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akg8451998 Francisco de Goya. Caprichos: Pretty Teacher!, Date unknown. Print, Etching and aquatint. Inv. No. 1922.663, Cleveland, Museum of Art.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg331406 Religion / Church / Pilgrims:. Pilgrims leave behind their worldly possessions. Illumination, French, 15th Century.. From: Jacques Le Grant, "Le Livre des des bonnes moeurs". Ms. 297/1338, fol. 44. Chantilly, Musée Condé. Museum: Chantilly, Musée Condé. Author: ANONYMOUS.

akg863515 Befreiungskriege 1813-15 / Völkerschlacht bei Leipzig 16.-19.Okt.1813.-"Grand Entry of the Allied Sovereigns into Leipsic" (Einzug der verbündeten Monarchen in Leipzig, 19. Oktober 1813; Franz I. von Österreich, Alexander I. von Russland und Friedrich Wilhelm III. von Preußen).-/ Farbige Aquatinta, London (Robert Bowyer) 1815. Museum: Puschkin-Literaturmuseum., MOSKAU.

akg810081 Giseh / Giza (Ägypten), Große Sphinx (Altes Reich, 4.Dynastie, um 2590 v.Chr). /-"Pyramides de Memphis / Vue du Sphinx (..) prise du sudest" (Ansicht der Sphinx von Südosten; im Hintergrund die Cheopspyramdie).-/ Kupferstich von Schroeder nach N.J.Conté (1755-1805). Aus: Description de L'Égypte, Paris 1809ff., A.Bd.V, Tf.11. Museum: Private Collection., KAIRO.

akg184097 Chirico, Giorgio de. 1888-1978. "L'enigma della fatalità" (The Enigma of Fatality), 1914. Oil on canvas, 138 × 95.5cm. Loan of the Emanuel Hoffmann Foundation. Basel, Öffentliche Kunstsammlung. Museum: Basel, Öffentliche Kunstsammlung. Copyright: © Giorgio de Chirico. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg880805 Santiago,the radio tower and main avenida Jochem Wijnands.

akg235427 Pucon (Chile). View of the town with Villarrica volcano in the background. Photo, 1965.

akg727002 Befreiungskriege 1813-15 / Völkerschlacht bei Leipzig, 16.-19.Okt.1813.-"Meeting of the Emperors (..)".-. (18.Okt.: Fürst Karl zu Schwarzenberg bringt den Monarchen Alexander I.v.Rußland,Kaiser Franz II.v.Österr. u.Friedr. Wilh.III.v.Preußen die Siegesbotschaft). Aquatinta von Thomas Sutherland (geb. 1785) nach William Heath (1795-1840). Museum: Panoramamus. Schlacht v. Borodino., MOSKAU.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg778693 Roure (Dép. Alpes-Maritimes, France). Chapel Saint-Bernardet-Saint-Sébastien (built in 1510 to commemorate the end of the plague).-Interior view: Saint Bernard of Menthon (Bernard of Montjoux) between Saint Sebastian and Saint Roch. Fresco, 1510 by Andrea Cella (active from 1510 to 1534).-Photo, 13.07.2007.

akg1558854 Poussin, Nicolas. French painter; 1594-1665. "The Adoration of the Golden Calf", c. 1633/34. Oil on canvas, 153.4 × 211.8 cm. Inv. No. NG5597, London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg6083796 Francisco de Goya, 1746 - 1828. El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body), in or before 1816. Etching, burnished aquatint, drypoint and burin [first edition impression]. Inv. Nr. 1943.3.1634, Washington, National Gallery of Art.

akg6530393 Jean Baptiste Camille Corot, 1796-1875. Souvenir of Ostia, 1855. Cliché-verre in brown on photosensitive paper, 272 × 343 mm. Inv. No. 1965.527, Chicago, Art Institute.

alb17707584 JOAN CRAWFORD in ALMA DE BAILARINA (1933) -Original title: DANCING LADY-, directed by ROBERT Z. LEONARD. English title: DANCING LADY.

alb8413120 JACLYN SMITH, KATE JACKSON and CHERYL LADD in LOS ÁNGELES DE CHARLIE (1976) -Original title: CHARLIE'S ANGELS-, directed by IVAN GOFF. English title: CHARLIE'S ANGELS.

alb5432421 LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb5433435 PAULETTE GODDARD and FRED ASTAIRE in AL FIN SOLOS (1940) -Original title: SECOND CHORUS-, directed by H. C. POTTER. English title: SECOND CHORUS. Portuguese title: AMOR DA MINHA VIDA.

alb2578428 NINOTCHKA (1939), directed by ERNST LUBITSCH. English title: NINOTCHKA. Portuguese title: NINOTCHKA.

alb9829525 JACK LEMMON, MARILYN MONROE and TONY CURTIS in CON FALDAS Y A LO LOCO (1959) -Original title: SOME LIKE IT HOT-, directed by BILLY WILDER. English title: NOT TONIGHT, JOSEPHINE!. Portuguese title: QUANTO MAIS QUENTE MELHOR.

alb2583581 REBECA (1940) -Original title: REBECCA-, directed by ALFRED HITCHCOCK. English title: REBECCA. Portuguese title: REBECCA, A MULHER INESQUECÍVEL.

alb254540 CHARLIE CHAPLIN and PAULETTE GODDARD in TIEMPOS MODERNOS (1936) -Original title: MODERN TIMES-, directed by CHARLIE CHAPLIN. English title: MODERN TIMES. Portuguese title: TEMPOS MODERNOS.

alb254539 CHARLIE CHAPLIN and PAULETTE GODDARD in TIEMPOS MODERNOS (1936) -Original title: MODERN TIMES-, directed by CHARLIE CHAPLIN. English title: MODERN TIMES. Portuguese title: TEMPOS MODERNOS.

alb254529 CHARLIE CHAPLIN and PAULETTE GODDARD in TIEMPOS MODERNOS (1936) -Original title: MODERN TIMES-, directed by CHARLIE CHAPLIN. English title: MODERN TIMES. Portuguese title: TEMPOS MODERNOS.

alb266212 CLARK GABLE. 1934.

alb284713 CHARLIE CHAPLIN in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb317389 CLARK GABLE and MARILYN MONROE in LOS INADAPTADOS (1961) -Original title: THE MISFITS-, directed by JOHN HUSTON. English title: THE MISFITS. Portuguese title: OS INADAPTADOS.

alb264786 DOUGLAS FAIRBANKS; MARY PICKFORD; D. W. GRIFFITH; CHARLIE CHAPLIN.

alb264787 DOUGLAS FAIRBANKS; CHARLIE CHAPLIN; HAROLD LLOYD.

alb266218 CLARK GABLE. 1931.

alb358287 CLARK GABLE and VIVIEN LEIGH in LO QUE EL VIENTO SE LLEVÓ (1939) -Original title: GONE WITH THE WIND-, directed by GEORGE CUKOR and VICTOR FLEMING. English title: GONE WITH THE WIND. Portuguese title: ...E O VENTO LEVOU.

alb347248 CHARLIE CHAPLIN and VIRGINIA CHERRILL in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb442495 MICHAEL DOUGLAS, ALBERT BROOKS, RYAN REYNOLDS, MARIA RICOSSA and LINDSAY SLOANE in HASTA QUE LA MUERTE LOS SEPARE (2003) -Original title: THE IN-LAWS-, directed by ANDREW FLEMING. English title: TILL DEATH DO US PART. Portuguese title: ATÉ QUE OS PARENTES NOS SEPAREM.

alb246565 CHARLIE CHAPLIN in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb246564 CHARLIE CHAPLIN in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb246570 CHARLIE CHAPLIN and HARRY MYERS in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb246563 CHARLIE CHAPLIN in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb455436 GINA LOLLOBRIGIDA in SALOMÓN Y LA REINA DE SABA (1959) -Original title: SOLOMON AND SHEBA-, directed by KING VIDOR. English title: SOLOMON AND SHEBA. Portuguese title: SALOMÃO E A RAÍNHA DE SABA.

alb242392 CHARLIE CHAPLIN and PAULETTE GODDARD in EL GRAN DICTADOR (1940) -Original title: THE GREAT DICTATOR-, directed by CHARLIE CHAPLIN. English title: THE GREAT DICTATOR. Portuguese title: O GRANDE DITADOR.

alb242386 PAULETTE GODDARD in EL GRAN DICTADOR (1940) -Original title: THE GREAT DICTATOR-, directed by CHARLIE CHAPLIN. English title: THE GREAT DICTATOR. Portuguese title: O GRANDE DITADOR.

alb1081801 CHARLIE CHAPLIN and VIRGINIA CHERRILL in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb431189 CLARK GABLE and VIVIEN LEIGH in LO QUE EL VIENTO SE LLEVÓ (1939) -Original title: GONE WITH THE WIND-, directed by GEORGE CUKOR and VICTOR FLEMING. English title: GONE WITH THE WIND. Portuguese title: ...E O VENTO LEVOU.

alb1328146 PAULETTE GODDARD. 1937.

alb1730480 CLARK GABLE in LO QUE EL VIENTO SE LLEVÓ (1939) -Original title: GONE WITH THE WIND-, directed by GEORGE CUKOR and VICTOR FLEMING. English title: GONE WITH THE WIND. Portuguese title: ...E O VENTO LEVOU.

alb1575198 CHARLIE CHAPLIN and VIRGINIA CHERRILL in LUCES DE LA CIUDAD (1931) -Original title: CITY LIGHTS-, directed by CHARLIE CHAPLIN. English title: CITY LIGHTS. Portuguese title: LUZES DA CIDADE.

alb1308671 MOULIN ROUGE (1934), directed by SIDNEY LANFIELD. English title: MOULIN ROUGE.

alb15526373 Venice, Canaletto, Views of existing and imaginary places, View of a village on a river, View of a village along a river (possibly the Brenta). Houses and a bell tower on the other side of the river. In the foreground on the right a man at a wooden bridge., print, prints, height 298 mm, width 434 mm, Italian, 1697 - 1768-04-20, print maker, printmaker, 1707 - 1768, paper, papier, etching, etchings, Work conception, after own design by.

alb5036012 Francisco de Goya, (artist), Spanish, 1746 - 1828, El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body), Tauromaquia: pl.15, (series), in or before 1816, etching, burnished aquatint, drypoint and burin.

alb9530883 Gloria Swanson. Date: 1923. India ink on paper. Museum: NATIONAL PORTRAIT GALLERY. Gloria May Josephine Swanson.

alb9374537 Pretty Teacher!, Linda maestra!, Los Caprichos, Plate 68, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching, aquatint, and drypoint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, broomstick, creepy, death, Engraving, Etching, hag, Halloween, naked, night, owl, Print, Satire, Satirical, scary, Spain, Spanish, spooky, witch.

alb3714891 Souvenir of Antibes (Souvenir d'Antibes). Dated: 1874. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

alb3712089 Italian Prince before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

ado00067614 "Saint Jerome by a Pollard Willow". Engraving by Albrecht Drer (1471-1528). In 1512.

alb3701648 Philip of Spain before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3713462 Spanish Duke before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3714071 The Junction of the Thames and the Medway. Dated: 1807. Dimensions: overall: 108.8 x 143.7 cm (42 13/16 x 56 9/16 in.) framed: 148 x 180.3 cm (58 1/4 x 71 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

alb3711488 Margaret of Austria Giving Audience to a Nobleman [verso]. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3701936 Margaret of Austria Receiving the Homage of Cardinals and Prelates. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3702714 Meeting of Margaret of Austria and Philip III [recto]. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3708196 Marriage of Margaret of Austria and Philip III. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3730261 Margaret of Austria Being Carried in a Chaise. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3703511 Landscape with Brigands (Scène de brigands). Dated: 1633. Dimensions: sheet (trimmed within plate mark): 12.9 x 19.6 cm (5 1/16 x 7 11/16 in.). Medium: etching and drypoint on thin laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

alb3738732 The Betrothal of Margaret of Austria to Philip III, King of Spain. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3627511 Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm)Sheet: 12 1/16 × 17 1/2 in. (30.6 × 44.5 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3734437 El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body). Dated: in or before 1816. Medium: etching, aquatint, drypoint and burin [first edition impression]. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3488109 Saint Jerome by the Pollard Willow, 1512, Drypoint; second state of three, sheet: 8 1/4 x 7 1/16 in. (21 x 17.9 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg).

alb3623558 Saint Jerome by the Pollard Willow. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 1/4 x 7 3/16 in. (21 x 18.3 cm). Date: 1512. Museum: Metropolitan Museum of Art, New York, USA.

alb3741995 Margaret of Austria on Horseback. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3889682 Red ochre fish. Date/Period: 1860 - 1940. Painting. Author: UNKNOWN.

alb3659682 Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 7/16 in. (17.8 x 26.5 cm)sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1811.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819.To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to define rough seas pounding a dark, rocky stretch of Yorkshire coast where stranded passengers from a wrecked ship appeal for help to figures on shore, and men wade into a sheltered foreground cove. A lighthouse punctuates the skyline and the letter "M" in the top margin indicates Turner's category of Marine landscape. Museum: Metropolitan Museum of Art, New York, USA.

alb3653634 "Bahram Chubina Slays the Lion-Ape", Folio 715v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Qasim ibn 'Ali (active ca. 1525-60); Painting attributed to Mir Musavvir (active 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 1/16 in. (28.1 cm) W. 7 3/4 in. (19.7 cm)Entire Page: H. 18 1/2 in. (47 cm) W. 11 3/16 in. (28.4 cm)Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm). Date: ca. 1530-35.To thank the Khaqan of Chin for granting him safe haven, Bahram Chubina resolved to rid his host's land of Kappi the lion-ape, a ferocious creature that had devoured the Khaqan's daughter. Mir Musavvir delighted in the depiction of the red- and green-eyed monster, rendering every detail of its scaly skin and bloody wounds with fastidious care. The bystanders raise fingers to their lips in astonishment as Bahram Chubina delivers the coup de grace. Museum: Metropolitan Museum of Art, New York, USA.

alb3745849 View of a Town on a River Bank. Dated: c. 1735/1746. Dimensions: plate: 29.8 x 43.4 cm (11 3/4 x 17 1/16 in.) sheet: 45.9 x 65.2 cm (18 1/16 x 25 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: CANALETTO.

alb3653447 First Leaf of the Shunga; The Delightful Love Adventures of Maneyemon. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 8 in. (20.3 cm); W. 10 1/4 in. (26 cm). Date: ca. 1769. Museum: Metropolitan Museum of Art, New York, USA.

alb3617502 Young Woman with a Water Pitcher. Artist: Johannes Vermeer (Dutch, Delft 1632-1675 Delft). Dimensions: 18 x 16 in. (45.7 x 40.6 cm). Date: ca. 1662.The essential subject of this serene picture is an ideal woman in an ideal home. Her head and elegant costume are covered by linen scarves, which with the silver-gilt basin and pitcher and the open window suggest ablutions at the beginning of the day. A string of pearls emerges from the jewelry box. Balanced shapes and colors (mainly the primaries) enhance the harmonious mood. Works by Vermeer were newly known and coveted by American collectors of the Gilded Age: this canvas was the first of thirteen to enter the United States between 1887 and 1919. Museum: Metropolitan Museum of Art, New York, USA.

alb3619933 Chandelier. Culture: Netherlandish. Dimensions: H. 109.5 cm. Date: second half of 17th century.This chandelier has two series of eight S-shaped branches protruding from grotesque snakes' (or dolphins') heads around a baluster shaft resting on a massive globe. The branches and shaft have been correspondingly numbered from one to eight, with the exception of number three, indicated by three small bars, and number five, denoted by a crescent moon or the letter C. Museum: Metropolitan Museum of Art, New York, USA.

alb3124536 Diego Velazquez / 'María Teresa, Infanta of Spain', 1651-1654, Oil on canvas, 34,3 x 40 cm. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA.

alb3902569 The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

alb3640794 Plate 68 'Los Caprichos': Pretty teacher! (Linda maestra!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/4 x 5 13/16 in. (20.9 x 14.8 cm)Sheet: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3649659 Statuette of Anubis. Dimensions: H. 42.3 cm (16 5/8 in.); W. 10.1 cm (4 in.); D. 20.7 cm (8 1/8 in.). Date: 332-30 B.C..The god of mummification Anubis is shown here as a human with a jackal head and a long wig. He is wearing jewelry and a garment with an elaborate feather pattern. Anubis is probably depicted greeting the deceased in the afterlife and protecting him. The statuette is exquisitely carved and painted (note the painted pleating of the kilt). Museum: Metropolitan Museum of Art, New York, USA.

alb3646540 Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 8 1/4 x 11 1/2 in. (21 x 29.1 cm). Date: February 11, 1812.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where he also developed the layers of tone, using aquatint and mezzotint to describe the gloomy crypt of a ruined Norman (Romanesque) abbey in Yorkshire. Light streams from the left to reveal cattle resting around a pillar beneath round-arched vaults, with a pool of water at right. Trees are glimpsed through an open doorframe, and the "A" above the image indicates Turner's category of Architectural landscape. Museum: Metropolitan Museum of Art, New York, USA.

alb3907333 Two lovers. Date/Period: Ca. 1800-25. Print. Nishiki-e, oban, colour woodblock print. Height: 25 mm (0.98 in); Width: 37 mm (1.45 in). Author: YANAGAWA SHIGENOBU.

alb3907721 Venice, The Mouth of the Grand Canal. Date/Period: Ca. 1840. Painting. Watercolor. Height: 222 mm (8.74 in); Width: 318 mm (12.51 in). Author: J. M. W. Turner.

alb3902507 The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

alb3902503 The Channel Sketchbook. Date/Period: Ca. 1845. Drawing. Graphite and watercolor on medium, slightly textured, white wove paper. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

alb3902417 Fluelen: Morning (looking towards the lake). Date/Period: 1845. Painting. Watercolor. Height: 298 mm (11.73 in); Width: 479 mm (18.85 in). Author: J. M. W. Turner.

alb3902441 Llanthony Abbey, Monmouthshire. Date/Period: Ca. 1792. Painting. Watercolor. Author: J. M. W. Turner.

alb3902407 Dent de Lion, Margate. Date/Period: Ca. 1791. Painting. Watercolor. Height: 257 mm (10.11 in); Width: 346 mm (13.62 in). Author: J. M. W. Turner.

alb3902459 Newark Abbey. Date/Period: Between 1806 and 1807. Painting. Oil on canvas. Height: 914 mm (35.98 in); Width: 1,232 mm (48.50 in). Author: J. M. W. Turner.

alb3787424 Gaspar Sensi y Baldachi (Lithographer) (After Sarto, Andrea del (Andrea d'Agnolo)); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Sacrifice of Isaac'. 1826 - 1829. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper; 1826 - 1829. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

alb3661660 "Rustam Brings the Div King to Kai Kavus for Execution", Folio 127v from the Shahnama (Book of Kings) of Shah Tahmasp. Artist: Painting attributed to Qasim ibn 'Ali (active ca. 1525-60); Painting attributed to Mir Musavvir (active 1525-60). Author: Abu'l Qasim Firdausi (935-1020). Dimensions: Painting: H. 11 3/16 x W. 7 1/8 in. (H. 28.4 x W. 18.1 cm)Entire Page: H. 18 5/8 x W. 12 9/16 in. (H. 47.3 x W. 31.9 cm). Date: ca. 1525-30.Even with the death of the White Div and the Div General Arzhang, the demons of the Div King of Mazandaran continue to harry the Iranians. At last, Kai Kavus leads his army into battle gainst the divs. Rustam captures the Div King, who transforms himself into a stone. When Rustam lugs him to Kai Kavus and threatens to slice him up, he returns to div form and is executed on Kai Kavus's order. [A later hand blackened the face and hands of Kai Kavus.]. Museum: Metropolitan Museum of Art, New York, USA.

alb3721707 Philip as a Boy before Margaret of Austria. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

alb3900766 Nude reclining. Date/Period: 1901. Painting. Oil on canvas. Height: 1,185 mm (46.65 in); Width: 2,150 mm (84.64 in). Author: HUGH RAMSAY.

alb3668680 Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Author: Giovanni Altoviti. Dimensions: sheet: 11 1/4 x 7 7/8 in. (28.5 x 20 cm)plate: 5 1/8 x 7 1/16 in. (13 x 18 cm). Publisher: Bartolommeo Sermartelli e Fratelli. Series/Portfolio: The Life of Margaret of Austria. Date: 1612. Museum: Metropolitan Museum of Art, New York, USA.

alb3791119 Anonymous (Copy after Correggio (Antonio Allegri)) / 'The Descent from the Cross'. Mid-XVIcentury. Oil on walnut panel. Museum: Museo del Prado, Madrid, España.

alb3666015 Margaret of Austria on horseback, after Velázquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm)Sheet: 23 9/16 × 15 13/16 in. (59.8 × 40.1 cm). Sitter: Margaret of Austria, Queen of Spain (Spanish (born Austria), Graz 1584-1611 San Lorenzo de El Escorial). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

alb1537527 Francisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Tauromaquia" (aguafuerte). Plancha 15ª: El famoso Martincho poniendo banderillas al quiebro. Primera edición. Madrid, 1816.

alb4136387 Necklace with Three Round Pendant Disks. Near Guayaquil, Ecuador. Date: 1000-1400. Dimensions: . Gold. Origin: Ecuador. Museum: The Chicago Art Institute, USA.

alb4134816 Fortitude, plate 36 from Genii and Virtues. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 × 100 mm (plate); 186 × 105 mm (sheet). Engraving in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

alb4137632 Scene of Brigands. Claude Lorrain; French, 1600-1682. Date: 1633. Dimensions: 130 × 197 mm (image/sheet, cut within platemark). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4280552 Francisco de Goya y Lucientes (1746-1828). Spanish painter. La Tauromaquia (Bullfighting). The most skilled student of Falzes, covered, teases the bull with his dodges (El diestrisimo estudiante de Falzes, embozado burla al toro con sus quiebros). Number 14. Etching. San Fernando Royal Academy of Fine Arts. Madrid. Spain.