Pesquisando por: ""agencia:Album"" - Fotoarena - Agência de fotojornalismo

akg8224188 Mongolia. - Map of Mongolia. - Detail. Mongolian, 19th century, inscribed in Uighur script. On canvas. Ulan Bator, State Central Museum. Author: ANONYMOUS.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg078634 Wagner, Richard, Composer, 1813-1883. Works: Götterdämmerung (Premiere 1874). Festival Bayreuth 1954: Scene in the 2nd act. (Produced by Wieland Wagner). Photo.

akg077944 Wagner, Richard; German composer; 1813-1883. Works: Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg), 1868. - Design for stage set IV "Festwiese" (fairground). BayreuthFestival production, Germany, 1933/34. - Drawing (in colour) by Emil Preetorius (1883-1973). Copyright: © www. preetoriusstiftung. de.

akg3010423 Herter, Ernst; 1848-1917. "Sterbender Achilles", um 1880. Skulptur.

akg3092080 Wübbel, Bernhard; 1921-2013. "Tossa - Castle". Photo, 1960.

akg4445777 Sea battle of Lepanto, 1571. Naval crash between the fleet of Mehmet Alì Pasha and that of the alloy Saint, composed of papal Spanish, Venetians and to the commando of don Giovanni of Austria. the Turkish fleet was destroyed by the Christian forces, but that Victoria was not sufficient to block Turkish expansionism in the Mediterranean. Detail from painting of anonymous person of the 16th century.

akg6550646 Andy Warhol, 1928-1987. "Four White on White Mona Lisas Four Gold on White Mona Lisa" (Four Mona Lisa in White on White Four Mona Lisa in Gold on White), 1980. Acrylic and silkscreen on canvas, 134 × 204 cm. Private collection. Copyright: © Andy Warhol / www. arsny. com.

alb29115184 JENNIFER LOPEZ in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.

alb29115180 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.

alb29115181 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.

alb29115185 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.

alb29115179 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.

alb29115183 JENNIFER LOPEZ and BRETT GOLDSTEIN in TURBULENCIA EN LA OFICINA (2026) -Original title: OFFICE ROMANCE-, directed by OL PARKER. English title: OFFICE ROMANCE.

alb29116788 SAMARA WEAVING in POR ENCIMA DE TU CADAVER (2026) -Original title: OVER YOUR DEAD BODY-, directed by JORMA TACCONE. English title: OVER YOUR DEAD BODY.

alb29116799 JASON SEGEL and SAMARA WEAVING in POR ENCIMA DE TU CADAVER (2026) -Original title: OVER YOUR DEAD BODY-, directed by JORMA TACCONE. English title: OVER YOUR DEAD BODY.

alb29116789 JASON SEGEL and SAMARA WEAVING in POR ENCIMA DE TU CADAVER (2026) -Original title: OVER YOUR DEAD BODY-, directed by JORMA TACCONE. English title: OVER YOUR DEAD BODY.

alb29116101 RUPAUL in STOP! THAT! TRAIN! (2026), directed by ADAM SHANKMAN. English title: STOP! THAT! TRAIN!.

alb29116099 LISA RINNA and JUJUBEE in STOP! THAT! TRAIN! (2026), directed by ADAM SHANKMAN. English title: STOP! THAT! TRAIN!.

alb29116100 RUPAUL in STOP! THAT! TRAIN! (2026), directed by ADAM SHANKMAN. English title: STOP! THAT! TRAIN!.

alb9659013 Ilustración de August von Kreling de Fausto de Goethe.

alb29109887 Maison carrée à Nismes, Exterior of the Maison Carrée in Nîmes, France, print, page, inscription: 'Rittner & Goupil Boulevd Montmartre 15', inscription: 'Hr. Bossance Quai Voltaire 11', inscription: 'NP Lerebours Place du Pont Neuf 15', printmaker: J. Callow, after drawing by anonymous, after photo by Noël Marie Paymal Lerebours, Nîmes, publisher: Noël Marie Paymal Lerebours, Paris, publisher: Rittner & Goupil, publisher: Jean-Hector Bossange, in or after 1839 - in or before 1841, printer (person), paper, aquatint, height 149 mm x width 207 mm, temple, shrine, Roman religion, façade (of house or building), Maison Carrée, A large stone temple with a row of tall fluted columns topped by ornate capitals stands on a raised platform, its pediment and richly decorated frieze visible beneath a tiled roof; the façade shows worn blocks and sheltered niches, and a set of steps leads up to the platform. In front of the temple a metal fence runs along the sidewalk with lampposts placed nearby. Several people in period clothing stand or walk by the fence, including a small group conversing by a lamppost and others spaced along the pavement. Flanking buildings with multiple windows and sloped roofs are visible on either side of the temple. The scene is rendered in a monochrome, etched style with detailed shading.

alb29102527 Two lions fighting over an antelope, print, annotation: '1st proof', printmaker: Eugène Van Hove (signed by artist), 1879 - 1910, paper, etching, intaglio printmaking technique, height 222 mm x width 303 mm, beasts of prey, predatory animals: lion, hoofed animals: antelope, A detailed monochrome etching shows two large big cats lying on the ground amid grasses and low bushes; one cat is on its side with a prominent flowing mane and a snarling facial expression, the other is positioned with muscles and limbs tensed and its mouth open as if vocalizing or lunging; their paws and claws are visible, and the scene includes textured rocks and tufts of grass in the foreground with dense, sketchy shrubbery and a distant low horizon in the background.

alb29102506 Zermatt, View of Zermatt, Switzerland, page, photomechanical print, maker: L. Détard, maker: Institut Graphique de Zürich, c. 1892 - in or before 1897, paper, collotype, photoprint, height 117 mm x width 165 mm, prospect of village, silhouette of village, mountains, A sepia-toned mountain landscape showing steep, rugged peaks with patches of snow near their summits and forested slopes descending into a valley where terraced fields and scattered trees appear; a village sits in the valley foreground with clustered buildings including a structure topped by a steeple and other multi-story roofs, while rocky ridges and grassy slopes frame the scene and a small wooden shelter stands on a hillside at the right edge.

alb29109889 German Village.- on the Midway, View of a recreated German village at the World's Columbian Exposition in Chicago in 1893, page, photomechanical print, number: 'Plate 100', photographer: Charles Dudley Arnold, Chicago, photographer: HD Higinbotham, cliché maker: anonymous, 1893, Charles Dudley Arnold, HD Higinbotham, photographer, cliché maker, North America, Illinois, paper, collotype, photoprint, height 133 mm x width 191 mm, world fair, world exhibition, World's Columbian Exposition, A panoramic view of timber-framed buildings with steep, multi-gabled roofs and ornamental spires, featuring dormer windows and decorative half-timber patterns on upper walls, a tall tower with a covered balcony and a pointed roof rising above the central structure, arched openings and rectangular windows on lower levels, a foreground wall with an arcade and a lamppost casting a shadow on the lawn, awnings over entrances, bare tree branches visible at the left edge, and a skyline of varied rooflines and finials against a pale sky.

alb29102588 View of Crayestein House in Tricht, The Krajestijn House, in the County of Buuren, Village views across the Linge, print, Series number, 10, 12, Numbered top right: 10., printmaker: Antoine Radigues, after drawing by Jan de Beijer, publisher: Pierre Fouquet, Amsterdam, 1750 - 1764, paper, etching, height 149 mm x width 210 mm, This print first appeared in a series of twelve prints published by Pierre Fouquet junior in the second half of the eighteenth century. This series consisted of prints of: Spijk, Nieuwland, Heukelum (3x), Ensapijk, Leerdam, Deil, Gellicum, Asperen, Acquoy and Craijenstein (near Tricht). Later, these prints were used in: Gezigten van voornaame Hollandsche dorpen. Amsterdam: Evert Maaskamp, ca. 1775-1800., landscape with tower or castle, Tricht, A finely detailed black and white etching shows a riverside scene with a tall stepped-gable brick building rising from the water at the center, its roof pitched and topped by a small tower with a flag. A wooden bridge and sluice structure adjoin the building, spanning the water and reflecting in the river below. Trees with dense foliage frame both sides of the composition, with clusters of smaller houses and architectural elements partially visible among the trees. Figures in period clothing stand and converse near the riverbank and pathways, and a fenced garden area and a gate appear on the right. The sky is filled with layered, linear cloud formations rendered with parallel hatching.

alb29102577 Portrait of Isaac da Costa, I. Da Costa, print, poet and prose writer, bareheaded. Knee-length, seated in a chair turned to the left., printmaker: Johannes Philippus Lange, after drawing by Coenraad Hamburger, publisher: JH Laarman, 1820 - 1849, paper, steel engraving, height 228 mm x width 147 mm, Person, Gijsbertus Martinus Cort Heijligers, A monochrome engraving shows a seated man wearing a dark, textured coat with wide lapels over a buttoned vest and a high-collared shirt with a cravat, his hair short and wavy with sideburns, his face turned slightly toward the viewer with a neutral expression, one hand resting on his knee and the other on the arm of an ornate upholstered chair with carved wooden frame and curved armrest, the figure positioned against a plain light background with soft shaded areas behind the chair and a large flowing signature-like flourish visible below the seated portrait.

alb29102549 Buddhist text - Prayer for rebirth in the pure land of Sukhavati called Dechen Monlam, by master Raga Asja the first reincarnation of the Karma Chagme lineage Tib. rnam dag bde can zhing gi smon lam ra+a ga a syas mdzad pa bzhugs sto, unknown role of the creator / author, Buddhist art, Tibetan culture, prayer text, graphic print. Book in Tibetan pecha style, xylographic print in disciple script dbu can. Pages numbered on the recto side first page verso, 25 folios. 1 verso page and 2 recto illustrations. Edges tinted yellow. The original text of the prayer called Dechen Monlam Tib. bde chen smon lam, by master Raga Asja Tib. ra ga a syas, the first tulku of the Karma Chagme Tib. kar ma chags med reincarnation lineage, dates from the 17th century. 19th century, Tibet. Graphic; width 25.5 cm, height 8.7 cm., A rectangular image showing two horizontal cream-colored paper sheets placed on a dark brown background, each sheet containing a framed block of hand-drawn dark gray markings arranged in lines; the top sheet is positioned above the lower sheet with a dark gap between them, and both sheets show narrow yellowed edges and slight smudges and worn corners in gray; the framed blocks have thin double borders and the paper surfaces display subtle off-white and beige variations.

alb29102546 Farmer's wife of Walcheren, print, The head of a woman in Walcheren traditional costume., printmaker: Hendrik Johannes Haverman, printer (person): Lankhout & Co, Samuel, The Hague, 1897-10-17, Hendrik Johannes Haverman, Lankhout & Co, printmaker, printer (person), paper, lithography, lithografie, height 406 mm x width 302 mm, A detailed black and white portrait of an elderly woman shown in profile facing right, wearing a large triangular headscarf with a scalloped edge, a beaded necklace, and a simple garment; her face and neck show deep wrinkles and textured skin, her brow is furrowed and her nose is prominent, and the background behind her is dark and shaded.

alb29102591 Prospect des Marcktes gegen Mittag, View of the Market, at Rothenbrug ob der Tauber, print, Numbered top right: 5., publisher: Adam Wolfgang Winterschmidt, 1758 - 1796, printmaker, paper, etching, engraving, height 198 mm x width 302 mm, square, circus, Bavaria, Rothenburg ob der Tauber, A spacious town square is bordered by tall, steep-roofed buildings with ornate gables and rows of windows, a multi-story structure with a tower stands to the right, and a large building with arched openings and steps occupies the near right corner; a fountain with a sculptural column sits near the center front of the square, and a well or covered shaft with a crank mechanism stands slightly left of it; people in period dress are scattered across the cobbled surface in small groups and pairs, some near horse-drawn carts and carriages, while riders on horseback appear on the square and at the street edges; narrow side streets extend between the clustered buildings toward the background, and distant rooftops and hilly terrain are visible beyond; the sky above is filled with layered, textured clouds.

alb29102509 Guanyin Giving Birth to a Son on a Rock; sculptor unknown. Figurine of the goddess made of light coffee-colored alabaster, on a stone base feldspar with red and pink spots, painted with black lacquer. Goddess holds a rosary in her right hand and a child in her left. Chinese; Qing dynasty 1644-1911; 18th-19th century. Sculpture; height 18.2 cm, width 13.8 cm., A carved figure in a warm beige color sits on a dark, glossy black base that resembles a rocky form; the figure appears draped in flowing robes with layered folds and holds a smaller figure on its lap, with a string of beads hanging from one hand and a headpiece with soft curls atop the larger figure's head; the background is a smooth gradient from deep charcoal at the top to pale gray near the bottom.

alb29102554 The seamstress (original title on object), print, printmaker: Philip Zilcken (signed by artist), after design by Jozef Israëls (signed by artist), 1890 - 1930, paper, etching, drypoint, intaglio printmaking technique, height 222 mm x width 182 mm, adult woman, sewing, A sepia-toned drawing shows a seated figure wearing a head covering and a simple dress, holding fabric and needlework in their hands while looking downward; the figure sits on a wooden chair with visible slats and a woven seat, and long folds of the skirt drape over the legs and feet. To the left there is a window with panes and a light curtain partially drawn, casting lighter tones against the darker interior wall panels behind the figure. The room is rendered with fine crosshatching and textured shading, creating contrasts between the illuminated window area, the mid-tones around the figure, and the deep shadowed corners of the space.

alb29102529 Double-sided gingerbread mold; obverse: female figure in a hat and long patterned dress; reverse: baby in swaddling clothes richly decorated with geometric and plant ornament. Rectangular form, decorative folk-art style, 18th-19th century, Province of Silesia 1742-1918. Dimensions: height 23.5 cm, width 9.5 cm, depth 2.6 cm. Subjects: babies, customs, plant ornaments, female figures in rich dresses., A narrow vertical wooden plank centered against a plain light gray background, showing a light brown wood tone with a worn surface, several small dark round holes scattered along its length, some darker scuff marks and a faded oval patch of darker brown near the upper middle, and slight edge wear and chipping at the bottom.

alb29102524 Teachers of Friend's School, Providence, R.I. Group Photo., 1850 - 1930, 1874, Rhode Island, Providence (R.I.), Quakers, Teachers, Albumen prints.

alb29102551 Les deux Femmes au Zodiaque, Photo reproduction of an engraving of two young women with a zodiac in the background by Marcantonio Raimondi, Marc Antoine Raimondi, photograph, reproduction, page, photographer: Benjamin Delessert, after print by Marcantonio Raimondi, after design by Rafaël, c. 1848 - in or before 1853, Marcantonio Raimondi, after print by, paper, salted paper print, height 277 mm x width 193 mm, adolescent, young woman, maiden (two persons), zodiac, the twelve zodiacal signs together, A monochrome engraving showing two draped women standing outdoors beside a tree and a rectangular plinth; the woman on the left is seated on the plinth with one foot on it and holds an open book or tablet, her head bowed and hair braided back, while the woman on the right stands slightly turned toward the left with flowing hair and a draped garment, one hand resting on the edge of the plinth and the other holding a narrow object; foliage appears behind them and there are shaded rays or bands in the upper right of the image.

alb29102573 Veduta di dentro del Palazzo de ss.ri Falconier, Facade of the courtyard of Palazzo Falconieri, Roman palaces, Palazzi di Roma, Palazzi di Roma dei più celebri architett, print, album page, Print is part of an album., number: '81', printmaker: Giovanni Battista Falda, Italy, after design by Francesco Borromini, Rome, publisher: Giovanni Giacomo de' Rossi, grantor of privilege: Papal Court, Vatican City, dedicated by: Giovanni Giacomo de' Rossi, dedicated to: Antonio Barberini (I), in or after 1655, Giovanni Giacomo de' Rossi, Papal Court, Antonio Barberini (I), printmaker, after drawing by, after design by, publisher, grantor of privilege, paper, etching, height 321 mm x width 359 mm, This print is part of the series titled: Palazzi di Roma. This series consists of two books. Book one, titled: Palazzi di Roma dei più celebri architetti..., consists of 44 prints attributed to Giovanni Battista Falda (name appears only on print 27) and published by Giovanni Giacomo de'Rossi. These 44 prints are known in two states (with and without number). Book two, titled: Nuovi disegni dell'architetture... libro secondo, contains 66 prints by Giovanni Battista Falda and Simone Felice. These 66 prints are known in two states (with and without number)., palace, façade (of house or building), inner court of palace or 'hôtel', Palazzo Falconieri, A detailed architectural elevation showing a facade with multiple horizontal bands and vertical pilasters, rows of rectangular window openings with decorative cornices above some, rounded arch recesses set into flat wall panels, fluted column-like elements and plain rectangular panels, a tiled roof with a pronounced cornice, and repetitive molding and shadow lines creating a sense of depth across the surface.

alb29102571 You-type vessel with a lid on a stand, Chinese art, Qing dynasty 1644-1911, Qianlong period 1736-1795; cloisonné cellular enamel ritual/ceremonial vessel you decorated with images of birds and a taotie mask in powerful stylization; decorative motifs and plastic insets borrowed from archaic bronzes, with animal-head terminals on the movable handle; wooden elongated stand mattly polished rosewood decorated with bas-relief bats and spiral ornament; originally used as a vessel for storing alcoholic beverages during the Shang Dynasty. Dimensions - vessel: H 39.0 cm, W 24.0 cm, D 19.0 cm, weight 5.6 kg; stand: H 55.0 cm, W 30.0 cm, D 18.0 cm, weight 1.8 kg., A decorative vessel with a rounded body and a domed lid sits on an ornate carved wooden stand, the vessel suspended by a vertical carved wooden handle that rises above it; the vessel is richly patterned in bright blue and light blue with accents of gold and touches of red and green, and features symmetrical decorative motifs and gold ornamental fittings on its sides and rim; the wooden elements are deep brown with intricate carved details and the background is a neutral gray.

alb29102583 The ruined cities of Ceylon, book, name: 'J. Hanley Power', writer (clerical worker): Henry William Cave, publisher: Sampson Low, Marston & Company, London, 1897, writer (clerical worker), textile materials, pasteboard, paper, linen (material), printing, Woodbury engraving, color on cut, Woodbury engraving and color on cut, height 285 mm x width 225 mm x thickness 33 mm, A light-colored page with ornate decorative lettering across the top center and left, a pair of large ornate initials with swirling leaf-like embellishments, smaller plain characters between and below them, a short horizontal rule near the middle, a faint vertical smudge near the left edge, a narrow darker strip along the left margin, a few small scattered brown spots on the paper, and light printed lines and small printed blocks of text near the lower half of the page.

alb29102579 Young woman kneels before her mother, print, Surrounded by several men, a young woman sits with clasped hands in a kneeling position before her seated mother., printmaker: Reinier Vinkeles (I), Amsterdam, 1799, paper, etching, engraving, etching and engraving, height 239 mm x width 156 mm, Illustration from: Richardson, Samuel. History of Karel Grandison. Amsterdam: Johannes Allart, 1797-1802., picture, painting, mother and daughter(s) (family group), kneeling figure, A monochrome engraved interior shows a seated woman in a full dress holding the hands of a kneeling young girl in a flowing gown, with the girl's back to the viewer and her long hair visible; three standing men in period clothing and wigs look on from the right and left, two leaning forward and one with arms crossed, while one man rests a hand on the seated woman's chair; a window with draped curtains is visible at the left, a partially open door and framed picture hang on the wall behind them, and a single empty chair stands in the foreground.

alb29102578 Portrait of Willem Karel Hendrik Feuilletau de Bruyn, print, printmaker: Johan Hendrik Hoffmeister, Netherlands, printer (person): Koninklijke Steendrukkerij van E. Spanier, The Hague, c. 1851 - c. 1883, printer (person), paper, chine collé, lithography, lithography on chine collé, height 400 mm x width 285 mm, historical persons ((full) bust portrait), knighthood order, A monochrome portrait of a bearded man shown from the chest up wearing a dark military uniform with decorative shoulder epaulettes and a high collar, his hair neatly combed and a full beard framing his face, buttons running down the front of his coat and several ornamental medals on his chest, shaded sketching and fine dot work create highlights and shadows across his features and uniform against a pale background.

alb29102530 View of the Roman Forum in Rome, album page, photograph, This photo is part of an album., inscription: '292 FORO ROMANO', Rome, 1870 - c. 1895, photographer, paper, pasteboard, albumen print, height 198 mm x width 257 mm, ruin of a building, architecture, Roman Forum, A wide sepia photograph of an archaeological site showing scattered stone ruins and fragmented columns across uneven ground, with three tall standing columns with carved capitals on the left and a large archway structure with decorative details on the right, a long multi-story building with many windows and a tower rising behind the central area, rows of arches and stone stairways amid the ruins, rubble piles and stone blocks arranged in the foreground, and two small human figures walking along a pathway near the center of the scene.

alb29102504 Wheatnut, drawing, draftsman (artist): Pieter Holsteyn (I), 1600 - 1662, draftsman (artist), paint (coating), watercolor (paint), paper, gouache (paint), gouache in colors, height 156 mm x width 198 mm, song birds: wheatear, A side view of a small bird standing on a pale, uneven surface with long thin dark legs and clawed feet, featuring a streamlined body with grayish upperparts, warm buff coloring on the throat and upper chest, white underparts, and darker brown wings and tail; the bird has a short pointed dark beak, a rounded head with a dark eye, and fine feather detail against a light, textured background.

alb29102532 Bottle, unknown eastern workshop, Goluchów Greater Poland Voivodeship, 3rd-4th century, vessel, height 10 cm, width 3.8 cm, A worn rounded vessel with a narrow neck and flared rim, shown against a light background; the surface is predominantly deep blue with areas of darker navy and patches of lighter blue, along with several irregular mottled spots of brown and tan discoloration and some textured rough areas; the rim and neck show darker blue and near-black tones; the base sits on a reflective surface that shows a pale gray reflection.

alb29102542 Print of Pastor Henri Thomas, print, The sitter is seated on a chair next to a table with a lectern on it. An open book lies on the lectern, above which stands a crucifix. The sitter has his left hand on his stomach. Below the portrait is a four-line Latin caption., printmaker: Johann Peter Berghaus, Leiden, 1860-07-14, printer (person), paper, chine collé, lithography, lithography on chine collé, height 371 mm x width 272 mm, height 358 mm x width 496 mm, historical persons, crucifix, personal devotion, book - MM - book open, lector, An elderly man with thinning hair sits in a carved upholstered chair wearing a dark buttoned robe with a wide textured sash around his waist, one hand resting on his abdomen and the other on his knee; to his right a small table holds an open book on a slanted lectern and a tall crucifix mounted beside it, and the scene is rendered in a detailed monochrome drawing with soft shading.

alb29102522 Grabmal, Prudentia, Detail of the tomb of Pope Clement II in the cathedral of Bamberg, album page, photograph, This photo is part of an album., number: '135', Bamberg, 1900 - c. 1920, photographer, Bavaria, paper, baryta paper, gelatin silver print, developing gelatin silver print, height 166 mm x width 226 mm, Person, Clemens II, interior of church, Bamberg Cathedral, A grayscale photograph of a sculpted relief showing a seated nude figure viewed from behind and in profile, with a bobbed hairstyle and turned head, one arm bent and holding a large round vessel against the shoulder while the other arm rests downward, draped fabric cascading beside the figure, a textured stone background with diagonal streaking and surface blemishes, and the image bordered by a light brown mat.

alb29102562 Vase, Chinese, Qing 1644-1911, ceramics; colored porcelain with landscape, architectural, and plant motifs; Bangping vase from the green family; cylindrical with a shortened neck on a wide, flat ring foot; decorated with the text by Wang Bo titled Prologue to the Poem on the Pavilion of Prince Teng and a landscape composition depicting the pavilion and its surroundings; 19th century, China; vessel; height 40.4 cm, diameter 17.8 cm, weight 2.7 kg., A tall ceramic vase with a cylindrical body and narrow neck standing against a neutral gray background; the vase surface is primarily white with a glossy finish and decorated with several bands of patterned ornament in green and reddish-orange near the neck and base, a group of dense vertical dark brushstrokes forming repeated columns across much of the body, and a few small red seals near the lower side; the top rim shows a decorative green scrolling motif and dotted border, the shoulder area has a green patterned panel with a small painted scene in muted colors, and the base features a green ribbed band above a thin brown foot ring.

alb29102525 Medan. Medan Hotel, Garden and veranda of the Medan Hotel, photomechanical print, Part of Album with heliogravures of Sumatra's east coast., number: '9', photographer: Carl J. Kleingrothe, Medan, cliché maker: Johann Baptist Obernetter, Munich, in or before 1898, Carl J. Kleingrothe, Johann Baptist Obernetter, photographer, cliché maker, Bavaria, Sumatra, paper, photoaquatint, heliogravure, height 176 mm x width 290 mm, garden, trees: palm-tree, loggia, verandah, porch, A large building with a covered veranda is partly obscured by tall palm trees and other tropical foliage, with a wide driveway curving past manicured grass and planted borders, ornate columns and railings supporting the veranda, visible shuttered windows on the upper floor, a few potted plants and small decorative posts lining the lawn edge, and a person standing near the veranda under its shaded archways.

alb29102513 Vitae Gaudium, Ex libris of Maurits Mendels, print, bookplate, Three swallows by a sheaf of corn., number: '41', printmaker: Richard Nicolaüs Roland Holst, 1924, paper, line block, height 160 mm x width 141 mm, Person, Maurits Mendels, song-birds: swallow, sheaf, A circular black and cream graphic with a thick black ring surrounding a central illustration of a person wearing a textured hat and a scarf, rendered in bold black lines and stippling, with decorative radial shapes and curved black segments around the rim.

alb29102587 Robert Macaire posing as a banker, Caricatures, Caricaturana, cartoon, Series number, 85, 100, printmaker: Honoré Daumier, printmaker: Charles Philipon, printer (person): Aubert & Cie., Paris, 1838, printer (person), paper, lithography, letterpress printing, lithography with text in letterpress on verso, height 358 mm x width 238 mm, Print possibly from: Le Charivari, July 9, 1838., banker, A pencil sketch of a group of men standing close together, most wearing tall top hats and long coats, with visible facial hair and expressive faces; one man in front holds a hand to his chest and leans slightly back while another opposite him gestures with open hands and has a lined, open-mouthed expression; behind them are other figures peering forward, some with downturned or neutral mouths; clothing includes high collars, scarves, waistcoats, skirts or aprons on one figure, striped trousers, and shoes; the scene shows uneven cobblestone ground and a stone wall or doorway at the left edge.

alb29102538 River landscape with fishermen, Picturesque landscapes, Croquis pittoresques by Eugène Cicéri, print, Series number, 23, number: '2082', printmaker: Eugène Cicéri, Paris, printer (person): Joseph Rose Lemercier, publisher: Goupil & Cie., 1854, printer (person), paper, tone lithography, height 284 mm x width 400 mm, commercial fishery, river (landscape with figures, staffage), low hill country (landscape with figures, A wide riverside scene rendered in muted tones showing a calm body of water bordered by grassy banks and clusters of trees, with reflections of the trees visible on the water's surface; a small boat floats near the far bank among dense foliage and tall trees rising above lower shrubs, while on the near bank a figure stands holding a long pole and another figure sits nearby wearing a wide-brimmed hat, with gentle hills and distant vegetation forming the background under a pale sky.

alb29102567 Table Rock, looking down, in winter. Additional, American view, Niagara Falls., 1850 - 1930. New York (State), Niagara Falls (N.Y. and Ont.). Albumen prints.

alb29102528 Device on an electromagnet for the mechanical operation of induction currents, photograph, page, number: 'No. 195.', photographer: Fredrich Wilhelm Funckler, Netherlands, c. 1857 - in or before 1867, paper, albumen print, height 59 mm x width 52 mm, Photo on page 16., physics (tools, instruments, laboratory equipment, scientific research), A sepia-toned photograph of a mechanical device mounted on a round wooden table is centered on an aged, stained page; the device features a large circular wheel with spokes attached to a central hub and a lever-like arm with a rounded handle, all rendered in dark metal tones, and the table shows visible legs and surface wear, while the surrounding paper has foxing spots and faint shadowed impressions.

alb29102570 View along the IJssel at Middachten Castle and Doesburg, View along the Steeg and the Yssel towards the House, Vüe le long du Steeg et de la riviere vers le Chateau, Views of Middachten Castle, Various beautiful and entertaining views of the old noble House of Middachten, print, Series number, 15, Numbered lower right: 15., printmaker: Hendrik de Leth, Amsterdam, printmaker: Adolf van der Laan, publisher: Andries de Leth, c. 1725 - 1731, paper, etching, height 163 mm x width 209 mm, A detailed monochrome landscape etched scene showing a wide sky filled with layered, textured clouds above a low horizon; a river curves through the middle ground with a small sailboat on its surface and gentle ripples around it; trees and dense shrubbery line the riverbank and foreground, rendered with intricate crosshatching; a distant village with roofs, a steeple, and a larger building sits across open fields, connected by a small bridge and bordered by scattered trees; figures appear near the lower left, with seated and standing people and a table, accompanied by a dog, and a cart with horses and figures is visible farther back along a road.

alb29102518 Necklace, repossession Radom. Egyptian deities, udjat eyes, beads, spherical beads, ornaments. Necklace consisting of 67 straw-shaped beads, 117 flat rings, 10 double flat rings with two holes, 4 balls, 2 udjat eyes 1 eyelet in 2 parts, 1 deity figurine without preserved feet. Predominant color: green; single beads brick-red, brown, and white. 664-332 BC, Late Period, Egypt. Amulet, jewelry; height 98 cm., A beaded necklace arranged on a flat gray background, composed of a string of small cylindrical and disc-shaped beads in pale green and off-white, with several beads in muted pink and some round beads in green and yellowish tones; a larger pale green pendant with an irregular shape is attached near the lower center, and there are a few small rough stone or clay beads in beige and brown along the strand.

alb29102576 Ma biography, book, writer (clerical worker): Pierre-Jean de Béranger, publisher: Charles Arthur Perrotin, Paris, 1857, writer (clerical worker), biological material, paper, leather, albumen print, engraving, printing, height 224 mm x width 150 mm x thickness 33 mm, A pencil sketch of a standing man in profile facing left, shown from head to feet, wearing a long coat with a high collar and hands tucked into the coat pockets, with curly hair at the sides of his head, a downturned gaze, and lightly shaded clothing and shoes on an off-white background with scattered foxing marks.

alb29102593 25 portraits of Mitzi-Dalti and Dolley, Collection Nilsson - Nouvelle Série, page, photomechanical print, number: 'No 317', c. 1895 - in or before 1900, paper, collotype, photoprint, height 239 mm x width 155 mm, historical persons - BB - woman, A vertical sheet showing a grid of sepia-toned portrait photographs of women in vintage dresses and hats, each image framed with a margin, arranged in rows and columns across the page; the women display a variety of poses including seated, standing, leaning, and looking toward or away from the camera, with different hairstyles and accessories such as flowers, ribbons, and elaborate collars; some portraits show studio backdrops like curtains or painted scenery, while others include props such as chairs or tree trunks; the overall tone is aged and warm, with photographic contrast and soft focus typical of antique prints.

alb29102590 Praying nun visited by cloister members, print, printmaker: Reinier Vinkeles (I), Amsterdam, 1798, paper, etching, engraving, height 233 mm x width 154 mm, one person praying, A monochrome engraving shows an interior with a high beamed ceiling and stone walls. A barred window lets light into the room. In the foreground a woman in a long robe and head covering kneels with one hand on her chest and the other extended toward two standing figures. A robed man wearing ornate liturgical vestments and a cross around his neck stands near an arched doorway, holding a hat in one hand and gesturing with the other toward the kneeling woman. Another woman in a robe and head covering stands beside him holding a book and a rosary with a cross, her expression solemn. A fourth, partially visible figure stands behind them. A simple bed with a turned bedpost is visible to the left and the floor is made of rectangular tiles. The image is composed of detailed crosshatching and fine line work.

alb29102575 Portrait of Antoon van Straalen, print, Mayor of Antwerp. Below the portrait his execution, by order of the Duke of Alva., FMP 5164-a, printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, engraving, etching and engraving, height 164 mm x width 114 mm, Later state print used in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Part IV., Person, Antoon van Stralen, on the scaffold or place of execution, A framed oval portrait shows a profile of an older man facing right with a receding hairline, wavy hair, and a pointed beard, wearing a high ruffled collar and a dark cloak with visible fabric texture. The oval rests against a tree trunk with bark detail and surrounding foliage. Below the oval, a crowd scene depicts numerous small figures gathered around a raised platform or stage where a seated figure and attendants appear, with architectural elements and trees in the background. The image is rendered in fine monochrome engraved lines and hatching.

alb29102521 Pavillon du parc, View of a pavilion in a park, probably in Stockholm, page, photomechanical print, number: 'N:o XVI.', maker: V. Wolfenstein, Karlberg Palace, maker: Johannes Jaeger, c. 1888 - in or before 1891, Solna, paper, collotype, photoprint, height 120 mm x width 188 mm, rural housing, eg country-house, villa, cottage, A wide wooden pavilion with a wraparound porch and decorative railing sits partially behind a large tree trunk in the foreground, with tall porch columns and a multi-tiered roof topped by a small cupola and a slender pole; leafy tree branches frame the scene at the top and sides, and a sloped dirt path leads up to the building past a grassy area.

alb29102595 River landscape, Java, drawing, topographical view, draftsman (artist): Adrianus Johannes Bik, c. 1816 - c. 1846, draftsman (artist), inorganic material, paper, chalk, sketch in black chalk, height 173 mm x width 330 mm, A wide pencil sketch of a riverside landscape showing rolling hills with clusters of trees and bushes, shaded and textured with short strokes, a small building with arches and a sloped roof near the water, a tall flagpole beside the building with a waving flag, a simple pier or bridge structure extending toward the water, scattered rocks and stones along the shoreline, faint indications of water and ripples, and various light sketch lines suggesting distant vegetation and terrain.

alb29102555 Portrait of Nicolaas Pieneman at the age of 4, print, Portrait of Nicolaas Pieneman, son of the artist, at the age of 4., printmaker: Jan Willem Pieneman, Northern Netherlands, 1813, paper, etching, height 71 mm x width 48 mm, Person, Nicolaas Pieneman, historical persons, child, A black ink sketch on aged paper showing the upper body of a young person with short, wavy hair and a rounded face, looking slightly to the side; the figure wears a garment with a ruffled collar and a bow at the shoulder, and bold, varied ink strokes create shading and texture around the neck, shoulder, and behind the figure where hatched lines suggest a background element; the paper shows subtle stains, smudges, and faint vertical scratches.

alb29102535 Censer, Chinese, Qing dynasty 1644-1911, 18th century; ceremonial/ritual vessel; backdated signatures; material not specified; height 8.5 cm, diameter 16.8 cm., A low, rounded metal vessel with a bulbous body and a slightly flared rim sits centered on a reflective surface; its exterior shows mottled tones of brown, dark green, and muted gold with a patinated finish, and a small curved handle-like projection is visible on the front, while the interior appears darker with grayish and black hues and the background is a soft pale gray.

alb29102566 A mold for making an amulet lion, lions, casting mold, Ptolemaic Period 332-30 BC, found in Edfu; mold; height 7.1 cm., A rectangular, worn clay object in shades of reddish-brown, tan, beige, and dark gray with an indented relief showing a reclining feline-like form; the surface is cracked and pitted with rough, uneven edges and several small chips, and there are darker smudges and patches across the lower and central areas.

alb29102550 Jug, excavations at Nea Paphos Cyprus - equivalent, Cyprus. Cypriot pottery, Bronze Age Cypriot White Painted I. Jug with a large, oval and flattened belly, an indistinct foot, sloping shoulders, a low and narrow neck with a thickened outer edge of the spout. A small, cylindrical vertical handle, attached to the shoulders of the vessel and to the spout, protrudes slightly above the upper edge of the spout. Orange-cream clay with cream engobe. Painted geometric decoration in brown: on the neck are zigzag bands of three parallel horizontal lines between each band the highest at the edge of the spout. Body decorated with vertical stripes bounded on both sides by lines; at the centers of the sides a single-line zigzag; between them two zigzags with a grid pattern four meshes wide. At the bottom, a continuous horizontal line intersects the lines delimiting the fields. Condition: slight loss at the rim; surface heavily worn and decoration poorly preserved in many places. Dated 1800-1650 BC, Middle Cypriot period II-III, Cyprus; vessel., A rounded ceramic vessel with a short narrow neck and small rounded lip, shown against a plain gray background, with a matte, sandy beige surface that has areas of pale peach and light tan; the vessel bears several faded decorative bands and lattice-like brush patterns in muted brown and gray, with scattered small darker speckles and blotches across the body, and a slightly rough, weathered texture visible on the surface.

alb29102584 Standing French soldier, French infantry in the Netherlands in 1795, print, A standing French soldier, facing left. Part of a series of fifteen plates of French infantry, mainly soldiers and a few officers, in irregular uniform or clothing, as it arrived in the Republic in 1795., printmaker: August Christian Hauck, Northern Netherlands, printmaker: Cornelis Bakker, 1795, paper, etching, engraving, etching and engraving, height 155 mm x width 105 mm, These plates belong to a larger group of which the Atlas van Stolk also has a part (colored)., clothes, costume, (military) uniforms (infantry), French period, infantry, Period, A delicate pencil drawing of a standing figure wearing a brimmed hat with a ribbon, a long coat with visible buttons, breeches, and buckled shoes, holding a long firearm slung over the shoulder and gripping its stock with one hand while the other arm crosses the chest, a knapsack or bag is strapped on the back and a sword or bayonet hangs at the side, all rendered in fine, light lines on a pale, slightly speckled background.

alb29102517 Triumph procession with prisoners, soldiers, lictors and priests, In vita Pauli aemilij Appianus Alexandrinus in Lijbico, Roman triumphs, Amplissimi ornatißimiq triumphi, uti. L. PAVLVS DE rege Macedonum Perse capto, P. Africanus Aemilianus de Carthage: nensibus excisis. C N. Pompeius Magnus ex oriente, Julius Augus: tus, Vespasianus, print, album page, Series number, 8, 11, Procession of prisoners, Roman soldiers, lictors and priests with smoking incense. Title in Latin in bottom margin. Print is part of an album., number: '108', inscription: 'lib. 1. fol. 24', printmaker: Onofrio Panvinio, Italy, after drawing by Jan Snellinck (I), Antwerp, after design by Maarten van Heemskerck, publisher: Govert van Schayck, Rome, 1618, paper, engraving, gravure, height 157 mm x width 363 mm, This print is part of a series of 11 prints (title print) depicting Roman triumphs. This series has been published in six editions (1 Gerard de Jode, 1577-85, 2 Cornelis de Jode, 1596, 3 Govert van Schayck, 4 Giacomo Lauro, 5 Giovanni Giacomo de' Rossi and heirs, 1664-1735, 6 Calcografia Camera Apostolica, after 1738)., the soldier, the soldier's life, prisoner of war (after the battle), priest, Roman religion, ceremonial procession, parade, pageant, installation of a ruler, A wide horizontal engraving showing a procession of groups of people walking from left to right across a flat ground, with clouds of smoke or incense held aloft at points above the marchers. On the left a group of clothed figures walk in close formation, some with draped garments and one carrying a shallow basket on the head. Toward the center a line of helmeted soldiers in armor and short tunics march, some holding crowns or branches and wearing plumed helmets. Further right another group of partially draped fi.

alb29102599 Portrait of Ulrich Ludwig Friedrich Wolf, print, printmaker: Albrecht Wolf, Germany, after drawing by Ludwig Wolf, 1821 - 1835, paper, etching, height 260 mm x width 168 mm, Person, historical persons, A detailed oval engraving of a person shown from the shoulders up wearing round spectacles and a high-collared shirt with a tied neck cloth, a dark fur-lined coat draped around the shoulders, curly hair, and a neutral facial expression, set against a textured hatched background and surrounded by plain paper.

alb29102592 Pointing soldier in conversation with a woman, Soldiers, print, Series number, 1, Numbered top right: 1., printmaker: Johann Georg Wille, Paris, after design by Charles Parrocel, 1753, paper, etching, height 194 mm x width 148 mm, This print is part of a series of at least twelve prints depicting soldiers., the soldier, the soldier's life, index finger forwards, pointing, indicating, A detailed black and white engraving shows a central figure wearing a plumed helmet and a cloak, standing with one arm extended and pointing while the other hand rests near his torso; his clothing and exposed torso are rendered with fine crosshatching and flowing drapery. Surrounding him are several other figures in various seated and crouched poses, some wearing helmets and one with a surprised facial expression looking toward the central figure. Architectural elements include a fluted column at the right and a low stone or platform at the left, and the background contains stylized clouds and a distant landscape. The composition emphasizes strong contrasts of light and shadow, intricate line work, and textured patterns on garments, armor, and skin.

alb29102556 Bowl with a lid, decorated with ducks and peaches, colored porcelain. Chinese, Qing dynasty, Tongzhi period 1862-1874. Porcelain bowl on a ring foot with a lid-stand; exterior painted with a duck among reeds in delicate black line and an inscription. Lid decorated with a branch bearing peach fruit. Vessel, height 9 cm, diameter 10.3 cm., A white porcelain lidded cup with a shallow domed lid sits centered on a reflective surface against a gray background; the cup and lid have thin gold rims and delicate grayish-brown painted botanical and landscape motifs including slender leaves and a textured cluster resembling foliage, and the cup shows faint decorative marks in the same grayish-brown tone, with the reflection of the cup visible below.

alb29102520 Trophy of a blacksmith's instruments, Trophies and festoons, print, ornament print, Vulcan sits on the cloud, forging wings for Amor. From a series of 6 sheets., printmaker: workshop of René Boyvin, after drawing by Rosso Fiorentino (possibly), after drawing by Léonard Thiry (possibly), publisher: Hans de Wael, c. 1551 - c. 1580, René Boyvin, Rosso Fiorentino, Léonard Thiry, Hans de Wael, after drawing by, publisher, paper, engraving, gravure, height 261 mm x width 76 mm, A vertical engraving showing a seated bearded man with muscular arms and a focused expression holding a hammer and tongs while working on a winged object, positioned on a cloud above a young nude child who stands beside a small anvil and tools; below them a dense cascading arrangement of various tools and hardware elements including saws, clamps, compasses, hammers, hooks, wedges, tongs, pliers, and curved metal pieces, all tightly interlocked into a pointed hanging cluster that terminates in a woven basket holding sharp fragments and a small suspended cup at the bottom.

alb29102565 Preaching of John the Baptist on the banks of the Jordan, print, book illustration, printmaker: Jan Luyken, Amsterdam, publisher: Jan Rieuwertsz. (II), publisher: Barent Visscher, 1706, paper, etching, height 90 mm x width 79 mm, Illustration for: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) and Barent Visscher, p. 346., John the Baptist disputing, A densely detailed black and white etching showing a large outdoor scene with a crowd of robed figures gathered on sloping ground. In the foreground several seated and standing people face toward a central standing man who is gesturing with an outstretched arm; his figure is placed near a tree with leafy branches that extend into the upper right. Behind the crowd the landscape recedes to hills and rocky outcrops under a sky filled with parallel horizontal lines and cloud forms. Small groups of figures and solitary walkers appear scattered along the midground path leading toward the distant hills, and vegetation such as grasses and small shrubs dot the terrain. The composition uses fine line work and crosshatching to render clothing folds, tree bark, facial features, and the textures of the ground and distant mountains.

alb29102547 Letter to Ina van Eibergen Santhagens-Waller, letter, Dated 1935 in later hand., watermark, writer (clerical worker): Richard Nicolaüs Roland Holst, 1878 - 1938, writer (clerical worker), materials by function, paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Henriëtte Roland Holst-van der Schalk, Ina van Eibergen Santhagens-Waller, applied arts, arts and crafts, industrial design, passions, emotions, affections, diseases, Oegstgeest, A pale sheet of paper with a vertical crease down the center is covered in flowing cursive handwriting in a soft gray pencil that varies in darkness across the page, with a smudged bluish scribble near the upper right and a short vertical mark in red chalk along the right margin, the handwriting lines slant slightly and fill the page from near the top edge toward the bottom with irregular spacing and occasional darker spots where the pencil pressed harder.

alb29102561 The death of Rear Admiral Lewe van Aduard, (12 December 1832.), Four plates of the defense of the Citadel 10-18 December 1832, print, Rear Admiral Jan Evert Lewe van Aduard is killed on board the ship Euridice at the Kruisschans on the Scheldt during a French bombardment, 12 December 1832. Part of a series of four plates of the Dutch defense during the siege of the Citadel of Antwerp by the French army, December 1832., : 'Registered', printmaker: Johannes Steyn, Netherlands, printer (person): Desguerrois & Co., Amsterdam, 1832 - 1833, printer (person), paper, lithography, lithografie, height 262 mm x width 353 mm, Person, Jan Evert Lewe van Aduard, bombardment, Battle for the Citadel of Antwerp (1832), Antwerp, Scheldt, Citadel of Antwerp (19th century), Period, 1832-12-12, A black and white engraving of a crowded ship deck showing many men in period clothing and naval uniforms clustered together with varied postures and expressions; some men are standing and pointing, others are bending over or kneeling beside wounded or collapsed figures on the wooden planks, and a few sit or lean against the ship's rail. Tall masts, rigging, and furled sails rise behind the group, and a large cannon is visible at the left edge of the deck. In the sky above and behind the ship there are clouds and smoke, and flaming spherical objects with trailing sparks are shown in midair heading toward the deck. The scene is framed by a decorative border and a blank margin surrounding the image.

alb29102598 Portrait of Maria Kouwenhoven, print, Portrait of Maria Kouwenhoven at the age of 101., printmaker: Pieter van der Meulen, Amsterdam, after painting by Wybrand Hendriks, 1808 - 1810, paper, stippelets, proof, height 225 mm x width 177 mm, Person, Maria Kouwenhoven, A monochrome engraved portrait of an elderly woman shown from the chest up wearing a cloth cap that covers her hair and frames her face, a scarf or kerchief tucked around her neck, and a textured dress with a patterned bodice and gathered waist; her face shows detailed skin texture and a neutral expression with eyes looking slightly to one side; a plain dotted background surrounds her and a decorative rectangular border frames the composition.

alb29102507 Ruined abbeys and castles of Great Britain, book, name: 'ex libris SFJ', writer (clerical worker): William Howitt, writer (clerical worker): Mary Howitt, publisher: Alfred William Bennett, London, 1862, writer (clerical worker), biological material, paper, leather, albumen print, color on cut, height 227 mm x width 175 mm x thickness 30 mm, An aged page with decorative initials and ornate serif text arranged in centered lines, showing a margin with small brown foxing spots and larger mottled stains across the paper, a pencil scribble in the top right corner, an ornamental floral engraving near the middle, and evenly spaced lines of printed words and names in various typefaces.

alb29102523 Portrait of Samuel Smith, Samuel Smith, mayor of Bradford, page, photomechanical print, inscription: 'Nov. 1850 to Nov. 1851.', photographer: Appleton & Co., Bradford (England), cliché maker: anonymous, c. 1871 - in or before 1881, paper, Woodburytype, Woodburytypepie, height 116 mm x width 91 mm, historical persons (portraits and scenes from the life) ((full) bust portrait), A seated older man with a full white beard and wavy white hair wears round spectacles and a dark suit with a waistcoat and a light shirt, his hands folded in his lap and one arm resting on an upholstered armrest, shown against a plain dark background.

alb29102505 Title page for: JP Heije, Al de Kinderliederen, 1861, Man with two children, print, title page, A man on a chair with a sheet of written or printed paper in his hand looks at a girl and a boy next to him., inscription, inscription: 'Au. Allebee', inscription: '? A. Allebe', inscription: 'Author's signature', printmaker: Dirk Jurriaan Sluyter, Amsterdam, after drawing by Louis Chantal, photographer: Jacobus van Koningsveld, Dirk Jurriaan Sluyter, Louis Chantal, Jacobus van Koningsveld, printmaker, after drawing by, photographer, paper, etching, steel engraving, roulette, steel engraving and roulette, height 202 mm x width 138 mm, Title page for: JP Heije. Al de kinderliederen. Amsterdam: PN van Kampen, 1861., reading to somebody, A black and white engraving shows a seated man in formal clothing with a jacket, waistcoat, and neckcloth holding a folded sheet of paper and looking toward two children; one child stands beside him with a braided hairstyle and a dress, facing the man, while the other child sits lower in the foreground wearing a dress and looking up at the man; the man rests one hand on an intricately curved arm of a bench and the background is lightly shaded with some spots and faint texture on the paper.

alb29102544 Young street musician, print, printmaker: Ernst Witkamp (signed by artist), 1864 - 1897, paper, chine collé, etching, intaglio printmaking technique, drypoint, drypoint and plate tone on chine collé, height 222 mm x width 174 mm, musician - CC - out of doors, street, popular music, street music, A young person stands leaning against a wall at the edge of a doorway, wearing a dark knee-length dress with long sleeves and a patterned scarf tied around the neck, holding a folded umbrella by the handle near the side; short dark hair frames a downcast face with a neutral expression. The scene is rendered in fine, closely hatched lines creating textured shading across the clothing and background; a vertical stone or wooden column is beside the figure and a ledge at hip height supports one hand. In the lighter right portion of the image, faint outlines suggest distant vertical shapes and a ghosted, indistinct figure in a skirt, while the left upper area shows framed rectangular shapes mounted on the wall. The overall palette is monochrome with detailed crosshatching and varied line density defining forms and shadows.

alb29102581 Goat and sheep, print, A goat and sheep lying by a tree., printmaker: Balthasar Paul Ommeganck, printer (person): Burggraaff, Brussels, 1809 - 1826, printer (person), paper, chine collé, lithography, lithography on chine collé, height 348 mm x width 438 mm, sheep, A detailed monochrome drawing shows two animals resting on grassy ground beneath a large tree with textured bark and leafy branches extending overhead; one animal with long curved horns and shaggy fur faces forward while the other, with a thick curly fleece, lies with its head turned and visible facial features; the background includes softly shaded hills and an open sky.

alb29102516 Portrait of François van Aerssen, print, Portrait of François van Aerssen in an oval frame. In the center below his coat of arms with a helmet. In a frame his name., printmaker: Jan Frederik Christiaan Reckleben, Amsterdam, 1829 - 1879, paper, steel engraving, height 236 mm x width 146 mm, Person, Jonkheer François van Aerssen, An engraved oval portrait of a bearded man shown from the chest up, wearing a dark cap and a wide pleated white ruff collar over a dark textured garment with buttons, set against a finely crosshatched background, with a decorative heraldic shield and helmet depicted below the portrait.

alb29102594 Tabac a la Violette, Coat of arms with three lilies, print, Advertising card for the tobacco brand 'Tabac a la Violette'. A coat of arms with three lilies. A crown above the coat of arms., printmaker: Jean Bernard, Amsterdam, 1785 - 1833, paper, etching, height 82 mm x width 63 mm, trade mark, trade token, trade sign, trade card, An ornate engraved design centered on a rounded shield featuring three stylized fleur-de-lis, topped by an elaborate crown with decorative fleur motifs, surrounded by swirling acanthus-like foliage and radiating ribboned beams, with a decorative pendant below that includes a star-shaped element and additional scrollwork, all rendered in fine dark line work on a light, slightly textured background and enclosed within a double-lined rectangular border.

alb29102147 Fries with a vase and two little boys, print, ornamental print, Frieze with a vase between two imaginary animals. A naked little boy is riding on each animal., number: '12', printmaker: Heinrich Aldegrever, Germany, 1527, paper, engraving, gravure, height 26 mm x width 75 mm, child, ornament, hybrid animals, vase, A narrow rectangular engraving shows a symmetrical ornamental scene with two chubby cherubic figures facing inward and positioned on either side of a central ornate urn. Each cherub has curled hair and rounded limbs, and both grip large sweeping scroll-like elements that form part of the decorative frame. The central urn has a domed lid and sits on a pedestal decorated with scrolling acanthus motifs and shell-like carving. Stylized animal heads with curled snouts emerge from the scrollwork beside the urn. The background is densely hatched to create tonal contrast, and the entire composition is rendered in fine parallel and cross-hatched lines on aged paper.

alb29102514 Exterior of a house, page, photomechanical print, photographer: A. Brothers & Co., c. 1889 - in or before 1899, paper, autotype, photo-lithograph in half-tone, height 111 mm x width 158 mm, housing, facade (of house or building), A sepia-toned image of a half-timbered house with steep gabled roofs and a tall central chimney, partially obscured by trees behind and to the side, a fenced entrance with ornamental metal gates and stone pillars in front, a low brick wall extending along the foreground, and windows and decorative timber patterns visible on the house facade.

alb29102179 Depiction of how Henry IV, King of France and Navarre, received the German princely camp, Visit of Henry IV to the German army, 1591, Series 4: French, German and English Events, 1576-1610, print, album page, Series number, 67, 469, Reception of Henry IV and his troops at the German army, 1591. With an 8-line caption in German. Unnumbered., printmaker: workshop of Frans Hogenberg, Cologne, 1591 - 1612, North Rhine-Westphalia, paper, etching, height 215 mm x width 280 mm, Person, Henry IV (King of France and Navarre), French Wars of Religion, Period, A wide black-and-white engraving showing a large open battlefield crowded with formations of soldiers, cavalry, and artillery arranged in geometric blocks and lines, with groups of infantry carrying pikes or standards, rows of cannons emitting plumes of smoke, mounted riders and officers scattered across the plain, wagons and teams in the background, bundled stocks of pikes or stakes forming defensive works, and small clusters of buildings and trees on distant hills.

alb29102195 Silver head of Sister Mary Magdalene of Stobnica; illustration from Patterns of medieval art and the Renaissance period to the end of the 17th century in old Poland 1853-1855. Depicts Mary Magdalene Saint; made in the goldsmithing craft as a reliquary herm. Plate/illustration graphic print, reproduction of a work of art. Height 30.0 cm; width 24.1 cm. Creators/contributors: Józef Unger printer/publisher, Edward Rastawiecki co-author, 1804-1874, Maksymilian Fajans publisher/engraver, 1825-1890; lithographic workshop, Henri Walter engraver, ante 1820-1860, Boleslaw Podczaszynski draughtsman, 1822-1876, Aleksander Przezdziecki author, 1814-1871. Place of publication: Warsaw; Paris. Date: 1853-1855., A sculpted bust of a person rendered in gray tones wears a draped hood and mantle in golden yellow with darker ochre shading; the face has detailed features with expressive carved eyes and wavy hair peeking from beneath the hood. The bust rests on a rounded base edged in gold with a small red and white shield-like ornament at the front. The background is an off-white, parchment-like color.

alb29102178 Trompe l'oeil with two prints and two sheets of music, drawing, Trompe l'oeil with two partially overlapping prints and two sheets of music., annotation: '3 Stuks 772', number: 'N 26', 1700 - 1799, draftsman (artist), materials by function, paper, ink, pencil, pen, brush, pen in black with brush in gray over pencil, height 283 mm x width 237 mm, printed edition of musical score, print, eg: engraving, etching, lithograph, 'trompe l'oeil', A composition of layered sheet music and folded prints arranged over a pale paper background, showing musical staves and notes peeking from beneath overlapping rectangular pages, a central print depicting two figures with one holding a stringed instrument beneath a tree, another folded page revealing an ornamental cartouche with a small landscape, visible pencil or ink shading along page edges, and a diagonally positioned blank staff sheet with evenly spaced horizontal lines.

alb29102105 Portrait of Sebald Justinus Brugmans, print, The sitter wears four knightly orders., printmaker: Leendert Springer (I), Leiden, after painting by Charles Howard Hodges, 1829, printer (person), paper, lithography, height 485 mm x width 345 mm, Person, Sebald Justinus Brugmans, historical persons ((full) bust portrait), knighthood order, A monochrome portrait of a middle-aged man shown from the chest up, facing slightly to viewer's left, with short curly hair and a round face, wearing a high-collared shirt and a dark formal coat with a draped outer garment; a decorative medallion hangs at his neck and several ornate medals are pinned to his chest; the shading is rendered in detailed pencil or charcoal with soft shadows around the shoulders and a plain light background.

alb29102104 Portrait of two unknown tribesmen with turbans from Kohat, Khyber Pakhtunkhwa, Pakistan, photograph, page, number: '(258)', inscription: 'BHUTTUMEES., AFGHAN FRONTIER TRIBE., SOONNEE MUSSULMANS., KOHAT.', Kohat, c. 1862 - in or before 1872, photographer, paper, albumen print, height 109 mm x width 88 mm, head-gear: turban, human races, peoples, nationalities, A sepia-toned photograph showing two men in traditional clothing against a draped backdrop, one man standing barefoot with layered garments and a turban, the other seated on the floor wearing similar attire and a turban, both facing forward, with the standing man's shadow cast on the backdrop and a rectangular caption box below the photograph.

alb29102128 Coat of arms of the Van Schooten and Van Egmond families, print, Family coat of arms of the Van Schooten and Van Egmond families from Haarlem (the left coat of arms striped, the right with two lions) in an oval. Belongs to a portrait of Gerrit Jansz. van Schooten., printmaker: Hendrick Goltzius, Haarlem, 1579, paper, engraving, silver engraving, height 51 mm x width 39 mm, armorial bearing, heraldry, An oval engraving printed on textured paper shows a central heraldic design with ornamental mantling and a helmet topped by a decorative crest; the crest resembles a small animal figure rising from a crown-like band. Within the oval are two shields side by side, one displaying a pattern of nested chevrons and the other divided into a checked pattern with small lion-like figures in some sections. The surrounding area inside the oval is darkly shaded with fine crosshatching, and the outer border of the oval is plain with a thin inner line. The paper outside the oval has a fibrous, slightly rough texture.

alb29102131 Portrait of Martin Luther, print, signature: 'Lucas Cranach pinx', signature: 'Udg og forlagt af LJ Flamand', inscription: ''Her staaer jeg, jeg kan ikke andet. huh huh cheers! Amen.'', inscription: 'Martin Luther, paa Rigsdagen i Worms.', signature: 'Bröde Berlings lith.Inst.', signature: 'P. Gemzöe lith', printmaker: Peter Gemzøe, after painting by Lucas Cranach (I), printer (person): Brdr. Berlings Litografiske Institut, publisher: Ludvig Joseph Flamand, Copenhagen (city), 1821 - 1879, printer (person), paper, chine collé, lithography, lithography on chine collé, height 447 mm x height 303 mm, width 225 mm x width 184 mm, Person, Martin Luther, historical persons, A monochrome portrait of a person wearing voluminous dark robes with a pleated front and a lighter collar, one hand placed on the chest and the other holding an open book, the face turned slightly upward with short wavy hair and a neutral expression, the background softly shaded.

alb29102155 Braid clasp, braid ornaments, clasps, jewelry, Mongolian art, artistic crafts, women's ornaments, late 19th century, Mongolia, jewelry; height 2.9 cm, width 2.3 cm, length 7.4 cm, A small horizontal metallic object with decorative openwork on each end and a rectangular central section containing a group of reddish-brown cylindrical pieces; one rounded red-orange domed element is visible at the left end. The metal appears silvery with areas of darker patina, and the background is a pale gray.

alb29102127 Mountain Landscape with Architecture on a Base - Bas-Relief, Chinese, Qing 1644-1911, Mid-19th century. Sculpture; materials/technique: bas-relief. Subject: mountain landscape with architecture; decoration: landscape motifs, architectural elements. Dimensions: height 33.5 cm, width 27.5 cm., A carved stone sculpture resting on an intricately carved dark wooden stand, showing a vertical rocky landscape with layered, porous textures and delicate pierced detailing; the stone transitions in color from pale yellow and beige on the left through gray tones in the center to deep red and rust on the right, with carved overhangs and ledges resembling terraces and clustered organic forms, and a small pavilion-like carved structure nestled among the red area, all set against a dark gray gradient background.

alb29102117 Au Bois de Boulogne, Cyclists in the Bois de Boulogne in Paris, France, page, photomechanical print, inscription: 'Agrandissement d'un cliché 6 1, 2x9 obtenu avec la Jumelle photographique de H. Mackenstein., Cet agrandissement a été fait avec la Jumelle elle-même adaptée sur l'agrandisseur économique Mackenstein., Voir l'épreuve 6 1, 2x9, page 300., Papier <, Perfection >, qualité A. - Grosvenor, Chater et Cie, 6, rue Favart, Paris.', address: 'Fabrique d'appareils pour la photographie. H. MACKENSTEIN, 15, rue des Carmes, Bois de Boulogne, cliché maker: Bonneau & Co., Geneva, c. 1891 - in or before 1896, Bonneau & Co., photographer, cliché maker, Paris, Genève, paper, autotype, similigravure, height 106 mm x width 156 mm, riding, cycling (recreation), park, A faded black-and-white scene shows a wide tree-lined pathway with several bicycles and people. In the foreground a woman in a dark dress and a hat stands holding a bicycle, looking down toward the ground. Nearby a bicycle leans against the path edge. Further back two women stand together beside a bicycle, one wearing a long skirt and a hat and the other slightly turned away. In the background along the path more figures are riding or standing with bicycles, and tall leafy trees form a canopy over the left side while an open grassy area stretches to the right with distant vague buildings on the horizon.

alb29102182 Apollo and Hyacinthus, Paintings in Palazzo Farnese in Rome, Galeria nel Palazzo Farnese in Roma, print, Series number, 21, 29, A painting, depicting Apollo and Hyacinthus, above a doorway. The painting is flanked on either side by a sculpture of a satyr., printmaker: Carlo Cesio, Rome, after design by Annibale Carracci, Italy, publisher: François Collignon, grantor of privilege: Alexander VII, Vatican City, 1656, provider of privilege, paper, etching, height 405 mm x width 537 mm, A horizontal engraved panel shows a framed central scene of two partially draped figures in a cloud-filled sky, one reaching outward while the other looks toward them and holds a cloth, both depicted with muscular, classical bodies. Flanking the frame are two seated male figures turned inward, each perched on ornate ledges and holding flowing drapery; the figures have detailed hair and beards and strong, shaded musculature. The architectural frame is decorated with egg-and-dart motifs and carved moldings, with vertical pilasters featuring patterned surfaces and sculpted heads near the top. The lower portion contains an empty rectangular recessed panel bordered by molded trim, and the entire composition is rendered in fine parallel and cross-hatched engraving lines.

alb29102143 Cylinder seal, unknown Neo-Assyrian workshop. Seal in the so-called linear style with a representation of a religious-magical scene of adoration of the holy tree in the form of a stylised pomegranate bush with a winged solar disc shown above. On both sides of the bush stand human figures in profile, dressed in identical long robes with fringes at the bottom. On the left is a priest, wearing a hat with a ribbon; on the right a king and a courtier, both without headgear. In the field behind the figures are symbols: a palm leaf and an eight-pointed star. The entire image is framed at the top and bottom with a herringbone ornament. Iconography: pomegranate bushes, winged discs, stars. Linear style. 9th-8th century BC; Neo-Assyrian period. Place of origin/ manufacture: Assyria, Northern Mesopotamia; possible finding places: Mesopotamia, Turkey, Syria, Iraq. Seal; height 3.5 cm, width 1 cm., A small cylindrical carved object shown upright against a white background, with a dark brown to black surface and a polished sheen; the object features shallow carved figures in low relief wrapping around its surface, including elongated vertical forms, stylized humanlike shapes with simplified limbs and heads, and decorative bands with repeated chevron or leaflike motifs near the rounded top and bottom; the carving shows textured linear patterns and incised grooves creating a sense of symmetry, and areas of lighter brown highlights where the polished surface catches light.

alb29102183 Portrait of Jan Hendrik van Kinsbergen, print, Portrait of the Dutch Admiral Jan Hendrik van Kinsbergen, as an antique bust., printmaker: Reinier Vinkeles (I), Amsterdam, after design by Charles Howard Hodges (possibly), 1806 - 1816, paper, etching, height 275 mm x width 205 mm, Person, Jonkheer Jan Hendrik van Kinsbergen, An engraved oval medallion contains a left-facing bust of a person with long wavy hair, a pronounced profile, and a draped garment; the background inside the oval shows fine horizontal and crosshatch linework, and the surrounding paper is light with subtle paper texture.

alb29102172 Le pont chancelant, Woman with basket on wooden bridge over a river, print, printmaker: Jean Mathieu, France, after painting by Jan Wijnants, publisher: Thomas-Charles Naudet, Paris, 1759 - 1815, paper, etching, engraving, height 310 mm x width 224 mm, carrying something on the head or on the shoulders, water course, bridge, A grayscale landscape engraving showing a narrow wooden footbridge spanning a small river, with a person standing on the bridge wearing a hat and holding a walking stick, vegetation and reeds along the riverbanks, rocky ground and a steep bank supporting the bridge on one side, a large tree with a twisting trunk and leafy canopy beside the bridge, distant trees and a small building near the far bank, and a sky filled with billowing clouds.

alb29102153 Amphora, unknown Egyptian workshop; amphorae, Egyptian amphoras, Egyptian ceramics, storage vessels, Coptic vessels, amphoras, amphoras, Nile clay, inscribed amphoras, inscribed vessels. Wine transport vessel with a strongly elongated belly, narrowed in the middle. Roller-shaped vices, approximately oval in cross-section, are glued to the central section of the neck with a straight rim. These connect to the upper section of the convex, steep shoulders. The base is conical and conically terminated. The entire surface of the vessel, brown and even, is covered with grooves of varying density and profile. The interior was impregnated with a black resinous substance, streaks of which are visible in the upper part of the neck. The clay is brown, alluvial Naqlun AC1A ceramic body type. On the upper part of the arms, between the vices, is an inscription in red paint: ICX. On the lower part of the arms, below the inscription, is a hollowed-out hole with a diameter of approximately 0.5 cm. 2nd half of the 4th-5th century. Findspot: Edfu. Vessel, amphora; height 63.6 cm; rim diameter 6.8 cm; body diameter 19.3 cm., A tall, elongated clay vessel with a narrow pointed base and a wider rounded shoulder, featuring a short neck and two curved handles near the top; the surface shows a series of horizontal ridges encircling the body and visible rough, uneven textures and small chips; the vessel is primarily brown with variations of light and dark brown and a few subtle grayish tones, set against a smooth light gray background.

alb29102123 Water, Aqua, Four elements, print, Series number, 2, 5, printmaker: Charles Louis Simonneau, after design by François Roëttiers (I), grantor of privilege: Louis XIV (King of France), France, 1705, paper, engraving, etching, height 126 mm x width 319 mm, A horizontal engraved scene shows a semicircular framed panel filled with reclining and seated human figures and small childlike figures arranged along a shallow body of water. On the left a partially draped figure leans toward a seated figure who reaches forward with an outstretched arm into the water. Near the center a bearded mature figure sits upright holding a curved object while a shell with flowing lines rests nearby. Several small childlike figures crowd the middle area, one blowing a horn-like instrument and another holding a curved tube. To the right a reclining nude figure lies curled with head resting on an arm, and behind this figure a partially draped person gestures with an extended arm while holding a rounded object. The panel is rendered with fine linear shading and crosshatching, and a blank margin surrounds the image with a cursive word centered beneath the panel.

alb29102126 Interior of St. Stephen's Cathedral in Vienna?, Willibald Richter 1805-1880, painter; miniature; 1830-1840; Kraków; height 19.3 cm, width 14.3 cm, The image shows an interior scene of a richly decorated church or chapel with a tall vaulted ceiling and large leaded windows on the left letting in light. Dark wood and black architectural elements frame a central ornate altar area topped with a golden cross and a round painted medallion; the altar itself has a dome-like tabernacle and several candle stands. A carved and gilded balustrade or canopy with intricate scrollwork in gold runs vertically on the right, supported by a twisted column in warm golden and brown tones. On the left side there are sculpted statues, framed devotional images, gilded candlesticks, and decorative panels in muted grays, browns, creams, and touches of gold; a few figures dressed in dark and white garments kneel or stand near a side altar. The floor has a patterned tile design in beige and brown hues leading toward steps up to the main altar, and the whole scene is enclosed within a layered mat and frame with gray, cream, gold, and dark green borders. Colors visible include gold, black, brown, beige, gray, cream, white, and touches of red and blue.