Busque também em nossas outras coleções:

Data da imagem:
Pauta
ver mais opções...
Agência
Fotógrafo
ver mais opções...
Estado
ver mais opções...
Cidade
ver mais opções...
Local
ver mais opções...
Tipo de licença
Orientação
Coleção
ver mais opções...

Total de Resultados: 10.000

Página 1 de 100

orz164115 EDIFICIO COLON TAMBIEN CONOCIDO COMO TORRE MARITIMA - RASCACIELOS CONSTRUIDO EN 1970. Author: ANGLADA JOSEP / GELABERT DANIEL / RIBAS JOSEP. Location: EDIFICIO COLON. Barcelona. SPAIN.
DC
akg5303946 Ghulam Ali Khan. Portrait of three villagers standing on a hillside. On the left is Mohan Lal, 'diwan' of Nawab Zabita Khan Bhatti. In the centre is Muhammad, a barber, carrying a staff over his shoulder. On the right is a village 'lambadar' or official collector of land revenue, called Balotar, Watercolour. c. 1816-1820. Add. Or. 4058. London, British Library. Copyright: Additional permissions needed for non-editorial use.
DC
akg5966689 Italie, Turin, Musée égyptien, Museo Egizio, The Mine Payrus (verso), Cyperus papyrus, Nouvel Empire, 20eme dynastie, règne de Ramsès IV (1156-1149 av. J.-C.), Deir el-Medineh.
DC
akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
DC
akg5886982 USSR "Industrial and financial development continue for a long time! Let's do the Five Year Plan in four years! No to religion!" The weak threads pulled by the religious can not stop the convoy of development, launched in speed. Propaganda poster for the incitement to economic development, graphic design by Yuri Pimenov (26 November 1903 - 6 September 1977), USSR, 1930.
DC
akg310211 Monet, Claude; French painter, Paris 14.11.1840 - Giverny 6.12.1926. "Nymphéas" (Water lilies). 1918/21. Oil on canvas, 140 × 185 cm. Munich, Neue Pinakothek. Museum: München, Neue Pinakothek.
DC
akg152898 Finance:. Bank. Gold bars (99.8% to 99.9% gold) of the Deutschen Reichsbank. Photo, 1941. From: "Signal" magazine, French edition, 2. Jg., book 8, 1941, S. 10.
DC
akg171199 Hodler, Ferdinand: 1853-1918. - "Die Empfindung" ("Sentiment") - 1901/2. Oil on canvas, 120 × 172 cm. Thomas Schmidheiny Collection. Copyright: AKG3553371 besser.
DC
akg206693 Napoleonic Wars / Third Coalition War against France / Battle of Prussian-Eylau (7-8 Feb. 1807; Napoleon's victory over Russian-Prussian troops). Napoleon on the battlefield near Prussian-Eylau. Copper engraving based on painting by Louis François Lejeune (1775-1848). 41.2 × 64 cm. Nuremberg, German National Museum. Museum: Nürnberg, Germanisches Nationalmuseum. Author: LOUIS FRANCOIS LEJEUNE.
DC
akg206282 Musik / Rock- und Popgruppen:. The Beatles. Auftritt der Beatles in Madrid: Pressekonferenz im Hotel. Foto, 1965.
DC
akg997201 sed in the skin of a sacrificial victim. Country of Origin: Mexico. Culture: Aztec. Material Size: stone.
DC
akg306993 Melfi (Basilicata, Italy), Castello Normanno (Svevo). (built mid-11th Century; extended under Holy Roman Emperor Frederick II). Exterior. Photo, 2001.
DC
alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
DC
akg471869 Soviet Republic 1920. "The Bolshevik". (Depicted as a colossus striding over Mosow, in the background the Lenin Library). Painting, 1920, by Boris Kustodiev. (1878-1927). Oil on canvas, 101 × 141 cm. Inv. Nr. JS-27, P-28723. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: BORIS KUSTODIJEW.
DC
akg1042058 Monet, Claude 1840-1926. "Nymphéas" (Waterlilies), 1918. (Waterlily pond in the artist's garden in Giverny). Pencil on bluegrey paper, 31.5 x 47.5 cm. Museum: Musée Marmottan., Paris.
DC
akg1567565 Militär / Frankreich, Konsulat ( 1799-1804). /-"Les Chasseurs à cheval de la Garde. Trompette 1800. Tenue en campagne".-/ (Trompeter der berittenen Garde-Jäger in Felduniform 1800). Farblithographie, undatiert, nach Aquarell von Pierre Benigni (1878-1956) nach Louis-François Lejeune (1775-1848). Sammelbildchen aus der Serie: Les ... Museum: Private Collection., Paris.
DC
akg4446798 NERO (the 37-68) and fire of Rome. Painting of the shop of Giulio Romano (1449-1546), already in the Small room of the Cesari of Ducal palace to Mantova.
DC
alb2228147 JAMES GARNER.
DC
alb2269011 LESLIE MANN in NO HAY DOS SIN TRES (2014) -Original title: THE OTHER WOMAN-, directed by NICK CASSAVETES. English title: THE OTHER WOMAN.
DC
alb2652573 SUAVE COMO VISÓN (1962) -Original title: THAT TOUCH OF MINK-, directed by DELBERT MANN. English title: THAT TOUCH OF MINK.
DC
alb260369 ROCK HUDSON and DORIS DAY in CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
DC
alb260367 ROCK HUDSON and DORIS DAY in CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
DC
alb260672 CARY GRANT and DORIS DAY in SUAVE COMO VISÓN (1962) -Original title: THAT TOUCH OF MINK-, directed by DELBERT MANN. English title: THAT TOUCH OF MINK.
DC
alb442550 JAMES CAGNEY and DORIS DAY in QUIÉREME O DÉJAME (1955) -Original title: LOVE ME OR LEAVE ME-, directed by CHARLES VIDOR. English title: LOVE ME OR LEAVE ME. Portuguese title: AMA-ME OU ESQUECE-ME.
DC
alb442531 DORIS DAY in QUIÉREME O DÉJAME (1955) -Original title: LOVE ME OR LEAVE ME-, directed by CHARLES VIDOR. English title: LOVE ME OR LEAVE ME. Portuguese title: AMA-ME OU ESQUECE-ME.
DC
alb36007 DORIS DAY in UN GRITO EN LA NIEBLA (1960) -Original title: MIDNIGHT LACE-, directed by DAVID MILLER. English title: MIDNIGHT LACE. Portuguese title: O LAÇO DA MEIA-NOITE.
DC
alb451254 JACK LEMMON and DORIS DAY in LA INDÓMITA Y EL MILLONARIO (1959) -Original title: IT HAPPENED TO JANE-, directed by RICHARD QUINE. English title: IT HAPPENED TO JANE. Portuguese title: A VIUVINHA INDOMÁVEL.
DC
alb3398339 JIMMY DURANTE in JUMBO, LA SENSACIÓN DEL CIRCO (1962) -Original title: BILLY ROSE'S JUMBO-, directed by CHARLES WALTERS. English title: BILLY ROSE'S JUMBO.
DC
alb451263 JAMES GARNER and DORIS DAY in SU PEQUEÑA AVENTURA (1963) -Original title: THE THRILL OF IT ALL-, directed by NORMAN JEWISON. English title: THE THRILL OF IT ALL. Portuguese title: O TEMPERO DO AMOR.
DC
alb3388448 BETTE DAVIS in ¿QUÉ PASÓ CON BABY JANE? (1962) -Original title: WHAT EVER HAPPENED TO BABY JANE?-, directed by ROBERT ALDRICH. English title: WHAT EVER HAPPENED TO BABY JANE?. Portuguese title: O QUE TERÁ ACONTECIDO A BABY JANE?.
DC
alb1333475 PHIL SILVERS, DORIS DAY and ROBERT CUMMINGS in LUCKY ME (1954), directed by JACK DONOHUE. English title: LUCKY ME. Portuguese title: COM O CÉU NO CORAÇÃO.
DC
alb1311171 JUMBO, LA SENSACIÓN DEL CIRCO (1962) -Original title: BILLY ROSE'S JUMBO-, directed by CHARLES WALTERS. English title: BILLY ROSE'S JUMBO.
DC
alb1785992 BETTE DAVIS and JOAN CRAWFORD in ¿QUÉ PASÓ CON BABY JANE? (1962) -Original title: WHAT EVER HAPPENED TO BABY JANE?-, directed by ROBERT ALDRICH. English title: WHAT EVER HAPPENED TO BABY JANE?. Portuguese title: O QUE TERÁ ACONTECIDO A BABY JANE?.
DC
alb1327128 CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
DC
alb1581615 KIRK DOUGLAS and BELLA DARVI in HOMBRES TEMERARIOS (1955) -Original title: THE RACERS-, directed by HENRY HATHAWAY. English title: THE RACERS.
DC
alb2955626 The Lion of Saint Mark. Museum: PALAZZO FARNESE, LE HAVRE, ITALIA. Author: VITTORE CARPACCIO. SAN MARCOS.
DC
alb2033410 Giotto / 'Washing the Feet' (detail), 1304-1306, Fresco. Museum: Cappella degli Scrovegni, Pavoda. JESUS.
DC
alb2015917 Édouard Manet / 'Lunch on the Grass', 1863, Oil on canvas, 208 × 264.5 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.
DC
alb2037213 Rogier van der Weyden / 'Seven Sacraments Altarpiece', 1445-1450, Oil on panel, 200 x 223 cm. Museum: Koninklijke Museum Shone Kunsten, TORRE DEL LAGO, Belgien. JESUS.
DC
alb2068943 Roger van der Weyden / 'Virgin and Child', 1435-1438, Flemish School, Oil on panel, 100 cm x 52 cm, P02722. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
DC
alb2119315 Prodigal son, scene in a bordello where the Prince of Wales lounges on a sofa next to a large, bare-breasted woman, probably representing Charles James Fox. A second bare-breasted woman,lounges at the feet of the Prince, while a third holds a man who is leaning on a chair vomiting.
DC
alb2069966 Roger van der Weyden / 'Descent from the Cross', ca. 1435, Flemish School, Oil on panel, 220 cm x 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
DC
alb2068506 Francisco de Goya y Lucientes / 'The Reading, or The Politicians', 1820-1823, Spanish School, Mural, 126 cm x 66 cm, P00766. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2070821 Francisco de Goya y Lucientes / 'Saturn devouring one of his sons', 1820-1823, Spanish School, Mural, 143,5 cm x 81,4 cm, P00763. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2068301 Francisco de Goya y Lucientes / 'The Drinker', 1777, Spanish School, Oil on canvas, 107 cm x 151 cm, P00772. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb9532128 Tiger with cubs and magpies. Date: 15th century. Period: Ming dynasty. Ink and color on silk. Origin: Possibly Zhejiang province, China. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
DC
alb212955 Roger van der Weyden / 'The Descent from the Cross', c. 1435, Oil on panel, 220 × 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN. SAINT JOSEPH. JESUS. MARY MAGDALENE. SAN JUAN EVANGELISTA.
DC
alb3718914 Bon Bock Café. Dated: 1881. Dimensions: overall: 26.6 x 34.9 cm (10 1/2 x 13 3/4 in.) framed: 47.3 x 55.2 x 7.3 cm (18 5/8 x 21 3/4 x 2 7/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Style of Edouard Manet.
DC
alb3637107 Marble male portrait bust. Culture: Roman. Dimensions: Overall: 11 3/8 x 18 3/16 in. (28.9 x 46.2 cm). Date: ca. A.D. 130.The fragmentary bust of a man in a paludamentum (military cloak) was later hollowed out for use as a gutter spout. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3684384 Coffee Vendor. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: image: 9 x 7 1/8 in. (22.8 x 18.1 cm)sheet: 9 7/16 x 7 3/16 in. (24 x 18.2 cm). Series/Portfolio: Études Prises dans le Bas Peuple où les Cris de Paris: Cinquième Suite. Date: 1746. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3680435 The Molo, Venice, Looking West. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/8 in. (50.5 x 119.7 cm). Date: ca. 1709. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3704942 Noble Woman in Profile with her Hands in a Muff. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
DC
alb3703187 The Artist's Daughter with a Parakeet. Dated: 1890. Dimensions: overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Berthe Morisot.
DC
alb3704484 The Hunchback with a Cane. Dated: c. 1622. Medium: etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d). Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
DC
alb3890951 A Linen Market with a Linen-stall and Vegetable Seller in the West Indies. Date/Period: Ca. 1780. Painting. Oil on canvas. Height: 549 mm (21.61 in); Width: 762 mm (30 in). Author: AGOSTINO BRUNIAS.
DC
alb3890964 West Indian Creole woman, with her Black Servant. Date/Period: Ca. 1780. Painting. Oil on canvas. Height: 305 mm (12 in); Width: 251 mm (9.88 in). Author: AGOSTINO BRUNIAS.
DC
alb3890842 A. Calderoni Gioielliere. Date/Period: 1898. Poster. Colour lithograph on paper. Height: 1,642 mm (64.64 in); Width: 966 mm (38.03 in). Author: ADOLF HOHENSTEIN.
DC
alb3673992 A Letter to Eugène Maus, Decorated with Two Plums. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dedicatee: Written to Eugène Henri Maus (Belgian, 1847-1881). Dimensions: sheet: 7 15/16 x 9 3/4 in. (20.1 x 24.8 cm); folded once to form four pages. Date: August 2, 1880.The letters Manet embellished with watercolors of flowers and fruit from his garden at Bellevue and sent to his friends are among the most prized of his works because of their enchanting informality. Our letter is a little-known example, fresh in color and featuring one of his favorite subjects, the yellow-green plums called mirabelles.The Manets lodged in Bellevue in a small house at 41 route des Gardes. At least forty letters can be dated with some certainty to Manet's 1880 summer stay in Bellevue. This is the first of two Addressed to Eugène Maus. Eugène Maus, a painter, showed in Paris in the 1880 Salon. He died the following year of a "maladie nerveuse". Manet shares with Maus his concern about his submission to the 1880 Salon in Ghent: "Chez le Père Lathuile" 1879 (Musée des Beaux-Arts de Tournai). Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3735169 Village on the Island of Ischia. Dated: c. 1826. Dimensions: overall: 27 x 32.8 cm (10 5/8 x 12 15/16 in.) framed: 43.8 x 49.5 x 7.6 cm (17 1/4 x 19 1/2 x 3 in.). Medium: oil on paper on canvas. Museum: National Gallery of Art, Washington DC. Author: Sébastien-Louis-Guillaume Norblin de la Gourdaine.
DC
alb3679795 Jupiter embracing Juno, from the Farnese Palace. Artist: After Annibale Carracci (Italian, Bologna 1560-1609 Rome); After Agostino Carracci (Italian, Bologna 1557-1602 Parma); Jacques Belly (French, Chartres 1609-1674 Chartres). Dimensions: Sheet (trimmed): 8 7/8 × 5 7/8 in. (22.5 × 15 cm). Series/Portfolio: La Gallerie du Palais Farnaise de la ville de Rome. Date: 1641. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3730430 Jacques-Louis David. Dated: c. 1813/1815. Dimensions: overall: 89.2 x 67.8 cm (35 1/8 x 26 11/16 in.) framed: 118.4 x 96.5 x 9.5 cm (46 5/8 x 38 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Studio of Georges Rouget.
DC
alb3627097 Mademoiselle Lucie Delabigne (1859-1910), Called Valtesse de la Bigne. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 21 3/4 x 14 in. (55.2 x 35.6 cm). Date: 1879.This pastel depicts Lucie Delabigne, a fashionable Parisian courtesan who was also the subject of portraits by Jean-Louis Forain, Édouard Detaille, and other artists. Manet may have met her through the writer Émile Zola, who based many passages in his book Nana on observations made at Lucie's home. The novel was published in 1880, just a year after this work was made. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3736478 Lady with Arms Folded, and Two Gentlemen. Dated: probably 1634. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
DC
alb3623316 Madame Manet (Suzanne Leenhoff, 1830-1906) at Bellevue. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 31 3/4 x 23 3/4 in. (80.6 x 60.3 cm). Date: 1880.Despite the seemingly rapid brushwork and the summary treatment of detail, this painting was preceded by at least two drawings and an oil sketch. This is Manet's last portrait of his wife; it was painted at Bellevue, a suburb of Paris, where they spent the summer of 1880. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3627628 Catacombs, Convento dei Cappucini, Palermo. Artist: Eugenio Interguglielmi (Italian, Palermo 1850-1911 Palermo). Dimensions: 18.6 x 25.3 cm (7 5/16 x 9 15/16 in. ). Photography Studio: Eugenio Interguglielmi & Company (Italian, active 1895-1981). Date: ca. 1895.More than eight thousand embalmed corpses line the walls of the capuchin convent in Palermo, Sicily. They are organized by gender, age, and even profession, according to the same class and social hierarchies that shaped their lives. Here a blinding light shines on rows of clergy adorned in their finest vestments, bringing the spectacle of death to life. The crypt was already a popular tourist destination in the nineteenth century, and photographs like this one offered visitors a macabre souvenir of what a contemporaneous guidebook described as "truly disgusting.". Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3621024 The Lamentation of Christ. Artist: Franz Anton Erich Moritz Steinla (German, 1791-1858); After Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). Dimensions: Plate: 14 9/16 × 17 1/16 in. (37 × 43.3 cm). Publisher: Luigi Bardi (Italian). Date: 1841. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3620546 The Molo, Venice, from the Bacino di San Marco. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/8 in. (50.5 x 119.7 cm). Date: ca. 1709. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3626532 Piazza San Marco, Venice. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/4 in. (50.5 x 120 cm). Date: ca. 1709.Populating the Piazza with energetic Venetians, Carlevaris gives this rendering of the Piazza San Marco a lively cast. The Square is framed by the Procuratie Vecchie on the left, and the Procuratie Nuove on the right. The basilica of San Marco and Torre dell'Orologio rise in the distance. Carlevaris is known to have carefully studied his figures prior to laying them in on canvas, and while no such studies exist for the laborers and gondoliers in this painting, his numerous extant oil sketches of Venetian ladies and gentlemen in other museum collections attest to this practice. Museum: Metropolitan Museum of Art, New York, USA. Author: LUCA CARLEVARIS.
DC
alb3624263 [Reproduction of Napoleon on the Battlefield of Eylau by Antoine-Jean Gros]. Artist: Unknown (French); After baron Antoine Jean Gros (French, Paris 1771-1835 Meudon). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3888930 Descent from the Cross. Date/Period: From 1500 until 1510. Painting. Oil on wood. Author: UNKNOWN.
DC
alb3740014 The Martyrdom of Saint Lawrence. Dated: c. 1660. Dimensions: overall: 81.7 x 68.5 cm (32 3/16 x 26 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste de Champaigne.
DC
alb3888395 Altar frontal from Avià. Date/Period: Ca. 1200. Painting. Tempera, parchment overlaps, stucco reliefs and remains of varnished metal plate on wood. Height: 1,070 mm (42.12 in); Width: 1,770 mm (69.68 in). Author: UNKNOWN.
DC
alb3747148 The Virgin Reading. Dated: c. 1505. Dimensions: overall: 78 x 51 cm (30 11/16 x 20 1/16 in.) framed: 119.7 x 86.4 x 10 cm (47 1/8 x 34 x 3 15/16 in.). Medium: oil on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.
DC
alb3601076 The Entombment. Artist: Philipp Veit (German, Berlin 1793-1877 Mainz). Dimensions: sheet: 11 9/16 x 21 15/16 in. (29.4 x 55.7 cm). Date: 1830. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3745011 Le Juif Errant. Dated: c. 1856. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Georges Rouget after Gustave Doré.
DC
alb3609190 Moses Striking the Rock. Artist: Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht). Dimensions: 31 3/8 x 42 1/2 in. (79.7 x 108 cm). Date: 1596.Bloemaert worked in Utrecht and taught many of the leading artists of that city during the course of his long career. This painting is characteristic of the mannerist style which he adopted in the last decade of the sixteenth century. In the middle ground at the left Moses strikes the rock to provide water for the Israelites in the desert. The subject is an Old Testament prototype for salvation through baptism, and the woman with a jug may embody the saving properties of water. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3605948 Slave Pen, Alexandria, Virginia. Artist: Andrew Joseph Russell (American, 1830-1902). Dimensions: Image: 25.6 x 36.5cm (10 1/16 x 14 3/8in.)Mount: 12 3/16 × 16 9/16 in. (31 × 42 cm). Date: 1863.Better known for his later views commissioned by the Union Pacific Railroad, A. J. Russell, a captain in the 141st New York Infantry Volunteers, was one of the few Civil War photographers who was also a soldier. As a photographer-engineer for the U.S. Military Railroad Con struction Corps, Russell's duty was to make a historical record of both the technical accomplishments of General Herman Haupt's engineers and the battlefields and camp sites in Virginia. This view of a slave pen in Alexandria guarded, ironically, by Union officers shows Russell at his most insightful; the pen had been converted by the Union Army into a prison for captured Confederate soldiers.Between 1830 and 1836, at the height of the American cotton market, the District of Columbia, which at that time included Alexandria, Virginia, was considered the seat of the slave trade. The most infamous and successful firm in the capital was Franklin & Armfield, whose slave pen is shown here under a later owner's name. Three to four hundred slaves were regularly kept on the premises in large, heavily locked cells for sale to Southern plantation owners. According to a note by Alexander Gardner, who published a similar view, "Before the war, a child three years old, would sell in Alexandria, for about fifty dollars, and an able-bodied man at from one thousand to eighteen hundred dollars. A woman would bring from five hundred to fifteen hundred dollars, according to her age and personal attractions." Late in the 1830s Franklin and Armfield, already millionaires from the profits they had made, sold out to George Kephart, one of their former agents. Although slavery was outlawed in the District in 1850, it flourished across the Potomac in Alexandria. In 1859, Kephart joined William Birch, J. C. Cook, and C. M. Price and conducted business under the name of Price, Birch & Co. The partnership was dissolved in 1859, but Kephart continued operating his slave pen until Union troops seized the city in the spring of 1861. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3608293 The Siege of Fiesole by the Goths. Artist: Friedrich Sustris (Netherlandish (possibly born Italy), Venice (?) ca. 1540-1599 Munich). Dimensions: sheet: 10 1/4 x 15 in. (26 x 38.1 cm). Date: 1550-99. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3659291 Small male figure in three-quarter view with outstreched left hand and right hand grasping sword at hip, from the series 'Varie figure gobbi'. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Plate: 2 9/16 x 3 3/8 in. (6.5 x 8.5 cm)Sheet: 3 3/4 x 5 3/8 in. (9.6 x 13.6 cm). Series/Portfolio: Varie figure gobbi. Date: ca. 1621-25. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3653487 A dwarf (Un enano)Portrait of Sebastian de Morra. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 8 3/16 × 5 7/8 in. (20.8 × 14.9 cm)Sheet: 16 x 11 7/16 in. (40.7 x 29 cm). Series/Portfolio: Etchings after Velazquez. Sitter: Sebastian de Morra. Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3651704 Spanish-Patriots Attacking the French-Banditti- Loyal Britons Lending a Lift. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet (trimmed to plate line): 10 3/4 x 15 1/4 in. (27.3 x 38.7 cm). Publisher: Hannah Humphrey (London). Date: August 15, 1808. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3652319 The Introduction of the arts in German by Christianity. Artist: Eugen Eduard Schäffer (German, 1802-1871); After Philipp Veit (German, Berlin 1793-1877 Mainz). Dimensions: plate: 16 3/8 x 26 1/2 in. (41.6 x 67.3 cm)sheet: 23 1/2 x 35 in. (59.7 x 88.9 cm). Printer: Printed by Heinrich Felsing (German). Publisher: Published by J. Veith. Date: 1839. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3650635 The "Kearsarge" at Boulogne. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 32 1/8 x 39 3/8 in. (81.6 x 100 cm). Date: 1864.During the American Civil War, the United States warship Kearsarge made headlines after sinking the Confederate raider Alabama off the coast of France. Manet did not witness firsthand the widely-covered event but devoted two paintings to the subject: a scene of the naval battle (Philadelphia Museum of Art) and this picture, prompted by his subsequent visit to the victorious ship at anchor near Boulogne. They were his first depictions of a current event. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3614766 Rank Badge with a Pair of Cranes. Culture: Korea. Dimensions: Overall: 8 1/4 x 7 1/2 in. (21 x 19.1 cm). Date: late 19th century.In 1454, the court of the Joseon dynasty (1392-1910) adopted a system of insignia of rank for civil and military officials based on that of China's Ming dynasty (1368-1644). Square badges of embroidered birds and animals on silk were worn on the front (hyung) and back (bae) of official costumes. They are clearly differentiated from the round badges embroidered with a dragon (called bo) worn by the king and the crown prince on the front, back, and shoulders of their court attire. Besides being ornamental, rank badges served as visible status markers in a society that prized strict social and political hierarchy. Initially permitted for wear by civil and military officials of the third rank and higher, eventually the use of rank badges was broadened to all nine ranks. Regulations on the specific animal imagery and correlating ranks evolved over the course of the Joseon dynasty. Rank badges with a pair of cranes were usually reserved for civil officials of the first to third rank. The system of hyungbae was suspended in 1899. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3599614 Caricatures of paintings by Daubigny and others in Le Salon Pour Rire. Artist: André Gill (French, Paris 1840-1885 Paris); satirized painting by Charles-François Daubigny (French, Paris 1817-1878 Paris). Date: ca. 1868. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3618277 Portrait of J. Louis David. Artist: Eugène Bourgeois (French, Paris 1855-1909). Dimensions: sheet: 13 x 9 1/4 in. (33 x 23.5 cm). Date: 1814. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3614094 Medal Showing Charles II and Catherine. Culture: British. Dimensions: Diam. 1 11/16 in. (4.3 cm); thickness 3/16 in. (0.5 cm); Wt. 1.3 oz. (36.9 g). Date: 1662. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3648128 Mademoiselle Isabelle Lemonnier (1857-1926). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 22 x 18 1/4 in. (55.9 x 46.4 cm). Date: 1879-82.Isabelle Lemonnier was the daughter of a successful Parisian jeweler and the younger sister of Marguerite Charpentier, whose grand portrait by Renoir is also in the Metropolitan's collection (07.122). Between 1879 and 1882 Manet made several portraits of Isabelle, of whom he seems to have been fond; in the summer of 1880 he sent her a series of letters decorated with charming watercolor sketches. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3647634 Harper's Weekly: Midsummer Number. Artist: Edward Penfield (American, Brooklyn, New York 1866-1925 Beacon, New York). Dimensions: Sheet: 16 5/16 × 11 5/16 in. (41.5 × 28.8 cm)Image: 14 3/16 × 9 3/8 in. (36 × 23.8 cm). Publisher: Harper and Brothers, Publishers. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3649778 A Swiss Foot Soldier. Artist: attributed to Niklaus Manuel Deutsch (Swiss, Bern 1484-1530 Bern). Dimensions: 11 1/4 x 7 1/8 in. (28.6 x 18.1 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3641269 Looking at a Manet painting, from 'Sketches from the Salon,' published in Le Charivari, June 19, 1865. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/16 × 7 7/16 in. (23 × 18.9 cm)Sheet: 11 13/16 × 11 5/16 in. (30 × 28.8 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Sketches from the Salon' (Croquis pris au Salon). Date: June 19, 1865.- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3903644 The Bucintoro Departing from the Bacino di San Marco. Date/Period: 1710. Painting. Oil on canvas. Height: 134.8 cm (53 in); Width: 259.4 cm (102.1 in). Author: LUCA CARLEVARIJS.
DC
alb3907033 Princess Reverie. Date/Period: 1896. Painting. Oil on canvas. Height: 750 cm (24.6 ft); Width: 1,400 cm (15.3 yd). Author: Mikhail Vrubel.
DC
alb3907096 Portrait of a Lady. Date/Period: Ca. 1460. Painting. Oil on panel. Height: 340 mm (13.38 in); Width: 255 mm (10.03 in). Author: ROGIER VAN DER WEYDEN.
DC
alb3907097 Portrait of a Woman. Date/Period: Ca. 1440. Painting / panel painting. Oil on oak wood. Height: 49.3 cm (19.4 in); Width: 32.9 cm (12.9 in). Author: ROGIER VAN DER WEYDEN.
DC
alb3903826 Rocky Island. Date/Period: 1515. Paper. Pen and brown ink Pen and brown ink. Height: 259 mm (10.19 in); Width: 199 mm (7.83 in). Author: Niklaus Manuel.
DC
alb3906525 Susanna and the Elders. Date/Period: 1555 - 1556. Painting. Oil on canvas. Height: 1,460 mm (57.48 in); Width: 1,936 mm (76.22 in). Author: Tintoretto.
DC
alb3905019 The Honble. Sr. Wm. Howe, Knight of the Bath, & Commander in Chief of his Majesty's Forces in America. Date/Period: 1777. Mezzotint. Width: 27.6 cm. Height: 41 cm (sheet). Author: RICHARD PURCELL.
DC
alb3907702 The Deposition. Date/Period: Ca. 1490. Painting. Oil on panel. Height: 610 mm (24.01 in); Width: 997 mm (39.25 in). Author: Follower of Rogier van der Weyden.
DC
alb3902936 The Departure of the Prodigal Son. Date/Period: 1841. Drawing. Black chalk, brown and black ink. Height: 230 mm (9.05 in); Width: 179 mm (7.04 in). Author: George Friedrich Kayser.
DC

Total de Resultados: 10.000

Página 1 de 100