Pesquisando por: "album "colecao:Album história"" - Fotoarena - Agência de fotojornalismo

alb3901957 Das Lesekabinett / The Reading Room. Date/Period: 1843. Painting. Oil on canvas. Height: 71 cm (27.9 in); Width: 100 cm (39.3 in). Author: JOHANN PETER HASENCLEVER.

alb3905064 Saint George and the Dragon. Date/Period: Ca. 1506. Painting. Oil on panel. Height: 285 mm (11.22 in); Width: 215 mm (8.46 in). Author: Raphael.

alb4859736 A wheatfield with cypresses, 1889. Oil on canvas, 72,1 x 90,9 cm NG3861. Museum: NATIONAL GALLERY, LONDRES, UK. Author: VINCENT VAN GOGH.

alb4839910 Japan: Portrait of a Japanese actress dressed as an onna bugeisha or female warrior, member of the samurai class, c. 1870.

alb10905392 Elephantine, Egypt. Island in the Nile River, opposite the city of Aswan. Agricultural landscape.

alb10905399 Egypt. Philae Temple, dedicated to the goddess Isis. Erected during the Ptolemaic and Roman periods. Detail of a relief with depiction of a lion. Agilkia Island. Aswan.

alb10905393 Egypt. Philae Temple, dedicated to the goddess Isis. Erected during the Ptolemaic and Roman periods. Agilkia Island. Aswan. Christian cross carved on one of the walls of the sanctuary. In the earliest days of Christianity, it was common to carve Christian symbols on places of profane worship. In the 6th century the Emperor Justinian proscribed the worship to the goddess Isis, converting the complex into a Christian church dedicated to St Stephen, until the 12th century, when Islam became the majority religion of the Egyptian population.

alb10905395 Aswan, Egypt. Pier area. Tourist boats moored.

alb10905397 Egypt. Philae Temple, dedicated to the goddess Isis. Erected during the Ptolemaic and Roman periods. Reliefs on a door of the temple. Above, depiction of a winged sun disc. Agilkia Island. Aswan.

alb10905394 Egypt. Philae Temple, dedicated to the goddess Isis. Erected during the Ptolemaic and Roman periods. Detail of a relief with depiction of a winged sun disc above a gate of the sanctuary. Agilkia Island. Aswan.

alb10905396 Elephantine, Egypt. Island in the Nile River, opposite the city of Aswan. Detail of the nilometer. Stepped construction in the rock, with marks to measure the flow of the Nile river during the annual flood season. Taxes were established on the basis of this information, besides to be able to calculate the volume of the crop to be harvested in the fields.

alb10905390 Egypt. Philae Temple, dedicated to the goddess Isis. Erected during the Ptolemaic and Roman periods. Relief from the inside sanctuary wall depicting the goddess Isis resurrecting Osiris with the ankh (Egyptian sign for life). Agilkia Island. Aswan.

alb10905412 Edfu, Egypt. Temple of Horus. Built from 237 BC to 57 BC. Dedicated to the falcon god Horus. Relief on one of the walls.

alb10905409 Egypt. Philae Temple, dedicated to the goddess Isis. Erected during the Ptolemaic and Roman periods. Agilkia Island. Aswan.

alb10905408 Abu Simbel, Egypt. Temple of Hathor or Temple of Nefertari, or also called Small Temple, (foreground). It was built during the reign of Pharaoh Ramesses II (ca. 1279 BC-1213 BC) and dedicated to his wife, Queen Nefertari. In the background, the Great Temple of Ramesses II, also built at the same time.

alb10905413 Aswan, Egypt. Unfinished obelisk in a pink granite quarry.

alb10905411 Aswan, Egypt. Qubbet el-Hawa or Dome of the Wind. Hypogean tombs dug into the hillside. They belonged to high rank officials and princes of the Old and Middle Kingdoms. A Coptic monastery was erected on the hill.

alb10905406 Egypt. Aswan. Necropolis of the nobles or Qubbet el-Hawa. Hypogean tombs dug into the hillside. They belonged to high rank officials and princes of the Old and Middle Kingdoms. Tomb QH 26 of the nomarch Sabni. Painting depicting Sabni symbolically on both sides of it, amidst papyrus thickets growing from the water. On the right, fishing with a harpoon. On the left, chasing birds in flight.

alb10905405 Elephantine, Egypt. Island in the Nile River, opposite the city of Aswan. Agricultural landscape.

alb10905400 Aswan, Egypt. Qubbet el-Hawa or Dome of the Wind. Hypogean tombs dug into the hillside. They belonged to high rank officials and princes of the Old and Middle Kingdoms. A Coptic monastery was erected on the hill.

alb10905402 Abu Simbel, Egypt. Temple of Hathor or Temple of Nefertari, or also called Small Temple. It was built during the reign of Pharaoh Ramesses II (ca. 1279 BC-1213 BC) and dedicated to his wife, Queen Nefertari. View of the facade.

alb10905404 Aswan, Egypt. Qubbet el-Hawa or Dome of the Wind. Hypogean tombs dug into the hillside. They belonged to high rank officials and princes of the Old and Middle Kingdoms. A Coptic monastery was erected on the hill.

alb10905403 Egypt. Region of Nubia. Abu Simbel. Great Temple of Ramses II, ca. 1260 BC-1224 BC. Funerary temple. General view of the facade with the four colossus representing the seated pharaoh, wearing nemes and the double crown (pschent). New Kingdom of Egypt. Dynasty XIX.

alb1471866 Ichthyosaur (Ichthyosaurus vertebrae). Extinct marine reptile. Fossil. From Lyme Regis, England. Museum of Geology. Rapid City. State of South Dakota. United States of America.

alb10905407 Elephantine, Egypt. Island in the Nile River, opposite the city of Aswan. Detail of the nilometer. Stepped construction in the rock, with marks to measure the flow of the Nile river during the annual flood season. Taxes were established on the basis of this information, besides to be able to calculate the volume of the crop to be harvested in the fields.

alb1469114 Anapachydiscus. Extinct cephalopod genus. Specimen of Anapachydiscus compliexus. From Pierre Shale (South Dakota). Museum of Geology. Rapid City. State of South Dakota. United States of America.

alb10905051 Above and below leftright: the Prophet Jeremiah, the Prophet Isaiah, the Prophet David, and the Prophet Habakkuk. Pictorial depictions by Juan Correa de Vivar (1510-1566), ca. 1533-1535. Oil on board. From the altarpiece of the Nativity, from the former Hieronymites Monastery at Guisando, El Tiemblo, Avila province, Spain. Museum of Santa Cruz. Toledo. Spain. (On loan, Prado Museum, Madrid). Author: Juan Correa de Vivar (1510-1566). Spanish painter.

alb10905052 Christ falling on the Way to Calvary and Prayer in the Garden. Episodes of the Passion depicted inside the doors of a devotional triptych. Toledan School. Attributed to Luis de Velasco (ca. 1530-1606) and his son Cristóbal de Velasco (d. 1617). Oil on panel, last quarter of the 16th century. Museum of Santa Cruz. Toledo. Spain.

alb10905053 The Holy Burial and Christ tied to the column. Episodes of the Passion depicted inside the doors of a devotional triptych. Toledan School. Attributed to Luis de Velasco (ca. 1530-1606) and his son Cristóbal de Velasco (d. 1617). Oil on panel, last quarter of the 16th century. Museum of Santa Cruz. Toledo. Spain.

alb10905054 The Ascension, by Master of Sijena (active in Aragon during the second decade of the 16th century). Oil on board, ca. 1510-1521. From the main altarpiece of the Royal Monastery of Saint Mary of Sijena, Villanueva de Sijena, province of Huesca, Aragon, Spain). Museum of Santa Cruz. Toledo. Spain. Author: Master of Sijena (fl. 1515-1521). Painter active in Aragon.

alb10905055 Piet Mondrian/ The Red Tree, 1909, Oil on canvas, 70 cm × 99 cm. Museum: Kunstmuseum Den Haag, la haya, NETHERLANDS.

alb10904731 Cartel de la guerra Civil Española "Ante Dios nunca serás un heroe anónimo", 1956.

alb10904754 Alessandro Semino (d. 1607). Italian painter. Christ on de Cross, Saint Peter, Mary Magdalene and the donors Pedro de Pantoja Pineda and Ana de Zurita, 1605. Oil on canvas. Detail. From the former Parish Church of San Bartolomé de Sansoles, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Andrés, Toledo).

alb10904739 Calvary. Attributed to Cornelis Engelbrechtsesn (ca. 1462-1527). Oil on board. First third of 16th century. Museum of Santa Cruz. Toledo. Spain. (On loan, Prado Museum, Madrid). Author: Cornelis Engelbrechtsz (ca. 1462-1527). Dutch painter.

alb10904757 Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin. Procession for the imperial coronation of Charles V in Bologna on 24th February 1530. Coronation of Charles V (1500-1558) as Holy Roman Emperor (1519-1556) by Pope Clement VII (1478-1534). Oil on canvas, ca. 1635. Museum of Santa Cruz. Toledo. Spain.

alb10904743 Pieter Coecke van Aelst (1502-1550). Flemish painter and engraver. Altarpiece featuring scenes from the life of Christ and Mary: The Annunciation, the Nativity, the Baptism of Jesus,Christ Bound to the Column, Pentecost, the Assumption of the Virgin and the Way to Calvary, the Crucifixion and the Resurrection of Christ. Oil on board, ca. 1525-1528. From the Chapel of the Castle of Escalona, province of Toledo, Spain. Museum of Santa Cruz. Toledo. Spain. Author: Pieter Coecke van Aelst (1502-1550). Flemish painter.

alb10904737 Augustine of Hippo (354-430). Christian theologian and philosopher. Saint Augustine. Portrait by El Greco (Doménikos Theotokópoulos) (1541-1614), ca. 1595-1600. Oil on canvas. From the Parish Church of San Nicolás de Bari, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco (1541-1614). Spanish painter born in Crete.

alb10904745 Altarpiece of the Incarnation. Detail of the central panel. Painted by Hernando de Avila (ca. 1538-1595) and Luis de Velasco (ca. 1530-1606). Oil on board, 1584. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of the Saints Justo and Pastor, Toledo). Author: Hernando de Avila (h. 1538-1595) and Luis de Velasco (h. 1530-1606). Spanish painters.

alb10904749 Hyacinth of Poland (ca. 1185-1257). Polish Dominican priest. Painting depicting a miracle of St. Hyacinth, walking on the waters of the Dnieper River, in the city of Kiev, carrying a monstrance in his left hand and a sculptured image of the Virgin and Child in the right, leaving footprints behind him and saving them from the attack of the Tartars, who besieged the city. By Juan Bautista Maino (1581-1649), ca. 1620-1624. Oil on canvas, unvarnished. From the former Convent of San Pedro Mártir, Toledo). Museum of Santa Cruz. Toledo. Spain. (On loan, University of Castile-La Mancha). Author: Juan Bautista Maino (1581-1649). Spanish painter.

alb10904752 Pentecost. Attributed to Jorge Manuel Theotocópuli (1578-1631), with possible participation of Luis Tristán (1580-1624). Oil on linen canvas, ca. 1612-1620. From the sacristy of the former Convent of the Trinity, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, from the Parish of San Marcos, Santa Eulalia y San Torcuato, Toledo). Author: Jorge Manuel Theotocópuli (1578-1631). Spanish painter.

alb10904747 Diego López de Toledo (d. 1491). Alderman of the city of Toledo and Royal Accountant, he belonged to an important lineage of Toledan Jewish converts. Founder of the Convent of Franciscan Nuns of San Miguel de los Angeles in Toledo. Recumbent statue of Don Diego López de Toledo. Possibly made by a Genoese workshop during the first half of the 16th century. Carved marble. From the now disappeared Monastery of San Miguel de los Angeles, Toledo. Museum of Santa Cruz. Toledo. Spain.

alb10904732 Cartel de la guerra Civil Española "Ante Dios nunca serás un heroe anónimo".

alb10904756 Calvary, ca. 1566-1567. Attributed to Juan Fernández de Navarrete "el Mudo" (ca. 1538-1579). Oil on canvas. Copy of the Calvary by Rogier van der Weyden (1399-1464) painted for the Carthusian Monastery of Scheut, in Brussels, and preserved at the Monastery of El Escorial (Community of Madrid, Spain). Museum of Santa Cruz. Toledo. Spain. Author: Juan Fernandez de Navarrete "el Mudo" (ca. 1538-1579). Spanish painter.

alb10904742 St. Francis of Assisi (1181-1226). Founder of the Franciscan Order. Portrait by El Greco (Doménikos Theotokópoulos) (1541-1614), ca. 1595-1600. Oil on canvas. From the Parish Church of San Nicolás de Bari, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco (1541-1614). Spanish painter born in Crete.

alb10904746 Pieter Coecke van Aelst (1502-1550). Flemish painter and engraver. Altarpiece featuring scenes from the life of Christ and Mary. Detail of the Nativity. Oil on board, ca. 1525-1528. From the Chapel of the Castle of Escalona, province of Toledo, Spain. Museum of Santa Cruz. Toledo. Spain. Author: Pieter Coecke van Aelst (1502-1550). Flemish painter.

alb3366249 Kiss V. Museum: PRIVATE COLLECTION. Author: ROY LICHTENSTEIN. Copyright: This artwork is not in public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

alb10904755 Altarpiece with depictions of prophets and donors. Anonymous Aragonese mid-15th century. Oil on board. Santa Cruz Museum. Toledo. Spain.

alb2036469 Maestro de Sigena / 'Presentation of the Virgin in the Temple', 1519, On wood, 149 x 113 cm. Museum: MUSEO DE SANTA CRUZ, MANCHESTER, SPAIN. VIRGIN MARY.

alb2068592 Juan Correa de Vivar / 'The Resurrection of Christ', Middle 16th century, Spanish School, Panel, 210 cm x 135 cm, P07715. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068769 Juan Correa de Vivar / 'Christ Crowned with Thorns (The Flagellation)', 1540-1545, Spanish School, Panel, P00669. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068895 Anonymous (Copy Caravaggio) / 'Saint Catherine', 17th century, Italian School, Canvas, 166 cm x 128 cm, P03292. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069792 Anonymous / 'El cardenal don Pedro de Mendoza orando ante San Pedro', 1490-1495, Spanish-Flemish School, Oil on panel, 82 cm x 104 cm, P07802. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb10903800 El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. Altarpiece depicting the Immaculate Conception, 1607-1613. Oil on canvas. From the former Chapel of Doña Isabel de Obaille, in the Church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo).

alb3636602 Adrian, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes. Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm). Publisher: Issued by W. Duke, Sons & Co. (New York and Durham, N.C.). Date: 1880s.Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Museum: Metropolitan Museum of Art, New York, USA.

alb3632387 Second Scene of Thieves. Artist: Gror (active Paris, early 19th century); After Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). Dimensions: Sheet: 11 x 12 11/16 in. (27.9 x 32.2 cm)Image: 9 9/16 x 12 11/16 in. (24.3 x 32.2 cm). Date: ca. 1805. Museum: Metropolitan Museum of Art, New York, USA.

alb3898190 El cardenal-infante Fernando de Austria. Date/Period: 1639. Painting. Oil on canvas. Height: 209 cm (82.2 in); Width: 166 cm (65.3 in). Author: CASPAR DE CRAYER.

alb3698857 Yvette Guilbert. Dated: 1894. Medium: lithograph in olive green. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

alb3623183 Hercules at the Crossroad. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 12 13/16 × 8 15/16 in. (32.6 × 22.7 cm). Date: ca. 1498. Museum: Metropolitan Museum of Art, New York, USA.

alb3621567 The Bagpiper. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm)sheet: 4 13/16 x 3 1/8 in. (12.2 x 8 cm). Date: 1514. Museum: Metropolitan Museum of Art, New York, USA.

alb3624083 St. Paul standing under an overgrown arch, his left foot poised upon a rock, his right hand grasping a scroll, from a series of full-length figures of Christ and the Twelve Apostles. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: sheet: 7 13/16 x 3 5/8 in. (19.8 x 9.2 cm). Series/Portfolio: Christ and the Twelve Apostles. Date: 1545. Museum: Metropolitan Museum of Art, New York, USA.

alb3624288 Christ at Emmaus: The Smaller Plate. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1634. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3620132 Christ Before Caiaphas, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm). Date: 1597.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

alb3609048 Saint Eustace. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 13 3/4 × 10 3/16 in. (35 × 25.9 cm). Date: ca. 1501.Dürer's largest engraving depicts the moment of conversion of a Roman general named Placidus. While hunting, Placidus saw a crucifix miraculously appearing between a stag's antlers. The stag spoke in Christ's voice, and Placidus fell from his horse and became a Christian baptized with the name Eustace. The print has long been admired as an exemplar of Dürer's extraordinary virtuosity; the animals and features of the landscape served as models for artists for the following century. Museum: Metropolitan Museum of Art, New York, USA.

alb3600714 Virgin on the Crescent with Scepter and Starry Crown. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm). Date: 1516. Museum: Metropolitan Museum of Art, New York, USA.

alb3613156 Fragment. Dimensions: 18 5/16 in. high 17 11/16 in. wide (46.5 cm high 45 cm wide). Date: 3rd-4th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3611650 The Pool. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: plate: 5 3/8 x 8 1/4 in. (13.7 x 21 cm)sheet: 9 7/8 x 13 3/8 in. (25.1 x 34 cm). Series/Portfolio: Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" 1871). Date: 1859. Museum: Metropolitan Museum of Art, New York, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

alb3610854 The Family. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 6 7/8 × 6 1/16 in. (17.4 × 15.4 cm). Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

alb3617343 Virgin and Child Crowned by an Angel. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 1 7/16 × 3 7/8 in. (3.7 × 9.8 cm). Date: 1520. Museum: Metropolitan Museum of Art, New York, USA.

alb3613857 Maison Close, Versailles. Artist: Eugène Atget (French, Libourne 1857-1927 Paris). Dimensions: Image: 22 × 17.7 cm (8 11/16 × 6 15/16 in.)Sheet: 22 × 18.3 cm (8 11/16 × 7 3/16 in.). Date: ca. 1921. Museum: Metropolitan Museum of Art, New York, USA.

alb3613837 Adam and Eve at Work, from The Story of Adam and Eve. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm). Date: 1540.Adam, in the foreground at left, pulls up roots, while Eve nurses a child at right. Both are clothed and set in a landscape. Based on Genesis 3:17-19. Plate 6 from a series of six engravings. Museum: Metropolitan Museum of Art, New York, USA.

alb3619468 Christ Driving the Money-Changers from the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

alb3611143 The Last Supper, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm). Date: 1598.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

alb3611839 St. Philip(?), standing with his left hand on his hip and his right hand resting on his head, masonry walls to his right and behind him, from a series of full-length figures of Christ and the Twelve Apostles. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: sheet: 7 7/8 x 3 5/8 in. (20 x 9.2 cm). Series/Portfolio: Christ and the Twelve Apostles. Date: 1545. Museum: Metropolitan Museum of Art, New York, USA.

alb3124581 Bernhard Strigel / 'Emperor Maximilian I and his family' (detail), c,1515-1520. Museum: MUSEO DE SANTA CRUZ, MANCHESTER, SPAIN. MAXIMILIANO I.

alb3791094 el Greco (Domenikos Theotokopoulos) (and workshop) / 'John the Baptist and Saint John the Evangelist'. 1600 - 1610. Oil on canvas. Museum: Museo del Prado, Madrid, España.

alb10903795 Toledo, Castile-La Mancha, Spain. Hospital de Santa Cruz. Founded by Cardinal Mendoza (1428-1495) at the end of the 15th century. Tympanum of the front of the building, constructed in the Plateresque style in the 1520s, by Alonso de Covarrubias (1488-1570). The Adoration of the Cross by St. Helena, St. Peter and St. Paul. Author: Alonso de Covarrubias (1488-1570). Spanish architect.

alb10903793 Toledo, Castile-La Mancha, Spain. Hospital de Santa Cruz. Founded by Cardinal Mendoza (1428-1495) at the end of the 15th century. View of the central part of the façade of the building, constructed in the Plateresque style in the 1520s, by Alonso de Covarrubias (1488-1570). In the tympanum, the Adoration of the Cross by St. Helena, St. Peter and St. Paul. In the central niche, above the tympanum, the embrace of St. Joachim and St. Anne at the Golden Gate of Jerusalem. The building houses the Museum of Santa Cruz. Author: Alonso de Covarrubias (1488-1570). Spanish architect.

alb10903784 Toledo, Castile-La Mancha, Spain. Hospital de Santa Cruz. Founded by Cardinal Mendoza (1428-1495) at the end of the 15th century. Detail of the façade of the building, constructed in the Plateresque style in the 1520s, by Alonso de Covarrubias (1488-1570). Niche with sculpture depicting the embrace of St. Joachim and St. Anne at the Golden Gate of Jerusalem. Author: Alonso de Covarrubias (1488-1570). Spanish architect.

alb10903787 Magdalena Ruiz, known as "The Mad". Jester to the Court of Philip II of Spain. Anonymous portrait. Second half of the 16th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903783 Toledo, Castile-La Mancha, Spain. Hospital de Santa Cruz. Founded by Cardinal Mendoza (1428-1495) at the end of the 15th century. View of the upper part of the façade of the building, constructed in the Plateresque style in the 1520s, by Alonso de Covarrubias (1488-1570). The building houses the Museum of Santa Cruz. Author: Alonso de Covarrubias (1488-1570). Spanish architect.

alb10903790 Funerary stele showing the epitaph of Amira, daughter of Muhammad ibn Muhriz. Marble. Dated 468 AH (1075 AD). From Toledo, on the path to the new cemetery. Arabic inscription in kufic characters. Museum of Santa Cruz. Toledo. Spain.

alb10903791 Money chest. From Germany or Castile. Late 16th-17th century. Made of iron and wood. Museum of Santa Cruz. Toledo. Spain.

alb10903678 John of Austria (1547-1578). Spanish military. Natural son of Holy Roman Emperor Charles V and Barbara Blomberg. Member of the Spanish Royal Family, military officer and diplomat during the reign of his brother Philip II. Anonymous portrait, second half of the 16th century. Oil on canvas, bust copy of the portrait by Alonso Sánchez Coello. Museum of Santa Cruz. Toledo. Spain.

alb10903699 Christ bearing the Cross. School of Luis de Morales. Second half of 16th century. Painting on board. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Pedro, attached to the Primate Cathedral of Toledo).

alb10903694 Roman mosaic decorated with port motifs. 3rd century AD. Stone. From Toledo's Vega Baja archaeological site, Spain. Museum of Santa Cruz. Toledo. Spain.

alb10903681 El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. The Holy Family, ca. 1595. Oil on canvas. Detail. From the former Hospital of Santa Ana, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Chuch of Santa Leocadia, Toledo).

alb10903655 Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Bust of Emperor Charles V. Silver. Late 19th century, early 20th century. Silversmith Majadas, Toledo. Based on the bronze bust made in Milan around 1553 by Leon and Pompeo Leoni. Museum of Santa Cruz. Toledo. España.

alb10903696 John of the Cross (1542-1591). Spanish mystic and religious poet. Anonymous portrait from the late 16th or early 17th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. (On loan, National Decorative Arts Museum, Madrid).

alb10903670 Anne of Austria (1601-1666). Queen consort of France and Navarre (1615-1643) by her marriage to King Louis XIII of France. Queen regent from 1643 to 1651. Infanta of Spain and Portugal as the daughter of King Philip III of Spain and Archduchess Margaret of Austria. Anonymous portrait based on a painting in the Louvre Museum that reproduces a lost original by Rubens, painted ca. 1620-1625. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903661 El Greco's Workshop. Christ Bids Farewell to his Mother. Oil on canvas, ca. 1590. Detail. From the former Parish Church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. Late 16th century.

alb10903669 Well curbstone with stamped decoration, 15th-16th century. From Cuesta del Can Street, Toledo (Spain). 71 x 51 cm. Museum of Santa Cruz. Toledo. Spain.

alb10903684 Charles V (1500-1558). Holy Roman Emperor and Archduke of Austria (1519-1556), king of Spain (1516-1556) and Lord of the Netherlands as titular Duke of Burgundy (1506-1555). Anonymous Flemish portrait. Oil on board, 16th century. Museum of Santa Cruz. Toledo. España.

alb10903651 Saint John the Evangelist with a religious woman. Anonymous painting. Second half of 16th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain.

alb10903679 Pennant from the Battle of Lepanto. Naval battle which took place on 7 October 1571 between the Holy League (coalition of Catholic countries) and the Ottoman Empire. Silk damask and painting, ca. 1571. Museum of Santa Cruz. Toledo. Spain. (On loan, Toledo Cathedral).

alb10903685 Toledo, Castile-La Mancha, Spain. Hospital of Santa Cruz. Founded by Cardinal Mendoza in the late 15th century. View of the Renaissance courtyard.

alb10903630 The Gateway of Fez in Northern Morocco, 1885.

alb10903682 Pedro González de Mendoza (1428-1495). Castilian ecclesiastic, statesman, military and patron. The Cardinal Don Pedro González de Mendoza. Anonymous portrait, 16th century. Oil on canvas. From the former Hospital de Santa Cruz, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Diputación Provincial de Toledo).

alb10903698 Pennant from the Battle of Lepanto. Naval battle which took place on 7 October 1571 between the Holy League (coalition of Catholic countries) and the Ottoman Empire. Silk damask and painting, ca. 1571. Detail. Museum of Santa Cruz. Toledo. Spain. (On loan, Toledo Cathedral).

alb10903672 Hunting landscape. Painting attributed to Juan de la Corte (ca. 1585-1662). 17th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. Author: Attributed to Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin.

alb10903697 Triptych of the Flagellation. Attributed to the Master of Los Luna, Spanish painter active in Castile from 1480 to 1500. Painting on panel, ca. 1490-1500. Museum of Santa Cruz. Toledo. Spain. (On loan, Prado Museum, Madrid). Author: Master of Los Luna. Spanish painter active in Castile (fl. 1480-1500).