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akg212645 Wesendonck, Mathilde Writer, friend of Richard Wagner, Elberfeld 23.12.1828 - Traunblick on Traunsee 31.8.1902. Portrait. Painting by Johann Conrad Dorner. (1809-1866).

akg214392 Wagner, Richard; German composer, 1813-1886. Works: Götterdämmerung (Twilight of the Gods), (premiere 1876). "Hagen". (Figurine for the premiere in Bayreuth (Germany), 17.8.1876). Colour lithograph after Karl Emil Doepler (1824-1905). From: Der Ring des Nibelungen. Figurines. (..) by Carl Emil Doepler, Berlin 1889, plate IV, 40. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg214410 Wagner, Richard; composer; 1813-1883. Work: Siegfried (1871). "Siegfried". (Figure from the Bayreuth production, 16 August 1876). Colour lithograph aft. Karl Emil Doepler. (1824-1905). From: Der Ring des Nibelungen. Figurinen (..) von Carl Emil Doepler, Berlin 1889, Plate III, 25. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg314285 Wagner, Richard. German composer, 1813-1883. Works: "Tannhäuser und der Sängerkrieg auf der Wartburg. (Tannhäuser and the Singers' Contest at the Wartburg), premiere 1845. - Front cover of the piano score of R.Wagner's Tannhäuser freely arranged by Fritz Spindler, op. 94, Berlin (Adolph Fürstner) undated (c. 1865?). With illustrations to the text. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg329985 Literature / Song of Roland. - The death of Rolans in the Battle of Roncesvalles (778): Angels conveying his soul to heaven. Book illumination, French 1375/79. From the Grandes Chroniques de France. Ms. Français 2813, fol. 122 v, Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg100971 Wagner, Richard; German composer; 1813-1883. Works: Tristan and Isolde (premiere 1865). Handwritten text with explanations to the prologue of Tristan and Isolde, added to a letter to Mathilde Wesendonck; Paris, 15.12.1859.

akg100970 Wagner, Richard; Composer; 1813-1883. Works: Tristan and Isolde (prem. 1865). - "End of the introduction to Tristan and Isolde". Handwritten manuscript, enclosed in a letter to Mathilde Wesendonck, Paris, 15th December 1859.

akg346086 Varnay, Astrid; Swedish opera singer. (soprano). Stockholm 25.4.1918 - Munich. 4.9.2006. Varneay as Isolde in Richard Wagner's opera "Tristan and Isolde", at Bayreuth Festspiele in 1951. - Photo. Copyright: For editorial use only.

akg300162 Wagner, Richard Composer Leipzig 22.5.1813 - Venice 13.2.1883. Portrait. Painting, c. 1870, by Franz von Lenbach. (1836-1904). Oil on canvas, 55 × 38 cm. Berlin, SMB, Alte Nationalgalerie. Museum: Berlin, SMB, Alte Nationalgalerie.

akg418131 Rubens, Peter Paul 1577-1640. "Die Ermordung Achills", o. J. Tapisserie. Antwerpen, Rubenshuis. Museum: Antwerp, Rubenshuis.

akg997050 akht depicting three ladies at a feast. The wear perfumed cones in their hair and elaborate necklaces. Country of Origin: Egypt. Culture: Ancient Egyptian. Dat.

akg013283 Wagner, Richard Composer, 1813-1883. "Wagner and his works". Phototype, c. 1910, after painting by Schweninsky (?), signature illegible, name not to be found in dictionnary of artists. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg013241 Wagner, Richard Composer, Leipzig 22.5.1813 - Venice 13.2.1883. Portrait. Painting, Biebrich 1862, by Caesar Willich (1825-1886). Leipzig, Stadtgeschichtliches Museum. Museum: Leipzig, Stadtgeschichtliches Museum.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg117640 re.: Homer, Grrek poet, 8th century BC. Works: Ilias. "Achilles is killed by Apollo's arrows". Colour print after a watercolour by Franz Stassen (1869-1949). From: Der Kampf um Troja, re-told by Fedor von Zobeltitz, Berlin (Ullstein & Co.) 1912. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Copyright: Additional copyrights must be cleared.

akg3657093 Wagner, Richard; Komponist; 1813-1883. Werke: Die Walküre (UA 1870). - "Wotan und Brünhilde". - Gemälde, 1876, von Hans Thoma (1839-1924). Öl auf Leinwand, 74 x 61 cm. Inv.Nr. SG 912. Frankfurt a. M., Städelsches Kunstinstit. Museum: Frankfurt am Main, Städelsches Kunstinstitut.

akg7258568 O'Gorman, Juan, 1905-1982. "Recuerdo de los Remedios" (Memento f Los Remedios), 1943. Tempera on masonite, 46.5 × 72 cm. Constitutive Collection 1982. Inv. No. 28795. Mexico City, Museo Nacional de Arte.

alb29162753 JON WATTS and TOM HOLLAND in SPIDER-MAN: SIN CAMINO A CASA (2021) -Original title: SPIDER-MAN: NO WAY HOME-, directed by JON WATTS. English title: SPIDER-MAN: NO WAY HOME.

alb29162752 TOM HOLLAND in SPIDER-MAN: SIN CAMINO A CASA (2021) -Original title: SPIDER-MAN: NO WAY HOME-, directed by JON WATTS. English title: SPIDER-MAN: NO WAY HOME.

alb29132504 Marmion, a tale of Flodden Field, book, inscription: 'p.22', writer (clerical worker): Walter Scott, printer (person): Richard Barrett, London, publisher: Alfred William Bennett, 1866, writer (clerical worker), printer (person), pasteboard, biological material, paper, blotting paper, leather, textile materials, letterpress printing, albumen print, wood engraving, gold print, color on cut, height 202 mm x width 167 mm x thickness 38 mm, A tall ornate Gothic monument with a central spire and pointed arches stands in the middle of a city scene, framed by a rounded rectangular photographic vignette; surrounding the monument are low buildings and stairways, and the image is set against a pale background with additional blank margins above and below.

alb29132506 Chased putti come back in through the window, Chassés par la porte, ils reviennent par la fenêtre, print, A woman chases a group of putti out the door. Another woman, who is sitting in a corner of the house crying, is comforted by putti coming in through the window. The proverb 'What is chased out the door comes back in through the window' means that some things simply cannot be changed., printmaker: Antoine Béranger, London, printer (person): Gottfried Engelmann, Paris, 1827, printer (person), paper, lithography, lithografie, height 357 mm x width 272 mm, cupids: 'amores', 'amoretti', 'putti', open door, weeping, open window, A shaded interior scene shows a woman in a long dress standing at an open window, one hand on the window frame and the other raised toward a cluster of small winged figures that hover outside the opening; light from outside falls across the floor and the woman's skirt. To the left, three seated women cluster together, two embracing while another leans toward them, and a small child or cherubic figure sits near them on a ledge. Additional winged cherub-like figures appear floating along the left wall and near the window opening. In the lower left foreground, a jug and a hooked staff rest on the floor beside a woven basket on a stand. The room has a tiled floor and plain walls with a framed doorway or panel beside the window, and a distant soft landscape is visible through the window beyond the floating figures.

alb29132557 Tin with a lid, Chinese, Qing dynasty, Qianlong period, 18th century. Cylindrical tin with a wide plate-like collar extending beyond the vessel walls and slightly rising at the rim. Domed lid with a handle in the shape of a decorative knob with openwork relief: a dragon in clouds, its head directed toward a pearl at the top of the handle. Exterior of the vessel box and collar decorated in cloisonné enamel with a multicolored red, blue, green, yellow, white small-flowered ornament - branches with rosettes, buds, and leaves - on a turquoise background. Lid decorated with a lotus tendril of four geometrically arranged flowers and surrounding branches; a multi-petal rosette at the center under the metal handle, all on a turquoise ground. Bottom filled with a rich multicolored composition of elements reminiscent of Buddhist symbols - a vajra and Dharma wheel forming the inner central rosette, with red and blue ribbons between the symbols. Interior of box and lid ungilded of enamel; all interior elements are gilded. Possibly used as a ritual incense box. Container; height 7.7 cm, diameter 15.1 cm; cloisonné enamel., A round decorative object with concentric raised rings and a central knob, covered in a repeating floral and vine pattern; the background color is predominantly light blue with visible accents of red, dark blue, green, white, gold, and black in the floral motifs and outlining, and the central knob and thin bordering elements are metallic gold.

alb29132575 View of Chandolin, Switzerland, Vue générale de Chandolin (Val d'Anniviers), page, photomechanical print, maker: A. Düeil, cliché maker: Meisenbach, Riffarth & Cie., Munich, c. 1892 - in or before 1897, A. Düeil, Meisenbach, cliché maker, Bavaria, paper, autotypie, height 75 mm x width 100 mm, prospect of village, silhouette of village, Chandolin, A vertically oriented page shows two sepia-toned landscape photographs framed with thin borders, one above the other, separated by blank space; the top photograph depicts a hillside village with clustered buildings and a church featuring a tall steeple rising near the foreground, sloping terrain with scattered structures and fenced paths leading down the hill, dark tree-covered ridges and distant mountains in the background, and a textured sky; the lower photograph shows a gently rolling landscape with trees in a grassy foreground, a winding road curving past farmhouses and clustered buildings, a larger building complex set on a rise amid trees, layered hills receding into the distance, and a partly cloudy sky.

alb29132577 Bitch feeding her young, Dogs in a landscape, print, Series number, 4, 8, In a landscape, a bitch is nursing her young. The print is part of an eight-part series of prints depicting dogs in a landscape., printmaker: Johan le Ducq, 1661, paper, etching, height 139 mm x width 173 mm, landscapes, dog, A detailed pen-and-ink landscape shows a reclining large animal in the foreground with its head raised and another smaller animal lying beside it, their fur rendered with dense crosshatching; behind them a rocky ledge slopes down into a valley containing scattered trees and bushes, leading to distant hills with layered ridges; to the right a steep cliff face topped with clustered trees rises, its rock textures shown with diagonal strokes; above, broad stylized clouds stretch across a lined sky.

alb29132512 Vase, Chinese, taotie iconography, Qing dynasty 1644-1911, 19th century, ceremonial/ritual vessel, bronze vessel, height 24 cm, diameter 13.1 cm, A single vase with a flared rim and a rounded body tapering to a narrow foot is shown against a plain light gray background, the vase surface appearing mostly dark brown with reddish tones and areas of lighter wear, a decorative band around the neck and a wider ornate band around the bulbous midsection feature intricate swirling patterns in shades of pale green, blue, yellow, and muted gold, the decorative motifs including symmetrical curving shapes and small circular elements, the vase has a glossy finish with subtle reflections and a soft shadow and faint reflection visible on the surface beneath it.

alb29132556 Beliani, page, photomechanical print, number: 'No. 26', photographer: Bourne & Shepherd, Nilgiris, photographer: Nicholas & Curths, cliché maker: anonymous, printer (person): Autotype Printing Company, London, c. 1863 - in or before 1873, printer (person), paper, collotype, photoprint, height 121 mm x width 99 mm, Print for page 215., adult man, A monochrome oval portrait of a bearded man shown from the torso up, with long hair pulled into a small top knot and a thick, full beard; he is draped in a plain cloth across his chest and a patterned textile over one shoulder, one arm folded across his body and the other arm partially visible, set against a light, softly shaded backdrop within a rectangular frame.

alb29132508 Baroque spoon case with the Korczak coat of arms, coats of arms, Korczak coat of arms, baroque style. Leather cover embroidered with metal thread showing the Korczak coat of arms and SL monogram, tied with crimson cords. Very few cases of this type have been found; this one, along with the spoon for which it was made, is particularly rare. 1st half of the 18th century, Poland, possibly Lviv. Cutlery., A long narrow object with a tapered handle and a wider top, covered in worn brown material with visible texture, has a group of braided cords attached that are a faded reddish-purple color with some lighter threads, ending in frayed tassels; the edges of the top have reddish-purple stitching, and there are small areas of lighter brown and a touch of yellowish discoloration on the surface, all set against a neutral gray background.

alb29132509 Negotiation between representatives of Amsterdam and Count Willem Frederik at Hofstede Welna on the Amstel, 1650, Negotiation between two representatives of the Government of Amsterdam and Count Willem Fredrik of Nassau, in front of Hofstede Welna on the Amstel, in the year 1650, print, Negotiation between two representatives of the government of Amsterdam and Count Willem Frederik in front of Hofstede Welna on the Amstel. On the riverbank of the Statenjacht., printmaker: Simon Fokke, Amsterdam, after drawing by, publisher: Isaak Tirion, 1754 - 1755, paper, etching, height 173 mm x width 203 mm, Used as illustration in: Jan Wagenaar, Vaderlandsche historie, 21 parts, I. Tirion, Amsterdam 1755, vol. XII., Person, Willem Frederik Count of Nassau-Dietz, peace negotiations, Hofstede Welna, Period, 1650-07-29 - 1650-07-30, A detailed engraved scene shows a riverbank crowded with people, soldiers, and boats; tall trees rise on the left beside a cluster of buildings, while flags fly from masts and poles near the water; figures in historical clothing walk, converse, and board small rowed vessels along a wooden jetty, with one larger boat moored and rowboats visible farther out; a distant shoreline with windmills and spires appears across the water beneath a sky filled with finely engraved clouds and horizontal line shading.

alb29132518 Dutch Polder (environs de Dordrecht), Polder landscape with windmills near Dordrecht, print, Three windmills and a small wooden hut stand by the water., inscription: 'Collectie August Allebé', printmaker: Jan Caramelli, Netherlands, after painting by Willem Roelofs (I), printer (person): Ruurt de Vries, publisher: Buffa en Zonen, Frans, Amsterdam, 1826 - 1881, printer (person), paper, tonal lithography, height 270 mm x width 365 mm, polder, reclaimed land, windmill in landscape, Dordrecht, A wide, monochrome landscape shows a flat marsh with tall grasses in the foreground and a reflective body of water stretching across the scene. Three traditional windmills stand along the horizon, their wooden structures and angled sails silhouetted against a cloudy sky, with the largest windmill positioned near the center and a smaller one visible between it and another to the right. Low, dark hedgerows and a solitary tree appear on the left horizon, and the water reflects the windmills and sky, creating darker vertical shapes in the foreground. Heavy, textured clouds fill much of the upper area, with lighter cloud formations nearer the horizon, and subtle variations in shading create a sense of depth across the landscape.

alb29132558 Judgment of Paris, print, number: '105', printmaker: Virgilius Solis, Nuremberg, publisher: Quad, 1524 - 1562, Bavaria, paper, engraving, etching, height 105 mm x width 152 mm, the Judgment of Paris (without Mercury), An engraved scene shows three nude women standing on grassy ground, each holding a long palm frond, with one woman shown from the back displaying feathered wings, another facing forward with hair piled and a headband, and the third stepping forward with loose hair; a reclining bearded man in armor reaches toward them while another armored figure lies on the ground at his feet, a horse stands behind the seated man near a tree, clouded foliage fills the background, and a small winged putto hovers above aiming a bow.

alb29132514 Enjoying through love, Monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet, print, book illustration, marriage print, Wedding print featuring a monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet. In the center, Juno is enthroned as the goddess of marriage. She is flanked by two statues of women, one of whom is depicted with two children. Above her are several putti, two of whom sit on either side of the monogram of the married couple. In front of Juno, two amoretti make offerings on the altar of love with burning hearts. On the left is the married couple. In the foreground are two obelisks: on the left a quiver and a bow, the attributes of Cupid, and on the right an obelisk with two burning torches as symbols of love. At the bottom, the wedding date in Roman numerals: 1701-09-21., printmaker: Laurens Scherm, Amsterdam, after design by Simon Schijnvoet, Northern Netherlands, after drawing by Jan Goeree, publisher: Hermanus de Wit, 1704, paper, etching, engraving, hand coloring, etching and engraving, hand-colored, height 236 mm x width 192 mm, Print also used in: Schijnvoet, Simon. Examples of the pleasure garden decorations, vol. 2., Person, Nicolaas de Vicq, Maria Jacoba van Riet, cupids: 'amores', 'amoretti', 'putti', (civil) marriage ceremonies, obelisk, needle, specific aspects, allegorical aspects of Juno, Juno as patroness, sacrifice, non-Christian religions, A richly detailed architectural interior with tall columns and draped curtains framing a central alcove that contains a seated figure on a raised throne under a scalloped shell canopy, flanked by sculpted reliefs and statues; decorative garlands, carved pilasters, and ornate pedestals fill the space, while cherubic children interact.

alb29132502 Head of a Ptolemaic prince, Diadems; probable portrait of Ptolemy XV Caesarion ruler of Egypt; 47-30 BC; Ptolemaic period end of the reigns of Caesarion and Cleopatra, Egypt. Egyptian sculpture; sculpture in stone; height 19.3 cm, width 13 cm, depth 17 cm, weight 7.532 kg. Description: head of a man with short hair tied with a headband crossed at the nape of the neck and falling at the ends to the neck. Short, wide strands of hair protrude from under the headband onto the forehead. The face is small with regular features, a straight nose widening significantly downward, prominent lips, a clearly emphasized chin, large deep-set eyes, prominent eyebrows, small ears close-fitting to the head. The upper fragment of the pilaster is visible at the back, with the head resting on it. With underlay 20.5; date circa 44-30 BC., A side view of a sculpted head in dark stone showing a profile with a rounded skull, a defined ear, and a prominent nose and lips; the surface has a textured, pitted appearance with lighter speckles and patches of beige and gray on the predominantly dark brown and black stone; a band around the forehead and short carved hair-like ridges are visible, and the base of the sculpture shows rougher, lighter gray and white areas.

alb29132500 Portrait of Jean-Charles-Pierre Lenoir, print, printmaker: Éléonore Lingée, after drawing by André Pujos, Paris, 1780 - 1788, paper, stippelwerk, height 282 mm x width 203 mm, Person, Jean-Charles-Pierre Lenoir, historical persons, A monochrome engraved portrait shows a bust-length figure of a man with styled hair and side curls, wearing a dark garment with visible folds and a light, pleated neck cloth, set within an oval frame. The oval frame is embellished at the top with a draped ribbon or cloth and is mounted on a textured rectangular plaque with a raised lower panel and two round fasteners on either side. The engraving technique produces fine crosshatching and stippling throughout, creating tonal shading on the figure's face, clothing, and the decorative frame.

alb29132519 Shabti, Mummy-shaped figurine, funerary gift, back supported by a pillar/pilaster. Legs missing. Arms crossed on the chest, right folded over the left. In the right hand, a hoe; in the left, a pickaxe. On the back, a bag slung by a single string over the left shoulder. On the head, a three-part smooth wig painted navy blue. Long braided beard. Not inscribed. 664-332 BC, Late Period, Egypt. Height 5.1 cm., A small carved object shaped like a simplified human figure with a rounded head and draped shoulders, showing a smooth surface with visible wear and small chips; the piece displays shades of blue and turquoise with darker blue accents around the head and vertical darker streaks along the shoulders, and a neutral grey background.

alb29132560 Bottle belly, glazed ceramic bottle, utility vessel decorated with cicadas, Persian Islamic art, 18th century, Iran; height 10.2 cm, diameter 14.1 cm., A small rounded ceramic vessel with a short foot and a narrow irregular opening, decorated with a repeating vertical pattern in blue on a pale cream background, showing areas of wear and slight discoloration; the surface has visible crackle and some brownish spots, and the object sits on a reflective pale gray surface against a soft light gray background.

alb29132160 Vessel, Egyptian pottery/ceramic clay hand-made vessel, Old Kingdom c. 2686-c. 2181 BC, from Edfu; vessel height 33.5 cm, rim diameter 10.4 cm, body diameter 15.1 cm. References: form 2., A roughly cylindrical, tapered object with a textured, pitted surface in shades of brown, tan, beige, and hints of reddish-brown, set against a plain gray background; the surface shows irregular indentations, rough patches, and small holes, with areas of darker brown and subtle blackened spots, and the top edge appears uneven and slightly chipped.

alb29132159 Double-sided gingerbread mould. Obverse: 16 images of various figures; reverse: 12 depictions. Figurative motifs include male figures, female figures, birds, zoomorphic motifs, floral decorations, figurative scenes, and historical costumes. Double-sided rectangular mould; on one side sixteen small images depicting various human figures, male and female, arranged in four equal rows, shown from the front and from the back. The other side: twelve elements including two male figures on a rooster, another in peasant costume, presented in two views front and back; four different elements of clothing; two pipes decorated with tassels; two birds sitting on a flower-filled crater; and a column decorated with a flower garland with two birds on top. Gingerbread mould, applied art, folk motifs. 18th-19th century. Province of Silesia 1742-1918. Height 29.8 cm; width 13.8 cm; depth 3.8 cm., A rectangular wooden panel with a natural brown wood tone carved with a variety of shallow relief shapes arranged in rows, including a few hat- or bonnet-like forms, a heart-shaped or pouch-like form, a V-shaped decorative collar, a narrow elongated shape with small flower-like indentations, and a vertical curving vine or ribbon with knotted elements; additional carved motifs include a few pedestal or urn shapes with floral and garland decorations, a group of bird or rooster figures with detailed feathers, two human figures standing with textured clothing and holding bundles, and a pair of symmetrical decorative elements resembling stylized floral baskets; the background wood shows subtle grain variations and wear, and the overall colors visible are shades of brown with slightly darker carved recesses and lighter worn highlights.

alb29132142 Fairground Wind-cutter and wholesaler, A wind trader sits on a sack of shares held high only by the wind, 1720, The Great Tableau of Folly, cartoon, print, A wind trader with a windmill on his head sits on a sack of shares held high only by the wind, 1720. On the left in the tree a monkey with binoculars, on the right a cat flies through the air with balloons attached to its paws. In the caption a verse in Dutch. Print 4 in the series The Great Tableau of Folly with satirical cartoons on the Wind Trade or Stock Trading of 1720., printmaker, Northern Netherlands, paper, etching, height 277 mm x width 183 mm, Wind Trade of 1720, Period, A detailed ink engraving shows a central robed man with long curly hair and a wide-brimmed hat seated on a cloud, surrounded by other figures and animals; one companion stands behind him holding a pipe, another gestures toward the sky while a third points with a stick. To the left a monkey sits in a tree holding a long thin object, and above a face appears within a cloud blowing lines of air toward a flying bird and a small creature carried by balloons. A windmill silhouette appears near the top center. Below the cloud a pig and a hoofed animal stand beside a scroll-like sheet attached to the cloud, and a rectangular chest on the ground contains small animals with one rodent nearby. A bird walks on the ground near the chest. Decorative borders frame the scene and a large block of printed text occupies the lower portion of the page.

alb29132151 Man leaning on his elbow, print, printmaker: Jacob Hoolaart, Dordrecht, 1728 - 1789, paper, etching, etching in brown, height 63 mm x width 48 mm, leaning figure, A sepia-toned ink drawing shows a seated figure wearing a wide-brimmed hat and a long cloak, with the head bowed and partially obscured by the hat's brim. The figure's hands are visible near the torso, one grasping the cloak and the other positioned slightly above, with hatched shading indicating folds and texture. Curved contour lines and crosshatching define the cloak's drapery and the shadowed areas along the figure's side. The background is plain with a narrow double border framing the image, and variations in paper tone and subtle speckling are visible across the surface.

alb29132148 Woman sitting on a wall with arms outstretched, page, photomechanical print, copyright notice: 'C', maker: Adelaide Hanscom Leeson, c. 1906 - in or before c. 1916, pasteboard, paper, photoaquatint, height 133 mm x width 122 mm, Print on unnumbered page. Adelaide Hanscom Leeson manipulated her glass negatives to create a painterly effect., adult woman, sitting figure, arm stretched sidewards - AA - both arms or hands, A sepia-toned image of a woman in a flowing light dress seated on a brick wall, one arm extended outward and the other resting behind her on the wall, with her head turned to the side and hair styled back; behind her is a large tree trunk and leafy branches, and in the background there are tall, narrow trees and a softly textured landscape, while the foreground shows grass beneath the wall.

alb29132147 Portrait of the poet Jean Baptist Houwaert, print, Portrait of the poet Jean Baptist Houwaert. Half-length in an oval, facing right. In the four corners female personifications of four liberal arts: Rhetoric, Music, Arithmetic, and Geometry., printmaker: Johannes Wierix, Antwerp, c. 1583, paper, engraving, height 158 mm x width 122 mm, Person, Jan Baptist Houwaert, 'Arithmetica' (, quadrivium), 'Aritmetica' (Ripa), 'Rhetorica', 'Eloquentia' (, trivium), 'Rettorica' (Ripa), 'Musica' (, 'Musica' (Ripa), 'Geometria' (, 'Geometria' (Ripa), A detailed engraved portrait shows a bearded man in profile within an ornate oval frame, wearing patterned armor and a ruffled collar with a draped sash across his chest; the oval is surrounded by decorative scrollwork and small sculpted figures, including two seated female figures at the top holding a book and a lyre, and two seated female figures at the bottom engaged with a tablet and a globe while various scientific and decorative objects lie near them; the border includes columns, floral motifs, and a small shield with a lion emblem beneath the oval.

alb29132145 Carlstad, Christinehambn, View of Karlstad and Kristinehamn, Suecia Antiqua et Hodierna, print, album page, printmaker: Johannes Jacobsz van den Aveele, Stockholm, supervision: Erik Jönssen Dahlberg, 1699, paper, etching, height 272 mm x width 335 mm, city-view in general, 'veduta', Karlstad, Kristinehamn, A wide panoramic engraving shows two horizontal cityscapes separated by a blank band, each depicting a waterfront town with clustered buildings and prominent church steeples rising above rows of houses, surrounded by distant rolling hills and tree lines; the upper scene includes a long bridge crossing a body of water with ships and boats moored and sailing nearby, timber buildings and leafy trees in the foreground, and a coat of arms above the town, while the lower scene shows a dense arrangement of rooftops along the shore, small vessels in the water, wooded foreground hills with people and animals, and tall slender trees framing parts of the view.

alb29132152 Sawdust container, gift, Paderewski, Ignacy Jan 1860-1941, Chinese art, Chinese, Qing dynasty 1644-1911, cloisonné enamel, fantasy beasts, cicadas, base with four inserts, 19th century, China, vessel; height 8.5 cm, diameter 9.7 cm, A small conical metal object sits upright on a reflective surface, showing a colorful enamel pattern against a black background with a gold rim at the top and bottom. The surface features ornate swirling motifs and stylized shapes in colors including blue, red, yellow, green, white, and purple. The design includes symmetrical, mask-like forms and curving decorative elements that repeat around the object. The reflection of the object is visible on the surface below, mirroring the same colors and patterns. The background is a plain gray.

alb29132153 Daruma, unknown sculptor, Japanese, Meiji period 1868-1912, ceramics figurine of a male Buddhist monk Daruma wearing headgear and a long, flowing robe covering the head, late 19th century, Seto, Japan; height 21.2 cm, A small carved figure made of dark brown material stands centered against a smooth light gray background, showing a robed person with a rounded head and a solemn facial expression, draped garments with flowing folds that wrap around the body, subtle highlights and deeper brown shadows on the surface, and a glossy finish that creates a faint reflection beneath the base.

alb29132146 Central nave of Notre-Dame in Paris, Paris - Église Notre-Dame, la Nef, photograph, Part of Photo album with sights in Paris, Versailles and the Bois de Boulogne., number: '25', Paris, c. 1900, photographer, pasteboard, paper, albumen print, albumendruk, height 155 mm x width 97 mm, parts of church interior: nave, Notre-Dame (Paris), A sepia-toned interior photograph of a large Gothic cathedral nave viewed from the rear toward the altar, showing tall pointed ribbed vaults and a long central aisle flanked by many rows of wooden chairs, high arcaded side aisles with clustered columns and ornate capitals, elevated balconies along the upper aisles, large arched windows at the far end admitting light, multiple decorative chandeliers suspended along the nave, carved stone screens and railings at the foreground, and symmetrical architectural details lining both sides of the central space.

alb29137151 Fabric fragment, fragments of a larger textile object, patterned silk fabrics. Pale red pink lampas with a white patterned weft - a unilateral two-tone damask. Background: light red/pink warp satin; overlays in plain and liseré weaves with a white weft tied in a weft weft-faced weave; reverse side in plain weave. Repeat rapport composed of small flowers, fanciful leaves, and miniature lace motifs forming an ornament on the leaves; motifs typical of bizarre fabrics inspired by lace. Another fragment likely part of the same fabric shows a pale red stripe with a white pattern weft. Subreport: plain weaves pink warp/pink weft and white weft weaves. Colors: pink background with white decorative patterning. Hem width: 0.4 cm. Rapport: length 64.5 cm; width 24.5 cm. Overall fabric height 73 cm, width 31 cm. Early 18th century, France., A rectangular piece of worn fabric with a faded floral and paisley woven pattern rests against a dark background; the textile shows frayed edges and several long horizontal tears and areas of threadbare thinning, with loose fibers along its top and sides. The woven design includes floral motifs, curved paisley shapes, and ornamental borders that repeat across the surface, and there are patches where the weave has distorted or been worn away. Visible colors include muted peachy-pink, pale rose, light beige, subtle gold, and small areas of darker brownish tones, set against a deep black background.

alb29137146 Portrait of Louis Artan de Saint-Martin, print, annotation: '2me etat', printmaker: Louise Danse (signed by artist), 1891, paper, etching, drypoint, intaglio printmaking technique, height 199 mm x width 275 mm, Person, Louis Artan de St.Martin, anonymous historical person depicted alone, A sepia-toned sketch of a seated man shown from the waist up, resting his head on his hand with his elbow bent and fingers near his cheek. He has wavy hair, a mustache, and a beard, and his gaze is directed slightly downward and to the side. He wears a jacket over a collared shirt and a loosely tied necktie. Dense, expressive crosshatching surrounds and defines his hair and the background, while finer lines render the folds and texture of his clothing and the contours of his face and hand. The image has an overall aged paper tone with visible sketch marks and shading strokes.

alb29137136 Denarius, Antoninus Pius 86-161; Roman Emperor 138-161 issuer. Obverse: Head of Antoninus Pius bare, right; legend IMP T AEL CAES HA DRI ANTONINVS. Reverse: Minerva standing left, holding Victoria in her outstretched right hand and a spear in her lowered left hand spear head upward, shield resting on the ground; legend AVG PIVS PM TR P COS DES II. Date: 138. Place of origin: Rome, Roman Empire. Media: coin. Diameter: 16.0-18.0 mm. Weight: 2.81 g. Axis: 180°., A worn round coin with an uneven edge showing a raised profile of a bearded man facing right; the surface has textured, pitted areas and patches of darker brownish rust and lighter gray metal tones, with a few smoother, slightly shiny spots and an overall aged, tarnished appearance.

alb29137150 Maria met dem säugenden Jesuskinde, Mary with Christ at the Breast, print, printmaker: Jenö Doby, after painting by Correggio, publisher: Gesellschaft für vervielfältigende Kunst, Vienna, 1844 - 1907, printer (person), Lower Austria, paper, chine collé, engraving, etching, height 313 mm x width 249 mm, Mary sitting or enthroned, the Christ-child on her knee (Christ-child to Mary's left), Christ-child suckling, or beginning to suck, eg Mary uncovering her breast, Madonna representations, A seated woman with a serene expression cradles an infant against her chest while another young child leans toward them; the woman wears draped robes and a head covering and looks down at the child she holds, the infants are depicted nude with soft rounded forms and curly hair, one infant rests across the woman's lap with a relaxed pose while the other reaches toward a cloth or tray held near them, the scene is rendered in fine tonal lines creating subtle shading and textured fabric folds against a dark, plain background.

alb29137137 Portrait of Pope Adrian VI, print, Medallion with the portrait of Pope Adrian VI. Below it his tomb., printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, height 114 mm x width 80 mm, Print used in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Vol. III., Person, Adrian VI, grave, tomb, A detailed engraved portrait shows a bust of a bald man in profile facing left, framed within a circular medallion; he wears ornate patterned robes with decorative swirls and a clasp at the chest, and his facial features include a prominent nose and a visible ear. The circular frame sits above a rectangular architectural structure resembling a tomb or monument, which contains a sculpted recumbent figure draped in cloth on an elevated platform, and below that a rounded sarcophagus flanked by two small seated cherubic figures. The background is filled with finely hatched lines and crosshatching that create shading and texture across the image.

alb29137139 Allegory of arts and sciences with four putti, print, printmaker: Abraham Delfos, Leiden, 1741 - 1820, paper, etching, height 59 mm x width 85 mm, cupids: 'amores', 'amoretti', 'putti', (story of) Mercury (Hermes), A detailed engraving shows four winged childlike figures among textured clouds, each with curly hair and draped cloth; one figure hovers holding a small box toward another seated figure who faces slightly away and holds a cluster of arrows against a book; a third figure sits on a dark cloud reading an open book with a feathered quill poised above the pages; the fourth figure stands on a cloud holding rolled scrolls and looking outward; rays of light and fine linework suggest movement in the sky and around the figures, and a small winged staff appears near the top.

alb29137168 Jacob with his family on their way home, Paintings in the Loggia by Raphael, print, Series number, 24, 52, printmaker: Orazio Borgianni, Italy, after painting by Raphael, Vatican City, 1615, paper, etching, height 163 mm x width 191 mm, A detailed black and white line drawing shows a group of people and animals moving through a rocky landscape with trees on the hills in the background. Several figures ride on camels and horses while others walk alongside, some carrying children or holding reins. The riders and walkers wear draped garments and hairstyles gathered at the back or top of the head. The animals display detailed heads, necks, and legs with visible harnesses. Rocks, winding paths, and layered hills form the terrain, and clusters of rounded trees fill the horizon. The composition is framed by a plain border.

alb29137154 Hunchback puppet, Figurine hollow inside. Hunchbacked torso with a large head in a pointed cap set on a short neck. Elongated face with a large hooked nose and a large full-lipped mouth. Large bulging eyes with traces of white paint on the pupils. Torso wrapped in a cloak forming a thick fold around the neck and covering the right arm raised toward the chin. Left arm bent, resting at the waist. Opening on the side under the elbows for attaching legs. Opening at top of cap for attaching strings. Traces of polychrome with white paint on the torso. 1st century BC, Hellenistic period. Found at Myrmekion; origin Pantikapaion. Terracotta figurine, height 8.6 cm, width 5.5 cm, depth 4.6 cm., A small weathered clay figurine photographed from the back sits on a smooth surface against a plain background; the figurine has a rounded, tapered head and broad shoulders with a short, flared base, showing a rough, pitted texture and visible cracks and chips. The colors visible are gray, brown, tan, and muted reddish tones, with lighter off-white patches where the surface is worn. The background and surface are shades of gray, and a soft shadow appears beside the figurine.

alb29137159 Vessel with hieratic inscription, Egyptian pottery ceramic clay vessel, Old Kingdom, ca. 2686-ca. 2181 BC, Edfu find site. Comparative material: Petrie, Dendera, pl. XVI,2; Hope, Akhmim, fig. 7, type AIVa 2bi; Reisner, Mycerinus, p. 212, fig. 64 3,4; Brunton, Qau and Badari, pl. LXXXI type 77N - earlier dated to the IVth-Vth Dynasty; Mace, Naga ed-Der II, figs. 87.11-14, 16-25; Reisner, Naga ed-Der III, fig. 28-33; Petrie, Abydos II, pl. XLIII, 79-80; Keiser, Avila, Dreyer, Jaritz, Laskowaska-Kusztal, MDAIK 40, fig. 9b. Vessel height 15.1 cm; rim diameter 5.6 cm; body diameter 8.2 cm., A large, rounded clay vessel with a narrow neck and flared rim suspended against a plain background; the surface shows a rough, textured appearance with small pits and irregularities and mottled coloration in shades of brown and tan with darker brown spots and flecks, and subtle variations of lighter beige in places.

alb29137161 Shepherd with flock of sheep on a country road, Etude de Moutons, page, photomechanical print, inscription: 'Agrandissement d'un Phototype obtenu par la Photo-Jumelle', inscription: 'Bulletin du Photo-Club de Paris', photographer: Thuillier, cliché maker: Dujardin, c. 1888 - in or before 1893, Thuillier, Dujardin, photographer, clichémaker, paper, photoaquatint, height 108 mm x width 149 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, sheep, herd, flock, A black and white photograph of a tree-lined dirt path with tall trees on both sides and dappled light through the leaves, showing a man walking toward the camera wearing a cap, jacket, trousers, and carrying a long stick, with a flock of sheep following behind him and a dog walking ahead on the path, framed by trunks and foliage and bordered by light-colored margins.

alb29137167 Old woman in profile, print, printmaker: Jean Jacques de Boissieu, France, 1770, paper, chine collé, etching, stipple work, etching and stipple work on chine collé, height 239 mm x width 180 mm, old woman, historical persons (portraits and scenes from the life), A detailed ink drawing of an older person in three-quarter profile facing right, wearing a headscarf that wraps around the head and neck and drapes over the shoulders, with deep etched lines and shading defining facial wrinkles, a downturned mouth, prominent nose, and heavy eyelids; the clothing shows flowing folds and crosshatching, and the background is filled with fine, textured hatch marks.

alb29137142 Cista container decorated with a depiction of the Dioscuri and Athena. Cylindrical vessel made of sheet metal, decorated with an engraved depiction of the Dioscuri and Athena, 8 figures preserved. Under the rim and at the lower edge are bands of engraved plant decoration. Concave bottom. Legs in the shape of predator's paws, ending in sirens. Slightly convex lid, made of sheet metal, decorated with an engraved depiction of two hippocampi. Trace of a handle in the centre. 4th century BC, Praeneste Italy. Vessel; metal; weight 1.132 kg; height 24.5 cm; diameter 20 cm bottom, diameter 22 cm top., A cylindrical metal container with a rounded lid stands on a neutral background, showing a mottled surface of dark brown and green patina with areas of bright green corrosion and touches of reddish-brown; the lid is darker with subtle variations and a small hole at the rim. The body features a few raised circular rivet-like elements and traces of etched or scratched linear patterns amid the green patches. The container rests on a group of decorative tripod feet shaped like stylized animal paws and small seated figures, which exhibit a mix of green corrosion and brown metal tones. The overall surface shows worn, textured areas and irregular discoloration in shades of brown, green, and hints of reddish hues.

alb29137138 Impression de Pluie sir le Lac de Chiem, View of the Chiemsee, page, photomechanical print, inscription: 'Association belge de Photographie 1889.', photographer: Hugo Henneberg, Chiemsee, cliché maker: Blechinger & Leykauf, Vienna, c. 1894 - in or before 1899-04, printer (person), Bavaria, Lower Austria, paper, photoaquatint, height 113 mm x width 159 mm, lake, A wide grayscale landscape showing a large expanse of sky filled with soft, billowy clouds above a low, dark horizon, with a strip of water reflecting the sky and a foreground of tall, thin grasses and reeds silhouetted against the lighter surface, and a darker rounded cluster of vegetation near the horizon line.

alb29137148 Bowl, Bowl with a conical shape and a ring-shaped foot. Straight rim, slightly flaring outward, irregular. Vessel made entirely on the wheel of Nile clay type ND Vienna System. Surface even, covered with glaze before firing. On the inner and outer surfaces of the rim there is a narrow approx. 0.5 cm black band of decoration. The remainder of the vessel is red. Traces of polish on the surface. The glaze is slightly worn in places-possible traces of use. Good condition-minor clay chips on the rim, abrasions over the entire surface. Analogies: Egypt's Golden Age no. 51, p. 78, ca. 1550-ca. 1425 BC; New Kingdom, early 18th Dynasty. Possible findplaces: Edfu, Deir el-Medina. Vessel; height 5.3 cm; diameter 15.1 cm rim; diameter 3.1 cm bottom., A shallow, wide bowl viewed from the side with a rounded rim and tapered base, showing a weathered surface in shades of reddish-brown and dark brown along the rim, with small areas of lighter beige and gray wear, subtle horizontal striations on the exterior, and a plain neutral gray background.

alb29137140 Opening page of a calendar, written in French, featuring a miniature of seasonal activity., 1440 - 1460., France. Eating & drinking activity related to strawberries.

alb29137163 Five composite consoles, decorated with scrollwork, grotesques and mascarons, Architectura, ornamental print, book illustration, page, Numbered: 32. Print is part of a book., printmaker: Wendel Dietterlin (I), Strasbourg (France), publisher: Bernhard Jobin, 1593 - 1595, paper, etching, color on edge, etching with purple on edge, height 250 mm x width 180 mm, Print used in: Dietterlin, Wendel (I). Architectura de quinque columnarum simmetrica distributione et variis eorundem or namis: Liber I. Strasbourg: Bernhard Jobin, 1593., ornament, festoon, garland, mask, mascaron, column, pillar, architecture, other architectural details, 'Laub- und Bandelwerk', composite order, A detailed ink drawing of ornate architectural ornamentation fills the image, showing vertical panels with carved bracket-like elements and decorative corbels. The designs include symmetrical scrolls, stylized foliage, and mask-like faces set into elaborate cartouches. Each bracket features layered moldings and platforms with fluted and beaded textures, and some include ribboned garlands and pendant tassel motifs. The shading is rendered with fine parallel and cross-hatched lines, creating depth on the stone-like surfaces. A central hanging ornament with curling forms and a face is flanked by matching complex brackets, and smaller ornamental details such as volutes, rosettes, and acanthus leaves appear throughout the composition. The overall palette is monochrome with the inked lines standing out against a light background.

alb29137153 Standing woman, print, Standing woman holding a handkerchief to her face., printmaker: Cornelis Ploos van Amstel, Amsterdam, 1736 - 1798, paper, print drawing, crayon manner, transfer print, etching in crayon manner, proof print, height 128 mm x width 63 mm, adult woman, A vertical pencil sketch of a standing figure draped in long flowing garments with visible folds and creases, the head partially covered by a hood or shawl, one arm bent across the body beneath the drapery, the lower garment falling to the ankles and showing feet peeking from beneath, all rendered on textured light-toned paper with soft pencil shading.

alb29137158 Bernardine Alley at night; photograph, ca. 1914, Jan Bulhak 1876-1950; Vilnius, Bernardine Alley; photographic print: 16.2 × 11.6 cm, album page: 31.0 × 23.5 cm., A dim archway frames a narrow cobblestone alley leading to the facade of an older building; a person stands beneath the arch near the right wall wearing a long dark coat and hat, partially in shadow. The scene shows strong contrasts of light and dark with deep black shadows under the arch and along the foreground, lighter cream and beige tones on the building walls, and muted gray and brown textures on the cobblestones and plaster. The arch casts a curved shadow across the ground and the right wall, and windows and architectural details are visible on the distant building.

alb29137155 Jug, ceramics, Egyptian pottery. Medium-sized clay jug with a biconical body, widest at about half its height; wide shoulders; wide, almost cylindrical neck widening toward the spout neck about one-third of total height. Profiled, irregular spout, slightly raised and extended on one side forming a small spout; spout nearly triangular in cross-section with a ~1 mm cylindrical bulge on the outer profile. Bottom almost flat, very slightly rounded. Made of Nile clay NB1?; neck likely made separately and attached to the shoulders. Outer surface leveled, covered with engobe and polished; inner surface leveled except for neck, which is also engobed and polished. Color reddish-brown. Well preserved; rim slightly chipped in two places and engobe worn in places on outer surface. Dated to the 6th Dynasty; origin Edfu. Dimensions of a comparable type: height 20.5 cm, rim diameter 8.5 cm, body diameter 17.3 cm, bottom diameter 10.9 cm. Analogous example in the Louvre E 16586. References: Reisner, Mycerinus, Cambridge 1931, pp. 218-220, fig. 69, type XV-XX, ca. 2686-2181 BC; Old Kingdom., A single earthenware vessel sits against a flat neutral background, showing a rounded body that tapers toward a narrow neck and a slightly flared rim with an irregular edge; the surface displays a worn, matte texture with small pits and scuffs, and the visible colors are terracotta brown with variations of darker brown and hints of muted gray on the body and rim.

alb29137145 Amulet - goddess Hathor;, Hathor myth., Egyptian deity/goddess; red glass; Ptolemaic Period, 332-30 BC, Egypt; amulet; height 5.2 cm, width 1.3 cm, A vertical, narrow metal object resembling a stylized human figure with an elongated torso and base, showing an uneven, corroded surface with rough texture and irregular edges; the object displays a mix of colors including muted gray, brown, dark rust, and patches of reddish tones, with brighter red markings along the upper portion; the surface has areas of lighter greenish-gray patina and darker brown oxidation, with scattered shiny spots and small pits.

alb29137135 Ex voto; maker, Hellenistic period, 3rd-2nd century BC circa 332-30 BC; possibly from Southern Etruria or Latium; bas-relief; height 9.5 cm, width 7 cm, depth 6.3 cm; weight 0.16 kg., A small sculpted head in a warm tan clay tone sits against a plain light gray background, showing a rounded face with short textured hair and a subtle halo-like rim around the top and sides; the surface shows darker brown weathered marks and small black speckles, with gently worn facial features and a simple rounded base that flares slightly at the bottom.

alb29137152 Baroque silver travel spoon with a teardrop-shaped scoop decorated on the reverse with the Korczak coat of arms in a decorative cartouche, with the SL monogram on the sides; stylized plant twig decorations; all decorations in niello; the inside of the scoop gilded. Traditional attribution of niello-painted artefacts to the centre in Lviv is not necessarily correct; niello was also used in other centres of the Polish-Lithuanian Commonwealth at that time. Despite the very good quality of the decoration, its value is enhanced by the preserved case, undoubtedly made for it; very few cases without spoons have survived. 1st half 18th century, Poland possibly Lviv. Cutlery. Height 22.9 cm, width 5.6 cm., Coat of arms: Korczak., A single ornate spoon shown against a gradient gray background, with a rounded bowl and a long narrow handle; the spoon surface features intricate decorative patterns and motifs, including scrollwork and a central emblem-like design in darker tones against a lighter metal; the handle displays a repeating decorative border running its length; visible colors include shades of gray, silver, and darker charcoal.

alb29137143 Cow's head facing right, print, printmaker: Ernst Willem Jan Bagelaar, Netherlands, 1798 - 1837, Ernst Willem Jan Bagelaar, printmaker, paper, etching, etching in red, height 32 mm x width 40 mm, cow, A close-up of a textured paper surface showing irregular reddish-brown smudges and strokes against an off-white background, with denser clustered marks forming darker patches and softer, feathered edges creating a gradient from concentrated pigment to faint streaks.

alb29131313 Portrait of an Italian woman, Antonia., Portraits of Italian women, print, printmaker: Charles Alphonse Paul Bellay, Rome, printer (person): Goupil & Cie., Paris, publisher: Michael Knoedler, New York (city), 1869-10-01, printer (person), North America, paper, chine collé, etching, etching on chine collé, printed in brown, height 300 mm x width 238 mm, historical persons, anonymous historical person portrayed - BB - woman, The image shows a detailed side-profile drawing of a woman facing left with wavy, shoulder-length hair rendered in fine lines and shading, a smooth forehead, straight nose, and closed lips; she wears a dangling earring composed of circular elements and teardrop shapes, and a decorative necklace with leaf-like pendants and round beads resting on her collarbone; her shoulders are draped with a softly folded garment, and the background is plain and light.

alb29131314 Votive female head;, female head wearing a wreath, from under which lush locks of hair curl down the sides of the face to the neck. High forehead, large eyes, deep-set in relation to the nose, slightly convex with developed eyelids and eyeballs, pupils marked. Small straight nose; narrow, slightly parted mouth with fleshy lips. Strong chin, slightly protruding; slim cheeks giving the face a triangular outline. Etruria, 3rd-2nd century BC; votive. Height 26 cm, width 21 cm, depth 13 cm, weight 2 kg., A single sculpted head made of a warm tan clay sits against a pale gray background, showing a stylized face with softly carved features and curly hair that frames the forehead and sides; the surface displays slight rough texture and subtle variations in the tan color with areas of lighter and darker tan and faint traces of muted gray, and the base flares outward resting on the flat gray surface.

alb29131376 Six portraits of professors at Pennsylvania College, photograph, page, photographer: William H. Tipton, Gettysburg, c. 1877 - in or before 1882, North America, Pennsylvania, paper, albumen print, height 146 mm x width 101 mm, professor, A vertical collage of sepia-toned portrait photographs arranged around a central decorative oval medallion, each portrait mounted on a small rectangular card with rounded corners and pinned at the corners, showing men in formal late nineteenth-century attire with facial hair and stern expressions, decorative scrollwork framing the arrangement, and a lighter outer border around the darker central background.

alb29131375 New Year's canteen, Goluchów Greater Poland Voivodeship. Flat round faience canteen with a narrow short neck ending in a chipped spout shaped like a papyrus capital. Decorated on both sides with plastic figurines of crouching baboons, elbows on knees and paws supporting the muzzle. A floral necklace is depicted in relief on both sides of the neck, and a hieroglyphic text runs along the narrow sides. Egyptian, Late Period, 26th Dynasty, 664-525 BC. Vessel; height 17.5 cm plus 1.5 cm base, width 13.7 cm, weight 0.37 kg., A single elongated rounded vessel with a narrow cylindrical neck and flaring rim sits against a neutral gray background; the vessel is predominantly light green with areas of pale turquoise and subtle brown spotting, and it features incised linear decorative bands and a vertical relief strip running down its front, with a small looped handle where the neck meets the shoulder.

alb29131659 Amulet - Udjat Eye. Udjat eye designed as a flat plaque with details of the eye marked with a fairly wide engraved line. Eyebrow and pupil painted black. A pin placed above the eyebrow. Ca. 747-656 BC; 25th Dynasty, Egypt. Amulet; height 5.5 cm, width 7 cm, depth 1 cm., An object shaped like a stylized eye with a curved lower extension, made of a pale material with areas of light green and beige, and darker gray along the top edge; a rounded darkened central element sits within the eye opening, surrounded by lighter beige and green surfaces; there are a few worn and rough spots, a small hole near the top right edge, and a circular blue-green decorative mark on the lower curved portion; the piece shows signs of age with cracks and surface discoloration in colors including beige, light green, gray, dark brown, and blue-green.

alb29131374 Icicles below Table Rock., 1850 - 1930, New York (State), Winter, Niagara Falls (N.Y. and Ont.), Albumen prints.

alb29131656 Water pump in Berchtesgaden, print, printmaker: Joseph Hartogensis, The Hague, 1856, paper, chine collé, etching, etching on chine collé, proof print, height 63 mm x width 71 mm, ornamental fountain, Bavaria, Berchtesgaden, A monochrome ink drawing shows a small scene with simple buildings and outdoor structures. A woman in a dark dress stands near a raised octagonal basin topped by a short column bearing a sculpted animal figure. To the left is a covered wooden shelter with a pitched roof and open sides where a seated figure is visible inside. Various planks, barrels, and stacked wooden panels are arranged around the buildings, and low vegetation grows at the base of the structures. The ground in front is uneven with scattered rocks and irregular lines indicating texture. The image has a grainy paper background with small speckles.

alb29131660 Arabic manuscript grammatical treatises, unknown author/calligrapher; provenance notes; Islamic/Indian art; manuscript with painting and calligraphy in Arabic; 250 pages including seven decorative pages and eight loose scraps; leather binding with an openwork medallion on the inside; 18th century, India place of origin?; book; 24 cm high, 16 cm wide, 4 cm thick., A rectangular ornate manuscript page with a patterned decorative band along the top featuring an interlaced geometric motif in blue, red, and gold, followed by a narrower horizontal floral border with green, pink, purple, and gold accents; the main body contains dense black ink handwriting arranged in lines across a beige, aged paper background with occasional darker ink smudges and small areas of red ink; the page is framed by several inner borders in blue, red, green, and gold, and the paper shows signs of wear with faint stains and slightly darker edges.

alb29135185 Mountainous landscape with two figures under a large rock, Landscapes, print, printmaker: Andreas Bissel, Mannheim, after drawing by Franz Kobell, publisher: Domenico Artaria (1765-1823) (possibly), 1791 - 1819, Baden-Württemberg, paper, etching, height 172 mm x width 209 mm, From a series of twelve landscapes designed by Ferdinand, Franz and Wilhelm Kobell, reproduced in print by various printmakers, published by Domenico Artaria in Mannheim., mountains, A framed black and white landscape engraving shows a rocky cliff with an overhanging tree branch and dense foliage, a river or stream flowing beside the rock, distant hills under a cloudy sky, clusters of trees on the right, and two small seated figures on the grassy bank near the base of the rock.

alb29135183 Fol. 190v, Bavaria, Germany, created in 1402.

alb29135194 Trophy with mason's tools, Panoplia sev armamentarium..., print, ornamental print, From a series, consisting of a title page and 16 leaves., printmaker: Johannes or Lucas van Doetechum, Netherlands (possibly), after design by Hans Vredeman de Vries, publisher: Gerard de Jode, 1572, Johannes or Lucas van Doetechum, Hans Vredeman de Vries, Gerard de Jode, printmaker, after design by, publisher, Netherlands, paper, etching, height 184 mm x width 60 mm, First edition (Fuhring 1989)., A vertical engraved composition showing an assortment of tools and ornamental ribbons arranged symmetrically along a central axis. At the top is a decorative curtain swag with scalloped edging and a lion-like mask or face above a column of crossed axes and halberds, their blades and handles interwoven with curling ribbon-like elements. Further down are long straight rulers or beams forming an X over a rounded helmet or basket-like object tied with straps, with cylindrical weights and hanging tassels suspended from cords at the sides. In the lower half more crossed poles and paddles intersect around rounded, hollowed forms resembling bowls or clogs, all threaded by looping ribbons and small suspended parcels or pendants. The engraving is monochrome with fine hatching and stippling, and there is a faint red circular stamp near the lower right corner.

alb29135150 The Dutch Hercules of the 19th century, Caricature comparing the 'head of the dummy' and Dutch politics, cartoon, print, Minister Jan van Heemskerk Azn. is about to strike the 'head of the dummy'. It displays articles of law such as Articles 6 and 10 regarding freedom of religion and the protection of personal data. He looks at the target at the top of the measuring stick, a dancing figure with a 'red flag'. Below the image is a quote from the poem Medea by Jan Vos (ca. 1610-1667). This print was published by De Lantaarn., printmaker: Jan Holswilder, Netherlands, printer (person): MH Blommers, The Hague, publisher: Adriaan Rössing, 1886, printer (person), paper, lithography, height 335 mm x width 255 mm, This print was published by De Lantaarn. The Hague, Rössing, 2nd year. no. 4., Person, Jan Heemskerk Azn, pleasure fair and circus, political caricatures and satires, try-your-strength machine, A crowded sketch of a fairground strength tester scene shows a man in a top hat standing with hands on hips beside a vertical measuring post, a small figure perched atop a cylindrical target with a mallet lying on the ground nearby, and a dark-suited man preparing to strike the target while leaning forward. A curtained backdrop and a ladder are visible behind the post, and a small flag with markings is held by a figure standing on top of a horizontal beam. On the right, a group of onlookers includes a woman lifting a hat to shield her face, a smiling man with a mustache, and others in period clothing, while in the distance a large tented structure appears under a shaded sky.

alb29135160 Karol Stanislaw Radziwill 1734-1790, in his youth, unknown author. Bust turned slightly to the right, head and gaze straight ahead. Blue eyes, remnants of hair-grey, ash-grey mustache. Dressed in a blue zupan and a yellow vest. Olive background. 18th century, portrait, height 38.0 cm, width 31.0 cm., A framed painted portrait of an older man shown from the chest up, with a round face, light skin tones, a receding hairline, and a mustache; his expression is neutral and his eyes look forward. He wears a garment with a muted blue section and a draped yellow-brown cloth over one shoulder, and there are a few metallic-looking buttons on the blue fabric. The background is a dark, muted brown-green. The painting is enclosed in a rectangular wooden frame with carved rope-like trim and circular brass decorative elements at the corners; the frame shows dark brown and gold tones.

alb29135162 Meeting in Dendermonde, Meeting in Dendermonde with William of Orange, 1566, print, historical print, Meeting in Dendermonde in which William of Orange presents an intercepted letter from the Spanish envoy in Paris, October 3, 1566. Interior with five men around a table., printmaker: Johann Wilhelm Kaiser (I), Netherlands, 1847 - 1849, paper, steel engraving, height 194 mm x width 267 mm, Illustration for: JP Arend, Algemeene geschiedenis des vaderlands, Amsterdam, 5 volumes, 1840-1882, vol. 2.4, p. 362, 363., Person, William I (Prince of Orange), Eighty Years' War, Dendermonde, Period, 1566-10-03, A grayscale engraving shows five men seated and standing around a rectangular table in an interior with a tiled floor and a column on the right; the men wear period clothing with ruffled collars and doublets, one man stands behind the table in partial armor with hands clasped, two men sit at the table facing forward with one pointing toward a sheet on the tabletop, and two men sit on either side with turned chairs and visible swords, while the wall behind them bears a framed portrait and a decorative helmet-and-shield motif.

alb29135146 Map of the Tonga Archipelago in Polynesia, Map of the Friends' Islands, print, book illustration, map, Series number, 16, 51, Numbered top right: 16., publisher: Abraham Honkoop (II), Leiden, publisher: Johannes Allart, Amsterdam, publisher: Isaac van Cleef, The Hague, 1799, Abraham Honkoop (II), Johannes Allart, Isaac van Cleef, printmaker, publisher, paper, etching, height 215 mm x width 345 mm, A faded, sepia-toned map showing clusters of small islands and atolls scattered across a pale background, with stippled shading and small rock-like textures indicating landforms, dotted and dashed lines connecting some islands, a large decorative compass rose with elongated points near the center, thin grid lines framing the map, ornamental corner tick marks, and various small labels in an old serif style placed near island groups.

alb29135163 Vase, lilies; Japanese art; Japanese; Meiji 1868-1912; cloisonné enamel; 19th/20th century Meiji period; Japan; vessel; height 9.1 cm, diameter 4.8 cm, A tall oval vase with a deep blue glossy surface stands against a plain gray background; the vase has a narrow rim with a metallic-looking edge and is decorated with delicate floral motifs in green, pale yellow, and light blue, with leafy stems rising from the base and a small reflected image of the vase visible on the smooth surface beneath it.

alb29135172 Flight of stairs at Mihintale, Sri Lanka, page, photomechanical print, title: 'FLIGHT OF STAIRS AT MIHINTALE.', photographer: Henry William Cave, Mihintale, clichémaker: anonymous, 1896, South Asia, paper, Woodburygravure, height 185 mm x width 146 mm, Print for page 27., mountains, flight of steps, A wide, worn stone stairway ascends toward a shaded area framed by dense trees and foliage on both sides, with uneven, textured steps showing cracks and small plants between them; a taller tree trunk stands prominently on the right side near the midsection, and the canopy above creates a darker, mottled sky visible at the top of the image.

alb29135152 Letter to Mien Cambier van Nooten, letter, writer (clerical worker): Dick Ket, Bennekom, 1938-03-19, writer (clerical worker), paper, materials by function, lined paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Mien Cambier van Nooten, Agnes Maas-van der Moer, workshop, studio of the artist (in general), painting (including book-illumination, miniature-painting), A sheet of lined paper filled edge to edge with dense cursive handwriting in dark ink, showing large looping strokes at the top and more compact writing below, with visible creases and slight discoloration along the left margin and scattered small smudges and stains, and a faint vertical fold down the center.

alb29135155 London, Westminster Bridge, Ship at anchor next to Westminster Bridge, Marine studies by Ferdinand Victor Perrot, print, Series number, 25, printmaker: Ferdinand Victor Perrot, printer (person): Lemercier, Benard & Cie., Paris, publisher: Delarue & Cie., Victor, 1838, printer (person), paper, lithography, height 289 mm x width 402 mm, Multiple print series featuring marine studies by Ferdinand Victor Perrot have been published; it is unclear how many series are involved and to which series this print exactly belongs., sailing-ship, sailing-boat, river, bridge, Thames, A sepia-toned lithograph showing a calm river scene with moored boats in the foreground, a large boat with a mast and smaller vessels tied nearby, and wooden posts protruding from the water; a stone bridge with arches spans the river to the left, and a misty skyline with cathedral spires and towers rises faintly in the background; the image is framed by a double-lined border and mounted on aged paper with visible foxing and stains.

alb29135167 Buildings of pawnbrokers in Guangzhou, album page, photograph, Part of Album with 50 photos of a trip through Southeast Asia., Guangzhou (city), c. 1860 - c. 1900, photographer, paper, albumen print, height 258 mm x width 234 mm, pawnbroker, lombard, Two tall brick towers with small rectangular openings rise behind a cluster of lower wooden and tiled-roof buildings; the towers show patterned brickwork near their tops and a vertical drainpipe on one face, while the foreground roofs display rows of curved tiles, exposed rafters, and weathered wooden planks, and a lattice brick wall runs between parts of the buildings.

alb29135191 Ding incense burner, gift; Chinese, Qing dynasty 1644-1911; cloisonné enamel ceremonial tripod vessel, 18th century. Ding incense burner with two plastically shaped handles, no cover. Floral decoration in striped arrangements with floral motifs, butterflies, peonies, and fantasy beasts. Height 8.4 cm; width 12.4 cm; diameter 9.8 cm., A small, round metal vessel with a rounded body and an open top sits on a reflective surface; the body is decorated in a colorful cloisonné-style pattern featuring dominant shades of blue and turquoise with accents of yellow, red, green, white, and dark navy, and it has a horizontal wavy band encircling the middle in contrasting yellow and dark blue. The rim, handle, and three ornate feet are metallic gold in color; the handle is short and ribbed, attached vertically to the body, and the feet are curved with decorative scroll-like shapes. The interior appears dark and aged, and the vessel casts a soft reflection on the smooth, pale gray surface beneath it against a plain light gray background.

alb29135147 Text sheet accompanying book illustration, text sheet, Text sheet accompanying book illustration depicting three different buildings and two shipyards in Amsterdam., writer (clerical worker): Roeland van Leuve, publisher: Jacobus Verheyde (I), Amsterdam, 1723, writer (clerical worker), paper, letterpress printing, text in letterpress, height 154 mm x width 96 mm, Text sheet from: Leuve, Roeland van. 's Waerelds koopslot of De Amsteldamse beurs. Amsterdam: Jacobus Verheyden (I), 1723., A vertically arranged engraving showing several horizontal bands of waterfront scenes and building facades, with the top band featuring a large symmetrical multi-story building with a central pediment, rows of windows, a portico entrance, and decorative elements on the roof including spherical structures, flanked by small boats along the water's edge; the next band down displays two connected buildings, one larger with a steep roof and many windows and the other narrower with ornate gable detailing, a quay in front and a vessel moored at the right; the middle band depicts a long row of low industrial or warehouse buildings with open bays and many boats, timber, and shipbuilding materials piled along the shore and figures among the wreckage; the lower band shows a broader harbor view with multiple buildings lining the waterfront, smokestacks, a spire rising above the skyline, numerous small boats and scattered timbers in the water, and tiny human figures working along the shoreline.

alb29135144 Columbus lands on the island of Guanahani, print, book illustration, Explorer Christopher Columbus arrives on the island of Guanahani (San Salvador). He is welcomed by the local population. In the background, a cross is erected in the name of the Crown of Castile. In the margin, a two-line caption in French., printmaker: Bernard Picart, Amsterdam, 1732, paper, engraving, etching, height 142 mm x width 87 mm, Print also used as an illustration in: Charlevoix, Pierre-François-Xavier de. Histoire de l'Isle Espagnole ou de S. Domingue. Amsterdam: François L'Honoré, 1732., Person, Christopher Columbus, historical persons, indigenous peoples of Central America, Discovery of America, original inhabitants of Central America, San Salvador (Bahamas), Guanahani, Period, 1492-10-12, A detailed black and white engraving shows a shoreline scene with a sailing ship at anchor in the background and a group of armored European men with flags, spears, and swords on the beach, some kneeling and some standing, one holding a large flag. Opposite them are numerous indigenous figures with varied postures, some standing with raised arms, some seated or kneeling, and a few carrying small children. A tall palm-like tree with broad leaves rises near the center, and smaller vegetation and rocks appear along the shore. In the distance on a rocky outcrop, small figures struggle with an anchored boat. The sky is lined with horizontal shading and contains a cloud, while the sea stretches to the horizon behind the groups. The composition is framed by a thin border.

alb29135157 Clock, photograph, page, c. 1874 - in or before 1879, photographer, paper, albumen print, height 144 mm x width 95 mm, A vertically oriented photograph of an ornate wooden clock case standing on a draped surface, showing the upper decorative crest with a finial on top flanked by smaller finials, carved floral and foliate motifs along the cornice and sides, and a central glazed door revealing an inner painted scene above the clock face; the round clock dial has an inner circular plate with ornate hands and an outer ring marked with hour indicators and decorative spandrels, while the surrounding wood surfaces feature carved pilasters, applied scrollwork, and molded base with carved apron and bracket feet.

alb29135164 Icon: Holy Fathers of the Church; Old Believers workshop. Metal icon showing Saints Gregory the Theologian, Basil the Great, and John Chrysostom in full-figure, frontal views. They are dressed in bishops' robes, holding books, standing on flower-covered ground. Identifying inscriptions above them. Background horizontally engraved with thin lines. Ribbon ornament surrounding the scene, covered with raised dots. On the icon's axis a medallion topped with a kokoshnik-shaped arch depicts Christ as the High Priest, blessing with both hands. Cherubim and ripidions form a semicircular arch around him. Relief is precise and meticulous, with ornamentation and attention to detail. 19th century, Russia. Dimensions: height 19.8 cm, width 12 cm, depth 0.2 cm., A flat rectangular metal plate with an ornate cutout top showing a row of stylized floral or leaf shapes, the surface showing uneven patina and small dark spots and scratches; colors visible include shades of gold, brass, brown, and a few darker grayish marks, all set against a pale gray background.

alb29135175 Belt clasp, lizards zool., belt clasps, Chinese, Chinese art, Tulisov, George 1943-, Qing 1644-1911, dragon iconography, 19th century, China, belt buckle, height 6.5 cm, width 1.8 cm, A pale off-white carved stone object rests on a flat white surface with soft gray gradient background, showing a smooth elongated form with rounded ends and a few rust-colored brown stains and speckles near its edges; a small separate rounded piece of the same pale material sits beside it, casting soft shadows, and the overall tones include off-white, light gray, soft brown, and subtle beige.

alb29135153 View of Wast Water and mountains, Wastwater, with the screes, Great Gable, and Yewbarrow, photograph, page, photographer: Garnett & Sproat (possibly), Lake District, c. 1857 - in or before 1871, paper, albumen print, height 100 mm x width 158 mm, lake, mountains, Wast Water, A sepia-toned landscape photograph showing a wide lake bordered by tree-covered shores and steep mountains in the background, with a line of trees along the near shoreline and grassy foreground where a solitary person sits facing the water, a tall conifer rising on the left and rugged slopes descending into the lake on the right, all framed by a pale border.

alb29135178 Auf dem Kap Martin, Forest on the Cap Martin near Monaco, page, photomechanical print, photographer: Franz Goerke, Roquebrune-Cap-Martin, cliché maker: Meisenbach, Riffarth & Cie. (possibly), Berlin, c. 1898 - in or before 1903, Provence-Alpes-Côte d'Azur, paper, autotypie, height 149 mm x width 199 mm, Print on third unnumbered page after page 52., forest, wood, A grayscale photograph of a wooded scene showing tall, slender trees with textured trunks and rounded canopies, dense underbrush and shrubs covering the ground, and a narrow winding dirt path leading into the trees, with varied tones creating depth and contrast between foreground foliage and more distant treetops.

alb29135168 Genesee Street, from Bleecker, looking down. Additional, Utica and its surroundings., 1850 - 1930, Utica, N.Y., Publisher, Walker, Alfred, New York (State), Albumen prints.

alb29135143 Two squatting figures, sketchbook page, The barely visible outlines of a vague sketch of two squatting figures have been heavily traced with a hard pencil lead. It was clearly done by an untrained hand, long after 1671, possibly with the aim of copying them onto another piece of paper. Page 93 from a sketchbook with 117 pages., draftsman (artist): Esaias Boursse, Sri Lanka, 1662 - after 1671, draftsman (artist), South Asia, paper, pencil, brush, height 148 mm x width 196 mm, squatting, crouching figure, overseas history, Colombo, Period, 1662 - 1670, A pale, textured background with faint pencil outlines of three seated figures viewed from the side and back, showing simple rounded heads and curved shoulders, one figure crouched with an arm extended toward a round, cushion-like shape on the ground, another figure slightly hunched nearby, and a larger, more rounded form behind them; the sketch lines are light and sketchy against the off-white, slightly aged paper.

alb29135154 Young man with pan flute, Collection of figures drawn at the Academy, Recueil de plusieurs Figures d'Academie, Dessinée d'apres le Naturel, print, printmaker: Jean Baptiste de Poilly, after design by François Verdier, grantor of privilege: French crown, France, 1679 - 1728, paper, etching, engraving, height 258 mm x width 193 mm, youth, adolescent, A sepia-toned engraving shows a seated male figure on a rocky outcrop, his torso bare and muscles defined, one arm crossed over his chest and the other resting on the rock beside him. His head is turned slightly to one side with short curly hair and a contemplative facial expression. A cloth drapes over his lap and thigh, falling in soft folds. The rocky background rises behind him with textured shading and foliage sprouting from the stone. A flat plank lies near his feet on the rock, and the foreground shows layered horizontal lines suggesting a ground surface. The overall image is rendered with fine crosshatching and detailed line work.

alb29135179 Amulet - a deity with a jackal's head Anubis, dark blue glass; Ptolemaic Period, 332-30 BC, Egypt; amulet; height 3.3 cm, width 1.5 cm., A small carved figure with a rough textured surface, predominantly deep blue with patches of lighter blue and areas of brownish dirt-like deposits, showing traces of white at the base and near the head; the figure appears upright with a hooded or rounded head shape and an arm bent across the chest, a base supporting the figure, and irregular worn edges and pitted spots across its surface.