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Total de Resultados: 10.000

Página 1 de 100

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg157697 Master of the Lübeck Bible, 1494. -"Destruction of the Walls of Jericho".- (Joshua 6,20). Wood engraving. From the Niederdeutsche Bibel, Lübeck (Steffen Andres) 1494. Author: MEISTER DER LUEBECKER BIBEL.
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akg612748 Kandinsky, Wassily. 1866-1944. "Murnau: Street with Women", 1908. Oil on cardboard, 71 × 97 cm. Private collection. Copyright: Additional copyrights may need to be cleared on this image when licensed for use by clients in the USA. Please contact us for additional information.
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akg915028 Theatrical performance in the days of Shakespeare. Handcolored woodcut of a 19thcentury illustration.
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akg1565926 Sanchi (Madhya Pradesh, Zentral-Indien), Buddhistisches Heiligtum (seit 1989 UNESCO-Weltkulturerbe), Großer Stupa ( Stupa 1; gestiftet von Kaiser Ashoka im 3. Jh.v.Chr.; im 2. unter den Sunga-Herrschern erneuert; die vier Steintore, Toranas, erbaut unter der Satvahana-Dynastie 2./1.Jh.v.Chr.). /-Teilansicht des Nordtores, Architrav:...
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akg3010964 Karl IV. (urspr. Wenzel) von Luxemburg, röm.-deutscher Kaiser, 1316-1378. "Kaiser Karl IV. in Lübeck". Holzstich, 1855, nach Zeichnung von Hermann Plüddemann (1809-1868). Aus: F.Bülau, Deutsche Geschichte in Bildern, Dresden 1855. Spätere Kolorierung. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg7394021 Llorens, Juan 1800-1900. Broadside with 48 scenes relating to the life of the Carlist General of Spain, Ramon Cabrera y Griñó, Print, 1862. Wood engraving, 44 × 31.8 cm. Inv. Nr. 1978.643.21 (1). New York, Metropolitan Museum of Art.
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orz158506 FACHADA DE LA IGLESIA DEL MONASTERIO DE LA ASCENSION DE NUESTRO SEÑOR - SIGLO XVII ESTILO CLASICISTA. Author: PEDRO PEDROSA (S XVI-d 1632). Location: MONASTERIO DE LA ASCENSION DE NUESTRO SEÑOR. Lerma. BURGOS. SPAIN. VIRGIN MARY.
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orz206226 MONUMENTO A CARLOS IV, ESTATUA DE BRONCE SITUADA EN LA PLAZA DE LOS CRUZADOS INAUGURADA EN 1848- FOTO AÑO 2006. Author: ERNST JULIUS HAHNEL (1811-1891). Location: EXTERIOR. PRAG. CZECH REPUBLIC.
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orz086754 CLAUSTRO S XIV- SEPULCRO- ESCULTURA GOTICA CATALANA. Location: CATEDRAL VIEJA-LA SEU VELLA. Lerida. SPAIN.
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orz053861 ESCENA ADAPTACION AL CINE DEL ARRESTO BAJO EL REGIMEN DE LOS HABSBURGO EN EL SIGLO XIX DE SILVIO PELLICO EN LA OBRA MIS PRISIONES LE MIE PRIGIONI. Author: SILVIO PELLICO (1789-1854).
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orz075245 NAVE LATERAL-CAPITELES FIGURADOS-S XIII-REPRESENTAN ESCENAS DEL BESTIARIO MEDIEVAL. Location: CATEDRAL VIEJA-LA SEU VELLA. Lerida. SPAIN.
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orz075244 MAQUETA DE LAS OBRAS DE LA CATEDRAL. Location: CATEDRAL VIEJA-LA SEU VELLA. Lerida. SPAIN.
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orz075280 INTERIOR DE LA LINTERNA DEL CIMBORRIO DE LA SEU VELLA DE LLEIDA CON SU BOVEDA OCTOGONAL DE CRUCERIA Y VENTANALES - SIGLO XIII - ARQUITECTURA GOTICA. Author: PEDRO PENNAFREITA (?-1286). Location: CATEDRAL VIEJA-LA SEU VELLA. Lerida. SPAIN.
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orz075246 NAVE LATERAL-CAPITELES FIGURADOS-S XIII-REPRESENTAN ESCENAS DEL BESTIARIO Y MOTIVOS VEGETALES. Location: CATEDRAL VIEJA-LA SEU VELLA. Lerida. SPAIN.
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alb31261047 AU HASARD BALTHAZAR (1966), directed by ROBERT BRESSON. English title: BALTHAZAR. Portuguese title: PEREGRINAÇÃO EXEMPLAR.
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alb30982566 Tromp Knighted by the King of Denmark, Cornelis Tromp Knighted by the King of Denmark, 1676, print, historical print, Admiral Cornelis Tromp is knighted by King Christian V of Denmark after the victory achieved by the combined Dutch-Danish fleet over the Swedish fleet in the Battle of Öland on June 11, 1676. Marked upper right: Fol. 476., printmaker: Jan Luyken, Northern Netherlands, 1690 - 1692, paper, etching, height 169 mm x width 125 mm, Person, Cornelis Tromp, Christiaan V (King of Denmark and Norway), knighting ceremonies, ruler bestowing nobility, Battle of Öland, Period., An intricately detailed black and white engraving of an ornate interior scene with tall columns, arches, draped curtains, and decorative architectural elements; a group of figures in elaborate period dress occupy the foreground, including a central kneeling man wearing richly patterned clothing and long curled hair, and a standing figure nearby wearing a crown, a fur-trimmed cloak, and armor while holding a sword; attendants and guards in varied costumes and plumed hats surround them, some holding spears and banners, while other figures stand on a raised platform and in archways in the background; a patterned carpet covers the floor beneath the figures and a heavy embroidered curtain hangs overhead with visible tassels.
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alb30982569 Laughing monk, page, photomechanical print, photographer: Henri Magron, France, cliché maker: Paul Dujardin, c. 1885 - in or before 1896, paper, photoaquatint, height 85 mm x width 85 mm, Print on front cover, monk(s), friar(s)., A sepia-toned ornate page with decorative floral and scrollwork borders in the upper left corner framing a circular vignette containing a photograph of a person wearing a light-colored robe and a dark rounded headpiece, seated and looking upward with hands clasped in front; the surrounding area is mostly blank aged paper with faint spots and small stains and additional scattered ornamental flourishes.
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alb30982562 A sepia chalk drawing of a standing figure wearing a hat with a brim, shown in profile and leaning slightly forward, with one arm extended and fingers splayed; the figure wears a loose shirt with rolled sleeves, fitted breeches, and low shoes, and the lines emphasize folds and shading in the clothing while the background is plain paper.
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alb30982529 Historical map of the Netherlands with the territories of the Batavians and Frisians, Map of the Island of the Batavians and of the adjacent peoples, at the time of N. Claudius Drusus Germanicus, print, map, historical print, Historical map of the Netherlands with the territories of the Batavians. Forms part of the 8 maps in G. van Loon, Ancient Dutch History... since the arrival of the Batavians in... Holland, 2 volumes, by Pieter de Hond, The Hague 1734. According to the inscription placed in: Volume I, fol. 45., printmaker, Netherlands, paper, etching, height 377 mm x width 398 mm, maps of separate countries or regions, Roman period in the Netherlands, Batavians, Frisians., A monochrome antique map showing coastlines, islands, peninsulas, rivers and estuaries with shaded edges and wavy hachure along shores, scattered decorative compass rose, various winding lines indicating waterways and tributaries, clustered irregular island shapes with internal contours, finely drawn border frame around the sheet, numerous hand-drawn labels scattered across the map area, and a rectangular decorative cartouche near the top left and another panel with a scale near the bottom center.
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alb30982556 Three Kings' Notes, Sur l'air: Jai du Mirliton, card game, print, popular print, Sheet with 32 depictions (Three Kings' notes) of various functions within the court, including a counselor, a taster, and a doorman. To the right of each image, a four-line verse in Dutch and in French. Numbered center left: n 100., inscription: 'P. Leidekker', publisher: Philippus Jacobus Brepols, Turnhout, 1800 - 1833, Philippus Jacobus Brepols, publisher, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in blue, yellow and red, text in letterpress, height 340 mm x width 415 mm, royal household, courtiers, retinue, train, Twelfth Night, usually falling on the eve of January 6, Epiphany., A repeating grid of rectangular panels fills the image, each panel containing a small hand-colored illustration and surrounded by columns of printed text; the illustrations depict figures wearing historical clothing, many seated on horses with saddles and bridles, others standing or holding objects, with several riders shown in profile and some faces visible; the color palette is mainly muted with blue, red, yellow, and black ink used to highlight garments, horses, and small ground patches, and occasional small architectural sketches appear in a few panels; the page shows vertical and horizontal dividing lines creating the grid, faint printing imperfections, and a narrow central margin where two halves of the sheet meet.
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alb30982558 S. Vincentius, print, inscription:, printmaker: Michael Snijders, Antwerp, 1610 - 1672, paper, engraving, gravure, height 95 mm x width 62 mm, the Dominican friar Vincent Ferrer of Valencia (or Vannes), possible attributes: book, baptismal font, cardinal's hat at feet, flames, flaming sword, IHS monogram, lily, sun, trumpet of the Last Judgment., A monochrome engraving of a man in a hooded robe shown from the waist up, looking upward with a halo of radiating lines around his head; his hands are clasped in prayer and hold a string of beads; behind him is a landscape with rolling hills and small trees, a small kneeling figure with hands clasped, and a clouded sky with a smaller seated figure within a radiant cloud; the man's face features short cropped hair, arched eyebrows, and a contemplative expression.
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alb30982528 Explanation of this Vision or View concerning the final downfall and fall of Castile, Text sheet accompanying the print of the vision of the downfall of Spain, ca. 1630, propaganda print, text sheet, ca. 1630. Explanation of the representation in 3 columns, below that an explanation in 4 columns in italics, below that the explanations in verse form of the small scenes AQ and the legend 1-11 of the central representation., publisher: anonymous, Northern Netherlands, 1630 - 1635, paper, letterpress printing, text in letterpress, height 264 mm x width 370 mm, The legend is by: RE, Person, Philip IV (King of Spain), Loss of the Spanish Armada, Eighty Years' War, Thirty Years' War, Period., A large sheet printed with multiple narrow columns of dense serif text separated by thin white margins, featuring a wide decorative heading across the top with large spaced letters, numerous small ornamental flourishes along some column edges, and several sections of slightly bolder or larger type breaking up the layout; the paper has a warm, aged tone with subtle uneven mottling, and blocks of text vary in alignment and column width forming a gridlike arrangement across the page.
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alb30982563 Court officials of Charles V, plate 13, Procession of Charles V with the Pope in Bologna after his coronation as Emperor, 1530, print, album page, propaganda print, plate 13. Procession of Charles V with Pope Clement VII in Bologna after his coronation as Emperor, February 24, 1530., printmaker: Nicolaas Hogenberg, Mechelen, 1530 - 1536, 1620 - 1699, paper, etching, engraving, height 330 mm x width 300 mm, Person, Charles V (Holy Roman Emperor and King of Spain), Clement VII, festivities (+ parade, pageant, cavalcade, festive activities), coronation of Charles V as Emperor, Bologna, Period, 1530-02-24., A detailed engraving of a procession of mounted figures fills the lower portion of the image, showing multiple horses and riders closely grouped and facing forward; the riders wear period clothing and armor with cloaks, helmets, and decorative elements, and several carry long staffs topped with ornate finials; the horses are depicted with bridles, saddles, and harnesses, with visible muscle and flowing manes and tails, and the riders' postures vary as they guide the animals; the upper area is mostly empty space with fine horizontal line shading suggesting a sky, and the overall palette is monochrome with intricate etched line work and crosshatching for shading and texture.
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alb30982555 Important events that occurred under the successive rulers of the House of Orange-Nassau, print, popular print, Sheet with 9 illustrations of historical events under rulers of the House of Orange-Nassau, from Prince William I in 1575 to William Frederick George Louis at the Battle of Waterloo in 1815. In the center top the seal of the Society for the Benefit of the General Public. Above each image a title with date, below each image a four-line verse. Numbered top right: CC., printmaker: Jacob Plügger, Netherlands, publisher: David le Jolle, Amsterdam, 1814 - c. 1820, paper, woodcut, letterpress printing, woodcut on light green paper, text in letterpress, height 406 mm x width 326 mm, Person, Maatschappij tot Nut van 't Algemeen, battle (+ land forces), Period, 1750 - 1800., The image shows a sheet with a grid of several framed vignettes, each vignette containing detailed monochrome illustrations of scenes with groups of people, horses, boats, and landscapes; the frames vary in shape including circular, oval, and shield-like borders, and some vignettes depict crowds gathered in interior settings while others show outdoor battle scenes with riders and smoke or harbor scenes with ships and figures on shore; a decorative emblem appears near the top center, and lines of small printed text run above, between, and below the illustrations, all rendered in a fine, engraved style on a pale background.
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alb30982557 Sitting pipe smoker, print, A farmer is sitting on a chair. In his hands he holds a pipe and a test piece with a burning coal. Profile to the right., printmaker: Pieter de Mare, Leiden, after drawing by Christina Chalon, 1779, paper, etching, proof print, width 125 mm x height 168 mm., A seated man wearing a brimmed cap and layered clothing faces slightly right, his head bowed and a faint smile on his face; he holds a small pipe in one hand and a thin object in the other. He sits on a simple wooden chair with visible round posts and woven seat, one leg crossed over the other, wearing loose trousers and plain slip-on shoes. The scene is rendered in fine pen-and-ink lines on a pale textured background with a narrow rectangular border around the composition.
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alb30982568 See what each image and work in this print signifies., And choose, O children! the best for yourselves, print, popular print, Sheet with 36 depictions of various women, activities, and professions. Below each image a four-line verse. Numbered top right: No. 52., publisher: Founder, heirs of the widow Cornelis, Amsterdam, Netherlands, 1715 - 1813, printmaker, paper, woodcut, letterpress printing, colour, woodcut colored in blue, yellow, and orange, text in letterpress, height 425 mm x width 330 mm, recreation, amusement, Period, 1750 - 1800., The image shows a sheet with a grid of small framed illustrations arranged in rows and columns, each frame containing a single standing or seated figure engaged in a simple activity. The figures are mostly women wearing historical-style dresses, caps, or hats in muted tones of beige, pink, and blue, sometimes holding objects like baskets, bowls, tools, or books. Many frames depict outdoor hints such as a simple skyline, buildings, or grassy ground, while others show minimal interior elements like chairs, a table, or a musical instrument. The drawing style is woodcut-like with clear black outlines and light hand-applied color wash, and the overall paper has a slightly aged, textured appearance.
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alb30982554 Gravelinga, Map of Grevelingen, print, map, Map of Grevelingen and surroundings. Lower right a cartouche with the title, decorated with a lion, coats of arms and a surveyor. At the top a profile of the city in which a fire rages on the right side, coats of arms on either side., printmaker: Reynier Blokhuysen, Northern Netherlands, 1700 - 1750, paper, etching, height 394 mm x width 507 mm, maps of cities, Grevelingen., A detailed monochrome engraving showing a fortified star-shaped town with surrounding walls and bastions connected by curved waterways, a long fortified causeway leading toward a distant coastal city skyline with towers and spires, a procession of people and horses near the city wall, groups of sailing ships on a textured sea, a pattern of cultivated fields and small scattered trees across the landscape, small figures and animals dotting the fields, ornamental cartouches with heraldic lion shields at the top corners, a reclining lion sculpture atop a decorative pedestal, and intricate border flourishes and architectural detailing throughout.
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alb30982559 Children's Crusade, print, printmaker: Monogrammist LIW, Netherlands, c. 1527, Monogrammist LIW, printmaker, paper, woodcut, woodcut printed from two blocks, height 277 mm x width 757 mm, child., A long horizontal engraved scene shows a crowded procession of human figures and animals moving from left to right across the image. On the left a raised platform piled with people and flags is led by figures holding standards and banners, while a group of marching figures below push a wheeled vehicle and carry long spears topped with carved animal heads. Horsemen and harnessed horses appear amid the marchers, some riders bareheaded and others wearing helmets. Toward the center a gallows-like beam supports dangling creatures and a suspended basket with a seated figure, while several small figures clamber around the base of the structure. To the right a variety of hybrid sea creatures with scaly bodies, long necks and open mouths form a float pulled by men carrying poles, and nearby men carry large sacks or bundles on their shoulders. The landscape is flat with scattered small decorative marks on the ground, and the entire composition is rendered in fine black lines and crosshatching on a pale background.
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alb30982565 The King of the Netherlands, with his most prominent war heroes, Le roi de Pays-bas, avec ses principaux guerriers, print, popular print, Sheet with 16 depictions of King William I and mounted soldiers. Under each image a caption in Dutch and in French. Numbered top right: 33., publisher: Philippus Jacobus Brepols, Turnhout, 1800 - 1833, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow, blue and red, text in letterpress, height 377 mm x width 303 mm, Person, William I of the Netherlands, William II of the Netherlands, the soldier, the soldier's life, warfare, military affairs (+ cavalry, horsemen)., A sheet with a grid of rectangular panels, each panel containing an engraved image of a mounted soldier in period uniform; the soldiers wear a variety of helmets and hats and sit on horses shown in different poses, some trotting, some rearing, some standing; many figures and horses have hand-applied color accents in blue, red, yellow, and green; the panels are arranged in several rows and columns with narrow margins between them, and some panels show riders holding lances, sabers, or flags while others simply hold reins; the overall paper has an aged, slightly yellowed appearance with small ink smudges and spots scattered across the surface.
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alb30982560 Grande bibliothèque Henri II avec médaillers, Bookcase, Le garde-meuble, Collection de Meubles, print, Series number, 1853, A bookcase in the Henry II style. Print from 311th Livraison., printmaker: Chanat, printer (person): Becquet frères, Paris, publisher: Eugène Maincent, publisher: Désiré Guilmard, 1885 - 1895, printer (person), paper, lithography, hand coloring, hand-colored, height 276 mm x width 358 mm, with doors., A detailed architectural drawing of an ornate wooden bookcase with glass-fronted upper cabinets filled with rows of books and decorative objects, fluted vertical columns between the cabinet sections, carved griffin-like figures flanking a central panel, ornate carved panels and moldings on the midsection, and paneled lower doors with raised molding and decorative trim, all rendered in brown and muted tones on a light background.
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alb30982553 Shepherd and shepherdess at a fountain, print, In front of a fountain are a shepherd on a donkey and a shepherdess with their sheep and cows. A dog bites the shepherd's whip., printmaker: Jan de Visscher, Northern Netherlands, after design by Nicolaes Pietersz Berchem, 1657 - 1692, Jan de Visscher, Nicolaes Pietersz Berchem, printmaker, after design by, paper, etching, proof print, height 295 mm x width 392 mm, landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, riding a horse, ass, or mule, rider, horseman, sheep, utilitarian, public pump or water fountain., A monochrome etching shows a rural scene with a man seated sideways on a donkey at left, wearing a wide-brimmed hat and coat, and a woman standing at right holding a basket while wearing a simple dress and her hair tied back; several sheep and a couple of cows gather around the woman, and a small dog leaps toward the donkey while another dog stands near the animals; a stone wall or rock face and overhanging tree branches form a shaded background at left, with an upright post or broken tree trunk and cloudlike shading occupying the upper right.
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alb30982570 Notes sur la photographie artistique, book, photographer: Constant Puyo, publisher: Gauthier-Villars & Fils, Paris, 1896, writer (clerical worker), textile materials, pasteboard, linen (material), paper, printing, autotypie, photoaquatint, spanish marbled paper, agate marbled paper, height 332 mm x width 255 mm x thickness 16 mm., A sepia-toned printed page with decorative calligraphic markings and a rectangular framed black-and-white portrait of a woman in profile wearing a large feathered hat and a ruffled garment, the portrait positioned toward the upper left of the page and surrounded by empty paper space.
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alb30982564 Jonkheer Willem van Arkel killed in action at Gorinchem, Willem van Arkel killed in action at Gorinchem, 1417, print, historical print, Willem van Arkel killed during a street fight in the Krijtsteeg at Gorinchem, December 1, 1417., printmaker: Reinier Vinkeles (I), Netherlands, after drawing by Jacobus Buys, 1788, paper, etching, height 168 mm x width 97 mm, Person, Lord of Arkel Willem, violent death, being killed, being mishandled and maltreated, seeking death, Hook and Cod Wars, Gorinchem, Krijtsteeg, Period, 1417-12-01., A detailed engraving shows a crowded street scene with tall, ornate brick and stone buildings rising in the background, featuring steep gabled roofs, arched windows, and circular window openings. In the foreground a group of armed men wearing helmets and period clothing engage in combat, many holding swords and round shields; several figures are shown thrusting or swinging weapons while others brace or stagger. On the ground lie fallen figures with limbs splayed and helmets or hats nearby. The scene is densely crosshatched with fine line work that defines clothing folds, architectural details, and shadows.
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alb30982134 The Bazar, 1883, No. 23, Pl. 556, fashion print, Print from the fashion magazine De Bazar, illustrated Tijdschrift voor Fashions en Handwerken (1857-1900)., caption: 'DE BAZAR., Edition of the Belinfante Brothers., No. 23', publisher: Belinfante & Co., The Hague, printmaker, paper, wood engraving, hand coloring, hand colored, height 382 mm x width 270 mm, skirt (+ women's clothes), dress, gown (+ women's clothes), fashion plates, pianoforte, notation of music, bracelet, wristlet (+ women's clothes), costume, Period., Three women in Victorian dresses are gathered around a piano; one woman is seated at the piano with her back mostly to the viewer holding a sheet, another woman leans over the piano looking at a sheet in her hand, and the third woman stands beside them holding a sheet. The seated woman wears a dark purple dress with a full skirt and a fitted bodice, her hair styled in a neat updo. The leaning woman wears a brown dress with elaborate patterned trim and a draped bustle, her hair swept up and decorated, and she rests one hand on the piano. The standing woman wears a teal coat dress with a high collar and a skirt with layered fabric, her hair in a bun. A large leafy plant in a decorative pot is visible behind the piano, and the scene includes a patterned rug underfoot and detailed woodwork on the piano. The background shows a softly shaded wall with subtle vertical textures.
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alb30982157 The depictions on the sides of the temple in the fireworks at Leeuwarden on the occasion of the entry of the newly married couple Prince William IV and Anna of England, 1734, print, The allegorical depictions applied to the four sides of the temple in the fireworks displayed at Leeuwarden on May 11, on the occasion of the entry of the newly married couple Prince William IV and Princess Anna, married on March 25, 1734. The scenes numbered 1-12., printmaker: Jan Caspar Philips, Northern Netherlands, after drawing by Rienk Keyert, publisher: Tobias van Dessel, paper, etching, engraving, etching and engraving, height 393 mm x width 465 mm, Person, Anna van Hanover, William IV (Prince of Orange-Nassau), public festivities at the marriage of royal persons (illumination, fireworks, festive activities), Leeuwarden, Period, May 11, March 25., A detailed engraved sheet showing vertical panels framed by ornate architectural borders, each panel containing classical figures, mythological scenes, trees, animals, and decorative cartouches; there are tall niches with draped female and male figures wearing helmets or crowns and holding spears, shields, or floral bouquets, reclining or standing on pedestals, and smaller vignettes above them depicting seated or reclining figures in clouds, landscapes with trees and distant buildings, and pastoral scenes with hunters and dogs; some panels show dynamic scenes with cherubs or putti in the sky, a bearded muscular figure swinging a club surrounded by animals beneath a tree, and a central narrow column featuring a formal avenue of trees and urn-topped balustrades; decorative crest elements, lattice patterns, molded cornices, and sculpted masks appear throughout, and the composition is arranged symmetrically with a clear vertical and horizontal grid across the sheet.
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alb30982133 Bathing men and women, print, Men and women in a bathhouse. On the left a mother with her child. In the background a couple making love in a four-poster bed., printmaker, after design by, Antwerp, Frans Floris (I), paper, engraving, height 192 mm x width 247 mm, coitus, cohabiting, sexual intercourse, public baths., A monochrome engraving shows a crowded interior with many nude figures in various poses, including pairs embracing, reclining, and supporting one another; one figure pours liquid from a large jug into a vessel while others sit or kneel on draped surfaces and steps; in the background a bed with a canopy contains two reclining figures partially covered by curtains, and a draped curtain hangs behind a raised platform where a reclining figure rests beside a vessel pouring a stream; architectural elements like columns and a window with a lattice are visible, along with decorative panels featuring a lion mask and winged motifs, several vases, a shallow basin on the floor, and a small rounded object near the basin.
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alb30982123 Trees and shrubs in the garden of Villa Tasca in Palermo, Villa Tasca, detail, photograph, number: 'N. 214', photographer: Giuseppe Incorpora, Palermo, 1856 - 1914, Sicily, paper, albumen print, height 253 mm x width 195 mm, garden., A sepia-toned photograph of spiky, sword-like leaves radiating from multiple plant bases with a prominent tall stalk bearing a dense hanging cluster of bell-shaped flowers, surrounded by similar pointed-leaf plants and low groundcover, all set against a faded, lightly textured sky background.
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alb30982152 Portrait of Salomon van Til, print, Salomon van Til, Cocceian preacher. The print has a Latin caption. Below the print is his coat of arms., printmaker: Pieter van Gunst, Amsterdam, after painting by Carel de Moor (II), writer (clerical worker): G. Menthen, 1659 - 1731, writer (clerical worker), paper, engraving, gravure, height 349 mm x width 255 mm, Person, historical persons., An engraved oval portrait of a man with curly hair and a plain collar is centered within a larger rectangular frame; he faces slightly to his left with one hand raised toward his chest and wears a dark robe. The oval is surrounded by decorative concentric bands and sits above a carved architectural pedestal that features a shield-shaped cartouche with ornamental scrollwork and draped garlands. Flanking the cartouche are carved relief figures set into niches, one holding a staff and the other in a kneeling pose, and a ribbon-like banner flows beneath the oval into the composition. The overall image is monochrome with fine engraved line work, hatching, and cross-hatching creating shading and texture throughout.
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alb30982156 Lamentation, print, The dead Christ is carried into the tomb and mourned by, among others, angels, Mary, John, and Mary Magdalene. On the right stands a man with a bowl containing a sponge in his hands. On the ground lie the instruments of the Passion: nails and a crown of thorns. A putto displays the Veronica cloth., watermark, Low Countries, 1600 - 1700, printmaker, paper, etching, height 239 mm x width 332 mm, preparations for Christ's entombment, lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns), bearing of Christ's body to the grave., A detailed black and white etching shows a group of human figures gathered closely together in a cave-like setting with textured rock and sweeping lines in the background. Central figures include a partially nude man with a bowed head and a woman beside him whose hands touch his chest, while other standing and kneeling figures surround them with flowing drapery and long hair. Winged cherubic children appear at the edges, one seated on the ground and another standing near a pair of small objects. An angelic figure with large wings stands to the left, and a robed man on the right leans forward holding a shallow dish. Scattered objects lie on the ground in the foreground including rolled items and fragments of carved material, and a large slab or block stands behind the robed man. The overall scene is rendered in fine crosshatching and delicate linear strokes.
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alb30982112 A shepherd with a cow, two goats and a sheep, print, printmaker: Romeyn de Hooghe, Netherlands, after design by Nicolaes Pietersz Berchem (attributed to), 1655 - 1667, Attributed to, paper, etching, height 125 mm x width 134 mm., A monochrome etching showing a man wearing a hat and loose clothing standing with a staff beside a large horned ox; the ox faces left and its body fills much of the center, with textured fur and a visible tail; smaller animals rest on the ground nearby, including shaggy sheep or goats lying and grazing; a tree with dense leaves and textured bark rises at right behind the ox, and clouds with fine linework fill the sky above; in the distant landscape faint hills, a winding road and tiny buildings appear on the left horizon; decorative script and ornamental flourishes run along the bottom edge.
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alb30982106 Title print for a series of plates of a naval battle between the Dutch and the French on the North Sea, 1694, Neat Illustration of the Battle between the Squadron of Dutch Warships, under Rear Admiral Hidde de Vries: and Eight Frenchmen, under Captain Jan Bart, that took place on the North Sea on June 29, 1694. The continuous Changes, together with the names of the Captains, being accurately indicated in fourteen Plates, print, title print, Title print for a series of 14 numbered plates of a naval battle that took place between a Dutch squadron under Hidde Sjoerds de Vries and French ships under Jan Bart on the North Sea, June 29, 1694., printmaker: Adriaen Schoonebeek, Amsterdam, paper, etching, height 145 mm x width 190 mm, Person, Jan Bart, Hidde Sjoerds de Vries, Nine Years' War, Period, 1694-06-29., A rectangular aged paper sheet with a double-lined border and dark printed serif lettering arranged in centered lines across the upper and middle area, showing large bold words near the top, smaller lines of text below, and additional centered lines toward the lower middle; the paper has a light tan color with scattered small spots and faint horizontal guide lines visible across the page.
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alb30982136 Portrait of a young man in costume with a sword, identified as G. Hendrikman Murman, album page, photograph, carte-de-visite, This photo is part of an album., inscription: 'J. Goedeljee, Photographer, HRH PRINCE ALEXANDER, of the Netherlands, PRINCE of ORANGE, and HRH, PRINCESS HENDRIK, Hoogewoerd 160, near the Plantage.', name: 'G. Hendrikman Murman., 105.', photographer: Jan Goedeljee, Leiden, 1860 - 1905, paper, pasteboard, albumen print, height 83 mm x width 52 mm, historical persons, historical costume, hacking and thrusting weapons: rapier., An oval-framed sepia photograph shows a person standing in a richly detailed historical costume, wearing a dark velvety tunic with decorative vertical elements and a row of buttons down the front, puffed short breeches with vertical panels, and a wide ruffled collar. The person has a small hat adorned with a plume and a cape draped over one shoulder with patterned trim. One hand rests on the hip near a belt and the other holds the hilt of a sword that points downward. The background is a neutral mottled backdrop and the image is bordered by a textured paper mat with a gold oval trim.
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alb30982117 Portrait of Juliana, Queen of the Netherlands, Bernhard van Lippe-Biesterfeld, Beatrix, and Irene, Princess of the Netherlands, photograph, postcard, Bernhard, Beatrix and Irene in Ottawa. Six lines of English text in the bottom margin., Netherlands, after print by anonymous, after photo by anonymous, 1940 - 1942, photographer, after print by, paper, photography, height 139 mm x width 67 mm, Person, Juliana of the Netherlands, Irene (Prince of the Netherlands), North America, Ottawa., A grainy black-and-white photograph shows a woman wearing a round hat and a light-colored dress holding a baby wrapped in a cloth, standing next to a man in a dark suit who is holding another small child dressed in a light outfit with a pointed hood; a railing appears in the lower part of the image and the background is dark.
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alb30982151 Allegory of trade with Mercury, print, Mercury stands on a pedestal decorated with the coat of arms of France, trumpet-blowing Fame flies beside his head. In the foreground, on the right, sits the personification of Labor and Industriousness, clad in a robe studded with ants. In her left hand she holds a horn filled with money. On the left stands an Oriental merchant by fabrics and packaged merchandise; behind him two camels wait., printmaker: Gerard de Lairesse, 1600 - 1699, paper, etching, proof, height 140 mm x width 103 mm, (story of) Mercury (Hermes), hoofed animals: camel, Labour, allegory of trade, 'Commertio della vita humana' (Ripa)., A detailed black and white engraving shows a central standing figure wearing a short draped garment and winged helmet, holding a tall staff topped with intertwined serpents while one hand rests on a column; to the right an airborne winged figure leans forward blowing a trumpet toward the central figure, and below that a seated woman in flowing robes extends her hands toward a small model ship held by another figure; at the top left a rocky outcrop and trees appear behind a group of onlookers including a turbaned man and other figures gathered near bundles and textile rolls, while decorative foliage and a shield with decorative motifs lie near the base of the central platform and a background seascape with distant land and sailing ships fills the horizon.
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alb30982115 Woman with bonnet, Dutch costumes, costume print, Series number, 8, 16, Woman in a landscape, dressed according to the Dutch fashion of 1710-1720. Full-length, seen from the front. The print is part of a sixteen-part series of prints depicting Dutch costumes., printmaker: Adolf van der Laan, c. 1710 - 1755, paper, etching, height 146 mm x width 99 mm, dress, gown (+ women's clothes), Europeans (with NAME) (+ costume)., An engraved image of a woman standing, shown full-length within a thin bordered frame; she wears a long, flowing gown with a voluminous skirt and an overgarment draped over one shoulder, detailed with fine crosshatching and lace at the sleeves. Her hair is styled and partially covered by a headpiece with a bow, and her face is turned slightly to the side with a calm expression. One hand rests near her chest while the other extends outward with delicate fingers. The ground beneath her shows textured terrain with small plants and distant low foliage, and the overall artwork is rendered in monochrome line work with varied hatching for shading.
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alb30982114 Injury of Henry II during a tournament, 1559, Series 3: French Wars of Religion, 1559-1573, print, album page, historical print, Series number, 18, 380?, King Henry II mortally wounded during a tournament, June 30, 1559. With an 8-line caption in German. Numbered bottom left: 18., printmaker: Frans Hogenberg, Cologne, after print by Jean Perrissin, 1567 - 1571, Jean Perrissin, after print by, North Rhine-Westphalia, paper, etching, height 204 mm x width 274 mm, Person, Henry II (King of France), joust, tilt, Period, 1559-06-30., A wide engraving shows a packed urban scene with rows of tall narrow houses lining the background, their facades featuring many windows and decorative patterns, and people visible at several windows and balconies; in front of the houses a raised gallery with patterned draperies is crowded with spectators and armored horsemen stand beneath it in formation; an enclosed arena occupies the middle ground where armored figures on foot and mounted knights engage in combat, some fallen or running, and spectators lean over railings; ornate architectural elements flank the scene, including columns, statues, and elaborate stairways filled with watchers; the foreground shows lines of armored riders on decorated horses and groups of foot soldiers holding long spears, with additional figures and horsemen visible along the lower edge.
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alb30982126 Saint Dorothea and the emigrants, Dorothea (und die Auswanderer), print, number: '616', printmaker: Johann Leonhard Raab, after drawing by Wilhelm von Kaulbach, printer (person): Johann Heinrich Felsing, publisher: Friedrich Bruckmann, Munich, 1840 - 1899, printer (person), Bavaria, paper, steel engraving, height 396 mm x width 245 mm, non miraculous activities and events., A detailed monochrome scene shows a rural procession along a path with rolling hills and distant trees under a cloudy sky. In the foreground a young woman in a dress and apron stands holding a staff and a basket, a large ox with decorative harnesses stands beside a cart piled with bundled belongings and a covered bed where a reclining woman and children are sheltered under an umbrella. A barefoot youth leans on a large dog while another small goat stands nearby. To the right a man raises his hand to his forehead looking toward the group, and a small cluster of onlookers stand beneath tall trees on a rise. In the middle distance more figures and a wagon travel along the road, and a shepherd with sheep can be seen on a distant hill. Vegetation, rocks, and a small stream with water plants appear in the lower foreground.
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alb30982130 Four dogs by a ruin, Dogs, print, printmaker: Joannes Fijt, unknown, 1642, paper, etching, height 166 mm x width 217 mm, dog, ruin of a dwelling, house, castle., A detailed black and white etching shows a ruined stone archway and crumbling walls with textured hatching and crosshatching throughout; in front of the arch two dogs stand and sniff the ground while another animal lies curled on the foreground surface; broken masonry, scattered stones, and a toppled column fragment appear near the lower left; a simple wooden gate with leaning stakes is set into the right wall, and tufts of grass and small plants grow from cracks and atop the masonry; sweeping, curved lines fill the arch interior and the rock surfaces, creating a sense of layered texture across the scene.
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alb30982158 Part of the ornamental ceiling of the tomb of the Arruntius family, Ornamenti di Stucco, esistenti nella Volta della Stanza Sepolcrale di L. Arrunzio, Le Antichità Romane, Archaeological finds in and around Rome, print, Part of the ornamental ceiling of the tomb of the Arruntius family. Title and explanatory list with letters in lower margin. Numbered above: Tom. II., XII., printmaker: Giovanni Battista Piranesi, Rome, printmaker: Jean Barbault, Italy, c. 1756 - c. 1757, paper, etching, etching printed from two plates on one sheet, height 395 mm x width 598 mm x height 49 mm x width 603 mm, grave, tomb, (decorated) ceiling, fabulous beings with wings., A detailed engraved panel showing a rectangular grid of decorative framed compartments with ornamental motifs including scrollwork, floral rosettes, and geometric panels, a circular medallion with two human figures, small rectangular scenes with standing human figures and seated figures, pairs of winged angelic figures and flying cherubs integrated into vertical panels, diamond-shaped panels with mythic winged horse figures, and a torn irregular textured border revealing rough rock-like forms and roots along the bottom and sides; shading and fine line hatching give a three-dimensional engraved appearance.
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alb30982105 Explanation accompanying the caricature of Napoleon and his friends in their glory, 1813, Explanation of the Symbolic Art Print, Nap. and his friends in their glory, cartoon, print, Printed explanation of the caricature of Napoleon sitting at a table with his brother Joseph, Death and the Devil and wanting to drink with the others to the success of plunder and murder. Text in four stanzas on behalf of the four main characters in the depiction., publisher: anonymous, Netherlands, 1813 - 1814, paper, letterpress printing, text in letterpress, height 241 mm x width 186 mm, Person, Napoleon I (Emperor of the French), Joseph Bonaparte (King of Spain), Death as skeleton, devil(s) and demons, banquet of elegant company (+ toast at meal, banquet), Napoleonic Wars, War of Spanish Independence, Period., A rectangular sheet with a decorative floral border around all edges encloses a centered layout; the top portion shows a large, spaced-out heading area, and below it a horizontal ornament line. The main area contains densely arranged blocks of small printed lines forming several paragraphs, with varying line lengths and occasional italicized-looking words; the paper has an aged, slightly yellowed tone with small speckles and faint stains, and the decorative border repeats a stylized floral motif along the sides and bottom.
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alb30982155 Revue de la Mode, Gazette de la Famille, Sunday, May 22, 1881, 10th year, No. 490: Ninon Perfumery Gloves, fashion print, Two women and a boy in a park. Boy of approx. five years old in a sailor suit, decorated with white braids. Left: dress of blue-grey plain satin and satin printed with a fantasy motif. Walking stick, which can also be used as a parasol. Right: 'chateau toilette' of pink fabric, printed with a 'Pompadour' floral motif. Below the image, a few lines of advertising text for various products. Print from the fashion magazine Revue de la Mode (1872-1913). Extensive description of the clothing on pages 171 and 172 'PLANCHE COLORIÉE'., title: 'REVUE DE LA MODE, Gazette de la Famille', caption: 'Gants de la Parfumerie Ninon, r. du 4 Septembre, 31. Garnitures & Gants de la Ville de Lyon, r. de la Ch.sée d'Antin, 6. Jupons & Corsets de la M.on de Plument, r. Vivienne, 33.', address: '13 et 15, Quai Voltaire, Paris', printmaker: A. Chaillot, printer (person): Falconer, Paris, A. Chaillot, Falconer, printmaker, printer (person), paper, engraving, hand coloring, height 370 mm x width 270 mm, dress, gown (+ women's clothes), fashion plates, cut flowers, nosegay, bunch of flowers, head-gear: hat (+ women's clothes), (playing with) boats, veil (+ women's clothes), garden pond, neck-gear, clothing (NECKERCHIEF) (+ women's clothes), parasol, sunshade (+ women's clothes), ensembles of pieces of clothing (MATELOT) (+ boys' clothes), costume, Period., A scene showing a group of three figures outdoors on a pathway with a large building and trees in the background, featuring two women in long ornate dresses and a child in a sailor outfit; one woman faces away wearing a dark patterned dress with layered ruffles at the hem, lace trim at the shoulders, a bonnet with a feather and a small parasol with a ribbon, while the other woman faces forward in a light floral dress with a shawl draped over her shoulders and a wide-brimmed bonnet with veil, holding a small flower; the.
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alb30982116 For the Elevation of His Serene Highness William Charles Henry Friso to Stadtholder, Captain and Admiral General of the United Provinces MDCCXLVII, Allegory on the Elevation of William IV to Stadtholder, 1747, print, 1747. Monument crowned with a bust of the Stadtholder and decorated with allegorical scenes. Putti hang a portrait medallion and a medallion with the coat of arms of the Republic on the monument. At the bottom, the lyre of Apollo and the Aegis, the shield of Minerva with the head of Medusa., printmaker: Jacob Folkema, publisher: Isaak Tirion, Amsterdam, paper, etching, engraving, etching and engraving, height 242 mm x width 174 mm, Person, William IV (Prince of Orange-Nassau), Aegis: shield with Gorgon's head (attribute of Minerva), Elevation of Prince William IV to Hereditary Stadtholder (1747), Period., A tall decorative monument topped by a sculpted bust of a man in armor sits against a cloudy sky, flanked by two winged cherubs, one holding a laurel wreath and the other touching a ribbon and a round medallion. The monument surface displays carved relief panels and a second round portrait medallion, along with ornamental shields and a harp-like decorative element on the side. A sculpted grotesque mask appears on one side, and a basin-like base supports an illustration of a group of figures in a ceremonial scene. The composition is rendered in fine engraved lines with detailed shading and crosshatching.
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alb30982140 Map of the Krimpenerwaard Water Board, consisting of six parts, The Krimpenerwaard Water Board, print, map, Map of the Krimpenerwaard Water Board. Bottom left a cartouche with information and bottom right a cartouche with information and a scale bar: Scale of 600 Rhineland rods. The accompanying coat of arms is missing., inscription: 'Scale of 168, 17 cubits on the thumb', printmaker: Johannes Leupenius, Amsterdam, printmaker: David Coster, printmaker: Geurt van Moelingen, The Hague, surveyor: Cornelis Smitsmans (Pieterse), publisher: Jan Gijseman, commissioner (person who orders works): Hoogheemraadschap van de Krimpenerwaard, 1683, 1755, commissioner (person who orders works), materials by function, paper, ink, etching, engraving, pen, etching and engraving with pen in black, height 965 mm x width 1563 mm., A grid of nine rectangular panels arranged in three columns and three rows shows a detailed monochrome map with numerous straight and curved lines indicating fields, waterways, and roads; thin parallel lines mark borders and dikes, while winding river shapes with irregular banks run through several panels; small clustered shapes suggest built-up areas with compact outlines and radial streets in one central panel; compass rose with decorative flourishes appears in an upper-left panel; two ornate cartouches with decorative scrollwork and garlands appear near the bottom left and bottom right panels; sparse small pictorial symbols representing boats or windmills dot some waterways; the overall palette is sepia-toned with fine ink hatching and stippling for shading and texture.
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alb30982129 Four depictions from the New Testament, print, Four depictions on one sheet. Top left: the warning of an angel to Joseph. Top right: Paul before the members of the Areopagus in Athens. Bottom left: Paul in chains before King Agrippa. Bottom right: Christ shown to the people (Ecce Homo)., printmaker: Jan Luyken, Haarlem, publisher: Pieter Mortier (I), Amsterdam, 1703, paper, etching, proof print, height 220 mm x width 309 mm, an angel appearing to Joseph in a dream summons him to flee into Egypt, Christ alone (also called 'Ecce Homo'), Paul in Athens: on the Areopagus he discusses with philosophers (in front of the temple of Mars), Paul before Festus, King Agrippa and Queen Bernice., A large engraved sheet divided into four rectangular scenes arranged in a grid is visible; the upper left scene shows an angelic figure with wings standing near a bed where a sleeping figure lies beneath drapery, with a tent-like canopy and wooden beams nearby, and clouds or smoke in the background; the upper right scene depicts a robed figure standing and addressing a seated assembly of robed men and women in a colonnaded outdoor setting with classical buildings and statues behind them; the lower left scene shows a raised semicircular dais with seated figures in robes and people gathered around inside a large interior with columns and draped curtains; the lower right scene presents a crowded public square with many robed figures facing a raised platform where a procession or gathering occurs in front of monumental architecture, including domed and columned buildings.
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alb30982124 Dutch Gazette, on March 8, 1791, being the birthday and commemoration day of, William V, Gazette on the occasion of the 25th anniversary of the reign of William V, newspaper, Gazette published on the occasion of the 25th anniversary of the reign of Stadtholder William V, 1791. Sheet with text in three columns, on either side pots with orange trees and some other plants., publisher: Peppelenbos, J., Rotterdam, 1791-03-08, paper, letterpress printing, woodcut, letterpress, woodcut ornaments, height 515 mm x width 405 mm, Person, Period., A large aged paper sheet with dense columns of printed text filling most of the central area, topped by a prominent display of larger printed lines near the top. On each side of the sheet there is a tall decorative vertical border featuring a stylized potted plant with an ornate pedestal at the bottom and leafy stems rising upward; the left and right botanical borders mirror each other. Near the top corners above the side decorations are clusters of floral illustrations, and the central top area shows an empty margin above the large type. The paper has a slightly yellowed, textured appearance with small spots and faint creases.
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alb30982121 Title page for: T. Godwin, Romanae historiae, anthologia recognita & aucta, 1679, Roman soldier and a priest hold an open scroll together, print, title page, A Roman soldier and a priest hold an open scroll together with the title of the book. In the foreground lies a river god, on the left the she-wolf suckles Romulus and Remus., printmaker: Jan Luyken, Amsterdam, publisher: Hendrick en Dirk Boom, paper, etching, height 134 mm x width 86 mm, priest (Roman Catholic), river-gods, (story of) Romulus and Remus, extinct, 'historical' peoples (with NAME)., An engraved scene shows a group of figures in classical dress arranged on rocky ground with a column or obelisk in the background and clouds in the sky; on the left a robed bearded man stands holding a banner while a standing armored figure with a plumed helmet holds the other end of the banner with one hand on their hip and the other extended; in the foreground a reclining bearded male figure raises an arm and leans against a staff with a dog or animal resting nearby and a few small children curled up at his feet; the composition is detailed with crosshatching, drapery folds, decorative armor elements, and architectural elements visible at the right edge.
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alb30982125 Belgiae Pacificatorum vera Delineatio, print, title page, In an oval with two palm branches on the inside, the title: True images of peacemakers of the Netherlands, in Latin, French, and Dutch. Below the title, a cartouche with the imprint, flanked by festoons. At the top, a laurel wreath containing: Mat 5 V., printmaker: Hendrick Hondius (I), The Hague, 1608, unknown, grantor of privilege, paper, engraving, height 193 mm x width 121 mm, ornament, festoon, garland., An ornate engraved title panel featuring an oval frame with stylized palm fronds curving inward, decorative corner panels with floral rosettes, and a tied ribbon at the bottom where the oval meets a horizontal band; within the oval a series of centered lines of calligraphic text are arranged in varying type styles, and below the oval a rectangular cartouche contains more lines of text flanked by detailed cornucopia-like floral arrangements spilling leaves and fruit, all rendered in fine black ink lines on a light paper background.
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alb30982139 Round dish with a hole in the center, decorated by Pierre Raymond with heads and cherubs, Plateau avec ombilic percé (revers) émail de Limoges du XVIe siècle, page, photomechanical print, inscription: '15 Quai Voltaire. Paris.', inscription: 'Ateliers de reproductions artistiques', inscription: '7e livraison', photographer: Léon Vidal, Paris, after design by Pierre Raymond, Limoges, c. 1876 - c. 1883, paper, photochrom, height 316 mm x width 242 mm, children's heads with wings, serving-dish, platter., A circular ornamental design with a dark central hole sits against a deep red rectangular background framed by a pale border. The circular piece features an intricate pattern of interwoven scrollwork and ribbon-like bands in silver and black tones, with stylized floral elements decorating the outer rim. Around the inner ring are repeated small sculpted faces with varied expressions, some surrounded by leafy or shell-like motifs, and a larger central face at the top and bottom oriented oppositely. The overall composition shows symmetrical, curving forms and decorative flourishes rendered with contrasting light and dark shading.
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alb30982153 Decorative jug with snail shell, Single Vases with modern Einfassungen unterschiede Liebhabern u: Kunstlern zu Dienst, Decorative vases and jugs, print, album page, ornament print, Series number, 2, 6, A decorative jug with a snail shell and a snail. Print is part of an album, signature: 'Christian Friderich Rudolph, Hoered. Irish. Wolffij inv. delin. et excuse. AV', signature: 'CPSC Maj.', signature: 'Hieronymus Sperling Sculps.', number: '2', printmaker: Hieronymus Sperling, after design by Christian Friedrich Rudolph, publisher: J. Wolff, Augsburg, c. 1750 - c. 1770, Bavaria, paper, etching, height 286 mm x width 172 mm, rocaille ornament, ornaments, art, molluscs: snail, jar, jug (used as drinking-vessel), vase, ornament., A detailed black and white engraving showing an ornate decorative frame of curling acanthus-like scrolls and shell forms surrounding a central sculptural object that resembles a stylized nautilus shell mounted on a fluted pedestal; the frame contains flowing vegetal motifs, leaf curls, feathered textures, and small scalloped ridges, with a sinuous column on the right that incorporates a birdlike head and winged flourishes and a mirrored ornate support on the left; the central shell form displays concentric spiral ridges and layered, ribbon-like lobes with intricate crosshatching and shading, and the pedestal and base feature carved moldings and layered platforms decorated with similar scrolling ornament; the entire composition is rendered in fine line work with varied hatching to indicate depth and texture on a pale, slightly textured background.
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alb30982107 Départ de l'Amour pour la chassé, Amor leaves on the hunt, print, inscription: 'In the margin, St Grégoire diete les Homélies, Carolus Van Loo Eques Pinx LA Martinet Femme dupuis Sculp 1770, printmaker: L. Angélique Martinet, after painting by Luke, 1741 - c. 1780, Lucas, paper, etching, engraving, height 323 mm x width 229 mm, cupids: 'amores', 'amoretti', 'putti'., An engraved scene shows two winged cherubic children and a seated young figure outdoors beneath tree branches; one child stands at center with curly hair and a cloth draped around the lower body, holding a bow and facing the seated figure while a second child behind leans forward holding an arrow and a quiver; a dog stands beside the central child looking toward the seated figure, and the seated figure reclines with back turned, draped cloth over the lower body and a hunting horn resting near the hip; detailed shading creates textured foliage above and a horizontal ground plane beneath, with a decorative emblem and framed edge at the bottom.
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alb30982104 Toilet of Venus, print, Venus, seated in her chariot, is being attended to by the Three Graces. One of them holds up a mirror before her. A putto scatters roses over Venus. To the right a fountain and in the background a landscape. At the bottom in the margin explanatory verses in French., printmaker: Bernard Picart, Paris, after painting by Annibale Carracci, publisher: Gaspard Duchange, 1702, paper, etching, engraving, etching and engraving, height 502 mm x width 563 mm, ornamental fountain., A monochrome engraved scene shows a group of nude classical figures gathered near an ornate fountain set within a wooded landscape. Several seated and standing female figures occupy a carriage wheel on one side, one holding a rectangular mirror while another leans forward. Small winged child figures with cherubic features assist and approach with a tray and a jug, one standing beside the fountain lifting a vessel. The fountain features sculptural forms, cascading water, and a basin with decorative carvings. In the background a flying cherub is visible among layered clouds above a distant vista of trees and open land, while tall trees frame the right and left edges of the composition. The ground shows grassy textures and a winding path leading into the midground, and leafy branches and trunks provide detailed foliage throughout the upper areas of the image.
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alb30982137 Roermond captured by William of Orange, 1572, Series 6: Dutch Events, 1571-1576, print, album page, Series number, 125, 469, August 4, 1572. In the foreground the encampment of the Prince's army, above the army marches into the city. With an 8-line caption in German. Numbered: 4., printmaker: Frans Hogenberg, Cologne, 1572 - 1574, Frans Hogenberg, printmaker, North Rhine-Westphalia, paper, etching, height 210 mm x width 280 mm, Person, William I (Prince of Orange), capture of city (after the siege), Conquest of Roermond, Roermond (Limburg), Period, 1572-08-04., A detailed black and white engraving of a large battlefield scene showing numerous soldiers in formation with pikes and flags, groups of cavalry with riders on horses, rows of stacked wooden pike defenses, and several cannon and wagons. Tents and camp equipment are visible near the right edge, and clustered buildings and a walled town with church spires appear in the distant left background. Small groups of figures are scattered across the plain engaged in various actions, with some figures gesturing or riding, while smoke rises in one central area and the landscape shows gentle hills and sparse trees. The composition is dense with fine linework depicting uniforms, banners, and troop movements across an open field.
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alb30982135 Eulalia of Mérida kicks over a pagan altar (former title), Eulalia of Mérida kicks over a Roman altar with statue of Apollo, print, book illustration, number: '34', printmaker: Jan Luyken, Amsterdam, publisher: Jacobus van der Deyster, publisher: Herman van den Bergh, publisher: Joannes Blom, publisher: widow Steven Swart, publisher: Sander Wybrants, publisher: Aart Dircksz. Oossaan, 1685, paper, etching, height 117 mm x width 149 mm, altar, non-Christian religions, female saints (with NAME)., A detailed black and white engraving shows a crowded scene under a vaulted arcade with a group of people in period clothing clustered in the foreground. Several figures wear robes and head coverings, including turbans and caps, and their gestures vary with raised arms and open palms. A seated woman and nearby standing figures appear close together, while other men around them hold staffs or long poles. In front of them are woven baskets and drums, and a heap of round objects and textiles sits near the lower right. Architectural elements include tall rounded arches receding into the background and a distant ruined building visible through the arcade. The sky behind the ruins is filled with fine hatched lines and soft cloud shapes.
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alb30982122 Three-masted ship with sloop, Various ships series C, print, Series number, 10, 12, A three-masted ship pulling a sloop behind it, seen from an oblique angle from behind. Figures are visible on the ship. This print is part of a series of twelve prints featuring various sailing ships., printmaker: Gerrit Groenewegen, Rotterdam, 1789, paper, etching, height 127 mm x width 154 mm, ships (in general)., An ink drawing of a sailing ship seen from the bow with tall masts and multiple furled sails, detailed rigging and ladders, crew figures on deck, a small rowboat floating nearby, and gently rippling water beneath.
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alb30982141 Cartoon on the changes in the British Navy, 1827, Things as they were, 1757. Things as they are, cartoon, Caricature on the changes in the British Navy. On the left, an older, stout sailor from 1757, next to him a chest with books and a map. On the right, a young, dandy-like naval officer from 1827, next to him a small box with bottles of eau de cologne., printmaker: William Heath, England, publisher: Samuel W. Fores, London, 1827-01-28, paper, etching, hand coloring, hand-colored, height 235 mm x width 300 mm, officer, political caricatures and satires, Period., A colored illustration shows two men standing on a shore divided by a vertical line, each man occupying one half of the image; on the left a stocky man wears a straw hat, a blue coat over a pale waistcoat, light trousers rolled at the waist, and dark shoes, with his hands resting near his pockets and a small ship visible in the water behind him, while on the right a slender man in a fitted blue military-style jacket and light striped trousers holds a hat under one arm and a sword at his side, raising a small object toward his eye; the background features a calm sea with several sailing vessels, a pale sky with large soft clouds, a wooden bollard and coiled rope near the waterline, and assorted boxes and packages on the ground beside each figure.
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alb30982127 Landscape with figures and mules, Prints after drawings from the Jabach cabinet, print, number: '2', printmaker: Jean Pesne, after design by Guercino, 1666 - 1695, paper, etching, height 263 mm x width 422 mm, landscapes, mule., A wide ink landscape shows rocky cliffs and a winding shoreline with layered lines indicating texture and shadow, a cluster of trees growing on a rounded promontory to the right with detailed leafy canopies and twisting trunks, and distant steep mountains on the left composed of hatched lines. On the foreground plain along the shore there are small human figures walking, two near the middle carrying staffs and others leading pack animals, with one figure gesturing a raised arm. A few animals with packs are depicted walking along the path. The sky above is mostly empty aside from a few tiny birds rendered as small marks.
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alb30982113 Jean Smit, pendu hors de Harlem, Ao. 1572, Jan Smit usserhalb Harlem an einen galgen gehenket, Jan Smit hanged by one leg in Haarlem, 1572, print, historical print, The Mennonite Jan Smit hanged by one leg on the gallows, on the Grote Markt in Haarlem, 1572., printmaker: Jan Luyken, Northern Netherlands, 1683 - 1685, paper, etching, height 115 mm x width 143 mm, by burning at the stake, 'auto-da-fé', Reformation, Anabaptists, execution, Haarlem, Period., A crowded scene shows many figures gathered around a wooden gallows structure with a ladder; a man is climbing the ladder while another figure hangs from the crossbeam with arms raised and legs dangling; soldiers and onlookers in period clothing stand nearby, some wearing hats with plumes and others in robes or armor, with spears and banners held upright behind them; tents and architectural spires appear in the background under a sky with lined shading and scattered clouds; foreground ground texture and shadows are rendered with fine hatch lines.
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alb30982131 Fauteuil et chaise Genre renaissance, Armchair and chair, Le garde-meuble, Collection de Sièges, print, Series number, 1490, A Renaissance armchair and chair. Print from 251st Livraison., printmaker: Midart, printer (person): Becquet, Paris, publisher: Désiré Guilmard, 1839 - 1885, printer (person), paper, lithography, hand coloring, hand-colored, height 276 mm x width 356 mm, seating furniture., Two ornate chairs with carved wooden frames and upholstered seats and backs sit on a pale background, each backrest featuring a central oval wreath motif surrounded by floral scrollwork and bordered by a magenta trim, the seats showing matching floral upholstery; the chair on the left has curved armrests with carved details and a higher, more elaborate crest, while the chair on the right is armless with a simpler crest; both chairs have turned legs connected by decorative stretchers and cast shadows on the ground.
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alb30982142 Portrait of Adriaan van den Santheuvel, print, colonel of the militia and councilor in the Vroedschap in Leiden., inscription: 'Jhr. Mr.. in Leiden', inscription: '1750', printmaker: Mathias de Sallieth, Rotterdam, after drawing by Leonardus Temminck, publisher: Pieter Pluygers, Leiden, 1786, paper, etching, stippelets, stipple engraving, etching and stippelgravure, height 326 mm x width 218 mm, Person, Adriaan van den Santheuvel., A monochrome engraved portrait shows a man standing with one hand resting on a table and the other on his hip, wearing a tricorne hat adorned with a decorative rosette and a high-collared coat with epaulette-like braiding and a sash at the waist; he has curled hair at the sides of his face and a composed expression. Drapery hangs behind him to the left, forming folds and a tied swag, while to the right a paneled wall with a decorative oval cartouche and floral motifs is visible. On the table there is a closed book and a tasselled object, and the man's coat features a large ornamental gorget over his chest and fringed tassels hanging from his sash. The image is rendered with fine parallel and cross-hatching lines throughout.
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alb30982154 Supplement to the Ichnology of New England : a report to the government of Massachusetts, in 1863, book, inscription: '1, 000 copies printed early use of photography in scientific ...', writer (clerical worker): Edward Hitchcock, publisher: Wright & Potter, Boston (Massachusetts), 1865, writer (clerical worker), North America, Massachusetts, textile materials, pasteboard, paper, linen (material), printing, lithography, albumen print, height 322 mm x width 245 mm x thickness 24 mm., A cream-colored page with centered, dark serif text arranged in several horizontal groupings, a thin horizontal rule in the middle, and small ornamental dots and specks scattered across the paper surface.
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alb30982120 Violetta from La traviata, La Dame au Camélia, Lithographic studies with two types of chalk by M. Alophe, Études choisies lithographiées aux deux crayons by M. Alophe, Études choisies (original series title), print, Series number, 85, printmaker: Marie Alexandre Alophe, publisher: Goupil & Cie., Paris, 1853, paper, lithography, height 638 mm x width 497 mm, female literary characters, flowers: camellia., A monochrome portrait of a seated woman shown from the waist up wearing a dark patterned shawl and a sheer veil over her hair, with long glossy hair styled in spiral ringlets that frame her face; she has a calm, neutral expression and downcast eyes, and she holds a light-colored camellia flower near her chest while one hand rests on a textured armrest and the other hand lies across her lap.
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alb30982143 Mary feeding the Child, print, Mary feeds the Christ Child with a spoon. An angel holds the plate of porridge. Joseph stands next to her and holds a sprig of cherries in his hand. The Child stands on Mary's knee and is swaddled., after print by Cornelis Galle (I), after design by Francesco Vanni, publisher: Philips Galle, Antwerp, 1586 - 1612, Cornelis Galle (I), Francesco Vanni, Philips Galle, printmaker, after print by, after design by, publisher, paper, engraving, gravure, height 268 mm x width 190 mm, Christ-child eating, Madonna-representations., A detailed black and white engraving shows a group of figures in a close arrangement under a tree with dense foliage. A seated woman with braided hair and a draped dress looks downward while holding a small child on her hip; the child has curly hair and brings a hand to their mouth while wearing a bracelet and a draped garment. To the left, an older bearded man leans forward holding a small branch with leaves, his robe and textured beard rendered with fine lines. In the foreground, a winged figure kneels and presents a shallow dish while a small person with long hair and a bare back reaches toward the dish; the winged figure's wings and the folds of clothing are emphasized by crosshatching. The background contains more trees and layered landscape lines, and the whole composition is executed with intricate linear shading and detailed textures.
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alb30982118 1648, Peace of Münster, Signing of the Peace of Münster, print, historical print, The swearing in of the Peace of Münster on May 15, in the Great Hall or Friedenssaal of the Town Hall in Münster. The delegates stand around a table and take the oath with raised hands., printmaker, after print by, after painting by, Netherlands, paper, tonal lithography, tonal lithography in black with a tone block in beige, height 358 mm x width 528 mm, signing of peace treaty, concluding the peace, North Rhine-Westphalia, Münster (North Rhine-Westphalia), Town Hall (Münster), Friedenssaal, Period, 1648-05-15., A large group of people gathered around a round table covered with a draped cloth, several men at the table holding papers and books, others gesturing or looking on, many wearing long cloaks and period clothing with collars and boots, a chair with carved armrests near the table, hats and other accessories placed on the floor and chair, a chandelier with ornate detailing hanging above, tall decorative panels and architectural elements in the background, clusters of figures standing closely together filling the room, and a narrow border framing the scene.
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alb30981382 The history of Colombine, print, popular print, Sheet with 11 illustrations of the life of Colombine. A caption under each image. Numbered top right: No. 147., printmaker: Lamouche, publisher: Gordinne, Liège, 1894 - 1959, paper, color lithography, letterpress printing, color lithography in yellow, green, blue, orange and red, text in letterpress, height 399 mm x width 271 mm, types in 'commedia dell'arte', circus., A large illustrated page featuring a series of framed vignettes arranged in rows, each showing colorful scenes with characters in theatrical or circus costumes, including clowns, performers in dresses and tutus, musicians with brass instruments, and people in period clothing; scenes depict performances, training, and interactions such as dancing, acrobatics with hoops and ropes, a rider with a horse, a small dog appearing in several frames, onlookers seated and standing, and a carriage drawn by multiple horses in one panel, all rendered in muted watercolor tones with ink outlines against a pale background.
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alb30982119 Queen of Sheba brings gifts to Solomon, Paintings in the Loggia by Raphael, print, Series number, 48, 52, King Solomon stands on a raised platform. In front of him stand the Queen of Sheba and her servants offering him gifts., printmaker: Orazio Borgianni, Italy, after painting by Raphael, Vatican City, 1615, paper, etching, height 170 mm x width 192 mm., A detailed black and white line engraving shows a crowded interior scene with many figures arranged under an archway and beside a column; a bearded man wearing a crown leans forward with his hand on the shoulder of a kneeling crowned figure whose arms reach up, while others stand and kneel around them wearing draped robes and tunics; a woman in a dress holds a shallow bowl and stands among several attendants, one of whom cradles a small child; to the right a muscular nude figure holds a large ornate vessel above his head and another crouched figure pours coins from a container onto the floor; heavy drapery and architectural elements like pilasters and an arched opening frame the group, and crosshatched shading defines folds, faces, and the stone floor.
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alb30982138 Dear children! the examples below will teach you: that, in order to exert much force with little power by means of a lever, print, popular print, Sheet with 8 illustrations of the operation of dynamics and the lever. In the center the seal of the Society for the Benefit of the General Public. A caption under each image. Numbered top right: B., printmaker: Gerrit Oortman, Netherlands, printmaker: Jan Oortman (Sr.), publisher: Johannes Bouwer, Amsterdam, 1805 - 1808, paper, woodcut, letterpress printing, woodcut and book printing, height 410 mm x width 327 mm, Person, Society for the Benefit of the General Public, dynamics, kinetics, Period, 1750 - 1800., A sheet with a grid of rectangular framed sketches showing a man in different poses using a long pole and blocks or a hanging barrel; the drawings are inked in a simple etching style on aged paper and arranged in two vertical columns with a decorative circular emblem between middle rows; the man appears bent over or standing, interacting with a lever setup in several panels, and in lower panels two figures carry a suspended barrel between them.
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alb30981331 Portrait of Paul Fürleger, print, printmaker: Johann Friedrich Leonard, Germany, 1668, paper, etching, height 141 mm x width 97 mm, Person, Paul Fürleger, historical persons, merchant, salesman, ornament, cartouche, armorial bearing, heraldry., A detailed pen drawing of an ornate multi-tiered fountain on aged paper, topped by a standing winged figure holding a basket, with a tall fluted central column rising from a large bowl supported by a decorative pedestal; stylized winged sea-horse figures flank the column beneath the bowl, and a lower square base features a small seated human-like figure on its front face between two winged lion-like creatures that sit on the stepped platform, with additional shallow dishes held above the lion-like creatures and intricate scroll and acanthus leaf ornamentation throughout.
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alb30981304 A vertical image showing a dense woodcut scene framed by blocks of printed text above and below. The central illustration depicts a crowded battlefield with armored horsemen and foot soldiers, many spears or pikes held upright, and several banners or flags displayed. Horses are shown in profile with bridles and harness details, and riders wear helmets and armor with visible decorative elements. In the background there is a suggestion of hilly terrain and clustered trees. The overall palette is monochrome with dark ink on aged paper, and the composition is made of detailed linear engravings and shaded crosshatching.
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alb30981333 View of the Gemeenlandshuis in Delft, photograph, number: '112', annotation: 'Gemeenlandshuis te Delft, No 1', photographer: Henricus Jacobus Tollens, Delft, 1888 - 1923, paper, pasteboard, daylight collodion silver print, height 225 mm x width 172 mm, height 361 mm x width 300 mm, urban housing, Gemeenlandshuis., A multi-story brick building partially covered in climbing plants is seen behind a garden; the building features tall rectangular windows with decorative awnings and a tiled roof with a dormer window, chimneys, and a small ornate tower topped by a decorative spire; large leafy trees and dense shrubs frame the sides and foreground of the scene, with flowering bushes and a gravel path leading toward the building and a small stone or metal fountain or ornament sitting on the lawn.
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alb30981389 Man subdues a harpy, Wanderings of Aeneas, L'Enea Vagante pitture dei Caracci, print, Console with a naked man, one of Aeneas' soldiers, sitting on a Harpy., print maker: Giuseppe Maria Mitelli, Italy, after painting by Annibale Carracci, after painting by Agostino Carracci (possibly), after painting by Ludovico Carracci (possibly), printer (person): Giovanni Giacomo de' Rossi, Rome, dedicated by: Giuseppe Maria Mitelli, dedicated to: Leopoldo de' Medici, 1663, Giovanni Giacomo de' Rossi, Leopoldo de' Medici, printmaker, printer (person), paper, etching, height 335 mm x width 205 mm, the (nude) human figure, 'Corpo humano' (Ripa), Harpies (classical mythology), other architectural details (CONSOLE)., A monochrome engraved image showing a sculptural group placed on an ornate architectural pedestal and flanked by two pilasters with decorative capitals; the central figure is a seated male nude with a muscular, contorted torso, curly hair and a beard, his head resting on one hand and his other hand gripping the hair of a second, bent-over male figure beneath him; the lower figure is also nude, head bowed, one arm extended down and fingers splayed on the pedestal surface; both figures display detailed musculature and shading from fine crosshatching; the pedestal beneath them features carved volutes, a shell-like ornament, and layered moldings with fluted and rounded forms; the background consists of lined shading and plain wall areas framed by the pilasters.
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alb30981325 Rijckje Schimmel-penninghs and Lubbert Leever-worst, Heads of farmers and farmwomen, print, Series number, 3, 12, Print from a series of 12 prints with heads of farmers and farmwomen., after design by Pieter Bruegel (I), after design by Adriaen Brouwer, 1612 - 1702, printmaker, paper, etching, engraving, etching and engraving, height 111 mm x width 156 mm, farmers, head-gear., A black and white engraving showing two oval portraits side by side, each containing an older person from the shoulders up. The left oval depicts a person wearing a rounded cap and a cloak with visible folds and a tie at the throat, with curly hair at the ear and a face marked by deep lines and focused eyes looking slightly to the right. The right oval shows a person wearing a hooded garment with the hood pulled over the head, a long narrow face with pronounced wrinkles and sunken cheeks, and eyes directed slightly toward the left; both ovals have densely crosshatched textured backgrounds and the paper shows a few small specks and uneven toning.
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alb30981306 Portrait of Bruno van der Dussen, print, Regent of Gouda. In the margin his motto in Latin and a six-line eulogy in French., inscription: 'Mr. Van der Dussen ... Utrecht.', printmaker: Bernard Picart, Amsterdam, after painting by Zeger Jacob van Helmont, 1718, paper, etching, engraving, etching and engraving, height 140 mm x width 83 mm, Person, Bruno van der Dussen., A grayscale engraved portrait of a man shown from the waist up, wearing an ornate lace cravat and richly textured clothing, with a large, curly wig cascading over his shoulders; he holds a dark draped cloth across his lap with one hand visible, and the background is hatched shading.
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alb30981386 Vue générale de la ville de Compiegne, View of Compiègne, print, watermark, printmaker: Claude Niquet, after drawing by Tavernier, 1770 - 1831, paper, etching, height 285 mm x width 429 mm, city view in general, 'veduta', Compiègne., A wide monochrome engraving showing a townscape with a low horizon and a large sky filled with layered clouds, a row of trees and various buildings with towers and steeples rising above them, a foreground of open land with a dirt path and scattered bushes, small groups of people walking and riding horses, a horse-drawn carriage on the road, figures standing and interacting near the carriage, and distant rolling hills beyond the town.
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alb30981320 Request of Antonius, Sanctus Antonius., print, printmaker: Benoît Farjat, Rome, after painting by Annibale Carracci, 1656 - 1720, paper, engraving, height 510 mm x width 354 mm, Antony Abbot (+ devil(s))., A monochrome engraving showing a bearded man reclining on fur-covered garments near a rocky outcrop with an open book beside him, his hands raised and his face turned upward with a startled expression; around him are several contorted figures with anguished faces and clawed hands reaching toward him, one figure lunging forward with an open mouth, another with a gaping face near the rock, and a lion with a snarling face at the lower left; above them a group of robed figures and cherubic children float on clouds, one robed figure extending an arm and looking down; to the right a winged, horned creature hangs inverted from the rock with a coiling tail and a serpent-like head nearby; the background includes distant landscape features and a tree growing from the rock.
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alb30981330 An ink drawing shows two horses standing on a grassy plain, one facing left with its hindquarters visible and the other in profile facing left with a spotted coat and a short mane, both rendered with fine line shading; low plants and tufts of grass grow near their feet, and a distant landscape with small buildings and a tall tower appears on the horizon beneath a sky filled with closely spaced horizontal lines.
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alb30981305 Adoration of the Kings, print, The Christ Child is adored, in the presence of Mary and Joseph, by the three Wise Men from the East who have positioned themselves before the Child with their gifts., printmaker: Jacob Folkema, 1702 - 1767, paper, etching, height 178 mm x width 117 mm, adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)., A detailed monochrome engraving shows a group of robed figures gathered around an infant held by a seated woman who has a halo of light around her head; the infant also has a radiant glow. Several bearded men kneel and stand close, one kneeling man touching the child's hand while another holds a ornate vessel. Architectural elements like a large column and stone steps form a backdrop, and a distant landscape with trees, hills, and a small group of tiny figures on a ridge appears in the background. Draped fabrics, sandals, and textured hair and beards are visible, and rays of light descend from a bright source near the top of the image.
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alb30981380 A detailed monochrome line drawing shows a scene with several robed figures in an interior space. On the left a seated figure on an ornate carved chair faces a kneeling figure in a flowing cloak who gestures with a pointing hand. Behind the seated figure stands a person holding a long staff. In the middle distance a crowned figure in a long cloak stands with a staff while another kneeling person faces them near a balustrade. The floor is tiled with visible lines, curtains hang behind the central figures, and a distant landscape with rolling hills and a few clustered shapes appears beyond the balustrade. The drawing emphasizes folds in fabric, carved furniture details, and linear shading throughout.
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alb30981384 Look, children! depicted a series of Liên, whose trade, In various kinds of goods, by their trade, print, popular print, Sheet with 24 depictions of street traders and their street cries. Below each image a two-line verse. Numbered top right: No. 102., printmaker, Amsterdam, Netherlands, paper, woodcut, colour, letterpress printing, woodcut coloured in blue and yellow, text in letterpress, height 400 mm x width 330 mm, street-trader, 'cris de Paris', cries of London., A grid of rectangular panels fills the image, each containing small monochrome woodcut-style scenes of people engaged in various activities; many panels show figures carrying baskets, trays, or poles with loads, some pushing wheelbarrows, others holding birds or fish, and a few standing beside stalls or small display tables; clothing appears period style with hats, coats, dresses, and aprons, and several figures wear wide-brimmed or tall hats; backgrounds are simple, with minimal landscape elements like small houses, distant steeples, clouds, or low horizon lines; the overall tone is aged paper with a textured, slightly uneven ink impression and faint discoloration in places.
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alb30981379 The funeral procession of Frederik Hendrik (text sheet 18), 1647, The funeral procession of Stadtholder Frederik Hendrik in The Hague in 1647, Funeral of His Highness Frederick Henrick, by the Grace of God Prince of Orange, Count of Nassau &c, text sheet, Series number, 18, 20, Text sheet no. 18 accompanying the print series of the funeral procession of Stadtholder Frederik Hendrik in The Hague on May 10, 1647. Part of a series of 30 plates and 20 text sheets, intended to be pasted together., publisher: Pieter Jansz. Post, The Hague, publisher: Pieter Nolpe, Amsterdam, printer (person): Nicolaes van Ravesteyn, grantor of privilege: States of Holland and West Friesland, 1651, writer (clerical worker), printer (person), paper, letterpress printing, text in book print, height 253 mm x width 130 mm, Person, Frederick Henry (Prince of Orange), Funeral of Frederick Henry, Period, 1647-05-10., The image shows a vertical section of aged paper filled with dense printed text in an old serif typeface, with lines of text arranged in horizontal rows and occasional headings in larger, spaced lettering; the paper has a yellowed tone with small stains and slight discoloration near the edges, and there are faint impressions or irregularities in the paper texture.
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alb30981388 Mercury embraces the nymph Lara, print, Mercury kisses and embraces the nymph Lara. On the ground lies his staff, the caduceus. Inscription in Latin., printmaker: Jan Harmensz. Muller, Amsterdam, printmaker: Harmen Jansz Muller, 1590 - 1594, paper, engraving, gravure, diameter 174 mm, Mercury woos the nymph Lara when conveying her to the underworld, after Jupiter had deprived her of her tongue., An oval engraved scene shows two partially draped figures seated closely on a rocky surface beneath a tree with textured bark and leafy branches; one figure wears a helmet and cloak while the other is bare from the waist up, their faces touching in an intimate pose, with detailed musculature and flowing drapery lines. In the background there are rolling hills and a few stylized trees, and the foreground includes a coiled staff with entwined serpents resting on the ground near the figures' feet. The composition is enclosed by a decorative circular border with ornamental flourishes and vignette shading throughout the sky and landscape.
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alb30981322 Duke Frederick of Württemberg Knighted in the Order of the Garter by James I, 1603, Series 4: French, German and English Events, 1576-1610, print, album page, Series number, 347, 380?, November 16, 1603. In the image, inscriptions in German. With caption of 14 lines and legend AE in German. Numbered bottom left: 347., printmaker: workshop of Frans Hogenberg, Cologne, 1603 - 1605, North Rhine-Westphalia, paper, etching, height 212 mm x width 288 mm, Person, Frederick I (Duke of Württemberg), knighthood order, becoming a knight, knighting, London, Period, 1603-11-16., A detailed black and white engraving showing an interior and exterior scene with many small, robed figures gathered in processions and groups across a tiled courtyard and adjacent halls, ornate architectural elements including arches, columns, a raised altar area with figures in ceremonial dress, a crucifix above a decorated canopy, framed portraits and heraldic medallions on the walls, long banquet tables set with plates and attended by seated figures, raised platforms with seated dignitaries, stairways and gates, clustered crowds outside and inside fortified walls, and numerous small details of clothing, wigs, capes, and attendants throughout the composition.
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alb30981321 Vue du palais episcopal de Beauvais, Two views of Beauvais, Vue du Séminaire de Beauvais, print, Two etchings on an uncut sheet. Numbered center right: Dép.t de l'Oise. No. 32, bottom right: Dép.t de l'Oise. No. 33., printmaker: François Denis Née, after drawing by Tavernier, 1749 - 1817, paper, etching, etching printed from two plates on an uncut sheet, height 197 mm x width 264 mm x height 197 mm x width 264 mm, city-view in general, 'veduta', bridge, palace, watermill, Beauvais., A sepia-toned engraving showing two separate landscape scenes stacked vertically. The upper scene depicts a river with a stone bridge and a timbered mill building with a waterwheel at the riverbank; a woman and child stand at the water's edge near a small dog while cattle wade in the shallow water; trees and a hillside with a large building sit in the background beneath a sky with scattered clouds. The lower scene shows a large stone palace-like building with turrets and steep roofs set amid trees; in the foreground a rustic footbridge crosses a small stream and figures on foot and horseback move along a path while a cart is pulled by oxen; people sit and stand near the water at the edge of the scene under a cloudy sky.
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alb30981329 How Steinwick is conquered by Count Montz, Capture of Steenwijk by Maurits, 1592, Series 10: Dutch and Foreign Events, 1587-1612, print, album page, historical print, Series number, 288, 380?, Siege and bombardment of Steenwijk by the States Army under Prince Maurits and surrender of the Spanish occupiers, July 4, 1592. To the right of the center is the raised earthen rampart with a wooden tower, a so-called 'cat', from which the city is being bombarded. An explosion occurs in two places beneath the city wall. In the upper left, the Spanish troops are leaving the city. With a caption of 12 lines in German and 3 lines in French. Numbered bottom left: 288., printmaker: workshop of Frans Hogenberg, Cologne, 1592 - 1594, North Rhine-Westphalia, paper, etching, height 207 mm x width 268 mm, Person, Maurice (Prince of Orange), fortifications, military engineering, Capture of Steenwijk, Steenwijk, Period, 1592-07-04., A detailed black and white engraved scene shows a walled town with buildings, towers, and smoke rising from inside the walls, surrounded by soldiers and military activity; troops march and form ranks outside the walls while others are engaged on the battlements and at breaches, with figures operating cannons, ladders, and siege engines; cavalry and mounted officers are visible among marching foot soldiers, some carrying flags and standards; tents, barrels, wagons, and piles of equipment are arranged in the foreground near groups of men working and preparing artillery, and small boats with oars appear near the water beside the town; the landscape includes winding roads, embankments, trees, and distant groups of people and formations on the surrounding ground.
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alb30981385 Portrait of Bartholomeus Spranger, print, The painter Bartholomeus Spranger, dressed in a doublet with buttons, above which a wide pleated collar. At the bottom a Latin dedication to Spranger in six lines., printmaker: Johann Sadeler (I), 1594, paper, engraving, height 148 mm x width 85 mm, Person, Bartholomeus Spranger, portrait, self-portrait of painter, neck-gear, clothing (with NAME) (+ men's clothes)., A monochrome engraved portrait of a man shown from the chest up, turned slightly to one side, with curly hair and a short beard and mustache; he wears a large pleated ruff collar and a richly textured garment with decorative shoulder straps and buttons, and the background is filled with fine cross-hatching.
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alb30981319 Four tables, Renaissance, Louis XIV, Louis XVI, Neo-Greek, Le garde-meuble, Collection de Meubles, print, Series number, 1186, Four tables in the styles of the Renaissance, Louis XVI and Neo-Greek. Print from 200th Livraison., printmaker: Midart, printer (person): Walter frères, Paris, publisher: Désiré Guilmard, 1839 - 1885, printer (person), paper, lithography, hand coloring, hand-colored, height 360 mm x width 272 mm, table., The image shows a pale paper sheet with four decorative planter stands arranged in a grid, each stand topped with lush foliage and flowers. The top left stand is wooden with turned legs, a carved apron, and a rectangular planter filled with green leaves and small colorful blooms. The top right stand is ornate and gilded with curved cabriole legs, a decorative apron, and a planter holding tall spiky leaves and clustered flowers. The bottom left stand is richly decorated with gilt accents, slender fluted legs, and a planter of mixed greenery including a prominent blue flower. The bottom right stand is darker in color with intricate carved legs and a round planter containing tall grassy foliage and small blossoms. The background is an aged off-white with faint spotting and subtle shadowing beneath each stand.
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alb30981327 Map of Rotterdam, Tabula Roterodami Novissima, area plan, print, Map in bird's-eye perspective. Top left the legend 1-106, top right the legend 107-185. Bottom center the title. Above that the Rotterdam city maiden seated on the city's coat of arms, surrounded by various allegorical and mythological figures and exotic animals., printmaker, publisher, Amsterdam, paper, etching, engraving, height 471 mm x width 566 mm., A detailed antique map of a city with dense streets, canals, bridges, and rows of buildings, bordered by decorative panels on the left and right that include lists of places and ornamental garlands held by putti; cherubic figures and draped garlands appear along the top and sides, and the lower section features a crowded maritime scene with classical figures, ships under sail, and figures seated on the shore, all rendered in fine engraved line work.
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alb30981323 View of the Wanghailou Church in Tianjin, Portrait of Vincent Ou and Portrait of Claude Chevier, page, photomechanical print, maker: anonymous, c. 1892 - in or before 1897, paper, autotype, height 215 mm x width 157 mm, Person, Claude Chevier, Vincent Ou, historical persons, adult man, church (exterior), Tianjin., The top portion shows a tall stone building with multiple arched windows and doorways, a central tower with decorative openings and a cross at its peak, flanked by lower rounded turrets and connected to a low wall and adjoining smaller structure with an arched entrance; below that are two seated men in separate framed portraits, each wearing traditional robes and with beards, seated in chairs with one hand resting on the armrest and the other visible on their laps.
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alb30981334 Port Elizabeth-from jetty, Knysna River drift, page, photomechanical print, number: '91. 92.', inscription: 'SA', photographer: Sam Alexander (possibly), South Africa, cliché maker: anonymous, c. 1870 - in or before 1880, paper, collotype, photoprint, height 290 mm x width 219 mm, river, pier, quay, wharf, Eastern Cape, Port Elizabeth, Algoa Bay., A vertical page with two framed black-and-white photographs separated by decorative borders; the top photograph shows a wooded hillside sloping down to a reflective body of water with dense foliage and a lone figure standing near the water's edge, while the bottom photograph depicts a harbor scene with a man standing beside a small boat on a wooden pier, large crane machinery and rails to the left, buildings and a crowd in the background, and additional small boats along the pier.
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