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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg5173810 Paris, Sainte-Chapelle, vitrail des Rois. A gauche en haut : Achimélech donne à à David l'épée de Goliath. A droite en haut : Bethsabée conduite auprès de David. En bas : David montre à Saül la tête de Goliath.

akg5575735 Military / weapons / saber. - Ottoman Kilij with scabbard. - Turkey, 1st quarter of the 19th century. Steel, silver, gold, stones and ivory. Length 96 cm, width 13 cm. Inv. No. 5984. Florence, Museo Stibbert. Author: ANONYMOUS.

akg899183 Ludwig XVI., König von Frankreich; 1754-1793. /-"Arrestation de la famille royale à Varennes" (Festnahme der königlichen Familie auf der Flucht; Varennes, 22.Juni 1791).-Farblithographie, anonym, um 1890. Sammelbildchen der Firma "Chocolat Guérin-Boutron". Nr. 51 einer Serie französischer Könige in Medaillonbildnissen. Museum: Private Collection., Paris.

akg020280 Stalin, Joseph (orig. Iosif Vissarionovich Dzhugashvili), Soviet dictator. 1879-1953. Stalin as military leader during the attack on Poland 1939 (after the Stalin-Hitler-Pact from 23/8/1939). Watercolour, 1939, by Franz. Berlin, Galerie Avantgarde N Fedorowskij. Museum: Berlin, Galerie Avantgarde N Fedorowskij.

akg863230 The crowned head of Nefertiti, wife of Akhenaton. The sculpture was made by the famous sculptor Thutmose and was found in his workshop. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: Amarna period c.1373-1357 BC. Place of Origin: Tell el Amarna. Material Size: Painted limestone.

akg091515 Chaplin, Charlie (originally Charles), English actor and director, 1889-1977. Charlie Chaplin with the French violinist Jacques Thibaud and Paulette Goddard in a teahouse in Tokyo. Photo, c. 1935. Copyright: For editorial use only.

akg020291 Stalin, Joseph (orig. Iosif Vissarionovich Dzhugashvili), Soviet dictator. Gori 21.12.1879 - Moscow 5.3.1953. "En avant! Mar.." - Stalin caricature of the German-Soviet non-aggression pact entailing the split of Polen; Stalin with hammer and sickle shaped like a swastika. From: Marianne, 13.9.1939.

akg947669 Berlin-Mitte, Unter den Linden / Ecke Friedrichstraße. Südliche Ansicht mit dem "Kranzlereck" (Cafe Bauer und Cafe Kranzler). Photographie, um 1890; digital koloriert.

akg927222 Versailles (Frankreich), Schloss, Grille Royale (Gitter zwischen Cour des Ministres u. Cour Royale; Rekonstruktion 2007/08 nach Vorbild des 1794 zerstörten Gitters von J.Hardouin-Mansart; Leitung: F.Didier); Vergoldung in den Ateliers Godard in Paris: Ausschnitt aus der Torbekrönung: Der Ordre de Saint-Espirt.-/ Foto, 2008.

akg232002 Buffalo Bill (bornx William F. Cody), American soldier, bison hunter and showman. In 1883 he staged his first Wild West Show.- Scott County (Ia.) 26.2.1846 - Denver. (Col.) 10.1.1917. "Buffalo Bill's Wild West (...) ". Poster (Lithograph), undated, design:. Lilian (?) Etherington (print: Calhoun). Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale. Author: ANONYMOUS.

akg232003 Buffalo Bill (born William F. Cody), American soldier, bison hunter and showman. In 1883 he staged his first Wild West Show.- Scott County (Ia.) 26.2.1846 - Denver. (Col.) 10.1.1917. "Buffalo Bill's Wild West (...) ". Poster (Lithograph), undated. (Print: Chaix, Paris). Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale. Author: ANONYMOUS.

akg076934 Hitler Stalin Pact 1939. German-Soviet trade agreement and nonagression treaty; secret negotiatons over the division of Poland. 19/23 August 1939. - "Le national-socialisme tourne le dos aus Russes.....de cette facon!" -Caricature from the French satirical newspaper "Marianne", August 1939.

akg244838 Guevara Serna, Ernesto called Che Guevara, Cuban politician, Rosario (Argentina) 14.6.1928 - Bolivia 9.10.1967. Che Guevara drinking mate tea. Photo, undated.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg1110867 Indische Miniatur, Schule von Mewar, Rajasthan, 19. Jahrhundert. /-Mann mit zwei Frauen beim Liebesspiel.-/ Illustration zum Kamastura. (Kamasutra, "Leitfaden der Erotik"; altindisches Lehrbuch der Liebeskunst des Brahmanen Mallanaga Vatsyayana, 4.Jahrhundert n.Chr., mit Beschreibungen der Stellungen beim Geschlechtsverkehr)...

akg4755634 Buffalo Bill (William F. Cody). american. Adventurer, scout in the Indian war, organized in 1883. The first "Wildwestschau". Scott County (Ia.) 26.2.1846 - Denver (Col.) 10.1.1917. "Buffalo Bill's wild west and congress of rough riders of the world". Poster, around 1899. Design: anonymous. Color lithograph, Courier Litho. Co., Buffalo, New York.

akg7983077 6605. Two horned altar dating c. 9th. C. BC found in Gath,. one of the five Philistine royal cities located in Southern Judea.

akg7983098 6614. Philistine Cult stand, four cornered altar, Yavneh excavations (central Israel) dating 9th. C. BC, Iron Age.

akg7053347 Ruins of Shiloh (Seilun) 1900, West Bank, Shiloh (Extinct city), Middle East, Israel and/or Palestine.

akg7053348 Ruins of Shiloh (Seilun) 1900, West Bank, Shiloh (Extinct city), Middle East, Israel and/or Palestine.

alb21692037 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb17891296 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb17891208 AL PACINO and MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb5430863 MARLENE DIETRICH and LIONEL ATWILL in CARNIVAL IN SPAIN (1935) -Original title: THE DEVIL IS A WOMAN-, directed by JOSEF VON STERNBERG. English title: CAPRICE ESPAGNO. Portuguese title: O DIABO É UMA MULHER.

alb2583563 CHARLTON HESTON in EL PRINCIPE Y EL MENDIGO (1977) -Original title: CROSSED SWORDS-, directed by RICHARD FLEISCHER. English title: CROSSED SWORDS.

alb2224112 LA GRAN ESTAFA AMERICANA (2013) -Original title: AMERICAN HUSTLE-, directed by DAVID O. RUSSELL. English title: AMERICAN HUSTLE.

alb252074 GRETA GARBO in LA REINA CRISTINA DE SUECIA (1933) -Original title: QUEEN CHRISTINA-, directed by ROUBEN MAMOULIAN. English title: QUEEN CHRISTINA. Portuguese title: RAÍNHA CRISTINA.

alb14607612 ALI LARTER, KERR SMITH and DEVON SAWA in DESTINO FINAL (2000) -Original title: FINAL DESTINATION-, directed by JAMES WONG. English title: FINAL DESTINATION. Portuguese title: O ÚLTIMO DESTINO.

alb311777 HISTORIA DEL CINE: EDISON STUDIOS -Original title: FILM HISTORY: EDISON STUDIOS-. HISTORIA DEL CINE. PRIMEROS ESTUDIOS. La llamada BLACK MARIA fue construida en el invierno de 1892-93 en West Orange (Nueva Jersey) y está considerada como uno de los primeros platós cinematográficos de la historia del cine. Pertenecía a Edison Studios. English title: FILM HISTORY: EDISON STUDIOS.

alb260203 AL PACINO and MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb266154 GRETA GARBO in LA REINA CRISTINA DE SUECIA (1933) -Original title: QUEEN CHRISTINA-, directed by ROUBEN MAMOULIAN. English title: QUEEN CHRISTINA. Portuguese title: RAÍNHA CRISTINA.

alb568654 HAYDEN CHRISTENSEN and IAN MCDIARMID in STAR WARS: EPISODIO III-LA VENGANZA DE LOS SITH (2005) -Original title: STAR WARS: EPISODE III-REVENGE OF THE SITH-, directed by GEORGE LUCAS. English title: STAR WARS: EPISODE III.

alb484795 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb107001 EL PATITO FEO Y YO (2006) -Original title: THE UGLY DUCKLING AND ME!-, directed by MICHAEL HEGNER and KARSTEN KIILERICH. English title: THE UGLY DUCKLING AND ME!. Portuguese title: PUTZ! A COISA TÁ FEIA.

alb106999 EL PATITO FEO Y YO (2006) -Original title: THE UGLY DUCKLING AND ME!-, directed by MICHAEL HEGNER and KARSTEN KIILERICH. English title: THE UGLY DUCKLING AND ME!. Portuguese title: PUTZ! A COISA TÁ FEIA.

alb107000 EL PATITO FEO Y YO (2006) -Original title: THE UGLY DUCKLING AND ME!-, directed by MICHAEL HEGNER and KARSTEN KIILERICH. English title: THE UGLY DUCKLING AND ME!. Portuguese title: PUTZ! A COISA TÁ FEIA.

alb292686 MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb373287 MARLENE DIETRICH in CARNIVAL IN SPAIN (1935) -Original title: THE DEVIL IS A WOMAN-, directed by JOSEF VON STERNBERG. English title: CAPRICE ESPAGNO. Portuguese title: O DIABO É UMA MULHER.

alb454097 AL PACINO and MARLON BRANDO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb244831 ETTORE MANNI and ANTHONY QUINN in LA AMANTE DEL BÁRBARO (1954) -Original title: ATTILA-, directed by PIETRO FRANCISCI. English title: ATTILA.

alb3097043 ELSA LANCHESTER, MAUREEN O'SULLIVAN and RAY MILLAND in EL RELOJ ASESINO (1948) -Original title: THE BIG CLOCK-, directed by JOHN FARROW. English title: THE BIG CLOCK. Portuguese title: O GRANDE RELÓGIO.

alb3207344 EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb3108988 WE ARE YOUR FRIENDS (2015), directed by MAX JOSEPH. English title: WE ARE YOUR FRIENDS. Portuguese title: MÚSICA, AMIGOS E FESTA.

alb1286989 MARLON BRANDO and SALVATORE CORSITTO in EL PADRINO (1972) -Original title: THE GODFATHER-, directed by FRANCIS FORD COPPOLA. English title: MARIO PUZO'S THE GODFATHER. Portuguese title: O PODEROSO CHEFÃO.

alb1957992 JOAN COLLINS in LA MUCHACHA DEL TRAPECIO ROJO (1955) -Original title: THE GIRL IN THE RED VELVET SWING-, directed by RICHARD FLEISCHER. English title: THE GIRL IN THE RED VELVET SWING. Portuguese title: A RAPARIGA DO BALOIÇO VERMELHO.

alb1032494 TRIPULACIÓN DAVE (2008) -Original title: MEET DAVE-, directed by BRIAN ROBBINS. English title: MEET DAVE. Portuguese title: O GRANDE DAVE.

alb11738852 DWAYNE "THE ROCK" JOHNSON in RED ONE (2024), directed by JAKE KASDAN. English title: RED ONE. Portuguese title: RED ONE: MISSÃO SECRETA.

alb11738855 J. K SIMMONS and DWAYNE "THE ROCK" JOHNSON in RED ONE (2024), directed by JAKE KASDAN. English title: RED ONE. Portuguese title: RED ONE: MISSÃO SECRETA.

alb15919422 Saint Justina, That Saint Justina (title on object), print maker: William Unger, after painting by: Alessandro Bonvicino Moretto, printer: A. Pisani, Vienna, 1861 - 1889, paper, etching, height 399 mm × width 294 mm, print.

alb2033438 Matthias Grünewald / 'Inssenheim Altar: Crucifixion', 1515. Museum: MUSEE D'UNTERLINDEN, Colmar, France. JESUS. Saint John the Baptist. MARY MAGDALENE. VIRGIN MARY. SAN SEBASTIAN. SAN JUAN EVANGELISTA.

alb2069852 El Greco (and workshop) / 'Saint Francis of Assisi and Brother Leo Meditating on Death', 1600-1614, Spanish School, Oil on canvas, 160 cm x 103 cm, P00819. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069639 Luis Paret y Alcázar / 'The Botanical Garden seen from the Paseo del Prado', ca. 1790, Spanish School, Oil on panel, 58 cm x 88 cm, P07661. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2019438 Francisco de Goya / 'Aquelarre or The Witches' Sabbath', 1820-1823, Oil on wall, 140.5 x 435.7 cm, P00761. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2033434 Matthias Grünewald / 'Inssenheim Altar: Mystical Concert' (detail), 1515.

alb2069185 Vecellio di Gregorio Tiziano / 'Danae receiving the Golden Rain', 1553, Italian School, Oil on canvas, 129,8 cm x 181,2 cm, P00425. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069798 Francisco de Goya y Lucientes / 'The Blind Guitarrist', 1778, Spanish School, Oil on canvas, 260 cm x 311 cm, P00778. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3710569 Omer Talon. Dated: 1649. Dimensions: overall: 225 x 161.6 cm (88 9/16 x 63 5/8 in.) framed: 261.9 x 197.5 x 7 cm (103 1/8 x 77 3/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Philippe de Champaigne.

alb3719451 The Raising of the Cross [center, left, and right panels]. Dated: c. 1480/1490. Dimensions: overall (center panel): 66 x 48.3 cm (26 x 19 in.) framed (right panel): 65.4 x 24 x 3 cm (25 3/4 x 9 7/16 x 1 3/16 in.) framed (center panel): 65.3 x 48.3 x 3 cm (25 11/16 x 19 x 1 3/16 in.) framed (left panel): 65.6 x 24 x 3 cm (25 13/16 x 9 7/16 x 1 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Starck Triptych.

alb3713859 The Nativity. Dated: c. 1508/1519. Dimensions: painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.) overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.) framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES.

alb3683282 Saint Francis of Assisi Resuscitating a Dead Youth. Artist: Camillo Procaccini (Italian, Bologna 1555-1629 Milan). Dimensions: 5 11/16 x 4 7/8in. (14.5 x 12.4cm). Date: 1555-1629.Nancy Ward Neilson has suggested that the present design may be a preparatory study for one of the now-destroyed scenes from the life of Saint Francis painted during the late 1580's by or under the supervision of Camillo in the second cloister adjacent to the church of Sant'Angelo in Milan. Like the 'Annunciation' (acc. no. 80.3.181), this drawing was attributed to Camillo by Philip Pouncey in 1965. Museum: Metropolitan Museum of Art, New York, USA.

alb3713548 Cedar Bird. Dated: 1828. Dimensions: plate: 49.9 x 31.1 cm (19 5/8 x 12 1/4 in.) sheet: 100.3 x 67.3 cm (39 1/2 x 26 1/2 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.

alb3705726 Alphonse Legros. Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félix Bracquemond.

alb3633164 Self-Portrait. Artist: William Orpen (British, 1878-1931). Dimensions: 40 1/8 x 33 1/8 in. (101.9 x 84.1 cm). Date: ca. 1910.Born in Ireland, William Orpen studied in Dublin from 1892 to 1896 and went to London for further study at the Slade School of Fine Art in 1896. For the rest of his life, he lived and worked in London. There he received a number of honors, including membership in the New English Art Club, a governmental appointment as an official war artist during World War I, and a knighthood in 1918. He continued to work as a fashionable portrait painter during the 1920s, portraying wealthy and prestigious sitters in a traditional, highly polished style that rejected more recent developments in avant-garde art. He also produced a number of realistic self-portraits, both before and after the war, including Myself and Cupid (1910, Carnegie Institute, Pittsburgh) and Ready to Start (1917, Imperial War Museum, London).This self-portrait, also known as Leading the Life in the West, refers to Orpen's life as a young artist in the West End of London. Orpen stands reflected full-length in a mirror in his studio, wearing a bowler hat and holding gloves and a riding crop. A shelf below the mirror holds paintbrushes and rags, the tools of the artist's trade, as well as several bottles of liquor. Various pieces of correspondence, including an I.O.U. signed by Orpen, are tucked behind the frame of the mirror, further testifying to the pleasures and distractions of the painter's early career. The space of the picture is shallow but complex, with Orpen using his skills as a draftsman to resolve the challenges of surface, lighting, and reflection that he has set for himself. Museum: Metropolitan Museum of Art, New York, USA.

alb3638396 Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456). Artist: Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: (.626, Tommaso) overall 17 3/8 x 13 1/4 in. (44.1 x 33.7 cm), painted surface 16 5/8 x 12 1/2 in. (42.2 x 31.8 cm); (.627, Maria) overall 17 3/8 x 13 3/8 in. (44.1 x 34 cm); painted surface 16 5/8 x 12 5/8 in. (42.2 x 32.1 cm). Date: ca. 1470.The clever balance of verisimilitude and idealization in the features of this pair made Hans Memling the most sought-after portraitist of his day. The Florentine Tommaso Portinari was the branch manager of the Medici bank in Bruges, and probably commissioned these portraits from Memling upon the couple's marriage in 1470. They originally formed a triptych with a central devotional image of the Virgin and Child. Beyond demonstrating the couple's piety, Maria's elaborate necklace and gown display their wealth and social status. Memling places the sitters before illusionistic frames, an innovation suggesting that the figures project into our space. Museum: Metropolitan Museum of Art, New York, USA.

alb3891785 Salome. Date/Period: Ca. 1390. Painting. Fresco. Height: 395 mm (15.55 in); Width: 310 mm (12.20 in). Author: Spinello Aretino [Spinello di Luca Spinelli].

alb3895101 Saint Francis Collecting the Blood of Christ. Date/Period: 1490 - 1500. Panel. Height: 20 mm (0.78 in); Width: 16.30 mm (0.64 in). Author: Carlo Crivelli.

alb3892272 Meeting of Saints Francis and Clara. Date/Period: Ca. 1630. Drawing. Pen and brown ink, brush and gray wash, white gouache on cream laid paper ,lined on secondary support tipped into paper frame. Author: Belisario Corenzio.

alb3899454 Irises. Date/Period: 1889. Painting. Oil on canvas. Height: 711 mm (27.99 in); Width: 930 mm (36.61 in). Author: VINCENT VAN GOGH.

alb3895625 Saint George. Date/Period: Ca. 1513 - 1515. Painting. Oil on panel. Height: 702 mm (27.63 in); Width: 610 mm (24.01 in). Author: Dosso Dossi (Giovanni di Niccolò de Lutero).

alb3893186 St. Justina, Venerated by a Patron. Date/Period: Between ca. 1530 and ca. 1534. Painting. Oil on panel. Height: 2,000 mm (78.74 in); Width: 1,390 mm (54.72 in). Author: MORETTO DA BRESCIA.

alb3678141 The Rest on the Flight into Egypt. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: 20 x 17 in. (50.8 x 43.2 cm). Date: ca. 1512-15.This composition presents the Flight into Egypt as a continuous narrative. In a tiny background scene the Holy Family emerges from the forest, en route to the contemporary Netherlandish town at the left. In the foreground Mary nurses the Child in a moment of repose on their arduous journey, which the viewer is visually meant to follow. David achieved in this painting a remarkable balance of color and a serene sense of light and atmosphere. His awareness of Italian Renaissance conventions is evident in the pyramidal motif of the Virgin and Child and his use of chiaroscuro to convey the volume of the figures. Museum: Metropolitan Museum of Art, New York, USA.

alb3894898 Jupiter and Io. Date/Period: 1520 - 1540. Painting. Oil on canvas. Height: 1,620 mm (63.77 in); Width: 735 mm (28.93 in). Author: Antonio Allegri, called Correggio.

alb3893078 La Primavera / La Primavera (Spring). Date/Period: From 1482 until 1485. Tempera on panel. Height: 207 cm (81.4 in); Width: 319 cm (10.4 ft). Author: SANDRO BOTTICELLI.

alb3675952 Equestrian Portrait of Cornelis (1639-1680) and Michiel Pompe van Meerdervoort (1638-1653) with Their Tutor and Coachman ("Starting for the Hunt"). Artist: Aelbert Cuyp (Dutch, Dordrecht 1620-1691 Dordrecht). Dimensions: 43 1/4 × 61 1/2 in. (109.9 × 156.2 cm). Date: ca. 1652-53.Inventories of Castle Meerdervoort dating from 1680 and 1749 record Cuyp's portrait of two sons of the wealthy Pompe van Meerdervoort family with their tutor and coachman. The painting hung over the mantle in the boys' room, as the patron probably intended. In the distance Cuyp depicted not the environs of Dordrecht but the countryside near Elten on the Rhine. The castle may allude to the family's place among the landed gentry. Museum: Metropolitan Museum of Art, New York, USA.

alb3739835 The Baptism of Christ. Dated: c. 1508/1519. Dimensions: painted surface: 124.2 x 79 cm (48 7/8 x 31 1/8 in.) overall (panel): 125.3 x 81.1 cm (49 5/16 x 31 15/16 in.) framed: 143.2 x 99.1 x 10.8 cm (56 3/8 x 39 x 4 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES.

alb3675441 Young Herdsmen with Cows. Artist: Aelbert Cuyp (Dutch, Dordrecht 1620-1691 Dordrecht). Dimensions: 44 1/8 x 52 1/8 in. (112.1 x 132.4 cm). Date: ca. 1655-60.Cuyp was the most talented member of a family of painters from Dordrecht, where--as elsewhere in Holland--city dwellers entertained idyllic notions of life on the land (a tradition going back to the Roman poets Horace and Virgil). In this sun-blessed landscape under satiny clouds, cows sit around like sofas on a carpet of grass and the three figures (a family?) appear to discuss nothing more urgent than which way they might take an afternoon stroll. Museum: Metropolitan Museum of Art, New York, USA. Author: Aelbert Cuyp.

alb3678771 Johann Joachim Winckelmann (1717-1768). Artist: Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728-1779 Rome). Dimensions: 25 x 19 3/8 in. (63.5 x 49.2 cm). Date: ca. 1777.One of the most influential writers on art and archaeology--his History of Ancient Art was published in German in 1764--Johann Joachim Winckelmann was also a close friend and admirer of Mengs. Both were leading exponents of the nascent Neoclassical movement in Rome. In this idealized posthumous portrait Winckelmann is shown holding a Greek edition of Homer's Iliad. Museum: Metropolitan Museum of Art, New York, USA.

alb3736521 Peter the Great of Russia. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Louis-Pierre Henriquel after Paul Delaroche.

alb3737077 Sir E.J. Poynter, P.R.A. Medium: etching and drypoint?. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

alb3735871 Major-General Sir Archibald Campbell. Dated: 1790-1792. Dimensions: overall: 153.4 x 123.9 cm (60 3/8 x 48 3/4 in.) framed: 174 x 144.8 cm (68 1/2 x 57 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GEORGE ROMNEY.

alb3737080 Alphonse Legros. Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félix Bracquemond.

alb3739721 The Refectory (Le refectoire). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

alb3696798 Mateo Vásquez, c. 1542-1591, Secretary to King Philip II from 1573 [obverse]. Dated: c. 1573. Dimensions: overall (diameter): 5.29 cm (2 1/16 in.) gross weight: 40.92 gr (0.09 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Spanish 16th Century.

alb3699064 The Muses Urania and Calliope. Dated: c. 1634. Dimensions: overall: 79.8 x 125 cm (31 7/16 x 49 3/16 in.) framed: 105.4 x 150.2 x 10.2 cm (41 1/2 x 59 1/8 x 4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Simon Vouet and Studio.

alb3697385 Antonio Calmone, Secretary to Philip II [obverse]. Dated: c. 1570. Dimensions: overall (diameter): 4.26 cm (1 11/16 in.) gross weight: 32.21 gr (0.071 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Pier Paolo Galeotti.

alb3697888 Diana and Endymion. Dated: c. 1675/1680. Dimensions: overall: 149.2 x 164 cm (58 3/4 x 64 9/16 in.) framed: 170.2 x 185.4 x 9.2 cm (67 x 73 x 3 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LUCA GIORDANO.

alb3697387 Black-bellied Darter. Dated: 1836. Dimensions: plate: 96.6 x 65 cm (38 1/16 x 25 9/16 in.) sheet: 100.9 x 68.2 cm (39 3/4 x 26 7/8 in.). Medium: hand-colored engraving and aquatint on Whatman wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.

alb3626534 The Annunciation. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm). Date: 1506.These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of northern and Italian artistic modes that perhaps reflect the patron's ties to both regions. Museum: Metropolitan Museum of Art, New York, USA.

alb3628856 Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 3/4 in. (24.8 × 35 cm)Sheet: 12 in. × 17 1/4 in. (30.5 × 43.8 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3625755 Death of St. Francis, after Giotto, upper Church S. Francesco, Assisi. Artist: William Young Ottley (British, Thatcham, Berkshire 1771-1836 London); After Giotto di Bondone (Italian, Florentine, 1266/76-1337). Dimensions: sheet: 12 11/16 x 12 1/2 in. (32.3 x 31.7 cm). Date: late 18th-mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3699785 The Adoration of the Magi. Dated: c. 1508/1519. Dimensions: painted surface: 124.7 x 79 cm (49 1/8 x 31 1/8 in.) overall (panel): 126 x 82 cm (49 5/8 x 32 5/16 in.) framed: 143.2 x 99.7 x 10.7 cm (56 3/8 x 39 1/4 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES.

alb3740784 Madonna and Child with Saint Jerome, Saint Catherine of Alexandria, and Angels. Dated: c. 1465/1470. Dimensions: overall: 66 x 44 cm (26 x 17 5/16 in.) framed: 97.8 x 72.4 x 9.5 cm (38 1/2 x 28 1/2 x 3 3/4 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Matteo Di Giovanni.

alb3745957 Sir Brian Tuke. Dated: c. 1527/1528 or c. 1532/1534. Dimensions: overall: 49.1 x 38.5 cm (19 5/16 x 15 3/16 in.) framed: 67 x 57.5 x 7.6 cm (26 3/8 x 22 5/8 x 3 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.

alb3888577 Border. Date/Period: 1800-50. Border. Block-printed, flocked, gilt. Height: 675 mm (26.57 in); Width: 140 mm (5.51 in). Author: UNKNOWN.

alb3653389 The Annunciation. Artist: Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: Overall, 28 x 28 3/4 in. (71.1 x 73 cm); painted surface, 27 1/4 x 27 3/4 in. (69.2 x 70.5 cm). Date: ca. 1644.Philippe de Champaigne was one of the protagonists of French classicism. His art, inspired in part by his association with Jansenism (a severe Counter-Reformation movement suppressed by Louis XIV), has been described as combining "a scrupulous perfectionism verging on coldness with an inner life of deep intensity." This picture was painted for the private chapel of Queen Anne of Austria (1601-1666), the widowed wife of Louis XIII. The chapel, a small oval room in the Palais Royal, Paris, was decorated by the most prominent French painters of the day. Museum: Metropolitan Museum of Art, New York, USA.

alb3603183 Jean-Baptiste Colbert (1619-1683). Artist: Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm). Date: 1655.In 1651 Colbert joined the household of Cardinal Mazarin, principal advisor to Queen Anne of Austria during the minority of Louis XIV (1638-1715), and one of the great collectors of the seventeenth century. Having recouped the cardinal's fortune, Colbert entered the king's service and, ten years after he sat for this portrait, was appointed minister of finance. He was instrumental in reforming the arts to serve the monarchy. In 1648, he and Charles Le Brun took charge of the Académie Royale and in 1666 founded the French Academy in Rome. Museum: Metropolitan Museum of Art, New York, USA.

alb3609718 Christ Bearing the Cross. Artist: North Netherlandish (Utrecht?) Painter (ca. 1470). Dimensions: 42 3/8 x 32 3/8 in. (107.6 x 82.2 cm).Set against the backdrop of a contemporary townscape, this theatrical portrayal of Christ's Way to Calvary recalls an annual civic celebration in Bruges, the Procession of the Holy Blood, which included a reenactment of the episodes shown: Christ carrying the cross aided by Simon of Cyrene, Veronica receiving the icon of the Holy Face, and the Virgin and Saint John waiting for Christ. The procession was the responsibility of the Confraternity of the Holy Blood, whose members follow the armored horseman carrying the group's official standard.The painting reflects a lost work by Van Eyck, known from copies. Museum: Metropolitan Museum of Art, New York, USA.

alb3601005 Guillaume Budé (1467-1540). Artist: Jean Clouet (French, active by 1516-died 1540/41 Paris). Dimensions: 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm). Date: ca. 1536.Painter to King Francis I, Jean Clouet played a key role in establishing the Renaissance portraiture tradition in France, yet this is his only extant painted portrait. It depicts Guillaume Budé, librarian to Francis I and the leading humanist of sixteenth-century France. Similar to the sitter in Metsys's Portrait of a Woman (32.100.47), Budé's fingers hold his page, as if interrupted. With the quill in his right hand, he has written in Greek, "While it seems to be good to get what one desires, the greatest good is not to desire what one does not need" (Joannes Stobaeus, 3.5.18). Museum: Metropolitan Museum of Art, New York, USA.

alb3612235 The Three Ages of Humans. Artist: Dosso Dossi (Giovanni de Lutero) (Italian, Tramuschio ca. 1486-1541/42 Ferrara). Dimensions: 30 1/2 x 44 in. (77.5 x 111.8 cm).The three ages of humankind are represented by two boys peeping behind a bush, by two lovers, and by two old men. But the primary subject is a pastoral landscape (indeed, the old men were a second thought). Landscape was a genre inspired by classical literature and intended above all to delight the eye. Dosso's wit, much prized at the court of Ferrara, is seen in the detail of the goats that appear to spy on the young lovers. Museum: Metropolitan Museum of Art, New York, USA.