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akg191779 Tassilo III, duc de Bavière (748-788), mort en 794. ". Thassilo conduit par un ange" (Le duc aveugle après son bannissement par Charlemagne, dans le monastère de Lorsch). - Gravure sur cuivre d'ap. Johann Michael Mettenleiter (1765-1853). In : Aloïs Schreiber, Teutschland und die Teutschen, 4e vol., Karlsruhe (Johann Velten) 1823, ap. p. 282. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg275943 Tassilo III., Herzog in Bayern (748-788), gest. 794. / "Thassilo von einem Engel geführt" (Der erblindete Herzog nach seiner Verbannung durch Karl d. Gr. im Kloster Lorsch). Kupferstich nach Johann Michael Mettenleiter (1765-1853). spätere Kolorierung. Aus: A.Schreiber, Teutschland und die Teutschen, 4. Bd., Karlsruhe (J.Velten) 1823, nach S. 282. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg1985372 Magdeburg. Stadtansicht. Holzschnitt, 1493. Spätere Kolorierung. Aus: Hartmann Schedel, Liber chronicarum (Weltchronik), Nürnberg (A.Koberger). 1493.
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akg1007034 Daytona Beach (Florida, USA).-Cars parked on Daytona Beach during the Winter Festival.-Photo, 1920's.
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akg7870049 Junge Frau isst Knäckebrot - Young Woman eating Crisp Bread MODEL RELEASED, PROPERTY RELEASED.
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alb30932534 Christ in the Garden of Gethsemane, Passion of Christ, Passionis et resurrectionis, print, Christ praying in the Garden of Gethsemane. An angel appears from heaven with a chalice. In the foreground are Peter, John and James sleeping. In the background, a group of soldiers approaches with Judas. In the margin a four-line caption in Latin. Print from a series of fifteen with the passion of Christ., printmaker: Pieter de Jode (I), Italy, after design by Andrea Boscoli, publisher: Matteo Florimi, 1590 - 1632, paper, engraving, gravure, height 185 mm x width 129 mm, Christ's prayer in the Garden of Gethsemane during the night., A grayscale engraving shows a kneeling robed man with a halo looking upward and reaching toward a hovering angelic figure among tree branches, the angel appearing to hold a small cup; surrounding them are twisted trees and rocky ground with a group of reclining robed figures in the foreground who appear asleep, one of whom lies on his back with a bearded face turned upward and a set of keys near his hand; in the distant background a small fenced group of figures stands near a hilly landscape.
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alb30932523 Bust of an old man with a white beard, print, printmaker: Anthonie van den Bos, Netherlands, 1778 - 1838, paper, etching, height 120 mm x width 85 mm, old man (+ three-quarter view)., A detailed ink drawing of an older man shown from the chest up, wearing a hooded garment with layered folds; he has a long, full beard and tightly curled hair at his temple, a high forehead, closed eyes, and a prominent nose, all rendered with dense crosshatching and fine lines against a textured background of crisscrossed strokes.
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alb30932562 Portal of an Antwerp church, print, the Cathedral of Our Lady(?), with six columns. Above, Christ is flanked by two angels with a crown in their hand. On the portal is a cartouche with a five-line Latin text. In that text is the name of Johannes Malderus, a former bishop of Antwerp. Above the image a six-line Latin text with the name of Aubertus van den Eede, Bishop of Antwerp., printmaker: Jean de la Barre, Antwerp, unknown: Aubertus van den Eede, 1625 - 1649, paper, etching, engraving, etching and engraving, height 475 mm x width 401 mm, angels, parts of church interior, Christ, parts of church exterior and annexes: portal., A detailed architectural engraving showing an ornate facade with a central niche containing a robed standing figure flanked by sculpted decorative elements and two winged figures seated on curved pedestals each holding a crown, above a richly carved entablature with garlands and a central cartouche, below which rise a series of tall marbleized columns with Corinthian capitals framing arched panels and intricately patterned doors with ornamental reliefs and decorative moldings across the lower portion of the structure.
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alb30932517 The Wicked Devil, Book illustration for Simon de Vries, Seven Duyvelen regeerende en servingerende de Hedendaeghsche Dienstmaegden, Amsterdam, 1682, print, book illustration, A maid is quarreling with her mistress. Shards of crockery and an overturned bucket of water lie on the ground. Between them stands a devil with a burning torch., printmaker: Johannes Jacobsz van den Aveele, publisher: Timotheus ten Hoorn, paper, etching, height 127 mm x width 75 mm, maid, house personnel, Christian religion (+ devil(s))., An etched scene shows a draped curtain overhead and a tiled floor below, with three standing figures in period clothing clustered near the center. A figure on the left faces slightly toward the center with hands on hips, wearing a fitted bodice, apron, and head covering. A central figure with a horned animal-like head and furry chest stands between the others, visible from the front. A figure on the right faces away from the viewer with one arm raised and wears a long dress with a decorative back and a hood or bonnet. The background features a crosshatched wall and a vertical architectural element on the right, and there is a small woven basket or container on the floor at the lower left.
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alb30932590 Luke the Evangelist writing his Gospel, The Four Evangelists, print, Luke the Evangelist is seated dressed as a physician, writing in a book lying on his lap. At his feet lies the ox. In the background, a city. Entirely in an ornamented frame., printmaker: Antoni van Leest, Paris, publisher: Michel de Marhoniere, 1572 - 1575, paper, woodcut, printed from multiple woodblocks, height 382 mm x width 505 mm, Luke the Evangelist, possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll., A detailed engraved scene framed by an ornate border shows a robed figure seated beside a reclining ox; the figure wears a helmet-like head covering and a cloak draped around the body, one hand holding an open book and the other extended toward a small box on a ledge. The ox lies with its head turned slightly and features prominent horns and textured fur. Behind them are large classical columns and architectural elements including arches, a balustrade, and distant buildings set on rolling ground. Decorative patterns and floral motifs adorn the frame and the lower border, and a circular halo-like disk is visible behind the seated figure's head. The composition is rendered in fine linear hatching and crosshatching with intricate detailing throughout.
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alb30932511 Leaf with two Sibyls and two scenes from the Passion narrative., Sibyls, print, book illustration, From a series of seven leaves. Print, printed from multiple blocks, forms a single whole due to ornamental framing. Top left: the Crowning with Thorns, top right: Christ on the cross. Bottom left: the Sibyl of Delphi with crown of thorns and accompanying text, bottom right: the Sibyl of the Hellespont with cross and accompanying text. In a frame, personification of Temperance (Temperancia) and Gluttony (Gula)., inscription, printmaker: Jacob Cornelisz van Oostsanen, Low Countries, printmaker: circle of Lucas van Leyden, publisher: Doen Pietersz., Amsterdam, 1520 - 1521, 1528 - 1532, Attributed to, paper, woodcut, height 375 mm x width 260 mm, Temperance, 'Temperantia', 'Temperanza' (Ripa), one of the Four Cardinal Virtues, crucified Christ, with particular persons under the cross, the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31, Mark 15:16-20, John 19:2-3), Gluttony, Intemperance, 'Gula', 'Gola', 'Ingordigia', 'Ingordigia overo Avidità', 'Voracità' (Ripa), personification of one of the Seven Deadly Sins, sibyls (with NAME)., A detailed monochrome engraving divided into architectural panels showing a variety of human figures and decorative elements; at the top left panel a group scene with several men surrounding a seated figure, some wearing helmets and holding poles, while at the top right panel a crucifixion scene with a central figure on a cross and a group of mourning figures nearby; between them a smaller arched panel contains a bust of a robed figure within ornate scrollwork and a decorative cartouche below it; below the top tier an ornamental frieze with a pair of putti holding a diamond-shaped shield separates the upper scenes from the lower, where two large rectangular panels present full-length female figures-one wearing a wide headdress and holding fabric with a bowl at her lap, t.
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alb30932522 The statue of Jupiter in Olympia, The Seven Wonders of the World, print, Series number, 1, 7, printmaker: Simon van de Passe, after design by Maerten de Vos, publisher: Crispijn van de Passe (I), Utrecht, 1614, paper, engraving, gravure, height 251 mm x width 320 mm, height 214 mm x width 251 mm, statue of Zeus by Phidias (Wonder of the World)., A detailed black and white engraving shows a large seated male figure with a muscular torso holding lightning bolts and a round object, seated atop a giant bird with spread wings; the figure sits beneath an arched interior with fluted columns and niches containing statues. Below the central platform, rows of small nude childlike figures climb and carry trays or vessels on stepped terraces, while groups of adult figures stand and gesture on the stairs and foreground. To the left, a tree with leaves has a cherubic figure clinging to its trunk and another child offering a laurel wreath to a bearded man who holds a wreath and gestures outward. To the right, a standing muscular figure holds a staff and a round object near a column and a small obelisk, with additional draped figures nearby. The scene contains many finely hatched textures, crosshatching for shading, and ornate architectural and sculptural details throughout.
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alb30932527 Portrait of a man with beard, beret and necklace, print, printmaker: Wenceslaus Hollar, Antwerp, after design by Hans Holbein (II), 1647, paper, etching, height 108 mm x width 75 mm, head-gear: cap (+ men's clothes), beard, anonymous historical person depicted alone, necklace (+ men's clothes)., A detailed black-and-white engraving of an older man shown in profile facing left, wearing a large soft hat and layered clothing, with a long wavy beard and mustache, textured facial lines and short cropped hair at his temple, several heavy chains and ornate pendants draped around his neck, and finely cross-hatched shading throughout the image.
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alb30932529 Emblem with angel showing man how to weigh virtue against sin, Den wech des eeuwigich levens, print, book illustration, Series number, 13, 32, An angel stands by a scale and shows a man how much heavier virtue weighs than sin. On one scale sits the devil with the globe and symbols of power; he is found to be too light. The angel, who does place weight on the scale, represents virtue. The landscape behind them shows what awaits the man in his choice., printmaker, after print by, publisher, Antwerp, Boëtius Adamsz. Bolswert, paper, engraving, height 145 mm x width 100 mm., A detailed black-and-white engraving shows a central scene with a large balance scale held by a vertical post and beam, one pan near the foreground containing a seated child and an angel beside it, and the other pan in the midground holding a figure and various objects; an angel with wings stands near the scale gesturing toward a man in period clothing who faces away from the viewer, while a group of onlookers gathers nearby holding small items and instruments. To the left, a sloped path descends from a bright clouded opening at the top left where rays shine down onto a sequence of small figures moving along the path, some accompanied by robed attendants and a haloed figure at the source of the light; further left, more small figures cluster on terraces and ledges. In the upper right, a landscape with trees and hills leads to a large area of vertical flame-like lines in which small dark silhouettes appear to fall or flee, and scattered figures and smaller scenes occupy the middle distance. The engraving is densely hatched with fine lines creating texture in clouds, vegetation, drapery, and the wooden and metal structure of the scales, and many figures wear period robes, hats, or armor with varied gestures and expressions.
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alb30932596 Young woman looking at a print or drawing, Indiscretion, print, Series number, 44, On the ground next to her stands a portfolio, behind her an easel., printmaker: Alfred François Lemoine, after painting by Charles Chaplin, printer (person): Lemercier, Imprimerie, Paris, 1862, printer (person), chine collé, paper, lithography, lithography on chine collé, height 383 mm x width 259 mm, art collecting, easel, adolescent, young woman, maiden (+ front view)., A monochrome image of a young woman standing and reading a sheet of paper, wearing a flowing, ruffled dress with layered fabric and long sleeves, her hair styled and pulled back; she holds the paper with both hands and gazes downward toward it. To her left there are two rectangular canvases leaning against a surface, and to her right a cylindrical container rests on a small round table. The background is a textured dark wall and the floor beneath her dress is visible.
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alb30932559 Picture of London, Street scene in London, cartoon, print, A door on the left reveals a crowded auction hall with the auctioneer on a raised platform; on the street in front of the door stands a man with a sign reading 'Beware of Mock Auctions'. On the street, two figures are offering a man a necklace. On the right, an inn 'The Ram Inn' with a urinating man. In the background, the dome of St. Paul's., printmaker: George Cruikshank, London, 1812, George Cruikshank, printmaker, paper, etching, hand coloring, hand-colored, height 126 mm x width 195 mm, art sale, auction, caricatures (human types), Saint Paul's Cathedral., A colored engraving framed by an ornate yellow border shows a busy street scene with brick buildings and a dome in the background; people in period clothing fill the street and doorway, including a man bending beside a wheel, two men conversing near a large covered wagon wheel, a woman in a red cloak holding a child, a pair of women speaking near the right side, and figures entering or leaving an interior on the left. The street surface is cobbled, a small wooden structure stands near the center, and a hanging lamp projects from a building. A sign is held by a man in the middle of the scene and a canopy extends from a building on the right above the group near the doorway. The overall palette uses muted tones of brown, yellow, red, blue, and gray.
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alb30932519 Portrait of August Ferdinand Ribbeck, August Ferdinand Ribbeck, print, printmaker: F. Buys, after painting by JS Otto, printer (person): Königliches Lithographisches Institut, Berlin, 1847 - 1860, printer (person), paper, chine collé, lithography, height 592 mm x width 458 mm, Person, historical persons, adult man, eyeglasses, spectacles., A seated, bespectacled man wearing a dark double-breasted coat, waistcoat, high-collared shirt, and cravat is shown in a charcoal-like portrait; he sits in a wooden chair with one arm resting on the armrest and his hands clasped in his lap holding a rolled paper, his hair is neatly combed and he looks toward the viewer, the background is softly shaded and the lower margin shows discolored spots.
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alb30932553 Abel, Persons from the Old Testament, print, Abel with a shepherd's staff in his hand. Behind him a lamb on a burning altar of sacrifice. The second print of a 39-part series with the subject of persons from the Old Testament., printmaker: Johann Sadeler (I), Antwerp, after design by Chrispijn van den Broeck, 1575, Johann Sadeler (I), Chrispijn van den Broeck, printmaker, after design by, paper, engraving, gravure, height 114 mm x width 76 mm, Abel (not in biblical context), possible attributes: sheep, Abel offering (alone)., An engraved scene shows a barefoot, partially draped man with long curly hair standing and holding a tall staff; he wears a fur garment around his waist and over one shoulder and rests one hand on his chest. Behind him a group of sheep stands near a rustic fence and a rocky outcrop, while another sheep lies curled on a ledge beside a vertical rock face. The background includes rolling hills, scattered vegetation, and a sky with swirling clouds, all enclosed within a decorative border.
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alb30932549 Wolf and crane, print, A crane extracts a small bone from a wolf's neck with its beak. The wolf had caught a sheep, and while eating it, a small bone had become lodged in its neck. This depiction illustrates a story from the fables of Aesop., Netherlands (possibly), after print by Abraham Bloteling, 1655 - 1740, Abraham Bloteling, printmaker, after print by, Netherlands, paper, etching, height 125 mm x width 180 mm, shore-birds and wading-birds: crane, beasts of prey, predatory animals: wolf, fables of Aesop : Use 85., A detailed black-and-white etching shows a pastoral scene with a large tree on the left and dense foliage and trees in the background. In the foreground a group of animals occupy the center: a bird with long legs and large wings stands beside a shaggy, doglike creature that is seated and leans toward the bird, their beaks or mouths touching. Another animal lies with its head resting on the ground to the left. Grassy plants and small bushes appear near the animals, and a body of water with a few small waterfowl is visible behind them. The sky is filled with fine, horizontal hatch marks and soft cloud shapes.
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alb30932565 The inquisitive little girl, Fairy tales, Contes des fées, print, popular print, Series number, 30, 60, Sheet with sixteen illustrations of the curious girl Amelia. Under each illustration a caption in English. This print is part of an album., publisher: Imagerie d'Epinal - Pellerin, Épinal, printer (person): Imagerie d'Epinal - Pellerin, commissioner (person who orders works): Humoristic Publishing Co., Kansas City (Missouri), 1893 - 1894, Imagerie d'Epinal - Pellerin, Humoristic Publishing Co., publisher, printmaker, printer (person), commissioner (person who orders works), North America, Missouri, paper, lithography, color, letterpress printing, lithography colored in yellow, green, blue and red, text in letterpress, height 399 mm x width 295 mm, girl (child between toddler and youth), Curiosity, Inquisitiveness, Desire of Knowledge, 'Curiosità' (Ripa)., A full-page comic strip composed of multiple rectangular panels arranged in rows, each showing colored illustrations of Victorian-era interiors and exteriors; recurring figures include a young girl in a red skirt and blue bodice, women in long dresses with aprons, and men in period coats and hats. The scenes depict various domestic settings with furniture such as chairs, tables, a rocking chair, a fireplace with mantel, a cabinet or secretary, a bed with curtains, baskets, shutters, and patterned wallpaper. Outdoor panels show shutters, garden foliage, a path, and a man walking; several panels show people opening doors or windows, peering through keyholes or slats, and climbing or leaning near shutters. Facial expressions vary from surprised to concerned, and body language includes pointing, reaching, recoiling, sitting, and tending to another person. Colors are muted pastels with reds, blues, greens, and tans; thin black outlines and shading define the figures and interiors, with decorative motifs and rugs visible in some rooms.
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alb30932556 The Triumph of Jesus Christ, Triumphal Procession of Christ with figures from the Old and New Testaments, print, printmaker: Nicolas de Larmessin (I), publisher: Pierre Gallays, Paris, grantor of privilege: Louis XIV (King of France), France, 1687 - 1694, paper, engraving, etching, hand coloring, engraving and etching, hand-colored in red and gray, height 688 mm x width 502 mm, the apostle Paul of Tarsus, possible attributes: book, scroll, sword, the martyr Sebastian, possible attributes: arrow(s), bow, tree-trunk, the confessor and pilgrim Roch(us) (Rocco, Rock) of Montpellier, possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet, triumphs (allegorical and symbolic), the martyr and deacon Laurence of Rome, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins)., A detailed engraved scene showing a procession of figures in historical dress across a cloudy sky background, with many wearing robes, armor, helmets, hats with plumes, and cloaks. Several men carry staffs, spears, and banners, and one figure holds a palm frond while another has a small bundle of arrows. Faces display varied expressions and hairstyles, including beards, curly hair, and close-cropped hair. Ornate patterned fabrics, layered garments, and plate armor with articulated skirt plates are visible, along with sandals and boots on the feet. In the background are additional figures, a tilted wooden structure, and draped banners, while the sky is filled with finely engraved cloud lines.
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alb30932546 Portrait of William I Frederick, King of the Netherlands, print, Portrait of William I, sovereign prince of the United Netherlands, later King of the Netherlands. Decorated with the star of the Order of the Garter., printmaker: Charles Howard Hodges, Amsterdam, 1814, paper, mezzotint, engraving, mezzotint and engraving, height 388 mm x width 280 mm, Person, William I of the Netherlands, knighthood order., A monochrome oval portrait of a man shown from the chest up wearing a dark military coat with ornate shoulder epaulettes and a decorative star-shaped medal on his chest, his coat fastened with a row of buttons and a high patterned collar; he has short wavy hair, sideburns, and a calm, neutral facial expression while looking slightly to his left, with a softly shaded background within the oval and a pale surrounding border.
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alb30932509 Woman with hatbox, print, A young woman in 19th-century clothing with a hat and coat walks down the street. She is carrying a hatbox and an umbrella. Behind her, on the wall, hang Dutch advertising posters., printmaker: Karel Frederik Bombled, 1832 - 1902, paper, etching, drypoint, etching and drypoint, proof print, height 82 mm x width 64 mm, poster, standing figure (canon, proportions), umbrella, the (nude) human figure, 'Corpo humano' (Ripa) (+ young female (human being)), container of paper, cardboard: bag, carton., A monochrome etched image of a woman standing and facing slightly toward the viewer, wearing a bonnet and a full-length cloak that drapes around her body; she holds a bucket by its handle with one hand and the cloak is gathered in the other, and her shoes and the ground beneath them are visible with puddles and reflected lines. The background shows a textured wall with dense crosshatching and linear marks, and the overall scene is rendered with fine etched lines and varied shading.
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alb30932584 Peasant woman with two baskets on a yoke, print, printmaker: Mathias de Sallieth, after drawing by Jacob Perkois, after drawing by Johannes Huibert Prins, 1772 - 1791, 1818 - 1833, paper, etching, crayon manner, stippelets, à la poupée, hand coloring, etching in crayon manner and stippelets à la poupée, hand colored, height 153 mm x width 222 mm, farmers - AA - female farmer, farmer's wife, container made of plant material other than wood: basket, carrying something with yoke., A standing woman wearing a bonnet with a wide brim and a cloth tied under her chin, a shawl draped over her shoulders, a long apron over a skirt, and wooden shoes, holding a carrying pole across her shoulders from which a pair of woven baskets hang by ropes, with one hand resting on her hip and the other grasping a rope; the image shows detailed fabric folds and shading, muted colors, and a plain background with a thin framed border.
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alb30932570 The Kiss of Judas, The Round Passion, print, From a series of twelve prints. Judas kisses Christ who is bound by soldiers. Peter, with a raised sword, attacks Malchus. Round image with ornamental frame. Frame at the bottom with text in Latin. Printed from multiple blocks., printmaker: Jacob Cornelisz van Oostsanen, Low Countries, 1517, paper, woodcut, height 349 mm x width 282 mm, Peter draws his sword and cuts off Malchus' ear, the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ., A circular framed black-and-white engraving shows a crowded outdoor scene with a group of figures clustered under a bare tree and within a round ornate border; several men wear robes and tunics with visible folds and belts, one man lies on the ground with limbs bent while others stand or lean over him, some holding long thin objects resembling staffs or swords and one figure wears a helmet and armor with a sword at his side; surrounding the central circle is an embellished border with decorative scrollwork, floral motifs, and stylized animal heads, and beyond the circle there are more ornamental panels and carved corner designs.
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alb30932576 Portrait of Albrecht II of Habsburg, Holy Roman Emperor, print, His motto in the center above. Depictions of his struggle against the Hussites and the Turks in the lower left and lower right. Lower right: 4., writer (clerical worker): Lazarus van der Heyden, 1600 - 1699, printmaker, writer (clerical worker), paper, engraving, height 311 mm x width 194 mm, Person, Albrecht II of Habsburg (Holy Roman Emperor)., A detailed engraved portrait of a crowned man in profile facing left, shown from the chest up within an ornate oval frame set into a rectangular architectural border with fluted columns and decorative capitals, the man wearing a jeweled crown adorned with floral motifs and a richly decorated armor or ceremonial garment featuring patterned fabric and circular ornate clasps, his hair shoulder-length and wavy, his facial expression neutral, the background inside the oval filled with fine crosshatching, the surrounding frame containing decorative molding and small ornamental elements, and a block of handwritten-style text beneath the portrait flanked by two small engraved vignette scenes.
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alb30932557 The Great Church, Great Church in Asperen, print, printmaker: François van Bleyswijck, Leiden, 1681 - 1746, paper, etching, height 170 mm x width 206 mm, church (exterior), Asperen., A detailed ink illustration of a large church seen from the side, showing a tall, narrow tower with a pointed roof and a weather vane, connected to a series of steeply pitched roofs and a lower nave. The building features tall, arched windows with tracery, buttresses along the walls, and a small turret with a conical roof topped by a flag-like ornament. The roof surfaces are rendered with fine hatch lines and the walls show textured shading, while the background is blank paper. A decorative ribbon-like banner floats above the church.
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alb30932510 Triumphant David with the head of Goliath, print, On the right stands David with a large sword. The head of Goliath is impaled on the sword. In front of him stand several women singing and playing music. Below the image is a two-line Latin text describing the scene from 1 Samuel 18., printmaker: Jan Saenredam, Northern Netherlands, after design by Lucas van Leyden, Leiden, 1600, paper, engraving, height 276 mm x width 188 mm, David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres, David holding the head of Goliath., A detailed black and white engraving shows a group of people gathered outdoors under a cloudy sky, many wearing flowing garments and elaborate feathered headdresses, with one central woman holding a rectangular object while others look toward it; a young man on the right stands holding a large upright pole with a severed bearded head mounted on top, the head displaying long curly hair and a beard; several figures wear robes and caps, one holds a circular mirror-like object, another wears a wreath of leaves, and a figure in the foreground has long draped sleeves and a visible sash; rocky landscape and vegetation appear in the background and foreground, and the ground beneath the figures shows detailed texture and scattered small plants.
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alb30932531 Gift of counsel, Spiritvs Consilii, Seven gifts of the Holy Spirit, print, Series number, 3, 7, In a niche the female personification of the gift of counsel, one of the seven gifts of the Holy Spirit. She wears a crown of leaves and has a key and a heart as necklaces. In her right hand she holds a scale. Around her head a radiant sun., printmaker: Raphaël Sadeler (I), Venice, after drawing by Maerten de Vos, 1598 - 1604, paper, engraving, gravure, width 180 mm x height 266 mm, 'Consilium', Counsel, one of the seven gifts of the Holy Ghost., A monochrome engraving shows a robed standing female figure within an architectural niche flanked by two columns; she wears flowing drapery, a garland in her hair, and a radiant halo-like design around her head, and she holds a balanced scale in one hand while the other rests at her side. The niche has an arched recess with concentric banding and a dark semicircular backdrop behind the figure, and the floor beneath her feet is a raised platform. Ornamental cartouches with sculpted cherub-like figures and decorative scrollwork appear at the lower edge of the image. The composition is detailed with fine line hatching, creating shadows and texture on the clothing, columns, and architectural elements.
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alb30932555 Archangel Michael and the dragon, Qvis sicvt devs?, print, Archangel Michael, armed with shield and spear, kills the dragon lying beneath his feet. In the background, angels defeating devils in heaven., number: '49', printmaker: Hieronymus Wierix, Antwerp, grantor of privilege: Joachim de Buschere, 1563 - before 1619, paper, engraving, gravure, height 88 mm x width 61 mm, the Archangel Michael fighting the dragon (devil, Satan), Michael and his angels fighting against the dragon and his followers, the dragon (Devil, Satan) is cast out of heaven., A winged armored figure stands with one foot on a creature's body, wearing a helmet and flowing hair, a breastplate, and a draped skirt; the figure holds a long spear and a large oval shield, wings spread behind and rays emanating from the head. The creature beneath has a contorted face, horns, and a serpentine tail, with the spear tip near its mouth where curved lines suggest smoke or flames. Small winged figures fly in the background on the right, and diagonal hatch marks fill the background across the scene. The image is rendered in a detailed monochrome engraving style with strong line work and shading.
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alb30932548 Cross-sections and parts of the cannon, print, printmaker: Raphael Custos (possibly), Augsburg, after drawing by Josef Furttenbach (der Ältere), Germany, publisher: Johann Schultes, 1663, Bavaria, paper, engraving, height 269 mm x width 340 mm., An engraved sheet showing detailed technical drawings and diagrams arranged in compartments, including several side views and cross sections of a long barrel-like object with decorative end pieces, a longer mounted assembly with ornate fittings and a large wooden spoked wheel connected to a carriage, a circular outline, a rectangular tray filled with round balls, and a few small boxes containing tools and implements; the drawings are rendered with fine line hatching, stippling, and shading, and there is a tall narrow column of small boxed entries along the right edge.
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alb30932573 A vertically oriented decorative illustration featuring a crowned seated woman in a long dress on a bench with a group of floral motifs behind her and a patterned arch above, flanked by two reclining dogs; beneath this upper scene a broad panel filled with ornamental plant-like designs and stylized floral trees occupies much of the center, and at the bottom a large frontal lion with a full mane rests with its paws forward, all rendered in muted earth tones with accent colors and framed by delicate curving borders.
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alb30932589 Outpouring of the Holy Spirit, print, The Holy Spirit descends in the form of a dove upon the apostles and Mary. They are situated in a colonnaded hall and above their heads burns a small flame as a sign of the Holy Spirit., printmaker: Cornelis van Caukercken, Southern Netherlands, after painting by Anthony van Dyck, c. 1640 - 1680, paper, engraving, gravure, height 505 mm x width 390 mm, Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and, or representatives of the nations present (Acts 2:1-4)., A group of people gathered closely together inside an architectural interior with tall columns, most wearing flowing robes and cloaks; several faces show upward gazes and varied expressions, some hands are clasped or raised, and a few heads are bowed. Above them, light rays break through clouds and illuminate the scene, with a bird-like figure in the brightest area and small flame-like shapes appearing above several heads. The image is rendered in a detailed monochrome engraving style with dense linework and crosshatching, showing drapery folds, textured stonework, and layered clouds.
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alb30932558 Standing and lying ox, Six prints after drawings by various masters, print, Series number, 5, 6, A standing and a lying ox in a meadow. Fifth print of a series of six prints with cattle, after examples by various masters., printmaker: Jacob Elias van Varelen, Haarlem, after drawing by unknown, 1772 - 1840, paper, etching, height 131 mm x width 183 mm, meadow, pasture, ox., A detailed ink drawing shows two cows in a rural setting, one standing in the foreground facing left with prominent horns, textured fur, visible muscles, and hooves on grassy ground, and another cow lying behind it with horns and a turned head; the background includes a distant landscape with trees, small buildings, a waterway, and a sky with a few flying birds, all rendered with fine line work and crosshatching.
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alb30932542 Punishment of two rebellious soldiers in Den Bosch, 1787, One of the rebellious soldiers punished in 's Bosch, print, book illustration, historical print, Punishment (by Prussian horsemen?) of two rebellious (presumably patriotic) soldiers in Den Bosch, November 1787., printmaker: Reinier Vinkeles (I), Amsterdam, after drawing by Jacobus Buys, 1797, Reinier Vinkeles (I), Jacobus Buys, printmaker, after drawing by, paper, etching, engraving, etching and engraving, height 240 mm x width 155 mm, mutiny, rebellion, military discipline, Patriot time (1780-1795), Den Bosch, Period, 1787-11., A narrow street scene rendered in fine line work shows tall brick buildings with shuttered windows and boarded doors lining the right side, their facades detailed with masonry and wooden planks; on the left, a group of mounted soldiers advance, wearing tricorne hats and riding horses depicted mid-step, two riders leaning forward with long muskets emitting clouds of smoke directed toward the foreground; in the street a man in a coat and hat recoils with a sword raised as he leans against a doorway while another figure lies prone on the ground near scattered crates and broken objects, and additional figures stand behind the riders; the sky above is lightly hatched and distant rooftop silhouettes are visible over the row of buildings.
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alb30932572 Portrait of Cornelis Musius, print, Cornelis Musius (1500-1572): theologian, priest and poet of edifying poetry in Delft. Bust to the right, with upright fur collar. Top left and right coats of arms, bottom left a crown, bottom right two palm branches, signature: 'Iac. matham sculp.', title: 'MUSIUS...CORNELIUS anno', printmaker: Jacob Matham, Haarlem, 1600 - 1610, paper, engraving, height 143 mm x width 115 mm, Person, Cornelis Musius, historical persons, portrait of a writer., An engraved portrait of an older man shown from the shoulders up inside an oval frame, wearing a fur-lined cloak and a high collar, with short hair and a solemn expression; the oval is set against a background of finely hatched lines and surrounded by decorative border elements including two small shield-like designs near the top corners, a crown motif near the lower edge, and a flourish on the opposite side.
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alb30932516 Portrait of Grégoire de la Forge, print, member of the Catholic mendicant order of the Trinitarians, depicted in an oval frame with coat of arms, below which is a console with three lines of Latin text., printmaker: Gerard Edelinck, Paris, after painting by, grantor of privilege: Louis XIV (King of France), France, 1697 - 1707, paper, engraving, height 348 mm x width 285 mm, Person, Grégoire de la Forge., A black and white engraved portrait of an older man shown from the waist up within an oval frame, wearing clerical robes with a broad collar and a pendant cross; he has a receding hairline with short curled hair at the sides and a composed facial expression with slight smile, and the background inside the oval is dark with fine crosshatching while the outer area and frame feature concentric lined patterns and a circular emblem at the bottom of the oval, all set above a horizontal ledge.
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alb30932581 Various thistles, Florilegium, print, ornamental print, Series number, 9, 24, Bottom center a silver thistle and above it three small thistles, including (right) a globe thistle. Sheet 9 of 21 numbered sheets with title page from a series of 24., printmaker: Adriaen Collaert, Netherlands (possibly), publisher: Theodoor Galle, publisher: Philips Galle, 1570 - before 1618, paper, engraving, height 177 mm x width 127 mm, flowers., A detailed botanical engraving showing a variety of spiky, thistle-like plants and flowers arranged across the page, with a large central plant featuring dense, radiating serrated leaves and a prominent layered flower head, surrounded by several smaller flower heads and seed-like spherical blooms, jagged lobed leaves, and slender stems; additional vertical flowering stalks with clustered bell-shaped and star-shaped blossoms appear at the sides, and a few isolated single heads and buds are scattered near the top and sides, all rendered in fine monochrome line work on a textured background.
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alb30932574 Portrait of Abraham Bloemaert, print, Portrait of the painter Abraham Bloemaert, at the age of 62, with the personifications of drawing (Disegno) and fame (Fama) at the top of the oval frame., printmaker: Jacob Matham, Haarlem, after painting by Paulus Moreelse, writer (clerical worker): Theodorus Schrevelius, grantor of privilege: Rudolf II of Habsburg (German Emperor), 1610, writer (clerical worker), paper, engraving, height 311 mm x width 228 mm, Person, Abraham Bloemaert, historical persons, portrait, self-portrait of painter., A finely detailed black and white engraved portrait of a man shown from the chest up inside an ornate oval frame, the man wearing a ruffled collar and armor with a mustache and short curled hair, flanked above by two reclining allegorical female figures resting on the frame, one holding a rectangular tablet and the other blowing a long trumpet with wings visible behind her; the oval frame is richly decorated with scrollwork and carved lion heads at the sides, with draped fabric and decorative flourishes below, and a pedestal base supporting the composition.
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alb30932550 Advertisement for a wallpaper manufacturer with an announcement from a representative of Maxwell wallpaper, postcard, inscription: 'THE NEW YORK SKY LINE AS SEEN FROM JERSEY CITY, Probably the most interesting sight in or about New York next to the, "MAXWELL" EXCLUSIVE LINE OF WALL PAPER FOR 1907, I will call upon you with samples about in pen: 11th or sooner if you prefer. in pen: AK Dickson, REPRESENTING, SAMAXWELL & CO., 121 - 127 Crosby St. New York', stamp: '1906', United States of America, in or before 1906, photographer, printer (person), North America, paper, autotypie, height 100 mm x width 150 mm, New York (city)., A grainy black-and-white photograph of a city skyline across a body of water fills the upper portion, showing a dense grouping of tall buildings with varied rooflines and architectural details; the water in front has a textured surface with small waves. Below the photograph is an off-white paper background with printed lines of text, some handwritten ink scribbles and a looped signature near the lower left, and light aging marks and small stains scattered across the paper surface.
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alb30932594 Portrait of Anna of Hanover, Princess of Orange-Nassau, print, surrounded by an ornamental frame. Lower left the Dutch lion, lower right a unicorn., printmaker: Pieter Tanjé, Amsterdam, after drawing by Gerard Sanders, publisher: Societ. Bibliopol. Rotterod., Rotterdam, 1750, paper, engraving, etching, height 239 mm x width 185 mm, Person, Anna of Hanover, unicorn, harp., A framed engraved portrait of a woman shown from the waist up, wearing a low-necked gown with a fur-trimmed cloak draped over one shoulder and held at her chest with both hands, her hair styled and adorned with a small ornament, wearing drop earrings, and gazing forward with a neutral expression; the oval opening around her is decorated with carved foliage and scrollwork, columns and drapery appear at the sides, a sculpted lion head and garland are visible near the lower right, and carved ornamental leaves and shells appear near the lower left, all rendered in fine engraved lines and crosshatching.
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alb30932530 Feria IIII. Cinervm, A Hypocrite and a Believer During Fasting, print, Series number, 21, 153, The hypocrite, with a devil overhead, shows that he is fasting. The believer, with an angel overhead, has anointed his face with oil so that no one notices that he is fasting. They stand before a barren and a blossoming tree, presumably a reference to Matt. 7:17: 'So every good tree bears good fruit, but a bad tree bears bad fruit.' Various elements from the scene have letters that correspond to the legend in the margin., printmaker: Wierix, printmaker: Karel van Mallery, Antwerp, after design by Bernardino Passeri, 1593, paper, engraving, height 233 mm x width 145 mm, your fasting may not be seen by men' (Matthew 6:16-18)., The image shows an engraved scene with two robed men in the foreground standing on rocky ground beneath two tall trees, one leafless on the left and one with leaves and fruit on the right; the left figure wears a long cloak and looks downward while a small winged creature perches near his head, and the right figure gestures outward with one hand and holds his cloak with the other. Behind them a wide paved avenue leads into a distant cityscape of domed and spired buildings with groups of small robed figures scattered along the avenue, and on a hill above the city a seated group of figures is visible within a circular area. The sky is filled with horizontal engraving lines, and the lower margin contains framed panels with blocks of printed lines.
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alb30932528 Rysbergen, View of Rijsbergen, Village Views in the Northern Netherlands, print, Series number, 7, 8, The old church of Rijsbergen, dedicated to St. Bavo and St. Barbara. In the foreground a small body of water and two figures with dogs., printmaker: Roelant Roghman, Amsterdam, publisher: Clement de Jonghe (possibly), c. 1643 - 1677, paper, etching, engraving, height 124 mm x width 205 mm, dog, prospect of village, silhouette of village, church (exterior), Sint-Willibrord Church (Klein-Zundert)., A monochrome etching showing a rural scene with a church whose steep rooflines and tall spire rise behind a group of trees and thatched cottages, framed by large leafy trees on both sides; in the foreground a small body of water or shoreline with a couple of figures and a few animals nearby; the sky is filled with linear cloud and bird marks, and the composition features dense cross-hatching and fine line work throughout.
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alb30932575 Intendant of War, Dutch military uniforms in the years 1830-1832, print, costume print, Standing Intendant of War. Member of the General Staff. Part of a series of 157 loose sheets with Dutch military uniforms in the years 1830-1832., printmaker: attributed to Albertus Verhoesen, Netherlands, printer (person): Johannes Paulus Houtman, Utrecht, 1835 - 1850, printer (person), Attributed to, paper, lithography, hand coloring, hand-colored, height 170 mm x width 110 mm, (military) uniforms, clothes, costume, General Staff, Period, 1830 - 1835., A standing man wearing a dark blue jacket with decorative yellow trim and buttons, light-colored trousers, tall black boots, and a tall black hat; his left hand rests by his side holding a small rolled object while his right hand is raised with an open palm; he stands on a small patch of ground with shaded brown and green tones against a plain light background.
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alb30932585 Love (Caritas), print, Series number, 3, A female figure surrounded by children as a personification of love (caritas)., printmaker, after print by, after design by, writer (clerical worker), publisher, Amsterdam, Hendrick Goltzius, Jacob Matham, paper, engraving, gravure, height 152 mm x width 103 mm, Charity, 'Caritas', 'Carità' (Ripa), one of the Three Theological Virtues., A detailed black and white engraving shows a seated woman with a headscarf and draped clothing holding a nursing infant at her breast while a second small child leans close from the right and a third small figure stands behind the group. The woman's face is calm and forward-looking, her hair partially covered by a flowing cloth; the nursing infant rests across her lap with limbs relaxed. The child on the right reaches toward the woman's shoulder and holds a small cluster of blossoms, and the child behind raises an arm holding a slender object with a small cross-like shape at its tip. The scene is framed by textured backgrounds suggesting foliage and fabric folds, and the figures are rendered with fine line work showing detailed musculature and drapery.
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alb30932521 Portrait of Ernst Salomon Cyprianus, print, printmaker: Tobias Gabriel Beck, Nuremberg, publisher: Friedrich Roth-Scholtz, 1695 - 1755, Bavaria, paper, engraving, etching, height 212 mm x width 153 mm, Person, Ernst Salomon Cyprianus, historical persons., A sepia-toned engraved portrait of a middle-aged person shown from the waist up, facing slightly to the viewer's right, with a long, voluminous curly wig framing the face; the person wears clerical clothing including a dark robe and a white neckband, and one hand is raised to rest on the chest while the other is mostly out of frame; the background is filled with dense crosshatching.
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alb30932583 Martyrdom of Saint Laurentius, Sanctvs Lavrentivs martyr, print, Saint Laurentius kneels as a martyr on a grid and a man stands ready with a torch to light the fire., printmaker: Jacques Blondeau, after painting by Pietro da Cortona, after drawing by Jo. Baptista Mannellius Senen, publisher: Giovanni Giacomo de' Rossi, Rome, 1665 - 1698, Jacques Blondeau, Pietro da Cortona, Jo. Baptista Mannellius Senen, Giovanni Giacomo de' Rossi, paper, engraving, height 518 mm x width 327 mm, Lawrence., A vertical engraving shows a scene framed by an ornate border and architectural columns, with a group of figures clustered in the foreground and a landscape with trees and clouds visible behind them. In the upper area two winged cherubs hover on clouds, one leaning forward and holding a spiked object toward the central figure below. The central figure, robed in an elaborately patterned cloak with tassels, tilts backward with an upward gaze and outstretched hands, while several men around him grasp his arms and garments; one muscular, partly nude man holds a long pole and braces against the central figure, another man in armor kneels nearby holding a torch that emits a bright plume of smoke, and other standing figures watch or assist. Richly folded drapery and decorative fabric dominate the lower portion, and scattered wooden planks and debris lie at the feet of the group. The composition is rendered in fine engraved lines with detailed textures for skin, fabric, foliage, and architectural elements.
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alb30932545 Three monks, Emperor Charles V in the St. Servatius Church in Maastricht, print, printmaker: attributed to workshop of Arnoud Schaepkens, 1831 - 1904, Arnoud Schaepkens, Attributed to, paper, etching, drypoint, etching and drypoint, height 124 mm x width 84 mm, Servatius Basilica., A detailed ink drawing shows a group of cloaked figures seated and standing in a dim interior. In the foreground a seated figure wears a dark hooded cloak and holds a string of beads, with one hand resting on a draped knee; nearby a partially open book lies on the floor. Behind and to the side, a standing figure in a lighter robe and head covering looks forward with hands clasped at waist height. Another seated figure in profile wears a long robe and head covering and rests a hand on a staff. The scene is rendered with dense crosshatching and fine lines that define folds of fabric, stone surfaces, and a shadowed background with subtle arched shapes.
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alb30932588 Signboard by Jules Weyns, displayed at the 1894 World's Fair in Antwerp, Belgium, Signboard: in the white lily, page, photomechanical print, Antwerp, 1894-05-05 - 1894-11-05, paper, collotype, photogravure, height 220 mm x width 200 mm, piece of sculpture, reproduction of a piece of sculpture, world fair, world exhibition, World's Fair 1894 (Antwerp), Period., A carved stone relief of a woman in a framed arched panel, shown from the torso upward, wearing a headdress and a draped garment with decorative beadlike details, her eyes closed and head slightly tilted, one hand resting on her chest and the other holding a stem with a few large, drooping flowers; the surface shows textured carving and weathered edges within a rectangular border.
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alb30932577 Vignette with portrait medallion of Queen Christina of Sweden, print, Vignette with the portrait medallion of Queen Christina of Sweden on the left. In the center, a shield with lightning bolts. On the medallion on the right, Minerva and an owl, symbols of wisdom., printmaker: Pieter Tanjé, Amsterdam, 1736 - 1761, paper, etching, engraving, height 101 mm x width 166 mm, Person, Christina (Queen of Sweden), (story of) Minerva (Pallas, Athena), attributes of Minerva: owl., A finely detailed engraved composition shows a central ornate shield with decorative flourishes and featherlike plumes at its top, crossed arrows and stylized lightning marks on its face, a small laurel wreath resting near the crest, and a sword and baton behind it; on either side of the shield are large round medallions with one depicting a classical profile bust and the other showing a seated robed figure holding a staff and a palette; beneath the medallions and shield is a flat surface with stacked books and a folded cloth, elaborate scrolling acanthus ornament runs along the shelf edge, and a small realistic owl perches on the right end of the shelf.
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alb30932561 Title print with sculptures, sculpted reliefs and a sarcophagus with title (left part), Vases, candlesticks, gravestones, sarcophagi, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi, print, title page, Explanatory list with letters on banderol lower left., printmaker: Giovanni Battista Piranesi, Rome, 1778, paper, etching, height 490 mm x width 710 mm, piece of sculpture, reproduction of a piece of sculpture, sarcophagus, vase, ornament., A detailed grayscale engraving shows a reclining bearded male figure draped with cloth on a stone slab, holding a small object in one hand and resting the other on the slab's edge, with a textured carved surface beneath him; above and behind him is a carved winged lion in profile facing left, with layered feathers and a muscular body; to the left of the reclining figure is a large ornate covered urn with decorative reliefs and handles, and above it a carved pedestal with acanthus-like ornament; to the right is a decorative architectural block with sculpted theatrical masks and floral scrollwork, and a separate carved fragment with festoons and ornamental motifs; scattered around the lower foreground are several metal objects including a hooked tool and coiled chains, and the scene is framed by a ledge and architectural moldings.
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alb30932593 Harbour view in Rotterdam, print, People with horse and wagon in the harbour. In the middle a plume of smoke or mist. In the background masts of ships., printmaker: Johan Hendrik van Mastenbroek (signed by artist), 1917, paper, tone lithography, highlights, tone lithography in black with tone block in beige, highlighted with white, height 394 mm x width 533 mm, harbour, horse, (farm) wagon, freight wagon, cart, Rotterdam., A wide, sepia-toned scene showing a busy waterfront with a group of people and several horse-drawn carts standing on a reflective, wet surface; figures cluster around the carts while a driver sits on one cart holding reins as a horse stands beside him; additional horses and silhouettes of people appear in the midground near a lamp post and along the water's edge; distant structures and masts create a hazy skyline beneath a large, textured sky with a bright, cloudlike area above the water.
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alb30932595 Siege of the Castel Sant' Angelo, 1527, Victories of Charles V, Divi Caroli. V. imp. opt. max. victoriae, ex multis praecipuae, print, propaganda print, historical print, Series number, 4, 12, Pope Clement VII besieged in Castel Sant' Angelo, 1527. Soldiers by cannons aimed at the fortress from the bridge. The Pope looks out of a window. Caption in two lines of Latin., printmaker: Dirck Volckertsz. Coornhert, Haarlem, after design by Maarten van Heemskerck, 1555 - 1556, 1570 - 1640, paper, engraving, etching, letterpress printing, engraving and etching, book printing, height 157 mm x width 232 mm, Person, Charles V (Holy Roman Emperor and King of Spain), Clemens VII, siege, position war, Capture of Rome, Rome, Castel Sant'Angelo, Angel Bridge, Period., A detailed engraving of a fortified circular stone tower with battlements and decorative panels sits at center, flanked by classical statues on pedestals and stairways; in front of the tower a group of soldiers in armor and helmets stand and gesture while others handle large cannons and cannonballs positioned on wheeled carriages; a rider on a rearing horse appears near the base of the tower and a few smaller figures climb and work on the fortifications; to the left and background there are additional stone buildings, arches and a distant spired structure, and the sky is filled with etched cloud formations.
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alb30932579 Soubasment, 16th Century, Façade of a building, page, photomechanical print, inscription: 'LITT. S. - PL. 5.', inscription: 'SOUBASSEMENT d'une maison, ', monogram: 'JJvY', Mechelen, cliché maker: Joseph Maes (possibly), Antwerp, after design by Christoffel Plantijn, c. 1876 - in or before 1881, Joseph Maes, Christoffel Plantijn, photographer, cliché maker, after design by, Mechelen (heerlijkheid), paper, collotype, photolithography, height 336 mm x width 230 mm, front façade., A close view of a weathered wooden façade of an old building showing a recessed doorway with double doors and lace curtains, surrounded by carved wooden posts and decorative panels; above the entrance are leaded diamond-patterned windows with wooden mullions and a row of similar windows across the upper level; carved figures and ornamental friezes appear on vertical supports and horizontal beams; the lower exterior includes a brick or stone base and a cobbled street in front; the image is monochrome with a sepia tone.
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alb30932520 Two men at a farm, photograph, photographer: attributed to Richard Tepe, Netherlands, c. 1900 - c. 1930, Attributed to, paper, salted paper print, salt print, height 165 mm x width 224 mm, farm or solitary house in landscape., A sepia-toned scene shows a thatched-roof cottage with a chimney, textured roof surface and exposed brick and timber wall sections, partially obscured by leafy trees; two men stand outside the cottage, one leaning casually against the wall near a small window and the other operating a wooden pump or well structure while facing it; a small wooden doghouse sits on the ground near the wall with a shallow dish beside it, and plants and foliage grow around the foreground and along the right side of the image.
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alb30932514 Evaporators, photograph, Four evaporators in operation at the Padjarakan Sugar Factory. Part of the binder containing photographs of machines from NV Machinefabriek Braat in Surabaya intended for the Dutch sugar industry in Java, from the period 1917-1938., Surabaya, 1917 - 1938, photographer, Java, East Java, paper, gelatin silver print, gelatin silver print on photographic paper, height 163 mm x width 215 mm, Person, NV Machinefabriek Braat, colonial system, (non-fruit) products of plants or trees: sugarcane, factory-interior, machine shop, machines, parts of machines, tools and appliances, economic history, overseas history, sugar industry, business history, Period., A row of large vertical cylindrical metal tanks with riveted and banded surfaces stands on a raised platform inside a spacious industrial building, each tank topped by a shorter cylindrical section and connected by horizontal pipes and curved conduits; a metal railing runs along the platform in front of the tanks, and a grated metal staircase descends from the platform to a lower level where a network of pipes and machinery is visible; overhead, a vaulted roof with metal trusses and corrugated panels spans the space, casting even light across the equipment, and a few circular gauges or access ports appear on the faces of the tanks.
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alb30932560 View of Avignon, print, printmaker: Israel Silvestre, 1631 - 1691, paper, etching, height 207 mm x width 409 mm, fortified city, Provence-Alpes-Côte d'Azur, Avignon., A wide horizontal engraving shows a riverside landscape with layered banks and islands in the foreground, small clusters of low vegetation and a lone twisted tree near the front, and stretches of water with a few small sailing and rowed boats positioned across the middle distance. Beyond the water a walled town extends along the horizon with towers, spires, and low buildings punctuating the skyline, and farther hills and scattered trees rising behind it. The sky occupies the upper portion of the image with long horizontal lines and stylized cloud formations.
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alb30932598 Portrait of Guido, Graf Starhemberg, print, printmaker: Christoph Weigel, 1692 - 1725, paper, mezzotint, height 349 mm x width 242 mm, Person, Guido Graf Starhemberg, historical persons, armorial bearing, heraldry., A monochrome engraved portrait shows a bust of a man with a voluminous, curly wig and a composed facial expression set within an oval frame, wearing a decorative garment and a piece of armor on one shoulder with visible rivets, a draped cloak over his other shoulder, and a sash across his chest; below and around the frame are arranged objects including drums, drumsticks, a cannon barrel, round cannonballs, a small jug, rolled fabric, tassels, and a curled ribbon.
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alb30932102 Portrait of Johan Baron van Reede, Lord of Renswoude, print, printmaker: Wenceslaus Hollar, Antwerp, publisher: Joannes Meyssens, 1650 - 1670, 1650-12-31, paper, etching, height 165 mm x width 116 mm, Person, Johan Baron van Reede van Renswoude., An oval framed engraved portrait of a man in profile facing right, showing his head and upper torso within a decorative border; he has wavy shoulder-length hair and wears a rounded cap and a broad collar with lace edging, and his clothing includes a padded sleeve and buttoned doublet; the frame is ornamented with floral rosettes near the top corners and a heraldic shield topped by a crown at the bottom, with laurel or olive branches flanking the shield; the background inside the oval is shaded with fine crosshatching while the surrounding outer area is lighter.
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alb30932101 Portrait of Dirck Cloon, print, Governor-General of the former Dutch East Indies from 1732 to 1735. Next to his portrait, a scale, books and withered branches. Lightning strikes from the sky., printmaker: Jacob van der Schley, Amsterdam, publisher: Pieter de Hondt, The Hague, 1763, paper, etching, engraving, etching and engraving, height 80 mm x width 137 mm, Person, Dirk van Cloon, scales, lightning, flash of lightning, thunderbolt., An engraved portrait shows a man with long curled hair framed by an oval border, wearing a coat with decorative buttons and a neckcloth; he faces forward with a neutral expression. Around the oval are decorative elements including a sword with a twisted hilt standing upright, a pair of compasses and other drafting tools resting on a book, a round object resembling a globe or sphere, and a laurel branch with leaves and a flower. The background features crosshatched shading and wispy cloud-like patterns, and a decorative cartouche with an ornate crest sits below the oval. The entire scene is rendered in fine engraved lines on a rectangular plate.
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alb30932552 Bust of an old man with beard and cap, Tronies after Rembrandt, print, printmaker: Jan Gillisz. van Vliet, Leiden, after design by Rembrandt van Rijn, 1634, paper, etching, engraving, etching and engraving, height 213 mm x width 179 mm, head-gear: cap (+ men's clothes), beard., A detailed black and white etching shows the upper body and head of an elderly man wearing a dark cap and a heavy dark cloak, his face turned slightly downward and to the side with deep wrinkles on his forehead and around his eyes, a long textured beard and mustache, closely rendered hair at the temples, and one side of his face heavily shaded while the other is more illuminated against a plain light background.
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alb30937172 33rd. Vue d'optique representative les boulevards de Paris pris de la Rue des Filles du Calvaire en face de Belleville, View of a boulevard in Paris, seen from the Rue des Filles du Calvaire towards the Belleville district, print, optic print, Numbered in the title: 33., watermark, publisher: Jean-François Daumont, Paris, France, 1745 - 1775, Jean-François Daumont, publisher, printmaker, paint (coating), paper, watercolor (paint), etching, brush, colored etching, height 276 mm x width 412 mm, street (+ city(-scape) with figures, staffage), avenue, boulevard, promenade, esplanade (+ city(-scape) with figures., A wide street scene with tall leafy trees lining a central avenue, flanked by multi-story buildings on both sides; people in colorful period clothing walk, stand, and converse along the street and sidewalks, with a few carriages and horses among them; distant low hills and small buildings are visible beyond the trees, and the sky above shows soft blue and pale tones with faint clouds.
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alb30937193 Yofu gacho, Kyoto picture book, book, Three volumes (complete) with landscapes in and around Kyoto. Preserved in a yellow slipcase., printmaker: Taniguchi Kokyo, Japan, printmaker: Takeuchi Seihô, printmaker: Kikuchi Hobun, printmaker: Yamamoto Shunkyo, block cutter: Tanaka Jirokichi, Kyoto, printer (person): Yamazaki Yasutaro, publisher: Yamada Naosaburo, 1895 - 1898, printer (person), Kinki, paper, color woodcut, line block in black with color blocks, height 236 mm x width 161 mm., Three vertical book spines set against a textured beige background, each with a narrow rectangular label running down the center. The left spine is pale with subtle greenish smudges and a slightly worn label that shows spots of discoloration and small areas of surface wear. The center spine is a cooler light gray with faint green brushlike marks and a few small brownish stains near the top edge, and its label has light edge wear. The right spine has a warmer beige tone with a mustard-colored label that shows some scuffing and minor peeling at the bottom, and the surrounding cover displays a faded circular floral motif in pale green with scattered speckles of foxing. Overall the surfaces show creases, age-related spotting, and soft muted colors.
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alb30937121 The man who blasphemed God's name is stoned, The blasphemer stoned outside the army, print, book illustration, A man who blasphemed God's name with a curse, the son of Shelomite, is stoned by the Israelites (Leviticus 24:10-23). Below the image is the title in six languages., inscription: 'utrechts Fundatie huijs', printmaker: Abraham de Blois, Amsterdam, after drawing by Gerard Hoet (I), publisher: Pieter de Hondt, The Hague, 1720 - 1728, paper, engraving, gravure, height 358 mm x width 220 mm, violent death by stoning, the son of Shelomith is stoned to death by the Israelites., A detailed black-and-white engraving shows a chaotic outdoor scene with a large wooden structure at center and a group of people surrounding it. Several standing figures grip stones and raise their arms, poised to throw, while others bend down to pick up more stones from the ground. One figure lies on the ground in the foreground with a contorted posture and an anguished facial expression, and another figure nearby is curled up as if fallen. A man stands on the wooden structure holding a long pole and looks down toward the crowd. The crowd includes men and women wearing flowing garments, many with tense or strained faces, and a dense group of onlookers fills the background under a cloudy sky. The overall composition emphasizes movement, raised arms, and packed figures around the central structure.
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alb30937126 Four people on a funeral pyre, print, On the left are three men and a woman on a funeral pyre. The woman prays while a man stokes the fire. On the right two monks and some fleeing spectators., Low Countries, after design by Jacob van der Ulft, Northern Netherlands, 1652 - 1738, printmaker, paper, engraving, height 108 mm x width 143 mm, (private) prayer, 'Oratione', 'Preghiere', 'Preghiere a Dio' (Ripa), violent death by burning at the stake, pyre., A crowded scene rendered in dark linework showing figures around a large fire with swirling smoke rising in thick, curling plumes, some people standing near upright posts that appear to be engulfed in flames, a few semi-naked figures with long hair and draped garments with hands clasped or hanging, a man in the foreground using a long pole to tend the burning pile of logs, a group of onlookers in varied hats and cloaks gathered behind him, a robed figure raising a hand and another holding a small cross, architectural rooflines and chimneys visible in the background, and detailed textures of wood, clothing folds, and billowing smoke throughout the composition.
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alb30937147 Picture book with examples of brave and outstanding deeds - 2B, Zoho ehon isaoshigusa - nihen, book, Fourth part (of 10), blue cover, yellow title strip top left, 10 leaves, numbered: 12-21, text and five images of warriors on horseback, last page, image of veranda and cloud pattern., printmaker: Kita Busei, Edo (historical place name), publisher: Suwaraya Sasuke, publisher: Suwaraya Mohei, 1840, paper, color woodcut, black line block with color blocks, height 227 mm x width 160 mm., A worn blue paper cover with visible creases, scuffs, and small stains fills the image, showing a vertical yellowed rectangular label along the left edge with dark brushstroke markings, the label's bottom corner torn and frayed; the right edge reveals stitched binding with pale blue thread and edge wear, and the surface displays uneven discoloration, scratches, and small spots across the faded blue area.
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alb30937138 April, The Twelve Months, print, Series number, 4, 12, A landscape with fields with a gate and a bridge on the left, representing the month of April. On the right, on the country road and in the fields, several farmers; on the bridge, a fisherman. In the distance, the tower of the St. Bavo Church in Haarlem. In the upper left and right, the symbols of the constellation Taurus associated with this month. Fourth print from a series of twelve., printmaker: Jan van de Velde (II), Northern Netherlands, publisher: Claes Jansz. Visscher (II) (possibly), 1616, paper, etching, height 159 mm x width 302 mm, landscape with bridge, viaduct or aqueduct, village-gate, Taurus (zodiacal sign of April), landscape symbolizing April, Haarlem, Sint-Bavokerk (Haarlem)., A wide landscape etching shows an old stone structure with an arched doorway and a small bridge over water on the left, flanked by a tall tree and dense foliage. In the middle ground a path runs across open fields bordered by hedges and rows of trees, with a small outbuilding near the stone structure and clusters of trees further back. Several figures are scattered across the scene: two standing men near the center, a seated person on the bridge, a pair of standing figures and a seated figure on the right edge near a basket, and a distant figure working in the fields. The sky is filled with layered, swirling clouds and the foreground includes grassy banks and textured ground.
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alb30937117 Standing saint, Saints, print, A standing saint, holding a palm branch in his hand. On the right, an image of the saint standing by a rock and an image where that rock splits open and a spring emerges. Next to the saint lie a bishop's mitre and staff. In the sky, an angel with a laurel wreath and two cherubim. Print from a series of eight prints with saints., printmaker: Theodor Matham, after drawing by Abraham van Diepenbeeck, 1615 - 1676, Theodor Matham, Abraham van Diepenbeeck, printmaker, after drawing by, paper, engraving, proof print, height 261 mm x width 145 mm, saints, crowning with laurel, cherubs, ie children's heads with wings, insignia of bishop, eg mitre, crozier., A standing bearded man in long flowing robes and a dark mantle looks upward with a halo-like radiance around his head, one hand raised with fingers extended and the other holding a tall curved plant. Above him a few cherubic figures hover among clouds, one offering a wreath and others peering down. To the right of the man a mitre rests on an architectural ledge beside a decorative scroll element, and the ledge contains two small framed scenes showing a robed figure near rocks and a landscape with a distant building. The composition is rendered in detailed engraved line work with crosshatching, and the lower portion shows the drapery of the robes falling over a pedestal base.
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alb30937140 Portrait of Jobst Christoph Kress von Kressenstein, Celeberrimi ad pacificandum Christiani nominis orbem legati Monasterium et Osnabrugas, print, in oval with edge writing. Above the portrait the coat of arms of Nuremberg, below the family coat of arms of Kress von Kressenstein., printmaker: Cornelis Galle (II), Antwerp, Southern Netherlands, after painting by Anselm van Hulle, grantor of privilege: Ferdinand III (German Emperor), grantor of privilege: States General, 1649, paper, engraving, height 303 mm x width 195 mm, Person, Jobst Christoph Kress von Kressenstein (I)., An intricately engraved portrait of a man with long wavy hair, a mustache and a small pointed beard, shown from the chest up and turned slightly to one side, wearing a high collar and a dark cloak with decorative fastenings; he is set inside an ornate oval frame decorated with floral and fruit motifs, ribboned tassels hanging near the top corners, and a decorative cartouche with a shield above the portrait; below the oval is an elaborate ornamental base with scrollwork, a small helmeted figure and a shield, and a rectangular panel framed by carved scrolls; the entire image is rendered in fine line engraving with dense crosshatching and decorative borders.
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alb30937133 Winding plant motifs, print, printmaker: Tom Poggenbeek, 1882 - 1942, paper, lithography, lithografie, height 376 mm x width 226 mm, ornament derived from plant forms., A vertical rectangular image filled with an intricate, monochrome carved or etched pattern of flowing, organic curves and looping bands, with a weathered woodgrain texture visible throughout; the design contains a few large rounded shapes resembling petals or lobes, several elongated ribbon-like bands that cross and weave, and many smaller amoeba-like blobs and droplets clustered along the curves, all rendered in varying tones of gray that give a rubbed, distressed appearance across the entire surface.
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alb30937151 Perseus and the sea monster, print, Perseus floats through the air hanging from the winged horse Pegasus. He holds the severed head of Medusa above the sea monster to which Andromeda was sacrificed. On the left in the foreground, a flying seagull., printmaker: Johannes Josephus Aarts, 1907, paper, pencil, engraving, intaglio printmaking technique, engraving (printing process) and plate tone with corrections in pencil, height 232 mm x width 308 mm, (story of) Perseus, Pegasus, the winged horse., A detailed monochrome drawing shows a muscular human figure entwined with flowing drapery and long wavy hair, positioned atop a rearing horse with a mane rendered in intricate lines; a large wing and a textured tree trunk appear behind them, and beneath are layered organic forms resembling twisted roots, rocks, and vegetation with finely hatched shading throughout.
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alb30937190 Two walkers by a canal, Seven landscapes, print, Series number, 4, 7, Landscape with a bridge over a river. On the right two pedestrians. On the left a shepherd with his flock., printmaker: Gillis van Scheyndel (I), publisher: Cornelis Danckerts (I), Amsterdam, 1631 - 1656, paper, etching, engraving, etching and engraving, height 110 mm x width 144 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, canal, farm or solitary house in landscape, groups of trees, 'en route', traveller under way., A detailed black and white line drawing shows a rural scene with a stone bridge over a calm body of water reflecting the arch beneath. A group of tall, leafy trees rises behind and beside the bridge, their foliage rendered with fine stippling and lines. A thatched-roof building and a few smaller structures sit partially obscured among the trees. Near the bridge a woman stands by the water while a small dog or child is nearby. In the foreground along a dirt path two walking figures wearing wide-brimmed hats pass each other, carrying small bags. To the left a few grazing animals are near low bushes and trees, and a seated figure rests on the ground. The sky is indicated with horizontal line shading and the entire image is framed by a thin border.
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alb30937170 Beached sperm whale at Egmond aan Zee, 1764, print, A beached sperm whale on the beach at Egmond aan Zee on February 15, 1764. The sperm whale is being viewed by a crowd that has gathered, some of whom arrived by horse and carriage. The sperm whale was sold on March 1, for 810 Guilders. At the top is a banner showing the sperm whale from the back. At the bottom center an explanatory text in Dutch., printmaker: Cornelis van Noorde, Haarlem, paper, etching, engraving, etching and engraving, height 215 mm x width 338 mm, beach, swimming mammals: whale (+ dying animal, death of animal, dead animal), Egmond aan Zee, Period, 1764-02-15., A large beached whale occupies the center foreground with its textured skin and prominent fins, people gathered around it in various poses and clothing of a historical style. A man stands on the whale near a fin holding a rope, while several others touch or examine the whale along its body and mouth. In the foreground a group of men, women, and children form clusters, some pointing or gesturing toward the whale, with a small dog near a running child. The shoreline scene shows waves and boats at the water's edge and a crowd extending along the beach, with horses and riders among them. Distant hills and figures appear along the horizon, and a decorative draped cartouche at the top contains a smaller depiction of the whale with tiny figures around it. The image is rendered in fine engraved lines, predominantly monochrome.
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alb30937122 Epitaph, print, ornamental print, Front and side elevation. Coffin on which two women are seated, the one on the left with a skull on her lap. From a series of 5 sheets, second edition., printmaker: Jean Lepautre, France (possibly), publisher: Nicolas Langlois (I), Paris, grantor of privilege: Louis XIV (King of France), 1640 - 1703, paper, etching, height 247 mm x width 192 mm., An engraved ornamental wall plaque features a central raised medallion with a circular relief scene, surrounded by a decorative border and set within a framed octagonal panel; above the panel rises a cross flanked by a pair of wings and a small draped book or lectern, and seated on either side of the upper ledge are two hooded, robed figures with downcast faces, one holding a skull; the lower section tapers into a scroll-decorated bracket with a carved grotesque face and leaf-like ornamentation, all rendered in fine parallel hatching and line work.
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alb30937106 Interior with three men and a maid, print, Three men with hats are sitting in an interior. A maid stands behind them. A mirror hangs on the right., Low Countries, after design by Pieter Tanjé, Northern Netherlands, 1721 - 1811, printmaker, paper, engraving, gravure, height 157 mm x width 118 mm, interior of the house, sitting figure, maid, house personnel., An interior scene rendered in fine black and white lines shows a room with exposed ceiling beams and a windowed wall, framed pictures hanging on the walls, a cabinet with decorative plates resting atop it, and four seated figures wearing period clothing and tall brimmed hats gathered around a small stool and chairs while a standing woman in a simple dress and apron looks down at them, a leaning framed canvas rests against the windowed wall and a draped table is visible at the side.
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alb30937167 Mother teaches child to walk, print, A woman teaches her child to walk using a leash and a harness. The little child takes her first steps and reaches for a basket, printmaker: Pieter de Mare, Leiden, printmaker: Christina Chalon, c. 1779 - 1796, paper, etching, brush, etching and brush in color, height 115 mm x width 76 mm., An older woman wearing a white head covering and a shawl over a long dress leans forward holding straps attached to a small child; the woman has visible facial wrinkles and wears a dark apron over a blue skirt and brown underskirt with simple shoes. The child also wears a white head covering and a layered outfit with a small apron and shoes, leaning forward with outstretched arms toward the ground. The scene is set against a plain, lightly textured background and the figures cast subtle shadows on the floor near a shallow basket and a few small objects on the ground.
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alb30937164 Offer of Abraham, print, France, after painting by Theodoor Rombouts, publisher: Edme Jeaurat, Paris, 1698 - 1738, printmaker, paper, etching, engraving, height 360 mm x width 229 mm, when Abraham has raised his hand to kill Isaac, God or the hand of God restrains Abraham's hand., A monochrome engraved scene shows a bearded man standing on rocky ground, clad in draped robes and a turban, holding the hair of a young bound boy who sits partially nude on a wooden structure with his hands tied behind his back, his head bent forward and eyes closed. An angel with wings and flowing drapery leans toward the man from above, one hand on the man's shoulder and the other reaching toward him, while rays of light break through heavy clouds in the sky. To the left, a ram is entangled in bushes near a tree trunk, and to the right a small landscape with trees and distant figures on animals is visible. Various fabrics and a bowl with smoke or incense sit on the ground among scattered branches and rocks. The image is framed by an arched border and fine parallel shading throughout.
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alb30937181 Mooháfiz Khan's Mosque.- Northern Minaret, Minaret of the Muhafiz Khan Mosque in Ahmedabad, photograph, page, inscription: 'U', number: '73.', photographer: Thomas Biggs, Ahmedabad (city), c. 1856 - in or before 1866, Thomas Biggs, photographer, Gujarat, paper, albumen print, height 188 mm x width 136 mm, temple, shrine, Islam, Mohammedanism, Muhafiz Khan Mosque., A sepia photograph shows an ornate stone minaret with layered cylindrical sections and carved horizontal bands standing beside a building facade with arched doorways and decorative cornices; a person sits at the base of the minaret, and a few stone steps and low walls are visible in the foreground. To the right of the minaret there are large trees with dense foliage, and the image is framed by a light-colored matte with a thin decorative border.
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alb30937116 Portrait of Willem Jacobszoon van Heemskerk, print, Portrait of Willem van Heemskerk at the age of 74. He was a glass engraver, poet, and draftsman., printmaker: Abraham Bloteling, Amsterdam, after painting by Jan van Mieris, writer (clerical worker): Geertruid Gordon de Graeuw, 1687, writer (clerical worker), paper, mezzotint, engraving, mezzotint and engraving, height 197 mm x width 137 mm, Person, Willem Jacobszoon van Heemskerk, historical persons, portrait, self-portrait of artist., An oval framed monochrome portrait of an older person with shoulder-length wavy hair, a narrow mustache, and a serious expression, shown from the chest up and wearing a dark cloak over a light collar; the portrait sits within a decorative oval mat with a textured background and a rectangular panel beneath that contains handwritten lines, all rendered in tonal shading.
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alb30937168 Ornament with leaves, print, ornament print, printmaker: Monogrammist IG, Low Countries, 1522 - 1530, paper, engraving, height 48 mm x width 55 mm, plants, vegetation (+ ornamental variants of plants)., A close-up of an ornate carved or engraved pattern showing flowing, symmetrical scrolls and stylized leaf forms rendered in a monochrome palette, with curved volutes and bulbous floral elements arranged around a central vertical stem; the background is filled with closely spaced horizontal lines, and the decorative motifs display varied shading and fine linework giving a textured, hand-etched appearance.
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alb30937127 Spanish soldiers and monks are murdered, Hispani cum monachis aliquot ab indis trucidantur, India occidentalis IV, print, book illustration, Series number, 16, 24, Native Americans murder Spanish soldiers and monks upon their arrival in America. They face the Europeans with bows and arrows and clubs., printmaker: Theodor de Bry, Frankfurt am Main, printmaker: Johann Theodor de Bry, after print by Federico Barocci, 1594, Federico Barocci, after print by, paper, engraving, letterpress printing, engraving and text in letterpress, height 180 mm x width 200 mm, monk(s), friar(s), archer's weapons: bow and arrow, indigenous peoples of North America, indigenous peoples of Central America, massacre, war, North and Central America., A densely detailed black and white engraving showing a chaotic shoreline scene with many partially clothed men engaged in violent struggle; several men wield bows, arrows, clubs, and spears while others lie wounded or fallen on the ground, and a few figures reach or gesticulate amid the fray; in the background a small boat with figures is near the water and a larger sailing ship is visible further out at sea; the shore behind the combatants slopes up to a landscape of trees and bushes, including clusters of tall, curved-leaf trees and a darker arched cave-like opening among them; the foreground includes scattered grass, low plants, and a variety of human poses and expressions captured in fine engraved lines.
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alb30937188 Apollo and the Muses, Galerie des peintures qui sont dans la salle du bal à Fontainebleau, Paintings from the ballroom of Fontainebleau castle, print, album page, Series number, 4, 14, Decoration of a pendentive. Print is part of an album., printmaker: Alexandre Bettou, after painting by Francesco Primaticcio, Fontainebleau, 1622 - 1693, paper, etching, height 214 mm x width 361 mm, more than one musician with instrument, Apollo Musagetes., A detailed ink drawing shows a semicircular frieze filled with a group of classical figures arranged in a crowded composition. Several draped, seated and reclining figures with flowing garments occupy the center, some leaning toward each other and others facing outward, while a male figure with wings holds a stringed instrument near the top. A few smaller putto-like children interact with the adults, and one is seated near a large vessel pouring water. A horse head emerges among the figures on one side. Decorative scrollwork and ornamental motifs frame the upper corners of the frieze, and a theatrical mask rests near the base among the drapery. The overall palette is monochrome with fine cross-hatching and stippling used for shading on a plain, light background.
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alb30937107 Skeleton, found during archaeological excavations in Hungary, Hollandsche Archaeologische Expeditie, photograph, inscription: 'Hollandsche Archaeologische Expeditie', photographer: attributed to Jan Lanting, Hungary, supervision: Albert Egges van Giffen, 1928, Attributed to, paper, baryta paper, gelatin silver print, developing gelatin silver print, height 162 mm x width 222 mm, height 239 mm x width 340 mm, (human) skeleton, excavation, archaeology, Dömsöd., A sepia-toned photograph shows an uncovered skeleton lying on its side in a shallow dirt excavation, with a skull visible near one edge and rib bones, arm and leg bones arranged around it; the surrounding soil is rough and compacted with a few clumps and exposed roots, and a group of dried grasses or plant stems lies near the lower edge of the image.
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alb30937148 Vache., Vacca., Kuh., Cow., Koe, print, popular print, A cow in front of a fence. In the background a farm. Numbered bottom right: 29., publisher: Scholz, firm Joseph, Mainz, Europe, 1829 - 1880, printmaker, Rhineland-Palatinate, paper, lithography, colour, letterpress printing, Lithography colored in green, brown, pink and blue, text in letterpress, height 350 mm x width 429 mm, cow., A large brown cow with darker patches stands facing slightly toward the viewer, showing its head, horns, and body; the cow has a lighter area on its chest and a visible udder beneath its body. Behind the cow is a wooden fence and a grassy area with several plants and bushes, and further back is a thatched-roof building partially obscured by the cow and surrounded by leafy trees and shrubs. The ground in front of the cow is a mix of dirt and grass with shadows beneath the animal.
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alb30937157 A detailed black and white engraving shows a group of partially draped and nude figures gathered on voluminous cloud forms beneath a scalloped shell-like architectural backdrop. A central seated male figure wrapped in flowing drapery looks downward, holding a rectangular object, while several reclining and leaning figures surround him with varied poses and turned heads. The clouds are rendered with dense cross-hatching and rounded shapes, and the shell backdrop is decorated with repeated shell motifs and radiating lines. Ornamental foliage and fruit cluster along the top border, and the entire composition is executed with fine linework and intricate shading.
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alb30937110 Bridge in front of walled buildings, Twelve landscapes, print, Series number, 11, 12, In a hilly landscape, a stone bridge lies in front of a group of walled buildings. Two travelers walk along a country road beside the wall. The print is part of a series of twelve landscapes., printmaker: Gillis van Scheyndel (I), after design by Antoine Perelle (possibly), publisher: Frederik de Wit, Amsterdam, 1640 - 1706, paper, etching, height 97 mm x width 172 mm, village, 'en route', traveller under way, bridge., A detailed ink landscape shows a group of connected buildings with varied rooflines on the left, including a taller structure with visible windows and a small tower, beside a cluster of bushes and a tall leafy tree; in the foreground a winding path or water channel bordered by a rough wooden fence leads toward a curved stone or wooden bridge, and a few small figures wearing hats and carrying sticks walk along the path while a couple of other distant figures appear on the plain near low rolling hills under a sky filled with lined shading and soft cloud shapes.
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alb30937124 Portrait of Dorothy Perkins, photograph, Dorothy Perkins, aged 17, convicted of the murder of Thomas Templeton, annotation: 'Young Killer 1928, Vintage SG c. 1928, £350, guilty', stamp: 'REFERENCE DEPT., JUL 22 1926, NEA', annotation: '17 5434', annotation: 'Dorothy Perkins, Killed the Templeton', photographer: unknown, United States of America, supplier: Newspaper Enterprise Association, 1926, North America, paper, gelatin silver print, developing gelatin silver print, height 205 mm x width 152 mm, height 217 mm x width 165 mm., A black-and-white close-up portrait of a young person with short hair styled in a bob, resting their face on a hand, with a calm expression and eyes looking slightly to the side; they wear a dark coat with a high collar and a patterned garment visible beneath, and the background is blurred with soft, indistinct shapes.
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alb30937178 Spaniard, penniless, print, book illustration, Two depictions of lottery sayings, each with its own number. Above no. 400: a depiction in a round frame of a man spanking his wife with a wet cloth. Below no. 403: a depiction in an octagonal frame of a man in a living room, sitting at a table. In his hand an empty purse, a symbol of his poverty. The print has a page number at the top right., printmaker: Jan Goeree, Amsterdam, publisher: Hendrik van Damme (II), Leiden, 1705, paper, engraving, gravure, width 89 mm x height 140 mm, the poor, purse, money-bag, dominating husband, spanking, drubbing (of naughty children) (+ variant)., An upper circular vignette shows a rough interior with a standing man raising a cloth or garment above his head and holding down another person who is bent over on the floor, nearby objects include a hanging strainer and a box, and a curtained bed and a chair are visible in the background; a lower octagonal scene shows a seated man leaning back in a chair with one arm across his stomach and the other holding up a small garment, a table with a draped cloth and dishes sits beside him, a hat lies on the floor, a large fallen barrel occupies the foreground, and a window behind him reveals rooftops and figures outside.
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alb30937139 Title print with cartouche for a series of horse breeds, Horse breeds, print, title print, Series number, 2, 30, Text in Latin in cartouche, decorated with two horses and wind instruments. Title print for a series of thirty with horse breeds., printmaker: Egbert van Panderen, Amsterdam, after design by Antonio Tempesta, publisher: Frederik de Wit, writer (clerical worker): Richard Lubbaeus, c. 1590 - 1637, writer (clerical worker), paper, engraving, height 137 mm x width 163 mm, horn, trumpet, cornet, trombone, tuba, ornament, cartouche (+ ornament enlivened by animal forms)., An engraved ornamental cartouche with flowing scrollwork framing the central area, flanked by two stylized horse heads facing outward near the top, decorative curled ribbons and trumpet-like forms across the upper border, dense fine hatching and stippling creating shading and texture, a few rounded oval openings incorporated into the scrolls, and elegant curving acanthus-like motifs at the bottom.
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alb30937123 Portrait of Jacques Jordaens, print, Portrait of the artist Jacques Jordaens. He holds his left hand against his chest. In the margin the name of the sitter., printmaker: Pieter de Jode (II), Antwerp, after painting by Anthony van Dyck, publisher: Martinus van den Enden (I), 1628 - 1670, unknown, grantor of privilege, paper, engraving, etching, engraving and etching, height 246 mm x width 176 mm, Person, Jacques Jordaens., A black and white engraved portrait of a seated man shown from the waist up wearing a voluminous draped garment and a large pleated ruff collar; he has styled hair, a curled mustache, and a small pointed beard, and his left hand is placed over his chest while his right arm rests in his lap; the background features textured rectangular blocks and crosshatched shading.
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alb30937132 Portrait of William III, Prince of Orange, print, Portrait of William III in an oval of laurel leaves. Surrounding it are a number of allegorical objects, including his crown, scepter, and orb. In a frame are his name and title. Top left '19'., Low Countries, 1688 - 1749, printmaker, paper, engraving, etching, height 151 mm x width 86 mm, Person, William III (Prince of Orange and King of England, Scotland, and Ireland)., An engraved portrait of a person with long curly hair shown from the chest up inside an ornate oval frame, wearing a fur-trimmed cloak over armor on one shoulder, the face neutral with detailed shading; below the portrait a cushion holds a crown and a scepter beside a globe, all rendered in fine line work and crosshatching.
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alb30937135 The Discovered False Virtue: Geertruy's Feigned Sadness, print, Geertruy feigns sadness as she bids farewell to her husband Filibert, who is leaving on a business trip. Filibert has just learned from his servant Joris, who is walking behind him, that Geertruy is cheating on him with his nephew. The maid Bely mocks Filibert as a deceived husband by holding two fingers like little horns to her head. Scene from the play *De Ontdekte Schijndeugd*, by David Lingelbach., printmaker: Pieter Tanjé, Amsterdam, after painting by Cornelis Troost, 1757, Pieter Tanjé, Cornelis Troost, printmaker, after painting by, paper, etching, engraving, height 368 mm x width 267 mm, waving farewell, departure on a journey, weeping, comedy, postures and gestures of index finger and middle finger., A detailed black and white engraved scene shows a street in front of a brick building with an arched doorway framed by pilasters and a decorative fanlight; a large tree with textured foliage fills the left side and background buildings and trees are visible beyond. In the foreground three figures stand on the doorstep and pavement: a portly man in period clothing and a curled wig lifts his hat with one hand while holding an umbrella and a handkerchief with the other, a narrower man beside him wears a wide-brimmed hat and holds a small animal or object in his arms, and a woman in a flowing gown and shawl sits on the step dabbing her eye with a handkerchief while another figure peers from the shadowed doorway behind her. The scene features finely engraved shading and crosshatching throughout the architecture, clothing, tree, and ground.
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alb30937158 Wedding at Cana, left leaf, print, Christ at a table, surrounded by many figures, during the wedding at Cana. Left, a servant discusses with the groom that there is no more wine., printmaker: Hendrick Goltzius, after design by Francesco Salviati, writer (clerical worker): Simon Sovius, publisher: Jacob Matham, Haarlem, grantor of privilege: Rudolf II of Habsburg (German Emperor), 1599 - 1603, writer (clerical worker), paper, engraving, height 627 mm x width 357 mm, laid table: tableware, table decoration, the marriage feast at Cana (John 2:1-11), (dinner) service displayed on sideboard., A detailed black and white engraving showing a banquet scene beneath an arched architectural setting, with a group of seated and standing figures in flowing drapery gathered around a long table covered with a patterned cloth and plates of food. On the left, shelves display a collection of ornate vessels and plates stacked and arranged against draped fabric, while several standing figures with varied headdresses and beards crowd the entryway. In the foreground a seated woman in elaborate garments and a headpiece leans to the side on a cushioned seat, her hand resting on the table edge, and a small cat peeks out near the floor beside the drapery. At the table, men and women in classical attire converse and gesture, one bare-chested man holding his hand to his chest and others turning toward a bearded figure at the head of the table. The background includes architectural columns, decorative niches, and a procession of additional seated figures receding into the distance, all rendered with fine line work and cross-hatching.
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alb30937185 Saint Servatius Spring, Maastricht, Fountain of Saint Servatius, print, The Saint Servatius Spring, located in the Jekerdal, east of the Cannerweg in Maastricht., printmaker: Alexander Schaepkens, 1830 - 1899, paper, chine collé, etching, height 131 mm x width 194 mm, landscapes with waters, waterscapes, seascapes (in the temperate zone)., A monochrome ink drawing of a rocky waterside scene showing a shoreline with a group of large irregular rocks and boulders clustered along the edge, interspersed with patches of low vegetation and tufts of grass. The water surface is rendered with horizontal and vertical hatch lines that suggest gentle ripples extending toward the foreground and background. Beyond the nearer rocks the landscape rises into low, undulating terrain covered with more scattered vegetation and small bushes, and the distant horizon shows faint cloud shapes and textured sky marks. The paper shows areas of smudging and age with darker blotches and uneven discoloration across the composition.
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alb30937136 View of the harbor of Bruges, Vue du Bassin et de la Ville de Bruges, print, watermark, printmaker: Noël Le Mire, France, after painting by Hendrik van Minderhout, writer (clerical worker): mademoiselle Le Mire, Paris, dedicated to: Nicolas-René Berryer, 1759, writer (clerical worker), paper, etching, engraving, height 453 mm x width 585 mm, harbour, ships (in general), Bruges., A wide harbor scene rendered in monochrome shows multiple tall sailing ships at anchor with billowing sails and detailed rigging, smaller rowboats and barges near the water, figures on the shore and on boats engaged in various activities, a large ornate stern on one central ship, smoke rising from a small boat near that ship, clusters of people gathered by the quay near barrels and cargo, a distant town skyline with spires and low buildings along the waterline, a cloudy sky filling the upper area, and a decorative crest flanked by foliage at the bottom edge.
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alb30937187 Valletta, La nuova citta e fortezza di Malta chiamata Valletta, The Siege of Malta, print, Bird's-eye view of Valletta, the capital of Malta. The city was built after the Turkish invasion of Malta in 1565. Upper left: three putti carrying a cartouche with five coats of arms. Italian text and explanatory list with numbers in the lower margin. Numbered lower right: Fo. XV., printmaker: Antonio Francesco Lucini, Italy, publisher: Nicolo Allegri, Rome, 1665, Antonio Francesco Lucini, Nicolo Allegri, printmaker, publisher, paper, etching, height 338 mm x width 430 mm., An intricately detailed monochrome map-like illustration showing a fortified coastal city with star-shaped and angular bastions, ramparts, and walls enclosing a dense grid of small building blocks and narrow streets; several harbor areas with piers, quays, and anchored sailing ships are visible along the shoreline, and a group of larger ships appears offshore; tiny human figures are scattered on the streets and along the fortifications, some near cannons and small boats; decorative elements include cherubic figures near an ornate cartouche and a compass rose, and textured cloudlike shading surrounds parts of the fortifications and sea.
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alb30937102 Standing man with feathers on his hat, print, A standing old man with two feathers on his hat and the coat over his shoulders., inscription: 'Ostade del. C. van Noorde, sculp.', printmaker: Cornelis van Noorde, Haarlem, after drawing by Adriaen van Ostade, 1741 - 1795, paper, crayon manner, etching in crayon manner, height 139 mm x width 72 mm, standing figure., A standing figure drawn in dark sketch lines on a light background, shown in profile facing left, wearing a wide-brimmed, slightly floppy hat with a feather, a loose cloak draped over the shoulders, layered clothing beneath, baggy knee-length trousers, and tall boots; the figure's hands are clasped near the abdomen, the face shows a prominent nose and a beard, and there is some ground shading and textured marks around the feet and behind the figure.
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alb30937144 Group of blind people in a landscape, print, printmaker: Quirin Boel, after painting by Domenico Feti, 1650 - 1660, paper, etching, height 163 mm x width 229 mm, engravers, the blind leading the blind (Matthew 15:14)., A detailed monochrome engraving shows a rocky wooded landscape with tall trees, knobbly trunks, and layered foliage. In the foreground a group of people stand and kneel on uneven ground and rocks; one person leans forward gripping a staff, another bends while holding a mug, and a third figure appears to steady or guide a smaller figure who looks upward. The clothing consists of layered garments with folds and sashes, and the figures have varied facial expressions and hairstyles. In the midground a group of animals grazes on a slope among more trees and rounded hills. The sky is filled with fine horizontal hatch lines and a few small birds, and there are textured rocks and shrubs scattered across the scene.
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alb30937186 Conversion of Paul, print, On the way to Damascus, Saul is struck by a beam of light from heaven and thrown from his horse. Saul is sitting on the ground and several soldiers are attending to him. A beam of light from heaven carries the words: 'Saul, Saul, Quid persequeris me.' Around Saul are various soldiers on horseback or on foot. Some are in panic. On the right, Christians are being led away in chains. The print has a Latin caption consisting of four lines., printmaker: workshop of Jacques de Gheyn (II), Leiden, printmaker: Zacharias Dolendo (possibly), Northern Netherlands, after design by Karel van Mander (I), writer (clerical worker): Hugo de Groot, 1596 - 1598, writer (clerical worker), paper, engraving, two sheets stuck together, height 344 mm x width 547 mm, on the way to Damascus Christ appears to Saul, who falls from his horse and is blinded by the light., A busy monochrome scene showing a large group of people and horses gathered among rocky cliffs and a rough landscape, with several armed figures holding spears and shields and wearing helmets and cloaks, a few men on horseback, and a group of partly unclothed figures kneeling or crouching in the foreground; one seated figure appears limp and is surrounded by others offering aid, while a mounted man nearby gestures toward the center. In the background a winding path leads toward a distant walled town nestled among hills and trees, and rays of light break through clouds above the central area. The composition includes a variety of poses and expressions, flowing drapery, banners or cloths held aloft, trees framing the sides, and detailed textures in rock, armor, and horse manes.
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