Busque também em nossas outras coleções:

Data da imagem:
Pauta
ver mais opções...
Agência
Fotógrafo
ver mais opções...
Estado
ver mais opções...
Cidade
ver mais opções...
Local
ver mais opções...
Tipo de licença
Orientação
Coleção
ver mais opções...

Total de Resultados: 10.000

Página 1 de 100

akg5739395 Norwegen, Finnmark; Stadt Alta, Alta Museum (UNESCO-Welterbe), Felsplatte 11: Drei Boote mit Elchköpfen (ca. 5000 - 3000 v. Chr.). Die Boote waren einst aus Leder, die Elchköpfe aus einem Stück Holz geschnitzt. Vermutlich sollte die Kraft des Elchs auf die Schwimmfähigkeit des Bootes übergehen. Das Boot steht für Fischfang, aber auch Reisen zwischen kosmologischen Welten. Dem Elch wird eine enge Beziehung zum Totenreich zugeschrieben. Platte 11 hat 40 Figuren, die 5000 - 6000 Jahre alt sind. Sie repräsentieren Boot, Rentier, Elch und Mensch. Das Alta Museum nahe Alta bewahrt die Felszeichnungen und Felsritzungen, die ab 1950 am Alta-Fjord entdeckt wurden. Seit 1985 sind sie UNESCO-Welterbe. 1950 fand der Bauer Fredrik Falsen bei der Kartoffelernte einen Stein mit einer männlichen Figur, der als "Pippisteinen" (Pippistein) in die Geschichte einging und im Haus des Alta-Museums ausgestellt ist. Tausende weitere Funde auf Felsplatten folgten. Die Felsmalereien werden auf ein Alter von 5000 v. Chr. bis zur christlichen Zeitenwende 0 datiert und sind bis zui 7000 Jahre alt. Sie gelten als älteste Zeugnisse der Kulturgeschichte am Alta Fjord und nördlich des Polarkreis und dokumentieren zudem die Ur- und Frühgeschichte der Sami (Samen), von der Steinzeit bis in die Jetztzeit. Ausgestellt sind auch Sami-Trommel (17. Jh) oder der Nachbau eines bis zu 7000 Jahre alten Bootes aus Leder mit hölzernem Elchkopf. Zwei Wege erschließen das Open air-Gebiet, die ältesten Felsritzungen, bis 7000 Jahre alt, sind rot markiert, die jüngsten, ab 500 v. Chr. entstandenen nicht. An Platte 4, wo ein prähistorischer "Schattentanz" zur Aufführung kommt, sind Rentier, Elch, Heilbutt, Mensch und Boot abgebildet. Platte fünf zeigt die Anfänge, als sich alles um Bären drehte: Ein großer grüner Bärenkopf entstand wohl natürlich in einer Mulde, darum schufen Vorzeit-Samen 65 Figuren und zig Bärenspuren. Im Kopf des Bären spielt sich ein Drama auf Leben und Tod zwischen Jä.
DC
akg5739407 Norwegen, Finnmark; Stadt Alta, Alta Museum (UNESCO-Welterbe), Felsplattenfeld 6 und 7: fünf mystische, tropfenförmige Fransenfiguren (ca. 5000 - 4000 v. Chr.). Am Standort Alta-Museum in Hjemmeluft wurden nur 17 dieser Figuren entdeckt. Sei sind sehr selten und könnten Schmuck aus Bährenzähnen oder Bärenkrallen darstellen. Sie könnten aber auch Sonne oder Mond darstellen, ein Bündel Fische oder anderes. Manche glauben an Halsschmuck, andere an Schamanismus. Auf dem Felsritzungsfeld 6 und 7 befinden sich 590 Figuren, die 6000 bis 7000 Jahre alt sind. Sie repräsentieren Rentier, Bär, Elch, Wal, Hund/Wolf, Mensch, Einzäunung zur Jagd; Bärenhöhle; Bärenspur; Boot; Fransenfigur; Fußsohle, Objekte und sind heute in 23 bis 25 m über dem Meeresspiegel. Das Alta Museum nahe Alta bewahrt die Felszeichnungen und Felsritzungen, die ab 1950 am Alta-Fjord entdeckt wurden. Seit 1985 sind sie UNESCO-Welterbe. 1950 fand der Bauer Fredrik Falsen bei der Kartoffelernte einen Stein mit einer männlichen Figur, der als "Pippisteinen" (Pippistein) in die Geschichte einging und im Haus des Alta-Museums ausgestellt ist. Tausende weitere Funde auf Felsplatten folgten. Die Felsmalereien werden auf ein Alter von 5000 v. Chr. bis zur christlichen Zeitenwende 0 datiert und sind bis zui 7000 Jahre alt. Sie gelten als älteste Zeugnisse der Kulturgeschichte am Alta Fjord und nördlich des Polarkreis und dokumentieren zudem die Ur- und Frühgeschichte der Sami (Samen), von der Steinzeit bis in die Jetztzeit. Ausgestellt sind auch Sami-Trommel (17. Jh) oder der Nachbau eines bis zu 7000 Jahre alten Bootes aus Leder mit hölzernem Elchkopf. Zwei Wege erschließen das Open air-Gebiet, die ältesten Felsritzungen, bis 7000 Jahre alt, sind rot markiert, die jüngsten, ab 500 v. Chr. entstandenen nicht. An Platte 4, wo ein prähistorischer "Schattentanz" zur Aufführung kommt, sind Rentier, Elch, Heilbutt, Mensch und Boot abgebildet. Platte fünf zeigt die Anfänge, als sich alles um B.
DC
akg1156411 History / world War II / war at sea, battles in the Pacific.-Air raid alarm on board of the aircraft carrier USS "Yorktown": gunners at a doublebarrelled 40 mm antiaircraft cannon; in the background a Livermore class destroyer of the US Navy .-Photo, summer 1943.
DC
akg1657307 Militär / Kriegsgräber / Zweiter Weltkrieg.-Vorübergehend angelegter Soldatenfriedhof der US-Armee an der Nordküste von Sizilien (Italien).-Foto, um 1943/45.
DC
akg1233834 Military / USA / World War II.-The crew of a 240mm coastguard cannon in California (USA).-Photo, July 1943.
DC
akg7696001 altar figure depicting Sango priest, Oyo people, Yoruba people, 1920-1976, wood, pigment, 38-1/4 x 10-1/2 x 10-1/2 in., African Art.
DC
akg202246 Pisano, Andrea; 1290/95 - 1348/49. - "Working on the Land". (Adam and Eve after the Expulsion). Relief, c. 1334/40. From a series of six reliefs in the Campanile of the duomo in Florence, lower storey, west side (Series of the inventors of talents). Originals now replaced by copies. Florence, Museo dell'Opera del Duomo. Museum: Florence, Museo dell'Opera del Duomo.
DC
akg965667 Military / Countries / USA-End of the second world war 1945: Soldiers returning from action in China, Burma and India. Members of the US Air Force (Flying Tigers, Merrill's Marauders a.o.), are arriving at New York City harbour on the troop ship "General A.W. Greely". Photo, 27th September 1945.
DC
akg1007166 History / world War II / posters and propaganda.-"That new `CORSAIR' that's for me! GET 'EM UP FOR YOUR NAVY!" (US Navy propaganda for the F4U Corsair fighter aircraft, which could also be used on aircraft carriers).-Poster, USA, undated (c.1942/43).
DC
akg870260 2. Weltkrieg / Frankreich: Befreiung ("Libération") von Paris am 25. August 1944.-Parade der Alliierten (US-Truppen und franz. Panzertruppen von Gen. Leclerc) auf den Champs Elysées: Résistance-Kämpfer und Offiziere der Freien Französischen Kräfte.-Foto, 26.8.1944.
DC
akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
DC
akg2437217 Mesopotamia, Uruk period, c.3500-3100 BC. Fragment of a cylinder seal: The king-priest and his acolyte feeding the sacred herd. Limestone, height 6.2 cm, diameter 4.3 cm. Inv. no. AO 6620. Department of Antique Orientales, Musee du Louvre, Paris, France. Museum: Paris, Musée Du Louvre.
DC
akg321138 Niki de Saint-Phalle; French artist. Neuilly-sur-Seine 29.10.1930 - San Diego 22.5.2002. Niki de Saint-Phalle modeling a head in the garden of her residence "Auberge au Cheval Blanc" in Soisy-sur-École (Dép. Essonne, France). Photo, July 1979. Copyright: For editorial use only. © Niki de Saint Phalle. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. For editorial use only.
DC
akg128805 Heinemann, Joseph. 1825-1901. "Birth of Christ. The shepherds at the crib". Ink lithograph, colourised. From: Bilder-Bibel. Vierzig kolorierte Darstellungen (...) von J.Heinemann, Freiburg i. Br. (Herdersche Verlagshandlung), 1906, plate XVI. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
DC
alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
DC
akg245952 Saint-Phalle, Niki de French artist, born in Neuilly-sur-Seine 29.10.1930. Niki de Saint-Phalle in front of her work "L'Ange Protecteur" in the hall of Zurich main station (Switzerland). Photo, November 1997. Copyright: For editorial use only.
DC
akg246469 Iberian Peninsular / Conquest:. Battle of Higueruela (Sierra Elvira), 1 July 1431, between John II of Castile and the Moors (Tribute is imposed on Granada). "The Battle of Higueruela". Detail: footsoldier, drinking at river. Fresco, unknown painter, 2nd part of. 16th century. Overall dimensions 55 × 4m Escorial, Hall of Battles.
DC
akg1575173 2. Weltkrieg / Zusammenbruch der Ostfront: Sturm der 3. Weißrussischen Front der Sowjetarmee auf Königsberg ( 7./8. April 1945) und Kapitulation der Stadt am 9. April 1945.-Ein zerstörter befestigter Feuerpunkt nach den Kämpfen.-Foto, April 1945 (Juri Rschewzew).
DC
akg3335152 Botticelli, Sandro (born Alessandro Filipepi), 1445-1510, Italian painter. The Birth of Venus (detail: Head), c.1482. Tempera on canvas, 172.5 × 278.5 cm. Inv. no. 878. Florence, Galleria degli Uffizi. Museum: Florenz, Galleria degli Uffizi.
DC
akg4451158 CHINA'the Giglio d' Oro'o the way to compress with the fasciatura the Chinese feminine foot. Illustration of XIX the century.
DC
akg7973937 Lunel, Ferdinand (en 1857 - en 1933). Un repas en famille. Dessin. D. 16759, Paris, Musée Carnavalet.
DC
alb9854510 SERENA WILLIAMS, VENUS WILLIAMS and RICHARD WILLIAMS in VENUS Y SERENA: REVOLUCION EN LA PISTA (2023) -Original title: VENUS & SERENA: CES ICONES QUE L'AMERIQUE NE VOULAIT PAS VOIR-, directed by SONIA DAUGER. English title: VENUS & SERENA THE GAME CHANGERS.
DC
alb28754716 The Sack of Rome, 16th century. Oil on panel, 31 x 44 7/8 in. Flemish school.
DC
alb2069242 Diego Rodríguez de Silva y Velázquez / 'The Medici Gardens in Rome', 1629-1630, Spanish School, Oil on canvas, 48,5 cm x 43 cm, P01210. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2069098 Adam de Coster / 'Judith with the Head of Holophernes', 17th century, Flemish School, Oil on canvas, 144 cm x 155 cm, P01466. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb3890576 [King Thibaw Min's Throne Room - Mandalay]. Date/Period: Ca. 1890. Print. Albumen silver. Height: 268 mm (10.55 in); Width: 192 mm (7.55 in). Author: Felice Beato.
DC
alb3711476 The Vision and Inspiration (Joan of Arc series: I). Dated: c. 1907-early 1909. Dimensions: overall: 75.57 × 168.91 cm (29 3/4 × 66 1/2 in.) framed: 98.43 × 193.04 × 10.16 cm (38 3/4 × 76 × 4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
DC
alb3890574 [King Thibaw Min's School Now Used as a Church]. Date/Period: 1888 - 1893. Print. Albumen silver. Height: 197 mm (7.75 in); Width: 271 mm (10.66 in). Author: Felice Beato.
DC
alb3739108 Adam de Coster. Dated: probably 1626/1641. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pieter de Jode II after Sir Anthony van Dyck.
DC
alb3890617 [Pagoda and Kyaung Built by the Captain of King Thibaw Min's Bodyguard]. Date/Period: Ca. 1890. Print. Albumen silver. Height: 184 mm (7.24 in); Width: 262 mm (10.31 in). Author: Felice Beato.
DC
alb3730542 The Turmoil of Conflict (Joan of Arc series: IV). Dated: c. late 1909-early 1913. Dimensions: overall: 75.57 × 172.72 cm (29 3/4 × 68 in.) framed: 99.06 × 196.85 × 10.16 cm (39 × 77 1/2 × 4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
DC
alb3608964 Belt Clasp. Culture: Celtic. Dimensions: Overall (together): 2 9/16 x 5 1/8 x 1/4 in. (6.5 x 13 x 0.6 cm)Overall (a): 2 9/16 x 2 13/16 x 1/4 in. (6.5 x 7.1 x 0.6 cm)Overall (b): 2 9/16 x 3 3/8 x 1/4 in. (6.5 x 8.5 x 0.6 cm). Date: 2nd century B.C..This bronze and silver buckle is unusual in that both its top and bottom plaque are preserved, along with remains of the iron rivets used to attach it to a leather belt. Small figurines show warriors wearing similar clasps, suggesting this was designed for use by a soldier. It is typical of a type of buckle produced in the central plain region of the Iberian Peninsula, where silver is found in the Sierra Morena mountains. In design it is closely related to engraved examples of artwork in Andalusia in the southwest of Spain, a province that strongly influenced the artistic development of the rest of Iberia. Opposing spirals were a popular motif in Celtic art and were often combined with concentric circles on buckles such as this one. The design was created by carving out a pattern on a bronze panel, and then hammering a thin sheet of silver into the indentations. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3629671 The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the vase, cyprus trees and an obelisk to left in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed): 11 1/4 × 10 5/8 in. (28.6 × 27 cm). Series/Portfolio: 'Six large views, four of Rome and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine). Sitter: Cosimo III de' Medici, Grand Duke of Tuscany (Italian, Florence 1642-1723 Florence). Date: 1656. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3743637 Her Appeal to the Dauphin (Joan of Arc series: II). Dated: 1906. Dimensions: overall: 75.57 × 170.18 cm (29 3/4 × 67 in.) framed: 98.11 × 191.77 × 9.53 cm (38 5/8 × 75 1/2 × 3 3/4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
DC
alb3904561 The Signing of Peace in the Hall of Mirrors, Versailles, 28th June 1919. Date/Period: 1919. Painting. Oil. Height: 1,524 mm (60 in); Width: 1,270 mm (50 in). Author: William Orpen.
DC
akg280526 Paris (Frankreich), Artesischer Brunnen in Passy. "PUITS ARTÉSIEN DE PASSY". (Plan der Anlage u. geolog. Schichten). Stahlstich, koloriert, nach Zeichnung von Émile Hochereau (geb. 1828). Aus: A.Alphand, Les promenades de Paris, Paris (J.Rothschild) 1868. Paris, Privatsammlung.
DC
akg948318 Beth Joseph, Israel/Palästina; jüdische Siedlung in Ost-Galiläa, "die als isolierter Vorposten auf dem Boden des Keren Kajemeth im Beisan-Gebiet liegt".-Teilansicht.-Foto, undat., um 1935.
DC
akg7691853 Monumental Effigy, in the Chancel of Ash Church, Kent, Tomb of a Knight in the St Nicholas Church at Ash in Kent, signed: Drawn & Etched by C.A. Stothard Jun, Published by C.A. Stothard Jun, Fig. 70, 61, after p. 54, Stothard, Charles Alfred Jun. (drawn, etched and publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the Eighth: dedicated by permission to the Prince Regent. London: printed by J. M'Creery [...], 1817-1832.
DC
alb2068040 Diego Rodríguez de Silva y Velázquez / 'Felipe IV on Horseback', 1634-1635, Spanish School, Oil on canvas, 303 cm x 317 cm, P01178. Museum: MUSEO DEL PRADO, MADRID, SPAIN. PHILIP IV OF SPAIN.
DC
alb3700747 Emperor Charles V. Dated: 1531. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Barthel Beham.
DC
alb3726412 Reverend John Upton. Dated: published 1794. Medium: etching with stipple. Museum: National Gallery of Art, Washington DC. Author: after Jane Collyer.
DC
alb4146488 Portrait of a Man. Antonio Maria Esquivel; Spanish, 1806-1857. Date: 1843. Dimensions: 28 3/4 × 22 1/4 in. (73 × 56.6 cm). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.
DC
akg412221 Churriana bei Malaga, Retiro Garten / Figur und Kaskade © Markus Bassler Filmsize: Kleinbild/24 × 36 mm.
DC
akg119738 Maximilian, Kaiser von Mexiko (1864-67), österr. Erzherzog; 1832-1867. "Die letzten Augenblicke Kaiser Maximilians von Mexiko". (Nach Gefangennahme durch republikan. Truppen in Queretaro wurde Maximilian am 19.6.1867 standrechtlich erschossen). Holzstich nach dem Gemälde von Jean Paul Laurens (1838-1921).
DC
akg1032121 Rabascall, Joan geb. 1935. "La Fragilité des apparences" Die Zerbrechlichkeit der Erscheinungen), 1964. Collage auf Holz, 97 x 97 cm. MACBA Collection,. Museum: Fundació Museu d'Art Contemp., Barcelona.
DC
alb18249155 Claude Monet/ Pastel Waterloo Bridge, 1901. Museum: NATIONAL GALLERY, WASHINGTON D. C., USA.
DC
alb3894641 Winter Landscape with Evening Sky. Date/Period: 1870. Width: 326 mm. Height: 230 mm (Complete). Author: CLAUDE MONET.
DC
alb3678375 Washington Reviewing the Western Army at Fort Cumberland, Maryland. Artist: Attributed to Frederick Kemmelmeyer (ca. 1755-1821). Dimensions: 22 3/4 x 37 1/4 in. (57.8 x 94.6 cm). Date: after 1795.On October 16, 1794, President George Washington called on the militia at Fort Cumberland, Maryland, to suppress a rebellion in western Pennsylvania. The conflict was precipitated by the 1792 excise laws regarding the sale of distilled spirits. The Scotch-Irish immigrants who made their living from the sale and barter of whiskey deemed the laws discriminatory, and their protests turned into full-scale riots. Upon Washington's arrival to review his troops, the resistance vanished. The episode went down in history as one of the crucial early tests of centralized government and as a reminder of Washington's power. Museum: Metropolitan Museum of Art, New York, USA. Author: Attributed to Frederick Kemmelmeyer.
DC
alb3600448 Paris-Théàtre. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris); Nadar (French, Paris 1820-1910 Paris); Paul, fils Bacard (French); Truchelut; Charles Reutlinger (German, Karlsruhe 1816-1881 Karlsruhe); E. Flamant; Frank; Gaston et Mathieu (French); Ferdinand Mulnier (French, active 1850s-70s); Ferdinand Mulnier (French, active 1850s-70s); Alphonse J. Liébert (French, 1827-1913); Saglio; Emile Bondonneau (French); Joseph Lemercier (French, 1803-1887); Buguet; J. M. Lopez (French); Ulric Grob (French); Alexandre Quinet (French, born 1836); J. Tourtin (French); Émile Tourtin (French, active 1860s-70s); Pierre Petit (French, Aups 1832-1909 Paris); Héribert Mayer (French); Gougenheim et Forest; Alexander Courtin (German); Franck (French, 1816-1906); Eugenio Maunoury (Peruvian); Louis Ghémar (Belgian, 1819-1873); Carrette; Dupont; D. H. Mayer. Editor: Eugène Paz (French). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3607801 Terracotta Hadra hydria (water jar). Culture: Greek, Ptolemaic, Cretan. Dimensions: H.: 16 5/8 x 10 1/2 in. (42.2 x 26.7 cm). Date: 226-225 B.C..The inscription on the front gives the name of the deceased whose cremated bones were placed inside it. He was Hieronides of Phocaea, who died while leading an embassy to the royal court of Ptolemy III Euergetes (246-221 B.C.). Museum: Metropolitan Museum of Art, New York, USA.
DC
akg5589531 Zurbarán, Francisco de. 1598-1664. "La misa del padre Cabañuelas", 1638. Öl auf Leinwand, 290 × 222 cm. Guadalupe (Prov. Cáceres, Extremadura, Spanien), Real Monasterio de Santa Mará de Guadalupe (Hieronymitenkloster), Sakristei.
DC
dpa520085327 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
DC
dpa520107608 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
DC
dpa520107587 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
DC
dpa520107584 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
DC
alb28724143 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724146 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724144 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724149 SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724147 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724145 LI JUN LI in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724142 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724140 KAREN RODRIGUEZ in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724141 LAMORNE MORRIS in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724539 EMILY BLUNT in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724544 JOSH O'CONNOR in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724542 EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724148 SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
DC
alb28724537 COLIN FIRTH in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724540 COLIN FIRTH in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724538 EMILY BLUNT in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724545 COLIN FIRTH in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724546 EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724541 EMILY BLUNT in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb28724543 EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
DC
alb261169 MARISOL in TOMBOLA (1962). English title: TOMBOLA.
DC
alb934584 BEATRIZ (1987), directed by GONZALO SUAREZ. English title: BEATRIZ.
DC
alb429837 ANDREW SHUE in MELROSE PLACE (1992), directed by ANSON WILLIAMS, RICHARD LANG and CHARLES CORRELL. English title: MELROSE PLACE.
DC
alb28737109 Cylindrical funerary altar of Aphrodisias from Libya. From the necropolis of Rhodes, Greece. Marble. 2nd-1st centuries BC. Archaeological Museum of Rhodes, Greece.
DC
alb28737120 Base of the cylindrical funerary altar of Polyxenos, son of Archeios and Polyxenos, from the Lindian deme of the Boulidai. Lartian stone, 2nd century BC. Archaeological Museum of Rhodes, Greece.
DC
alb28737124 Head of Herme. Marble. Late Hellenistic period. From Kamiros, Island of Rhodes. Archaeological Museum of Rhodes, Greece.
DC
alb28737126 Amphora, 900-850 BC. From Kremasti area, Island of Rhodes. Archaeological Museum of Rhodes, Greece.
DC
alb28737140 Amphora. Cremation burial, ca. 800 BC. Pottery. From Laos' plot, Island of Rhodes. Archaeological Museum of Rhodes, Greece.
DC
alb28737116 Funerary altar of the Rhodian type, featuring a relief scene of a funeral banquet. Three reclining figures are depicted in front of a table with food, a male servant and a female servant standing on either side. The altar belongs to Isidora from Myra in Lycia, wife of Philokrates. Marble. 2nd-1st centuries BC. Found at Massari, Island of Rhodes, Greece. Archaeological Museum of Rhodes, Greece.
DC
alb28737130 Cannonballs, used during the sieges endured by the city of Rhodes. Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489.
DC
alb28737102 Base of the cylindrical funerary altar of Timo, daughter of Aristomedes, from the Lindian deme of the Lindopolitai. Found in the necropolis of Rhodes, Greece. Lartian stone, 1st century BC. Archaeological Museum of Rhodes, Greece.
DC
alb28737137 Bucranium from the cylindrical funerary altar of Teledamos's daughter. Found in the western part of the city of Rhodes. Lartian stone. 2nd-1st centuries BC. Archaeological Museum of Rhodes, Greece.
DC
alb28737117 Grave stele of Obastis. Detail of the recessed relief. The deceased is featured draped in a chiton and himation seated on a stool (diphros) holding a perfume vessel (alabastron) with her left hand and reaches with the right the half open jewellery box, held by a standing servant girl. The name Obastis, inscribed beneath, probably reveals the Egyptian origin of the deceased. From the necropolis of Rhodes. Marble. 1st half of 3rd century BC. Archaeological Museum of Rhodes, Greece.
DC
alb28737135 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489. General view of the courtyard.
DC
alb28737122 Warrior's urn cremation. Urn amphora. 900-850 BC. Pottery covered with a bronze bowl of Cypriot origin. From Tsissimoiris' plot, Island of Rhodes. Archaeological Museum of Rhodes, Greece.
DC
alb28737103 Fragment of a marble plaque depicting a hunting scene. A horseman, clad in a cloak and breastplate over a short tunic, armed with a spear, faces a lioness lunging at him. On the right margin of the relief, barely visible, a hunting dog attacks the lioness from behind, whilst a second human figure with his right arm raised, probably holding a mace, is about to strike the beast. Late Hellenistic period. Found at the excavation of the Roman Tetrapylon in the city of Rhodes. Archaeological Museum of Rhodes, Greece.
DC
alb28737132 Base of the cylindrical funerary altar of Stasion, son of Epigonos, from the deme of Ygasseis in the Rodian Peraia, on the coast of Asia Minor. Found in the necropolis of Rhodes, Greece. Lartian stone. 2nd-1st centuries BC. Archaeological Museum of Rhodes, Greece.
DC
alb28737111 Rectangular funerary altar of the Rhodian type, featuring a relief scene of a funeral banquet. Lartian stone. 1st century BC. From Mandraki, Island of Rhodes, Greece. Archaeological Museum of Rhodes, Greece.
DC
alb28737123 Trefoil-mouthed oinochoe. Warrior's urn cremation. Ca. 900 BC. Found in Tomb 44 of the Marmaro necropolis (Ialysus, Island of Rhodes). Archaeological Museum of Rhodes, Greece.
DC
alb28737134 The winged Lion of Saint Mark holding a book, the symbol of the Republic of Venice, alongside the coat of arms of the Crispo family. Stone relief, ca. 1400. Archaeological Museum of Rhodes, Greece.
DC
alb28737127 Cannonballs, used during the sieges endured by the city of Rhodes. Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489.
DC
alb28737121 Grave stele with relief scene. A mourning woman seated on a stool (diphros) and, beside her, a principal figure standing frontal and draped in a himation. Originally there was a third figure, which was carved off when the stele was reused, and the inscription it displayed was also erased. Aristomachos, who had the same name as his father and grandfather, and Zosarion, daughter of Onesiphoros, were from the Kamiran deme of Bybassos, on the Rhodian Peraia. From the necropolis of Rhodes. Marble. 3rd century BC (original stele), 1st century AD (reused stele). Archaeological Museum of Rhodes, Greece.
DC
alb28737108 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights. The building was constructed in 1440 by Grand Master Jean de Lastic (1371-1454). It was extended between 1481 and 1489 by Grand Master d'Aubusson (Pierre d'Aubusson) (1423-1503) and served as the Main Hospital for the Knights of St John. The hospital was restored during the Italian occupation between 1913 and 1918, becoming a museum ever since. View of the hospital's main ward on the upper floor, where patients were accommodated. The beds were arranged along the walls, with curtains between them.
DC
alb28737105 Terracotta sarcophagus used for the interment of the deceased. 5th-4th centuries BC. Island of Rhodes, Greece. Archaeological Museum of Rhodes, Greece.
DC
alb28737114 Duck-vase. Infant pithos burial. 900-850 B.C. Piatsa Dafnes. Archaeological Museum of Rhodes, Greece.
DC

Total de Resultados: 10.000

Página 1 de 100