO! (1930) -Original title: FEET FIRST-, directed by CLYDE BRUCKMAN. English title: FEET FIRST.

alb3695450 ¿QUE PASO ANOCHE? (1986) -Original title: ABOUT LAST NIGHT...-, directed by EDWARD ZWICK. English title: ABOUT LAST NIGHT....

alb1552369 JAKE GYLLENHAAL and MICHELLE MONAGHAN in CODIGO FUENTE (2011) -Original title: SOURCE CODE-, directed by DUNCAN JONES. English title: SOURCE CODE.

alb1319142 EL ESTUDIANTE NOVATO (1925) -Original title: THE FRESHMAN-, directed by FRED NEWMEYER. English title: THE FRESHMAN. Portuguese title: O CALOURO.

alb1214795 CONAN, EL BÁRBARO (1982) -Original title: CONAN THE BARBARIAN-, directed by JOHN MILIUS. English title: CONAN THE BARBARIAN.

alb11621007 SONIC 3: LA PELICULA (2024) -Original title: SONIC THE HEDGEHOG 3-, directed by JEFF FOWLER. English title: SONIC THE HEDGEHOG 3. Portuguese title: SONIC 3: O FILME.

alb13225541 Cornelis Kruseman / Philip II, King of Spain, Reproaches William I, Prince of Orange, in Vlissingen upon his Departure from the Netherlands in 1559. Dating: 1832. Measurements: h 270 cm × w 200 cm.

alb11621028 DEMI MOORE and MARGARET QUALLEY in LA SUSTANCIA (2024) -Original title: THE SUBSTANCE-, directed by CORALIE FARGEAT. English title: THE SUBSTANCE. Portuguese title: A SUBSTÂNCIA.

alb13725194 Canaletto (Giovanni Antonio Canal) (1697-1768)/ Venice, Church of the Blessed Sacrament. Museum: MUSEO DEL LOUVRE / PARIS / FRANCIA.

alb15015639 Touched by His Noodly Appendage, the parody of Michelangelo's Creation of Adam has become an iconic image of the Flying Spaghetti Monster. Autor: Niklas Jansson.

alb2037005 Camille Pissarro / 'La bergère', 1881, Oil on canvas, 81 × 65 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb2036789 Michelangelo / 'Sistine Chapel Ceiling: the Creation of Eve', 1510, Fresco. Museum: CAPILLA SIXTINA, CIUDAD DEL VATICANO, CIUDAD DEL VATICANO. ADAM AND EVE. EVE. Adam. Ezekiel. EVA AMARAL.

alb2037007 Camille Pissarro / 'Woman in the Meadow, Eragny', 1887, Oil on canvas, 54 × 65 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb2015799 El Greco / 'St. Veronica with the Holy Shroud', c. 1580, Oil on canvas, 91 x 84 cm. Museum: MUSEO DE SANTA CRUZ, MANCHESTER, SPAIN.

alb2069853 Maestro de la Santa Sangre / 'Ecce Homo', Early 16th century, Flemish School, Panel, 109 cm x 167 cm, P01559. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2015454 El Greco / 'Saint Joseph and the Christ Child', 1597-1599, Oil on canvas, 189 × 147 cm. Museum: MUSEO DE SANTA CRUZ, MANCHESTER, SPAIN. SAINT JOSEPH. JESUS.

alb2068444 Vecellio di Gregorio Tiziano / 'Philip II in Armour', 1551, Italian School, Oil on canvas, 193 cm x 111 cm, P00411. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069114 El Greco / 'The Holy Visage', 1586-1595, Spanish School, Oil on canvas, 71 cm x 54 cm, P02874. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069300 Sofonisba Anguissola / 'The Queen Anne of Austria', 1573, Italian School, Oil on canvas, 86 cm x 67,5 cm, P01284. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069773 Juan Pantoja de la Cruz / 'Infanta Isabella Clara Eugenia', 1598-1599, Spanish School, Oil on canvas, 112 cm x 89 cm, P00717. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069922 Mariano Salvador Maella / 'Carlota Joquina, Infanta of Spain and Queen of Portugal', 1785, Spanish School, Oil on canvas, 177 cm x 116 cm, P02440. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070083 Anonymous (Disciple of Murillo, Bartolomé Esteban) / 'The Girl with a Coin' (Girl of Galicia), Middle 17th century, Spanish School, Oil on canvas, 63 cm x 43 cm, P01002. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9530564 Whistler with Friends. Date: 1858. Pencil on white paper. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

alb213942 The Procession to Calvary, 1564, Oil on canvas, 124 cm x 170 cm. Museum: KUNSTHISTORISCHES MUSEUM, VIENA, AUSTRIA. Author: PIETER BRUEGEL THE ELDER.

alb3712300 Saint Martin and the Beggar. Dated: 1597/1599. Dimensions: overall: 193.5 x 103 cm (76 3/16 x 40 9/16 in.) framed: 215.3 x 135.9 x 12.7 cm (84 3/4 x 53 1/2 x 5 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: El Greco (Domenikos Theotokopoulos).

alb3715655 Christ in Limbo. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

alb3716325 Bianca Riario [obverse]. Dimensions: overall (diameter): 3.25 cm (1 1/4 in.) gross weight: 23.01 gr (0.051 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Niccolò Fiorentino.

alb3715014 Place du Carrousel, Paris. Dated: 1900. Dimensions: overall: 54.9 x 65.4 cm (21 5/8 x 25 3/4 in.) framed: 79.7 x 89.5 x 10.1 cm (31 3/8 x 35 1/4 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

alb3714005 Ottaviano Sforza Riario, b. 1479, Count of Forli and Imola [obverse]. Dated: c. 1498. Dimensions: overall (diameter): 7.5 cm (2 15/16 in.). Medium: bronze//Late cast. Museum: National Gallery of Art, Washington DC. Author: Style of Niccolò Fiorentino.

alb3635702 Estimate for repair work and explanatory note. Artist: Anonymous, French, 18th century. Dimensions: Sheet: 12 13/16 x 16 3/16 in. (32.5 x 41.1 cm). Date: 18th century.This work is part of a collection of drawings for furniture, clocks, candelabra, etc. for decoration of the Chateau de Laeken (outside Brussels in the area formerly called Schoonenberg, now the Belgian Royal Palace). The designs were sent to Albert, Duke of Saxe-Teschen and the Archduchess Marie Christine, governors of Belgium from 1780-1790, from artisans in Paris, Vienna, and England.See 63.547.18a for the drawing of the object. Museum: Metropolitan Museum of Art, New York, USA.

alb3682714 Philip II, King of Spain, from the series Counts and Countesses of Holland, Zeeland, and West-Frisia. Artist: Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1629-1658 Amsterdam). Artist and publisher: Pieter Soutman (Dutch, ca. 1580-1657). Author: Written by Petrus Scriverius. Dimensions: sheet: 20 1/2 x 15 1/8 in. (52 x 38.4 cm)plate: 16 x 11 3/4 in. (40.6 x 29.8 cm). Series/Portfolio: Counts and Countesses of Holland, Zeeland, and West-Frisia. Date: 1650. Museum: Metropolitan Museum of Art, New York, USA. Author: Engraved by Cornelis Visscher.

alb3638186 Returning to the Trenches. Artist: Christopher Richard Wynne Nevinson (British, London 1889-1946 London). Dimensions: Plate: 6 in. × 8 1/16 in. (15.2 × 20.4 cm)Sheet: 8 3/8 in. × 11 in. (21.3 × 28 cm). Date: 1916.Unable to enlist in the British army for health reasons, Nevinson volunteered in fall 1914 for a Red Cross ambulance unit serving northern France and Belgium. Here, he conveys the dynamism of a seemingly impenetrable line of French soldiers, or poilus, whom?he probably encountered. Dressed in their distinctive uniform, they advance with purpose and determination, an effect amplified by the faceted forms that convey a sense of endless, repetitive movement. Individual features are minimized and further obscured by capes, hats, raised bayonets, and bladelike shields, while the broad, sweeping strokes that depict the men's lower bodies unify the group. Nevinson made a painting, drawings, and a woodcut of this image; the woodcut appeared in the war issue of the journal Blast. Museum: Metropolitan Museum of Art, New York, USA.

alb3630314 End of the Bridge after Burnside's Attack, Fredericksburg, Virginia. Artist: Andrew Joseph Russell (American, 1830-1902). Dimensions: Image: 13.1 × 20.6 cm (5 3/16 × 8 1/8 in.). Former Attribution: Formerly attributed to Mathew B. Brady (American, born Ireland, 1823?-1896 New York). Date: 1863.Likely made in April 1863 during a truce just before the Battle of Chancellorsville, this view from the buttress of a ruined railroad bridge spanning the Rappahannock River at Fredericksburg documents a small group of Confederate soldiers and civilians. They stare across the divide at their fellow combatants and pose for the camera. Russell's long focal-length lens compressed foreground and background elements, suggesting that the two sides were actually closer than they were. It is the only known landscape view or portrait by a Union photographer showing the enemy neither dead, incarcerated, or under visible military control. Museum: Metropolitan Museum of Art, New York, USA.

alb3632785 Wooden Staircase at Chartres. Artist: Henri-Jean-Louis Le Secq (French, Paris 1818-1882 Paris). Dimensions: Mount: 19 13/16 in. × 13 7/8 in. (50.3 × 35.2 cm)Image: 12 13/16 × 9 3/16 in. (32.6 × 23.4 cm). Date: 1852.Henri Le Secq was a learned and cultivated man, a painter and a passionate collector of old master prints and medieval ironwork. He counted among his close friends the peintre-graveur Charles Meryon and the photographers Charles Nègre and Gustave Le Gray (both colleagues from the studio of Paul Delaroche); from the latter he learned the process of paper-negative photography. In the early 1850s, Le Secq applied his artistic training to the production of photographs notable for their expressive interpretation of historic architecture, quiet landscapes, and intimate still lifes.The Commission des Monuments Historiques was so impressed with the results of Le Secq's "mission héliographique" of 1851, which meticulously documented the cathedrals of Reims and Strasbourg, that they asked him to photograph Chartres cathedral in a similar manner. Le Secq fulfilled this second commission in 1852, producing more than forty views of the Gothic monument and its sculptural program. It was characteristic of Le Secq that he should also have explored the side streets of the pilgrimage town and made this view of the sixteenth-century spiral staircase of carved oak, known as the Staircase of Queen Berthe. Museum: Metropolitan Museum of Art, New York, USA.

alb3630962 Empress of Brazil, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes. Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm). Publisher: Issued by Allen & Ginter (American, Richmond, Virginia). Date: 1889.Trade cards from the "World's Sovereigns" series (N34), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Museum: Metropolitan Museum of Art, New York, USA.

alb3703104 Le tric-trac. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas after Charles Eisen.

alb3708958 The Porta Portello, Padua. Dated: c. 1741/1742. Dimensions: overall: 62 x 109 cm (24 7/16 x 42 15/16 in.) framed: 123.8 x 77.5 x 5.4 cm (48 3/4 x 30 1/2 x 2 1/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CANALETTO.

alb3706372 Apollo Holding a Bow and Lyre [reverse]. Dated: 1577. Dimensions: overall (diameter): 5.05 cm (2 in.) gross weight: 49.78 gr (0.11 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Jacopo Nizzola da Trezzo.

alb3703306 A Harlot's Progress: pl.4. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3707546 The Last Judgment. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.

alb3893681 Still Life. Date/Period: 1867. Painting. Oil on canvas. Height: 810 mm (31.88 in); Width: 997 mm (39.25 in). Author: CAMILLE PISSARRO.

alb3895533 The Ahirkapi Lighthouse. Date/Period: First half of the 20th century. Painting. Oil on canvas. Height: 825 mm (32.48 in); Width: 1,100 mm (43.30 in). Author: Michel Zeno Diemer.

alb3893695 La rue Saint-Honoré: effet de soleil, après-midi / Rue Saint-Honoré, Sun Effect, Afternoon. Date/Period: 1898. Painting. Oil on canvas. Height: 65.4 cm (25.7 in); Width: 54.6 cm (21.5 in). Author: CAMILLE PISSARRO.

alb3893697 Boulevard Montmartre, Spring. Date/Period: 1897. Painting. Oil on canvas. Height: 650 mm (25.59 in); Width: 810 mm (31.88 in). Author: CAMILLE PISSARRO.

alb3893683 Sunset at Eragny. Date/Period: 1890. Painting. Oil on canvas Oil on canvas. Height: 82.7 cm (32.5 in). Author: CAMILLE PISSARRO.

alb3893672 Morning Sunlight Effect, Eragny. Date/Period: 1899. Painting. Canvas and oil. Height: 660 mm (25.98 in); Width: 817 mm (32.16 in). Author: CAMILLE PISSARRO.

alb3895723 Five Eldest Children of Charles I. Date/Period: 1637. Painting. Oil on canvas. Height: 163.2 cm (64.2 in); Width: 198.8 cm (78.2 in). Author: Anthony Van Dyck.

alb3895733 The Betrayal of Christ. Date/Period: 1608/1630. Painting. Oil on canvas. Width: 44.5 in. Height: 55.88 in (canvas). Author: Anthony Van Dyck.

alb3897562 Entrance to the Grotto at Posilippo, Naples. Date/Period: 1781. Drawing. Watercolor and gray ink over graphite on medium slightly textured cream laid paper. Height: 321 mm (12.63 in); Width: 232 mm (9.13 in). Author: Francis Towne.

alb3898943 Christ Nailed to the Cross. Date/Period: Ca. 1481. Painting. Oil on oak. Height: 48.4 cm (19 in); Width: 93.9 cm (36.9 in). Author: Gerard David.

alb3899130 A View of Walton Bridge. Date/Period: 1754. Painting. Oil on canvas. Height: 487 mm (19.17 in); Width: 764 mm (30.07 in). Author: CANALETTO.

alb3899132 The Bucintoro at the Molo on Ascension Day. Date/Period: Ca. 1745. Painting. Oil on canvas Oil on canvas. Height: 1,149.86 mm (45.27 in); Width: 1,626.87 mm (64.05 in). Author: CANALETTO.

alb3899137 Veduta del Palazzo Ducale di Venezia / View of the Ducal Palace in Venice. Date/Period: Before 1755. Painting. Oil on canvas. Height: 51 cm (20 in); Width: 83 cm (32.6 in). Author: CANALETTO.

alb3893725 General John S. Casement and His Outfit. Date/Period: Between 1867 and 1868. Albumen print. Width: 31.3 cm. Height: 22.5 cm (sheet). Author: ANDREW J. RUSSELL.

alb3899119 St. Paul's Cathedral. Date/Period: Ca. 1754. Painting. Oil on canvas. Height: 52.1 cm (20.5 in); Width: 61.6 cm (24.2 in). Author: CANALETTO.

alb3895485 L'assassinat du duc de Guise au château de Blois en 1588. Date/Period: 1834. Painting. Oil on canvas. Height: 570 mm (22.44 in); Width: 980 mm (38.58 in). Author: PAUL DELAROCHE.

alb3893729 Ecce Homo. Date/Period: Ca. 1605. Painting. Height: 1,280 mm (50.39 in); Width: 1,030 mm (40.55 in). Author: CARAVAGGIO.

alb3897744 Deer in a Monastery Garden. Date/Period: 1912. Painting. Oil on canvas. Height: 75.5 cm (29.7 in); Width: 101 cm (39.7 in). Author: FRANZ MARC.

alb3894029 Saint Vincent on the Gridiron. Date/Period: From 1500 until 1510. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 1,758 mm (69.21 in); Width: 973 mm (38.30 in). Author: MASTER OF CASTELSARDO.

alb3897746 The Tiger. Date/Period: 1912. Painting. Color woodcut on paper. 24 × 20 cm (9.4 × 7.8 in). Author: FRANZ MARC.

alb3894594 Les déchargeurs de charbon The Coalmen Die Kohlenträger. Date/Period: Ca. 1875. Painting. Oil on canvas. Height: 540 mm (21.25 in); Width: 660 mm (25.98 in). Author: CLAUDE MONET.

alb3673244 Cast of a Bird Head. Culture: Lapita people. Dimensions: H. 1 1/2 x W. 7/8 x D. 1 1/16 in. (3.8 x 2.2 x 2.7 cm). Date: mid-20th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3670029 Wood statuette of Hekate. Culture: Egyptian, Ptolemaic. Dimensions: H.: 9 3/16 in. (23.4 cm). Date: 304-30 B.C..Carved out of juniper wood, the statuette was originally painted. Museum: Metropolitan Museum of Art, New York, USA.

alb3672132 Peasant. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: sheet: 13 x 8 1/2 in. (33 x 21.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3671886 Carnelian ring stone. Culture: Roman. Dimensions: Length: 13/16 in. (2.1 cm). Date: 1st century B.C.-3rd century A.D..Apollo, resting lyre on draped female statuette. Museum: Metropolitan Museum of Art, New York, USA.

alb3671216 Design for a Coffee Urn. Artist: Anonymous, French, 18th century. Dimensions: 25 1/8 x 19 11/16 in. (63.8 x 50 cm). Date: ca. 1770-90.This work is part of a collection of drawings for furniture, clocks, candelabra, etc. for decoration of the Chateau de Laeken (outside Brussels in the area formerly called Schoonenberg, now the Belgian Royal Palace). The designs were sent to Albert, Duke of Saxe-Teschen and the Archduchess Marie Christine, governors of Belgium from 1780-1790, from artisans in Paris, Vienna, and England.See 65.547.18b for a hand-written estimate for a repair to the object. Museum: Metropolitan Museum of Art, New York, USA.

alb3677906 Vedute altre prese da i luoghi altre ideate. Designer: Designed by Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3736748 Mary, Princess of Orange. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Faithorne after Sir Anthony van Dyck.

alb3738901 Le concert. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Claude Richard de Saint-Non after Hubert François Gravelot.

alb3730069 Alexander and Thaïs Setting Fire to Persepolis. Dated: probably c. 1592. Dimensions: overall: 21.1 x 14 cm (8 5/16 x 5 1/2 in.). Medium: pen and brown ink with brown wash and white heightening on paper washed orange-brown. Museum: National Gallery of Art, Washington DC. Author: LODOVICO CARRACCI.

alb3734795 The Martyr of Equality. Dated: 1793. Dimensions: plate: 24.4 x 22 cm (9 5/8 x 8 11/16 in.) sheet: 26.7 x 22.5 cm (10 1/2 x 8 7/8 in.). Medium: hand-colored etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Isaac Cruikshank.

alb3696764 The Future Philip II of Spain as Prince of Austria [obverse]. Dated: 1548/1549. Dimensions: overall (diameter): 7.8 cm (3 1/16 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: LEONE LEONI.

alb3626344 Sardonyx lentoid seal. Culture: Minoan. Dimensions: Diameter 1.4 cm. Date: ca. 1450-1400 B.C..Griffin. Museum: Metropolitan Museum of Art, New York, USA.

alb3625878 Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: 84 3/4 x 42 3/4 in. (215.3 x 108.6 cm). Date: 1876, reworked 1885.Whistler's portrait of the great Victorian actor Henry Irving (1838-1895) recalls Diego Velázquez's court portraits in its format, pose, and restricted palette of black, white, silvery grays, and golden ochers. Whistler had been impressed by Irving's 1876 appearance in the role of the grandfather of Philip IV, Velázquez's patron, in Alfred Lord Tennyson's verse play Queen Mary Tudor. Discussing Whistler's canvas in 1907, the actress Ellen Terry suggested the associations with Velázquez that the actor and the artist might have had in mind in emulating the Spanish master's style. She observed that Irving, "in his dress without much colour (from the common point of view), his long grey legs, and his Velasquez-like attitudes, looked like the kind of thing which Whistler loved to paint. Velasquez had painted a real Philip of the same race; Whistler would paint the actor who created the Philip of the stage.". Museum: Metropolitan Museum of Art, New York, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3888415 An Allegory of the Tudor Succession: The Family of Henry VIII. Date/Period: Ca. 1590. Painting. Oil on panel. Height: 1,143 mm (45 in); Width: 1,822 mm (71.73 in). Author: UNKNOWN.