Pesquisando por: "The Granger " - Fotoarena - Agência de fotojornalismo

990_05_3-Sport-Misc_13HR Tampa, Florida January 7, 1926 Four of America's most famous sports stars give an athletic demonstration at the Temple Terrace Country Club. L-R: JIm Barnes, British Open Golf Champion; Helen Wainwright, Olympic diving and swimming medal winner, 'Red' Grange, football star; and center is Johny Farrell, professional golf champion.

902_05_12280037HighRes The assassination in 1546 of Cardinal Beaton, by Norman Leslie, master of Rothes and William Kirkcaldy of Grange. David Beaton, c.1494 ? 1546. Archbishop of St Andrews and Cardinal. From The Century Edition of Cassell's History of England, published 1901.

00889825 geography / travel, Germany, Schleswig-Holstein, the terpen the Hallig Hooge, German isle,

990_05_3-Sport-FB-Pro_13HR Chicago, Illinois: November 27, 1925 Rookie Red Grange getting tackled at Cub's Park (later Wrigley Field) in his first professional game for the Chicago Bears, playing against their Southside rivals, the Chicago Cardinals. Grange received for his efforts the sum of $12,000 and a black eye.

990_05_1-Work-M_9HR Chicago, Illinois: c. 1933 Harold, 'Red' Grange uses a block of ice to show the form he used to score touchdowns during his football career. © Underwood Archives / The Image Works

990_05_3-Sport-FB-Pro_6HR New York, New York: December 6, 1925 New pro football player Harold 'Red' Grange receiving a forward pass and making a 20 yard run. Grange made his NY debut today with the Chicago Bears playing against the New York Giants at the Polo Grounds.

alb10899170 Antonio della Corna (ca. 1450/1455-ca. 1500). Italian painter, documented in Cremona and Soncino between 1481 and 1498. Adoration with the Infant Saint John. Tempera on board. Ala Ponzone Civic Museum. Cremona. Italy. Author: Antonio della Corna (ca. 1450/1455-ca. 1500). Italian painter.

alb2070770 Francisco de Goya y Lucientes / 'The Threshing Floor, or Summer', 1786, Spanish School, Oil on canvas, 276 cm x 641 cm, P00794. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb10595416 mazorcas de maiz hervidas, San Gaspar Chajul, departamento del Quiché , Triángulo Ixil, Guatemala, America Central.

akg580585 Koeppel, Matthias. geb. 1937. "Verfallenes Gehöft bei Guastalla (Po-Ebene) ", 1983. Öl auf Pappe, 24 × 30 cm. Privatsammlung. Museum: PRIVATE COLLECTION. Copyright: © Matthias Koeppel. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg8850168 Mountain stream lined with barns, probably in the Pyrenees. Photo, 1905-1910. Inv. Nr. RP-F-F01162-JB. Amsterdam, Rijksmuseum.

akg8648847 Brandenburg, Wriezen, farmhouse from the 2nd World War. Wriezen (Oderbruch), July 1995.

akg3002668 Fotografie: Fotograf bei der Arbeit. Fotograf mit Teleobjektiv auf einem Stalldach gegenüber einem Storchennest auf einem Scheunendach. Foto, Walter Hege, undatiert (um 1930). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Copyright: © Walter Hege. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg3009781 Radziwill, Franz 1895-1983. "Friesische Landschaft", 1945. Öl auf Leinwand, 84 x 100 cm. Dauerleihgabe aus Privatsammlung. Emden, Kunsthalle. Museum: Emden, Kunsthalle. Copyright: © Franz Radziwill. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg5419154 Valcamonica / Val Camonica (Provinz Brescia, Region Lombardei, Italien), (Auf einer Länge von 25 Kilometern Fundstätte einer Vielzahl von Felsgravuren von der Jungsteinzeit ab ca. 10 000 v. Chr. bis zur Ankunft der Römer 16 v.Chr.; seit 1979 UNESCO-Weltkulturerbe), Parco archeologico comunale di Seradina Bedolina (Gemeinde Capo di Ponte), Fels Bedolina. - Haus auf Stelzen. - Felsgravur, Eisenzeit, 7.-1. Jahrhundert v. Chr. Foto, undatiert. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg542252 Rohlfs, Christian 1849-1938. "Holsteinischer Bauernhof", 1900. Öl auf Leinwand, 110 × 148 cm. Inv. Nr. 2. Witten, Märkisches Museum. Museum: Witten, Märkisches Museum.

akg3107489 Rauch, Neo geb. 1960. "Tal", 1999. Öl auf Leinwand, 100 x 70 cm. Privatsammlung. Copyright: © Neo Rauch. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg564941 Koeppel, Matthias. geb. 1937. "An der Bahn", 1979. Öl auf Leinwand, 30 × 40 cm. Privatsammlung. Museum: PRIVATE COLLECTION. Copyright: © Matthias Koeppel. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

alb3638758 Prie-dieu. Culture: British. Designer: Augustus Welby Northmore Pugin (British, London 1812-1852 Ramsgate). Dimensions: Overall (confirmed): 33 1/2 × 26 1/2 × 23 1/2 in. (85.1 × 67.3 × 59.7 cm). Date: ca. 1844.After the architect and designer A. W. N. Pugin converted to Catholicism in 1835, his work was strongly influenced by his ideas of life in pre-Reformation England. The Grange, the house Pugin built for himself in Ramsgate (1843-44), was a perfect example of this romantic medieval vision. This prie-dieu was designed for Pugin's own use in the chapel at The Grange, which although small in size was completely outfitted for celebrating Mass with organ, sacristy, vestments, church plate etc.: a watercolor of the chapel from around 1844 shows the shadowy outline of a similar prayer bench in front of the altar.Pugin's furniture, intended mostly for the houses he designed, is relatively simple, somewhat severe and ecclesiastical in nature of which this prie-dieu is an excellent example. Yet this rather plain prayer bench, which has a minimum of ornamental features and no upholstery or padding, has its own natural grace. This is expressed in the elegant curves of the two chamfered uprights, the ogival arch-shaped lower edge of the cross piece underneath the elbow rest and also under the trestle feet. Although the trefoil-shaped tusked tenons might look purely decorative they are part of the so-called "revealed construction" which was later widely used by Arts and Crafts designers. Museum: Metropolitan Museum of Art, New York, USA.

akg874319 Provins (Dép.Seineet-Marne, Ilede-France, France), Upper town / Ville-Haute, Grange aux Dîmes (tithe barne of the canon of Saint-Quiriace; 12th-13th centuries).-The Moneychanger.-Photo, undated.

akg884062 A farmer in the haute provence Jochem Wijnands.

akg3006520 O'Keeffe, Georgia. 1887-1986. /. "Barn with Snow" (Scheune mit. Schnee), 1934. Öl auf Leinwand, 40,6 x 71,1 cm. Geschenk von Mr. and Mrs. Norton S.Walbridge, San Diego. San Diego, San Diego Museum of Art. Museum: San Diego, San Diego Museum Of Art. Copyright: © Georgia O'Keeffe. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

orz145455 ESCENA DE "BEAU BRUMMELL" - 1954 - LIZ TAYLOR Y STEWART GRANGER - M.G.M (EEUU). Author: CURTIS BERNHARDT. PETER USTINOV. STEWART GRANGER. ELIZABETH TAYLOR.

akg029913 Landwirtschaft, Bauernhof. "Alter Schwarzwälder Bauernhof". Farblithographie, 1902, von Walter Georgi (1871-1924). 14,5 × 22,6 cm.

alb9875950 Mrs Jane Middleton, daughter of Sir Roger Needham, a woman of exquisite beauty says Granger, died c.1685.. Depicted with a cornucopia of fruit. Steel engraving by Thomas Wright after a portrait by Sir Peter Lely from Mrs Anna Jamesons Memoirs of the Beauties of the Court of King Charles the Second, Henry Coburn, London, 1838.

alb9881320 Farm labourers working in a barn, France, 15th century. Men threshing and winnowing wheat, loading sacks of grain in a granary, raising cattle in a stable. L'aire et les greniers, XVe siecle. From Pierre de Crescens' manuscript Livre des profits chempetres, Sc. A. F. 119 (5064), Folio 53r, Bibliotheque de l'Arsenal. Chromolithograph by Ad. Levie after an illustration by A. Giere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

akg892687 Banking a prairie farm with sod for the winter in Dakota Territory, 1880s. Handcolored woodcut of a 19thcentury illustration.

ibltsm09636878 13th century monastic grange, abbey barn Ten Bogaerde, now modern art museum and arts center De Schuur at Koksijde, Coxyde, West Flanders, Belgium, Europe

akg8710950 Gagnon, Clarence 1881-1942. "Eutrope Gagnon Visits", 1928/1933. Pastel and coloured pencil with gouache on paper, 22.2 × 22.1 cm. Vaughan, McMichael Canadian Art Collection.

akg8710929 Gagnon, Clarence 1881-1942. "Going for the Doctor", 1928/1933. Gouache over colour monotype on paper, 22.4 × 24.1 cm. Vaughan, McMichael Canadian Art Collection.

akg6023228 Kobayashi Kiyochika (1847-1915). The Taro Inari Shrine in the Asakusa Ricefields, 1877. Color woodblock print. Inv. Nr. M. 71.100.74, Los Angeles, County Museum of Art.

akg7714645 Photograph - Kodak (Australasia) Pty Ltd, Kodak Shopfront & Building, Brisbane, circa 1927, Black and white silver gelatin photograph of a streetscape featuring Kodak Australasia shopfront and building on Queen Street, Brisbane, in the 1920s. The signage on the side of the building reads Kodak Australasia incorporating Baker & Rouse Prop. Ltd. In 1884 Thomas Baker, a registered pharmaceutical chemist born in 1854, began making photographic plates at his home 'Yarra Grange' by the Yarra.

akg982987 Curry, John Steuart 1897-1946. "Baptism in Kansas" (Taufzeremonie in Kansas), 1928. Oil on canvas, 101,6 × 127 cm. Inv. Nr. 31.159. Schenkung Gertrude Vanderbilt Whitney, New York, Whitney Museum of American Art. Museum: New York, Whitney Museum Of American Art.

orz185693 VIVIENDA RURAL - 1935 - ByN 508. Author: FERNANDEZ ORONOZ JUAN. Location: EXTERIOR. Olot. SPAIN.

akg913764 Russian serfs using thatch from their roofs to feed livestock during a famine, 1890s. Handcolored woodcut of a 19thcentury illustration.

alb5101695 North East View of Parts of the Chapel and Granary of Leadenhall, John Thomas Smith, 17661833, British, after John Thomas Smith, 17661833, British, 1812, Engraving.

akg7906723 Granger, Jean-Pierre; 1779-1840. "Esquisse pour Notre-Dame de Paris: Jésus-Christ guérissant les malades" (sketch for Notre-Dame de Paris: Jesus Christ Heals the Sick), between 1828 and 1835. Painting, oil painting. PPP4587, Paris, Petit Palais.

alb3893480 The Peasant Wedding. Date/Period: 1566 - 1569. Painting. Oil on Wood. Height: 1,140 mm (44.88 in); Width: 1,640 mm (64.56 in). Author: Pieter Brueghel The Elder.

alb9590764 mercado de pescados, Mahon, Menorca, balearic islands, Spain.

alb9573616 mazorcas de maiz hervidas, San Gaspar Chajul, departamento del Quiché , Triángulo Ixil, Guatemala, America Central.

alb9576687 bar de Dalt Olivar, tapas y comidas , mercado del Olivar, Palma, Mallorca, Balearic Islands, Spain.

alb9569354 bar del Peix, mercado del Olivar, Palma, Mallorca, Balearic Islands, Spain.

alb1984293 Assisting the poor in front of the abbey of Port-Royal des Champes, by Louise-Magdeleine Hortemels (1688-1767), gouache. France, 17th Century. Location: Magny-Les-Hameaux, Musée National Des Granges De Port-Royal.

alb3578737 Orpheus, after a painting by Paul-Edouard Rosset-Granger, Salon of 1884, Paris, France, illustration by Meisenbach from L'Illustration, Journal Universel, No 2154, Volume LXXXIII, June 7, 1884.

alb4385044 Negative - Nullawil District, Victoria, Dec 1934, Men and women of the Bartram family swimming in the dam on 'The Grange'. This was on Christmas day. They are all gathered on a raft and wearing one-piece bathing costumes. Included in the photograph are: Loisa Trott [far left]; Edda Bartram [fifth from left]; Ivy Watts [ninth from left]; Essie Dowty [tenth from left] and Ceil Bartram [far right].

akg1728672 Mormon family wagon on the outskirts of Salt Lake City, 1858.|Handcolored woodcut of a 19th century illustration.

alb2122071 Barbara Urselin, of Augsburg, wife of Michael Vanbeck, hairy woman, exhibited in London and Europe by her husband in the mid-17th century, from a scarce print. Portrait of hairy woman playing a musical instrument. Copperplate engraving from Richardson's "Portraits illustrating Granger's Biographical History of England," London, 17921812. Published by William Richardson, printseller, London. James Granger (17231776) was an English clergyman, biographer, and print collector.

alb1883761 Peasants loading a cart with straw bales. 19th century. Colored engraving.

alb1883763 Peasants. 19th century. Colored engraving.

akg052675 Zorn, Anders. 1860-1920. "In the Hayloft", 1892. Oil on canvas, 99 × 67cm. Mora (Dalarna), Zornmuseet. Museum: Mora (Dalarna), Zornmuseet.

akg913958 Farm children playing in the barn on a bright May morning Handcolored woodcut of a 19thcentury illustration.

alb1321482 JANET LEIGH in SCARAMOUCHE (1952), directed by GEORGE SIDNEY. English title: SCARAMOUCHE. Portuguese title: SCARAMOUCHE.

alb1459550 Tapestry Series Honors and Virtues. Detail. Danae and her son Perseus were rescued after being thrown overboard by Acrisius, Danae's father and king of Argos. Made in Brussels in mid-sixteenth century. Wool, silk and silver. Tapestry Museum. Royal Palace of La Granja de San Ildefonso. Castile and Leon. Spain. National Heritage.

alb9471404 Portrait of Desgranges or Granges, (dancer), Disderi & Cie, Photographer, Between 1870 and 1890, 2nd half of the 19th century, Photography, Graphic arts, Photography, Albumen paper print, Dimensions - Work: Height: 8.7 cm, Width: 5.3 cm, Dimensions: Height: 10.4 cm, Width: 6 cm.

dpa28837625 View of a front theatre on the Eastern Front, published 19 January 1943. The Nazi Propaganda! on the back of the image reads: "Soldiers entertain soldiers. The 'Front Theatre at Knüppeldamm' - a temple of the Muses, which the grenadiers built from a decayed barn not far off the main front line on the Volkhov River." Photo: Fotoarchiv für Zeitgeschichte/Archiv.

alb4168893 The Park, La Granga. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 217 x 283 mm. Oiled charcoal with stumping and erasing, heightened with touches of white gouache, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

alb4169507 Palace La Granga. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 194 x 255 mm. Oiled charcoal with stumping, with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood-pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

alb1957578 MICKEY ROONEY in SECRETA INVASIÓN (1964) -Original title: THE SECRET INVASION-, directed by ROGER CORMAN. English title: THE DUBIOUS PATRIOTS. Portuguese title: A INVASÃO SECRETA.

alb3398368 STEWART GRANGER and CYD CHARISSE in NORTE SALVAJE (1952) -Original title: THE WILD NORTH-, directed by ANDREW MARTON. English title: THE WILD NORTH.

alb1578571 GIANNA MARIA CANALE in TODA LA VERDAD (1958) -Original title: THE WHOLE TRUTH-, directed by JOHN GUILLERMIN. English title: THE WHOLE TRUTH.

alb1957992 JOAN COLLINS in LA MUCHACHA DEL TRAPECIO ROJO (1955) -Original title: THE GIRL IN THE RED VELVET SWING-, directed by RICHARD FLEISCHER. English title: THE GIRL IN THE RED VELVET SWING. Portuguese title: A RAPARIGA DO BALOIÇO VERMELHO.

alb487635 LAUREN BACALL and JOHN WAYNE in EL ÚLTIMO PISTOLERO (1976) -Original title: THE SHOOTIST-, directed by DON SIEGEL. English title: THE SHOOTIST. Portuguese title: O ÚLTIMO PISTOLEIRO.

akg1426857 Knobloch, Thoralf. geb. 1962. "Hinter den Scheunen", 2003. Öl auf Leinwand, 165 × 230,3 cm. Baden-Baden, Museum Frieder Burda. Museum: Baden-Baden, Museum Frieder Burda. Copyright: Additional copyrights must be cleared.

alb537385 FARLEY GRANGER and KASEY ROGERS in EXTRAÑOS EN UN TREN (1951) -Original title: STRANGERS ON A TRAIN-, directed by ALFRED HITCHCOCK. English title: STRANGERS ON A TRAIN. Portuguese title: PACTO SINISTRO.

alb467552 DEBORAH KERR and STEWART GRANGER in EL PRISIONERO DE ZENDA (1952) -Original title: THE PRISONER OF ZENDA-, directed by RICHARD THORPE. English title: THE PRISONER OF ZENDA.

akg8360686 Copenhagen (Denmark), Jaegersborg Dyrehave - Jaegersborg Deer Park, Ulvedalene. "Ulvedalen" (park landscape with feeding place). Photo, undated, around 1880, from a series "Kjøbenhavn og Omegn" (Copenhagen and the surrounding area). Collection Mark De Fraeye. Photo: Donated by Mark De Fraeye and Patricia Verburg, coll. King Baudouin Foundation.

alb281345 DAVID NIVEN and AVA GARDNER in LA CABAÑA (1957) -Original title: THE LITTLE HUT-, directed by MARK ROBSON. English title: THE LITTLE HUT. Portuguese title: DOIS AMORES E UMA CABANA.

alb282873 JENNIFER JONES in DUELO AL SOL (1946) -Original title: DUEL IN THE SUN-, directed by KING VIDOR. English title: DUEL IN THE SUN. Portuguese title: DUELO AO SOL.

alb4131118 The Adoration of the Christ Child. Jacob Cornelisz. van Oostsanen and Workshop; Netherlandish, c. 1470/75-by 1533. Date: 1510-1520. Dimensions: 98.5 × 76.3 cm (38 3/4 × 30 1/16 in.)Painted surface: 97 × 74.9 cm (38 3/16 × 29 1/2 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Jacob Cornelisz. van Oostsanen.

les24010211 Courtyard of " Les Granges" (the barns) of Port Royal Des Champs, with a well for which Pascal invented and constructed the windlass. Location: Abbaye de Port Royal des Champs, Port Royal, France.

alb2068585 Francisco Bayeu y Subías / 'Lunch on the Field', 1784, Spanish School, Oil on canvas, 37 cm x 56 cm, P00607. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3897588 The Grange at the Head of Keswick Lake. Date/Period: 1786. Drawing. Watercolor and brown ink over graphite on medium slightly textured cream laid paper. Height: 181 mm (7.12 in); Width: 241 mm (9.48 in). Author: Francis Towne.

akg830274 Teniers, David the Younger 1610-1690. "In the stable", c. 1643. Oil on oak, 61 x 87.5 cm. Inv. no. 607. Museum: Kunstmuseum., Basel.

alb249422 STEWART GRANGER and CYD CHARISSE in NORTE SALVAJE (1952) -Original title: THE WILD NORTH-, directed by ANDREW MARTON. English title: THE WILD NORTH.

alb1788891 Renaissance Art. Italy. 15th century. Piero della Francesca (c.1420-1492). Italian painter. The Nativity, 1470-75. Tempera on panel. National Gallery. London. England. UK.

akg7332441 Literature:. Fairy tales of the Brothers Grimm / Tischlein deck dich. Scene, The tailor's eldest son sits in front of his little table and starts to say: "Tischlein, deck dich". Colour lithograph, c. 1875, from a fairy tale book (single page, without further information). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg8548778 Tuscany, Maremma Nature Park, village of Alberese: Horses of "Butteri" (Maremma-"Cowboys") at stately owned farm Azienda Agricola Alberese. This working farm preserves also the traditions of the last "butteri" (cowboys) of the Maremma, working with semi-wilde longhorn cows of the Maremma race (Italian: razza Maremmana). The head of the Alberese Butteri, Alessandro Zamperi, shows also historic tools of a Buttero, so the traditional leather coat "pastranó", the "uncino" (shepherd`s or cowboys crook), historic saddles, or the "mazzarella" (stick for cattle drives) in the old "selleria", the old upholsterer`s or saddlers`shed of the estate, which is even a Museum of Butteri, a Cowboy museum. In the old Granary, built 1820, historic agricultural machines are shown.

akg8548791 Tuscany, Maremma Nature Park, village of Alberese: Horses of "Butteri" (Maremma-"Cowboys") at stately owned farm Azienda Agricola Alberese. This working farm preserves also the traditions of the last "butteri" (cowboys) of the Maremma, working with semi-wilde longhorn cows of the Maremma race (Italian: razza Maremmana). The head of the Alberese Butteri, Alessandro Zamperi, shows also historic tools of a Buttero, so the traditional leather coat "pastranó", the "uncino" (shepherd`s or cowboys crook), historic saddles, or the "mazzarella" (stick for cattle drives) in the old "selleria", the old upholsterer`s or saddlers`shed of the estate, which is even a Museum of Butteri, a Cowboy museum. In the old Granary, built 1820, historic agricultural machines are shown.

akg8548780 19th century) in the "selleria" (saddlers shed); This working farm preserves also the traditions of the last "butteri" (cowboys) of the Maremma, working with semi-wilde longhorn cows of the Maremma race (Italian: razza Maremmana). The head of the Alberese Butteri, Alessandro Zamperi, shows also historic tools of a Buttero, so the traditional leather coat "pastranó", the "uncino" (shepherd`s or cowboys crook), historic saddles, or the "mazzarella" (stick for cattle drives) in the old "selleria", the old upholsterer`s or saddlers`shed of the estate, which is even a Museum of Butteri, a Cowboy museum. In the old Granary, built 1820, historic agricultural machines are shown.

akg8548790 Tuscany, Maremma Nature Park, village of Alberese, stately owned farm Azienda Agricola Alberese: historic saddles and tradititonal tools of "butteri" ("cowboys") in the "selleria" (saddlers shed); This working farm preserves also the traditions of the last "butteri" (cowboys) of the Maremma, working with semi-wilde longhorn cows of the Maremma race (Italian: razza Maremmana). The head of the Alberese Butteri, Alessandro Zamperi, shows also historic tools of a Buttero, so the traditional leather coat "pastranó", the "uncino" (shepherd`s or cowboys crook), historic saddles, or the "mazzarella" (stick for cattle drives) in the old "selleria", the old upholsterer`s or saddlers`shed of the estate, which is even a Museum of Butteri, a Cowboy museum. In the old Granary, built 1820, historic agricultural machines are shown.

akg8548802 Tuscany, Maremma Nature Park, village of Alberese, stately owned farm Azienda Agricola Alberese: ropes and historic bridle for horses of the "Maremma butteri" ("Maremma cowboys") in the "selleria" (saddlers shed); This working farm preserves also the traditions of the last "butteri" (cowboys) of the Maremma, working with semi-wilde longhorn cows of the Maremma race (Italian: razza Maremmana). The head of the Alberese Butteri, Alessandro Zamperi, shows also historic tools of a Buttero, so the traditional leather coat "pastranó", the "uncino" (shepherd`s or cowboys crook), historic saddles, or the "mazzarella" (stick for cattle drives) in the old "selleria", the old upholsterer`s or saddlers`shed of the estate, which is even a Museum of Butteri, a Cowboy museum. In the old Granary, built 1820, historic agricultural machines are shown.

orz004444 'The Threshing Floor, or Summer', 1786, Oil on canvas, 276 cm x 641 cm, P00794. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

alb1186938 STEWART GRANGER in LA ÚLTIMA CAZA (1956) -Original title: THE LAST HUNT-, directed by RICHARD BROOKS. English title: THE LAST HUNT.

alb1883764 Spain. Catalonia. Farmer using horses threshing. 19th century. Colored engraving.

alb1746968 Spain. Valladolid. Marketplace. Colored engraving. 19th Century.

akg8943086 Community of Lindow (Mark): Banzendorfer Kulturscheune (Banzendorf culture barn); The culture barn was founded by the artists couple Ulrike and Niels Köpcke. It is located in a typical farm house, built 1860.

akg8924062 Francis Jukes. View of the Grange at the Entrance of Borrowdale in Cumberland. Print. Inv. No. B1977.14.11196. New Haven, Yale Center for British Art.

akg8905364 Thomas Rowlandson. The Slaughterhouse, undated. Watercolor, pen and black and gray-brown ink, over graphite on medium, moderately textured, blued white laid paper, 15.2 × 19.2 cm. Inv. No. B1975.3.50. New Haven, Yale Center for British Art.

akg8909617 Capt. Thomas Hastings. The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835Verso: Distant View of Skiddaw from Grange Bridge, 26 June 1835Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1835. Graphite and gray wash; verso: graphite and pen and brown ink on medium, slightly textured, cream wove paper, 22.9 × 62.9 cm. Inv. No. B1977.14.2503. New Haven, Yale Center for British Art.

alb3905983 The Woodyard, Great Windsor Park. Date/Period: Ca. 1792. Painting. Watercolor with pen and brown, black and gray ink over graphite on thick, cream, slightly textured laid paper. Height: 251 mm (9.88 in); Width: 378 mm (14.88 in). Author: Paul Sandby.

akg8845238 Building with field belonging to the prison of Oslebshausen. Photo, 1890-1910. Inv. Nr. RP-F-F00854-K. Amsterdam, Rijksmuseum.

akg8849552 Exterior of the fermentation barns of the Deli Maatschappij in Pandjang Djati on Sumatra. Photo, 1900-1920. Inv. Nr. RP-F-F01149-PC. Amsterdam, Rijksmuseum.

akg8822083 View of the gatehouse of Saighton Grange. Photo, 1850-1858, William Bryans. Inv. Nr. RP-F-2001-7-1471-13. Amsterdam, Rijksmuseum.

akg8557327 Tuscany, city of Sinalunga, agricultural farm and country estate Tenuta La Fratta: restored stables, work shops and granaries, built around 1500; Huge country estate La Fratta was established, in 1208, near th Via Cassia, connecting Florence with Rome. Most buildings of the estate date from 1500 onwards, the manor house in Renaissance style is older, also the marvellous fountain in the yard of the manor house. The chapel of the estate, as well at the yard, dates back to 1320. Inside, it is decorated with frescoes of 1530, attributed to Sodoma (1477 - 1549). Since 16th century, La Fratta offers hospitality. Today, the living history farm, renovated with a two-digit million Euro amount, breeds 500 Chianina cattle and is an active tourism buisness.

akg8557308 Tuscany, city of Sinalunga, agricultural farm and country estate Tenuta La Fratta: tabernacle on altar of chapel of the estate, below fresco of 1530 attributed to Sodoma (1477 - 1549); Huge country estate La Fratta was established, in 1208, near th Via Cassia, connecting Florence with Rome. Most buildings of the estate date from 1500 onwards, the manor house in Renaissance style is older, also the marvellous fountain in the yard of the manor house. The chapel of the estate, as well at the yard, dates back to 1320. Inside, it is decorated with frescos of 1530, attributed to Sodoma (1477 - 1549). Since 16th century, La Fratta offers hospitality. Today, the living history farm, renovated with a two-digit million Euro amount, breeds 500 Chianina cattle and is an active tourism buisness.

akg8557315 Tuscany, city of Sinalunga, agricultural farm and country estate Tenuta La Fratta: restored stables, work shops and granaries, built around 1500; Huge country estate La Fratta was established, in 1208, near th Via Cassia, connecting Florence with Rome. Most buildings of the estate date from 1500 onwards, the manor house in Renaissance style is older, also the marvellous fountain in the yard of the manor house. The chapel of the estate, as well at the yard, dates back to 1320. Inside, it is decorated with frescoes of 1530, attributed to Sodoma (1477 - 1549). Since 16th century, La Fratta offers hospitality. Today, the living history farm, renovated with a two-digit million Euro amount, breeds 500 Chianina cattle and is an active tourism buisness.

alb5570353 A 180 degree panorama of a modest aurora display behind grain bins on a country road in Alberta, Canada. The aurora adds more color to a sky also filled with green airglow, while at the ends of the roads are yellow glows of light pollution from Strathmore and Calgary at left, and Bassano at right. For a few minutes there was also the sharp edge at left to the aurora rays, present in 3 frames of the panorama, so it is not an artifact of the stitching. The Big Dipper is left of centre, low in the north.

akg8344163 France / Seine-et-Marne /ProvinsVille de foire médiévale : La Grange aux Dîmes dans le quartier des marchands - Métiers de la laine: batteur, cardeur et fileuse / The Grange aux dimes, place of medieval covered market - A wool spinner . Provins, home to one of the Champagne fairs that were crucial to the medieval European economy, when the city was under the protection of Counts of Champagne.

akg8344159 France / Seine-et-Marne /ProvinsVille de foire médiévale : La Grange aux Dîmes dans le quartier des marchands - Un changeur tenant sa table ou son banc (banquier) ./ The Grange aux dimes, place of medieval covered market - A changer on his bank (banker) in Provins, home to one of the Champagne fairs that were crucial to the medieval European economy, when the city was under the protection of Counts of Champagne.

akg8344175 France / Seine-et-Marne /ProvinsVille de foire médiévale : La Grange aux Dîmes dans le quartier des marchands - Un parcheminier / The Grange aux dimes, place of medieval covered market - A parchment maker in Provins, home to one of the Champagne fairs that were crucial to the medieval European economy, when the city was under the protection of Counts of Champagne.