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Total de Resultados: 10.000

Página 1 de 100

alb30966905 The French Government and the Court of Cassation, cartoon, printmaker: Johan Braakensiek, printer (person): Ellerman, Harms & Co., Amsterdam, 1899-02-05, printer (person), paper, lithography, lithografie, height 441 mm x width 298 mm., A tall, dark rocky cliff fills the left and center of the image with textured striations and shadowed surfaces, while a woman in a long dress stands on a ledge at the top right looking downward, her arms held across her chest and her hair up. Below her, a second woman in a sleeveless dress appears to be falling or reaching upward from a lower ledge with her arms extended toward the sky. A long sword is depicted diagonally near the lower figure, and a pair of small objects hang from the sword's hilt. The scene is rendered in a monochrome illustration style with strong contrasts between the figures and the rock formations.
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alb30966999 The Entry into Jerusalem, print, book illustration, Printed from three blocks. Christ on a donkey followed by disciples. Three bystanders welcome him at the gate of Jerusalem. Left and right of the representation architectural ornamentation., unknown: attributed to Master of Delft, Low Countries, unknown: attributed to Meester van de Delbecq-Schreiber-Passie, unknown: attributed to Master of the Virgo inter Virgines, 1480 - 1500, 1503, Attributed to, Master of the Delbecq-Schreiber-Passion, paper, woodcut, height 109 mm x width 148 mm, entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16, Mark 11:1-11, Luke 19:28-40, John 12:12-19)., A black and white carved or printed scene showing a group of robed figures with halos gathered around a central seated figure who reaches toward another standing figure; one person sits on a donkey and another reclines on the ground with a fallen hat; a person climbs or leans from a tree toward a brick archway while decorative vertical architectural columns with carved niches and small statues flank both sides of the composition; lines and hatching create texture on robes, hair, and architectural details, and there is grass and foliage at the bottom.
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alb30966931 Reproduction of Colonnade with columns of the Tuscan order and the sense of sight, a print by Hendrick Hondius after Paul Vredeman de Vries, Panneau, XVIIe Siècle, reproduction, page, photomechanical print, monogram: 'JJvY', inscription: 'LITT. P. - PL. 39.', inscription: 'PANNEAU tiré du Traité des Ordes, ', cliché maker: Joseph Maes (possibly), Antwerp, after print by Hendrick Hondius (I), after design by Paul Vredeman de Vries, after design by Christoffel Plantijn, c. 1876 - in or before 1881, Hendrick Hondius (I), photographer, after print by, paper, photolithography, height 344 mm x width 236 mm, colonnade, mirror, sight, looking (one of the five senses), Tuscan order, architecture., The image shows an architectural scene with a covered colonnade of stone arches and columns receding into the distance, flanked by masonry walls with decorative blocks and cornices; a few human figures are present, including one standing and holding a long instrument and another seated on the floor near a bird, both dressed in historical-style clothing; the floor is tiled and there are steps and multiple archways leading to inner spaces, with detailed hatching and shading emphasizing the stone textures and depth.
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alb30966970 Public list of J. Hetzel & Cie in Paris, Etrennes 1883, print, public list, Text in a frame consisting of children reading works published by Hetzel. In the lower right, a monkey on a chair reads to three children., after design by Defendi Semeghini (possibly), publisher: Hetzel, Paris, 1883, printmaker, paper, printing, height 313 mm x width 220 mm, reading, book, children's books., A tall rectangular printed sheet with dense black-and-white illustrations and decorative borders, showing numerous small vignettes of children in period clothing engaged in reading and playing around a large central rectangular block that contains fine lines of printed columns; at the top a wide heading area separates the illustrated border from the central block, and the top corners and sides feature sitting and standing children on benches and stools, some holding open books and some leaning over tables; along the left margin a standing girl holds a book while a seated child looks up from a bench and a dog lies on the floor nearby; along the right margin stacked boxes and parcels create a vertical pile beside a child sitting and reading on a ledge and other children climbing or standing on small platforms; at the lower area two children sit on a large round drum-like object while another child nearby reads from a book held in both hands, and small playthings such as a toy wagon and scattered books appear on the floor; the overall composition is framed by a narrow outer border and mounted against a dark solid background.
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alb30966941 Landscape with ruins and cascade, print, printmaker: Nicolas Perelle, printmaker: Adam Perelle, printmaker: Gabriel Perelle, publisher: Nicolas de Poilly (I), Paris, grantor of privilege: French Crown, France, 1636 - 1695, paper, etching, engraving, height 298 mm x width 402 mm, landscape with ruins, rapids., A monochrome engraved landscape showing large, leafy trees with textured trunks and dense foliage in the foreground, a ruined stone arch partially visible to the left, rolling hills and rocky terrain stretching into the distance, a small waterfall and stream flowing through the lower right, scattered shrubs and undergrowth, a banded sky filled with layered clouds, and tiny distant buildings and a figure on horseback seen among the hills.
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alb30966940 Dalmatian dog, print, printmaker: Pieter Anthony Wakkerdak, Rotterdam, Delft, after design by Jan Asselijn (possibly), 1740 - 1774, paper, mezzotint, printed in brown, height 89 mm x width 100 mm, dog., A sepia-toned image of a dog standing in profile with its head raised, showing a spotted coat and long ears; the dog wears a collar and has a visible tail and legs with spotted markings, set against a plain background.
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alb30966948 View of the Tempio della Tosse, Views of Rome, print, printmaker: François Morel, publisher: Agapito Franzetti, Rome, 1798, paper, etching, height 372 mm x width 485 mm, ruin of a building, architecture, temple, shrine, Roman religion, Tivoli, Tempio della Tosse., An aged circular stone ruin with arched openings and vegetation growing on its top dominates the scene, set against a sky with scattered clouds; to the right a large tree with dense foliage extends toward the ruin while a fence and more trees recede into the background; in the foreground a woman stands holding a staff facing a seated man who leans back on the ground, and nearby several goats rest on the grass.
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alb30966990 Alphonse Karr, Portrait of Jean-Baptiste Alphonse Kar, page, photomechanical print, inscription: 'Galerie Contemporaine, Littéraire, Artistique, 126, boulevard de Magenta, Paris', photographer: Antoine-Samuel Adam-Salomon, cliché maker: Goupil & Cie., c. 1867 - in or before 1877, paper, Woodburytype, Woodburytypepie, height 236 mm x width 190 mm, Person, historical persons, adult man., A man shown from the side and back wearing layered draped fabric that forms a heavy, velvety cloak over a lighter garment, his head turned in profile to the left with short hair and a full beard, the fabrics creating deep folds and soft highlights, and a plain, softly lit backdrop behind him.
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alb30966909 Portrait of Johann August von Anhalt-Zerbst, print, With insignia of the Order of the Elephant., printmaker: Martin Bernigeroth, Leipzig, after painting by Hendrik Duvens, 1718 - 1733, Saxony, paper, engraving, etching, engraving with etching, height 324 mm x width 218 mm, Person, Order of the Elephant, Johann August von Anhalt-Zerbst, historical persons, armour, mantle, gown, dress (symbol of sovereignty), knighthood order., An engraved oval portrait shows a person with long, curly hair wearing ornate clothing and armor, including a fur-trimmed cloak and a decorative chain or necklace; the face is framed by the oval and the expression appears neutral, with detailed shading and fine linework. The oval frame is set against draped fabric at the top and patterned background, and the lower portion shows horizontal banding and a rectangular plaque area beneath the portrait. The image is rendered in monochrome with intricate crosshatching throughout.
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alb30966951 Portrait of Bishop George van Egmond of Utrecht, Illustrissimus ac Reverendissimus, LX Bishop of Utrecht, print, book illustration, Portrait of Bishop George van Egmond (Georgius Egmondanus) of Utrecht seated at a writing desk with pen and paper in an oval frame. Behind him stand attributes of his office, a crozier and miter and his coat of arms., printmaker: François van Bleyswijck, Leiden, after design by unknown, 1681 - 1726, 1726, paper, etching, engraving, etching and engraving, height 265 mm x width 168 mm., An oval-framed black-and-white engraved portrait shows an older man in clerical robes seated in profile, facing left, wearing a tall hat and a long cloak with a buttoned front, his beard and hair finely detailed. He holds a quill in one hand poised over an open book on a desk and his other hand rests on another book or document. Behind him are architectural and decorative elements including a draped canopy, a carved column or pulpit, and a shield-like patterned panel. The image is bordered by concentric oval lines and surrounded by textured background shading.
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alb30966902 Photo of Moffat ovens, photograph, inscription: 'Std finish - 10950', inscription: 'No. E 38-M', inscription: 'C ' 11700', Canada, c. 1935 - c. 1940, photographer, North America, baryta paper, textile materials, paper, gelatin silver print, album page with developing gelatin silver print, height 290 mm x width 200 mm, height 253 mm x width 200 mm, height 212 mm x width 181 mm., A vintage freestanding stove with a smooth top featuring a few circular heating elements sits against a dark background, showing a single oven door with a curved handle and a small emblem, a vertical panel of rounded control knobs on one side, curved legs supporting the unit, and a low backguard behind the stovetop.
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alb30966989 Uniform of the officers of the Royal Military Academy, 1845, Officers of the Royal Military Academy, print, book illustration, costume print, Uniform of the officers of the Royal Military Academy. Illustration in a book from 1845 about the uniforms and garments of the Dutch army, navy, and militias in the Netherlands and in the overseas territories., printmaker: Louis Salomon Leman, Netherlands, Amsterdam, paper, lithography, hand coloring, hand-colored, height 270 mm x width 200 mm, Person, Royal Military Academy, (military) uniforms, Period., Two men stand on a grassy circular patch facing each other, both wearing dark blue military coats with gold shoulder epaulettes and tall black shako hats decorated with gold trim and a small plume. One man is shown from the back with a red sash and hanging red straps at his waist, blue trousers, and white gloves visible on one hand; the other man faces slightly toward the viewer with a mustache, a sword at his side with a red tassel, and similarly styled blue trousers and belt. A classical building with columns is faintly visible in the background behind them, and the scene is set against a pale, lightly speckled paper background.
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alb30966933 Title page for: Pharmacopoeia Bruxellensis, Brussels, 1641, Allegorical title page with the Fall of Man and two ancient Greek physicians, print, title page, Title page for a pharmaceutical book. Top: Adam and Eve in Paradise. In the center, the title of the book on a stone tablet. On either side, two statues of Greek physicians: Pedanios Dioscurides and Andromachus. Under a cartouche with a cityscape of Brussels., printmaker: Cornelis Galle (I), Southern Netherlands, after design by Peter Paul Rubens (possibly), printer (person): Jan Mommaert (II), printer (person), paper, engraving, height 190 mm x width 135 mm, physician, doctor, Adam and Eve (not in biblical context)., A detailed engraved scene shows a central ornate cartouche flanked by two standing male figures, one on the left wearing a helmet and cloak and holding a staff, the other on the right with a long beard and draped robes holding a jar; above the cartouche is a decorative shell motif with garlands and fruit, and a group of plants in large urns sits on either side near the top; a landscape with trees and a few nude figures appears in the upper background beneath rays of light and a small cloud figure, while a small bird rests on a puff of cloud near the center; below the cartouche an elaborate framed cityscape view is set within scrolling ornamental elements.
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alb30966955 Portrait of Isaak van Goudoever, print, colonel of the Amsterdam militia., Van Someren 2069, printmaker: Reinier Vinkeles (I), Amsterdam, after painting by Jan Ekels (II), 1786 - 1809, paper, etching, engraving, height 231 mm x width 153 mm, Person, Isaak van Goudoever., A framed engraved portrait of an older man with powdered hair styled back and curled at the sides, wearing a dark coat with a high collar and a decorative lace element at the front, set against a finely hatched dark background; the frame has patterned borders and geometric corner detailing and is mounted on a textured wall above a plinth with layered moldings and vertical hatch shading.
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alb30966919 Maison, XVIIe Siècle, House on the market square in Veurne, page, photomechanical print, monogram: 'JJvY', inscription: 'MAISONS. PL. 1.', inscription: 'MAISON portant la, ', Veurne, cliché maker: Joseph Maes (possibly), Antwerp, after design by anonymous, c. 1881 - in or before 1889, photographer, paper, collotype, photolithography, height 342 mm x width 237 mm, civic architecture, edifices, dwellings, decorated gable., A tall brick building with a stepped gable and a small statue on top, featuring a row of arched openings with columns on the ground level and a central stair leading to an entrance, several rectangular windows on the upper levels with shutters, a narrow chimney and tiled roof visible on one side, a few people standing in and around the arched openings and on the street in front, and a cobblestone pavement in the foreground.
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alb30966975 Statue of a faun with pan flute, print, book illustration, printmaker: Claude Mellan, France, printer (person): Imprimerie Royale, Paris, 1671, 1677, printer (person), paper, engraving, height 400 mm x width 284 mm, piece of sculpture, reproduction of a piece of sculpture, satyrs, fauns, Sileni., A monochrome line engraving of a nude male figure standing on a low round plinth, shown from head to feet with the body slightly turned and one leg raised on a small support; the figure holds a rectangular object aloft in one hand and grasps a staff or stick with the other hand, a draped cloth or skin hangs beside the staff; the head is bowed with short curly hair, the muscles and contours of the torso and limbs are rendered with closely spaced parallel lines, and the background is plain.
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alb30966957 Marriage of Bacchus, The Life of the Bacchantes, print, Series number, 5, 12, In the center Bacchus and his bride Ariadne at a burning altar. Above in the clouds Juno and Jupiter. On the clouds on the left the Muses and on the right the Three Graces. Front left Minerva and Mercury, front right Pluto with a two-pronged fork., printmaker: Gerard Melder, Amsterdam, 1725, paper, etching, height 205 mm x width 285 mm, wedding of Bacchus and Ariadne, two-pronged fork, attribute of Pluto., A detailed pen-and-ink scene shows a gathering of clothed and partially nude figures arranged on layered, fluffy clouds that fill the composition, with several standing, seated, or reclining in classical drapery and leafy crowns; a central group surrounds a raised pedestal with smoke or flame, one figure holding a staff while others gesture toward it, and nearby small winged children play among the clouds; above them, a draped cloth held aloft by reclining figures and cherubs stretches across the sky, with a pair of seated figures beneath it and more reclining forms on surrounding clouds; groups of figures on the left and right balance the composition, some holding scepters or garlands, others embracing or pointing, while at the lower area a ring of dancing children and scattered cherubs creates movement against a densely hatched cloudscape and radiating lines in the sky.
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alb30966913 Kitchen interior with arms, print, Emaciated adults and children clad in rags are eating and drinking in a kitchen. On the left, a man is stirring a pot over a hearth fire. In the foreground, a cat and a dog. On the right, a woman is sending a stout man away. Above, a one-line text in Latin. At the bottom in the margin, a four-line poem in French and Dutch., printmaker, after design by, publisher, Antwerp, Low Countries, Southern Netherlands, Maerten de Vos, paper, engraving, height 230 mm x width 287 mm, kitchen-interior, poor kitchen., A crowded interior scene shows a group of people gathered around a round table laden with plates and food, with a woman seated holding a baby while reaching for food and children standing and eating at the table; men around the table drink from large jugs and gesture, one man sits stirring a pot over a fire while another pours from a vessel, and a lively figure at the doorway dances or leaps inward; the room contains wooden beams and shelves with jugs and plates, a fireplace with hanging fish and garlic, a saw and tools, a dog sitting near the seated woman and another dog drinking from a tipped-over container on the floor, various domestic objects scattered on the floor including a jug and a box, and architectural details and a small view of buildings visible through the doorway.
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alb30966921 Allegorical Triumph of Emperor Licinius, Varie Figueri de Agati Antique, print, Print from the series 'Varie Figueri de Agati Antique' after Peter Paul Rubens, of a total of nine prints, presumably five by Lucas Vorsterman I and four by Paulus Pontius., printmaker: Lucas Vorsterman (I), printmaker: Paulus Pontius, after design by Peter Paul Rubens, 1622, paper, engraving, gravure, height 212 mm x width 289 mm, Person, Licinius (Emperor of the Roman Empire), conqueror triumphing, triumphal entry of victor., A circular engraving shows a group of winged and robed figures surrounding a chariot drawn by a team of horses, with several standing figures on and beside the chariot holding round objects and long staffs; two winged figures flank the horses at the edges, each holding a pole, while another crowned figure reaches outward from the chariot; beneath the horses a group of prone and struggling human figures lie on the ground, and two partially visible supporting figures appear at the rim, one holding up the scene from below; the background inside the circle is dark and densely textured, and the surrounding border is a plain round frame.
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alb30966956 Colosseum, with chariot, Colosseum ad vivum Romae, Roman ruins, print, Series number, 58, View of the ruins of the Colosseum in Rome. With figures and a horse-drawn chariot in the center. Perspective dotted lines connect the buildings to the foreground and the horizon. Readable: horizon (center right) and: base (bottom right). At the top: C.LXXXVIX. Print from a series of six with representations of Roman ruins., printmaker: Hendrick Hondius (I), The Hague, after design by Petrus Stephanus, 1600, paper, engraving, gravure, height 213 mm x width 269 mm, ruin of a building, architecture, amphitheatre, Rome., A circular engraved scene framed by a wide border shows the interior of a large ruined structure with high, arched openings and broken vaulted ceilings. Several massive columns and wall remains create deep shadowed recesses, and a large broken arch spans across the upper portion of the circle. Within the interior space a group of small figures, some on foot and some with pack animals and a cart, move along a rough ground toward distant archways, while a few figures gather near rocky outcrops in the foreground. The engraving is executed in fine parallel and cross-hatched lines, with dense shading in recessed areas and lighter hatchwork on exposed surfaces, and the scene is surrounded by a background filled with evenly spaced horizontal lines.
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alb30966910 View of the Rapenburg in Leiden after the gunpowder explosion of January 12, 1807, print, historical print, View of the Steenschuur, a canal extending from the Rapenburg, in Leiden after the fatal gunpowder explosion of January 12, 1807. Rescue workers attempt to recover the wounded. In the foreground left, two men carry a body on a stretcher. Household goods and clothing hang in the trees along the canal, hurled into the air by the pressure., printmaker: Leendert Overbeek, Haarlem, 1807 - 1809, paper, etching, height 388 mm x width 470 mm, gunpowder disaster, Leiden Gunpowder Disaster, Leiden, Rapenburg (Leiden), Steenschuur, Period, 1807-01-12., A wide scene rendered in monochrome shows a ruined town with broken buildings, collapsed roofs, exposed beams, and rubble; a group of people stand on a wooden platform in the foreground, some wearing long coats and hats and others engaged in conversation or work, while a few figures push carts or carry items along a rough path; leafless trees line the left side with twisted branches, and scattered boats and timber lie near the water's edge; distant rooftops and chimneys rise among more damaged structures, and the sky is filled with textured clouds.
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alb30966906 Monthly magazine Hototogisu, March 1906, ????? (Hototogisu), book, magazine, Issue 6 of volume 9 (March 1906) of the literary monthly magazine Hototogisu (little cuckoo): cover with image of winged horse against green background, back, image of mother with child on her back., printmaker: Nakamura Fusetsu, Japan, printmaker: Okamoto Gesson, printmaker: Asai Chû, 1906-03-10, paper, color woodcut, letterpress, height 223 mm x width 153 mm., A stylized image of a dark horse with a flowing mane and tail, shown in mid-leap against a flat green background, with large yellow feathered wings extending from its back and yellow highlights on its hooves; above the horse is a large circular pale disc outlined in black and divided by thick black strokes into geometric segments with several solid black dots, and the top portion of the image features a warm ochre area with faint marks.
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alb30966949 View of a concert hall in Venice, Salle de concert de Venise, print, opticaprent, publisher: Jacques Gabriel Huquier, Paris, France, 1735 - 1805, printmaker, paint (coating), paper, watercolor (paint), etching, brush, colored etching, height 269 mm x width 411 mm, interior, representation of a building, concert hall, Venice., An ornate domed interior with a large central chandelier hanging from a painted ceiling showing figures among clouds, surrounded by an upper ring of box seats draped with red curtains and blue swags, many seated figures visible in those boxes and along multiple tiers of balconies; the lower hall shows rows of seated people along the perimeter, tall sculptural caryatids supporting the gallery, decorative garlands and hanging lanterns, and several small groups of standing figures clustered on the floor in the foreground.
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alb30966963 Mulier Generosa Anglica, Theatrum Mulierum, European women in traditional dress, costume print, English woman of high standing, in profile to the left, dressed in a dark overdress and a light underdress with a scalloped edge. A flat collar, trimmed with lace, falls over the shoulders. Gloves on and a feather fan in the right hand. The hair falls in ringlets along the head and is twisted into a bun at the back., printmaker: Wenceslaus Hollar, London, 1644, paper, etching, height 93 mm x width 60 mm, (+ women's clothes), styles of hairdress - AA -, women, Europeans: Englishmen (+ women), costume, England, Period, 1630 - 1650., A profile view of a woman standing and facing left wearing a long flowing skirt and a dark, textured overcoat with a gathered back; she has a high lace collar and lace-trimmed sleeves, her hair is pulled back into a bun with curled strands falling to her shoulders, and she holds a small tassel-like object dangling by her side while standing on a lined floor against a plain background.
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alb30966947 Cartouche with heads, cherubs and masks, print, ornamental print, In the cartouche is a depiction of the Wedding at Cana., printmaker: Hans Janssen, publisher: Claes Jansz. Visscher (II), Amsterdam, 1615 - before 1636, paper, etching, engraving, height 175 mm x width 141 mm., An ornate oval frame with swirling rococo scrollwork and decorative faces surrounds a dark interior scene; inside the oval a dimly lit room shows a group of people gathered around a long table, candlelight and a chandelier above casting light on seated and standing figures, several large vases are visible in the foreground, and the overall image is rendered in detailed black ink on aged paper.
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alb30966939 View of St. Paul Outside the Walls, in Rome, Vue de l'Eglise de Saint Paul hors des Murs bâtie par Constantin le grand, Veduta della Basilica di S. Paolo fuori delle Mura, erreta da Costantino magno, print, book illustration, printmaker: Freicenet, Rome, after drawing by Jean Barbault, publisher: Bouchard & JJ Gravier, J., dedicated by: Bouchard & JJ Gravier, dedicated to: Cornelio Caprara, Italy, 1763, Freicenet, Jean Barbault, Bouchard & JJ Gravier, Cornelio Caprara, printmaker, after drawing by, publisher, paper, etching, height 388 mm x width 530 mm, city-view in general, 'veduta', church (exterior), Saint Paul outside the Walls., A detailed architectural engraving of a large classical church seen from an angled frontal perspective, showing a tall square bell tower with stacked arched openings rising beside a long nave lined with narrow arched windows, and a grand façade featuring a colonnaded portico with multiple rounded arches and decorative pilasters. The façade includes sculpted reliefs and statues set into niches, an attic pediment topped by a cross and a circular ornamental element, and a balustraded upper terrace. In front of the building a broad open plaza is populated by small figures engaged in various activities, a horse-drawn carriage, and scattered animals, while the sky above is filled with finely hatched clouds.
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alb30966907 Unchastity (Luxuria), The Seven Deadly Sins, print, A naked woman sits on a bed., printmaker: Lucas Vorsterman (I), Antwerp, after painting by Adriaen Brouwer, grantor of privilege: Spanish crown, 1619 - 1675, unknown, paper, engraving, proof print, height 192 mm x width 150 mm, Lust, Luxury, 'Luxuria', 'Lussuria' (Ripa), personification of one of the Deadly Sins, being shown undressed., A monochrome engraving showing the upper body of a seated nude figure with curly hair, the head turned slightly and eyes gazing to the side, a draped fabric falling over one shoulder and around the hips, detailed crosshatching creating rounded shading on the torso and limbs, a hand resting near the hip and another partly visible, and a dark textured background with vertical and diagonal linework.
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alb30966903 Statue of Hercules, Works of art from the collection of Vincenzo Giustiniani, Galleria Giustiniana del Marchese Vincenzo Giustiniani, print, printmaker: Claude Mellan, Rome, 1631, 1636 - 1637, paper, engraving, intaglio printmaking technique, height 412 mm x width 235 mm, Person, Vincenzo Giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture, (story of) Hercules (Heracles)., A monochrome engraved image of a nude male statue standing on a rectangular plinth, depicted frontally with visible muscular detail and textured line shading; the figure has a bearded face with wavy hair and a cloak draped over the shoulders tied at the chest, one arm extended holding a club-like object and the other hand holding a piece of drapery, with a support behind one thigh; the base shows the statue's feet planted and the background is a plain, lightly mottled surface.
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alb30966976 Tyranny of Alva, Image of the miserable state of the Netherlands, under the cruel thirst of the Duke of Alba, Delineatio deplorati status belgy sub immensa tirannide Albani ducis Fernandi a Toledo, print, Alva reigns on a throne with the devil crowning him; beside him stands Cardinal Granvelle, who blows bad inspiration into the governor with a bellows. Alva holds the seven provinces in his grip; depicted as women and bound in chains, they kneel before the oppressor while rulers of the Estates look on. In the background, scenes of executions under Alva's rule. In the lower margin, Dutch verse and explanatory list., printmaker: Willem Jacobsz Delff, Delft, after print by Adriaen Pietersz van de Venne (possibly), publisher: Jan Pietersz. van de Venne, Middelburg, 1622, Willem Jacobsz Delff, Adriaen Pietersz van de Venne, Jan Pietersz. van de Venne, printmaker, after print by, publisher, textile materials, silk, engraving, engraving on silk, height 403 mm x width 588 mm, Person, Fernando Álvarez de Toledo (3rd Duke of Alba), ruler, sovereign, devil(s) and demons: Satan, Eighty Years' War., A large monochrome engraving showing an architectural interior with a high vaulted arch opening onto a distant street scene, flanked by tall columns and ornate wall panels; in the foreground a group of kneeling figures in robes face a throne area where armored and uniformed men stand, some holding staffs and banners, and a reclining sculptural figure with a lion motif is near the steps; to the sides and rear a crowd of standing men in formal attire observe, while a few dogs are visible near the lower edge and detailed drapery and decorative elements hang from the upper left.
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alb30966968 Study sheet with two eye studies, print, Study sheet with two framed eye studies. Also some figures., printmaker: Cornelis Ploos van Amstel, Amsterdam, 1736 - 1798, paper, print drawing, etching, impression, etching and impression in red, proof print, height 172 mm x width 236 mm, eyes., A pale, aged sheet with many faint reddish-brown pencil or chalk sketches scattered across it, including a few framed rectangular study areas containing curved, flowing hatch-mark strokes suggesting hair or fur, several isolated eye sketches, a small pair of standing human figures near the top, loose gestural marks and grouped short hatch lines, and faint smudges and erasures across the surface.
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alb30966994 Portrait of Christina Elisabeth Falckner, print, Christina Elisabeth Falckner, wife of the jurist Friedrich Michael Falckner. In the margin a poem by her husband., printmaker: Pieter Schenk (I), Amsterdam, writer (clerical worker): Friedrich Michael Falckner, 1670 - 1713, writer (clerical worker), paper, mezzotint, engraving, mezzotint and engraving, height 273 mm x width 189 mm, Person, armorial bearing, heraldry, pearl, pearl necklace (+ women's clothes)., A monochrome portrait of a woman shown from the waist up inside an oval frame, wearing a dress with a low neckline and ornate trim, puffed sleeves with decorative patterns, and an embroidered bodice; her hair is styled in high, curled waves and she wears a single drop earring; a draped curtain with tassels and patterned lining hangs to one side of the oval, and stone blocks form a background outside the frame.
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alb30966980 Tomb wall of the Ursuline sisters, presumably in Batavia, Burial vault of the Sisters., album page, photograph, Part of Album with photos of Batavia and of the Ursuline sisters., Batavia, c. 1890 - c. 1910, photographer, Java, West-Java, paper, albumen print, height 215 mm x width 284 mm, churchyard, cemetery, niche-tomb, wall-tomb., A stone wall with a centered arched recess is flanked by two vertical plaques mounted on the wall and partially obscured by trees; the wall shows weathered and stained surfaces with decorative molding and a triangular pediment above the center, where a framed oval portrait with a draped wreath hangs; a tree trunk and branches extend across the left side and a leafy bush appears on the right, while a paved ground surface runs along the base of the wall.
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alb30966986 English Yeoman of the Guard, costume print, Series number 31, 77, Horse and rider to the right. The horse is galloping. The rider is wearing the uniform of the English Yeomen of the Guard, the bodyguards of the Queen of England. In his hand a rifle. The print has a German caption and a Latin inscription. Print originally from 'Equitum descripcio...', 1577., printmaker: attributed to Abraham de Bruyn, Cologne, publisher: Caspar Rutz (possibly), 1577, North Rhine-Westphalia, Attributed to, paper, engraving, height 149 mm x width 112 mm, Person, Elizabeth I Tudor (Queen of England), folk costume, regional costume, warfare, military affairs (+ cavalry, horsemen), firearms: rifle, Europeans: Englishmen, body-guard of ruler., A black and white engraved scene showing a rider in ornate period armor seated on a rearing horse, the rider viewed from behind with a plumed hat, ruffled collar, layered striped skirt-like armor, and decorative detailing on the back; the rider holds a long pole or lance in one gloved hand and wears spurred boots; the horse has a braided mane and tail, decorative tack and a rounded saddle covering, and is shown mid-rear with lifted front legs; the ground beneath them is textured with grass and gentle mounds; the overall image has fine linework and crosshatching creating shading and detail.
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alb30966977 Portrait of Joan Jacob Mauricius, print, alderman and pensioner of Purmerend and governor of Suriname., printmaker: Pieter Tanjé, Amsterdam, after drawing by Aert Schouman, 1753, paper, engraving, height 200 mm x width 141 mm, Person, Joan Jacob Mauricius., A monochrome engraved portrait of a middle-aged person shown from the waist up inside an oval frame, wearing a buttoned coat with decorative buttons and a ruffled cuff visible at one wrist, with shoulder-length curled hair, a high collar and a serious facial expression, set against a finely crosshatched background and bordered by a patterned rectangular mat.
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alb30966901 Map of the fortified city of Haarlem, print, book illustration, In the lower margin seven lines of Dutch text., printmaker: Dirck de Bray, Netherlands, after design by Salomon de Bray, publisher: Abraham Casteleyn, Haarlem, 1661, paper, woodcut, height 185 mm x width 132 mm., An aged paper shows a hand-drawn map-like shape with a thick irregular outer outline resembling a toothed wall and a shaded interior area filled with diagonal hatch lines; a curved dark ribbon-like river or canal snakes through the shaded area and extends beyond the boundaries, with a few short thicker segments where it meets the edge; the interior contains a small compass-like mark with a pointer and a tiny rectangular element nearby; the lower portion of the image shows ornate calligraphic writing, and the overall palette is monochrome with black ink on a yellowed, slightly stained background.
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alb30966938 General Chassé attempts in vain to sheath his sword, 1813, print, Incident during the visit of the Prince of Orange and Prince Frederick to the Citadel of Antwerp on September 29, 1831, when General Chassé attempts in vain to sheath his sword three times. On the left, the two princes with their entourage; on the right, Chassé with several high-ranking military officers. In the caption a verse of two times seven lines., printmaker: Michel Mourot, Utrecht, printer (person): Johannes Paulus Houtman, printer (person), paper, lithography, height 220 mm x width 265 mm, Person, Frederik (Prince of the Netherlands), William II of the Netherlands, David Hendrik Baron Chassé, hacking and thrusting weapons: rapier, Belgian Revolution, Antwerp, Citadel of Antwerp (19th century), Period, 1831-09-29., A black and white engraved scene showing a group of uniformed soldiers arranged in two loose lines facing each other on an open plain, each wearing tall plumed bicorn or shako hats and ornate epaulets, with several holding swords or sabers and one holding a long staff. The figures are dressed in high-collared military coats with sashes and decorative details, and their faces display various neutral expressions. In the background there is a distant formation of troops and faint architectural silhouettes on the horizon, with a lightly textured sky above and a bordered frame around the scene.
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alb30966904 Mechanic and aviator at an aircraft, photograph, France (possibly), c. 1930, photographer, paper, pasteboard, baryta paper, gelatin silver print, developing gelatin silver print, diameter 52 mm, height 190 mm x width 95 mm, aircraft, airplane., A circular cutout shows a black-and-white scene of two men near an aircraft; one man wearing a cap and coat stands outside the plane holding a box-like object toward the other man, who leans over the aircraft edge wearing a heavy jacket with a fur collar and a knit cap, while parts of the aircraft wing and struts are visible above and behind them.
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alb30966958 Portrait of August Milag, print, Portrait of the German consul August Milag., printmaker: Andries Vaillant, 1665 - 1693, paper, engraving, height 330 mm x width 229 mm, Person, August Milag., An engraved portrait of a man shown from the chest up inside an ornate oval frame, the man has long, curly hair falling to his shoulders, a full face with neutral expression, and wears a decorative lace neckcloth and a dark, textured garment; the oval is set within a richly engraved architectural surround decorated with ribbon-like scrolls and a coat of arms below the portrait, all rendered in fine parallel and cross-hatched lines.
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alb30966936 Man with fur hat and jug of wine, print, An old man with a fur hat on holds a jug and a glass of wine in his hands., name: 'H (?) B', printmaker: Quirin Boel, Southern Netherlands, after design by David Teniers (II), 1635 - 1690, unknown, grantor of privilege, paper, etching, height 125 mm x width 96 mm, old man (+ three-quarter view)., A monochrome etched image of an older person wearing a thick, textured hat and heavy layered clothing, shown from the torso up and leaning forward while looking downward with a subtle smile; the face is heavily lined and rendered with dense cross-hatching, and the hands are visible holding a rounded cup or vessel; in front of the figure are a few stacked vessels and a flat surface, all depicted with fine linear shading, and the background consists of closely spaced horizontal lines filling the upper area.
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alb30966942 New Year's greeting from the Amsterdam street sweepers, 1861, Street cleaners New Year's greeting, print, New Year's greeting, New Year's greeting from the Amsterdam street sweepers for the year 1861. View of the Leidsestraat in Amsterdam with the Leidsepoort, where several male and female street sweepers are at work; in the foreground, a man is collecting money at a house. With a verse in two columns. On behalf of the street sweepers: AB Reedinger and K. Jongbloed., printmaker, printer (person), Amsterdam, paper, letterpress printing, wood engraving, text in letterpress with image in wood engraving, height 340 mm x width 219 mm, street sweeping, street sweeper, street - II - ideal city, Leidsestraat, Leidsepoort, Period., A detailed black-and-white illustration of a street scene with a row of tall, narrow buildings featuring varied gabled and arched rooftops in the background, a central arched gateway with a clock tower above it, and a few birds in the sky; in the foreground a group of people wearing period clothing engage in activities on a wooden platform, carrying and pouring from buckets, bending to lift or set down containers, and pushing a wheelbarrow filled with barrels; a woman in a long dress stands near a doorway while others wear hats and coats, and a dog walks along the ground near the bottom edge.
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alb30966926 Portrait of Pierre-Daniel Huet, Petrus Daniel Huetius, print, Portrait of the French philosopher and bishop Pierre-Daniel Huet (1630-1721), depicted in an oval frame with coat of arms., printmaker: Gerard Edelinck, Paris, after painting by Nicolas de Largillière, France, grantor of privilege: Louis XIV (King of France), 1686, paper, engraving, height 400 mm x width 333 mm, Person, Pierre Daniel Huet., A monochrome engraved portrait shows a man with curly shoulder-length hair and a composed facial expression, wearing a dark cloak over a light collar and a visible cross pendant on a chain; he is framed by an oval border with decorative concentric rings and a dark background behind him, and below the oval is an ornate cartouche with a crowned shield and draped tassels resting on a ledge, all rendered with fine line shading and crosshatching.
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alb30966962 Man with cow in front of a barn outside Hattem, print, printmaker: Anthonie van den Bos, Netherlands, 1778 - 1838, paper, etching, height 100 mm x width 140 mm, cow, Hattem., A detailed ink drawing shows a rustic barn with large open double doors revealing an interior with wooden beams and a barrel. The barn has a pitched roof with a small chimney and a window near the top. Dense trees and bushes surround the barn on both sides, with foliage rendered in fine lines. In the foreground there is grassy ground with a few plants and a broken wooden wheel. To the right a person stands holding a staff beside a grazing cow. The scene includes a body of water at the very front and a horizon of distant trees under a subtly lined sky.
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alb30969128 Arrangements of battle at the Naval Battle of Trafalgar and the Battle of Austerlitz, 1805, Plan of the two most important battles that have occurred in recent history. A. Of the Naval Battle of Trafalgar, on October 21, B. of the Field Battle at Austerlitz, on December 2, print, book illustration, Sheet with two plans of the orders of battle at A: the naval battle at Trafalgar on October 21, and B: the battle at Austerlitz, December 2, 1805. Bottom left: Appendix to De Ster. No. 1., 1880 - 1885, printmaker, paper, etching, height 331 mm x width 210 mm, battle arrays, Battle of Austerlitz, Battle of Trafalgar, Period, 1805-10-21, 1805-12-02 - 1805-10-21., A vertical sheet showing three separate schematic diagrams arranged from top to bottom, each composed of small oval and rectangular ship- and block-like symbols, curved dashed lines, and short flags, with a vertical feather-like arrow mark appearing in the upper and middle diagrams; the upper diagram shows a diagonal line of dark ovals interspersed with small rectangular markers and scattered light ovals above, the middle diagram repeats similar elements with curved dashed trajectories emanating from a row of ovals and clusters of small rectangular and circular symbols in the center, and the lower diagram displays a more complex block-and-rectangle arrangement suggesting formation lines, shaded hill-like textured shapes to the right, a sinuous river-like line, and dispersed small labeled boxes and symbols along the lower margins, all rendered in fine sepia ink on a pale, slightly textured background.
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alb30966930 Disguised courtesan, print, Actor Ichikawa Morinosuke II in the role of the disguised courtesan Atsumori, in the play 'Suma no Miyako Gempei tsutsuji'. Atsumori was a tayu, a courtesan of the highest rank., printmaker: Utagawa Sadamasu (II), Osaka, 1840 - 1841, paper, color woodcut, height 252 mm x width 174 mm, Person, Ichikawa Morinosuke, portrait of actor, actress, courtesan, hetaera, female impersonation by actor., A close-up of a person with pale skin and stylized facial features wearing elaborate dark hair arranged in smooth, rounded shapes, framed by thick black locks with fine line details. They have thin, arched eyebrows, narrow eyes with subtle red makeup at the outer corners, a long nose, and small red-and-blue lips set in a neutral expression. The person wears a richly patterned garment in blues and greens with floral and ornamental motifs, including large blossoms and swirling decorative shapes, and a layered collar with red accents. Behind the head is a red, patterned textile or bow, and a hand holding a dark wooden object appears at the lower right. The background is a muted, textured gray.
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alb30969147 Two resting figures by the ruins of a church, print, Two figures rest by the ruins of a church. Sheep on the right., inscription: 'by Noach vd Meer junior after Dan. du Pré, offered to the Economic Branch in Haarlem, and rewarded with a remuneration of 10 ducats, in the year 1785, presented to the Honourable Lord of Leyden, Lord of Vlaardingen etc. etc., N. vd Meer', printmaker: Noach van der Meer (II), Amsterdam, after design by Daniël Dupré, 1785, paper, etching, aquatint, etching and aquatint, height 252 mm x width 170 mm, sheep, (traveller) resting in the open air, ruin of church, monastery., A grayscale scene showing a ruined stone building with a tall tower and a steep roof, parts of the walls crumbling and an arched window visible, a nest with a bird perched on a triangular roof section, a group of birds flying in the sky, leafy trees and shrubs growing around the ruins, two people near the base of the walls with one seated and the other standing carrying a pack and staff, a winding path leading past the ruins, and a few sheep grazing on a distant slope by a body of water.
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alb30966982 Church interior with churchgoers, print, A catechism class is taking place in a church. The churchgoers are listening attentively to the preacher Johannes Beeltsnyder. Two women with small children are leaving the church so as not to disturb the lesson. On the left, a small boy is sitting on a high wooden railing of the pulpit., printmaker: attributed to Esaias Boursse, Amsterdam, printmaker: Jan Boursse, in or before 1651, Attributed to, paper, engraving, drypoint, engraving en drogepunt, height 177 mm x width 135 mm, interior of church, religious instruction of laity, eg Sunday School., A detailed monochrome etching shows the interior of a large vaulted space with high arches and thick columns. The foreground is filled with a crowded congregation of people wearing period clothing and broad collars, many standing and some seated on benches; several adults are accompanied by children. On the left a raised pulpit with a canopy projects into the space above the crowd, and a few figures stand near it. The architectural background features ribbed arches and tall columns that recede into shadow, with cross-hatched shading emphasizing the curved vaults. Overall the scene is densely textured with fine line work and varied shading.
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alb30969158 Plundering Orangists in Delft, 1787, print, historical print, Orangists from The Hague plunder houses in a street in Delft, September 19, 1787., printmaker: Reinier Vinkeles (I), Amsterdam, after drawing by Jacobus Buys, 1796, paper, etching, engraving, height 230 mm x width 155 mm, plundering, riot, Delft, Period, 1787-09-19., A densely hatched black-and-white scene of a crowded street filled with people in historical clothing brandishing sticks and swords, many facing a row of tall buildings on the right while a few figures climb or lean from the left-side structures; in the foreground several men are shown from behind with coats and tricorn hats, one holding a long pole aloft, another lunging forward, and a small dog on the ground; farther back a chaotic throng presses toward a row of gabled houses and a taller towered church with spires visible beyond a stand of trees, all under a sky filled with lined cloud formations.
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alb30969160 Portrait of Prince Albert, print, signature: 'Druck v. A. Hölzer in Berlin', check stamp:, inscription: 'Prince Albert.', signature: 'Lith. v. Steckmest', signature: 'Verlag v F. SALA & Co in Berlin, Unter den Linden 51.', printmaker: C. Steckmest, printer (person): A. Hölzer, Berlin, publisher: Sala & Co., FA, 1800 - 1900, printer (person), paper, lithography, height 496 mm x width 361 mm, Person, Albert (Prince of Prussia), historical persons., A sepia-toned illustration of a young man shown from the waist up wearing a decorated military uniform with a high embroidered collar and multiple rows of buttons down the front, a braided shoulder cord draped across one shoulder, an ornate star-shaped medal on his chest, and a sash at his waist; he has neatly styled hair with waves at the temple, sideburns and a mustache, and his gaze is directed slightly to the side.
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alb30969105 Relief with organic elements, sculpted by Jean Herman, Motifs de sculpture décorative, photomechanical print, This print is part of a cover with 28 prints and a title page., number: '2', inscription: 'Jean Herman, Sculpteur.', maker: Ch. Claesen Éditeur (possibly), Liège, publisher: Ch. Claesen Editeur, c. 1875 - in or before c. 1880, printer (person), paper, collotype, photoprint, height 194 mm x width 257 mm, ornament derived from plant forms, sculpture (+ relief, sculpture)., A centered decorative plaster relief with ornate scrolling acanthus leaves and floral motifs set against a rectangular panel with a diagonal lattice texture, framed by a dark background and a light border; the relief tapers to a pointed lower tip and displays curved, layered molding and carved detailing.
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alb30969112 Pales, Compendium Operum Virgilianorum, print, Landscape with the goddess Pales (Roman goddess of shepherds, agriculture, and livestock), surrounded by various animals. In the margin a four-line caption, in two columns, in Latin., printmaker: Simon van de Passe, Utrecht, 1612, paper, engraving, height 84 mm x width 126 mm, groups of animals., A person wearing a wide-brimmed hat and a draped garment sits beneath a tree holding a sprig in one hand and a long staff with a pronged end in the other, surrounded by a group of animals including a horse, a horned cow, several sheep and goats, and a few birds on the ground; the scene is set on a gently rolling landscape with trees and distant buildings, and there are scattered vessels and a coil-like object near the seated figure.
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alb30969156 Deer hunt, Copies of the hunting party in the forest of Lörs, print, printmaker, after print by, Michael Ostendorfer, paper, woodcut, height 266 mm x width 361 mm, stag-hunting, Rhineland-Palatinate., A dense wood scene rendered in fine linework fills the image, with a layered foreground of closely packed trees and leafy bushes, trunks and branches twisting among detailed foliage. Several animals are visible amid the undergrowth and clearings, including deer in various poses, a few grazing creatures, and some birds. In the lower area, partially obscured figures in period clothing appear alongside mounted horses and riders, their forms integrated into the trees and shrubs. The midground opens to small glades with grassy patches, stumps, and a winding path that leads toward a circular, textured clearing. The background shows more distant trees and a continuation of the forest, with layered canopies and occasional horizons of open ground. The entire composition is monochrome, composed of intricate engraved lines and crosshatching that create texture and depth.
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alb30969119 Cartouche with a depiction of Christ in the temple, print, Within a cartouche surrounded by garlands, tree branches, and adorned with a small angel's head, the interior of a temple is depicted. The high priest is making an offering on the altar; on the right in the foreground stands Christ with a few followers. On a stone is the reference: John 7 37-39., printmaker: Simon Fokke, Amsterdam, 1722 - 1784, printmaker, paper, etching, etchings, height 75 mm x width 126 mm, Christ explaining his doctrine to the apostles and disciples., An ornate oval cartouche framed by scrolling acanthus and leafy branches contains a detailed etching of a formal terrace scene with a multi-level balustrade and a large classical building in the background; figures in period dress stand on the terrace and steps, some gesturing and conversing while others tend to animals or carry objects, and a small group in cloaks is gathered on a raised platform to the right; above the cartouche a carved cherubic head with curled hair and wings looks downward, and decorative garlands hang from the lower scrollwork.
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alb30969107 Peasant dance, print, In a barn, a couple is dancing exuberantly accompanied by the playing of a violinist and a man with a hurdy-gurdy. Others look on, smoke their pipes, or hold a conversation. In the foreground, a kissing couple., printmaker: Jan de Visscher, Northern Netherlands, after painting by Nicolaes Pietersz Berchem, 1643 - 1692, paper, etching, engraving, etching and engraving, height 465 mm x width 379 mm, dancing, (lovers) kissing each other, more than one musician with instrument, shed, Exhibitions, Shown in exhibition, Masterpieces on paper: Pub life., A crowded interior of a rustic barn lit from an open doorway shows a high thatched ceiling with exposed beams and straw piled on a loft. Figures in period clothing occupy the space, including a man dancing with a woman near the doorway, a seated fiddler, and groups of people standing or sitting around a small table with a jug and cups. A tall bearded man in a cloak and wide-brimmed hat stands near the center holding a hat, while others laugh and converse nearby. Two small dogs are on the floor in the foreground and a cat is visible near the left edge. A wooden bench, stools, a ladder, and a partially open door with onlookers peering through it are also visible.
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alb30969120 Country road between the two groups of trees, print, View of a hilly landscape with a road between two groups of trees. On the road, under the branches of the large tree on the left, are two shepherds with a flock of sheep and goats., printmaker: Martinus Antonius Kuytenbrouwer jr., The Hague, 1845, paper, etching, drypoint, intaglio printmaking technique, roulette, plate tone, roulette and drypoint, proof print, height 148 mm x width 221 mm, landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, trees, goat, sheep., A detailed monochrome landscape showing a group of large, gnarled trees with dense foliage on the left and a pair of taller, more slender trees on the right, their branches and leaves intricately rendered with fine lines; a gently sloping ground between the trees forms a shallow hollow that opens to a distant, flat horizon, and a few tiny human figures stand near the center of that hollow; the foreground includes textured undergrowth and low plants, while the sky above contains soft, cloud-like shapes and a faint rectangular border framing the scene.
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alb30969179 Photo reproduction of a portrait of Jane Seymour, Queen of England, by Hans Holbein, photograph, reproduction, page, after drawing by Hans Holbein (II), c. 1872 - in or before 1877, photographer, paper, carbon print, carbon print shown in sepia, height 395 mm x width 282 mm, Person, Jane Seymour (Queen of England), historical persons - BB - woman, queen, drawing, sketch., A faded portrait of a woman drawn in soft lines and a single warm tone, showing her head and upper torso. She wears a head covering with a broad band and a draped fabric extending behind her, and her hairline is visible beneath the band. Her face is rendered with delicate features and a neutral expression, with visible eyes, nose, and mouth. She wears a beaded necklace and a pendant that rest on her chest, and her dress has a square neckline and layered bodice details. The lines of her sleeves and hands are faintly sketched, and the background is plain with subtle texture and speckling.
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alb30969144 The Persian, print, printmaker, after print by, publisher, Rembrandt van Rijn, paper, etching, height 98 mm x width 70 mm, Asiatic races and peoples: Persians., A finely detailed pen-and-ink drawing of a standing man wearing ornate, heavy clothing and a large feathered hat; his face shows a beard and mustache and he turns slightly to one side, one hand resting on a long staff while the other hand is near his hip; his outer garment is a voluminous fur-lined cloak with textured shading, beneath which decorative patterned fabrics and a belt are visible; his legs are clad in fitted hose and simple shoes, and the ground beneath him is lightly sketched with small rocks and marks; the background is a plain, lightly scratched surface.
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alb30969155 The Miraculous Feeding, print, Christ multiplies the loaves and fishes, in the midst of his disciples and onlookers. In the background a landscape with a river and houses., printmaker: Giovanni Battista de' Cavalieri, Italy, after design by Rafaël, publisher: Antonio Lafreri, Rome, 1535 - 1601, Giovanni Battista de' Cavalieri, Raphael, Antonio Lafreri, after design by, publisher, paper, engraving, engraving printed on two sheets of two plates, height 521 mm x width 675 mm, river, city-view, and landscape with man-made constructions, multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39, Mark 6:32-44, 8:1-10, Luke 9:10-17, John 6:1-14)., A densely detailed monochrome scene shows a large group of people gathered outdoors among trees, rocks, and a river with distant buildings on rolling hills; many figures wear flowing robes and head coverings and display varied gestures and animated postures while some sit or kneel, others stand or reach out, and a few children cling to adults; central figures appear surrounded by attendants and people offering baskets, with several people clustered around those baskets; tall trees frame both sides of the image and a rocky foreground with tufts of plants leads toward the midground, where a shoreline and clustered architectural forms sit beneath a sky marked by horizontal shading.
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alb30969195 Photo reproduction of an engraving of the Holy Family by Marcantonio Raimondi, La Vierge à la longue cuisse, Marc Antoine Raimondi, photograph, reproduction, page, photographer: Benjamin Delessert, after print by Marcantonio Raimondi, after drawing by Rafaël, c. 1848 - in or before 1853, Marcantonio Raimondi, after print by, paper, salted paper print, height 392 mm x width 258 mm, Holy Family with John the Baptist (as child)., A detailed monochrome print showing a group of figures in the foreground set against a backdrop of ruined stone architecture and archways; a seated woman reclines with a relaxed posture while holding a small child who reaches outward, a second child kneels nearby offering something toward the reclining woman, and an older bearded man with a staff crouches to the side watching the interaction; the figures wear draped garments and two of them have circular halos behind their heads; the background shows broken walls, steps, an arch, and a column fragment with textured shading and clouds above, while the ground in front of the figures features uneven rocks and tufts of grass.
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alb30969116 Mr. Smith's Country House, View of Mr. Smith's country house on the River Thames in the Battersea district of London, print, optical print, watermark, publisher: Nicolas de Beauvais, Paris, France, 1700 - 1799, printmaker, paint (coating), paper, watercolor (paint), etching, brush, coloured etching, height 259 mm x width 418 mm, rowing-boat, canoe, sailing-ship, sailing-boat, canals, waters (in city) (+ city(-scape) with figures, staffage), country-house, London, Thames, Battersea., A wide river scene under a pale blue sky with a light band of pink near the horizon, showing a riverside with a group of buildings including houses with pitched roofs and a larger multi-story building, trees and a riverside wall with steps leading down to the water. On the river there are several small boats and barges of different shapes, some with sails and some being rowed, each carrying people wearing brightly colored clothing and loads such as bundled goods or barrels. In the foreground a few figures stand or sit on boats near a larger barge carrying a heap of material, while other boats with seated rowers and standing figures are scattered across the water. The architectural cluster along the shore shows varied rooflines, chimneys, and a small quay area with vegetation at the water's edge. The overall palette is muted with soft blues, greens, and earth tones, and the water surface is shown with fine horizontal line work and reflections of the boats.
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alb30969181 Le roi s'amuse, cartoon, designer: anonymous, 1897-10-23, designer, paper, lithography, height 312 mm x width 400 mm., A large ink drawing shows a group of men in sailor uniforms standing around a tall cylindrical tank; a man with a beard and turban leans over the top of the tank holding a thin tool and smiling, while a few sailors stand at attention or casually holding rifles; an insect-like creature with multiple legs and two shield-like shapes on its back clings to the side of the tank near the base, and a small platform or stool supports the man leaning over.
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alb30969134 Reading man behind a lectern, La lecture, Figuurstudies, Exercises d' imagination de differens Caractères et formes humaines (, ) Suite 1, print, Series number, 3, Man in a dressing gown and a cap on his head, standing in front of a lectern. He is reading a book titled 'La Chasse heureuse'. A mask hangs on the side of the lectern. A dog sleeps at the man's feet., printmaker: Robert Brichet, after drawing by Joseph Franz Freiherr von Goez, publisher: Kaiserlich Franziskische Akademie, Augsburg, 1783, Bavaria, paper, etching, etching in red, height 224 mm x width 157 mm, reading, lectern., A sepia-toned etching of a standing figure dressed in a loose, striped garment with a tied sash and a headscarf, leaning on a tall lectern while holding a folding book open with both hands; the figure faces upward with a visible profile and bent elbows, one forearm resting on the lectern. The lectern has a carved side with a hanging theatrical mask and layered drapery or tassels beneath it, and a stack of books or folded material visible on a shelf. The lower part of the figure shows breeches, stockings, simple shoes, and a small dog lying on the floor beside the figure's legs. The image is framed by single-line borders and rendered with fine crosshatching and line work throughout.
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alb30969137 Salvation is attained by becoming one with Christ, Jacob's Ladder or the allegory of the Way to Eternal Salvation, print, Series number, 14, Christ and man, together in heavenly paradise. The print has a Latin caption and is part of a fourteen-part series on the subject of the way to attain eternal salvation., printmaker: Dirck Volckertsz. Coornhert, after design by Maarten van Heemskerck, Haarlem, 1550, Dirck Volckertsz. Coornhert, Maarten van Heemskerck, printmaker, after design by, paper, etching, width 140 mm x height 216 mm, Eternal Bliss, 'Felicità eterna' (Ripa) (+ symbolical representation of concept), journey to heaven, pathway to heaven (+ Christ)., Two nude male figures occupy the image, one seated and larger with a flowing cloth draped around his shoulders and partially over his lap, the other standing or kneeling beside him with one arm around the seated figure's shoulder and the other hand raised toward the seated figure's chest. The seated figure has curly hair and a beard, a muscular torso, and an arm raised with fingers splayed; the companion figure has short curly hair and a muscular, youthful body turned in profile. Both figures show detailed musculature and cross-hatched shading. The scene includes draped fabric beneath them, rounded cloud-like forms at their feet and background, and a circular or halo-like curved line framing the seated figure. The image is rendered in fine line work and hatching on a light background.
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alb30969151 Title page for: Th. Ubink, Messiah's Song of Blessing, 1706, Christ on a cloud cover with the blessed and fleeing enemies, print, title page, Christ on a cloud cover with figures below him greeting him and offering gifts. In the foreground the enemies are fleeing. Illustration of the Bible verse Ps: 68., printmaker: Jan van Vianen, publisher: Adriaan Beman, Delft, Jan van Vianen, Adriaan Beman, printmaker, publisher, paper, etching, engraving, height 195 mm x width 150 mm, Christ as adult, the book of Psalms (with BOOK CHAPTER:VERSE)., A detailed engraved scene shows a group of robed and partially draped figures in dramatic poses beneath billowing clouds and rays of light; a central female figure stands with an arm raised and flowing garments, surrounded by other standing and reclining figures reaching upward or gesturing, some wearing crowns and laurel wreaths and others carrying trays and vessels; large swirling clouds occupy the upper area with a robed figure emerging from them, while the lower foreground features reclining bodies and two dogs sniffing at the ground; the composition is densely hatched with intricate linework and crosshatching throughout.
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alb30969123 Harbour with conversing merchants, Aliqui Portus, Italian harbours, print, Series number, 10, 12, Harbour with a group of foreign merchants hauling cargo on the left. On the right, a sailing ship with merchants. At the quay, a second sailing ship with merchants. In the background, a view of the sea. Tenth print from a series of twelve with Italian harbours., two illegible letters, l, and an elongated figure', printmaker: Johannes Gronsveld, Amsterdam, after design by Johannes Lingelbach, 1679 - 1728, Johannes Gronsveld, Johannes Lingelbach, printmaker, after design by, etching, engraving, etching and engraving, height 156 mm x width 242 mm, harbour (+ four persons or more, traffic and transport)., A detailed black-and-white etching shows a busy shoreline scene with a group of people clustered on the left and a ship and smaller boats on the right. Several figures in varied poses occupy the foreground, including a seated person with a bare chest, a crouching figure bending forward, a standing man with a hand on his hip facing away, and a central figure reaching toward another who carries a large bundled sack on his back. Behind them are draped sails, rigging, and fabric fluttering from a mast. On the right, a large sailing vessel with tall masts and furled sails is moored near the shore while a few cloaked figures stand on a smaller boat or pier, and tiny rowboats and distant figures are visible on the water. The sky is filled with horizontal hatch lines and a swept cloud, and the shoreline shows rocks, a bucket, and scattered small objects.
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alb30969153 Goblet with a winged ball, Vases, jugs and goblets, print, ornamental print, Goblet on a foot, the stem is decorated with acanthus leaves, a winged ball rests on the lid. From a series of 22 sheets with vases, jugs and goblets., number: '92', printmaker: Albrecht Altdorfer, Germany, c. 1506 - 1538, paper, etching, height 185 mm x width 108 mm, mug, beaker, goblet., A detailed monochrome engraving of an ornate chalice-shaped object filling the frame, showing a decorative lid with rounded fluted segments and a finial topped by a small winged orb, a broad bowl with large vertical rounded flutes and an embellished rim band with scrolling foliage, a richly carved lower bowl with acanthus-like leaves and vertical paneling, a beaded collar and a baluster stem with carved leaf and scroll motifs, and a wide molded base with layered plinths and additional fluted ornamentation; the background is densely crosshatched.
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alb30969106 Banner of the Municipal Militia of Utrecht, Dutch military uniforms in the years 1830-1832, print, costume print, Standing militiaman, standard bearer with the banner of the Municipal Militia of Utrecht. Part of a series of 157 loose sheets with Dutch military uniforms from the years 1830-1832., printmaker: attributed to Albertus Verhoesen, Netherlands, printer (person): Johannes Paulus Houtman, Utrecht, 1835 - 1850, printer (person), Attributed to, paper, lithography, hand coloring, hand-colored, height 170 mm x width 110 mm, (military) uniforms, standard-bearer, flag-bearer, clothes, costume, militia, volunteers, Period, 1830 - 1835., A full-length illustration of a uniformed man standing on a small colored patch of ground while holding a long pole with a rectangular decorative flag; he wears a dark blue coat and trousers with a light diagonal sash, red cuffs, and shoulder epaulettes, and a tall black hat topped with a small plume, and a sword hangs at his side; the flag shows a framed decorative design with leafy borders, a crown and two animal figures near the top, and ornamental elements within the field; the background is plain and light-colored.
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alb30969136 De Arrival (original title on object), Saffia (original title on object), print, inscription: 'handdruk', watermark, printmaker: Bernard Essers (signed by artist), 1920, paper, wood engraving, handdruk, height 579 mm x width 482 mm, riding a horse, ass, or mule, rider, horseman, warfare, military affairs, gate, entrance., A densely detailed monochrome illustration shows a crowded procession along a wide avenue lined with stylized trees and architectural arches; numerous figures in flowing robes and helmets walk and ride horses and camels toward a large ornate gate in the background while onlookers stand on balconies and along the sides, some holding long staffs or banners. The scene is framed by curving hills in the distance and swirling cloud-like foliage above, and decorative building facades with arched windows and intricate patterns appear to the right. Foreground figures include mounted riders with bridles and tack, attendants bearing palm fronds, and several robed individuals whose garments have layered drapery and patterned trims; shadows and crosshatching create strong contrasts and textured detailing throughout the composition.
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alb30969171 Terracotta sculpture of Hebe, page, photomechanical print, number: 'XXII.', photographer: Marcel Gustave Laverdet, cliché maker: Alphonse-Louis Poitevin, Paris, c. 1852 - in or before 1857, paper, photolithography, height 332 mm x width 230 mm, arts)., A monochrome image of a weathered standing statue of a robed figure against a dark background, the figure shown from head to base with aged surface texture and worn details, one arm raised with the hand near the head and the other forearm extended outward with an open hand, draped fabric falling in vertical folds from the waist to the feet, a faint pedestal visible at the base, and a narrow light border framing the dark field.
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alb30969178 Photo reproduction of a drawing of the gravestone of Govert Cornelis Gevers in the Oude Sint-Victor Church in Batenburg, photograph, reproduction, page, photographer: Benjamin Charlé (possibly), after drawing by anonymous, c. 1903 - in or before 1908, paper, pasteboard, baryta paper, daylight collodion silver print, height 150 mm x width 195 mm, Person, Govert Cornelis Gevers, gravestone, tombstone, Batenburg, Oude Sint-Victorkerk., A vertical pale sheet with a light beige border contains a faintly drawn circular emblem in the lower half showing a shield divided into sections, and above it a group of flowing cursive markings; the background is a uniform light gray-beige and the drawn lines and marks are rendered in a soft brown tone.
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alb30969165 Jetty in the harbor of Honfleur, copper plate, maker: Johan Barthold Jongkind (signed by artist), 1865, metal, inorganic material, copper (metal), etching, height 241 mm x width 321 mm., A wide metallic surface with a warm copper tone fills the image, showing faint etched lines that form outlines of sailing vessels with tall masts and triangular sails, small rowboats on the water, and a few standing figures near the shore; the background includes hazy impressions of clouds and distant structures, and the metal shows areas of subtle discoloration, scratches, and worn patina across its expanse.
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alb30969170 Adoration of the Kings, print, Adoration of the Kings in an architectural frame with putti and musical angels. On the right, Joseph and Mary with the Child on their laps in front of an ancient building. The three kings offer gifts. The foremost king is kneeling, the other two are standing. Behind them is a procession of horsemen and camels. In the frame is a plaque depicting the Presentation of Christ in the Temple., date: '1567', caption: 'Aurum tus, myrrham regiq. hominq. deoq., Dona tulere magi extremis orientis ab oris., Ignaros duxit quos stella viaeq. lociq.', address: 'Romae:, ex Typis, Ant. D., Salamanca.', signature: 'C. Cort fe.', signature: 'DON IULIO CLOVIO DE CROVACIA INVE:', printmaker: Cornelis Cort, Rome, after design by Giulio Clovio, publisher: Antonio Salamanca, in or after 1567, paper, engraving, height 331 mm x width 217 mm, adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh), angels singing, making music, ornament derived from architectural details., A detailed monochrome engraving framed by ornate architectural and sculptural elements shows a central scene with a seated woman holding a small child while a kneeling man faces them, several standing and kneeling figures gathered around, and a group of mounted and footed travelers approaching from a hilly landscape in the background; the frame includes sculpted reclining putti, cherubs, and human figures integrated into scrollwork and columns, with two larger standing male nude figures acting as supporting caryatids on either side, and a lower register populated by a group of playful putti and a small inset scene set within the architectural base.
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alb30969126 Dordrecht (original title), View of Dordrecht, print, In the middle a windmill, on the right the Grote or Onze-Lieve-Vrouwekerk., printmaker: Carel Nicolaas Storm van 's-Gravesande, c. 1877, Carel Nicolaas Storm van 's-Gravesande, paper, etching, intaglio printmaking technique, height 154 mm x width 305 mm, harbour, city-view in general, 'veduta', windmill, Grote or Onze-Lieve-Vrouwekerk., A sepia-toned etching shows a riverside scene with a large windmill and adjacent buildings on a timber quay, multiple sailing ships with masts and rigging moored nearby, smaller boats on the water, reflections on the calm surface, a tall tower and a churchlike structure behind trees, wooden fences and piers along the shore, and distant low buildings and another small windmill on the far bank under an open sky.
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alb30969101 Allegorical title page with the portrait of writer Edward Simson, Title page for: Edward Simson, Chronicon historiam catholicam complectens, 1729, print, title page, Minerva sits next to History and looks over her shoulder at the book in which she is writing. History looks up at three allegorical female figures (Truth, Poetry, and a third figure). Behind them Father Time, Fame, and a two-headed figure striking an inscription into a pyramid with a chisel. Four putti fly in the air, holding symbols of eternity, carrying the portrait of writer Edward Simson., printmaker: Jan Wandelaar, publisher: Johannes van der Linden (publisher), Leiden, paper, engraving, etching, height 356 mm x width 235 mm, Person, 'Historia', Father Time, man with wings and scythe, (story of) Minerva (Pallas, Athena), symbolic representations, allegories and emblems, poetry, 'Poesia' (Ripa), Eternity, 'Aeternitas', 'Eternità', 'Eternità o Perpetuità' (Ripa)., A detailed black and white engraving showing a central group of figures in classical dress and mythic forms. At the top a framed portrait of an older man with a beard is held aloft by flying putti and a winged child, while other cherubic figures carry a laurel wreath and a lit torch. Below them a nude female figure with long flowing hair stands partly draped by a cloak and book, flanked by winged figures with laurel crowns and a seated woman writing in an open book. A muscular bearded male figure with wings and a large scythe looms behind the central group, and a warrior in armor with a plumed helmet stands to the side near a decorative shield and a theatrical mask. In the lower foreground are scattered objects including a rolled map or scroll, a laurel wreath, and an incense burner emitting smoke. The background shows clouded skies, distant mountains, and trees, and the composition is densely worked with fine line shading and ornamental details.
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alb30969196 Armide destroys Renaud's palace, Armide irritée de Renaud, qu'elle aim, fait detruire son palais, print, printmaker: Charles Nicolas Cochin (II), Paris, after painting by J. Restout, grantor of privilege: Louis XV of France, France, c. 1736-11, Louis., A detailed monochrome engraving shows a dramatic scene on a rocky ledge with stormy skies and diagonal rain. A central seated woman in flowing drapery holds a wand and gestures outward while looking toward a standing male figure who advances barefoot, holding chains and a sword, with a cloth draped over his shoulder. Winged demonic figures with batlike wings and snarling faces surround them, some flying and some crouched on the rocks. Large urns and broken architectural fragments appear amid clouds of smoke and swirling drapery. A twisted tree with bare branches leans against the architecture in the background, and beams of light cut through the clouds. Flames and tendrils of smoke rise near the figures, and a fountain or spout sprays water on the right. The foreground is dominated by textured rock and shadowed folds, with intricate crosshatching throughout the composition.
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alb30969139 Caricature of the Heemskerk-Van Zuylen ministry, 1868, cartoon, print, Caricature with a monument. The celebration of the resignation of the Heemskerk-Van Zuylen ministry. The ministers depicted as acrobats. Plate published in the weekly magazine De Nederlandsche Spectator, no. 31, August 1, 1868., printmaker: Johan Michaël Schmidt Crans, Netherlands, printer (person): HL Smits, publisher: Dirk Anthonie Thieme, Arnhem, publisher: Martinus Nijhoff, The Hague, 1867, printer (person), paper, lithography, lithografie, height 275 mm x width 215 mm, Person, Julius Philips Jacob Adriaan graaf van Zuylen van Nijevelt, Jan Heemskerk Azn, monument, statue, acrobat, circus, Period., A vertical black ink drawing on a light background shows a stepped pedestal topped by two semi-nude male figures standing side by side, each wearing short draped garments and holding torn banners in their hands, with one figure resting an arm on the other's shoulder; above them a curved entablature with a reclining figure and a vertical sword rises behind, and two seated female figures with draped dresses and bowed heads sit on either side of the pedestal base.
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alb30969133 St. Jean préchant dans le désert, John the Baptist preaches in the desert, La Galerie du Palais Royal, print, printmaker: Heinrich Guttenberg, after painting by Abraham Bloemaert, after drawing by Antoine Borel, writer (clerical worker): Mademoiselle Niquet, publisher: Jacques Couché, Paris, publisher: Jacques Bouillard, grantor of privilege: French crown, 1786 - 1808, writer (clerical worker), provider of privilege, paper, etching, engraving, hand coloring, etching and engraving, hand colored, height 412 mm x width 296 mm, John the Baptist preaching (perhaps Christ among the bystanders)., A framed print showing a colored scene at the top with a group of people gathered outdoors beneath a twisted, gnarled tree against a cloudy sky; a seated male figure with a halo-like glow around his head and a staff rests near the tree while others sit or stand facing him, including a woman in a long dress, a standing young man in a vest, and a cloaked figure with a basket on their head; the foreground shows grassy ground and foliage, and below the scene a large area of the print contains a block of dense printed text surrounded by decorative borders.
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alb30969130 Procession for the Santa Maria del Fiore and the Battistero di San Giovanni in Florence, Veduta della Metropolitana Fiorentina, e del Battistero di S. Gio. con la Processione del Corpus Domini, print, A religious procession in front of Santa Maria del Fiore and the Battistero di San Giovanni in Florence., printmaker: Bernardo Sansone Sgrilli, Italy, printmaker: Giuseppe Zocchi, 1733 - 1755, paper, etching, height 502 mm x width 680 mm, procession, Christian religion, church (exterior), Florence, Tuscany, Florence Cathedral, Baptistery (Florence)., A wide monochrome engraving shows a large domed cathedral and an adjacent octagonal baptistery surrounded by a bustling city square filled with crowds. The cathedral has a prominent rounded dome with decorative panels and smaller domed chapels at its sides, a long ornate façade with circular windows, and a tall bell tower topped by a flag. The baptistery has a conical roof and detailed exterior arches. The square is crowded with groups of people in historical dress, carriages drawn by horses, and individuals on horseback, with processions and gatherings extending into distant streets lined by multi-story buildings. The sky above is textured with crosshatched clouds and rays of light, and the composition includes architectural details, street activity, and many clustered figures throughout the scene.
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alb30969192 Apollo kills Coronis, Metamorphoses by Ovid, print, Apollo hears from a white crow that his mistress Coronis has left him. He then kills Coronis by shooting her with an arrow. In the margin a four-line caption, in two columns, in Latin., printmaker: Crispijn van de Passe (I), Cologne, writer (clerical worker): Franco Estius, 1602 - 1607, writer (clerical worker), North Rhine-Westphalia, paper, engraving, height 85 mm x width 131 mm, Apollo shoots Coronis, but repenting his act he tries in vain to recall her to life, a white crow sees Coronis' infidelity and tells Apollo about it., A detailed black and white engraving shows a reclining female figure draped in flowing garments with an arrow protruding from her side, a standing male figure with curly hair holding a bow and arrow aimed toward her, a large bird flying nearby, a swirl of cloud or smoke rising between them, a group of smaller figures gathered in the midground by a rocky or tree-lined landscape, varied trees framing the scene at left and right, distant hills and buildings visible on the horizon, and textured foreground vegetation and rocks.
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alb30969108 Portrait of William I of Württemberg, HM Willem I Frederik Karel, King of Wurtemberg, print, printmaker: Nicolaas Johannes Wilhelmus de Roode, printer (person): Spanier & Zn, widow Elias, The Hague, 1863 - 1864, printer (person), paper, chine collé, lithography, lithography on chine collé, height 550 mm x width 363 mm, Person, Willem I King of Württemberg, historical persons., A monochrome portrait drawing of an older man shown from the chest up sitting facing slightly to the viewer's left, with short combed hair and a neatly trimmed mustache, wearing a dark formal coat over a waistcoat and a high-collared shirt with a dark cravat, rendered with soft shading and fine pencil or lithograph lines, on a lightly textured paper background.
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alb30969114 Opportunity makes the thief (original title on object), illustration, print, comic, Illustration in comic strip form accompanying a song about a carpenter and a laborer who hit a farmer pushing a milk cart on his 'fat' backside with a plank., printmaker: Johan Braakensiek, printer (person): Ellerman, Harms & Co., 1887-03-13, printer (person), paper, lithography, height 438 mm x width 295 mm, hitting at something, transportation of milk, fat (human type)., A multi-panel black-and-white drawing shows a sequence of scenes with men, a cart, and a small dog. In the top panels a few men stand near a doorway and one man carries a long plank while another holds a smaller object; another man stands off to the side near the entrance and a group of onlookers cluster behind. In middle panels a man pushes a loaded cart away from a building while others watch from the doorway, and the same man is depicted stumbling or lunging toward the cart as the plank-bearer and a small group look on. A lower panel shows a man on his hands and knees reaching toward a small dog near a tipped cart with barrels while two figures watch from a dark doorway. The bottom scene depicts a cart loaded with bundles in the street, a man standing nearby with his hand to his head, a hat on the ground, and a doorway with figures visible through or behind it. The overall style is sketch-like with shaded pencil or ink strokes and simple interior and street settings.
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alb30969167 German rider in armor, costume print, Series number 8, 77, Horse and rider to the right. The horse is walking. The German rider carries a lance in his hand and is in armor. The print has a German caption and a Latin inscription. Print originally from 'Equitum descripcio...', 1577., printmaker: attributed to Abraham de Bruyn, Cologne, publisher: Caspar Rutz (possibly), 1577, North Rhine-Westphalia, Attributed to, paper, engraving, height 153 mm x width 112 mm, ), Europeans: Germans., A detailed black-and-white engraving shows an armored rider on a horse. The rider wears a full helmet with a visor and a plume, plate armor with articulated arm pieces, gauntlets, and a sash across the chest, and holds a long pole or lance. The horse is shown in profile with ornate tack including a decorative face covering, a braided or patterned bridle, and a caparison with tasseled adornments and a large plume on its head. Both rider and horse display intricate engraved linework indicating texture and shading, with visible straps, tassels, and ornamental details on the saddle and harness. The ground beneath them includes stylized grass and terrain.
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alb30969117 Farmyard with two cows, a goat and a talking couple, print, printmaker: Antonie Franciscus Dona, The Hague, 1853, paper, etching, drypoint, etching and drypoint, height 200 mm x width 160 mm, goat, cow., A detailed monochrome etching shows a pastoral scene with a group of cattle resting and standing on grassy ground beneath a canopy of trees; one large cow reclines in the foreground with its body curled and head turned slightly, another cow stands behind it, and a smaller grazing animal is to the left. The background features dense, textured foliage and tall tree trunks on the left, with lighter, more delicate branches and leaves extending toward the center and right. The right edge shows a vertical rocky or earthen rise with sparse, bare branches. The ground is rendered with fine cross-hatching and tufts of grass, and the overall image is composed of intricate line work and tonal shading.
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alb30969172 Landscape with tall trees, print, watermark, printmaker: Maxime François Antoine Lalanne (signed by artist), France, dedicated to: Jan Daniël Cornelis Carel Willem baron de Constant Rebecque, 1874, paper, etching, intaglio printmaking technique, drypoint, engraving, height 159 mm x width 235 mm, landscapes, trees., A detailed monochrome landscape showing a cluster of large leafy trees dominating the center, with visible trunks and dense foliage; smaller trees and shrubs appear on the left and right edges. The foreground includes various low plants and a grassy area with a few small birds on the ground and a narrow path or clearing leading toward the trees. In the midground there is a suggestion of a small structure partially hidden among the trees and an open field extending toward a distant tree line. The sky above is filled with textured, swirling cloud formations and fine horizontal hatch marks. The overall image is made up of intricate, fine etched lines and shading.
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alb30969138 Sculptures, 13th Century, Wooden sculpture of Christ on the cross, page, photomechanical print, inscription: 'SCULPTURES en bois, ', inscription: 'SCULPTURES. PL. 15.', monogram: 'JJvY', cliché maker: Joseph Maes (possibly), Antwerp, after design by anonymous, c. 1881 - in or before 1889, photographer, paper, collotype, photolithography, height 341 mm x width 235 mm, sculpture, the crucifixion of Christ: Christ's death on the cross, Golgotha (Matthew 27:45-58, Mark 15:33-45, Luke 23:44-52, John 19:25-38)., A large carved crucifix dominates the image, with a sculpted figure of a man affixed to an ornate cross decorated with circular medallions at each arm and intricate reliefs; the figure wears a draped cloth around the waist and has a tilted head and visible musculature. Surrounding the crucifix are various sculptural objects and relief panels displayed on shelves and walls, including a group of small seated or standing figurines on a shelving unit to the left and a relief within a circular frame on the right. In the lower foreground there is a carved pedestal and additional sculpted pieces clustered near the base of the cross. The scene is tonal and monochromatic, with strong contrasts between the lighter sculptures and the darker background, and the composition fills a vertical rectangular page with a narrow decorative border.
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alb30969110 Sculptor, Occupations, print, A sculptor in his studio, working on a sculpture of a reclining figure with hammer and chisel. On the right, an open upper door., printmaker: Jan Gillisz. van Vliet, Leiden, 1635, paper, etching, height 210 mm x width 162 mm, sculptor at work, divided door, upper part opened, tools, aids, implements, crafts and industries: chisel, implements of sculptor: mallet., An interior scene rendered in fine cross-hatched lines shows a small cluttered room with a wooden table and bench, a man wearing a hat leaning over a reclining nude figure on the table while holding a tool, a standing sculpted figure on a pedestal to the left, a few sculpted heads and detached limbs arranged on a shelf in the background, a partially open wooden door with a round ring handle revealing a lighted wall beyond, scattered tools on the table and floor, and worn wooden floorboards and paneled walls giving a cramped, workshop atmosphere.
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alb30969113 City Hall of Paris on Place de Grève, Hôtel de Ville et Place de Grève, print, page, inscription: 'PARIS DAGUERRÉOTYPÉ No. 21.', printmaker: Thomas Shotter Boys, Paris, publisher: Aubert & Cie., 1839 - in or before 1840, paper, tone lithography, tone block in beige, height 210 mm x width 260 mm, town hall, Stadhuis (Paris)., An aged sepia-toned city scene framed by a decorative border shows an ornate multi-story building with intricate architectural details and a tower on the left, a broad open square in front of it, and a distant skyline of lower buildings and a taller structure under a sky with wispy clouds; in the square there are a few horse-drawn carriages parked near the building and a group of people scattered about, many wearing long coats or cloaks and some carrying baskets, with one person standing centrally facing forward.
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alb30969163 Portrait of Henrik Antoni Tollé, print, Portrait of the preacher Henrik Antoni Tollé, at the age of 61., printmaker: Jacob Schwartzenbach, Veere, 1790, paper, etching, height 96 mm x width 83 mm, Person, Henrik Antoni Tollé., An oval engraved portrait of an older man with a full, curled wig and a rounded face, shown from the chest upward, wearing dark robes and a light clerical collar, with finely hatched shading in the background and detailed crosshatching and stippling on the face and clothing.
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alb30969180 Three slaves at a fountain (former title), Islamic galley slaves at a fountain, Islamic galley slaves in an Italian port, Port scenes, print, On the right stand three Islamic galley slaves by a fountain. One of them is drinking from the fountain and a second is washing his face. In the middle, a dog is sniffing at a wooden barrel. On the left are four more Islamic galley slaves, one of whom is smoking a pipe and another is holding a halberd. These enslaved men can be recognized as Muslims by the typical hairstyle (head shaved bald except for a lock) that they were required to have. Behind them a galley sails., printmaker: M. Schaep, Northern Netherlands, after print by Cornelis de Wael, Genoa, 1649, Cornelis de Wael, after print by, paper, etching, height 117 mm x width 147 mm, ), slavery, Islamic galley slaves., A detailed pen-and-ink scene shows a group of men on a shoreline with a small fleet of longboats in the water; several standing figures wear simple loose garments and caps, one man holds a polearm, another stands with a hand on his hip looking toward the viewer, and a couple of men lean over a carved stone mask while another bends to rinse his face in a basin. Nearby a seated figure smokes a pipe, a dog sniffs the ground between a barrel and a coil of rope, and rowing men occupy the boats behind masts and flags. The background contains horizontal hatch lines suggesting sky and distant clouds, and architectural carved details appear at the right edge.
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alb30969182 Skaters on the ice and farmers on a road, Vetustae Ruinae et Venustissimae aliquot Regiones, Ruins in landscapes, print, Series number, 8, 16, Skaters on the ice and farmers on a road near houses. Eighth print of a series of sixteen., printmaker: Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, height 132 mm x width 200 mm, public road, skates (winter sports)., A detailed black and white etching shows a riverside scene with a group of tall, windswept trees on the left and a cluster of rustic buildings with sloped roofs nearby, one building featuring a taller gable. A raised wooden structure with a long angled beam and vertical pole stands over the water, connected by a narrow walkway to the shore. Several small figures in period clothing stand or walk along a dirt path and pier, including two figures conversing near the foreground and a few other figures scattered further back. Boats are moored along the water's edge, one with a seated person and another being pushed by a standing figure in the shallows. On the opposite bank a group of trees and thatched-roof huts are visible, and the sky is filled with fine horizontal lines suggesting clouds or atmospheric texture.
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alb30969103 Portrait of Ludwig II, King of Bavaria, Ludwig II, König von Bayern, page, photomechanical print, cliché maker: anonymous, c. 1875 - in or before 1880, photographer, paper, collotype, photoprint, height 188 mm x width 141 mm, Person, Louis II (king of Bavaria), historical persons, king., A monochrome oval portrait of a man shown from the chest up, framed by an ornate botanical border with leaves and flowers; he has styled dark hair, a mustache and a pointed beard, and is wearing a dark military uniform with decorative shoulder epaulettes, a sash across his chest, a few medals and star-shaped insignia attached to the uniform, and a braided cord detail.
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alb30969161 Rembrandt's windmill at Koukerk, Six etching proofs, print, printmaker: Pierre Louis Dubourcq, Netherlands, 1849, Pierre Louis Dubourcq, printmaker, paper, etching, height 260 mm x width 200 mm, windmill in landscape, Koudekerk aan den Rijn., A tall round windmill with a conical roof and a long sail stands near the center, flanked by a group of low buildings and trees; the windmill shows patterned bands around its upper section and small openings on its face. A fence runs beside the mill and a path leads away across grassy land with textured tufts and reeds in the foreground. Two small figures stand near the mill entrance and another figure walks along the path toward the right, while a few birds are visible in the sky above the buildings. The scene is rendered in fine line work on a pale background.
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alb30969150 Saint Paul, Nam mihi Vita Christvs est, Christ, the twelve apostles and Saint Paul, print, Series number, 14, The apostle (Saint) Paul, standing on a step near a ruin, a book in his right hand, a sword in his left hand. Below the image a line of Latin text. This print is part of a series of 14 prints, each consisting of a full-length likeness of an apostle, or Paul with typical attributes and a caption in Latin., printmaker: Jacques de Gheyn (II), Amsterdam, after design by Karel van Mander (I), 1591 - 1592, Attributed to, paper, engraving, gravure, height 295 mm x width 189 mm, the apostle Paul of Tarsus, possible attributes: book, scroll, sword., An elderly bearded man in flowing robes is seated on a stepped platform, holding an open book in one hand and resting his other hand on the hilt of a long sword that stands pointed downward; his long beard falls over his chest and his bare feet are visible on the steps, while behind him an arched architectural scene with vaulted passageways and a distant curved structure appears, and a few small plants grow among the stone surfaces.
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alb30969152 Portrait of a man with a turban, in profile facing right, print, printmaker: Pieter de Grebber, Netherlands, 1610 - 1655, paper, drypoint, height 88 mm x width 53 mm, head-gear: turban, anonymous historical person portrayed, male sex, man., A monochrome etched profile of an older person facing right, wearing a rounded cap and a thick fur-lined garment, rendered with fine, curved hatch marks and crosshatching; the face shows pronounced features with a prominent nose and deep lines, the hair peeking from under the cap and blending into the textured fur, all set against a plain, slightly speckled background.
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alb30969157 Finally, some shepherds, who came there with their flocks, also discovered his cell., Shepherds find Benedict in his cell, print, book illustration, Two shepherds stand, accompanied by some of their sheep, before Benedict who is sitting in a cave. From his cell he speaks to the shepherds., printmaker: Reinier Vinkeles (I), Amsterdam, 1805, paper, etching, engraving, etching and engraving, height 245 mm x width 163 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, conversation, dialogue, conversation piece, sheep, cave, grotto, anchorite, hermit., A detailed black and white engraving shows a rocky, tree-dotted landscape with a cave opening at ground level. Near the cave, a seated figure with long hair and simple clothing leans on one arm and gestures with the other toward two standing figures. The standing figures wear plain garments and hold long staffs; one is younger with curly hair and a satchel at his side, the other is older and balding. Several sheep with textured wool stand beside the two standing figures, some facing forward and some looking toward the seated figure. Vegetation and grasses appear in the foreground and along the rocky outcrops, and fine linework renders clouds and sky above.
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alb30969109 Greek vivandière, La Vivandiere à la Grecque, Mascarade A La Grecque, print, ornamental print, Series number, 2, 10, A standing woman with a body like a fluted column and a belly like an oven. On her head she wears a capital with a broom and a pot. In her hands she holds cooking utensils and a dead rabbit hangs from a hook on her shoulder., printmaker: Benigno Bossi, Parma (city), after design by Ennemond Alexandre Petitot, dedicated to: Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 270 mm x width 183 mm, Europeans, female sutler, canteen-woman., A monochrome engraved image of a standing figure composed of household objects and architectural elements, with a human face wrapped in cloth visible in the upper central area, a broom and a pan balanced horizontally on the head, a pot on top, shoulder pieces resembling blocks and utensils attached, a rectangular torso resembling a stove or pedestal with a small arched opening and decorative details, one arm holding a long handled skimmer with a string of small items hanging from it and the other arm holding a round shallow pan and a three-pronged tool, a fur or pelt draped on one side, pleated skirt-like elements below the torso, visible feet in simple footwear, a textured background and a narrow border around the scene.
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alb30969127 Egmond gives his sword to Alva, 1567, Deprive your prince of his greatest support, this sword!, Scenes from the life of Prince William I, 1568-1584, print, historical print, Series number, 2, 24, Upon his arrest on September 10, the Count of Egmond hands over his sword to Alva. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584. This print is an illustration for the second canto., printmaker: Theodoor Koning, Amsterdam, after design by Jacobus Buys, publisher: Smit & Zoon, Johannes, publisher: Willem Vermandel, 1779, paper, etching, height 272 mm x width 219 mm, Person, Fernando Álvarez de Toledo (3rd Duke of Alba), Lamoraal Count of Egmond, law and jurisprudence (+ arrest), Eighty Years' War, Period, 1567-09-10., A monochrome engraving shows a group of men in period clothing gathered inside an architectural interior with masonry walls, columns, and arches. Two men stand prominently facing each other in the foreground, both wearing ruffled collars, doublets, capes, and breeches; one extends a sword toward the other who gestures with his hand and holds a hat. Behind them a few armored soldiers wearing helmets with plumes and carrying polearms stand in formation near a tall columned doorway. To the left, a seated figure partially visible is near an ornate chair draped with fabric, and another man stands nearby looking toward the central scene. The floor has a patterned surface, and the image is rendered with fine crosshatching and detailed line work.
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alb30969164 Shepherd with his family and cattle, print, printmaker: Georg Paul Ermels (der Jungere), 1697, paper, etching, etching on blue paper, height 122 mm x width 160 mm, landscapes in the temperate zone, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, dog, ox., A detailed pen-and-ink scene shows a large reclining cow in the foreground with textured fur and curved horns, its head turned slightly toward the viewer; next to it a group of human figures in draped clothing including a seated woman holding an infant and a standing man leaning on a long staff with one arm raised; a small kneeling child reaches toward the group; the setting includes a rocky, tree-covered hillside on the left with dense foliage and a few overhanging branches, and an open sky with scattered clouds on the right; in the distant middle ground there are indications of layered landscape and roughly sketched architectural ruins partially obscured by vegetation.
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alb30969166 Three horsemen by a tent with a banner and wreath, Resting soldiers by tents, print, Series number, 2, 4, Soldiers on horseback in front of a tent decorated with a banner and wreath in the dunes. One of the soldiers has dismounted from his horse. In front of the tent stands a smiling woman with a pul., printmaker: Jan de Visscher, Northern Netherlands, after painting by Philips Wouwerman, 1643 - 1692, paper, etching, engraving, height 358 mm x width 417 mm, landscapes, dog, riding a horse, ass, or mule, rider, horseman, lovers, courting, flirting, (military) camp with tents., A detailed black and white etching shows a group of people and horses gathered near a makeshift shelter under a sky filled with textured clouds; a tall flagpole with a waving banner rises from the shelter and a wreath hangs nearby; several men in period clothing stand and sit among saddled horses while one man on horseback holds a raised cup and another leans forward; women are near the entrance of the shelter with one holding a vessel and a small child nearby; a dog sniffs the ground between the horses and a man crouches beside one horse; in the distance more figures and animals are visible along a shoreline with a small boat on the water.
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alb30969173 View of the St. Servaas Tower in Utrecht, print, printmaker: Friedrich Christoph Dietrich, after design by Cornelis van Hardenbergh, dedicated to: William I of the Netherlands, dedicated by: Johannes Weppelman, 1817, paper, etching, aquatint, hand coloring, etching and aquatint, hand-colored, height 425 mm x width 505 mm, Utrecht (WF Stamrood) 1817, armorial bearing, heraldry, city-view, and landscape with man-made constructions, Utrecht., A wide landscape scene shows a ruined stone tower with crumbling walls and small windows standing on a grassy rise beside a river, surrounded by trees and buildings with tiled roofs and chimneys; a group of sheep graze on the slope near the tower while a few people sit on the grass with baskets and a staff, and others walk along paths and near the houses; small boats are on the calm river and trees line its banks; the sky above is filled with large soft clouds.
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alb30969190 Three farmers by the hearth, Farmers in interiors, print, Series number, 1, Three farmers by the hearth. The farmer on the left raises his glass and holds a jug in the other hand, the middle farmer smokes a pipe., Hollstein Dutch 1, printmaker: Jan Naning, publisher: Cornelis Danckerts, Amsterdam, 1650 - 1699, unknown, grantor of privilege, paper, etching, height 163 mm x width 128 mm, farmers, farm (building) - AA - civic architecture: inside., A rustic interior scene shows a large fireplace with a wide mantel holding a few bottles and vessels, flanked by wooden beams and a small window with a grid. In front of the hearth a group of three men sit and recline on simple stools and a chair, wearing hats and coarse clothing; one man raises a cup while another smokes a pipe, smoke curling upward. A small box with holes sits on the floor near a low table, and various household items hang on the walls. The floor is wooden and scattered with a few small objects, and the room is rendered with dense crosshatch shading and wood grain texture.
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