Pesquisando por: ""agencia:Album"" - Fotoarena - Agência de fotojornalismo

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

orz165262 OBELISCO DEL III MILENIO - TRIANGULO EQUILATERO DE ACERO INOXIDABLE - 46 METROS - FOTO AÑOS 00 SIGLO XXI. Author: GERARDO PORTO (1925-2025). Location: EXTERIOR. LA CORUNA. A CORUÑA. SPAIN.

orz171327 BUSTO DEL DOCTOR GREGORIO MARAÑON. Author: VICTORIO MACHO ROGADO (1887-1966). Location: MUSEO VICTORIO MACHO. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171300 PORTRAIT OF DOCTOR GREGORIO MARAÑON IN HIS LIBRARY. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171325 BUST OF DOCTOR GREGORIO MARAÑON. Author: VICTORIO MACHO ROGADO (1887-1966). Location: MUSEO VICTORIO MACHO. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171307 VICTORIO MACHO JUNTO AL BUSTO DE GREGORIO MARAÑON. Location: MUSEO VICTORIO MACHO. Toledo. SPAIN. MACHO VICTORIO. MARAÑON GREGORIO (1887-1960).

orz171331 Gregorio Marañón jailed. Gregorio Marañón y Posadillo (19 May 1887 in Madrid – 27 March 1960 in Madrid) was a Spanish physician, scientist, historian, writer and philosopher. MARAÑON GREGORIO (1887-1960).

orz171303 DOCTOR GREGORIO MARAÑON WITH HIS SON AND HIS GRANDCHILD. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. GREGORIO MARAÑON Y MOYA. GREGORIO MARAÑON Y BERTRAN DE LIS. MARAÑON GREGORIO (1887-1960).

orz171332 ESCULTURA DEL DOCTOR GREGORIO MARAÑON. Author: VICTORIO MACHO ROGADO (1887-1966). MARAÑON GREGORIO (1887-1960).

orz171305 PORTRAIT OF DOCTOR GREGORIO MARAÑON (1887-1960). Location: CIGARRAL DE MARAÑON. Toledo. SPAIN.

orz171328 LAST PHOTOGRAPH OF DOCTOR GREGORIO MARAÑON, IN 1960. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171306 RETRATO DE PERFIL DE GREGORIO MARAÑON (1887-1960). Location: CIGARRAL DE MARAÑON. Toledo. SPAIN.

orz171329 PORTRAIT OF DOCTOR GREGORIO MARAÑON IN HIS LIBRARY. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171304 DOCTOR GREGORIO MARAÑON WITH HIS SON AND HIS GRANDCHILD. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. GREGORIO MARAÑON Y MOYA. GREGORIO MARAÑON Y BERTRAN DE LIS. MARAÑON GREGORIO (1887-1960).

orz171302 PORTRAIT OF DOCTOR GREGORIO MARAÑON (1887-1960). Location: CIGARRAL DE MARAÑON. Toledo. SPAIN.

orz171330 PORTRAIT OF DOCTOR GREGORIO MARAÑON IN HIS LIBRARY. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171313 PORTRAIT OF DOCTOR GREGORIO MARAÑON (1887-1960). Location: CIGARRAL DE MARAÑON. Toledo. SPAIN.

orz171299 PORTRAIT OF DOCTOR GREGORIO MARAÑON WITH DOCTOR JUDERIAS. JUDERIAS ALFREDO. MARAÑON GREGORIO (1887-1960).

orz171301 PORTRAIT OF DOCTOR GREGORIO MARAÑON (1887-1960). Location: CIGARRAL DE MARAÑON. Toledo. SPAIN.

orz176919 ESCULTURA DE PIEDRA DE UN OSO POLAR - 1922. Author: FRANÇOIS POMPON (1855-1933). Location: PLAZA DARCY. DIJON. France.

orz171337 BUSTO DEL DOCTOR GREGORIO MARAÑON. Author: VICTORIO MACHO ROGADO (1887-1966). Location: MUSEO VICTORIO MACHO. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz171183 Gregorio Marañón y Posadillo (19 May 1887 in Madrid – 27 March 1960 in Madrid) was a Spanish physician, scientist, historian, writer and philosopher. MARAÑON GREGORIO (1887-1960).

orz171298 Gregorio Marañón y Posadillo (19 May 1887 in Madrid – 27 March 1960 in Madrid) was a Spanish physician, scientist, historian, writer and philosopher. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz155171 FOTOGRAFIA DE REUNION DEACADEMICOS DE LA LENGUA EN MADRID 1953 PRESIDIDA POR DON RAMON MENENDEZ PIDAL. Author: CRISTOBAL PORTILLO ROBLES (1897-1957). Location: ACADEMIA DE LA LENGUA-INTERIOR. MADRID. SPAIN. GERARDO DIEGO (1896-1987). RAMON MENENDEZ PIDAL (1869-1968). JACINTO BENAVENTE Y MARTINEZ (1866-1954). MARAÑON GREGORIO (1887-1960). JULIO CASARES Y SANCHEZ (1877-1877). VICENTE GARCIA DE DIEGO (1878-1978). LEOPOLDO EIJO Y GARY (1878-1963) OBISPO.

orz171297 Gregorio Marañón y Posadillo (19 May 1887 in Madrid – 27 March 1960 in Madrid) was a Spanish physician, scientist, historian, writer and philosopher. Location: CIGARRAL DE MARAÑON. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz056544 RETRATO DEL VICEALMIRANTE CHILENO DON JUAN WILLIAMS REBOLLEDO (1825-1910) LUCIENDO SU UNIFORME DE GALA CON CONDECORACIONES Y BANDA DE HONOR EN 1915. Author: RAMON PONCE ARIAS (1875-1962).

orz059586 PORTADA DE UNA EDICION RENACENTISTA DE EL BANQUETE DE PLATON - PLATONIS CONVIVIUM SEU DE AMORE IMPRESO EN SALAMANCA POR ANDRES DE PORTONARIS EN 1553. Author: PLATON (427 ac-347 ac). Location: UNIVERSIDAD BIBLIOTECA. SALAMANCA. SPAIN.

orz057031 GRABADO DEL LIBRO CRONICA VIAJE DE SUS MAJESTADES Y ALTEZAS REALES A ANDALUCIA EN 1862 POR ARISTIDES PONGLIONI - OBELISCO EN LA PLAZA NUEVA DE SEVILLA. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904). FRANCISCO DE ASIS (1822-1902).

orz053557 FUENTE CON FORMA DE CUERNO POTORIO (RHYTON), PRIMERA EDAD AUGUSTEA SIGLO I ac. Author: PONTIOS (S I ac). Location: MUSEO CAPITOLINO. Rome. ITALIA.

orz054388 BOCETO DE ESCENOGRAFIA PARA EL SEGUNDO ACTO DE LA OPERA LA DONCELLA DE NIEVE (SNEGUROCHKA) DE NICOLAI RIMSKY KORSACOV (1844-1908). Author: MARIO POMPEI (1903-1958). Location: TEATRO DE LA OPERA. Rome. ITALIA.

orz101968 GRABADO DEL SIGLO XIX NAPOLEON BONAPARTE DURANTE LA CAMPAÑA DE EGIPTO EN SAN JUAN DE ACRE EN 1799. Author: ROBERT KER PORTER (1777-1842) dibujo y ANTHONY FOGG (S SVIII-S XIX) Grabo. Location: GABINETE DE ESTAMPAS. France. NAPOLEON BONAPARTE (1769-1821) NAPOLEON I.

orz198215 PORTRAIT OF DOCTOR GREGORIO MARAÑON IN HIS LIBRARY, 1950s. Location: CASA DE GREGORIO MARAÑON. MADRID. SPAIN. MARAÑON GREGORIO (1887-1960).

orz142657 'Landscape with Polyphemus and Galatea', 17th century, Oil on canvas, 49 x 63 cm, P02322. Author: NICOLAS POUSSIN (1594-1665) COPIA o VERSION. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. POLYPHEM. GALATEA. ACIS.

orz009706 BUST OF GREGORIO MARAÑON. Author: VICTORIO MACHO ROGADO (1887-1966). Location: MUSEO VICTORIO MACHO. Toledo. SPAIN. MARAÑON GREGORIO (1887-1960).

orz038413 PINTURA DE CANAL CON CONDOLAS LA PLAZA DE SAN MARCOS CON EL CAMPANILE Y EL PALACIO DUCAL EN VENECIA. Author: R POLLETIER (S XIX S XX). Location: PRIVATE COLLECTION. MADRID. SPAIN.

orz189965 CABEZA DEL DOCTOR GREGORIO MARAÑON - SIGLO XX. Author: VICTORIO MACHO ROGADO (1887-1966). Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN. MARAÑON GREGORIO (1887-1960).

orz189962 PORTRAIT OF DOCTOR MARAÑON - 20th CENTURY - 80x100. Author: BARGUERAS LUIS. Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN. MARAÑON GREGORIO (1887-1960).

orz010317 PUEBLO 1960. Author: DEMETRIO GASTON PORVILLA (1916-1999). Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

orz042720 SANTA MARIA DE LA CABEZA - SIGLO XVIII. Author: JUAN PORCEL (1727-S XVIII). Location: Iglesia de san Juan bautista. MURCIA. SPAIN. SANTA MARIA DE LA CABEZA. SAN ISIDRO ESPOSA.

orz042714 PORTADA DEL LIBRO ACADEMIAS DEL JARDIN - 1630. Author: JACINTO POLO DE MEDINA (1603/1676). Location: ARCHIVO MUNICIPAL. MURCIA. SPAIN.

orz018001 Gregorio Maranon (1887-1960), Spanish physician and writer, here in his laboratory.. March 1960. MARAÑON GREGORIO (1887-1960).

orz111099 PAISAJE CON POSTES. Author: JUAN BAUTISTA PORCAR (1889-1974). Location: MUSEUM OF FINE ARTS. CASTELLON DE LA PLANA. Castellón. SPAIN.

orz117375 PORTADA DEL LIBRO TEATRO MONARQUICO DE ESPAÑA QUE CONTIENE LAS MAS PURAS Y COMO CATOLICAS MAXIMAS DE ESTADO - IMPRESO POR JUAN GARCIA INFANCON - 1700. Author: PEDRO PORTOCARRERO Y GUZMAN (1640-1708). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz117399 PORTADA DEL LIBRO GUSTAVO ADOLFO REY DE SUECIA VENCEDOR Y VENCIDO EN ALEMANIA AL REY FELIPE IV EL MAXIMO PUBLICADO POR DOMINGO GARCIA Y MORRAS EN 1648. Author: FABRICIO PONS DE CASTELVI (S XVII). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz117377 PORTADA DE UN IMPRESO TITULADO DISCURSO EN MATERIA DE ESTADO A FELIPE III POR DON PEDRO PONCE DE LEON SOBRE EL PLEITO DEL CONDADO DE BAILEN. Author: GONZALO VALCARCEL (S XVI-S XVII) ABOGADO Y PERITO LEGAL (IUROCONSULTO). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

orz065435 RETABLO RENACENTISTA DE LA VIRGEN DEL VALLE OBRA EN TERRACOTA POLICROMADA REALIZADA EN 1569. Author: JUAN BAUTISTA PORTIGIANI (S XVI). Location: CAPILLA DE LA VIRGEN DEL VALLE. Pravia. ASTURIAS. SPAIN.

orz079589 ALCAZAR - MURALLA Y LA GIRALDA. Location: EXTERIOR. Sevilla. Seville. SPAIN.

orz072962 DUNAS - SIGLO XX. Author: ENRIC PORTA (1901-1993). Location: PRIVATE COLLECTION. MADRID. SPAIN.

alb10596228 GEORGE CHAKIRIS in WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb302615 NATALIE WOOD and RICHARD BEYMER in WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb302631 GEORGE CHAKIRIS in WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb414049 WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb277573 DEMI MOORE in ACOSO SEXUAL (1994) -Original title: DISCLOSURE-, directed by BARRY LEVINSON. English title: DISCLOSURE. Portuguese title: ASSÉDIO SEXUAL.

alb1724650 WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb2069373 Francisco de Goya y Lucientes / 'Disparate conocido. ¡Qué guerrero!', 1815-1819, Spanish School, Etching; aquatint on paper, 246 mm x 356 mm, G03067. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069194 Francisco de Goya y Lucientes / 'The Clothed Maja', 1800-1807, Spanish School, Oil on canvas, 95 cm x 190 cm, P00741. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068710 Francisco de Goya y Lucientes / 'Saint Barbara', ca. 1773, Spanish School, Oil on canvas, 97,2 cm x 78,5 cm, P07794. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069757 Francisco de Goya y Lucientes / 'The Holy Family', 1775-1780, Spanish School, Oil on canvas, 203 cm x 143 cm, P00746. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070171 Francisco de Goya y Lucientes / 'The painter Francisco Bayeu', 1795, Spanish School, Oil on canvas, 112 cm x 84 cm, P00721. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070263 Francisco de Goya y Lucientes / 'Boys with Mastiffs', 1786, Spanish School, Oil on canvas, 112 cm x 145 cm, P02524. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068340 Francisco de Goya y Lucientes / 'The Family of Carlos IV', 1800, Spanish School, Oil on canvas, 280 cm x 336 cm, P00726. Museum: MUSEO DEL PRADO, MADRID, SPAIN. CARLOS IV DE ESPAÑA.

alb2070781 Francisco de Goya y Lucientes / 'Disparate puntual. Una reina del circo', 1815-1819, Spanish School, Etching; aquatint on paper, 246 mm x 356 mm, G03068. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3718023 Por que? (Why?). Dated: published 1863. Medium: etching, lavis, drypoint, burin, and burnisher. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3716134 Caritas. Dimensions: plate: 13.1 x 9.5 cm (5 3/16 x 3 3/4 in.) sheet: 27 x 19.2 cm (10 5/8 x 7 9/16 in.). Medium: etching and drypoint on thin laid paper [second edition impression probably printed circa 1920-1930]. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3635156 Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3684226 Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 3/4 in. (21.4 x 14.6 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3639804 A Giant Seated in a Landscape, sometimes called 'The Colossus'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm). Date: by 1818.One of Goya's most striking images, the implicit subject of this work is unclear. A giant seated in a landscape turns his head over his shoulder as if he has been disturbed from thought. Perhaps he had been awaiting the dawning of a new day and turns because the moment has come. The Spanish master produced this print using burnished aquatint to achieve subtle effects of light and dark--an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated to around 1800 or 'by 1818'. There is a close relationship between the print and the famous painting of the 'Colossus' in the Museo del Prado, Madrid. Both works show the same figure. The painting has always been attributed to Goya, but in 2008 it was assigned by the Prado Museum as a studio work and not by the master himself. There is no consensus and disagreement continues. The print is critical in the debate about the authorship of the painting. If the painting is a studio work then the artist borrowed the figure of Colossus from Goya's print. Given his imagination and originality, it seems highly unlikely that Goya would borrow the figure from someone else's painting to use in his print. Museum: Metropolitan Museum of Art, New York, USA.

alb3683423 Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 15/16 in. (21.4 × 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3637567 'God Save Us from Such a Bitter Fate'; a bandit threatening a woman and a child with a knife: folio 41 from the Black Border Album 'E'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.7 cm). Date: ca. 1816-20. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3639656 Plate 12 from the 'Tauromaquia': The crowd hamstrings the bull with lances, sickles, banderillas and other arms. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 x 13 3/4 in. (25 x 35 cm)Sheet: 9 3/4 × 17 5/16 in. (24.8 × 44 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3631509 Manuel Osorio Manrique de Zuñiga (1784-1792). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1787-88.The sitter is the son of the Count and Countess of Altamira. Outfitted in a splendid red costume, he is shown playing with a pet magpie (which holds the painter's calling card in its beak), a cage full of finches, and three wide-eyed cats. In Christian art birds frequently symbolize the soul, and in Baroque art caged birds are symbolic of innocence. Goya may have intended this portrait as an illustration of the frail boundaries that separate the child's world from the forces of evil or as a commentary on the fleeting nature of innocence and youth. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3636831 Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/2 in. × 6 in. (21.6 × 15.2 cm)Sheet: 9 1/2 × 7 1/16 in. (24.2 × 18 cm). Series/Portfolio: Los Caprichos. Date: 1799, posthumous impression. Museum: Metropolitan Museum of Art, New York, USA.

alb3630019 Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/16 x 5 7/8 in. (20.4 x 14.9 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3637659 Plate 49 from 'The Disasters of War' (Los Desastres de la Guerra): 'A woman's charity.' (Caridad de una muger.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/16 × 8 3/16 in. (15.4 × 20.8 cm)Sheet: 9 13/16 × 13 1/2 in. (25 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1811-12 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3639305 Plate 5 from the 'Disparates': Flying Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9 9/16 × 13 15/16 in. (24.3 × 35.4 cm)Plate: 13 1/16 × 18 13/16 in. (33.1 × 47.8 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3630094 Plate 35: The Batavians Become Afraid and Begin Peace Talks, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm Societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 3/8 × 8 1/8 in. (16.2 × 20.6 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

alb3634368 Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: after 1814-15 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3706904 Señora Sabasa Garcia. Dated: c. 1806/1811. Dimensions: overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3701936 Margaret of Austria Receiving the Homage of Cardinals and Prelates. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3700512 Disparate desordenado (Disorderly Folly). Dated: in or after 1816. Medium: etching, aquatint and drypoint. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3899699 Retrato del poeta Moratín. Date/Period: 1824. Painting. Oil on canvas. Height: 60 cm (23.6 in); Width: 49.5 cm (19.4 in). Author: FRANCISCO DE GOYA.

alb3899721 Muy accordes (They're very much in harmony). Date/Period: 1816/1820. Brush and india ink, with scraping; inscribed by the artist in black crayon. Width: 185 mm. Height: 285 mm. Author: FRANCISCO DE GOYA.

alb3899750 Feminine Folly. Date/Period: 1815 - 1819. Print. Height: 244 mm (9.60 in); Width: 357 mm (14.05 in). Author: FRANCISCO DE GOYA Y LUCIENTES.

alb3899747 Cruel Folly. Date/Period: 1815 - 1819. Print. Height: 245 mm (9.64 in); Width: 357 mm (14.05 in). Author: FRANCISCO DE GOYA Y LUCIENTES.

alb3739108 Adam de Coster. Dated: probably 1626/1641. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pieter de Jode II after Sir Anthony van Dyck.

alb3678380 Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.' (Al cementerio.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/8 × 8 1/16 in. (15.5 × 20.5 cm)Sheet: 9 7/8 × 13 7/16 in. (25.1 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1811-12 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3672929 Plate 22 from the 'Tauromaquia':Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm)Sheet: 12 3/16 × 17 7/16 in. (30.9 × 44.3 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3734437 El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body). Dated: in or before 1816. Medium: etching, aquatint, drypoint and burin [first edition impression]. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3730780 Eleven Different Studs and Twenty-Three Ornaments. Dated: 1593. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

alb3627511 Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm)Sheet: 12 1/16 × 17 1/2 in. (30.6 × 44.5 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3628021 Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants,. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 in. × 14 in. (24.8 × 35.5 cm)Sheet: 12 x 16 15/16 in. (30.5 x 43 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3603132 Tiburcio Pérez y Cuervo (1785/86-1841), the Architect. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 40 1/4 x 32 in. (102.2 x 81.3 cm). Date: 1820.After recovering from a serious illness in 1819-20, Goya painted this portrait of one of his close friends. The sitter was an architect, and responsible for the design of the medical school on the Calle de Atocha in Madrid. He was elected to the Academy of Fine Arts of San Fernando in 1818. This is perhaps one of the most engaging of Goya's male portraits. Pérez's rolled-up sleeves and slight smile suggest a directness and warmth that are rare in the artist's oeuvre. Museum: Metropolitan Museum of Art, New York, USA.

alb3746556 Quien mas rendido? (Which of Them Is the More Overcome?). Dated: published 1799. Medium: etching, aquatint, and drypoint. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3659471 Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 11/16 × 8 7/16 in. (14.5 × 21.5 cm)Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3650290 Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 11/16 × 8 1/4 in. (14.5 × 21 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810-20, published 1863.After Napoleon's invasion of Spain in 1807 and 1808 brought about the abdication of the Spanish king, violent protests against the French erupted in Madrid. The uprising of May 2, 1808, marked the start of the armed Spanish resistance, which dragged on in guerrilla warfare until 1814. During the war, Goya documented his horror and outrage at the atrocities committed by soldiers and patriots in his series of 80 prints 'The Disasters of War'. Never before had a story of man's inhumanity been told so compellingly, every episode reported with compassion, honesty and respect for the victims. Not until 1863, thirty-five years after Goya's death, was the first of seven posthumous editions of the Disasters published by Spain's Royal Academy, which in 1862 purchased all eighty etched copperplates. Museum: Metropolitan Museum of Art, New York, USA.

alb3655185 Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3609448 Barbarous Entertainment (Barbara dibersion). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 15/16 × 8 5/8 in. (17.7 × 21.9 cm)Sheet: 12 3/8 × 14 7/8 in. (31.4 × 37.8 cm)Sheet (Unfolded sheet): 12 3/8 × 17 13/16 in. (31.4 × 45.3 cm). Date: 1800-1804. Museum: Metropolitan Museum of Art, New York, USA.

alb3659947 Nativity. Artist: Claude Gillot (French, Langres 1673-1722 Paris). Dimensions: image: 7 11/16 x 4 3/4 in. (19.6 x 12 cm), trimmed to image. Engraver: Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb3650326 Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm)Sheet: 13 3/16 × 18 7/8 in. (33.5 × 48 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).