Busque também em nossas outras coleções:

Data da imagem:
Pauta
ver mais opções...
Agência
Fotógrafo
ver mais opções...
Estado
Cidade
ver mais opções...
Local
ver mais opções...
Tipo de licença
Orientação
Coleção

Total de Resultados: 10.000

Página 1 de 100

akg5966689 Italie, Turin, Musée égyptien, Museo Egizio, The Mine Payrus (verso), Cyperus papyrus, Nouvel Empire, 20eme dynastie, règne de Ramsès IV (1156-1149 av. J.-C.), Deir el-Medineh.
DC
akg5835869 Painting of the canonization of Saint Catherine of Siena in 1461 by pope Pius II.Fresco by Pinturicchio.in the Library Piccolomini (Libreria Piccolomini) in the 13th century Siena Cathedral (Duomo di Siena) Metropolitan Cathedral of Saint Mary of the Assumption (Santa Maria Assunta)- The Library was built between 1492 and 1507 by Francesco Piccolomini, Pope Pius II's nephew, also a cardinal who also later became Pope Pius III. The library was in memory of his uncle (Enea Silvio Piccolomini - Pius II) and to conserve the rich collection of manuscripts he had lovingly collected. The walls are divided into 10 scenes representing various important stages in the life of Pope Pius II. The frescoes are by Pinturicchio and his workshop, which included the young Raphael (Raffaello Sanzio).Tuscany, Italy (2018).
DC
akg027873 History:. Antiquity / sport. "Gymnastic exercises of Spartan adolescents". (Palaestra with wrestlers, discus throwers etc.). Woodcut, c. 1880, after a drawing by Philipp Grotjohann (1841-1892). From: J. v. Falke, Hellas und Rom, Stuttgart (W.Spemann) 1879.
DC
akg471869 Soviet Republic 1920. "The Bolshevik". (Depicted as a colossus striding over Mosow, in the background the Lenin Library). Painting, 1920, by Boris Kustodiev. (1878-1927). Oil on canvas, 101 × 141 cm. Inv. Nr. JS-27, P-28723. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: BORIS KUSTODIJEW.
DC
alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
DC
akg1567112 Handwerk und Gewerbe / Geigenbauer u.ä.. /-"Luthier, 1480".-/ (Lautenmacher 1480). Farblithographie, undatiert, um 1880, nach Valiquet. Sammelbildchen der Firma Chocolat du Planteur. Aus einer Serie mit historischen Darstellungen der Handwerke und Gewerbe. Museum: Private Collection., Privatsammlung.
DC
akg1567565 Militär / Frankreich, Konsulat ( 1799-1804). /-"Les Chasseurs à cheval de la Garde. Trompette 1800. Tenue en campagne".-/ (Trompeter der berittenen Garde-Jäger in Felduniform 1800). Farblithographie, undatiert, nach Aquarell von Pierre Benigni (1878-1956) nach Louis-François Lejeune (1775-1848). Sammelbildchen aus der Serie: Les ... Museum: Private Collection., Paris.
DC
akg210756 Brueghel, Jan the Elder. 1568-1625. "Marry with many animals", 1604. (Copy after the watercolour by Albrecht Dürer, 1471-1528). Oil on wood, 34 × 26cm. Rome, Galleria Doria Pamphilij. Museum: Rome, Galleria Doria Pamphilij.
DC
akg326196 Florence, Italy. Corot, Camille. 1796-1875. "Firenze. Vue prise des jardins Boboli (Florence. View of city from the Boboli Gardens) ". Oil on canvas, 51 × 73 cm. R. F. 2598. Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.
DC
akg180847 Sexualität:. Keuschheitsgürtel u. ä. "Onanie-Bandage. Von vorn. Seitenansicht". (Gürtel mit Drahtkorb zur Verhinderung der Onanie bei Knaben). Holzstich. Aus: F.E.Bilz, Das neue Naturheilverfahren, Leipzig (F.E.Bilz). 1901, Supplementband S. 621. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg611423 Sculpture, époque romaine, milieu 2e siècle. La chasse au sanglier de Calydon. Relief de sarcophage. Marbre. Inv. n° 5243. Éleusis, Musée Archéologique. Museum: Eleusis, Archaeological Museum.
DC
akg1423976 Casals, Pablo; span. Violoncellist; Vendrell (Katalonien) 29.12.1876-San Juan (Puerto Rico) 22.10.1973.-Pablo Casals mit seiner Frau Marta bei einem Empfang in der Ecole Normale de Musique, Paris.-Foto, Oktober 1956.
DC
akg8316610 Unidentified Artist.Benjamin Franklin, ca 1790.Print, Mezzotint on paper.Inv. Nr. NPG. 97.232Washington, National Portrait Gallery.
DC
akg2371934 Carol, Martine; eigentlich Marie-Louise Jeanne Nicolle Mourer; französische Schauspielerin; Saint-Mandé (Val-de-Marne) 16.5.1920 - Monte Carlo 6.2.1967. Porträt. Foto, 1949, von Lucien Lorelle (1894-1968). Privatsammlung. Museum: PRIVATE COLLECTION. Copyright: For editorial use only.
DC
akg164725 Porsche, Ferdinand ; constructeur de voitures (constr. de voitures de course chez Daimler, 1934 constructeur chez Volkswagen ; à partir de 1931 constructeur pour sa propre firme à Stuttgart) ; 1875-1951. Ferdinand Porsche et son fils Ferdinand. (V. 1950).
DC
akg183925 Hitler, Adolf; Politiker (NSDAP). 1889-1945. Hitler eröffnet die Internationale Automobilausstellung in Berlin, 1933: Besichtigung der einzelnen Stände. Foto, um Februar / März 1933 (?).
DC
akg1349990 Sanl?car de Barrameda (Cádiz), Spanien), Restaurante Casa Secundino.-Ansicht.-Foto, 1987.
DC
akg1349770 Religion / Kirche / Prozession.-Semana Santa (Karwoche) in Valladolid ( Spanien).-Foto, 2000.
DC
akg1065332 Maetzel-Johannsen, Dorothea; 1886-1930. "Tanzende", 1919. Linolschnitt, 24 x 17, 5 cm. Museum: Private Collection., Privatsammlung.
DC
akg1663998 Publizistik / Almanache:. "Paris-Almanach". "EN VENTE CHEZ / tous les LIBRAIRIES / Texte de E. Goudeau / illustré par DILLON / Edité par SAGOT / (...) ". (Werbung für den Paris-Almanach). Plakat, 1894. Entwurf: Georges de Feure (1868-1943). Farblithographie, 79,5 × 60 cm. Druck: Bourgerie & CIE., Paris. Privatsammlung. Museum: PRIVATE COLLECTION.
DC
akg1350176 Trade and Commerce / Street Trading.-Sevilla (Spain): a woman and child selling sweets.-Photo, undated.
DC
akg8398379 Head of Homer (Epimenides type) (Homere). Roman copy of a Greek original from the Mid-5th century BC. Sculpture, statue. Parian marble. - Museo Giovanni Barracco di Scultura Antica (Barracco Museum of Antique Sculpture, Musée Barracco de Sculptures Anciennes). The palazzo is also called 'Farnesina ai Baullari' or 'Piccola Farnesina' (Little Farnesina). The museum is featuring the antiquities acquired by the collector Giovanni Barracco, who donated his collection to the City of Rome in 1902. Rome, Italy. 2020.
DC
akg8636971 Partial view of the Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
DC
akg8636972 Left to right: Dante Alighieri (Durante degli Alighieri, dit ), Homer (Homere) Virgil (Virgile) and Publius Papinius Statius (Stace). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.
DC
akg8703547 William-Adolphe Bouguereau, French painter, 1825-1905. Homer and His Guide (Homère et son guide), 1874. Oil on canvas, 208.92 x 142.88 cm. Milwaukee, Milwaukee Art Museum.
DC
akg8692009 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
DC
akg8472705 Homer (Homere). Painting by Mattia Preti (1613-1699). Canvas. 1635c. - Gallerie dell'Accademia (Galeries de l'Académie ). Museum gallery of pre-19th-century art in the sestiere (district) of Dorsoduro. Venice (Venise, Venedig ). Italy. 2020.
DC
akg8692007 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
DC
akg8692004 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.
DC
akg8181712 Géographes, Géographie et Cartographie / 19e siècle. Marmocchi, Francesco Constantino (1805-1858). "Les voyages d'Ulysse et des Argonautes" (titre original : "viaggi d'Ulisse e degli argonauti"). (En rouge, les voyages d'Ulysse ; en jaune / orange, celui des Argonautes. Le bassin méditerranéen et le monde sont représentés tels que les grecs anciens les concevaient). in Geografia Primitiva de Greci Secondo Esiodo ed Omero, Atlante di geografia universale di Francesco Constantino Marmocchi, Florence, Vincenzo Batelli e Compagni éd., 1842. Collection privée.
DC
akg8786157 Head of Homer (Homere).Greek poet (8th cent. BC) author of 'The Odyssey'The head, dated to between the second half of the 1st cent. and the middle of the 2nd cent. AD derives from a 'reconstructed portrait' created around the the 5th cent. BCinv. 315Vatican Museums (Pio Clementino Museum) .Rome, 2021.
DC
akg8668891 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Penelope. Drawing and watercolour, 2020.
DC
akg8668883 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. After many years have slipped by, the leaders of the Greeks, opposed by the Fates and damaged by the Trojan War, build a horse of mountainous size, through Pallas's divine art and weave planks of fir over its ribs. They pretend it's a votive offering for Troy: this rumour spreads. They secretly hide a picked body of men, chosen by lot, there, in the dark body, filling the belly and the huge cavernous insides with armed warriors. Troy burning. Drawing and watercolour, 2020.
DC
akg8668873 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Scylla, a naiad changed into a sea monster with three heads of beasts that tears apart boats (Book XII). Drawing and watercolour, 2020.
DC
akg5212706 Bertholet Flemalle I., 1614-1675. "Achilles Wounded by Paris". Oil on canvas, 98 x 70 cm. Inv. NM 428. Stockholm, National Museum.
DC
akg5953240 Portrait of HomerGreek poet (8th cent. BC) author of 'The Odyssey'The head, dated to between the second half of the 1st cent. and the middle of the 2nd cent. AD derives from a 'reconstructed portrait' created around the the 5th cent. BCinv. 315Vatican Museums (Pio Clementino Museum).
DC
akg5953239 Portrait of HomerGreek poet (8th cent. BC) author of 'The Odyssey'The head, dated to between the second half of the 1st cent. and the middle of the 2nd cent. AD derives from a 'reconstructed portrait' created around the the 5th cent. BCinv. 315Vatican Museums (Pio Clementino Museum).
DC
akg5735004 Stadt Himara, Oberstadt Himara-Kastro (Himara-Burg), Südwest-Albanien: 2006 eröffnete griechische Schule "Homer" neben der griechisch-orthodoxen Allerheiligenkirche. Die Adria-Stadt Himara besteht aus der Unterstadt Himara-Spille (Himara-Strand) sowie der hoch über dem Strand erbauten historischen Oberstadt Himara-Kastro (Himara-Burg). Bei Himara fanden italienische Archäologen 1939 die ältesten menschlichen Siedlungsspuren entlang der Adria (Mesolithikum). Die Gründung von Himara-Kastro geht auf das 8. Jh. v. Chr. zurück, was Reste der Zyklopenmauern, auf denen die Burgrmauern errichtet wurden, nahelegen. Während des Römischen Bürgerkriegs zog Julius Caesar hier 48 v. Chr. samt Heer Richtung Griechenland durch. Der Name Himara soll auf die Chaoner zurückgehen, eventuell auch auf "cheimarros" (Wildbach). Nach wechselnder Besetzung gelangte die Stadt in Besitz von Venedig, dann in den der Osmanen, obschon Gjon Kastrioti, Sohn des albanischen Nationalhelden Skanderbeg, einen historischen Sieg während des Aufstands ab 1481 feierte. Die Auseinandersetzungen der Himarioten mit den Osmanen setzen sich fort, denn Himara war und ist Albaniens Zentrum der griechischsprachigen und griechisch-orthodoxen Minderheit. 1577 rief man sogar den Papst zur Hilfe und bot den Übertritt zum katholischen Glauben an. 1798 übernahm Ali Pascha Tepelene Himara und gründete nahebei die Festung Porto Palermo, die aber wohl älter und von den Venezianern ist. Im 2. Weltkrieg war Himara-Kastro zwischen albanischen Partisanen und deutscher Wehrmacht stark umkämpft. Die Auseinandersetzungen zwischen Albanern und Griechen in Himara setzen sich im 21. Jh. fort. So kam es zu Zwischenfällen in den Jahren 1999, 2003, 2004 und 2010. Besonders sehenswert in Himara-Kastro (von lat. castrum: befestigtes Militärlager, Stadt) sind die Reste der byzantinischen Kirche mit Fresken sowie die Wehranlagen.
DC
akg5924342 Parnassusby Raphael (Raffaello Sanzio) (1483-1520)Raphael's Rooms - Room of the signatureBeneath Poetry, Mount Parnassus is represented: the god Apollo, seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom Homer (blind), Virgil and Dante are easily recognisable behind him, as well as the poetess Sapphos seated at the bottom left, with her name written on the scroll she holds in her left hand.Vatican Museums (Raphael's Rooms - Room of the Signature, Stanza della Segnatura).
DC
akg5836684 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): "Cross of the Scriptures" (replica of the High Cross) in front of the Cathedral (also: Temple McDermot). The so called Cross of the Scriptures is a 4 m high corss made of sandstone and one of the most prestigious high crosses in Ireland. It was built around 900 most probably by Flann Sinna, King of Ireland, and Abbot Colmán. The surface of the cross is divided in panels, showing religious scenes (Crucifixion, Last Judgement, Christ in the Tomb). There are as well other scenes, showing King Diarmuid, horsemen, hunters and animals. Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Viking.
DC
akg5836688 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): glass pavillon for Pope John Paull II (right), McCarthy`s Tower and Temple Finghín. The glass pavillon was erected for the visit of Pope John Paul II, in 1979. McCarthy`s Tower was built in 12th century in Romanesque style, it is beneath Temple Finghín, built in the same time. Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and Hi.
DC
akg5836690 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): Temple Hurpan and Temple Melaghlin (behind, covered) on southeastern side of the Cathedral (also: Temple McDermot). Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and High Crosses. Open air, there are replicas of the high crosses, only. The original three high crosses are conserved in the museum (interpretive centre) of the visito.
DC
akg5836686 Ireland, Co. Offlay, ruins of Clonmacnoise (former monastery): view from window of the Cathedral (also: Temple McDermot) to McCarthy`s Tower. McCarthy`s Tower was built in 12th century in Romanesque style, it is beneath Temple Finghín, built in the same time. Building of the so called Cathedral (Temple McDermot) in the centre of the abbey grounds startet in 909 by King Flann Sinna and Abbot Colmán mac Ailella. West door way has been restored. Famous is the Gothic style northern doorway with view from and to Shannon river, called Whispering Arch. In this biggest church of Clonmacnoise, lots of graves have been found. Most prominent is the grave of Rory O`Conor, the last High King of Ireland, who was buried here, in 1198, following his father Turlough O`Conor who had built on of the round towers, the O'Rourke's Tower, in 1124, with Gilla Christ Ua Maoileoin (O`Malone), abbot of Clonmacnoise.The monastery of Clonmacnoise, irish Cluain Mhic Nóis, "Meadow of the Sons of Nós", or irish Cluain Muccu Nóis, "Meadow of the Pigs of Nós", was founded in 544 or 548 AD by St. Ciarán ((c. 516 - c. 549 or 552) and seven following monks, who died soon after most probably caused by pestilentia. The monastery became famous for its scriptorium. here, The Book of the Dun Cow (German: Buch der dunkelfarbenen Kuh), the oldest writing in old irish language, was realized. In 1979, Pope John Paul II visited Clonmacnoise. From 9th to 12th century, the monastery was strongly tied with the kings of Meath. Lots of high kings of Tara and Connacht were buried here. From 10th to 16th century, the monastery was continously extended. Within 400 years, Vikings and Normans, often sailing via Shannon river, raided the monastery. The time of Clonmacnoise ended in 1552, when english soldiers of the nearby garrison in Athlone burned and destroyed everything. Most important in Clonmacnoise are the round towers and High Crosses. Open air, there are replicas of the high crosses, only. The original t.
DC
akg2315160 Runge, Philipp Otto. 1777-1810. "Achill und Skamandros", 1801. Pinsel in Schwarz, Grau und Weiß über Bleistift auf blaugrauem Papier, 456 × 576 mm. Inv. Nr. 34227; Kupferstichkabinett, Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.
DC
akg5437279 Ingres, Jean-Auguste-Dominique; 1780-1867. "L'apothéose d'Homère" (Die Apotheose Homers), 1827. (Aquarellfassung des monumentale Deckenbildes im Louvre in Paris). Aquarell und Gouache, 56,6 x 62 cm. Inv. Nr. Pl. 1480. Lille, Musée des Beaux-Arts. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg2362689 Beaumont, Claudio Francesco. 1694-1766; Umkreis. "Die Einschiffung Helenas in Troja" ("The embarkation of Helen of Troy"), undatiert. (Nach dem Sieg über Troja nimmt Menelaos Helena mit zurück nach Sparta; Ilias III). Öl auf Leinwand, 63,5 × 164 cm. Kunsthandel London, Sotheby's, 3. Juli 1997, Lot 259.
DC
akg2315154 Runge, Philipp Otto. 1777-1810. "Achill und Skamandros", 1801. Feder und Pinsel in Grau und Schwarz über Bleistift, 412 × 593 mm. Inv. Nr. 34223; Kupferstichkabinett, Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.
DC
akg2348878 Etruskische Malerei, 320-310 v. Chr. Opferung trojanischer Gefangener an die Manen des Patroklos durch Acle (Achilles). Kopie, 1931, von Augusto Guido Gatti nach der etruskischen Wandmalerei aus der Tomba François in Vulci (Latium). Florenz, Soprintendenza per i Beni Archeologici d. Toscana. Museum: Florence, Soprintendenza per i Beni Archeologici d. Toscana.
DC
akg2047852 Klinger, Max. 1857-1920. "Penelope am Webstuhl", 1895. Radierung, Stich, Aquatinta von zwei Platten und Farblithographie von 4 Steinplatten, 18,9 × 30,2 cm, auf Velin, 26,8 × 35,6 cm. (Gewidmet dem Zoologen Rudolf Leuckart (1822-1898). von seinen Schülern zum 50jährigen Doktorjubiläum). Inv. Nr. 173. Chemnitz, Städtische Kunstsammlungen. Museum: Chemnitz, Städtische Kunstsammlungen.
DC
akg259449 D'ap.: Diepenbeeck, Abraham van. 1596-1675. "La toile de Pénélope". Gravure sur cuivre, anonyme, d'ap. un dessin de Diepenbeeck. N° 48 de la série: Temple des Muses, textes de Michel de Marolles, Paris, 1655. Paris, coll. particulière.
DC
akg136816 Homer, Greek poet; 8th Century BC. - "Homer and the Greek people". (Homer as a rhapsodist with audience). Steel engr., 1874, by Edouard Schuler. (1806-1882) after drawing by Gustav Jäger (1808-1871). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg252819 Tischbein, Johann Heinrich Wilhelm 1751-1829. "Odysseus and Penelope", 1810. Oil on canvas, 77 × 105.5cm. Inv. Nr. C 4728. Dortmund, Mus.f.Kunst u. Kulturgeschichte. Museum: Dortmund, Mus. f. Kunst u. Kulturgeschichte.
DC
akg211759 Mythology / Ulysses. Roman, 3rd century. Ulysses and the Sirens. Detail. (Homer, Odyssee 12,36 ff.). Mosaic, 3.8 × 1.3m. Found at Thugga (Dougga, Tunisia), House of Ulysses. Tunis, Musée national du Bardo. Museum: Tunis, Musée national du Bardo.
DC
akg289659 Canova, Antonio. 1757-1822. "Ettore" (Hector), c. 1807/08. Bozzetto for the statue at Palazzo Treves in Venice. Plaster, 60 × 22.5 × 18cm. Venice, Museo Civico Correr. Museum: Venedig, Museo Civico Correr.
DC
akg138084 Greek vasepainting, Blackfigure, Exekias (c. 550 - 525 BC). "Achilles and Ajax playing a boardgame". Amphora, c. 530 BC. Rome, Vatican Museums. Museum: Rom, Vatikanische Museen.
DC
akg683256 Carstens, Jakob Asmus; 1754-1798. "Die Helden im Zelt des Achill" (Ajax, Phönix, Ulysses vor Achill und Patroklos;-nach Homer, Ilias IX, 185ff.), 1794. Aquarell und Deckfarben auf braunem Papier, 45,2 x 66,1 cm. Inv.Carstens 27 Kunstsammlung,. Museum: Akademie der Künste., BERLIN.
DC
akg289797 Tischbein, Johann Heinrich Wilhelm. 1751-1829. "Achilles", 1775. Chalk, 32 × 20.6cm. Weimar, Staatliche Kunstsammlungen. Museum: Weimar, Staatliche Kunstsammlungen.
DC
akg361326 History / Classical / Military. - Heavily armed warrior in a chariot. (presumably without shield), Mycenea, Homeric era, c. 1400 BC. (Reconstruction of the armour after a grave find - Dendra). Watercolour, 1977, by Peter Connolly. (1935-2012). From the series: "The Greek Armies". Copyright: Peter Connolly's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions.
DC
akg177974 Genelli, Bonaventura. 1798-1868. Odysseus with his father Laertes. (The Odyssey XXIV, 226). Outline etching: B. Genelli's sketches to illustrate Homer with commentaries by Dr. Förster, Stuttgart und Tübingen (J.G Cotta'scher Verlag) 1844, Plate XXIV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177965 Genelli, Bonaventura. 1798-1868. Odysseus bei den Phäaken. (Odyssee XIII, 113). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177920 Genelli, Bonaventura. 1798-1868. Hector's farewell from Andromache and his son Astyanax. (Ilias VI, 474). Etching. From: B.Genelli's illustrations for Homer with explanations by Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate IX. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177958 Genelli, Bonaventura, 1798-1868, German painter. Ulysses is getting Polyphemus drunk. (Odyssey IX, 353). From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate VII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177969 Genelli, Bonaventura, 1798-1868, German painter. Ulysses and Eurycleia. (Odyssey, XIX, 467-481). Engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate XIX. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177961 Genelli, Bonaventura. 1798-1868. Odysseus befragt den Seher Teiresias in der Unterwelt. (Odyssee XI, 80-144). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XI. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177964 Genelli, Bonaventura. 1798-1868. Odysseus and the Sirens. (Odyssee XII, 182). Silouette. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XIV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177940 Genelli, Bonaventura ; 1798-1868. - Achille en lutte contre le dieu fleuve Scamandre / Héra arrêtant Hephaïstos.- (. Iliade XXI, 298-380). Gravure au trait. In : Gravures sur cuivre de B. Genelli illustrant Homère avec commentaires de Dr. Ernst Förster, Stuttgart et Tübingen (J.G. Cotta'scher Verlag) 1844, planche XVIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177975 zu: Homer; griech. Dichter; 8. Jh. v. Chr. Oikumene, Sinnbild der bewohnten Erde, krönt Ilias und Odysseia, die Werke Homers. Umrißstich von Bonaventura Genelli (1798-1868). Titelblatt zu: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen. (J.G.Cotta'scher Verlag) 1844. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177919 Genelli, Bonaventura; 1798-1868. Hektor findet seinen Bruder Paris im Gemach Helenas und ermahnt ihn zur Schlacht. (Ilias VI, 321-325). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel VIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177963 Genelli, Bonaventura ; 1798-1868. Hercule dans l'Olympe avec son épouse Hébé. (Odyssée XI, 601-604). Gravure au trait. In : Silhouettes de B.Genelli sur Homère avec explications de Dr. Ernst Förster, Stuttgart et Tübingen (J.G. Cotta' scher Verlag) 1844, pl. XIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177910 Genelli, Bonaventura. 1798-1868. Achilles und Thetis. (Ilias I, 348-361). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G.Cotta'scher Verlag) 1844, Tafel I. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177911 Genelli, Bonaventura; 1789-1868. Agamemnon wird im Traum zum Kampf gegen die Troer aufgerufen. (Ilias II, 16). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G.Cotta'scher Verlag) 1844, Tafel II. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177962 Genelli, Bonaventura; 1789-1868. Agamemnon and Cassandra are killed by Clytemnestra and her lover Aegisthus. (Odyssey XII, 409). Outline engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Table XII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177913 Genelli, Bonaventura; 1798-1868. Äneas wird von Phöbos Apollon gegen Diomedes in Schutz genommen. (Ilias V, 297-351). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G.Cotta'scher Verlag) 1844, Tafel IV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177943 Genelli, Bonaventura; 1798-1868. With Athena's help, Achilles kills Hector and shouts words of hate at him as he dies. (Iliad XXII, 361-366). Contour eng. Fr: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tübingen (J.G. Cotta'scher Verlag) 1844, Table XIX. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177946 Genelli, Bonaventura; 1798-1868. Thetis, nachsinnend über das unvermeidliche Schicksal ihres Sohnes Achilleus. (Ilias XXIV, 77-87). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XXII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177945 Genelli, Bonaventura; 1798-1868. Iris überbringt den Windgöttern die Aufforderung, den Scheiterhaufen des Patroklos zu entfachen. (Ilias XXIII, 198). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XXI. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177925 Genelli, Bonaventura. 1798-1868. Les héros dans la tente d'Achille. Croquis. In : Croquis de B. Genelli's pour Homère avec commentaires du Dr. Ernst Förster, Stuttgart et Tübingen. (éd. J.G. Cotta'scher Verlag) 1844, planche 10. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177972 Genelli, Bonaventura; 1798-1868. Odysseus and Penelope tell each other about what has happened to them in their twenty years apart. (Odyssey XXII, 330-356). Engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tubingen (J.G. Cotta'scher Verlag) 1844, Plate XXII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177935 Genelli, Bonaventura; 1798-1868. - Zeus prompts Hypnos and Thanatos to bring the body of Sarpedon back to his home country. (Ilias XVI, 675-682). Contour engraving. From: B. Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate XIV. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177967 Genelli, Bonaventura; German painter, 1798-1868. Odysseus meets his son Telemachus again in the home of the swineherd Eumaeus (The Odyssey Book XVI, 1-14). Engraving. FromH: B.Genelli's Umriss Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XVII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177957 Genelli, Bonaventura; 1798-1868. Hephaestus and Helios tell the Gods about Aphrodite's unfaithfulness with Ares. (Odyssee VIII, 266-358). Contour engraving. From: B.Genelli's Umrisse (...) Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, plate VII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg177934 Genelli, Bonaventura; 1798-1868. Zeus punishes Hera for the persecution of Heracles, by tying her up and trying anvels to her feet. (Iliad XV, 18-24). / Contour Engraving. From: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart and Tubingen (J.G. Cotta'scher Verlag) 1844, Table XIII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg396857 Mythology / Greco-Roman / Trojan War. Aphrodite is followed by Diomedes as she is trying to carry her wounded son Aeneas from the battlefield. (Homer, Iliad). Watercolour, no date, by Peter Connolly. (1935-2012). From the book: The Legend of Odysseus. Copyright: Peter Connolly's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions.
DC
akg397967 Mythology / Greco-Roman: Telemachos. The return of Telemachos to Ithaka, landing on the southeastern tip of the island in order to avoid the trap his enemies had laid for him. (Homer, Odyssey XV). Watercolour by Peter Connolly (born (1935-2012). From the book: The Legend of Odysseus. Copyright: Peter Connolly's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions.
DC
akg635592 Greek vase painting, Proto-Attic, 2nd quarter of the 7th Century BC. The Blinding of Polyphemus. Detail: Polyphemus. Detail on an amphora. Height: 142 cm. Found in Eleusis. Eleusis, Archaeological Museum. Museum: Eleusis, Archaeological Museum.
DC
akg159609 Stuck, Franz von, 1863-1928, German artist. "Tilla Durieux als Circe" (Tilla Durieux as Circe), 1912/13. (Tilla Duriex, born Ottilie Godefroy, Austrian actress, 1880- 1971). Oil on wood, 60 × 68 cm. Property of Fed. Rep. Germany. Berlin, SMB, Alte Nationalgalerie. Museum: Berlin, SMB, Alte Nationalgalerie.
DC
akg319659 Etruscan, Classical, c. 480-460 BC. Ajax throws himself upon his sword. Bronze, height 24 cm. Found: Populonia. Inv. Nr. 12193. Florence, Museo Archeologico. Museum: Florence, Museo Archeologico.
DC
akg319314 Rinaldi, Rinaldo. 1783-1873. "Hector's farewell from Andromache", c. 1814. (Homer, Iliad VI, 394-496). Plaster relief, 81 × 147cm. Vestibule (hall XXII), Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
DC
akg319596 Etruskisch, orientalisierend, 3. Viertel 7. Jahrhundert v. Chr. Pyxis mit Szenen aus der Odyssee: oberes Register: Skylla und das Schiff des Odysseus; Mitte: Auszug eines Kriegers; unten: Fabeltiere. Elfenbein, Höhe 22 cm, Dm 14,6/15,9 cm. Fundort: Chiusi, Tumulus der Pania. Inv. 73846. Florenz, Museo Archeologico. Museum: Florence, Museo Archeologico.
DC
akg261317 Greek vase painting, Attic, black-figured, Work of Edinburgh Painter, c. 500 B.C. Odysseus (Ulysses), bound to the mast of his ship, listens to the sirens. Detial: sirens at left. Lekythos with white background, Height 20 cm. Inv. No. 1130. Athens, National Archaeological Museum. Museum: Athens, National Archaeological Museum.
DC
akg261318 Greek vase painting, Attic, black-figured, Work of Edinburgh Painter, c. 500 B.C. Odysseus (Ulysses), bound to the mast of his ship, listens to the sirens. Lekythos with white background, Height 20 cm. Inv. Nr. 1130. Athens, National Archaeological Museum. Museum: Athens, National Archaeological Museum.
DC
akg261323 Greek vase painting, Attic, black-figured, Beldam Painter, 1st quarter of 5th century B.C. Kirke tarnsforms Odysseus' (Ulysses) companions into swine. Detail: Odysseus. Lekythos with white background. Athens, National Archaeological Museum. Museum: Athens, National Archaeological Museum.
DC
akg261324 Greek vase painting, Attic, black-figured, Beldam Painter, 1st quarter of 5th century B.C. Neck of vase with Maeander and palmettes. Partial view of lekythos with white background and scene of Kirke transforming Ulysses companions into swine. Athens, National Archaeological Museum. Museum: Athens, National Archaeological Museum.
DC
akg268473 Homer; Greek poet; 8th century BC. Portrait bust. Sculpture, marble, 20th century, outside the Homer-Centre on the island of Chios, (Sporades, Greece). Photo, undated (1999?).
DC
akg261407 Greek vase painting, Attic, black-figure Kleitias (painter) & Ergotimos (potter), c. 570 BC. So-cal. François-Vase. Detail (fr. the top: Calydonian boar hunt, chariot race at the funeral of Patroklos, procession of the gods at the wedding of Peleus). Volute krater. Found at: Chiusi. Inv. no. 4209. Florence, Museo Archeologico. Museum: Florence, Museo Archeologico.
DC
akg081377 Preller, Friedrich, the Elder. 1804-1878. "Penelope, caught doing her fraudulent weaving ". (Homer, Odyssee II, 85-146). Colour lithograph after base pictures of the Odyssee cycle, Museum Weimar. From: Friedrich Prellers Figuren-Fries zur Odyssee, publ. by Max Jordan, Leipzig. (Alphons Dürr) 1875. Plate VII. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
akg579884 Fuseli, Henry. 1741-1825. "Achilles sacrficing his Hair at the Stake of Patroclus". (Homer, Ilias XXXIII, 14). Pen and watercolour, 48 × 31.5cm. Zurich, Kunsthaus. Museum: Zürich, Kunsthaus. Author: THE YOUNGER JOHANN HEINRICH FUESSLI.
DC
akg331361 Mythology / Lacoon. Greek sculpture. Hellenistic, c. 50 B. C. Laocoon Group. (Work of the Rhodian sculptors Hagesandros, Athanadoros and Polydoros; arm completed by G. A. Montorsoli). Marble, height 1.84m. Rome, Vatican Museums. Museum: Rom, Vatikanische Museen.
DC
akg200587 Klinger, Max. 1857-1920. "Kassandra", 1886/1895. Head Carrara marble, arms Pentelian marble, dress Italian alabaster, eyes amber, base red Nassau marble, bottom Pyrenian marble. Height without base 93.5cm. Leipzig, Museum der Bildenden Künste. Museum: Leipzig, Museum der bildenden Künste.
DC
akg564621 Andrea, Jacopo d'. 1819-1906. "Penelope", 1849. (Penelopoe at the loom; - Odyssee II, 93). Oil on canvas, 146 × 111 cm. Inv. No. 434. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
DC

Total de Resultados: 10.000

Página 1 de 100