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Total de Resultados: 10.000

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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg944260 Kusama, Yayoi; geb. 1929. "Mirror Room (Pumpkin), 1991. Spiegel, Holz, Pappmaché, bemalt, 200 x 200 x 200 cm. (45. Biennale di Venezia, Venedig 1993). Museum: Hara Museum of Contemporary Art., TOKYO.
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akg1702441 Kusama, Yayoi; geb. 1929. "Flowers That Bloom at Midnight", 2009. (Ausschnitt). Fiberglas, Plastik, Polyurethanfarben. Aufgestellt in den Jardins des Tuileries in Paris (Frankreich) anläßlich der Retrospektive im Centre Pompidou, 10. Oktober 2011-9. Januar 2012.
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akg7413234 2. Weltkrieg: DRK - Helferinnen beim Einkaufen auf einem Markt in Sarajewo / Bosnien (von der deutschen Wehrmacht besetzt), neben ihnen eine voll verschleierte Frau- Mai 1944OT: Beim Einkauf auf dem TürkenmarktPK-Aufn.Zensurvermerk: Noch nicht der Zensur vorgelegen!.
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orz063517 CRUZ DE PLATA PROCEDENTE DE MANZANILLO (VALLADOLID) - SIGLO XVI - ARTES APLICADAS - PLATERESCO. Author: Paredes. Location: MUSEO DIOCESANO. Valladolid. SPAIN.
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alb31274900 FLORENCE PUGH in MIDSOMMAR (2019), directed by ARI ASTER. English title: MIDSOMMAR. Portuguese title: MIDSOMMAR: O MAL NÃO ESPERA A NOITE.
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alb31274664 CABARET (1972), directed by BOB FOSSE. English title: CABARET. Portuguese title: CABARET.
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alb31274953 RYAN GOSLING in DRIVE (2011), directed by NICOLAS WINDING REFN. English title: DRIVE. Portuguese title: DRIVE. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.
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alb31274897 FLORENCE PUGH in MIDSOMMAR (2019), directed by ARI ASTER. English title: MIDSOMMAR. Portuguese title: MIDSOMMAR: O MAL NÃO ESPERA A NOITE.
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alb31009853 Amphibians or hermaphroditic animals, Natural history, Print magazine for youth, print, popular print, Series number, 143, 194, Sheet with 6 illustrations of amphibians or hermaphroditic animals, such as a crocodile and a frog. Above each illustration a title and below each illustration a four-line verse. Numbered top right: No. 143., publisher: Dirk Noothoven van Goor, Leiden, Netherlands, 1850 - 1881, printmaker, paper, wood engraving, letterpress printing, wood engraving and text in letterpress, height 421 mm x width 300 mm, tortoises, turtles, tailless amphibians: frog, tailless amphibians: toad, amphibians, crocodiles: crocodile, lizards: chameleon., A vertically oriented page with multiple rectangular engraved illustrations arranged in two columns, each illustration showing natural scenes with animals and vegetation, separated by blocks of text; the top of the page features a large centered title in bold type and smaller headings beneath it, and the bottom shows a publisher line across the width; the left column contains images including a waterside scene with a long reptile on the bank and a marshy landscape with plants and another animal, while the right column shows a wooded scene with a curled creature among branches, a shoreline scene with a shelled animal in shallow water, and additional vignettes of landscapes and animals further down; the overall look is monochrome with fine engraved linework, aged paper texture, and decorative typographic elements.
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alb31009838 Portrait of Madame de Mouchy, probably Anne d'Arpajon, print, printmaker: Richard Purcell, England, after print by Louis Surugue, after painting by Charles-Antoine Coypel, c. 1770, Richard Purcell, Louis Surugue, Charles-Antoine Coypel, printmaker, after print by, after painting by, paper, mezzotint, proof, height 352 mm, Person, Anne d' Arpajon, historical persons - BB - woman, mask., A seated woman in an ornate gown with layered fabric and embroidered trim, wearing long braided hair decorated with flowers and a hair ornament, a choker and dangling earrings, holding a small mask in one hand while the other rests on her lap, with a carved chair back visible and a columned architectural backdrop.
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alb31009857 Filippo Neri recognizes a young man, Life of Saint Filippo Neri, print, Series number, 20, 44, Filippo Neri recognizes a young man as a priest (1559). Print no. 20 in a series of 44 prints with scenes from the life of Saint Filippo Neri., printmaker: Luca Ciamberlano, Rome, after design by Jacques Stella, 1630 - 1641, paper, engraving, gravure, height 228 mm x width 150 mm, Person, Filippo Neri, the founder of the Congregation of the Oratory (Oratorians) Philip Neri, possible attributes: lily, rosary, Period, 1559., A monochrome engraving shows an interior with arched ceilings and round windows; in the foreground two groups of robed men face each other across a central aisle, one group on the left includes a young figure wearing a short tunic and holding a hat, accompanied by bearded men, while the group on the right centers on an older bearded man with a radiant halo around his head, flanked by other robed figures; in the midground a smaller robed figure stands in the doorway and further back two figures are visible in the distant archway; the floor is depicted with linear shading and the walls and architectural elements are detailed with crosshatching.
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alb31009893 Activities and figures, print, popular print, Sheet with 20 depictions of various figures and activities, including an English policeman, a sausage seller, and a cooper. Below each image a two-line verse in Dutch and in French. Numbered center top: No. 109., publisher: Franciscus Antonius Beersmans, Turnhout, Europe, 1866 - 1902, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow, green and red, text in letterpress, height 429 mm x width 313 mm, merchant, salesman, street-trader, craft-production, skilled handiwork, crafts and industries., A grid of small rectangular illustrations arranged in columns and rows on a beige paper background, each framed and depicting a person or scene, with many figures wearing period clothing in muted colors like green, red, yellow and brown, some holding objects such as sticks or tools, some standing, sitting, or gesturing, with simple outdoor or architectural backgrounds including trees, small houses, fences and pathways, and many illustrations accompanied by blocks of printed text beneath them.
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alb31009865 Three gardeners at work in Chennai, Tamil Nadu, India, photograph, page, number: '449.', inscription: 'MALLEES., HINDOOS., MADRAS.', Chennai, c. 1865 - in or before 1875, photographer, South India, paper, albumen print, height 130 mm x width 165 mm, gardening, picking fruit, human races, peoples, nationalities., A sepia photograph shows three people seated and one standing under an arch of dense foliage, with leafy plants surrounding them; two seated figures wear headwraps and loose clothing and are handling bundles of vegetation and a wooden barrel filled with greens, while the standing figure reaches upward into the foliage wearing a patterned cap and a wrapped lower garment; a woven basket lies on the ground near one seated figure and various stems and rounded produce are scattered in the foreground.
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alb31009851 Walk on, The Servants of the Actionists walk with the Frying Pan, 1720, The Great Tableau of Folly (extra pieces), cartoon, print, Sheet with a satirical verse about the servants of the actionists who have to beg for money for their destitute masters. At the top, three depictions of two monks with a nobleman, a fool with a cap and a large nose, and the arrest of a man by two law enforcement officers. With a verse in two columns containing a dialogue between the Master and the Servant. Belongs to the group of supplementary prints added to the series *Tafereel der Dwaasheid* with satirical prints on the *Windhandel* or *Equity Trading* of 1720., printmaker, publisher, Northern Netherlands, paper, woodcut, letterpress printing, woodcut with text in letterpress, height 362 mm x width 253 mm, arrest (of criminal), *Windhandel* of 1720, Period., The image shows an aged sheet with a decorative header featuring three small woodcut scenes: one with three robed figures standing and conversing, a central profile of a crowned figure pointing, and a scene of three men standing near a doorway. Below the header the page is filled with two columns of printed text in an old serif type with visible wear and uneven ink, and the paper has a textured, slightly yellowed appearance with small spots and faint creases.
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alb31009840 David beheads Goliath, print, The large body of Goliath lies defeated on the ground. David has taken Goliath's sword and is about to behead him with it. On the right is Goliat's helmet, inscription: 'G. Mantuanus sc.', inscription: 'G. Romano inv. 823', printmaker: Giovanni Battista Scultori, Italy, after painting by Giulio Romano, 1540, paper, engraving, etching, etching and engraving, height 356 mm x width 453 mm, David fighting Goliath., A densely detailed black and white engraving showing a chaotic scene of fallen and struggling figures wearing ornate armor and drapery. A central figure with curly hair raises a large sword and wears a flowing cloak that billows over other bodies. Around him are limbs, helmets with intricate decoration, greaves, and sandals, all rendered with fine hatching. Faces show strained expressions and contorted poses. Draped fabric, buckled straps, and sculpted armor elements overlap with rocky ground and fragmented architectural stone. The composition is tightly packed with overlapping bodies and decorative metalwork, emphasizing texture and line.
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alb31009869 Monument consecrated to the Glory of Hainault, Inhabitants of Mons in Hainaut parade before the States of Brabant, 1787, Brabant Revolution, 1787-1790, print, View of the Grand Place in Brussels where representatives of the inhabitants of Mons in Hainaut pay homage to the States of Brabant in a parade, 1787. With captions in Dutch and French. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., printmaker, Southern Netherlands, paper, etching, engraving, height 231 mm x width 330 mm., A detailed monochrome engraving shows a large ornate building with a tall central tower and steep roof flanked by smaller towers, standing at the back of a crowded open square. In front of the building a dense formation of people and marching troops fills the square, including rows of uniformed figures, a group carrying banners, and musicians with drums. A procession of mounted riders and foot soldiers moves across the scene while clusters of civilians watch and gather at the edges, some carrying objects and others standing on raised platforms. On the left and right edges of the square rows of gabled townhouses line the streets, and a few decorative statues and architectural details appear atop some roofs. The sky above is lightly sketched with scattered clouds.
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alb31009879 Portrait of Johann Jacob Hässler, print, printmaker: Gabriel Spitzel, Augsburg, after painting by Johann Heinrich Lindemann, 1707 - 1760, Bavaria, paper, mezzotint, height 350 mm x width 238 mm, Person, Johann Jacob Hässler, historical persons., A monochrome portrait of an older person with curled hair wearing a pleated ruff collar and dark robes, seated in front of a backdrop with draped fabric and a bookshelf filled with books; the person's right hand is raised with an index finger extended and the left hand rests on an open book placed on a table, with visible handwriting on the open pages; a block of handwritten text appears below the portrait.
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alb31009866 Various scenes, Meijer's prints, print, popular print, Series number, 16, 96, Sheet with 16 illustrations of various kinds, including animals, children gathering firewood, soldiers, and a chimney sweep. A caption under some images. Numbered top right: No. 16., publisher: De Ruyter & Meijer, Amsterdam, 1873, De Ruyter & Meijer, publisher, printmaker, paper, color lithography, letterpress printing, color lithography in yellow, green, orange, red, and blue, text in letterpress, height 343 mm x width 427 mm, birds, the soldier, the soldier's life, animals, fruits: cherry, handicrafts, maintenance and repair (with NAME of trade or profession)., A large printed page with a central tall illustrated scene of a woman seated holding a baby while children and a man stand around in a garden with a fountain and trees, flanked by many small colored vignettes showing people, animals, objects, and outdoor scenes, and two large brown rabbits shown at the bottom left and bottom right on grassy ground.
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alb31009881 Altar with statuette of a woman, print, historical object representation, Altar with statuette of a woman., printmaker, Netherlands, paper, etching, height 134 mm x width 77 mm, altar, Roman religion, Roman period in the Netherlands., A monochrome engraved scene shows a seated female figure within a stone archway, wearing a long flowing robe and a cape fastened at the chest with a circular brooch, her hair cut to shoulder length and her face turned forward with a neutral expression; drapery folds cascade over her crossed legs and pool around her feet, where a small animal resembling a dog sits attentively at her side looking up. Behind the figure the arched niche reveals a distant townscape with clustered buildings and a small figure walking outdoors, while climbing plants and foliage trail over the top and sides of the stone structure and cast textured crosshatched shading across the background. The lower foreground includes a stepped platform beneath the seated woman with a rounded object near the hem of her garment and a band of patterned decoration along the base, and heavy line work and stippling create detailed shading throughout the composition.
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alb31009855 Naval battle between the Dutch and the French on the North Sea (plate 3), 1694, Neat Illustration of the Battle between the Squadron of Dutch Warships, under Rear Admiral Hidde de Vries: and Eight Frenchmen, under Captain Jan Bart, that took place in the North Sea on June 29, 1694. The continuous changes, along with the names of the Captains, being accurately indicated in fourteen plates, print, Series number, 3, 14, Naval battle between the Dutch and the French on the North Sea. Plate no. 3 in a series of 14 numbered plates of a naval battle that took place between a Dutch squadron under Hidde Sjoerds de Vries and French ships under Jan Bart in the North Sea, June 29, 1694., printmaker: Adriaen Schoonebeek, Amsterdam, paper, etching, height 150 mm x width 195 mm, Person, Jan Bart, Hidde Sjoerds de Vries, battle (+ naval force), Nine Years' War, Period, 1694-06-29., A pale sheet bordered by a thin double line contains a sparse ink drawing of many small sailing ships scattered across the lower and middle areas, each ship depicted with multiple masts and rigging and some accompanied by short plumes of smoke or stylized waves; a large curled cloud with a cherubic face appears on the left with a small puff of cloud extending toward the ships; a circular compass-like motif with crossed lines and a short decorative tail is near the lower right; the bottom edge shows a narrow band of printed material with darker tonal blocks.
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alb31009868 Brussels., Defense of the Schaerbeek Gate on September 23 in the morning of 1830, Defense at the Schaerbeek Gate in Brussels, 1830, Prints added to the series Events of Brussels, Antwerp, (1831), print, Belgian insurgents defending the Schaerbeek Gate in Brussels, September 23, 1830. Part of a group of prints from various other series related to the plates in the collection concerning the events during the Belgian Revolution in Brussels, Antwerp and other cities in the period August 25, 1830 to March 27, 1831., printmaker: Pierre Simonau, Brussels, printer (person): Avanzo & Cie., 1830 - 1831, printer (person), paper, lithography, lithografie, height 226 mm x width 275 mm, street-fights, riots, September Revolution, Schaarbeekse Poort, Period, 1830-09-23., A large grayscale illustration shows a crowded outdoor scene with a group of people in period clothing engaged in chaotic activity; several figures stand, some gesturing or carrying others on makeshift stretchers, while a few people sit or lie on the ground appearing injured or exhausted. Smoke or haze drifts across the middle distance, partially obscuring architectural elements including a gated entrance and a domed building beyond, with a pair of large rectangular structures flanking the scene. Trees appear at one side and scattered personal items lie on the ground in the foreground. The image is framed by a decorative border.
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alb31009887 View of Ad Deir in Petra, El Deir. Petra, La terre sainte. Vues & monuments, Sights and monuments of the Holy Land, print, Series number, 13, printmaker: François Stroobant, after print by Louis Haghe, publisher: Jules Géruzet (publisher), Brussels, 1852, Louis Haghe, after print by, paper, tone lithography, tone lithography in black with tone block in beige, height 393 mm x width 530 mm, mountains, landscape with monument, landscapes (+ landscape with figures, staffage), Jordan, Petra., A sepia-toned drawing shows a classical rock-cut façade with tall columns, ornate capitals, and a central urn-like ornament on the roof, set into a rocky cliffside. The façade opens onto a flat sandy area in front, where small groups of people in long robes and head coverings stand and sit. Smooth, rounded rock formations and terraced stone surfaces surround the monument, with winding paths and scattered vegetation including small trees and shrubs. Distant rounded hills and a calm body of water fill the background, and soft cloud formations appear in the sky above.
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alb31009871 Farm with four sheep, print, A view of a farm with a thatched roof and a wooden fence behind which is bushes. A man stands by the door of the farm. Behind the meadow with three standing and one lying sheep, a mountainous landscape., printmaker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, height 106 mm x width 123 mm, farm or solitary house in landscape., A detailed ink drawing of tall, leafy trees with thin, twisting trunks standing around a thatched cottage; the cottage has a sloped roof and a small visible window and doorway, and a person is seated near the entrance; a wooden gate and fence appear to the right of the cottage; grazing animals, including sheep and a dog, are visible on the grassy foreground near a shallow stream with reeds; the scene is rendered in fine penciled lines and stippling on a textured, light-toned background.
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alb31009859 Saint Reginald receives the episcopal office of Speyer, S. Reginaldvs episcopvs spirensis, Bavaria sancta I, Saints of Bavaria I, print, Series number, 43, 60, Saint Reginald, the abbot of Lorsch, stands before his abbey and receives two messengers who hand him the pontificalia of the episcopal office of Speyer. The print has a Latin caption and is the 43rd print of a 60-part series on the subject of the saints of Bavaria., printmaker: Raphaël Sadeler (I), Munich, after drawing by Johann Mathias Kager, publisher: Matthäus Rader, 1615, Bavaria, paper, engraving, etching, engraving and etching, width 156 mm x height 220 mm, monk(s), friar(s), insignia of bishop, eg mitre, crozier, male saints (with NAME)., A detailed black and white engraving shows a group of robed men standing outdoors before a large stone building with arched windows and a tower; one man wearing a halo and long flowing robes holds a crozier and reaches toward another man who offers a rectangular sheet while holding a brimmed hat, and two other robed figures stand nearby, one holding a mitre and another partly turned away; a horse's head appears behind the group among leafy trees, clouds sweep across the sky above the architectural backdrop, and foreground details include a patch of grass and a few rounded logs.
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alb31009889 Title print: Livre de Divers Ornements D'orfevrerie, Livre de Divers Ornements D'orfevrerie, print, ornamental print, Series number, 1, 6, Title print of a series of six consisting of a wreath of leafy tendrils with a flower with the text above. At the bottom are depictions of goldsmiths. Top left and right in the corners are two more ornamental decorations., signature: 'JL Durant sculps.', signature: 'fait par Jean Mussard Orfevre', privilege: 'avec privilege', date: '1673', designer: Jean Mussard, printmaker: Jean Louis Durant, 1673, paper, engraving, height 144 mm x width 120 mm, ornaments, art, foliage, ornament, jeweler, goldsmith, silversmith, title page., An ornate engraved border of swirling acanthus leaves and flowers fills the central and upper areas of the image, rendered in fine dark lines on aged paper; a symmetrical floral motif with a prominent central blossom anchors the composition, with dense curving foliage and decorative flourishes extending outward and framing a lighter central oval. Along the bottom edge, small engraved figures and objects are shown in a row, including people wearing period clothing engaged in various manual tasks and tools and furniture such as a stool, a workbench, and buckets. The overall palette is monochrome with dark ink on a beige, textured background, and the detailed linework emphasizes curls, leaf veins, and floral patterns.
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alb31009860 Oath of allegiance sworn by the Principality of Orange to Prince William III, 1665, Appearance in the sky, above the Principality of Orange, in the year 1688 the 7th of May, print, Oath of allegiance sworn by the cities and inhabitants of the Principality of Orange to Prince William III, 7 May 1665 (erroneously placed here in the year 1688). Ceremony with the representatives of the Prince and of Orange seated on a platform erected in a square in Orange, in front of the platform a large crowd of spectators. In the air the wondrous phenomenon of a crown of sunlight., printmaker: Jan Luyken, Northern Netherlands, 1687 - 1689, paper, etching, height 110 mm x width 130 mm, Person, Constantijn Huygens (I), William III (Prince of Orange and King of England, Scotland, and Ireland), swearing allegiance to a ruler, nimbus, halo, radiance emanating from persons or things, Provence-Alpes-Côte d'Azur, Orange (Vaucluse), Period, 1665-05-07., A detailed ink scene shows a crowded outdoor gathering with a large group of people in period clothing filling the foreground, many facing a raised platform where several figures stand and gesture; the crowd includes people wearing cloaks and hats, some reaching upward and others clustered together, with a few smaller figures among them. On the platform, a central figure appears to address the audience while other figures stand nearby in varied poses. Behind the platform a cityscape of tall narrow buildings, rooftops, chimneys, and a church tower with a spire stretches across the background, and a few figures are visible near the base of the buildings. The sky above is lightly hatched and contains an arc of short parallel strokes.
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alb31009847 Landscape with tree and bridge, print, Landscape with a tree by the water in the foreground and a bridge in the background., printmaker: Elias Stark, Nieuwer-Amstel, 1886, paper, etching, height 100 mm x width 155 mm, trees, water course., A black and white etching showing a riverside scene with a large tree trunk and spreading branches dominating the right side, its textured bark and dense leafy canopy rendered in fine lines. In the middle distance a group of smaller trees and shrubs lines the far bank, and a modest thatched building is visible among the foliage. On the left a low bridge with railings spans the waterway, and a figure stands on the bridge. The water in the foreground reflects vertical line work and ripples, and tall grasses and reeds grow at the near edge. The sky and distant landscape are suggested with horizontal and crosshatched strokes.
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alb31009845 Revue de la Mode, Gazette de la Famille, Sunday, September 18, 1887, 16th Year, No. 820: Outfits by Mr. Le Houssel, fashion print. Two women walk along a balustrade; in the background, a lake. Left: 'toilette' of grey wool and striped wool in grey and light grey. Bodice with a wrap-around neckline, open at the bottom over a vertically striped waistcoat. Matching hat and parasol. Right: 'toilette' of golden yellow faille embroidered with chenille and matching trimmings. 'Princess tunic' of plain faille, bodice fastening on the left side with four 'agrafes'. V-shaped cravat with embroidery identical to the skirt. Below the image, a line of advertising text for various products. Print from the fashion magazine Revue de la Mode (1872-1913). Detailed description of the clothing on pages 299 and 300 'PLANCHE COLORIÉE'., address: '13 & 15, Quai Voltaire Paris', caption: 'Etoffes de la M.on Le Houssel, 1, r. Auber _ Corsets de la M.on Léoty, 8, place de la Madeleine.', title: 'REVUE DE LA MODE, Gazette de la Famille', printmaker: A. Chaillot, printer (person): Henri Quentin, Paris, printer (person), paper, hand coloring, engraving, hand colored, height 375 mm x width 268 mm, skirt (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), coat (+ women's clothes), gloves, mittens (LONG GLOVES) (+ women's clothes), piece of clothing covering the breast or décolleté (+ women's clothes), parasol, sunshade (+ women's clothes), embroidery (ornamentation) (+ women's clothes), clothing for the upper part of the body (VEST) (+ women's clothes), fasteners for clothes (+ women's clothes), costume, Period., Two women stand side by side on a terrace in period dresses. The woman on the left wears a dark-gray gown with a fitted bodice, high collar, striped skirt, and draped overskirt; she holds a light-colored parasol above her shoulder and wears gloves and a decorative hat with curled plumes. The woman on the right wears a brown dress with ornate embroidery on the fron.
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alb31009864 Madonna and Child adored by Alanus de Rupe, print, The Breton preacher and theologian Alanus de Rupe kneels in adoration before Mary. She wears a crown on her head and carries the Christ Child in her arms. Alanus holds a banner bearing the symbol of the Brotherhood of the Holy Rosary, which he founded. Cherubs look on from a cloud. Below the print in Latin, a short description of the significance of Alanus and his year and place of death., number: '375', printmaker: Hendrik Snyers, Antwerp, 1635 - 1644, paper, engraving, gravure, height 343 mm x width 221 mm, children's heads with wings, Mary standing (or half-length), the Christ-child on her arm (Christ-child to Mary's left) - FF - the Christ-child to Mary's right., A detailed black and white engraving shows a robed woman wearing a crown and flowing drapery standing on a raised platform while holding a small naked child who holds a spherical object. The woman reaches out a hand toward a kneeling man in ecclesiastical robes who looks up at her with his hands raised to receive something; he holds a staff and a banner draped behind him that bears an oval depiction of a crowned woman and child. Rays of light and clouds surround the upper figures, and cherubic faces appear in the clouds above. The drapery of both main figures is rendered with fine folds and shading, and a rosary with a cross hangs from the kneeling man's garment. The scene is framed by an architectural ledge at the bottom.
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alb31009843 Elisha helps a poor widow, print, printmaker: Caspar Luyken, Nuremberg, publisher: Christoph Weigel, 1708, Bavaria, paper, etching, proof, height 252 mm x width 203 mm, the widow's oil: the little oil a woman has in store increases so that she and her son are able to fill many borrowed jars with it (2 Kings 4:1-7)., An interior scene rendered in a detailed etched style shows three central figures handling large ceramic and woven vessels; a robed woman with a hood pours liquid from a large basketlike container into a tall ornate amphora held by a young person who steadies it with both hands, while a shirtless youth stands nearby holding a smaller pail and looking toward the others; the room contains tiled flooring, a window with a lattice, shelves and stacked containers, additional jars and buckets scattered on the floor, a figure climbing a ladder at the back carrying a large vessel on their head, and architectural details including beams, arched openings, and wall niches.
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alb31009873 Composite group portrait of members of the Assembée Nationale of 1874, photograph, page, montage photo, number: '10', photographer: François Marie Louis Franck, France, c. 1872 - in or before 1875, paper, albumen print, height 240 mm x width 181 mm, politician, eg party leader, Lower House, Parliament, Chamber., A large sepia-toned collage showing many oval portrait photographs of men arranged in a triangular formation on a darker rectangular background with a lighter border; the portraits show men in formal attire, many with facial hair such as mustaches and beards, and each oval contains a head-and-shoulders pose with neutral expressions; one oval portrait is centered below the main group and a small pale rectangular label is visible on the lower left of the darker background; the overall image has a textured pale outer border and a few small dark spots on the lower darker area.
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alb31009884 The Great Fire Bell, Drawn by all the Grieving Actionists, The fire bell rung by the actionists, 1720, The Great Tableau of Folly (extra pieces), pamphlet, cartoon, print, Pamphlet consisting of a double-folded sheet printed on all four pages with text about the speculative trading of 1720. On the front, a depiction of the ringing by Roman Catholic clergy and soldiers of a large bell hanging from a tree. On the left, a bishop looks on seated in a chair. Belongs to the group of supplementary prints added to the series *Tafereel der Dwaasheid* with satirical prints on the *Windhandel* or *Equipment Trading* of 1720., printmaker, publisher, Northern Netherlands, paper, woodcut, letterpress printing, woodcut with text in letterpress, height 202 mm x width 338 mm, church bell, bell, acoustic signalling, *Windhandel* of 1720, Period., A monochrome printed image showing a group of robed and hooded figures gathered beneath a large suspended bell, several figures reaching upward holding ropes attached to the bell, detailed linework suggesting folds in clothing and textured hair or head coverings, a tree trunk or textured vertical element at the right, and printed text visible below the illustration.
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alb31009863 Steam Balance, Caricature of the deception of the firm C. de Bruyn & Zonen, 1834, cartoon, print, Caricature of the deception involving a false scale of the firm C. de Bruyn & Zonen, 1834. The firm owned the first steam sugar refinery on the Lijnbaansgracht in Amsterdam. On January 8, they were caught using a balance with an extended arm. In the center is the false balance hanging from the steam clouds emanating from the 'De Vijf Gebroeders' factory, on which crates of sugar are being weighed. On the left, C. de Bruyn with his two sons. In the clouds, a Bible quote. Pasted the cut-out death notice of Cornelis de Bruijn Mz., June 28, 1834., printmaker, Netherlands, paper, lithography, hand coloring, hand-colored, height 252 mm x width 348 mm, scales, sugar, industries, food, drink, stimulants, fraudulence, swindling, Amsterdam, Lijnbaansgracht, Period, 1834-01-08., A street scene with a group of men standing and working around a large balance mechanism; several men wear long coats and top hats, one holds a magnifying glass, another leans on a walking stick, and a few are gathered around a stretcher-like plank being carried. There are boxes and weights on the cobblestone ground near the balance, and a man on a platform at one end of the balance. Buildings with tiled roofs and multiple windows frame the left and right sides, a leafy tree rises behind the workers, and clouds of steam or smoke billow across the sky with birds flying above. The overall palette is muted with soft tones and fine ink outlines.
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alb31009849 House on a hill near Materborn at dusk, print, number: '392', printmaker: Carel Nicolaas Storm van 's-Gravesande (signed by artist), 1851 - 1902, Carel Nicolaas Storm van 's-Gravesande, paper, etching, drypoint, height 160 mm x width 237 mm, rural housing, eg country-house, villa, cottage, low hill country, dusk, evening twilight, North Rhine-Westphalia, Cleves, Materborn., A sepia-toned sketch shows a small house with a pitched roof perched on a gentle hill, surrounded by dense, textured foliage and trees rendered with crosshatched lines; the foreground consists of layered, curved strokes suggesting grassy terrain, while the sky above is largely empty with a few wispy, horizontal marks and a darker cloud shape near the center.
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alb31009836 Text sheet for the Funeral Procession of Emperor Charles V, 1558, Funeral Procession of Emperor Charles V, La magnifique, et sumptueuse Pompe Funebre, faite aus Obseques & Funerailles du tres-grand & tres-victorieus Empereur Charles Cinquième, Celebrées en la Vile de Bruxelles le XXIX. Iour du Mois de Decembre MDLVIII. par Philippes Roy Catholique d'Espaignes son Fils., text sheet, 1558. Text sheet with title and description of the procession. In ornamental woodcut edges. Fifth leaf., publisher: Christoffel Plantijn, Antwerp, commissioner (person who orders works): Pierre de Vernois, 1559, Christoffel Plantijn, Pierre de Vernois, publisher, commissioner (person who orders works), paper, letterpress printing, woodcut, hand coloring, text in letterpress, colored borders in woodcut on paper, height 250 mm x width 159 mm, Person, Charles V (Holy Roman Emperor and King of Spain), Funeral procession of Charles V, Brussels, Period, 1558-12-29., A vertical printed page with an ornate floral and vine border in muted blues and browns running along both sides and across the top and bottom, the top border featuring two reclining cherub-like figures among scrollwork, the bottom border showing symmetrical scroll and shell motifs. The interior area is filled with evenly spaced lines of serif text in a dark ink on a cream paper background, with a large ornamental initial near the top left and another large initial partway down. The paper shows slight aging with a few small spots and a subtle texture visible throughout.
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alb31009882 Soldier pouring powder into the pan of his musket, Wapenhandelinghe van Roers Musquetten ende Spiessen, print, Series number, 17, 43, A full-length soldier pouring powder from a powder flask into the pan (the powder reservoir) of a musket (a specific type of firearm). In his left hand, besides the musket, also a forket and a burning fuse. This print is part of the series of 43 numbered prints of musketeers from the Wapenhandelinghe., printmaker: workshop of Jacques de Gheyn (II), Netherlands, printmaker: Robert de Baudous (possibly), 1597 - 1607, paper, engraving, height 257 mm x width 187 mm, firearms: rifle, maneuver, military training., A finely detailed black and white engraving of a standing man wearing a wide-brimmed hat with a decorative band and flowing hair, a collared shirt, a vest, and loose, gathered breeches; he holds a long firearm diagonally across his body with one hand near the trigger and the other supporting the barrel, smoke curling from the muzzle area; a sword hilt and a strap with tassels hang at his side, and he stands on a lined floor with one foot placed slightly forward.
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alb31009894 Portrait of Pieter Corneliszoon Hooft, print, Knee-length portrait to the right of Pieter Corneliszoon Hooft., printmaker: Jacob Houbraken, Amsterdam, after painting by Michiel Jansz van Mierevelt, after drawing by Jan Maurits Quinkhard, 1708 - 1780, paper, engraving, gravure, proof print, height 280 mm x width 186 mm, Person, Pieter Corneliszoon Hooft., A seated man shown from the waist up wearing dark, textured clothing with ornate lace cuffs and a large, pleated lace ruff around his neck, a pendant hanging from a chain at his chest, a neatly trimmed beard and mustache, wavy hair, a calm facial expression with eyes looking slightly to the viewer's left, one hand resting on his lap and the other holding a folded cloth or handkerchief, all rendered in detailed, fine engraving lines against a plain, textured background.
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alb31009848 Coat of arms of Matthias Johann, Count von Schulenburg, print, printmaker: Bernard Picart, Amsterdam, 1728, paper, etching, engraving, etching and engraving, height 89 mm x width 129 mm, armorial bearing, heraldry., A detailed engraved scene shows a large ornate coat of arms topped by a crown and surrounded by flowing acanthus-like scrollwork and plumed helmets, flanked by two standing male figures with beards and leaf coverings at their waists, each resting a hand on the scrollwork. Above the crown is a bust of a bearded figure with stylized hair or horns and draped cloth, and on either side of the crown are elaborate helmets with different crests including a tall feathered plume and a trident-like ornament. In the background there are clouded skies, a distant shoreline with several sailing ships and billowing smoke, and a few architectural elements. The engraving is bordered by a simple line frame and rendered in fine parallel and cross-hatched lines.
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alb31009898 Portrait of John Lambert, print, Portrait of the English General John Lambert., printmaker: Jacob Houbraken, Amsterdam, after painting by Walker, 1737 - 1739, paper, etching, engraving, height 377 mm x width 237 mm, Person, John Lambert., An oval framed portrait of a man with shoulder-length wavy hair and a lace collar, shown from the chest up wearing polished armor, set against draped fabric; the ornate frame has carved acanthus-like decorations and flowing drapery around it. Below and in front of the portrait a cherubic child figure stands reaching up to the drapery while holding a cylindrical object, with a large horn and additional draped cloth and decorative foliage arranged around the lower foreground. The image is rendered in fine black and white line engraving with detailed crosshatching and tonal shading.
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alb31009899 Portrait of Johann Georg Gödelmann, print, Johann Georg Gödelmann at the age of 42, a German lawyer and author of treatises against witchcraft., printmaker: unknown, after print by Aegidius Sadeler (II), Prague, 1601 - 1679, Aegidius Sadeler (II), after print by, paper, engraving, height 128 mm x width 108 mm, Person, Johann Georg Gödelmann., An engraved portrait of a man shown from the chest up inside an oval frame, wearing a large pleated ruff collar, a fur-trimmed cloak over patterned clothing with a chain, and a neatly trimmed beard and mustache, with closely cropped hair and a composed facial expression; the background inside the oval is filled with fine engraved lines and the outer area shows horizontal hatch marks.
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alb31009841 Lunette Zeelandia in the fortress of Bergen op Zoom, 1747, Neat Drawing of Lunette Zeelandia at Bergen op Soom, currently besieged by the French, With the Contra Lunette, The Covered Way, & the Casumat, with the Capital Moat, & Ramparts, print, Schematic representation of Lunette Zeelandia in the fortress of Bergen op Zoom, with the associated bastion, ravelins, covered way, glacis, casemate and moat, at the time of the siege by the French July-September 1747. Legend on the left AD., printmaker, cartographer, publisher, Amsterdam, Bergen op Zoom, Northern Netherlands, paper, etching, height 220 mm x width 294 mm, fortress, Siege and capture of Bergen op Zoom (1747)., A sepia-toned engraved plan fills the image, showing geometric fortifications with layered angular walls, zigzag outer defenses, and pointed palisades along the outermost edges; a central diamond-shaped enclosed area connects to surrounding moats and ramparts, and smaller pentagonal and hexagonal bastions sit within dotted textured fields separated by parallel linear water channels; the left margin contains a vertical column with cursive handwritten lines, and small handwritten labels appear at various points on the plan; fine hatching and stippling create shading and texture, and a thin rectangular border frames the entire composition.
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alb31009896 The fortunate escape of King William the Third, William III wounded in the shoulder at the Battle of the Boyne, 1690, print, historical print, William III wounded in the shoulder at the Battle of the Boyne on July 11, 1690. Lord Coningsby stems the bleeding shoulder wound of William III with a handkerchief; on the right, on horseback, the Earl of Portland. The print is dedicated to the Earl of Essex who owned the handkerchief and part of William III's coat in question., printmaker: William Giller, England, after painting by Abraham Cooper, publisher: Moon, Boys & Graves, London, 1829-11-02, William Giller, Abraham Cooper, Moon, printmaker, after painting by, publisher, paper, mezzotint, height 400 mm x width 313 mm, Person, Hans Willem Bentinck (Earl of Portland), William III (Prince of Orange and King of England, Scotland, and Ireland), medical aid and nursing of the sick and wounded during the battle, Battle of the Boyne, Leinster, Boyne Battlesite, Period, 1690-07-11., A group of men in historical clothing stand and kneel beside horses, with one central figure wearing a wide-brimmed hat, long coat with decorative trim, a sash, and holding a sword, another man beside him with long hair and a coat clasping the central figure's arm, a mounted man behind them wearing a plumed hat who raises a hand to his forehead, and an armored rider on the right adjusting the bridle of a light-colored horse; a fallen figure and armor lie near the ground to the left, a hat rests on the ground nearby, and a large flag or banner billows behind the group against a cloudy sky.
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alb31009870 Fauteuil et chaise fantaisie, Armchair and chair, Le garde-meuble, Collection de Sièges, print, Series number, 2013, An armchair and chair against a wall. Print from 338th issue (livraison)., printmaker: Léon Laroche, printer (person): Monrocq, Paris, publisher: widow Eugène Maincent, 1895 - 1935, printer (person), paper, lithography, hand coloring, hand-colored, height 274 mm x width 358 mm, seating furniture., A softly colored interior scene showing a settee and a matching chair upholstered in a pale pink fabric with ornate carved and painted wooden frames featuring a floral border; the settee has a long cylindrical green cushion with decorative end caps and both pieces have an elaborate fringe skirt with tassel and scallop motifs in gold and cream; behind them a paneled wall is sketched in light gray tones and to the left a window with a draped curtain tied back with a tasseled cord is visible, while a portion of a patterned rug peeks into the foreground.
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alb31009886 Dressing (original title), Two girls, print, The big girl helps the little girl get dressed., printmaker: Willem de Zwart (signed by artist), c. 1896, paper, etching, drypoint, intaglio printmaking technique, height 262 mm x width 173 mm, girl (child between toddler and youth), dressing someone else - AA - female human figure., A monochrome sketch of two figures facing each other, one taller wearing a dark cloak and head covering and the other shorter wearing a bonnet and a coat tied at the neck, with the taller figure's arm extended toward the shorter figure's shoulder; visible details include textured crosshatching and line work on clothing, folds and creases in the garments, visible facial profiles with etched features, layered skirts on the shorter figure, and shoes at the bottom, all rendered on a lightly speckled background.
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alb31009856 La devideuse mere de G. Douw, Woman winding yarn on a reel, print, Series number, 2, printmaker: Johann Georg Wille, Paris, after painting by Gerrit Dou, 1755, paper, engraving, etching, height 396 mm x width 286 mm, old woman, winding of yarn on reels or spools, eyeglasses, spectacles., An elderly woman wearing a headscarf and spectacles sits framed by an arched window, her face showing detailed wrinkles and a focused expression as she leans forward holding a small wooden device with strings and a spindle; she wears a ruffled collar and layered clothing with visible folds and her hands grasp the tool while light and shadow define the architectural alcove behind her.
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alb31009852 Commemorative medal Battle of Dogger Bank, 1781, This ship's crown remains, with Nereus flair, Still before the crown of the Batavian, print, historical object representation, Trophy surrounding the commemorative medal presented by the States General on November 30 to Rear Admiral Johan Zoutman and fellow combatants after the victory in the Battle of Dogger Bank on August 5, 1781., printmaker: Noach van der Meer (II), Northern Netherlands, after drawing by Jacobus Buys, Noach van der Meer (II), Jacobus Buys, printmaker, after drawing by, paper, etching, engraving, etching and engraving, height 236 mm x width 271 mm, Person, Johan Arnold Zoutman, medal (considered as a piece of sculpture, regardless of its specific function), Battle of Dogger Bank, Period, 1781-08-05, 1781-11-30., An ornate engraved composition showing two large circular medallions side by side, each decorated with detailed heraldic shields, crowned crests, and rampant lions, connected by a vertical series of smaller oval medallions with a winged figure and laurel motifs, all suspended from a central decorative crown-like crest from which crossed swords and a pair of curved sabers extend, flanked by flowing ribbons and a group of arrows pointing outward, with intricate linework, hatching, and ornamental scrollwork throughout.
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alb31009854 Duke of Aarschot taken prisoner in Ghent, 1577, Was gestaltt der staten suspecte hern, gefengklich ingezogen zu Gendt in Flandern, Series 8: Dutch Events, 1577-1583, print, album page, Series number, 180, 469, The capture of the Duke of Aarschot and other nobles in the Court of S. Baeffs in Ghent, October 28, 1577. With a 12-line caption in German. Numbered: 9., printmaker: Frans Hogenberg, Cologne, 1577 - 1579, North Rhine-Westphalia, paper, etching, height 210 mm x width 280 mm, Person, Philip III of Croÿ (4th Prince of Chimay, 3rd Duke of Aarschot, 4th Count of Beaumont), imprisonment, Ghent Uprising, Ghent, Sint-Bavo Hof, Period, 1577-10-28., A detailed black and white engraving showing a group of armed men in period clothing carrying long pikes and muskets in front of a large brick building with tall windows and an arched entrance, with more soldiers clustered inside the archway and a figure looking out from a small window above; additional figures march and point in the street at left and right, some carrying banners or lanterns, while the foreground shows tightened formations of men advancing and a few individuals in different postures; surrounding the central building are rows of narrow multi-storey houses with gabled roofs and many small windows, and the lower margin contains blocks of decorative text.
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alb31009878 River landscape with two round towers, Landscapes, Regiunculae Amoenissimae, print, Series number, 9, 12, View of a wide river with several houses and two round towers on the right side. Various small boats lie at the waterside., printmaker: Jan de Visscher, Northern Netherlands, after design by Jan van Goyen, 1682 - 1709, paper, etching, engraving, etching and engraving, height 124 mm x width 203 mm, sailing-ship, sailing-boat, river, towers, fortified city, traffic on the water., A detailed pen-and-ink scene shows a riverside with a group of small boats on calm water, some with sails and some rowed by figures. Along the shore are a few clustered buildings, including a tall structure with chimneys and a sloped roof, and a weathered wall partly covered by foliage. Several people are visible near the water and in the boats, some seated and some standing. Vegetation grows near the buildings and a few birds are shown flying in the sky, which is filled with hatched cloud patterns. The overall composition is framed by a thin border.
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alb31009842 Tournament on the Grand Place in Brussels, 1569, Series 5: Dutch Events, 1566-1570, print, album page, historical print, Series number, 62, 380?, 1569. Knights in armor fight each other with lance and sword; from the right, several costumed figures enter the square. With an 8-line caption in German. Numbered lower left: 62., printmaker: Frans Hogenberg, Cologne, 1569 - c. 1572, North Rhine-Westphalia, paper, etching, height 211 mm x width 286 mm, tournament, Eighty Years' War, Brussels, Grand Place (Brussels), Period., A wide monochrome engraving shows a busy open square in front of large buildings with arched arcades and rows of windows, where many armed figures in period armor and plumed helmets engage in organized combat with long spears and swords while others ride horses or lead horse-drawn wagons; groups of spectators stand along the edges watching, some under a decorated tent, and small bands of musicians with drums and wind instruments are visible; scattered weapons and fallen figures lie on the ground amid poles marking the fighting area, and on the upper left and right distant streets and architectural details with doorways and balconies frame the scene.
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alb31009862 Landscape near Haarlem, print, printmaker: Jean Théodore Joseph Linnig, after design by Jacob Isaacksz van Ruisdael, 1885, paper, etching, intaglio printmaking technique, etching with plate tone, height 241 mm x width 329 mm., A wide landscape etching shows a river or inlet with several sailboats and rowboats on the water, low marshy banks with tufts of vegetation, and small houses and huts scattered along the shoreline. In the foreground a path leads down to the water where small groups of people stand, sit, or walk, and a few animals appear near the shore. Further back the land stretches into flat fields with low hedges and clusters of buildings including church steeples and windmills on the distant horizon. The sky above is filled with layered, swirling cloud formations rendered in fine, repetitive lines.
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alb31009858 Illuminations at the celebration of the Peace of Utrecht in The Hague, 1713, Signs of joy blown out on the day of victory on the occasion of Peace, Image of the illuminations with their ornaments, erected by order of the Noble and Honorable Lords of The Hague, displayed on the side of the town hall, on June 14, Representation of the illuminations with their ornaments made by order of the noble and venerable Magistrat of The Hague, on the side of their town hall, June 14, print, Illuminations and decoration at the town hall during the celebration of the Peace of Utrecht in The Hague on June 14, 1713. Against the facade is a A scaffolding has been erected on which allegorical representations are displayed. Two herons spray drink from the facade onto the assembled crowd. Large candlesticks are positioned on either side. At the bottom, title and legend 1-8 in Dutch and French., printmaker: attributed to Daniël Stopendaal, Amsterdam, after drawing by Hendrik Pola, The Hague, publisher: Anna Beeck, grantor of privilege: States of Holland and West Friesland, Attributed to, paper, etching, engraving, etching and engraving, height 446 mm x width 530 mm, festivities on events of national importance, activities in the air, public festivities, eg fly-past, Peace of Utrecht (1713), Old Town Hall (The Hague), Period, 1713-06-14, 1713-04-11., A detailed etching shows the façade of a large brick building with tiled roofs and many tall windows, an ornate pediment topped by reclining sculpted figures and floral urns, and a decorated central balcony draped with garlands and sculpted relief panels; tall multi-tiered candelabra-like structures stand in front of the building, towering over a dense crowd of people gathered in the foreground, where many figures gesture, carry poles and banners, and cluster in animated groups; a large birdcage-like structure is suspended beside the entrance, while architectural details such as pilasters, window shutters, and floral festoons frame the scen.
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alb31009883 Appearance of an angel, Life and miracles of Saint Dominic, Vita et miracula SP Dominici, print, book illustration, Series number, 29, 32, While praying, an angel appears to Saint Dominic. The angel offers him a palm branch and a crown. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., printmaker: Theodoor Galle, Antwerp, after drawing by Pieter de Jode (I), after design by Joannes Nys, writer (clerical worker): Augustino Galaminio, Poland, 1611, writer (clerical worker), paper, engraving, gravure, width 90 mm x height 150 mm, Dominic (+ angel(s))., An angel with large feathered wings and flowing robes stands barefoot inside an arched interior, holding a long palm frond and extending a small crown toward a robed, seated man who kneels with one hand outstretched and the other on his chest; both figures have radiant halos, drapery and architectural columns frame the scene, and a curtain hangs behind them.
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alb31009839 The Great Market in Haarlem, View of St. Bavo Church and the Great Market in Haarlem, print, printmaker: Arie Ketting de Koningh, after design by Kasparus Karsen, printer (person): P. Blommers (Steendrukkerij van), The Hague, publisher: JJ van Brederode, Haarlem, 1847 - 1883, printer (person), paper, tone lithography, tone lithography in black with tone blocks in green and brown, height 483 mm x width 656 mm, Bavo Church (Haarlem), Great Market (Haarlem)., A large stone cathedral dominates the scene with tall pointed arches, buttresses, steep roofs, and a multi-tiered tower topped by a decorative crown-like element, adjacent to rows of narrower stone and brick buildings with stepped gables and ornate facades; an open cobbled square in front contains scattered small groups of people walking, standing, and conversing, some accompanied by dogs, a few figures on horseback, and a horse-drawn carriage near the row of buildings, while the sky above is pale and mostly empty with soft cloud shapes near the horizon.
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alb31009885 The French Carnival, ca. 1701-1713, Depicted in a Dialogue between a Swede and a Danish Nobleman, Le Carnaval de France, cartoon, print, The French Carnival. Allegory of the dragonades in France under King Louis XIV. On the left, the virtues are driven out by Jesuits; they flee to a temple (the Republic) where they are welcomed. In the center, the bloodletting of France; the blood is licked up by dogs. On the right, Mars with a wooden leg, with Death in his wake, poverty, widows, and orphans. On the sheet below the image, the dialogue between a Swede and a Dane in Dutch and French. Part of a group of individual caricatures of Louis XIV during the War of Spanish Succession, ca. 1701-1713., printmaker, Northern Netherlands, paper, etching, letterpress printing, etching with text in letterpress, height 480 mm x width 345 mm, Person, Louis XIV (King of France), political caricatures and satires, War of Spanish Succession, Period, 1701 - 1713., A large rectangular engraving fills the top portion, depicting a crowded scene with many figures in period clothing arranged around a central seated woman on a raised platform; she is attended by standing figures and surrounded by draped fabric and an angelic figure above holding a torch. To the left foreground, robed men wearing wide-brimmed hats hold long staffs or poles and gesture toward a group of women who carry flowers and fruit, one woman turning her head toward them. To the right foreground, a seated armored woman holds a sword and a torch while a gaunt figure with a skull-like face leans on a staff nearby, and other figures cluster around a large flaming cauldron filled with faces or masks. Architectural elements, including an archway and buildings, appear in the background at the left, while clouds and smoke rise behind the central scene. Below the engraving, a wide blank band separates the image from two columns of dense printed text in different languages spanning the remainder of the page.
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alb31009835 Summer and winter joy, print, popular print, Sheet with 2 illustrations. Above, a company takes a ride in an open carriage in the summer. Below, a couple in the winter in a sleigh on the ice. Below each image, two four-line verses. Numbered top right: No. 110., printmaker, Amsterdam, Netherlands, paper, woodcut, letterpress printing, woodcut with text in letterpress, height 420 mm x width 325 mm, (farm) wagon, freight wagon, cart, sleigh, sledge (non-sport), Period, 1750 - 1800., A printed image composed of two framed scenes stacked vertically, each depicting horse-drawn carts with passengers; in the top scene a large wagon pulled by two horses carries a group of people seated and facing different directions, a small dog stands near the horses and a simple house and tree appear in the background; the lower scene shows a sleigh pulled by a single horse with two seated passengers wrapped in cloaks, a child standing nearby, a person walking, another small dog on the ground, bare trees, and buildings in the background; decorative borders separate the scenes and ornamental motifs appear in the margins.
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alb31009872 View of IJsselstein Castle, print, printmaker: Jacobus Schijnvoet, Amsterdam, after drawing by Roelant Roghman, 1711 - 1774, paper, etching, proof print, height 141 mm x width 175 mm, castle, IJsselstein., An ink drawing of a large multi-winged building complex seen from across a body of water, with steeply pitched roofs, chimneys, dormer windows, and a variety of gables and towers; a bridge or walkway connects the shore to an arched entrance in one wing, and small figures stand on the bridge; the foreground shows water with reflected line shading and banks with low vegetation, while the middle ground displays shrubs and trees around the buildings; the sky is filled with horizontal hatched lines and stylized cloud shapes.
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alb31009888 A vertical rectangular print with a dark central panel showing two pale, irregularly shaped objects that resemble worn, ridged fragments; the upper object is elongated with a cracked surface and faint vertical grooves on one side, while the lower object is larger, rounded at the top, with parallel vertical striations and a scalloped lower edge; a narrow light border frames the dark panel and a wider light margin surrounds the entire image.
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alb31009861 Croisée drapée, Two windows with drapes, L'ameublement, Collection simple, print, Series number, 2831, Two windows with draped curtains. Print from 278e Livraison., printmaker: Léon Laroche, printer (person): Becquet frères, Paris, publisher: Eugène Maincent, publisher: Désiré Guilmard, 1885 - 1895, Léon Laroche, Becquet frères, Eugène Maincent, Désiré Guilmard, printmaker, printer (person), publisher, paper, lithography, hand coloring, hand colored, height 276 mm x width 360 mm, hangings and drapery, window., Two adjacent illustrated window treatments are shown against a light background, each with a multi-pane window and ornate draped curtains. The left window features golden-yellow curtains with a blue swag valance topped by gathered knots, decorative gold fringe along the edges, and long tasseled tiebacks holding the curtains to the sides; the window panes reveal a sky with clouds. The right window displays pinkish curtains with a blue swag valance and gold fringe, gathered rose-like knots at the upper corners, ornate carved curtain rods and brackets with tassels, and a pleated white shade behind the drapery partially covering a window that also shows a cloudy sky.
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alb31009874 Battle of Oosterweel, 1567, Series 5: Dutch Events, 1566-1570, print, album page, Series number, 103, 469, The Battle of Oosterweel, on the night of March 13 to 14, 1567. Fighting around the dike by the waterfront, a burning building on the right. The Calvinists led by Jan van Marnix are defeated by the troops of the Duke of Aremberg and Philips van Lanoy. With an 8-line caption in German. Numbered: 4., printmaker: Frans Hogenberg, Cologne, 1567 - 1570, North Rhine-Westphalia, paper, etching, height 210 mm x width 280 mm, battle (+ land forces), Oosterweel, Period, 1567-03-13., A detailed black and white engraving shows a shoreline scene with a large body of water in the foreground containing several small boats and swimmers. A larger vessel with tall masts and rigging is partially drawn up on the shore, with people in a rowboat nearby and a group of figures gathered at the water's edge watching. On the land, soldiers and armed men stand on a cliff or embankment overlooking a chaotic slope where many figures climb, struggle, and tumble toward the water. Further back, rows of wooden fortifications and palisades run along the ridge above the slope, and houses and church steeples are visible behind them. Smoke billows from a building near the shoreline, forming large swirling clouds. Various figures move along paths and roads, some carrying flags or poles, others appearing to run or fall. The sky is filled with etched clouds, and the whole composition is rendered with fine line work and dense hatching.
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alb31009880 Arcadian landscape with donkey, print, Landscape with tall trees and an ancient ruin in the background. By the water, a man is talking to a seated woman; a dog stands next to him. On the opposite bank, a man is walking behind a donkey., printmaker: Michiel Elgersma, Netherlands, after design by Louis Fabritius Dubourg, Amsterdam, 1703 - 1759, paper, etching, height 134 mm x width 111 mm, pastorals, Arcadian scenes., A finely detailed monochrome landscape engraving shows a river in the foreground with grassy banks and reeds, two figures near the water one standing with a staff and one seated, a small dog nearby, and another small animal lying on the ground; beyond them the river widens toward distant buildings and cliffs, with steep rocky slopes and tall narrow trees rising on the right and a layered group of broad-leaved trees on the left whose trunks stand on a sloping path where a rider on horseback is led by a standing figure; large overhanging branches and textured foliage frame the upper left and center, while a partly cloudy sky fills the upper right and a fragment of an architectural element appears at the right edge.
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alb31009850 Veiled woman as a personification of softness, La Douceur, print, printmaker: Noël François Bertrand, after drawing by Charles Lemire, publisher: Auguste Jean (publisher), 1770 - 1848, paper, stipple work, engraving, roulette, hand coloring, engraving and roulette hand colored, height 410 mm x width 325 mm, adult woman, veil, non-aggressive relationships., A close-up portrait of a face partly covered by a patterned headscarf, showing a smooth complexion, soft eyes, a straight nose, and gently closed lips, with dark curled hair peeking out in ringlets at the forehead and sides; the headscarf is light-colored with small floral motifs and a decorative border featuring round medallions and leafy trim, draped around the head and neck with visible folds and subtle shading against a plain background.
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alb31009877 Accurate Illustration and Description of the renowned city of Barcelona, Also a Short Account of the Last Siege of this Fortress by the Combined French and Spanish Armed Forces, Relief of Barcelona, 1706, print, Sheet with a map of and a view of Barcelona, besieged by the French and Spaniards but relieved by the Allies on May 12, 1706. On the left, Justice hands the sword to Archduke Charles of Austria; on the right, Philip V flees from the palace. On the sheet below the plate, a text in 2 columns, verses on the illustrations to the left and right of the plate., printmaker: Zacharias Chatelain (II), Northern Netherlands, publisher: Andries van Damme, Amsterdam, paper, etching, letterpress printing, etching with text in letterpress, height 525 mm x width 428 mm, Person, Philip V (King of Spain), Charles VI (Holy Roman Emperor), maps of cities, War of Spanish Succession, Catalonia, Barcelona (city), Period., A printed sheet with a large ornate title across the top and dense columns of small printed text filling most of the lower half, featuring three engraved vignettes in the upper central area: a detailed map framed in the center with decorative cartouches, an illustration showing figures and a rearing horse to the left of the map, and an interior scene with draped curtains and standing figures to the right; below the map area a wide panoramic coastal view shows a shoreline with a town, many small sailing vessels on the water, and a prominent lighthouse-like structure on a jetty; the page edges show a narrow margin and the overall appearance is aged paper with fine print and engraved shading.
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alb31009837 Princess Wilhelmina dismissed as cleaning lady, 1795, Willemyntje the Cleaning Lady, I will tell my brother, cartoon, print, Caricature in which Princess Wilhelmina of Prussia is dismissed from the house as a cleaning lady and chased away by a Patriot; a Keeshond barks at her. On the left, a Prussian soldier looks on in astonishment. In the background, the Scheveningen merchant points to the sea with landlubbers. On the occasion of the flight of the prince and princess to England in January 1795. A text sheet accompanies the print., printmaker, Northern Netherlands, paper, etching, engraving, hand coloring, etching and engraving, hand-colored, height 190 mm x width 230 mm, Person, Wilhelmina of Prussia (1751-1820), charwoman, cleaning woman, Departure of William V to England, Period, 1795-01-18., A colored engraving shows a woman in a dress and apron standing with her arms extended toward a man in a coat and hat who faces her with his hands partly outstretched; a small child carrying a basket walks behind them; a dog leaps at the woman's skirt near a turned-over barrel and scattered household items including a broom and plates on wooden steps leading to an open doorway where a person in a long coat and hat stands inside the threshold with one hand raised; the scene includes a railing by the doorway, ground with textured shading, and a pale background.
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alb31009897 The Vijgendam in 1650, Portrait of Cornelis Springer and the Vijgendam, print, Above a view of the Vijgendam the portrait of Cornelis Springer., printmaker: Willem Steelink (II), after design by Cornelis Springer, printer (person): Ellerman, Harms & Co., Amsterdam, 1887, printer (person), paper, lithography, lithography on brown paper, height 438 mm x width 293 mm., A detailed monochrome drawing shows a street scene framed by decorative leafy vines along the edges, with tall ornate buildings lining both sides of a wide cobbled street. People in period clothing populate the street, some walking, others conversing, and a few mounted riders move among them. The left building features multiple arches and balconies with sculpted supports, while the right side displays rows of windows and shopfronts. In the distance a plaza with stepped rooftops and a tower is visible under a sky rendered with light shading. Above the scene, an oval portrait of a bearded man appears, showing his head and shoulders with fine shading around his face.
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alb31009890 Portrait of preacher Jacob Chimarrhaeus, print, Jacob Chimarrhaeus, composer and chaplain at the court of Rudolf II. Portrait at the age of 59. The print has a Latin caption., printmaker: Aegidius Sadeler (II), Prague, 1601, paper, engraving, gravure, height 199 mm x width 124 mm, Person., A detailed engraved portrait of an older man shown from the chest up within an oval frame, wearing a fur-lined cloak and a robe with a visible collar and a pendant necklace; he has a full beard and mustache, short combed hair, and a solemn expression. The oval is set against a hatched background and is decorated with small ornamental elements including a cherub head at the top and decorative motifs at the corners. Outside the oval there are ornamental crests and a few draped ribbons and tassels. The lower area of the image shows a block of handwritten-style script. The overall image is monochrome with fine line engraving textures and crosshatching.
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alb31009876 Portrait of Samuel Coster, print, Portrait of the writer Samuel Coster, in his study. In the margin a four-line eulogy in Dutch., printmaker: Reinier van Persijn, Northern Netherlands, after painting by Joachim von Sandrart (I), writer (clerical worker): Joannes Nomsz, 1623 - 1668, 1786, writer (clerical worker), paper, engraving, height 277 mm x width 194 mm, Person, Samuel Coster, globe, writing tools., A detailed black and white engraved portrait shows a seated man in historical clothing with a ruffled collar and a mustache and goatee, looking slightly to his right. His hair is wavy and receding at the temples. He wears a dark, richly textured robe with decorative slashes on the sleeve and layered fabric across his chest, and a pendant hangs at his collar. One of his arms rests on the arm of a carved chair with a lion head ornament, the other hand is extended forward, palm up. Behind him and to the left is the bust of an older bearded man looking down toward a table that holds a quill and an inkwell, and a partially visible globe sits nearby. The background consists of shaded vertical panels and crosshatched tones that create a textured backdrop.
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alb31009846 Explanation of the print with the Allegory of the Peace of Campo Formio, 1797, Explanation of the Memorial to the peace of the mainland, print, Explanation of the representation of the print with the Allegory of the Peace of Campo Formio, October 17, 1797. Hanging cloth with text, in the corners putti with trumpets and olive branches., printmaker, Netherlands, paper, etching, engraving, etching and engraving, height 187 mm x width 246 mm, Person, Napoleon I (Emperor of the French), Peace of Campo Formio, France, Batavian Republic, Switzerland, Austria, Period, 1797-10-17., A rectangular engraved sheet framed by a dark border shows a draped cloth hanging like a curtain with decorative tassels and fringe along its lower edge, with a tied ribbon and foliage at the top center; on each upper side a winged cherub floats, each holding a long trumpet and a sprig, the cherubs depicted with curly hair and small wings; the central area beneath the ribbon is filled with dense lines suggesting fabric folds and shading, and the lower portion contains a block of closely spaced lines suggesting printed paragraphs; the overall image is rendered in fine monochrome engraving with crosshatching and stippling for shading.
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alb31002511 Fairground print of the Amsterdam Night Watch for the year 1788, Night Watch Fair Wish, Dedicated to all Gentlemen Merchants, Citizens, and Residents of Amsterdam, 1788, print, fairground print, Fairground print for the year 1788 of the Amsterdam Night Watch (rattle watch) of district no. 21 (on the Amstel), dedicated to the citizens of Amsterdam. Members of the rattle watch standing guard on the Dam in front of the City Hall, in the sky the sun, moon, and stars. On the sheet below the image, a verse in two columns with a song in three columns in the concluding hymn., printmaker, printer (person), Amsterdam, paper, woodcut, letterpress printing, hand coloring, woodcut with text in letterpress, partly colored red and yellow with a stencil, height 335 mm x width 195 mm, night patrol, Amsterdam City Hall (1655-1808), Period., A detailed printed illustration of a large ornate building with many windows and decorative architectural elements, including a prominent domed tower and a spire, set behind a body of water and a low wall; a sun with rays and a face appears above the roof on the left while a pair of large hands are shown in the sky on the right; in the foreground a cobbled street shows several figures: two men walking together wearing long coats and tricorn-like hats, another man standing at a doorway exchanging something with a person inside, and a group of three children running and playing with one holding a hoop and another carrying a stick; a small dog runs near the children; the image uses muted color washes of yellow and red over engraved black lines and has blocks of printed text below the illustration.
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alb31002507 Iuriaan Simons, Clement Dirksz et Marie Ioris brulez à Harlem, Ao. 1557, Iurgen Simons, Clement Dirckz und Mari Ioris zu Harlem Brent, Ao. 1557., The books of the burned Jurriaan Simonsz. captured by the people in Haarlem, 1557, print, history print, Jurriaan Simonsz., Clement Dirksz. and Marie Joris burned on the market in Haarlem, 1557. The books of the burned Jurriaan Simonsz. looted and burned by the people in Haarlem., printmaker: Jan Luyken, Northern Netherlands, 1683 - 1685, paper, etching, height 115 mm x width 143 mm, Marie Joris, persecution of heretics, Reformation, Mennonites, execution, Haarlem, Period., A crowded street scene rendered in fine black ink lines showing many figures in period clothing engaged in chaotic activity, with plumes of dark smoke rising from the center and left areas, torn pages and debris scattered on the ground, and several people gesturing or reaching upward. Buildings with ornate gables and windows form the background, including a multi-story structure with open shutters where two heads are visible looking out. In the foreground a few figures bend or stoop, one wearing a hat and short coat while another wears a skirted garment, and a figure on the left stands near tall posts. Various sticks, spears, and indistinct objects are held by people throughout the scene, and layered clouds and horizontal sky lines appear above the rooftops.
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alb31002509 Portrait of three unknown people with a hookah from the Sansi community of Lahore, Punjab, Pakistan, photograph, page, inscription: 'SANSEES., WANDERING TRIBE., LAHORE.', number: '(238)', Lahore, c. 1862 - in or before 1872, photographer, paper, albumen print, height 100 mm x width 153 mm, water-pipe, hookah, narghile, human races, peoples, nationalities., Three seated people wearing draped cloths and head coverings occupy the image, with a central figure holding a long pipe with a rounded base and a long stem, the central figure wearing a wrapped headpiece and cloak exposing the chest and knees, while the figures on either side wear shawls that cover their heads and shoulders and sit with folded arms and hands resting on their laps; the background is plain and the image has an arched top edge.
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alb31009891 William of Orange learns the news of the relief of Leiden, 1574, William I learns, being in the church, the relief of Leiden, print, historical print, William of Orange learns the news of the relief of Leiden during a church service, October 3, 1574. A soldier in armor hands the prince a sealed envelope., printmaker: Valentijn Bing, Netherlands, printer (person): Hilmar Johannes Backer, Dordrecht, 1822 - 1845, printer (person), paper, lithography, height 178 mm x width 108 mm, Person, William I (Prince of Orange), Relief of Leiden, Leiden, Period, 1574-10-03., A grayscale illustration of an interior scene with tall columns and an elevated pulpit where a robed figure stands behind an open book, a wooden canopy above, and a group of people gathered below. In the foreground a man in ornate armor and a plumed helmet strikes a dramatic pose with one arm outstretched while kneeling on a small step, his other arm held by a seated man wearing a ruffled collar who leans over a rail. Several women in period dress with ruffled collars and coifs kneel or reach toward the armored man, their hands clasped or raised. Additional male figures in ruffled collars stand or kneel nearby, one with a hand to his face and another seated in a chair. The architectural setting shows rounded arches and a high ceiling, and the composition emphasizes the clustered group of figures and their expressive gestures.
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alb31002514 The Reception in Holland, Caricature of the return of the Prince, 1799, cartoon, print, English caricature of the upcoming reception of Prince William V upon his return to Holland. The portly Prince is surrounded by a cheering crowd and embraced and kissed by a few fisherwomen. Frogs crawl at his feet. On the right in the background, the landing of the English troops in small boats on the beach of North Holland. Satire on the British-Russian invasion of 1799., printmaker: James Gillray, London, publisher: Hannah Humphrey, 1799-09-08, paper, etching, hand coloring, hand-colored, height 260 mm x width 365 mm, Person, William V (Prince of Orange-Nassau), embracing each other, kissing, tailless amphibians: frog, British-Russian expedition to North Holland, Period., A crowded scene shows a group of people in historical clothing pressed together on a shoreline, many reaching, embracing, and kissing a central figure wearing a coat and hat; several women wear bonnets and colorful dresses, and one woman in a striped skirt clutches another person while leaning forward. Small dogs and scattered hats lie on the ground among fallen people, while in the background a dense crowd holds long poles and a waving flag, with windmills and sailing ships visible on the distant coast under a lightly clouded sky.
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alb31002510 October calendar page with flying bird, Calendar 1908 12 lithographs by Th. v. Hoytema, print, calendar page, A tear line at the top of the page., printmaker: Theo van Hoytema, The Hague, printer (person): Tresling & Comp., Amsterdam, 1907, printer (person), paper, color lithography, height 440 mm x width 210 mm, birds, October, other concepts., A tall, narrow illustration framed by a patterned border shows a large, close-up depiction of a bird's wing and part of its head rendered in muted greens and browns, with detailed feather textures and layered shading; below this image is a smaller horizontal scene featuring stylized water and shore elements with fishlike shapes and textured markings, followed by a grid of squares containing individual numerals arranged in rows over a pale background, and small silhouetted bird figures appearing above some squares; the overall palette is earthy with washed greens, ochres, and dark inked accents, and decorative leaflike motifs adorn the side and bottom borders.
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alb31002508 Dr. Ernst Horn, Portrait of Ernst Horn, print, printmaker: Friedrich Jentzen, after drawing by Franz Krüger, printer (person): Königliches Lithographisches Institut, Berlin, publisher: CG Lüderitz'sche Kunstverlagsanstalt, 1835 - 1861, Friedrich Jentzen, Franz Krüger, Königliches Lithographisches Institut, CG Lüderitz'sche Kunstverlagsanstalt, printer (person), paper, lithography, height 578 mm x width 424 mm, Person, Ernst Horn, historical persons, adult man., A worn monochrome portrait of a middle-aged man shown from the chest up, wearing a dark double-breasted coat with a high collar and a dark cravat; a decorative medal hangs at his chest. His hair is short and combed, with a receding hairline, and his face is rendered with soft shading showing a neutral expression and direct gaze. The background is a pale, slightly speckled paper with subtle shaded areas around the figure.
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alb31002505 Siege of Vredenburg, 1577, print, historical print, Siege and capture of Vredenburg Castle in Utrecht by the States Army under the command of Bossu, February 11, 1577. View of the fort and the surrounding streets with the various skirmishes. With a caption of 4 lines in Latin. Numbered: 73. Printed on the reverse with text in Latin., printmaker: Simon Frisius, Northern Netherlands, after print by Frans Hogenberg, 1613 - 1615, Frans Hogenberg, after print by, paper, pen, etching, height 136 mm x width 163 mm, siege, position war, Utrecht, Vredenburg, Period, 1577-02-11., A detailed black and white engraving shows a fortified town with walls, towers, and clustered buildings arranged along streets and open squares, with groups of small human figures in various active poses throughout the streets and open areas. Several cannons appear positioned inside and outside the walls, emitting large billowing clouds of smoke that drift across the scene, and multiple round bastions project from the fortifications. Outside the walls are rows of trees, cultivated fields, and low rolling hills with small mounted figures and formations of infantry drawn in the distance. Inside the fortifications are clustered houses, a circular churchlike building, and narrow alleys, while outside are additional houses and smaller hamlets interspersed with open ground. Along the lower edge of the image is a decorative strip with lines of text printed beneath the engraving.
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alb31002504 View of the Fountain of Egeria near Rome, Two illustrators at the Nymphaeum of Egeria in the Caffarella Park near Rome, print, printmaker: Francis Jukes, after painting by Robert Freebairn, London, dedicated to: Edward Clive (1st Earl van Powis), 1796-12, paper, aquatint, etching, height 491 mm x width 607 mm, landscape with ruins, draftsman studying classical - CC remains - out of doors, Rome, Ninfeo di Egeria., A sepia-toned scene shows an architectural ruin with large arched openings and ornate columns along a waterline, dense foliage and overhanging trees growing among the masonry, a dark vaulted interior recess, and a reflective pool extending into shadow; in the foreground two robed figures sit near a ledge beside scattered carved fragments of relief and a broken column drum, with one figure appearing to sketch on a surface while the other looks on.
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alb31002512 Theater (rear view) in The Hague for the fireworks for the Peace of Aix-la-Chapelle, 1749, print, The large theater (rear view) erected in the Hofvijver in The Hague, which was illuminated on June 11 and used on June 13, for the fireworks in honor of the Peace of Aix-la-Chapelle concluded in 1748. In the background on the right the Prinsenhof, on the left the Mauritshuis. In the clouds, panels with the allegorical representations that were visible on the chassinettes on the other side of the theater. The print includes a text sheet with a description of the theater., printmaker: Iven Besoet, Northern Netherlands, The Hague, after design by Pieter de Swart, publisher: Daniel Joannes Langeweg, paper, engraving, gravure, height 490 mm x width 708 mm, bonfire, fire-works (+ illumination, fire-works, festive activities), plan, architecture, Peace of Aachen (1748), Hofvijver, Mauritshuis, Stadhouderlijk Kwartier, Period, 1749-06-11 - 1749-06-13, 1748-10-18., A large classical building with columns and sculpted panels stands centered in the scene, flanked by curved colonnades and balustraded terraces that extend toward waterways on both sides. The facade features arched openings with carved figures and reliefs, and a stepped roof crowned by a small statue holding an object upright. In front of the building are fenced enclosures and a few small figures walking or standing on a broad paved area. Along the left and right edges there are rows of multi-story buildings and trees lining the water, with bridges and docks visible. Above the main structure, clouds fill the sky and carry ornate cartouches and decorative panels that include reclining cherub-like figures and framed vignette scenes. The overall image is rendered in a monochrome engraved style with fine linework and shading.
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alb31002500 Windmills in evening twilight, print, printmaker: Jan Veth, 1886, paper, etching, intaglio printmaking technique, height 318 mm x width 218 mm, windmill in landscape, dusk, evening twilight., A dark, monochromatic scene rendered with dense, textured strokes shows bare, sprawling tree branches on the left and two windmills with crossed sails on the right, their forms partially obscured by swirling shading; a vertical structure in the lower right suggests a water edge or ledge, and layered shadows and indistinct foliage fill the lower and central areas, creating a moody, atmospheric composition.
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alb31002506 Maria van Bourgondië falls from her horse, 1482, print, historical print, Maria van Bourgondië falls from her horse outside Bruges, March 17, 1482., printmaker: P. Blommers (Steendrukkerij van), Netherlands, after painting by Karel Frederik Bombled, 1842 - 1887, paper, lithography, height 200 mm x width 261 mm, Person, Maria (Duchess of Burgundy), dying from the effects of a fall, Netherlands under the Habsburgs, Bruges, Period, 1482-03-17., A monochrome lithograph showing a wooded hillside with tall trees and dense foliage in the background, a rider on a rearing light-colored horse at the center with flowing mane and draped garments and an arm raised, a second rider on a darker horse to the right appearing to lean forward, several dogs on the ground in various poses, a fallen figure near the right horse, rough grassy and root-strewn foreground with a tree stump and scattered plants, and a distant building with towers partially visible on the far right.
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alb31002501 Sculpture of Menander in the Vatican Museums in Vatican City, Italy, Menander, Vaticano, photograph, inscription: '1', number: '39', Vatican City, after sculpture by anonymous, 1851 - 1890, photographer, after sculpture by, pasteboard, paper, albumen print, height 325 mm x width 250 mm, Person, sculpture, writer, poet, author, male persons from classical history, Vatican Museums., A seated marble statue of a robed male figure on a high-backed chair, shown from head to feet against a dark background, with detailed drapery folds on the garment and a relaxed posture; the figure's head is turned slightly, eyes facing forward, one arm rests on the chair's arm holding a small cylindrical object, the other arm rests on the lap with a clenched hand, the legs are covered by flowing cloth with one foot extended onto a low platform, and the chair sits on a rectangular base with visible wear and surface texture.
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alb31002503 Portrait of Viscount Grandison William Villiers of Limerick, print, book illustration, William Villiers, Viscount Grandison of Limerick, standing in front of a landscape., printmaker: Pieter van Gunst, Amsterdam, after painting by Anthony van Dyck, 1716, paper, engraving, etching, engraving and etching, width 332 mm x height 515 mm, Person., A full-length engraved portrait of a man standing outdoors, wearing an ornate period outfit with a large lace collar and lace cuffs, a sash across his chest, and a draped cloak over one shoulder; he has wavy shoulder-length hair, a mustache and small goatee, and his left hand rests on his hip while his right hand lightly touches the cloak; the background shows trees and a distant hilly landscape, and plants grow at the foreground near his feet.
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alb31002513 Pauline Borghese Bonaparte as Venus Victrix, print, Sculpture of Pauline Borghese Bonaparte (Maria Pauline Bonaparte) as Venus by the Italian sculptor Antonio Canova., printmaker: Domenico Marchetti, Italy, after drawing by Luigi Durantini, after sculpture by Antonio Canova, commissioned by: Antonio Canova, dedicated to: Cawdor, 1816, after sculpture by, paper, engraving, height 395 mm x width 549 mm, Person, Maria Pauline Bonaparte (Duchess of Parma and Guastalla), piece of sculpture, reproduction of a piece of sculpture, (story of) Venus (Aphrodite)., A finely detailed grayscale engraving shows a reclining female figure on an ornate chaise longue, her upper body bare and draped fabric covering her lower body; her hair is styled in an intricate updo with a headband, and she rests one arm behind her head while the other hand lies near her hip; the chaise has plush cushions and carved decorative elements on the arm and base, and the scene occupies the lower portion of a large blank background.
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alb31002122 Statue of a muse, Galleria Giustiniana del Marchese Vincenzo Giustiniani, print, Statue of a muse with mask and wind instrument in her hands, possibly Thalia. On the base the coat of arms of Vincenzo Giustiniani. Print is part of a series of prints after sculptures in the Giustiniani collection in Rome., number: '21', printmaker: Joan Comin, Rome, 1636, paper, engraving, gravure, height 370 mm x width 221 mm, piece of sculpture, reproduction of a piece of sculpture, wind instruments, mask., A monochrome drawing of a standing draped female figure on a shallow oval base, shown in three-quarter view with her head turned to the side; she wears layered flowing robes with detailed folds and a braided hairstyle, one arm extended holding a small rounded object and the other arm hanging down with a slender implement against her side; her feet rest on the base and the image is set against a plain background.
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alb31002502 Fire on the Lauriersgracht in Amsterdam, 1669, print, Fighting a fire in a sugar bakery on the Lauriergracht in Amsterdam with old fire engines and water from the canal, December 29, 1669. Nevertheless, the building burned down completely. On the right, household goods are being removed from an adjacent building. Top left, a blank space for an inscription., printmaker, after print by, after drawing by, Northern Netherlands, Attributed to, Jan van der Heyden, paper, etching, height 192 mm x width 133 mm, Person, fire-extinguishing equipment, Amsterdam, Lauriergracht, Period, 1669-12-29., A tall, narrow black-and-white scene showing a chaotic nighttime fire in a densely built area, with large swirling flames and billowing clouds of smoke rising among tall buildings and architectural details; a large bare-branched tree stands left of center in front of the glowing fires, and a bridge and row of gabled buildings are visible in the background; in the foreground a crowd of people work with long poles and ropes, many silhouetted against the flames, while water arches from hoses toward the blaze and dense smoke and sparks fill the air; ornate facades, ladders, and fragments of destroyed structures appear amid the flames, and a steep dark wall with climbing figures frames the right side of the image.
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alb31002139 A faint pencil sketch on textured beige paper showing a detailed hand gripping a slender vertical object, the hand drawn with visible knuckles and fingernails and light shading around the fingers and wrist, with a partial second hand sketch near the lower left corner and a small oval stamp and a tiny emblem near the lower right area, the paper surface displaying speckles, fibers, and slight discoloration.
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alb31002106 The High Water Board of Delfland with all the cities, villages, trades, hamlets, polders, blocks, neighborhoods, homesteads, dwellings, orchards, gardens, fields, sluices, canals, streams, beaches, dunes, dikes, roads, quays, mills, bridges, lakes, ponds, waterways, etc. situated therein, mapped to scale in the year: MDCCXII, The High Water Board of Delfland, Map of the High Water Board of Delfland (eighteenth part), print, map, Eighteenth part of a map of the High Water Board of Delfland consisting of twenty-five parts., printmaker: Luggert van Anse, Delft, printmaker: Thomas Doesburgh, printmaker: Jacobus Deur, printmaker: Johannes Deur, surveyor: Nicolaas Cruquius, surveyor: Jacob Cruquius, commissioner (person who orders works): Hoogheemraadschap van Delfland, grantor of privilege: States of Holland and West Friesland, 1712 - 1735, commissioner (person who orders works), paper, engraving, etching, height 515 mm x width 593 mm, Person, maps of cities, Delfland., A detailed black-and-white cartographic map showing a network of narrow rectangular fields separated by thin lines, intersecting roads, canals, and small clusters of buildings. The map includes a long straight canal running diagonally from the top right toward the bottom center, with a series of densely packed, darkly shaded rectangular plots along its edge. Numerous thin meandering waterways and straight drains cross the area. Small groups of darkly hatched structures, isolated buildings, and farm-like symbols are scattered throughout the fields. Text labels appear across many parcels and along linear features. A decorative border surrounds the map, and scale markings and gridlines run along the outer margins. The overall palette is sepia-toned with fine line engraving and hatching for shading and texture.
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alb31002144 Statue of Robert Peel in Peel Park in Salford, England, Statue of Sir Robert Peel, photograph, page, inscription: 'Peel Park, Salford.', photographer: Brothers, Alfred, Salford, c. 1863 - in or before 1868, paper, albumen print, height 242 mm x width 192 mm, Person, Robert Peel, monument, statue, Peel Park., A sepia-toned oval photograph shows a park scene centered on a bronze statue of a robed standing man mounted on a stone pedestal within a circular planted bed, with a curved pathway in the foreground. To the left of the statue a tall tree with dense foliage rises, and a uniformed guard stands near a bench by the tree. To the right of the statue a group of people sit on the grass and a man in a dark coat and hat stands nearby; behind them a low decorative fence separates the park from distant buildings and rooftops visible through a light haze. The image has a pale border around the oval photograph with some spots and discoloration.
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alb31002112 Entombment of Christ by angels, print, Angels lay Christ in his tomb in a rock. His body lies on a shroud. The angels mourn and show the stigmata. In the margin a caption in Latin., printmaker: Nicolas Pitau (I), Paris, after painting by Ludovico Carracci, 1644 - 1671, paper, engraving, gravure, height 527 mm x width 418 mm, Christ's entombment (possibly by angels)., A grayscale engraving shows a group of figures arranged tightly together, centered on a reclining male figure with long hair and a draped cloth across his lower body whose head tilts back and eyes are closed. Surrounding him are several winged figures with flowing hair and feathered wings, some leaning over him and others with hands clasped or touching his body. One figure at the lower right supports the reclining figure's legs with a focused expression, while a childlike figure rests against the reclining figure's torso. Drapery and cloth fold around the figures and a stone block appears beneath an outstretched foot at the lower left. In the background there is a rocky opening with foliage visible through it and the sky beyond. The scene is rendered with fine etched lines and detailed shading.
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alb31002155 Eindhoven besieged and captured, 1583, Series 9: Dutch and German Events, 1583-1587, print, album page, Series number, 232, 469, Eindhoven besieged and captured by the Count of Mansveld, April 23, 1583. The troops under Bonnivet are leaving the city and Mansveld's troops are ready to enter the city. With a caption of 8 lines in German and 5 lines in French. Numbered: 56., printmaker: workshop of Frans Hogenberg, Cologne, 1583 - 1585, Frans Hogenberg, printmaker, North Rhine-Westphalia, paper, engraving, gravure, height 210 mm x width 280 mm, Person, Charles Count of Mansfeld, Bonnivet, capture of city (after the siege), Capture of Eindhoven, Eindhoven, Period, 1583-04-23., A detailed black and white engraved view of a fortified town and its surrounding landscape showing walls, ramparts, bastions, and towers along waterways, with clustered buildings and churches inside the fortifications, streets and rows of houses, a prominent church with a tall spire near the town center, open fields and scattered trees beyond the walls, winding rivers and canals bordering the scene, small detached houses and farm plots in the countryside, several geometric earthwork forts outside the town, formations of soldiers with flags and pikes arrayed on the fields, groups of figures marching or standing near the outer works, a drawbridge or gate structure connecting the inner and outer defenses, and decorative hatching and incision lines used throughout the engraving to indicate texture and shading.
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alb31002169 Result of the Wind Trade, 1720, Uytslag der Wind Negotie, Het Groote Tafereel der Dwaasheid, cartoon, print, Caricature of the wind trade by John Law, 1720. Law seated on a chair floating on the wind with a horn of plenty and handing out deals. On the right the madhouse, in the middle a man with a stocking on his head. In the background Vianen and work is being done on the Utrecht Canal. In the caption an explanation of the numbers 1-23 in rhyme. Print 13 in the series The Great Tableau of Folly with satirical prints on the Speculative Markets of 1720., printmaker, Northern Netherlands, paper, etching, height 285 mm x width 390 mm, Person, John Law, financial panic, Speculative Markets of 1720, Period., A wide engraved scene shows a crowded open landscape with groups of people dressed in historical clothing engaged in various actions; in the foreground a man with an outstretched arm faces a crowd that includes men and women in wigs and ornate coats, some holding papers, others gesturing or dancing, while a seated figure in fine dress appears on a raised seat to the left and another seated man with a long wig reclines on a box to the right; behind them a man makes a dramatic gesture toward a plume of smoke rising near a windmill, with distant figures working on the land, a horse-drawn carriage on a path, and small groups walking and interacting across rolling terrain under a clouded sky, with a building at the right edge and a banner across the upper center.
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alb31002130 Adoration of the Kings, print, The Three Kings adore the Christ Child and offer gifts they brought. Balthazar stands on the left in the foreground. Joseph stands behind Mary. Three angels are flying in the air., printmaker: Andrea Andreani, Italy, after design by Aurelio Luini, c. 1568 - 1629, paper, chiaroscuro woodcut, black and brown chiaroscuro woodcut, printed from a wooden line block and two wooden tone blocks, height 381 mm x width 278 mm, adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)., A monochrome drawing shows a group of robed and armored figures gathered around a seated woman holding an infant, with several men bending and kneeling toward the child. On the left a figure in short skirted armor stands near an arched stone structure and a fluted column. Behind the central group a palm tree and a horizon line with horizontal strokes are visible. Two winged cherubic figures hover in the sky above. The clothing and drapery are rendered with fine linear shading and crosshatching, and the scene includes small objects on the ground and varied facial expressions among the adults.
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alb31002157 Portraits of four New York State Senate Members, page, photomechanical print, Top left Dennis McCarthy, top right David H. Evans, bottom left Sumner Baldwin, bottom right George P. Lord., annotation, number: '319', United States of America, c. 1872 - in or before 1882, North America, paper, collotype, photoprint, height 342 mm x width 275 mm, historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))., Four portrait photographs arranged in a two-by-two grid on a light background, each showing a seated or turned adult man wearing a dark suit jacket, vest, and white shirt with bow tie or cravat, all with facial hair varying from full beards to long sideburns, each portrait cropped to show head and upper torso, with handwritten signatures beneath each photograph.
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alb31002124 Holding up of the Imperial brig on the Scheldt near Fort Lillo, 1784, Erster Angriff der Holländer 1784 gegen eine Kaisl: Brigandine auf der Schelde zwischen Stockate u: dem Fort Lillo, print, The holding up of the Austrian Imperial brig Louis by the Dutch schooner Dolphijn under the command of Lieutenant Tobias Tak Cuperus on the Scheldt near Fort Lillo, October 8, 1784. The Dutch ship fires a warning shot. The incidents on this day are referred to by the derogatory nickname the Kettle War. This print has a pendant., printmaker, publisher, Bavaria, Augsburg, paper, etching, height 213 mm x width 325 mm, battle (+ sailing-ships), Kettle War (1784), Scheldt, Lillo, Fort Lillo, Period, 1784-10-08., An engraved coastal scene showing a shoreline with a fortified town on a headland to the right and a small settlement on low dunes to the left, a group of sailing vessels on calm water including a large three-masted ship near the center and a smaller vessel in the foreground with a billowing lateen sail and a group of people aboard, figures standing and interacting on the deck, a long bridge or causeway connecting the fort to the mainland, rippled water textures across the scene, layered clouds and distant rolling dunes in the sky and background, and foreground grasses along the near shore.
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alb31002191 View of the Waard Barrier and the City, View of the City taken in the Faubourg le Weerd, View of the Waard-Barrier in Utrecht, Utrecht and surroundings, print, printmaker: attributed to Hendrik Wilhelmus Last, publisher: widow Huygens, 1825 - 1875, Attributed to, paper, tonal lithograph, height 239 mm x width 334 mm, published in 'Cahier Gezigten in Utrecht en Omstreken', canals, waters (in city), city-view, and landscape with man-made constructions, Utrecht., A sepia-toned drawing of a canal scene framed by ornate corner decorations, showing boats moored along the water and small rowboats with people in them, a stone bridge spanning the canal with pedestrians crossing, a cylindrical tower-like building at the water's edge, rows of narrow buildings and gabled houses lining the canal, trees and lampposts along a quay where people walk, a carriage and figures near the right bank, and a tall church tower rising in the background under a sky with scattered clouds.
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alb31002135 Landscape with gateway to farmhouse, The Landscape, print, Series number, 1, A woman, seen from the back, walks through a gate towards the entrance of the farm. In front of the gate, a tree and boulders. Numbered bottom left and right: 3rd bundle, Pl. 1., printmaker: Constantinus Cornelis Huysmans, printer (person): Hilmar Johannes Backer, Dordrecht, 1838, printer (person), paper, lithography, height 305 mm x width 470 mm, fence, wall, paling, farm or solitary house in landscape, rocks, gate, entrance., A pencil drawing of a rural scene showing a woman standing on a dirt path near a wooden gate, wearing a long dress and a head covering and holding a basket, with a thatched cottage partially visible behind foliage to the left; a large tree with detailed leaves and a textured trunk dominates the center, its branches spreading over a rustic fence and rocky ground; large boulders and scattered stones occupy the foreground and right side, with grasses and small plants growing among them; more trees and shrubs fill the background on the right, and a woven fence and dense undergrowth appear near the cottage on the left.
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alb31002170 Tyl Uilenspiegel, Ulenspiegel, print, popular print, Sheet with 16 illustrations of the life of Tijl Uilenspiegel. Below each image a caption in Dutch and in French. Numbered center top: No. 7., publisher: Brepols & Dierckx zoon, Turnhout, 1833 - 1911, printmaker, paper, color lithography, letterpress printing, color lithography in yellow, blue, pink and red, text in letterpress, height 364 mm x width 317 mm, Eulenspiegel., A sheet divided into vertical panels each containing small colored comic-like illustrations showing people in period clothing engaged in various lively scenes, including a woman startled near water, men carrying baskets, two men grappling on the ground, a person on horseback mocking bystanders, a man crouched near fowl, a child being guided by adults in a domestic interior, a person standing inside a cell, a man consoling a crying child outdoors, a crowd around a large wooden tub with people pouring or falling into it, armed soldiers clashing with civilians, a man climbing a ladder while others watch, figures gesturing and arguing, and other scenes of bustling activity, all rendered in muted tones of red, blue, yellow, green, and beige with black outlines and framed by thin borders.
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alb31002152 David playing the harp for Saul, print, King Saul sits on a throne with a spear in his hand, next to him David plays the harp. In the margin a six-line text in Latin., printmaker: Willem van der Leeuw, after painting by Rembrandt van Rijn, writer (clerical worker): Cornelis Gijsbertsz. Plemp, 1616 - 1665, writer (clerical worker), paper, etching, engraving, height 428 mm x width 325 mm, David playing his harp before Saul., A seated person wearing a turban with a tall feather and a heavy draped cloak holds a long staff and looks forward with a furrowed expression, a decorative chain across the chest and patterned robes visible; a curtain hangs in the background casting shadows, and to the right a figure with long hair leans toward a large harp, hands positioned on the strings.
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alb31002187 Baptism of the Eunuch, Acts of the Apostles, Acta Apostolorum, print, Series number, 14, 34, Philip speaks with the eunuch whom he meets on the road from Jerusalem and Gaza. As treasurer to the Queen of Ethiopia, the eunuch rides in a beautiful chariot. Philip converts the eunuch to Christianity and baptizes him in a river. Subsequently, he is taken away by an angel. The print has a Latin caption and is part of a 34-part series on the subject of the Acts of the Apostles., caption: 'The circumcised are baptized', printmaker: Philips Galle, Antwerp, after design by Maarten van Heemskerck, Haarlem, 1582, paper, engraving, gravure, height 212 mm x width 272 mm, Philip baptizes the Eunuch, Philip meets the Eunuch, who is travelling in a chariot, translocation of Philip (by an angel), Philip explains the scripture to the Eunuch., A detailed monochrome engraving shows a river scene with a wooden bridge spanning the water and a town with clustered buildings and towers in the background; near the bridge a chariot drawn by a pair of horses crosses, driven by a figure with a whip and accompanied by a person seated under a draped canopy, while another chariot with horses and a seated figure appears on the left crossing toward the bridge; in the foreground a group of people stand and kneel at the water's edge, one person bending forward with hands clasped and another standing over them with an outstretched arm and flowing garments; to the right a richly decorated wagon with large wheels and a canopy holds two seated figures, one writing or pointing at a book, while a muscular figure beside the horses gestures with a curved staff; trees with layered foliage rise near the center, and clouds and two reclining winged figures occupy the sky above the scene.
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