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orz164113 TORRE COLON DETRAS DE LA COMANDANCIA DE MARINA. Location: EXTERIOR. Barcelona. SPAIN.
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orz112832 EDIFICIO COLON TAMBIEN CONOCIDO COMO TORRE MARITIMA - RASCACIELOS CONSTRUIDO EN 1970 - FOTO AÑOS 80. Author: ANGLADA JOSEP / GELABERT DANIEL / RIBAS JOSEP. Location: EDIFICIO COLON. Barcelona. SPAIN.
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg5303946 Ghulam Ali Khan. Portrait of three villagers standing on a hillside. On the left is Mohan Lal, 'diwan' of Nawab Zabita Khan Bhatti. In the centre is Muhammad, a barber, carrying a staff over his shoulder. On the right is a village 'lambadar' or official collector of land revenue, called Balotar, Watercolour. c. 1816-1820. Add. Or. 4058. London, British Library. Copyright: Additional permissions needed for non-editorial use.
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akg5835869 Painting of the canonization of Saint Catherine of Siena in 1461 by pope Pius II.Fresco by Pinturicchio.in the Library Piccolomini (Libreria Piccolomini) in the 13th century Siena Cathedral (Duomo di Siena) Metropolitan Cathedral of Saint Mary of the Assumption (Santa Maria Assunta)- The Library was built between 1492 and 1507 by Francesco Piccolomini, Pope Pius II's nephew, also a cardinal who also later became Pope Pius III. The library was in memory of his uncle (Enea Silvio Piccolomini - Pius II) and to conserve the rich collection of manuscripts he had lovingly collected. The walls are divided into 10 scenes representing various important stages in the life of Pope Pius II. The frescoes are by Pinturicchio and his workshop, which included the young Raphael (Raffaello Sanzio).Tuscany, Italy (2018).
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akg5886982 USSR "Industrial and financial development continue for a long time! Let's do the Five Year Plan in four years! No to religion!" The weak threads pulled by the religious can not stop the convoy of development, launched in speed. Propaganda poster for the incitement to economic development, graphic design by Yuri Pimenov (26 November 1903 - 6 September 1977), USSR, 1930.
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akg310211 Monet, Claude; French painter, Paris 14.11.1840 - Giverny 6.12.1926. "Nymphéas" (Water lilies). 1918/21. Oil on canvas, 140 × 185 cm. Munich, Neue Pinakothek. Museum: München, Neue Pinakothek.
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akg152898 Finance:. Bank. Gold bars (99.8% to 99.9% gold) of the Deutschen Reichsbank. Photo, 1941. From: "Signal" magazine, French edition, 2. Jg., book 8, 1941, S. 10.
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akg171199 Hodler, Ferdinand: 1853-1918. - "Die Empfindung" ("Sentiment") - 1901/2. Oil on canvas, 120 × 172 cm. Thomas Schmidheiny Collection. Copyright: AKG3553371 besser.
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akg893499 Black slaves hiding in southern swamps on their escape to the North. Handcolored woodcut of a 19thcentury illustration.
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akg027873 History:. Antiquity / sport. "Gymnastic exercises of Spartan adolescents". (Palaestra with wrestlers, discus throwers etc.). Woodcut, c. 1880, after a drawing by Philipp Grotjohann (1841-1892). From: J. v. Falke, Hellas und Rom, Stuttgart (W.Spemann) 1879.
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akg206693 Napoleonic Wars / Third Coalition War against France / Battle of Prussian-Eylau (7-8 Feb. 1807; Napoleon's victory over Russian-Prussian troops). Napoleon on the battlefield near Prussian-Eylau. Copper engraving based on painting by Louis François Lejeune (1775-1848). 41.2 × 64 cm. Nuremberg, German National Museum. Museum: Nürnberg, Germanisches Nationalmuseum. Author: LOUIS FRANCOIS LEJEUNE.
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akg206282 Musik / Rock- und Popgruppen:. The Beatles. Auftritt der Beatles in Madrid: Pressekonferenz im Hotel. Foto, 1965.
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akg940842 Griechisch, Athen, römische Zeit, 2./3.Jahrhundert n.Chr.-Die kalydonische Eberjagd (Meleager tötet den kalydonischen Eber).-Rückseite eines Sarkophages. Relief, Marmor, Höhe 84 cm, Breite 205 cm. Fundort: Apollonia (Marsa Susa, Cyrenaika, Libyen). Museum: Archäologisches Museum., FRANKFURT AM MAIN.
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akg997201 sed in the skin of a sacrificial victim. Country of Origin: Mexico. Culture: Aztec. Material Size: stone.
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akg306993 Melfi (Basilicata, Italy), Castello Normanno (Svevo). (built mid-11th Century; extended under Holy Roman Emperor Frederick II). Exterior. Photo, 2001.
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akg471869 Soviet Republic 1920. "The Bolshevik". (Depicted as a colossus striding over Mosow, in the background the Lenin Library). Painting, 1920, by Boris Kustodiev. (1878-1927). Oil on canvas, 101 × 141 cm. Inv. Nr. JS-27, P-28723. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: BORIS KUSTODIJEW.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg299039 Rome - Roma (Italy), Piazza Navona, Fontana del Moro - Fountain of the Moor. (basin 1575/76 by Giacomo della Porta; sculpture of the Moor aft. Bozzetto by Gian Lorenzo Bernini). Partial view: mask spouting water. Photo, 2001.
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akg1567112 Handwerk und Gewerbe / Geigenbauer u.ä.. /-"Luthier, 1480".-/ (Lautenmacher 1480). Farblithographie, undatiert, um 1880, nach Valiquet. Sammelbildchen der Firma Chocolat du Planteur. Aus einer Serie mit historischen Darstellungen der Handwerke und Gewerbe. Museum: Private Collection., Privatsammlung.
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akg1042058 Monet, Claude 1840-1926. "Nymphéas" (Waterlilies), 1918. (Waterlily pond in the artist's garden in Giverny). Pencil on bluegrey paper, 31.5 x 47.5 cm. Museum: Musée Marmottan., Paris.
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akg4446798 NERO (the 37-68) and fire of Rome. Painting of the shop of Giulio Romano (1449-1546), already in the Small room of the Cesari of Ducal palace to Mantova.
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akg7871127 Zwei Goldbarren auf Münzen - two Gold Bars on Gold Coins.
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alb17707655 BETTE DAVIS and JOAN CRAWFORD in ¿QUÉ PASÓ CON BABY JANE? (1962) -Original title: WHAT EVER HAPPENED TO BABY JANE?-, directed by ROBERT ALDRICH. English title: WHAT EVER HAPPENED TO BABY JANE?. Portuguese title: O QUE TERÁ ACONTECIDO A BABY JANE?.
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alb2228147 JAMES GARNER.
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alb2652573 SUAVE COMO VISÓN (1962) -Original title: THAT TOUCH OF MINK-, directed by DELBERT MANN. English title: THAT TOUCH OF MINK.
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alb250360 ROCK HUDSON and DORIS DAY in PIJAMA PARA DOS (1961) -Original title: LOVER COME BACK-, directed by DELBERT MANN. English title: LOVER COME BACK. Portuguese title: VOLTA, MEU AMOR.
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alb9829160 MONICA VITTI in MODESTY BLAISE, SUPERAGENTE FEMENINO (1966) -Original title: MODESTY BLAISE-, directed by JOSEPH LOSEY. English title: MODESTY BLAISE. Portuguese title: A MULHER DETECTIVE.
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alb260367 ROCK HUDSON and DORIS DAY in CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
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alb260369 ROCK HUDSON and DORIS DAY in CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
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alb288517 DORIS DAY in SUAVE COMO VISÓN (1962) -Original title: THAT TOUCH OF MINK-, directed by DELBERT MANN. English title: THAT TOUCH OF MINK.
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alb260672 CARY GRANT and DORIS DAY in SUAVE COMO VISÓN (1962) -Original title: THAT TOUCH OF MINK-, directed by DELBERT MANN. English title: THAT TOUCH OF MINK.
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alb299489 CARY GRANT in SUAVE COMO VISÓN (1962) -Original title: THAT TOUCH OF MINK-, directed by DELBERT MANN. English title: THAT TOUCH OF MINK.
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alb350013 MONICA VITTI in MODESTY BLAISE, SUPERAGENTE FEMENINO (1966) -Original title: MODESTY BLAISE-, directed by JOSEPH LOSEY. English title: MODESTY BLAISE. Portuguese title: A MULHER DETECTIVE.
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alb451254 JACK LEMMON and DORIS DAY in LA INDÓMITA Y EL MILLONARIO (1959) -Original title: IT HAPPENED TO JANE-, directed by RICHARD QUINE. English title: IT HAPPENED TO JANE. Portuguese title: A VIUVINHA INDOMÁVEL.
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alb1311171 JUMBO, LA SENSACIÓN DEL CIRCO (1962) -Original title: BILLY ROSE'S JUMBO-, directed by CHARLES WALTERS. English title: BILLY ROSE'S JUMBO.
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alb1327138 CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
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alb1785992 BETTE DAVIS and JOAN CRAWFORD in ¿QUÉ PASÓ CON BABY JANE? (1962) -Original title: WHAT EVER HAPPENED TO BABY JANE?-, directed by ROBERT ALDRICH. English title: WHAT EVER HAPPENED TO BABY JANE?. Portuguese title: O QUE TERÁ ACONTECIDO A BABY JANE?.
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alb1327128 CONFIDENCIAS A MEDIANOCHE (1959) -Original title: PILLOW TALK-, directed by MICHAEL GORDON. English title: PILLOW TALK.
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alb1593249 LOUIS JOURDAN and DORIS DAY in EL DIABÓLICO SEÑOR BENTON (1956) -Original title: JULIE-. English title: JULIE.
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alb1581615 KIRK DOUGLAS and BELLA DARVI in HOMBRES TEMERARIOS (1955) -Original title: THE RACERS-, directed by HENRY HATHAWAY. English title: THE RACERS.
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alb2955626 The Lion of Saint Mark. Museum: PALAZZO FARNESE, LE HAVRE, ITALIA. Author: VITTORE CARPACCIO. SAN MARCOS.
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alb2033410 Giotto / 'Washing the Feet' (detail), 1304-1306, Fresco. Museum: Cappella degli Scrovegni, Pavoda. JESUS.
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alb2037213 Rogier van der Weyden / 'Seven Sacraments Altarpiece', 1445-1450, Oil on panel, 200 x 223 cm. Museum: Koninklijke Museum Shone Kunsten, TORRE DEL LAGO, Belgien. JESUS.
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alb2036945 Pietro Perugino / 'The Virgin with Archangels Raphael and Raphael'. Museum: NATIONAL GALLERY, WASHINGTON D. C., USA. SAN MIGUEL. INFANT JESUS. RAPHAEL (ARCHANGEL). VIRGIN MARY.
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alb2068943 Roger van der Weyden / 'Virgin and Child', 1435-1438, Flemish School, Oil on panel, 100 cm x 52 cm, P02722. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
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alb2068930 Roger van der Weyden / 'Pietà', ca. 1450, Flemish School, Oil on panel, 46,8 cm x 34,5 cm, P02540. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
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alb2119315 Prodigal son, scene in a bordello where the Prince of Wales lounges on a sofa next to a large, bare-breasted woman, probably representing Charles James Fox. A second bare-breasted woman,lounges at the feet of the Prince, while a third holds a man who is leaning on a chair vomiting.
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alb2645891 Prodigal son, scene in a bordello where the Prince of Wales lounges on a sofa next to a large, bare-breasted woman, probably representing Charles James Fox. A second bare-breasted woman,lounges at the feet of the Prince, while a third holds a man who is leaning on a chair vomiting.
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alb2070821 Francisco de Goya y Lucientes / 'Saturn devouring one of his sons', 1820-1823, Spanish School, Mural, 143,5 cm x 81,4 cm, P00763. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2068301 Francisco de Goya y Lucientes / 'The Drinker', 1777, Spanish School, Oil on canvas, 107 cm x 151 cm, P00772. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069966 Roger van der Weyden / 'Descent from the Cross', ca. 1435, Flemish School, Oil on panel, 220 cm x 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN.
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alb2068506 Francisco de Goya y Lucientes / 'The Reading, or The Politicians', 1820-1823, Spanish School, Mural, 126 cm x 66 cm, P00766. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070746 Francisco de Goya y Lucientes / 'The Fisherman with his Rod', 1775, Spanish School, Oil on canvas, 289 cm x 110 cm, P05542. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb9532128 Tiger with cubs and magpies. Date: 15th century. Period: Ming dynasty. Ink and color on silk. Origin: Possibly Zhejiang province, China. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
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alb316131 El teólogo y matemático inglés Isaac Barrow.
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alb212955 Roger van der Weyden / 'The Descent from the Cross', c. 1435, Oil on panel, 220 × 262 cm, P02825. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ROGIER VAN DER WEYDEN. SAINT JOSEPH. JESUS. MARY MAGDALENE. SAN JUAN EVANGELISTA.
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alb3716974 Riverscape with Rocks on the Right: pl.3. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Roelant Roghman and Melchior Küsel.
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alb3717200 Dr. Vignardonne. Dated: 1827. Dimensions: overall: 81 x 64.3 cm (31 7/8 x 25 5/16 in.) framed: 101 x 84.8 x 8.9 cm (39 3/4 x 33 3/8 x 3 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Gros.
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alb3711954 Saint Jerome in the Wilderness. Dated: c. 1490/1500. Dimensions: overall: 60 x 41.9 cm (23 5/8 x 16 1/2 in.) framed: 73.7 x 55.3 x 9.8 cm (29 x 21 3/4 x 3 7/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Follower of Pietro Perugino.
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alb3637107 Marble male portrait bust. Culture: Roman. Dimensions: Overall: 11 3/8 x 18 3/16 in. (28.9 x 46.2 cm). Date: ca. A.D. 130.The fragmentary bust of a man in a paludamentum (military cloak) was later hollowed out for use as a gutter spout. Museum: Metropolitan Museum of Art, New York, USA.
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alb3684384 Coffee Vendor. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: image: 9 x 7 1/8 in. (22.8 x 18.1 cm)sheet: 9 7/16 x 7 3/16 in. (24 x 18.2 cm). Series/Portfolio: Études Prises dans le Bas Peuple où les Cris de Paris: Cinquième Suite. Date: 1746. Museum: Metropolitan Museum of Art, New York, USA.
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alb3680435 The Molo, Venice, Looking West. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/8 in. (50.5 x 119.7 cm). Date: ca. 1709. Museum: Metropolitan Museum of Art, New York, USA.
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alb3680760 Saint John the Baptist; Saint Lucy. Artist: Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469-died 1523 Fontignano). Dimensions: Each 63 x 26 3/8 in. (160 x 67 cm).These two panels are from an enormous, double-sided altarpiece on the high altar of the church of Santissima Annunziata, Florence. Begun by Filippino Lippi in 1502, it was completed after his death by Perugino. The altarpiece had the form of a Roman triumphal arch, with large scenes flanked by Perugino's standing saints, which are notable for the subdued coloring and subtle treatment of light. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.
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alb3704942 Noble Woman in Profile with her Hands in a Muff. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3631296 Roger van der Weyden the Younger, from the series Pictorum Aliquot Celebrium.. Artist: After Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). Artist and publisher: Hendrick Hondius I (Netherlandish, Duffel 1573-1650 Amsterdam). Dimensions: approx. 8 1/4 x 4 3/4 in. (21 x 12 cm). Sitter: Portrait of Rogier van der Weyden (Netherlandish, Tournai ca. 1399-1464 Brussels). Date: ca. 1610. Museum: Metropolitan Museum of Art, New York, USA. Author: after Cornelis Cort.
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alb3702571 René Descartes. Dimensions: sheet (trimmed within plate mark): 19.4 x 13.8 cm (7 5/8 x 5 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: French 17th Century.
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alb3631105 Road to Ruin. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet (trimmed): 11 1/4 × 14 7/16 in. (28.5 × 36.7 cm). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.
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alb3703187 The Artist's Daughter with a Parakeet. Dated: 1890. Dimensions: overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Berthe Morisot.
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alb3704484 The Hunchback with a Cane. Dated: c. 1622. Medium: etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d). Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3891636 Napoleon on the Battlefield of Eylau. Date/Period: 1807. Painting. Oil on canvas. Height: 104.9 cm (41.2 in); Width: 145.1 cm (57.1 in). Author: Antoine-Jean Gros.
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alb3703271 Madame Michel-Lévy. Dated: 1882. Dimensions: overall: 74.2 x 51 cm (29 3/16 x 20 1/16 in.) framed: 98.4 x 74.3 cm (38 3/4 x 29 1/4 in.). Medium: pastel on canvas. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.
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alb3890964 West Indian Creole woman, with her Black Servant. Date/Period: Ca. 1780. Painting. Oil on canvas. Height: 305 mm (12 in); Width: 251 mm (9.88 in). Author: AGOSTINO BRUNIAS.
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alb3890842 A. Calderoni Gioielliere. Date/Period: 1898. Poster. Colour lithograph on paper. Height: 1,642 mm (64.64 in); Width: 966 mm (38.03 in). Author: ADOLF HOHENSTEIN.
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alb3896019 Bufones jugando al cochonnet / Jesters Playing "Cochonnet". Date/Period: 1868. Painting. Oil on panel. Height: 460 cm (15 ft); Width: 356 cm (11.6 ft). Author: Eduardo Zamacois y Zabala.
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alb3673992 A Letter to Eugène Maus, Decorated with Two Plums. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dedicatee: Written to Eugène Henri Maus (Belgian, 1847-1881). Dimensions: sheet: 7 15/16 x 9 3/4 in. (20.1 x 24.8 cm); folded once to form four pages. Date: August 2, 1880.The letters Manet embellished with watercolors of flowers and fruit from his garden at Bellevue and sent to his friends are among the most prized of his works because of their enchanting informality. Our letter is a little-known example, fresh in color and featuring one of his favorite subjects, the yellow-green plums called mirabelles.The Manets lodged in Bellevue in a small house at 41 route des Gardes. At least forty letters can be dated with some certainty to Manet's 1880 summer stay in Bellevue. This is the first of two Addressed to Eugène Maus. Eugène Maus, a painter, showed in Paris in the 1880 Salon. He died the following year of a "maladie nerveuse". Manet shares with Maus his concern about his submission to the 1880 Salon in Ghent: "Chez le Père Lathuile" 1879 (Musée des Beaux-Arts de Tournai). Museum: Metropolitan Museum of Art, New York, USA.
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alb3730430 Jacques-Louis David. Dated: c. 1813/1815. Dimensions: overall: 89.2 x 67.8 cm (35 1/8 x 26 11/16 in.) framed: 118.4 x 96.5 x 9.5 cm (46 5/8 x 38 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Studio of Georges Rouget.
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alb3734403 Noble Man with Folded Hands. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3733358 The Wise Virgin. Dated: 1518. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Niklaus Manuel I.
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alb3738648 A Newhaven Fisherwoman. Dated: 1844. Dimensions: sheet: 19.5 x 14.4 cm (7 11/16 x 5 11/16 in.) mount: 37.8 x 30.1 cm (14 7/8 x 11 7/8 in.). Medium: salted paper print from paper negative. Museum: National Gallery of Art, Washington DC. Author: David Octavius Hill and Robert Adamson.
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alb3627097 Mademoiselle Lucie Delabigne (1859-1910), Called Valtesse de la Bigne. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 21 3/4 x 14 in. (55.2 x 35.6 cm). Date: 1879.This pastel depicts Lucie Delabigne, a fashionable Parisian courtesan who was also the subject of portraits by Jean-Louis Forain, Édouard Detaille, and other artists. Manet may have met her through the writer Émile Zola, who based many passages in his book Nana on observations made at Lucie's home. The novel was published in 1880, just a year after this work was made. Museum: Metropolitan Museum of Art, New York, USA.
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alb3623316 Madame Manet (Suzanne Leenhoff, 1830-1906) at Bellevue. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 31 3/4 x 23 3/4 in. (80.6 x 60.3 cm). Date: 1880.Despite the seemingly rapid brushwork and the summary treatment of detail, this painting was preceded by at least two drawings and an oil sketch. This is Manet's last portrait of his wife; it was painted at Bellevue, a suburb of Paris, where they spent the summer of 1880. Museum: Metropolitan Museum of Art, New York, USA.
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alb3736478 Lady with Arms Folded, and Two Gentlemen. Dated: probably 1634. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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alb3734550 Madonna and Child. Dated: c. 1500. Dimensions: overall: 70.2 x 50 cm (27 5/8 x 19 11/16 in.) framed: 88.9 x 69.9 x 8.3 cm (35 x 27 1/2 x 3 1/4 in.). Medium: oil on poplar panel. Museum: National Gallery of Art, Washington DC. Author: PIETRO PERUGINO.
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alb3627628 Catacombs, Convento dei Cappucini, Palermo. Artist: Eugenio Interguglielmi (Italian, Palermo 1850-1911 Palermo). Dimensions: 18.6 x 25.3 cm (7 5/16 x 9 15/16 in. ). Photography Studio: Eugenio Interguglielmi & Company (Italian, active 1895-1981). Date: ca. 1895.More than eight thousand embalmed corpses line the walls of the capuchin convent in Palermo, Sicily. They are organized by gender, age, and even profession, according to the same class and social hierarchies that shaped their lives. Here a blinding light shines on rows of clergy adorned in their finest vestments, bringing the spectacle of death to life. The crypt was already a popular tourist destination in the nineteenth century, and photographs like this one offered visitors a macabre souvenir of what a contemporaneous guidebook described as "truly disgusting.". Museum: Metropolitan Museum of Art, New York, USA.
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alb3621024 The Lamentation of Christ. Artist: Franz Anton Erich Moritz Steinla (German, 1791-1858); After Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). Dimensions: Plate: 14 9/16 × 17 1/16 in. (37 × 43.3 cm). Publisher: Luigi Bardi (Italian). Date: 1841. Museum: Metropolitan Museum of Art, New York, USA.
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alb3620546 The Molo, Venice, from the Bacino di San Marco. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/8 in. (50.5 x 119.7 cm). Date: ca. 1709. Museum: Metropolitan Museum of Art, New York, USA.
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alb3626521 Glass weight. Culture: Roman. Dimensions: 13/16 × 1/8 in., 0.1oz. (2.1 × 0.3 cm, 2g). Date: 6th-early 7th century A.D..Translucent pale yellow green.Circular disk with rounded edge; impressed upper surface; flat bottom.On obverse, stamp in low relief, comprising a cruciform monogram, encircled by a line.Intact; dulling and pitting, with traces of brownish weathering.The weight is stamped with a Greek monogram to guarantee its authenticity. Such small glass weights were used by the Byzantines and later by the Arabs to check the value of gold and silver coins. This example weighs the equivalent of a semissis (half of a solidus, the standard gold coin). Museum: Metropolitan Museum of Art, New York, USA.
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alb3888930 Descent from the Cross. Date/Period: From 1500 until 1510. Painting. Oil on wood. Author: UNKNOWN.
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alb3624263 [Reproduction of Napoleon on the Battlefield of Eylau by Antoine-Jean Gros]. Artist: Unknown (French); After baron Antoine Jean Gros (French, Paris 1771-1835 Meudon). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.
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alb3620152 Medal Showing Frederick the Great. Culture: German. Dimensions: Diam. 1 5/8 in. (4.1 cm); thickness 1/8 in. (0.3 cm); Wt. 0.8 oz. (22.7 g). Date: 1758. Museum: Metropolitan Museum of Art, New York, USA.
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alb3740014 The Martyrdom of Saint Lawrence. Dated: c. 1660. Dimensions: overall: 81.7 x 68.5 cm (32 3/16 x 26 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste de Champaigne.
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alb3747148 The Virgin Reading. Dated: c. 1505. Dimensions: overall: 78 x 51 cm (30 11/16 x 20 1/16 in.) framed: 119.7 x 86.4 x 10 cm (47 1/8 x 34 x 3 15/16 in.). Medium: oil on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.
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alb3888395 Altar frontal from Avià. Date/Period: Ca. 1200. Painting. Tempera, parchment overlaps, stucco reliefs and remains of varnished metal plate on wood. Height: 1,070 mm (42.12 in); Width: 1,770 mm (69.68 in). Author: UNKNOWN.
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alb3742011 River Landscape with High Cliffs. Dated: 1546. Dimensions: plate: 5 13/16 x 7 1/16 in. (14.7 x 18 cm) sheet: 15.9 x 18.6 cm (6 1/4 x 7 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.
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alb3601076 The Entombment. Artist: Philipp Veit (German, Berlin 1793-1877 Mainz). Dimensions: sheet: 11 9/16 x 21 15/16 in. (29.4 x 55.7 cm). Date: 1830. Museum: Metropolitan Museum of Art, New York, USA.
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alb3745011 Le Juif Errant. Dated: c. 1856. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Georges Rouget after Gustave Doré.
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alb3744559 The Flight into Egypt. Dated: c. 1515. Dimensions: painted surface: 72 x 111 cm (28 3/8 x 43 11/16 in.) overall (including attached pieces): 74 x 113 cm (29 1/8 x 44 1/2 in.) framed: 122.9 x 160 cm (48 3/8 x 63 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Vittore Carpaccio.
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alb3743493 The Philosopher (Le philosophe). Dated: 1866. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.
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alb3605948 Slave Pen, Alexandria, Virginia. Artist: Andrew Joseph Russell (American, 1830-1902). Dimensions: Image: 25.6 x 36.5cm (10 1/16 x 14 3/8in.)Mount: 12 3/16 × 16 9/16 in. (31 × 42 cm). Date: 1863.Better known for his later views commissioned by the Union Pacific Railroad, A. J. Russell, a captain in the 141st New York Infantry Volunteers, was one of the few Civil War photographers who was also a soldier. As a photographer-engineer for the U.S. Military Railroad Con struction Corps, Russell's duty was to make a historical record of both the technical accomplishments of General Herman Haupt's engineers and the battlefields and camp sites in Virginia. This view of a slave pen in Alexandria guarded, ironically, by Union officers shows Russell at his most insightful; the pen had been converted by the Union Army into a prison for captured Confederate soldiers.Between 1830 and 1836, at the height of the American cotton market, the District of Columbia, which at that time included Alexandria, Virginia, was considered the seat of the slave trade. The most infamous and successful firm in the capital was Franklin & Armfield, whose slave pen is shown here under a later owner's name. Three to four hundred slaves were regularly kept on the premises in large, heavily locked cells for sale to Southern plantation owners. According to a note by Alexander Gardner, who published a similar view, "Before the war, a child three years old, would sell in Alexandria, for about fifty dollars, and an able-bodied man at from one thousand to eighteen hundred dollars. A woman would bring from five hundred to fifteen hundred dollars, according to her age and personal attractions." Late in the 1830s Franklin and Armfield, already millionaires from the profits they had made, sold out to George Kephart, one of their former agents. Although slavery was outlawed in the District in 1850, it flourished across the Potomac in Alexandria. In 1859, Kephart joined William Birch, J. C. Cook, and C. M. Price and conducted business under the name of Price, Birch & Co. The partnership was dissolved in 1859, but Kephart continued operating his slave pen until Union troops seized the city in the spring of 1861. Museum: Metropolitan Museum of Art, New York, USA.
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