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alb31009845 Revue de la Mode, Gazette de la Famille, Sunday, September 18, 1887, 16th Year, No. 820: Outfits by Mr. Le Houssel, fashion print. Two women walk along a balustrade; in the background, a lake. Left: 'toilette' of grey wool and striped wool in grey and light grey. Bodice with a wrap-around neckline, open at the bottom over a vertically striped waistcoat. Matching hat and parasol. Right: 'toilette' of golden yellow faille embroidered with chenille and matching trimmings. 'Princess tunic' of plain faille, bodice fastening on the left side with four 'agrafes'. V-shaped cravat with embroidery identical to the skirt. Below the image, a line of advertising text for various products. Print from the fashion magazine Revue de la Mode (1872-1913). Detailed description of the clothing on pages 299 and 300 'PLANCHE COLORIÉE'., address: '13 & 15, Quai Voltaire Paris', caption: 'Etoffes de la M.on Le Houssel, 1, r. Auber _ Corsets de la M.on Léoty, 8, place de la Madeleine.', title: 'REVUE DE LA MODE, Gazette de la Famille', printmaker: A. Chaillot, printer (person): Henri Quentin, Paris, printer (person), paper, hand coloring, engraving, hand colored, height 375 mm x width 268 mm, skirt (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), coat (+ women's clothes), gloves, mittens (LONG GLOVES) (+ women's clothes), piece of clothing covering the breast or décolleté (+ women's clothes), parasol, sunshade (+ women's clothes), embroidery (ornamentation) (+ women's clothes), clothing for the upper part of the body (VEST) (+ women's clothes), fasteners for clothes (+ women's clothes), costume, Period., Two women stand side by side on a terrace in period dresses. The woman on the left wears a dark-gray gown with a fitted bodice, high collar, striped skirt, and draped overskirt; she holds a light-colored parasol above her shoulder and wears gloves and a decorative hat with curled plumes. The woman on the right wears a brown dress with ornate embroidery on the fron.

alb31009885 The French Carnival, ca. 1701-1713, Depicted in a Dialogue between a Swede and a Danish Nobleman, Le Carnaval de France, cartoon, print, The French Carnival. Allegory of the dragonades in France under King Louis XIV. On the left, the virtues are driven out by Jesuits; they flee to a temple (the Republic) where they are welcomed. In the center, the bloodletting of France; the blood is licked up by dogs. On the right, Mars with a wooden leg, with Death in his wake, poverty, widows, and orphans. On the sheet below the image, the dialogue between a Swede and a Dane in Dutch and French. Part of a group of individual caricatures of Louis XIV during the War of Spanish Succession, ca. 1701-1713., printmaker, Northern Netherlands, paper, etching, letterpress printing, etching with text in letterpress, height 480 mm x width 345 mm, Person, Louis XIV (King of France), political caricatures and satires, War of Spanish Succession, Period, 1701 - 1713., A large rectangular engraving fills the top portion, depicting a crowded scene with many figures in period clothing arranged around a central seated woman on a raised platform; she is attended by standing figures and surrounded by draped fabric and an angelic figure above holding a torch. To the left foreground, robed men wearing wide-brimmed hats hold long staffs or poles and gesture toward a group of women who carry flowers and fruit, one woman turning her head toward them. To the right foreground, a seated armored woman holds a sword and a torch while a gaunt figure with a skull-like face leans on a staff nearby, and other figures cluster around a large flaming cauldron filled with faces or masks. Architectural elements, including an archway and buildings, appear in the background at the left, while clouds and smoke rise behind the central scene. Below the engraving, a wide blank band separates the image from two columns of dense printed text in different languages spanning the remainder of the page.

alb31002107 Mirror of Good Pleasure, Specvlvm Complacentiae, Twelve mirrors with which man tries to see God, Duodecim Specula Deum, print, book illustration, Series number, 4, 12, In the center, Emperor Otto I looks into a mirror. Around him are examples of other kings who wallowed in pleasure and vanity: Saul, Antiochus, and Aman. In the sky on the left, Lucifer and two fallen angels; on the right, the expulsion of Adam and Eve from the Garden of Eden. In the foreground on the right, a youth looks at his own reflection in the water. On the left, a mother monkey feeds her young. The print has a Latin caption: 'Quisquis es ipse tui procus et riualis amoris: Siqua tibi fuerat gratia tota perit'. At the bottom is a legend of the scenes, which are numbered alphabetically in the image. The print is part of a twelve-part series (IV of XII prints) with the subject of twelve mirrors through which man attempts to see God., printmaker: Theodoor Galle, Antwerp, writer (clerical worker): Jan David, Kortrijk, publisher: Johannes Moretus (II), 1610, writer (clerical worker), paper, engraving, gravure, height 152 mm x width 89 mm, Person, Otto I (Holy Roman Emperor), reflection (in a mirror), king, mirror, story of Saul, an angel chases Adam and Eve out of paradise with a (flaming) sword, devil(s) and demons: Lucifer, monkeys, apes (+ feeding and care of young), (story of) Antiochus I (Soter)., A detailed black-and-white engraving shows a central scene with a standing man in armor facing a tall oval mirror held upright by two other armored men, the mirror reflecting an older robed figure; surrounding them are several standing men in various robes and helmets, some holding spears or swords, and a kneeling man in a hat gesturing with raised hands; above left, three winged figures stand on clouds with halos, and above right an angelic figure appears in clouds near a fenced circular enclosure where two nude figures stand; lower left shows two small monkey-like figures sitting and embracing on the.