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Total de Resultados: 10.000

Página 1 de 100

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg8232127 Miner Kilbourne Kellogg, OH 1889.Buffalo, Gulf of Nicomedia, n. d.Drawing, pencil on paper.Inv. Nr. 1991.56.55Washington, Smithsonian American Art Museum.
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akg5436252 Die Metró Budapest, Ungarn, ist das U-Bahn-System der ungarischen Hauptstadt. Die "Millenniums-U-Bahn" (Millenniumi Földalatti Vasút, Linie M1) ist, je nachdem ob der Tünel in Istanbul (Standseilbahn) als U-Bahn mitgezählt wird, nach der London Underground die zweit- oder drittälteste U-Bahn der Welt und wurde anlässlich der Millenniumsfeiern zur tausendjährigen Landnahme der Ungarn 1896 in Betrieb genommen.
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akg264179 Münter, Gabriele. 1877-1962. "Puppe, Katze, Kind" (Doll, cat, child), c. 1937. Oil on card, 33 × 44cm. Switzerland, Private Collection. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Gabriele Münter.
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akg365993 Neuwied (Rheinland-Pfalz), Schloß. (erb. 1707-12; Arch.: Johann Julius Rothweil). "Neuwied, Fürstl. Schloss". (Außenansicht). Bildpostkarte (Farbdruck nach kolorierter Photographie), undat. (um 1910). Privatsammlung. Museum: PRIVATE COLLECTION.
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akg207408 Yoshimoto, Yumiko, born 1944, Japanese artist. The Tower of Babel. Sculpture, 1994. Glass, 40 x 50 x 40 cm. Charlotte Gräfin von Finckenstein Gallery, Hamburg 1994. Copyright: Additional copyrights must be cleared.
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akg208984 Modersohn-Becker, Paula 1876-1907.-"The Fairytale Witch", c.1901.-(2nd version). Oil on canvas, 48.5 x 69.5cm. Privat collection.
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akg950875 Politics: organisations/ GDR. FDJ (Free German Youth organisation).-Hans-Beimler-Competition (defence sports competition organised by the FDJ for school students): school students with compass in Karl-Marx-Stadt (Chemnitz, Saxony, Germany, GDR).-Photo, 1972.
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akg018647 Verdi, Giuseppe, Komponist, 1813-1901. Werke: Ein Maskenball (UA 1859). Bühnenbildentwurf von Josef Fenneker für eine Aufführung der Staatsoper Berlin, Spielzeit 1936/37.
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akg041876 Kaus, Max. 1891-1977. "Femme allongée avec un chat", 1923. Huile sur toile, H. 0,75 ; L. 0,90. Berlin, Brücke Museum. Museum: Berlin, Brücke Museum. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Max Kaus.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg1090904 Anschütz, Hermann. 1802-1880. "Katze", 1837. Öl auf Leinwand, 31 × 48 cm. Inv. Nr. M 474.
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akg7889308 A group of statues of wrestling giants on the base of the entrance portal (rustica gate) with a golden grille to the courtyard of Prague Castle / Hradschin (Prazsky Hrad), Prague. Copy of sculptures by the sculptor Ignaz Franz Platzer around 1768. Photography.
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alb31089827 Portrait of Abraham Heydanus, print, minister and professor of theology in Leiden. At the bottom in the margin his name and positions in Latin., printmaker: Jonas Suyderhoef, Haarlem, after painting by Joris Fransz van Schooten, publisher: Cornelis Banheyning, Leiden, 1647 - 1665, Joris van Schooten, paper, engraving, gravure, height 322 mm x width 230 mm, Person, Abraham Heydanus, functionaries and dignitaries, Protestant churches, professor (+ portrait of teacher, professor)., A monochrome engraved portrait of a middle-aged man shown from the chest upward, wearing a dark robe with a high white collar and a small cap, with a trimmed beard and mustache, looking slightly toward the viewer, set against a finely crosshatched dark background and framed by a light border.
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alb31089822 Autumn, Man and woman embracing with a hat full of grapes, Four Seasons, print, Bottom right: a. 3. Numbered bottom left: No. 1-4., printmaker: Joseph Wagner (possibly), Venice, after design by Jacopo Amigoni, grantor of privilege: Senate of Venice, 1739 - 1780, paper, etching, engraving, height 485 mm x width 315 mm, human activities (the four seasons of the year), bunch of grapes., A finely detailed black and white etching shows two figures dancing or embracing beneath a large leafy tree, the taller figure wearing flowing drapery that swirls around them and holding up a bunch of fruit entwined with a ribbon while the smaller figure reaches toward the taller one with an arm extended; the composition includes textured foliage, twisted branches, a gnarled tree trunk with visible roots and clusters of grapes on a vine, delicate leaves and undergrowth around the figures, and a light textured background with faint paper grain.
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alb31089830 Burial of Abraham, print, book illustration, Abraham is buried by his two sons Isaac and Ishmael in his tomb in Machpelah (Gen. 25)., printmaker: Jan Luyken, publisher: Willem Goeree (II), Amsterdam, publisher: David Goeree, 1700, paper, etching, diameter 45 mm, Abraham is buried by Isaac and Ishmael in the cave of Machpelah., A circular ink illustration shows a group of clothed figures gathered outdoors beneath trees, with several standing and a few seated around a central rectangular object that is being held or supported; differing garments and head coverings are visible, and there are leafy trees and cloudlike markings in the background with shaded ground and rocky or grassy areas framing the scene.
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alb31089828 View of the castle at Abcoude, print, printmaker: Jacobus Schijnvoet, Amsterdam, after drawing by Roelant Roghman, 1711 - 1774, paper, etching, proof print, height 145 mm x width 179 mm, castle, Abcoude, Abcoude Castle., A wide ink drawing of a riverside castle scene shows a stone fortress with round and square towers, crenellated walls, and pitched roofs, connected to a wooden bridge over the water; a few small figures are present, including two people walking along the near bank and a person near an archway on the right, with some trees and foliage scattered around the banks and large layered clouds filling the sky above, all framed by a decorative border.
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alb31089823 Scattering of loaves among the public, plate 38, Procession of Charles V with the Pope in Bologna after his coronation as Emperor, 1530, print, album page, propaganda print, plate 38. Procession of Charles V with Pope Clement VII in Bologna after his coronation as Emperor, February 24, 1530., printmaker: Nicolaas Hogenberg, Mechelen, 1530 - 1536, 1620 - 1699, paper, etching, engraving, etching and engraving, height 330 mm x width 300 mm, Person, Charles V (Holy Roman Emperor and King of Spain), Clement VII, festivities (+ parade, pageant, cavalcade, festive activities), coronation of Charles V as Emperor, Bologna, Period, 1530-02-24., A detailed black and white engraving showing a crowded outdoor scene with many people engaged in activity around large wooden tubs and baskets, two central figures with raised arms reaching toward baskets, several kneeling or bending figures handling containers, clusters of people in the background watching or pushing, one figure leaning over another on the right, stylized clouds in the sky on the left, a columned architectural element visible at the far right edge, and varied clothing and hairstyles rendered with fine line work.
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alb31089815 A Nautical impromptu, Nautical improvisation, cartoon, Two English naval officers politely insult each other while seated next to each other at a table, observed by a civilian. On the back wall are two paintings about raising boys at sea., England, publisher: Samuel W. Fores, London, 1827-08-22, printmaker, paper, etching, hand coloring, hand-colored, height 254 mm x width 352 mm, officer, political caricatures and satires, mocking, insulting, teasing, fist-fight., Three men sit at a table with a green cloth, two wearing blue naval coats with gold epaulettes and one in a brown suit; the man on the left faces right with a hand on his chest, the central man looks upward with a glass in hand and a bottle labeled with a visible band sits before him, and the man on the right reclines slightly with eyes closed and a hand near his face. Plates with fruit and small glasses rest on the table, along with an open book or paper. Behind them hang two framed pictures showing small scenes of men in striped trousers and sailors in motion, each topped by decorative speech balloons. The room features ornate picture frames, a curtained window at left, patterned wallpaper, and carved decorative details on the table corners and chair.
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alb31089825 Part of the procession, no. 18, Funeral procession of Emperor Charles V, 1558, print, Four participants in the procession, horses and the banners with the coats of arms of Navarre and Jerusalem. Part of the print series of the Funeral Procession of Emperor Charles V on December 29, 1558 in Brussels., printmaker: Joannes van Doetechum (I), Southern Netherlands, printmaker: Lucas van Doetechum, after drawing by Hieronymus Cock, publisher: Hendrick Hondius (I), 1559, 1619, paper, etching, engraving, hand coloring, colored etching and engraving, height 241 mm x width 350 mm, Person, Charles V (Holy Roman Emperor and King of Spain), cortege, funeral procession, Funeral procession of Charles V, Sicily, Brussels, Period, 1558-12-29., A wide, lightly aged engraving shows a procession of robed men and caparisoned horses across a pale background. The central figure stands holding a tall flagpole topped with a rectangular banner striped and quartered, while flanking figures wear long flowing garments and flat caps. Two horses are draped in richly patterned cloths with vertical stripes and heraldic motifs, and one horse on the right has an elaborate plume of curled, multicolored feathers attached to its bridle. The scene is rendered in fine line work with selective hand coloring in reds, yellows, blues, and greens on the banners, horse coverings, and feathered crests, and areas of the engraving show light scratches and speckles on the paper.
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alb31089824 The Usurer, Man with bags of money, print, Text in English in the bottom margin., printmaker: James Wilson, after painting by George van der Mijn, publisher: Robert Sayer, London, 1745 - 1794, paper, mezzotint, height 356 mm x width 253 mm, letter, envelope, money-changer, money, weighing gold or money, money-lender, usurer., A seated older man with a long beard and wavy hair wears a soft cap with a tassel and a dark robe with visible ruffled cuffs, his head tilted downward as he looks at a small cloth bag he holds in both hands; a table in front of him shows a scattered pile of round coins and a cup with a quill resting inside, and a sheet with writing partially visible at the table edge.
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alb31089874 The Peasant Bride, Peasant Wedding, print, A peasant wedding is being celebrated in a farmhouse. The bride sits in front of a sheet and wears a crown. On the left, music is being performed by a violinist and a boy with a hurdy-gurdy. Eggshells, bones, broken pipes, jugs, and plates lie on the floor., printmaker: Jan de Visscher, Northern Netherlands, after drawing by Adriaen van Ostade, publisher: Justus Danckerts, Amsterdam, 1643 - 1701, paper, etching, height 274 mm x width 390 mm, wedding feast, wedding meal, vomiting, more than one musician with instrument, farm (building) - AA - civic architecture: inside., An interior scene of a rustic attic or barn with exposed wooden beams and a sloped, textured roof, where a group of people are gathered around a low table or bench sharing food and drink; several seated figures lean toward one another while others stand or move about, dressed in loose, simple garments and caps, with one person raising a cup; various household objects lie scattered on the dirt floor including a barrel, a tipped basket, jugs, planks, and pieces of cloth, and the back wall shows hanging items, a rough opening, and a suspended cloth between beams.
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alb31089831 Empire furniture, French furniture in the antique genre, print, ornamental print, Front and side view of four Empire furniture pieces such as a tall, narrow table, a bookcase, and a secretary. A French description in the lower margin., printmaker: Bureau, France, 1815 - 1825, paper, etching, height 300 mm x width 170 mm, furniture to put things on, furniture for storage., A vertical sheet with multiple fine line ink drawings of furniture and decorative architectural elements arranged in a grid-like layout, including pairs of urn-shaped pedestals with ornate garlands and faces across the top, a long narrow table with fluted legs and carved head motifs at the corners, a tall cabinet-like piece flanked by carved human-form pilasters, a smaller cabinet with decorative panels and carved figures, a headboard or panel with a laurel-wreathed profile medallion and swags, a delicate openwork stand with turned legs and lattice detailing, a pedestal topped by a slender sculpted female figure, and a wide sideboard with three framed panels, small drawers along the base, ornate borders and small sculptural supports along its upper rail, all rendered in a restrained neoclassical decorative style on a pale background.
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alb31089812 Floss cards, See children here princes, of all kinds of states, And merchants, and farmers and foreign soldiers, And even more the pints of small and of large, But learn on it boys!, the end is!, death, card game, print, popular print, Sheet with 36 playing cards (floss cards) with depictions of various figures. The images form eighteen pairs, numbered descending from top left number 36 to bottom right number 1. Except for the two lowest numbers, they show seventeen couples, man and woman, with the man just one number higher than the woman, where each pair represents a profession or a social position. Numbered top right: No. 23., printer (person): Drukkerij Landbouwkundig Gesticht, Montfoort, Netherlands, 1852 - 1864, printer (person), printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow, green, blue and pink, text in letterpress, height 400 mm x width 325 mm, playing-cards, nobility and patriciate, chivalry, knighthood, symbols and personifications of Death, Social Position., A grid of rectangular panels fills the image, each panel containing a small ink illustration of a single figure standing on a simple ground line; the figures wear historical clothing in muted hand-colored hues including blues, greens, yellows, and browns, and many hold objects such as staffs, tools, animals, or household items; the panels are separated by decorative circular motifs at the intersections, and the overall sheet shows an organized, repeating layout with several rows and columns of these framed vignettes.
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alb31089833 Woman freeing a bird from a cage, print, number: '13', printmaker: Jan Luyken, Amsterdam, 1704, paper, etching, proof, height 92 mm x width 77 mm, bird in a cage., A monochrome etching shows a seated figure wearing draped clothing reaching toward a large cylindrical birdcage suspended near a tree; a bird is depicted in flight to the left of the cage. The cage has vertical bars and a domed top with a small loop, and the seated figure has hair tied back and is positioned against a stone ledge. The background contains a landscape with clouds, distant hills, small grazing animals, and scattered vegetation, and there are detailed leaves and branches near the tree beside the cage.
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alb31089817 Title page for: Johannes Janssonius, Novus atlas, Sive theatrum, Tomus quartus, 1646, Façade with personifications of five population groups, print, title page, A façade of a building with a tablet at the top bearing the book title. Surrounding it on pedestals and in niches are five personifications of population groups: a Roman, a Dane, a Briton, a Norman, and a Saxon with corresponding coats of arms. At the top the coat of arms of the Order of the Garter., Amsterdam, printmaker, paper, engraving, hand coloring, hand-colored, height 413 mm x width 249 mm, façade (of house or building), Europeans., A vertical, ornate illustration dominated by a central framed panel topped with a crowned coat of arms flanked by a lion and a unicorn, with rays of light and clouds in the background and small cherubs holding shields near the top corners; below the crown is a rectangular plaque set within decorative columns and pediments, and on either side of the plaque stand armored figures in colorful garments and helmets, each holding spears and shields; beneath the central plaque is a recessed niche draped with green fabric containing a muscular, partially clothed male figure holding a spear and a small shield, flanked by two narrow niches each containing a standing warrior in brightly colored attire; the architectural framework is richly carved with scrolls, shells, garlands, and cherubic faces, and the lower area shows more ornamental cartouches, ribbons, and putti against a textured background with varied hues of red, blue, gold, and green.
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alb31089836 Landscape with castle ruins, Prints after drawings from the Jabach cabinet, print, number: '12', printmaker: Jean Pesne, after design by Guercino, 1666 - 1695, paper, etching, height 262 mm x width 422 mm, landscape with ruins, ruin of a dwelling, house, castle., A sepia-toned ink drawing shows a riverside scene with a large round stone fortress partially covered in vegetation standing on an elevated bank, a balustrade along its edge with small figures walking atop, and stepped ruins leading down toward a shoreline. In the foreground a group of seated and reclining figures rest beneath trees while other figures walk along a path, some accompanied by a small dog, and a few people stand or kneel near the water. Trees with detailed foliage frame the left and right sides, low shrubs and grasses dot the sloping ground, and distant hills and a mountain rise beyond a spread of countryside under a sky marked by fine horizontal lines and scattered small birds.
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alb31089813 Heralds, plate P, Procession of Charles V with the Pope in Bologna after his coronation as Emperor, 1530, print, propaganda print, plate P. Procession of Charles V with Pope Clement VII in Bologna after his coronation as Emperor, February 24, 1530., printmaker: Nicolaas Hogenberg, Mechelen, 1530 - 1536, paper, etching, height 360 mm x width 295 mm, Person, Charles V (Holy Roman Emperor and King of Spain), Clemens VII, festivities (+ parade, pageant, cavalcade, festive activities), coronation of Charles V as Emperor, Bologna, Period, 1530-02-24., A detailed engraved scene occupies the sheet with the upper portion showing ornate decorative panels, shields, floral scrollwork, and a circular portrait medallion framed by symmetrical foliage and ornamental vases, all rendered in fine linework. Below the decoration, a procession of mounted figures moves across the page, horses depicted in various rearing and walking poses with visible bridles and decorative trappings, and riders wearing a mix of cloaks and armor, some holding staves or spears. Faces of the riders show varied expressions and facial hair, and detailed musculature and harnessing are visible on the horses. The lower area shows the horses' legs and hooves casting linear shadows on the ground, with parts of the riders' garments and saddles extending toward the bottom edge. The right margin includes an additional standing figure partially visible, and the overall composition is monochrome with intricate crosshatching and engraved texture.
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alb31089820 The creation, print, book illustration, A circle of angels with Christ surrounds paradise, where God creates Eve from Adam's rib., unknown: attributed to Master of Delft, Low Countries, unknown: attributed to Meester van de Delbecq-Schreiber-Passie, unknown: attributed to Master of the Virgo inter Virgines, 1480 - 1500, 1503, Master of Delft, Master of the Delbecq-Schreiber-Passion, Master of the Virgo inter Virgines, Attributed to, paper, woodcut, height 175 mm x width 146 mm, winds, Eve is fashioned from Adam's rib, adult Christ together with angels., A detailed black and white woodcut showing a central circular scene surrounded by concentric rings of figures and decorative elements, with a large robed figure at the top radiating long straight rays; inside the central circle are several standing and seated humanlike figures, one appearing to pour or gesture toward another, plants and animals around them, and layered curved bands encircling the scene; the surrounding rings contain numerous smaller human faces and figures, star-like motifs, crescent shapes, and flowing drapery, all rendered with dense parallel hatching and linework, creating a richly patterned, symmetrical composition.
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alb31089841 See here, for your amusement, these children's sayings flow, Which they diligently spread everywhere, Voici quelques dictions qui plaisent aux enfants, Et qui leur procurent maints divertissements, print, popular print, Sheet with 30 illustrations of proverbs and sayings. Under each illustration a caption in Dutch and in French. Numbered bottom center: No 41., publisher: Philippus Jacobus Brepols, Turnhout, 1800 - 1833, Philippus Jacobus Brepols, publisher, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow and red, text in letterpress, height 398 mm x width 335 mm, proverbs, sayings., The image shows a printed sheet with rows of small hand-colored illustrations depicting various standing figures, mostly men, each shown in a different pose or activity and placed on a small textured ground. The figures wear period clothing including coats, breeches, hats, and stockings in muted reds, yellows, and browns, and some carry objects such as baskets, tools, musical instruments, a fan, a bird, a drum, and a staff. Several scenes include a second small object or animal like a bird or a dog near a figure, and a few figures are shown interacting with larger props such as a windmill-like structure, a large drum, or a net. The drawings are arranged in a grid with narrow gutters and a decorative heading area at the top; the overall paper has a slightly aged, speckled texture and uneven ink marks from the printing process.
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alb31089876 The Carrying of the Cross by Christ, Passional Christi und Antichristi, print, Christ falls while carrying the cross. Contrast regarding carrying. Mirror-image copy after the print by Lucas Cranach in the pamphlet 'Passional Christi und Antichristi' by Martin Luther from 1521, page from a 17th-century edition. The series of thirteen pairs of woodcuts depicts the contrasts between the humility and selflessness of Christ on the one hand, and the pride and greed of the Pope on the other., printmaker: Monogrammist GK (printmaker, 17th century), Europe, after print by Lucas Cranach (I), c. 1661, Lucas Cranach (I), after print by, paper, woodcut, letterpress printing, woodcut with text in letterpress, height 322 mm x width 190 mm, Christ collapsing, carrying of the cross, the richness of the Church opposed to Christ's., A rectangular woodcut scene printed on aged paper shows a crowded group of figures within a dark framed panel, with patterned decorative borders surrounding the panel on all sides. Inside the panel, several men in period clothing and headwear stand close together, some holding long pole-like objects and one holding a shield; one central figure reclines or falls with a draped garment, beard, and a turned head while others lean over him. Faces show varied expressions and detailed line work, with hats, helmets, and turbans visible; clothing is depicted with parallel hatch lines and folds. The background of the panel contains more figures and crossed poles or staffs, and a crescent-shaped moon or curved shape appears near the upper right of the scene. The surrounding border is filled with repeated ornamental floral and geometric motifs in dark ink against the paper tone.
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alb31089829 Opera Misericordiæ St. Ciciliæ, St. Cecilia distributes her clothes among the poor, print, who crowd before her balcony. In the margin a twelve-line poem, in four columns, in Latin., printmaker: Reinier van Persijn, Gouda, after painting by Domenichino, writer (clerical worker): Caspar van Baerle, 1646, writer (clerical worker), paper, engraving, gravure, height 443 mm x width 540 mm, the poor, the virgin martyr Cecilia of Rome, possible attributes: falcon, musical instruments, organ, wreath of roses and lilies., A wide monochrome engraving showing a crowded scene on stone steps and a raised platform with a balustrade, featuring numerous figures in classical drapery and various poses; on the platform a robed woman leans over holding out a cloth while a haloed woman beside her reaches forward and another figure behind lifts a chest, below a group of people including men, women, and children stretch their arms upward toward the cloth and climb the steps, some carrying or supporting children, while others sit or kneel on the steps and ground, a reclining woman nurses a child and another woman steadies a small figure, architectural elements such as columns, pediments, and a statue appear in the background above a wall, and an archway at left opens onto interior space.
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alb31089834 The Full Haystack, print, A farm with a multi-pole haystack next to it, completely filled., printmaker: manner of Rembrandt van Rijn, 1630 - 1700, Netherlands, Manner of, paper, etching, height 99 mm x width 153 mm, farm or solitary house in landscape, hay-stack., A monochrome sketch showing a rural waterside scene with a group of thatched structures and a few clusters of trees along the bank. In the foreground there is a stretch of water with reeds and low vegetation at the edge, and a small wooden post or pole projecting from the shore. Toward the middle ground a tall, narrow thatched building with vertical supports stands beside a lower thatched roof partly obscured by foliage, and a simple fence or stacked logs lie nearby. Several bushes and trees with varied leaf textures rise behind and between the buildings, including a taller stand of slender-trunked trees toward the right, and faint horizontal marks in the background suggest open land beyond. The drawing is rendered with fine, closely spaced pencil or ink lines on textured paper.
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alb31089819 Meidan i Shah, the royal square in Tehran, Meïdân-i-Châh place royale a Téhéran, Perse modern, Persian landscapes, print, book illustration, Cannons are positioned on the square and a group of soldiers is being drilled. At the top left of the image the series title, at the top right the plate number 'Pl. XXIII'., printmaker: Eugène Flandin, printer (person): Thierry frères, Paris, publisher: Gide et J. Baudry, 1843 - 1854, printer (person), paper, tone lithography, height 425 mm x width 599 mm., A wide sepia-toned scene shows an open square bordered by a long arcade with repeated arches and a central two-story building with a covered balcony and awning, flanked by trees and a tall tower-like structure rising behind the arcade; mountains and clouds form the distant background. The square is populated by many small groups of people in period clothing, some standing, some seated, and some gathered around carts and goods. There are mounted riders, a horse-drawn vehicle, a group of soldiers in formation, and scattered market activity near the arches where openings reveal shaded interior spaces. Trees and smaller buildings punctuate the area behind the arcade, and a low fountain or platform sits near the center of the square. The overall image has a hand-drawn, lithographic quality with fine shading and detailed line work.
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alb31089837 T' Admiraliteytshof, View of the Admiraliteitshof in Rotterdam, print, View of the Admiraliteitshof or Maritime Office of the Rotterdam Admiralty, on the corner of the Haringvliet and the Spaansekade in Rotterdam. Marked in the upper right: K., inscription: 'This plate belongs to the views of the city ... as being etched entirely in the manner of that master.', printmaker: Johannes de Vouw, Rotterdam, printmaker: Romeyn de Hooghe, after design by Johannes de Vouw, 1694 - 1695, Johannes de Vouw, Romeyn de Hooghe, after design by, paper, etching, height 188 mm x width 250 mm, The border around the map consisted of coat of arms borders (along the top and sides), twelve city views (AF along the left side and GM along the right side) and a city profile (along the bottom), canals, waters (in city) (+ city(-scape) with figures, staffage), bridge in city across river, canal, exterior, representation of a building, Admiraliteitshof., A detailed black and white etching shows a waterfront scene with a large classical building in the foreground whose roof has dormer windows and decorative pediment, flanked by several adjacent buildings; a group of moored sailboats with tall masts lines the quay in front of the building, and smaller rowboats with people are on the water. Along the quay and steps there are groups of standing and seated figures, some near horse-drawn carriages and carts, while others appear to be engaged in loading or conversation. To the right a covered bridge or gate structure spans part of the waterfront and beyond it a row of multi-story buildings with pitched roofs and chimneys stretches into the distance. The sky is filled with fine horizontal etching lines and scattered clouds, and there are a few vertical masts and flagpoles rising above the rooftops.
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alb31089877 Portrait of Anton van Burgundy, print, book illustration, Portrait of Anton van Burgundy with colored coat of arms. Below the portrait a short biography. Numbered 'XLI' at the top., printmaker: Pieter van Schuppen, Paris, after painting by Jan van Eyck, after drawing by Anthony van Dyck, 1660 - 1669, paper, engraving, gravure, height 175 mm x width 118 mm, Person, Anton van Burgundy., A finely detailed engraved portrait of a person in profile facing right inside an oval frame, wearing a broad, soft hat with a feather and a layered garment with visible folds and a high collar; the face shows short, wavy hair, a straight nose, closed lips, and a composed expression. The oval is set within a rectangular decorated border with patterned shading and ornamental scrollwork at the lower corners. Below the framed portrait is a decorative cartouche with a heraldic shield and surrounding embellishments. The image is monochrome with intricate line shading and crosshatching throughout.
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alb31089839 Fight on a bridge in Venice (left part mirrored), print, A large tangle of men fighting on a bridge in Venice. Thunderstorm in the background, printmaker: Domenico Rossetti, Venice, 1660 - 1736, paper, etching, counterproof, engraving, counterprint of engraving and etching, height 598 mm x width 441 mm, battle, bridge, fighting., A densely packed scene of many nude figures clustered on and around a sloped stone structure, with some grasping, pulling, and leaning over each other, a few falling or reaching toward the water below. Along the lower edge, several bodies are partially submerged or floating, while a couple of figures cling to the vertical wall. In the background, rows of rectangular buildings rise along a waterfront and a tall, narrow tower with a pointed top stands among them. Above, a dramatic sky filled with swirling, layered clouds dominates the upper portion of the image, and a patch of darker, streaked lines suggests heavy precipitation near the buildings. The composition is rendered in fine, monochrome linework and hatching.
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alb31089838 Evangelists Matthew and John, print, printmaker: Ludwig Büsinck, after design by Georges Lallemand, publisher: Melchior Tavernier (possibly), 1600 - 1669, paper, chiaroscuro woodcut, chiaroscuro woodcut in black, beige and light brown, height 244 mm x width 321 mm, the apostle John the Evangelist, possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, the apostle and evangelist Matthew (Mattheus), possible attributes: angel, ax, halberd, pen and inkhorn, purse, square, sword., Three seated figures with flowing hair and draped garments lean over an open book, their hands resting on and pointing to its pages; two of the figures have visible halos behind their heads and a fourth winged form appears behind them; the drawing uses dark outlines and shaded areas on a tan background, with detailed linework showing curls in hair, folds in fabric, and expressive facial features.
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alb31088992 The ruin of the Great Church of Bergen op Zoom, seen from the back, 1748, Ruin of the Great Church from behind and ruined Hoogstraat, in Bergen op den Zoom, Ten views of the ruins after the siege and destruction of Bergen op Zoom in 1747, print, book illustration, Ruin of the Great Church (St. Gertrudis Church) of Bergen op Zoom, seen from behind in the year 1748. Part of the series with ten views of the ruins after the siege and destruction of Bergen op Zoom by the French in June-September 1747., printmaker: Simon Fokke, Amsterdam, after drawing by Cornelis Pronk, publisher: Arend Fokke Simonsz., 1772 - 1780, paper, etching, height 174 mm x width 262 mm, ruin of church, monastery, devastated, ruined place or city (, warfare), Siege and capture of Bergen op Zoom (1747), Bergen op Zoom, Period, 1747., A detailed sepia-toned etching depicts the partial ruins of a large Gothic church with tall arched windows and remaining wall sections standing amid a landscape of low stone foundations and overgrown ground. In the foreground, a small group of figures stand near wooden beams and rubble, two leaning figures interacting with three others who wear long garments and hats. To the left of the church there are clustered houses and trees, and to the right a row of gabled buildings and a steeple rise behind more rubble and low walls. The sky above is filled with layered, textured clouds, and the overall scene shows intricate line work portraying architectural details, scattered vegetation, and fragments of masonry across an open terrain.
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alb31088998 Dutch Infantry. Sappeur in full dress, Sappeur in full dress, 1820-1825, Military costumes of the Kingdom of the Netherlands. Dedicated to His Excellency Willem van Bylandt, print, costume print, Series number, 5, 53, Uniform depiction of a standing infantry sapper in full dress. Numbered top right: Pl. 5. Part of the series of 53 plates of uniforms of the military of the Kingdom of the Netherlands in the period 1820-1825., printmaker: A. Courtois, Brussels, printer (person): Schouten-Carpentier, dedicated to: Willem Frederik Count van Bylandt, 1825 - 1827, printer (person), paper, lithography, hand coloring, hand-colored, height 370 mm x width 297 mm, (military) uniforms, infantry, armed forces (Dutch), Period, 1820 - 1825., A standing man wearing a tall dark fur hat and a long white apron over a dark uniform holds a rifle slung over his shoulder and a long pole across his shoulder with a gloved hand; he has a full dark beard and visible facial features, white gloves, dark trousers and light shoes, and a decorated pouch at his waist. Behind him a few similarly dressed figures with tall fur hats and backpacks stand on a small wooden bridge or platform beside water and grassy reeds; broken wooden posts and planks are visible on the platform, and a small cluster of foliage grows near the water.
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alb31088985 Portrait of Anthoni Jacobi Roscius, print, Print made from two plates: Portrait bust in an oval of minister Anthoni Jacobi Roscius, bareheaded and slightly to the left. Below the portrait are the name of the sitter and a four-line verse in Dutch. The portrait is framed with an ornamental border, printed from another plate, and decorated with palm leaves and olive branches. To the left and right of the portrait are references to Bible verses., printmaker: Jacob Folkema, writer (clerical worker): Adriaan Spinniker, printmaker: Jan Caspar Philips, Amsterdam, publisher: Kornelis de Wit, 1743, writer (clerical worker), paper, etching, engraving, etching and engraving, printed from two plates, height 138 mm x width 83 mm x height 212 mm x width 158 mm, Person, Anthoni Jacobi Roscius., An engraved portrait shows a man with short hair, a trimmed mustache and beard, and a ruffled collar, depicted within an oval frame; he wears a dark garment with visible buttons and textured shading. The oval sits inside a rectangular architectural surround with decorative molding, leafy ornamentation at the top, and a decorative motif at the bottom. Flanking the central portrait are a pair of small shelves each holding an open book-like object, and the background features a fine crosshatched pattern. The overall image is monochrome with detailed line engraving and stippling.
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alb31088995 Village view with a church, print, View of a village or town with a church. In the distance lies another village or town at the foot of some hills., printmaker: Jan Ruyscher, Amsterdam, printmaker: Anthonie Waterloo, 1648 - 1663, paper, etching, drypoint, etching and drypoint, proof print, height 108 mm x width 138 mm, church (exterior), city-view, and landscape with man-made constructions., A detailed black and white etching shows a rural landscape with dense foliage in the foreground, a body of water or marshy ground, and layered vegetation leading to a small town with a prominent church tower and steeples; rolling hills rise in the distance beneath a large, textured sky filled with horizontal and swirling hatch marks and scattered small dark flecks, while tall trees frame the scene on the right.
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alb31088987 Proof plate for the lithographic printing house of CW Mieling in Rotterdam, print. In the ornamental border, birds, putti, flowers, and plants. In the center, a scene with a young woman between her lover and chaperone. Maps at the bottom left and right. Illustrations in the middle bottom and top, possibly book illustrations., printmaker: Monogrammist JS (Netherlands), printer (person): Steendrukkerij van CW Mieling, Rotterdam, 1839 - 1845, printer (person), pasteboard, paper, porcelain board, chromolithography, chromolithography on porcelain board, height 410 mm x width 270 mm, cupids: 'amores', 'amoretti', 'putti', ornament, ornamental birds, lover chased away, to be given the mitten., A tall decorative sheet featuring a central column of detailed black-and-white engravings framed by ornate gilt scrollwork and floral embellishments, with colorful birds perched within the scrolls and cherubic figures holding urns along the vertical borders; near the top a stippled portrait of a bearded man wearing a wide-brimmed hat is flanked by two small vignette scenes, one showing a woman and child at an arched doorway and the other a seated figure beside a statue in a landscape; below that a large engraved scene depicts three figures in formal dress beside a fountain set in a wooded garden; farther down an interior scene shows a seated older man reading or writing at a table while a woman stands beside him with a child; additional smaller engraved vignettes and a map-like image appear adjacent to the interior scene; the sheet is richly decorated with green vine-like accents, baskets of flowers, and paired heraldic lions supporting a shield near the bottom.
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alb31088996 Two horsemen, part of the frieze of the Parthenon, Parthenon. Fragment de la frise, print, stamp: 'VOSMAER', printmaker: Charles Bargue, printer (person): Lemercier & Cie., Paris, publisher: Goupil & Cie., 1866 - 1871, printer (person), paper, lithography, height 443 mm x width 588 mm, piece of sculpture, reproduction of a piece of sculpture, riding a horse, ass, or mule, rider, horseman., A detailed stone relief fragment shows three riders on horses carved in a classical style, each rider draped in flowing garments and helmets or hoods, with visible folds and contours; the central rider faces slightly right, holding a rein, while the left rider looks downward and the rightmost rider and horse head face right; the horses are depicted in motion with raised legs, defined muscles, manes, bridles, and expressive heads; the composition is rendered in soft shading on a textured pale background with small spots and a narrow border at the edges.
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alb31088993 Bird on an ornamental monument, print, ornament print, printmaker: workshop of Bernard Picart, Amsterdam, 1725, paper, etching, engraving, etching and engraving, height 49 mm x width 72 mm, ornament, hybrid beings, human and animal forms mixed, musical instruments, group of musical instruments., A detailed black and white engraving shows a central decorative pedestal topped by a profile relief of a woman and flanked by a pair of winged griffin-like creatures in mirrored poses with raised wings and open mouths; above the pedestal a bird with outstretched wings stands on one leg, and a garland of flowers and leaves stretches behind it toward each corner where ornamental hanging objects are suspended; ornamental scrollwork frames the lower corners and the entire scene is enclosed by a double-lined border.
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alb31088997 Greeting letter with street activities, print, popular print, greeting letter, Greeting letter with a blank cartouche within a decorative frame depicting street activities, such as people singing street songs and children peeking into a peep show. Numbered top right: No. 4., inscription: 'Kermis brief', publisher: B. Schuuring, Amsterdam, Netherlands, c. 1700 - c. 1899, printmaker, paper, pencil, etching, colour, etching colored in yellow, blue and green, text in pencil, height 390 mm x width 315 mm, peep-show, vocal music, singing - CC - out of doors., A decorative ornate arch with scrollwork and floral garlands frames a large blank central space, topped by a pair of shelves each holding a basket of flowers and connected by blue and gold ornamental flourishes; beneath the arch a wooden railing runs across the scene with a group of people standing on a cobbled surface, dressed in historical clothing including coats, skirts, hats, and shawls, some holding baskets or objects and a few interacting with one another; on the left a leafy tree rises behind the railing and a small wooden box or booth is near two figures, while on the right a man gestures toward a tall painted board held by a woman, and several children and adults are scattered along the railing, all rendered in muted colors with fine line work.
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alb31088988 Christ on the cross, print, Christ hangs on the cross on Mount Golgota., printmaker: Giovanni Marco Pitteri, Venice, after painting by Giovanni Battista Piazzetta, grantor of privilege: Senate of Venice, 1712 - 1786, paper, engraving, height 358 mm x width 267 mm, the crucifixion of Christ: Christ's death on the cross, Golgotha (Matthew 27:45-58, Mark 15:33-45, Luke 23:44-52, John 19:25-38)., A monochrome engraving of a man suspended on a wooden cross with his arms outstretched and head bowed, wearing a cloth around his waist and a crown of thorns, with his feet overlapped on the lower part of the cross; the background is dark and textured, and a human skull lies on the ground near the base of the cross.
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alb31088986 Mountain landscape with resting figures, print, printmaker: Charles André Malardot, France, printer (person): Lamoureux, Paris, publisher: Fietta Frères, Metz, Strasbourg (France), 1827 - 1879, printer (person), paper, etching, roulette, intaglio printmaking technique, height 322 mm x width 515 mm, mountains, resting - BB - out of doors., An oval sepia-toned engraving showing a dense woodland scene with large, leafy trees framing a rocky valley, a narrow stream flowing through the center foreground, and a group of small figures near the water engaged in various activities.
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alb31088984 Sitting lady on a balustrade, drawing, Sitting lady with a fan on a balustrade., verso, draftsman (artist): Michel Barthélémy Ollivier, 1722 - 1784, draftsman (artist), inorganic material, paper, chalk, black, white and red chalk on blue paper, height 178 mm x width 193 mm, sitting figure - AA - female human figure, fan, dress, gown., A seated woman in a voluminous striped dress with flowing folds and ruffled sleeve details, shown in profile, wearing a small cap and holding a round fan near her lap, rendered in soft pencil and red chalk on a neutral gray background with visible shading suggesting a ledge beneath her.
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alb31088990 Maryna Mniszech, Portrait of Marina Mniszech, Tsarina of Russia, print, Wife of Tsar Valse Dimitri I., printmaker: Nicolas Maurin, after painting by anonymous, after print by Antoni Oleszczynski, printer (person): François Jean Villain, Paris, c. 1826 - 1852, Antoni Oleszczynski, after print by, printer (person), paper, lithography, height 355 mm x width 277 mm., A black and white portrait of a woman shown from the chest up wearing an ornate high ruffled collar with lace edges that radiate outward around her neck; she has a composed facial expression with earrings and a decorative headpiece topped with rounded jewels framing a smooth, pulled-back hairstyle; her dress features patterned, puffed sleeves and an intricately embroidered bodice with a jeweled pendant at the center.
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alb31088989 Canapé Louis Print from 373rd issue (livraison)., printmaker: Léon Laroche, printer (person): Monrocq, Paris, publisher: widow Eugène Maincent, 1895 - 1935, printer (person), paper, lithography, hand coloring, hand-colored, height 278 mm x width 358 mm, seating furniture., An ornate wooden settee with a curved back and carved legs is shown against a pale background, the wood finished in a warm golden tone and detailed with floral carvings along the crest and apron, the seat and back surfaces rendered with a woven texture, and two loose cushions draped over the seating area and one arm, each cushion covered in a light green fabric patterned with small floral motifs.
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alb31088994 View of the round pavilion in Lake Pé-Haè and View of a gate of Peking, page, photomechanical print, maker: anonymous, c. 1892 - in or before 1897, paper, autotype, height 190 mm x width 160 mm, lake, gate, entrance, Peking., The top portion shows a lakeside scene with bare-branched trees along the water edge and a stone embankment, a multi-tiered pavilion perched atop a raised stone platform with trees behind it, and a curved pathway along the shoreline; the lower portion depicts a large stone wall with an arched gateway, traditional roofed buildings atop and beside the wall, a row of market stalls or covered structures adjacent to the wall, and people and a horse-drawn cart in the open area in front of the gateway.
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alb31089669 Map of the landing and expedition of the Allies at Cadiz, 1702, Plan of the Dissante or Landing in Spangien before Cadiz with the Encampments and March carried out by the Duke of Ormont and Major General and Baron de Spar From August 26 to September 27, Anno 1702, print, map, August 26, 1702. Top left the cartouche with the title decorated with cherubs and coats of arms. Bottom left a cartouche with the explanation of the letters AQ, decorated with sea creatures, the Dutch Lion and the British Unicorn and the coat of arms of the States General., printmaker: Jan van Call (I), Northern Netherlands, after drawing by Lucas du Meé, publisher: Anna Beeck, The Hague, unknown, grantor of privilege, paper, etching, hand coloring, hand-colored, height 492 mm x width 738 mm, Person, Karel Willem Baron van Sparre, James Butler (2nd Duke of Ormonde), maps of separate countries or regions, Battle of Cadiz (1702), maritime history, navy, Andalusia, Cádiz, Period, 1702-08., A colored map showing coastline, inland terrain, and many small sailing ships on a textured sea surface, with a compass rose in the water. The coastline includes headlands, bays, fortified towns and harbors depicted with red-roofed buildings and walls. Inland areas show patchwork fields, roads, scattered trees, hills and small clusters of buildings. Decorative cartouches and allegorical figures appear along the borders, including cherubs holding drapery and weapons, lions and a unicorn, and mermaid-like figures emerging from the sea. Numerous tiny ships and boats are arranged across the water, some near the shore and others farther offshore. The map is rendered with fine linework and muted pastel colors.
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alb31088999 Famine in Haarlem, 1573, print, historical print, Famine in Haarlem during the siege by the Spaniards, 1573. In the foreground on the right, people are searching through a rubbish heap; on the left, people are collapsing in the street from weakness., printmaker: Jan Luyken, Northern Netherlands, 1696 - 1698, paper, etching, height 112 mm x width 155 mm, starvation, famine, Siege of Haarlem, Haarlem, Period., A crowded monochrome scene showing many people outdoors among scattered bodies and debris, with a variety of buildings and walls in the background and clouds overhead; figures in the foreground are bending, kneeling, and sitting, wearing cloaks, hats, and head coverings, some holding walking sticks or rummaging through belongings, while a man on the right stands near a wall inspecting something held to his face, and groups of people and horses move near doorways and through an open space farther back.
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alb31089653 Waverveen, destroyed by the French in 1672, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, print, historical print, View of the burning houses in the village of Waverveen. Thirteenth print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., printmaker: Isaac Sorious, 1672 - 1676, paper, etching, height 163 mm x width 255 mm, devastated, ruined place or city (, warfare), Rampjaar, Period, 1672., A detailed ink drawing of a riverside scene showing rows of houses, garden plots, and tree-lined streets along a water channel with a wooden bridge and sluice-like structure, with billowing cloud-like tree canopies scattered among the buildings and lining pathways, clusters of small gabled houses and larger buildings with visible rooflines and windows, fenced yards and patterned garden beds, groups of tiny human figures on the riverbank and walking along streets, a long embankment separating two levels of the scene with water texture indicated, isolated farm buildings and scattered trees in the foreground fields, angular roofed structures arranged along dirt tracks, and densely shaded trees and vegetation concentrated at the right edge.
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alb31089675 Portrait of an unknown woman, page, photomechanical print, photographer: Paul Nadar, cliché maker: Jules Royer, c. 1887 - in or before 1892, paper, collotype, photoprint, height 238 mm x width 183 mm, historical persons, adult woman., A sepia-toned portrait of a young woman shown in profile, facing right, with her hair styled in soft waves and curls gathered into a low bun and a narrow headband across the crown, her facial features visible in sharp relief including a straight nose and slightly parted lips, wearing a sleeveless, textured garment with draped fabric over one shoulder, set against a plain light background with rounded corners framing the image.
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alb31089671 Portrait of three unknown men from the Lohana Amil community in Sindh, Pakistan, photograph, page, number: '(323-2)', inscription: 'LOHANA AMILS., HINDOOS., SIND.', photographer: Henry Charles Baskerville Tanner (possibly), Sindh, photographer: William Robert Houghton (possibly), c. 1862 - in or before 1872, paper, albumen print, height 156 mm x width 127 mm, head-gear: hat, folk costume, regional costume, human races, peoples, nationalities., A sepia-toned photograph shows three men wearing flat, cylindrical hats and traditional layered clothing, with one man standing in the center and two seated on either side, the central figure holding an open book over a patterned cloth draped on a small table, the left seated man resting one hand on his knee and holding a long object, and the right seated man with folded hands and a long beard, all set against a plain backdrop with a rounded top edge to the image.
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alb31089672 Feeding the hungry, print, A depiction in a palm branch cartouche. Two travelers are eating at a table in front of a house. They are receiving bowls of food from a man and his family. The cartouche contains the Bible reference Mat. 25: 35., printmaker: Jan Luyken, Amsterdam, publisher: Pieter Mortier (I), 1700, paper, etching, height 114 mm x width 153 mm, ornament, cartouche, (family) meal - CC - out of doors, 'en route', traveler under way, 'esuriens cibatur', one of the (seven) Acts of Mercy., An oval framed black and white engraving shows a group of people around a small round table set outdoors near an arched building entrance and a tall palm tree; two seated figures at the table are engaged with food on plates while a standing figure leans forward offering a platter, and two standing figures near the doorway hold trays or bundles; a low landscape with distant mountains and a column of figures and animals appears in the background, and large stylized curved leaves form the ornate border around the scene.
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alb31089659 Four illustrations from the New Testament, print, Four illustrations on one sheet. Top left: Christ and the sign of the fig tree. Top right: Christ's entry into Jerusalem. Bottom left: The parable of the royal wedding. Bottom right: The parable of the tenants of the vineyard., printmaker: Jan Luyken, Haarlem, after print by Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1703, Jan Luyken, Pieter Mortier (I), printmaker, after print by, publisher, paper, etching, proof print, height 219 mm x width 311 mm, they cast him out of the vineyard, and killed him'., A sheet divided into four rectangular scenes shows groups of clothed figures in dynamic poses. In the upper left scene a group of men stand around a tree with one man reaching up toward its branches while others look on, and a distant cityscape and hills form the background. The upper right scene depicts a throng of people, some on horseback and many waving long leaves, advancing toward a walled town with buildings and distant mountains. The lower left scene takes place inside a large, columned hall where a group around a table and others nearby engage in animated gestures while a crowned figure stands to one side and heavy drapery hangs above. The lower right scene shows several men in flowing garments in an outdoor landscape, some holding curved farming tools and others struggling or gesturing, with cultivated land, a round tower, and hills beyond. The engravings are monochrome with fine linework and crosshatching.
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alb31089648 Children's games, Print magazine for youth, print, popular print, Series number, 121, 194, Sheet with 6 illustrations of children's games, such as blind man's bluff and seesaw. A title above each image, a six-line verse below each image. Numbered top right: No. 121., publisher: Dirk Noothoven van Goor, Leiden, Netherlands, 1850 - 1881, printmaker, paper, wood engraving, letterpress printing, wood engraving and text in letterpress, height 427 mm x width 309 mm, children's games and plays, blind-man's buff, seesaw., A single sheet with a light cream background contains a series of small rectangular black-and-white illustrations arranged in two vertical columns, each illustration showing groups of children engaged in various outdoor and indoor playful activities; the illustrations have dark engraved shading and are surrounded by blank space, with a decorative heading area at the top and a narrow blank margin at the bottom.
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alb31089650 View of the river Eem towards the harbor and both Koppelpoorten in Amersfoort. 1759, View of the harbor of Amersfoort, print, printmaker: Paulus van Liender, publisher: Henrikus Spruit, Utrecht, 1760, paper, etching, engraving, height 189 mm x width 299 mm., A wide riverside scene rendered in fine monochrome lines shows a large windmill with sails on the left, adjacent pitched-roof buildings, and a fenced grassy foreground where cows graze and a person sits near them. In the center a calm waterway reflects small sailing vessels and a stone bridge or gate structure with towers and buildings lining the banks, while a boat with seated passengers is docked or moving near the right bank. On the right a towered building stands close to the water, a flag flies from a pole, and people are visible along the quay. The sky is filled with layered clouds and a few birds, and trees and clustered rooftops create a distant townscape across the composition.
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alb31089654 Conversation between Emperor Joseph I and King Louis XIV, 1706, Royal Almanac of 1706, 't Lusthof van Momus, cartoon, print, Conversation between the German Emperor Joseph I and the French King Louis XIV. Verses in Dutch in the plate. Caricature of the situation in the year 1706 during the War of Spanish Succession. Part of a series of 25 caricatures of the French and their allies from the year 1706., printmaker, publisher, Amsterdam, Northern Netherlands, Attributed to, Carel Allard, paper, etching, height 270 mm x width 160 mm, Person, Louis XIV (King of France), Joseph I (Holy Roman Emperor), political caricatures and satires, War of Spanish Succession, Period., The image shows an engraved scene of two men standing side by side dressed in historical European clothing with long coats, knee-length breeches, stockings, and buckled shoes; both wear large brimmed hats with plumes and have long curly hair. The man on the left faces slightly toward the other, holding a walking stick or cane and a round object at his side, his coat featuring decorative buttons and wide cuffs. The man on the right gestures with one hand toward the left figure, his coat open to reveal an elaborately patterned waistcoat and sash, and a sheathed sword or staff rests near his feet. The background and margins are densely filled with cursive-style inscriptions surrounding and between the figures, and a block of closely set columns of handwritten-looking text occupies the lower portion of the image. The overall tone is monochrome with fine cross-hatched engraving lines and detailed shading.
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alb31089662 However you love playing, do not forget learning, Of which you see the most beautiful fruits in old age, print, popular print, Sheet with 24 illustrations of children's games. Below each picture a two-line verse. Ca. 1800-1850. Numbered top right: No. 24., printmaker, Amsterdam, Netherlands, paper, woodcut, letterpress printing, woodcut with text in letterpress, height 419 mm x width 340 mm, children's games and plays., The image shows a grid of small rectangular black-and-white vignette illustrations arranged in rows and columns, each framed and depicting different scenes of people outdoors or near simple buildings; many vignettes show small groups of figures engaging in activities such as walking, playing, gesturing, carrying objects, or interacting by doorways, while other frames show solitary figures, a few horses, and simple rural structures like houses, fences, and trees, all rendered in a consistent woodcut or etching style with strong linework and shaded hatching.
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alb31089655 Solemn Procession of the Funeral of the Late HM Frederika Louisa Wilhelmina, Queen of the Netherlands, née Princess of Prussia. On October 26, 1837, print, The funeral procession of Queen Wilhelmina of Prussia, October 26, 1837. The procession depicted in seven rows one above the other with a short caption under each of the various parts., printmaker, Netherlands, paper, lithography, lithografie, height 440 mm x width 558 mm, Person, Wilhelmina Frederica Louisa (Queen of the Netherlands), cortege, funeral procession, Funeral of Wilhelmina of Prussia (1837), Period, 1837-10-26., A wide, sepia-toned engraving showing a long procession arranged in several horizontal rows across the page, with groups of uniformed figures marching on foot and groups of riders on horseback, interspersed with ornate horse-drawn carriages attended by footmen; many figures wear tall hats or plumed helmets and long coats or cloaks, some carry standards or banners, and the carriages have framed, curtained compartments with drivers and groom attendants; the scene is densely populated with a few clusters of musicians and heraldic attendants, and the overall composition is symmetrical with repetitive formations and finely detailed line work.
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alb31089649 Skeletons, print, A group of starving and emaciated people has gathered around two skeletons. One skeleton lies on the ground. The skull of this skeleton is being held and mourned by grieving people. The other skeleton has wings and holds a book., printmaker: Agostino Veneziano, Italy, after drawing by Baccio Bandinelli, after drawing by Rosso Fiorentino, 1518, paper, engraving, etching, etching and engraving, height 312 mm x width 509 mm, Death as skeleton, hunger, (human) skeleton, (human) skeleton (+ lying)., A monochrome engraving shows a crowded scene of emaciated human figures and skeletons gathered tightly across the composition, many with gaunt faces, visible ribs, and sunken limbs. At center a winged skeleton stands facing a thin living figure, their hands almost touching, while a skeletal body lies on a slab in the foreground. Figures on the left and right lean inward, some supported by sticks or draped in long garments, some with long beards or hooded caps, and several heads are bowed or turned toward the central pair. The background is dark and hatched, creating contrast with the pale figures, and the lower portion opens onto a lighter ground with subtle plant forms and scattered rocky shapes.
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alb31089663 Venere e Marte, Venus and Mars, Sculptures by Antonio Canova, print, Sculpture of the gods Mars and Venus embracing each other by the Italian sculptor Antonio Canova., printmaker: Angelo Bertini, Italy, after drawing by Giovanni Tognolli, after sculpture by Antonio Canova, dedicated by: Antonio Canova, dedicated to: George III (King of the United Kingdom), England, 1793 - 1838, after sculpture by, paper, engraving, height 599 mm x width 468 mm, piece of sculpture, reproduction of a piece of sculpture, Mars and Venus as lovers., A grayscale engraving shows two nude figures standing with their backs toward the viewer, one wearing a crested helmet and holding a long spear, the other leaning into the first with an arm around the other's shoulders; a round shield with sculpted relief and a sword rest against a draped cloth at their feet on a textured base, and small scattered spots appear across the light background.
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alb31089658 Tower by the water, print, number: 'No. 42', printmaker: Lambertus Hardenberg (1822-1900), The Hague, c. 1837 - 1900, paper, etching, proof print, height 178 mm x width 165 mm, tower, clock tower, monumental adornment., A detailed pencil or ink sketch showing a waterfront scene with a tall round tower topped by a steep conical roof and a multi-tiered spire, adjacent smaller buildings with pitched roofs, narrow vertical masts of docked boats rising beside the tower, hulls of boats moored at the quay, a low wall or dock with pilings projecting into the water, faint figures near a building entrance, and a broad sky filled with horizontal shading lines.
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alb31089664 Stained glass window of Emperor Maximilian I and Miracle Chest in the Holy Place in Amsterdam, Image of the Glass, venerated by Archduke Maximilian, in or about the year 1484, in the Chapel of the Holy Place, now the Nieuwe-Zyds-Kapel, Sketch of the Chest in which the Miraculous Host, in Amsterdam, is said to have first been placed, print, historical object representation, Stained glass window with Emperor Maximilian I with family in adoration, placed in the Chapel of the Holy Place, now the Nieuwezijds Kapel in Amsterdam. Below that, the chest in which the consecrated host from the Miracle of Amsterdam is said to have been kept., printmaker: Jacob Folkema (possibly), Northern Netherlands, after drawing by Johannes Dilhoff, 1763 - 1765, paper, etching, height 280 mm x width 260 mm, rose-window, relics (and reliquaries), Miracle of Amsterdam, Amsterdam, Nieuwezijds Chapel, Holy Place, Period, 1484, 1345-03-15., A detailed black and white engraved scene shows an upper register of window-like panels containing robed and armored figures, including crowned men in ornate garments, kneeling children, angels, and a dog, all framed by vertical mullions; below this a draped cloth hangs behind a large wooden chest with metal straps and a keyhole plate, the chest decorated with a radiant sun emblem and two small kneeling figures on its front, while folds of fabric form a backdrop and a shadow falls to the right of the chest.
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alb31089666 View of the Varna between the towers in the Kara Sea, The Varna after the second heavy ice squeeze. Jan 21 1883., page, photomechanical print, inscription: 'De Nederlandsche Polar-Expeditie 1882-1883', photographer: H. Ekama, Karskoye More, cliché maker: E. Diener, Glauchau, c. 1881 - in or before 1886, Saxony, paper, collotype, photoprint, height 141 mm x width 205 mm, ships (in general), landscapes in polar regions, icefield., A sepia-toned photograph shows a ship with tall masts and rigging surrounded by broken ice and snow, the vessel appearing partially embedded in the ice with scattered wooden debris nearby; decorative thin border lines frame the image and ornate corner embellishments are visible on the page.
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alb31089651 Here you see flaunting triumphantly, The most beautiful noses in the country, Ici vous voyez, mes amis, Les plus jolis nez du pays, print, popular print, Sheet with 20 comic depictions of figures with large and deformed noses. Below each depiction a two-line verse in Dutch and French. Numbered bottom left: No. 24., publisher: Philippus Jacobus Brepols, Turnhout, 1800 - 1833, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in yellow, orange, blue and red, text in letterpress, height 398 mm x width 322 mm, caricatures (human types), parts of the face: nose, physiognomy., The image shows a sheet with a grid of small framed portraits and vignettes, each containing a stylized head or small scene drawn in an old-fashioned ink and hand-colored style; the figures display a variety of exaggerated facial features and expressions, wear different hats and garments, and appear in profile or three-quarter views; a few small scenes include paired figures or interactions, and many portraits include colorful accents in shades of blue, red, yellow, and orange; decorative borders separate each square, and there is a larger heading area at the top with lines of printed text and a narrow printed footer at the bottom.
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alb31089670 Battle of Borgerhout, 1579, Series 8: Dutch Events, 1577-1583, print, album page, historical print, Series number, 159, 380?, Battle of Borgerhout near Antwerp, March 2, between the States Army and the army of the Duke of Parma. In the foreground Spanish cavalry and a Spanish redoubt. In the distance the villages of Merksem and Deurne, to the left Borgerhout and Antwerp. With a caption of 16 lines in German. Numbered lower left: 159., printmaker: Frans Hogenberg, Cologne, 1581 - c. 1585, North Rhine-Westphalia, paper, etching, height 214 mm x width 281 mm, Person, Alessandro Farnese (Governor of the Netherlands and Duke of Parma and Piacenza), battle (+ land forces), Borgerhout, Period, 1579-03-02., A detailed black and white engraving shows a crowded battlefield scene with soldiers on foot and horseback advancing and clashing across open ground and along tree-lined roads, many wielding long spears and swords while some carry shields; fallen figures lie on the ground amid scattered weapons. In the midground a dense formation of pikemen or similar infantry stand in ranks with a central flagpole, while groups of mounted troops approach from the foreground and flank. To the right a cluster of buildings with pitched roofs and leafless trees stands beside a road where more fighting occurs, and smoke rises from a distant group of houses. In the background a walled town with towers and clustered buildings sits beyond fortified walls and a river, with windmills and more distant troops visible across fields and along hedgerows. The sky is lightly detailed with horizontal linework and the entire scene is rendered in fine line engraving with intricate crosshatching.
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alb31089652 Take, little ones, take merrily, behold this print, It introduces you to Kloris and Roosje, And how they are going to celebrate their wedding with joy, For joy is indeed so characteristic of youth, print, popular print, Sheet with 12 illustrations of the wedding of Kloris and Roosje. Below each image a four-line verse. Numbered top right: No. 4., publisher: Petrus Christiaan Leonardus van Staden Czn., Amsterdam, Netherlands, 1850 - 1870, printmaker, paper, woodcut, colour, letterpress printing, woodcut coloured in blue, yellow and red, text in letterpress, height 297 mm x width 375 mm, wedding feast, wedding meal., The image shows a printed sheet divided into a grid of illustrated panels, each panel containing line-drawn scenes colored with muted tones of blue, red, yellow, and brown; figures in period clothing appear in social and domestic activities such as riding in a horse-drawn carriage, standing and walking in pairs or small groups, sitting at and arranging tables, dancing, and interacting around chairs and dining settings; several panels show hanging decorative lamps above tables, a few chairs with high backs, and a horse with a carriage wheel visible; the background across panels includes simple building facades, doorways, and open interior spaces, and the sheet includes narrow bands of blank space between panels.
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alb31089665 Soldier, seen from the back, carrying his spear horizontally at nose level with both hands, his right hand at the foot of the weapon, his face turned to the right, Wapenhandelinghe van Roers Musquetten ende Spiessen, print, Series number, 30, 32, A full-length soldier, carrying a spear (lance) horizontally at nose level with both hands, his face turned to the right. This print is part of the series of 32 numbered prints of spear carriers from the Wapenhandelinghe., printmaker: workshop of Jacques de Gheyn (II), Netherlands, printmaker: Robert de Baudous (possibly), 1597 - 1607, paper, engraving, gravure, height 270 mm x width 192 mm, helved weapons, polearms (for striking, hacking, thrusting): lance, maneuver, military training, warfare, military affairs (+ mercenary troops, eg: lansquenets)., A rear view of a figure wearing a helmet adorned with a large plume and a fitted breastplate over a long-sleeved garment, holding a long pole horizontally with both hands; a sash or draped cloth is tied at the waist and hangs down over patterned, puffed breeches with decorative elements, a sword hangs at the hip, one leg is stepped forward showing a gartered stocking and a shoe with a tied bow, and the figure stands on a wooden floor against a plain background.
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alb31089660 Couple by a ruin, print, View of a ruin with a man and woman in the foreground., printmaker: Marten Houtman, Amsterdam, 1766, paper, etching, engraving, etching and engraving, height 164 mm x width 278 mm, landscape with ruins (+ city(-scape) with figures, staffage)., A monochrome etching shows a ruined stone structure with collapsed walls and scattered large blocks in the foreground, framed by several leafless and sparsely leaved trees. Two standing figures wearing long garments are near a broken wall, one gesturing while the other faces them. Behind the ruins are remnants of arched openings and a tall square tower with paired openings near its top. To the left, a simple pitched-roof building sits among trees, and a small figure works or bends near the middle-distance ruins. The sky is lightly hatched and the ground shows textured shading and rough debris.
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alb31089427 Studies of an old woman, drawing, watercolor, draftsman (artist): Jan Weissenbruch, 1832 - 1880, draftsman (artist), paint (coating), paper, pencil, brush, pencil with brush in colors, height 450 mm x width 287 mm, old woman., A tall pencil and watercolor drawing showing multiple rear and side views of a woman wearing a headscarf, a shawl draped over her shoulders, and a long full skirt. The largest figure is a rear view dominated by the shawl's curved shape and the skirt's shaded folds. Smaller studies surround it, including a side view with a striped headscarf, a small rear sketch with a wrapped shawl, a colored side view with a yellow shawl and blue skirt, and another small side figure holding an object. The paper shows faint smudges and spots and a light textured background.
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alb31089491 Travelers in a mountain landscape with a view of Cana, Cana, Faces and monuments of the Holy Land, La terre sainte. Vues & monuments, print, Series number, 27, printmaker: François Stroobant, after print by Louis Haghe, publisher: Jules Géruzet (publisher), Brussels, 1852, Louis Haghe, after print by, paper, tone lithography, tone lithography in black with tone block in beige, height 394 mm x width 530 mm, 'en route', traveller under way, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), mountains (+ landscape with figures, Galilee., A wide sepia-toned landscape drawing showing a valley between rolling hills with a distant settlement and a low sun near the horizon, rocky cliffs on the right with a narrow path along them where a caravan of figures with pack animals moves, two seated figures in the foreground on a rock ledge near a small stream and scattered plants, layered hills and shaded textures filling the middle ground, and striated clouds and light radiating across the sky.
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alb31089430 View of the renovated Weigh House on Dam Square in Amsterdam, 1775, print, inscription: 'Huis onder het Zijl', printmaker: Hermanus Petrus Schouten (possibly), Amsterdam, publisher: Petrus Conradi, 1788, paper, etching, height 259 mm x width 356 mm., A wide city square scene rendered in a detailed monochrome etching shows a large central building with a steep tiled roof, dormer windows, tall chimneys, and tall rectangular windows flanking an arched entrance; statues or sculpted figures sit above the entrance and architectural ornamentation lines the cornice. To the right a classical façade with a triangular pediment and pilastered bays stands adjacent to rows of narrow gabled buildings with stepped rooflines. The square is populated by many figures engaged in various activities: groups of people walking, conversing, carrying goods, and handling carts and wheelbarrows; a line of uniformed men march through the scene with long poles or muskets; horses and pack animals are being led or ridden. In the foreground a few well-dressed individuals stand apart from laborers, and street furniture such as lampposts and spherical bollards appear near building entrances. The sky above is filled with layered, textured cloud formations stretching across the composition.
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alb31089493 Les Modes Parisiennes, 1877, No. 1761: Modèles des Grands Magasins, fashion print, Two women look out over the sea from the shore. According to the caption: 'modèles' from the Grands Magasins de la Ville de Paris. Below are some lines of advertising text for different products. Print from the fashion magazine Les Modes Parisiennes (1843-1885)., title: 'LES MODES PARISIENNES', caption: 'Modèles des Grands Magasins de la Ville de Paris, 170, rue Montmartre. Spécialité de Costume en véritable cachemire des Indes, Mon Le Houssel, 1, r. Auber. Ceintures régente de Mmes de Vertus soeurs, 12, r. Auber.', address: 'Bureaux, 25, Rue de Lille.', printmaker: Paul Deferneville, colorer (graphic design artist): Huguet, Paris, printer (person): Lucien Marc, colorer (graphic design artist), printer (person), paper, engraving, hand coloring, hand colored, height 370 mm x width 264 mm, flowers, skirt (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), clothing for the upper part of the body (+ women's clothes), eyeglasses, spectacles, veil (+ women's clothes), parasol, sunshade (+ women's clothes), corsage (+ women's clothes), gloves, mittens (MITAINES) (+ women's clothes), costume, Period., Two women stand on a rocky shoreline facing the sea, dressed in elaborate period gowns. The woman on the left wears a light-colored dress with layered ruffles and horizontal decorative bands near the hem, a fitted bodice with a high collar, long sleeves with ruffled cuffs and ribbon accents, a long veil trailing from a decorated hat, and holds a parasol with ribbon ties. The woman on the right wears a dark, richly trimmed gown with multiple layered puffs and decorative edging, a fitted jacket with striped trim and flared cuffs, a matching hat adorned with a ribbon and floral detail, long hair styled in waves, and holds a thin walking cane. The background shows calm water, distant sailboats, rocky cliffs, and a few seabirds in the sky. The ground beneath them is grassy.
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alb31089463 Statue of a young man, Galleria Giustiniana del Marchese Vincenzo Giustiniani I, print, Series number, 137, 152, Statue of a naked young man, with raised arms. Possibly a statue of Apollo. The coat of arms of Vincenzo Giustiniani is in the center bottom of the base. Print from a publication with reproduction prints after the sculptures in the collection of the Galleria Giustiniani in Rome., printmaker: Reinier van Persijn, Rome, 1640, paper, engraving, gravure, height 400 mm x width 231 mm, Person, Vincenzo Giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture, (story of) Apollo (Phoebus)., A detailed grayscale engraving of a standing nude male figure on a circular base, shown in full-body view with an athletic, muscular build. The figure stands with weight shifted to one leg, the other leg slightly bent, and both arms raised above the head with hands pointing upward. The head is turned to the side, and the hair is wavy and styled away from the face. Shading and fine line work emphasize musculature on the chest, abdomen, arms, and legs. The figure's feet rest flat on the round pedestal, and a vertical support runs behind one leg. The background is plain and light, with subtle speckling and faint horizontal banding across the middle of the image.
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alb31089468 Allegory on Geometry, Title page for: Pomponius Mela, De situ orbis libri III, 1744, print, title page, Beneath a map of the world sits Geometry, with drawing and measuring instruments in his hands and a floor plan. In the background right, a man is drawing a map based on the world map. In the foreground sits a woman with fragments from classical antiquity. Title page for a book by Pomponius Mela, the earliest Roman geographer., printmaker: Johannes van der Spyck, Leiden, publisher: Samuel Luchtmans (I), paper, etching, height 122 mm x width 66 mm, quadrivium (personification of Arithmetica, Geometria, Astronomia, and Musica), map of the world., A tall vertical engraving shows a classical scene with three draped figures arranged among architectural elements, scrolls, and instruments. At the top left a large slanted plane engraved with irregular shapes fills the background beneath a tree branch with leaves; to the right a colonnaded building and curved structure are visible behind the figures. In the center a seated woman with exposed shoulder leans over a table of charts and instruments, holding a drafting tool, while another seated figure to the right gestures upward and holds a long staff. A third partially reclining figure in the lower right foreground leans forward, resting an arm on a carved emblem and looking toward the central group. Scattered around them are rolled parchments, coiled measuring devices, sculptural relief pieces, a small seated statue, and a vessel tipped to spill round objects; decorative masks and carved faces lie among the drapery and objects at the lower edge. Fine engraved hatching creates shading and texture across fabrics, skin, architectural details, and the distant hilly landscape under a clouded sky.
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alb31089425 Angel of the Lord appears to Gideon, print, number: '82', printmaker: Caspar Luyken, Amsterdam, 1712, paper, etching, proof, height 112 mm x width 144 mm, Gideon and the angel of the Lord (Judges 6:11-24)., A detailed black-and-white engraving shows a wooded riverside scene with a large tree filling the left center and leafy branches extending across the top; an angelic figure with wings and flowing drapery stands near the tree holding a long staff and facing slightly toward a person who is pouring liquid from a shallow vessel into a hollow in the stone; the pouring person wears simple garments and a head covering and is shown in a bent posture with a bucket on the ground nearby and a folded cloth draped over it; in the background to the right there is a cluster of buildings including a tower and distant hills under a lined sky, and small figures are visible near the buildings and along the shore.
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alb31089481 Group portrait of unknown persons in a room, photograph, 1910 - 1940, photographer, paper, pasteboard, baryta paper, daylight collodion silver print, height 195 mm x width 258 mm, anonymous historical persons depicted in a group, in a group-portrait., A large sepia photograph shows a crowded indoor room with ornate arched ceilings and decorative columns, multiple hanging chandeliers with exposed bulbs, and a tall floral arrangement near a column. Many men and women are gathered closely together, most seated on chairs or benches while others stand behind, wearing formal attire including suits, bow ties, high collars, dresses, and some corsages. Faces show a range of neutral expressions, and several people have facial hair. In the foreground a long table with a cloth holds plates and glassware, and chairs line the table edge. The room has wood paneling along one wall and detailed molding along the arches and ceiling.
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alb31089477 Portrait of an unknown mendicant with a bow from the Akali community of Lahore, Punjab, Pakistan, photograph, page, number: '(225)', inscription: 'AKALEE., SIKH DEVOTEE., LAHORE.', Lahore, c. 1859 - in or before 1869, photographer, paper, albumen print, height 158 mm x width 120 mm, human races, peoples, nationalities, archer's weapons: bow., An oval sepia photograph shows an older man seated cross-legged on a striped cot wearing a dark long-sleeved garment and light wrapped lower clothing, with a long white beard and mustache. He wears a turban with layered fabric and a decorative circular metal piece at the front, and he holds a curved bow across his lap with one hand resting on the bow and the other near a sheathed sword lying vertically in front of him. A string of beads is visible draped near his hands, and the background is plain and lightly textured.
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alb31089436 Osteria in the Campagna, drawing, An osteria in the Campagna, seen outside over the stove and the well., verso, draftsman (artist): Etienne de Lavallée-Poussin, 1762 - 1777, draftsman (artist), materials by function, paper, ink, pencil, pen, brush, signature in pencil, brush and pen in brown, height 136 mm x width 198 mm, hotel, hostelry, inn, kitchen-interior, well, Campagna., A sepia-toned sketch of an interior view through a rectangular opening framed by rough wooden beams, with light entering from the background. Hanging from a diagonal beam near the center is a chain supporting a round weight and a bucket. Below the opening are three shallow circular basins set into a counter or ledge. To the right of the hanging bucket a small sculpted or carved head rests on the ledge. Shadows and washes create textured walls, exposed structural timbers, and irregular stone or brickwork around the opening.
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alb31089435 Cross-sections of plants, print, Botanical drawing with cross-sections of plants., printmaker: Abraham Delfos, Leiden, after drawing by Dirk Kuipers, 1741 - 1820, paper, engraving, gravure, height 170 mm x width 128 mm, plants, vegetation., A faded sheet with a thin border containing four finely hatched anatomical-style ink drawings arranged in a two-by-two layout, each showing different cross-sections and structures rendered with delicate linework and shading; the upper left shows a rounded form with multiple short tubular protrusions and surrounding flared edges, the upper right depicts a rectangular, woven-texture pouch with looped straps and layered edges, the lower left presents a mushroom-like stalk rising from a ridged, dome-shaped base with concentric shading, and the lower right displays a similar stalk leading into a folded, cup-like cavity with internal ribbed structures and a dotted outline suggesting underlying form; the paper has an aged, creamy tone and faint spotting.
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alb31089467 View of St. Mark's Square with the Campanile di San Marco, Calli e canali, page, photomechanical print, inscription: 'd', St. Mark's Square, publisher: Ferdinando Ongania, Venice, c. 1888 - in or before 1898, paper, photoaquatint, height 185 mm x width 135 mm, Mark's Square, Campanile di San Marco., A tall stone bell tower with a pointed roof stands on the left, showing vertical pilasters and arched openings near the top, while to the right a large ornate building with domes, arched facades, and decorative columns occupies the midground, and below them a wide paved square with patterned ground and a few small lamp posts extends toward the foreground, with rows of connected buildings lining the square and small human figures visible near the buildings.
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alb31089474 Susanna and the elders, print, The two elders approach the half-naked Susanna at the fountain. A jug of water on the ground has fallen over and is emptying., printmaker: Cornelis Schut (I), 1618 - 1655, unknown, grantor of privilege, paper, etching, height 145 mm x width 131 mm, the elders spying upon Susanna., A detailed black and white etching shows three human figures amid flowing drapery and architectural elements; a partially nude woman with her back and shoulder exposed looks over her shoulder with a calm expression, her hair pulled back and loose strands framing her face, while a bearded man wearing a turban and heavy robes peers from behind with a focused gaze; a third older man with a furrowed brow appears at the edge, his head turned and mouth slightly open; clouds and crosshatched sky fill the background above a building with vertical and horizontal lines, and a curved fountain spout pours water into a basin near the lower edge.
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alb31089446 Landscape with windmills along a canal, Near Amsterdam, print, Landscape with windmills along a canal near Amsterdam. On the right, several tree trunks lie in the water., printmaker: Willem Steelink (II), after painting by Jan Hillebrand Wijsmuller, printer (person): Joseph Bouwens, Brussels, publisher: MM Olivier, Amsterdam, publisher: Johan Marinus Schalekamp, 1888, printer (person), paper, chine collé, etching, etching on chine collé, height 173 mm x width 217 mm, windmill in landscape., A wide, monochrome riverscape dominated by a large sky filled with swirling, linear cloud textures above a flat horizon, with a prominent windmill on the left bank showing its angled sails and a smaller windmill further back; the water in the foreground reflects the sky and nearby structures and contains a few wooden posts and a cluster of bundled logs or beams along the near shore, while a small bridge and scattered boats appear along the midriver and low, bushy vegetation lines the distant banks.
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alb31089498 View of the National Naval Storehouse in Amsterdam (left part), print, printmaker: Johann Wilhelm Windter, Nuremberg, after drawing by Adolf van der Laan, dedicated by: Andries de Leth, dedicated by: Hendrik de Leth, 1725 - 1731, Bavaria, paper, etching, height 567 mm x width 475 mm, Person, Admiralty of Amsterdam, city-view, and landscape with man-made constructions, shipyard, shipdock, maritime history, Amsterdam, National Naval Storehouse., A wide seascape with many sailing ships and small rowboats on calm water, a foreground boat with a large sail and figures handling ropes, several small boats with passengers, floating timber rafts with people working, a busy harbor in the middle distance filled with tall masts and the sterns of large ships lined up along a quay, a substantial multi-story building at the right edge near the water, a pier and smaller waterfront structures along the shore, and a sky filled with large billowing clouds through which two cherubic figures float while holding a long flowing banner.
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alb31089473 Sleeping nymph spied upon by a satyr, print, Series number, 27, A naked nymph, sleeping by an oil lamp under a canopy, is spied upon by a satyr who pushes aside her robe. Copy after the print by Houbraken from part 2 of a series of prints with allegorical images., printmaker, after print by, Northern Netherlands, Arnold Houbraken, paper, etching, engraving, etching and engraving, height 122 mm x width 155 mm, sleeping, unconsciousness, satyr(s) spying upon, oil-lamp., A detailed monochrome engraving of a reclining nude woman and a partially draped man facing her; the woman lies on her back with one arm bent behind her head and her legs extended, showing contours of her torso and limbs, while the man leans toward her with one arm resting on a fold of fabric and the other hand near her thigh, his face turned downward and displaying a beard and short hair. They are surrounded by draped cloths and a textured background of foliage and trees, and a small shallow bowl or lamp sits near the man's hand. The image is composed of dense cross-hatching and fine line work that defines shadows, contours, and fabric folds.
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alb31089486 Catafalco eretto nella Basilica Vaticana per le sollenni esequie celebrate nella morte del sommo pontefice Innocentio X, Tomb monument for Pope Innocent XI, print, album page, Tomb monument for Pope Innocent XI. An ornamental canopy over a sarcophagus. Print is part of an album., Italy, publisher: Giovanni Giacomo de' Rossi, Rome, colorer (graphic design artist): Anna Beeck, The Hague, 1689, 1693 - 1717, Giovanni Giacomo de' Rossi, Anna Beeck, printmaker, colorer (graphic design artist), paper, colour, etching, etching hand-coloured in pink, green, blue and yellow, pasted on album page, around the print a yellow frame with red border, height 486 mm x width 341 mm, Peter's Basilica., A tall ornate canopy structure with draped purple curtains and gold tassels stands centered on a stepped platform flanked by pairs of tall blue and gold columns. The canopy is topped by a decorative architectural crown adorned with numerous candle holders and an eagle figure above a globe, with small angelic figures and an ornamental shield beneath. Two mirrored oval frames held by cherubs appear near the upper sides of the canopy, and multiple candelabras with lit candles are positioned along the columns and platform edges. A decorative pedestal beneath the canopy supports a covered urn-like object draped in cloth and surmounted by a small framed portrait held by winged cherubs. Painted panels with figurative scenes decorate the lower plinths on either side of the steps. The background shows a light textured surface with faint columns of printed text along both sides.
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alb31089490 Portrait of Cornelis van Beveren, print, mayor of Dordrecht., caption: 'Cornelis van Bevere', printmaker: Jonas Suyderhoef, Haarlem, 1677, paper, engraving, gravure, height 181 mm x width 120 mm, Person, Cornelis van Beveren, mayor, burgomaster., A black and white engraved portrait of a man shown from the chest up inside an oval frame, with medium-length wavy hair, a mustache and a small pointed beard, wearing a dark garment with ornate swirling embroidery and a wide white collar tied at the front with a decorative knot, the background filled with dense fine lines and the outer rectangular border featuring shaded triangular corner panels.
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alb31089443 Studies after paintings by Salvator Rosa, École Italienne. Salvator Rosa, Études comparées des maitres des diverses écoles, Studies comparing masters from different schools of painting, Études comparées, print, Series number, 2, 12, printmaker: Charles Nicolas Lemercier, after design by Salvator Rosa, printer (person): Joseph Rose Lemercier, Paris, publisher: Henry Gache, 1850, printer (person), paper, tone lithography, height 448 mm x width 313 mm, Person, historical persons, painting (including book-illumination, miniature-painting)., A tall sepia-toned print divided into panels with ornate decorative elements at the top including a framed oval portrait of a man flanked by sculptural figures and swirling scrollwork, two square illustrated panels beneath showing a rocky cliff scene with figures on top of the rocks on the left and a helmeted figure confronting a reclining creature with horns on the right, and a large lower scene depicting a chaotic battle with mounted and fallen figures, horses in motion, and classical architectural ruins with columns to the right; the overall sheet shows a narrow border, faint foxing spots, and printed captions and small text along the top and bottom margins.
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alb31089442 Vignette with the Titaness Phoebe, print, vignette, The Titaness Phoebe walks through a forest with a burning torch. A crescent moon is visible on her head to show that she had received power over the moon from Eurynome. Below the image is a banner with a Latin phrase., printmaker: Jan Wandelaar, Northern Netherlands, 1743, paper, etching, engraving, etching and engraving, height 101 mm x width 138 mm, Leiden: Joannes & Hermannus Verbeek, 1761, Phoebe., A detailed black and white engraving shows a person standing in a wooded clearing surrounded by trees and foliage, wearing draped garments and sandals, with a crescent-shaped object above their head and holding a long stick that emits a bright tip; the scene includes textured rocks and bushes framing the figure and layered tree branches and leaves filling the background.
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alb31089496 Rua Canto e Castro. L. Marques, Street view of the Rua Canto e Castro, Lourenço Marques, photograph, inscription: '173 Rua Canto e Castro. L. Marques J. Lazarus Photo.', photographer: Joseph Lazarus, compiler (person in literature): EM Wissman, 1904, compiler (person in literature), Mozambique, paper, baryta paper, daylight gelatin silver print, height 149 mm x width 202 mm, street, Maputo., A street scene with a two-story building on the left featuring a covered veranda with decorative trim and lattice railings, columns supporting the upper floor, and a corrugated awning; large leafy trees line the street casting dappled shadows on the ground; groups of people walk and stand along the street beneath the trees, some wearing hats and varied clothing; a horse-drawn carriage is parked near the building under the shade of a tree; storefronts and facades of other buildings are visible further down the street.
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alb31089465 Houses by the water in Semarang, In Semarang (original title), print, On the right a banana tree. In the background the minaret and the three-part roof of a mosque., printmaker: Wijnand Otto Jan Nieuwenkamp (signed by artist), 1899, 1910, paper, zinc etching, intaglio printmaking technique, etching with plate tone on zinc, proof print, height 206 mm x width 223 mm, temple, shrine, Islam, Mohammedanism, canals, waters (in city), Java, Central Java, Semarang., A sepia-toned sketch showing a cluster of tiled roofs and ornate rooflines, including a domed tower with patterned shingles and arched openings, a peaked pagoda-like structure with decorative eaves, and several sloping roof sections with visible tile texture; in the foreground a plain wall with a small recessed opening and architectural details near a corner, and various overlapping roof ridges and shadowed areas creating depth across the composition.
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alb31089484 Allegory of the events of 1689 with William III and Mary on the throne (left half), print, propaganda print, Allegory of the events of 1689 with the Stadtholder-King William III and Queen Mary on the throne. Left half of two sheets that together form a single image. In front of William and Mary stands the Duke of Schomberg with two kneeling defeated Irish generals to whom a pardon is granted by the King and Queen. In the foreground on the left are three captured personifications of Treachery, Rebellion, and Desertion. On the right is half of a pyramid depicting the events of the first six months. At the top, James II is falling from the pyramid. Some elements in the image are indicated by numbers., printmaker: Romeyn de Hooghe, Northern Netherlands, after design by Jan van Vianen, publisher: Johannes Tangena (17th century), 1690, paper, etching, height 570 mm x width 480 mm, Person, William III (Prince of Orange and King of England, Scotland, and Ireland), Mary II Stuart (Queen of England, Frederick of Schomberg (Duke), James II (King of England), Glorious Revolution, Struggle against the Turks, Period, 1689 - 1690., A detailed black and white engraving shows a crowded scene with elaborately dressed figures gathered on steps and a platform beneath a canopy, many wearing ornate robes, wigs, crowns, and sashes; a seated royal couple in lavish garments and regalia occupy a central throne area while attendants and courtiers stand or kneel nearby, some offering objects and others gesturing toward the seated pair; in the foreground several fallen or reclining figures lie among scattered items and armor, with soldiers and attendants leaning over them; architectural elements include a carved crest with heraldic devices on a wall, heavy drapery, columns, and a high stepped plinth with inscriptions; in the background a distant cityscape is depicted with towers, smoke, and a mounted figure brandishing a sword atop a raised structure, while the sky shows swirling clouds.
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alb31089471 The Adoration of the Shepherds, print, Two shepherds visit the Holy Family and stand in adoration before the Christ Child., printmaker: Lucas Franchoys (II), after painting by Anthony van Dyck, 1626 - 1681, paper, etching, height 167 mm x width 132 mm, adoration of the Christ-child by the shepherds, Mary and Joseph present., A monochrome etching shows a group of figures clustered in an interior space. At the center a standing woman draped in flowing garments holds a wrapped infant on a bed or cradle while a bearded man stands nearby partly in shadow. In front of them a kneeling figure with clasped hands faces the child, and a robed figure on the right lifts a cloth or hat above his head while leaning forward. The scene is rendered with dense parallel and cross-hatched lines creating texture on clothing, hair, and the background walls, and a few architectural elements like vertical panels and a floor are visible.
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alb31089433 Portrait of Gerard De Lairesse, print, Gerard De Lairesse, a Liège printmaker and painter. The portrait is in the shape of a painter's palette., printmaker: Pieter van Gunst, Amsterdam, 1659 - 1731, Pieter van Gunst, printmaker, paper, engraving, etching, engraving and etching, height 143 mm x width 119 mm, Person, Gerard de Lairesse, portrait, self-portrait of painter., A detailed black-and-white engraved portrait of a person with long, curly hair set against a dark oval background, showing the head and upper torso turned slightly to one side; the face has a neutral expression with visible eyes, nose, and lips, and the hair cascades in waves over the shoulders. The subject wears layered clothing with visible folds and fine line shading, and a light collar or scarf peeks around the neck. The surrounding paper is light with small speckles, and portions of the oval frame and lower area appear irregular or cut away.
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alb31089447 Façade of the Santa Maria del Fiore in Florence, Prospetto dell'antica Facciata Gottica della Metropolitana Fiorentina, come si ritrovana, print, book illustration, Façade of the Santa Maria del Fiore in Florence. Numbered top right: Fig. XIII B., printmaker: Bernardo Sansone Sgrilli, Italy, printmaker: Giuseppe Zocchi, after drawing by Giovanni Battista Nelli, 1755, Bernardo Sansone Sgrilli, Giuseppe Zocchi, Giovanni Battista Nelli, printmaker, after drawing by, paper, etching, ets, height 599 mm x width 442 mm, church (exterior), parts of church exterior and annexes: facade, Florence, Tuscany, Florence Cathedral., A grayscale architectural engraving of a large ornate facade with horizontal banding and multiple arched and oval openings. The upper portion shows a stepped triangular roofline with two small arched apertures and a large oval opening with a textured interior, flanked by smaller round openings on either side. The middle section features three tall recessed arches and additional circular windows, with visible masonry details and small protruding stone elements. The lower portion is richly decorated with sculpted figures in niches, ornate doorways, arched panels, relief scenes, and intricately patterned doors and frames. Groups of small human figures stand near the entrances and along the base, and the composition rests on a plain ground line.
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