Pesquisando por: "Artwork of Moon" - Fotoarena - Agência de fotojornalismo

ny110424161607 A visitor studies Wolfgang Beurer?s ?Wild Man With von Rückingen Coat of Arms,? while another visitor looks at the painting?s reverse side, Beurer?s portrait of Johann von Rückingen at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings.(Jeenah Moon/The New York Times/Fotoarena)

ny110424161807 A visitor studies ?Branch of Holly,? circa 1430s, from the workshop of Rogier van der Weyden, the reverse side of ?Portrait of a Man With an Open Book,? at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny110424162407 ?Portrait of a Lady (recto)?, 1470s, from the circle of the Venetian artist Jacometto Veneziano, at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny110424161706 A visitor views Ridolfo Ghirlandaio, Attributed to Giuliano di Piero di Simone Bugiardini, ?Cover With a Mask, Grotteschi, and Inscription?; at right, Ridolfo Ghirlandaio, Giuliano di Piero di Simone Bugiardini, ?Portrait of a Woman (La Monaca),? both circa 1510 at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny110424162107 ?Portrait of a Man With an Open Book,? (recto), thought to be the Burgundian cleric Guillaume Fillastre, circa 1430, from the workshop of Rogier van der Weyden on display at the Metropolitan Museum of Art in New York on April 8, 2024. Portraits go undercover in the new Metropolitan Museum show ?Hidden Faces,? about the practice of concealing artworks behind sliding panels and reverse-side paintings. (Jeenah Moon/The New York Times/Fotoarena)

ny040424150306 A visitor studies two works by Pema (Tintin) Dorjee Tshering in the show ?Reimagine? ? the painting ?Buddha With the Passions Surrounding? and the angled pillars ?Objective Happiness,? both from 2023, at the Rubin Museum of Art in Manhattan, March 29, 2024. The Rubin, with its Tibetian-centered collection that is mostly ancient and mostly religious, will leave its wonderful physical space in October and transition to being, in its own vague words, a ?museum without walls.? (Jeenah Moon/The New York Times/Fotoarena)

ny040424150507 The Tibetan Buddhist Shrine Room, that is modeled on an affluent household shrine and is one of the most popular installations at the Rubin Museum of Art in Manhattan, March 29, 2024. The Rubin, with its Tibetian-centered collection that is mostly ancient and mostly religious, will leave its wonderful physical space in October and transition to being, in its own vague words, a ?museum without walls.? (Jeenah Moon/The New York Times/Fotoarena)

RC24R6A5HYJ9 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6A0MZTC 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AK506N 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AUU9CD 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6A6P91F 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AKJX7N 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC23R6AQL89R 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AWRBEQ 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6AK3U4C 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC24R6ARANK7 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

RC23R6A9FADL 'Museum of the Moon' artwork by artist Luke Jerram is displayed inside St Giles the Abbot Church in Cheadle, Britain March 22, 2024. REUTERS/Molly Darlington

ny280324162107 On the ground floor, lavish flower arrangements and a state of the art animation by Oyoram Visual Composer at the Tiffany flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny290324113706 HEADLINE: Museum-Quality RetailingCAPTION: Looming next to vitrines filled with engagement rings are Daniel ArshamÕs ÒBronze Eroded Venus of ArlesÓ (2022), at left, and Anish KapoorÕs ÒRandom Triangle MirrorÓ (2016) at right, on the third floor of the Tiffany flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. CREDIT: (Jeenah Moon/The New York Times/Fotoarena)

ny280324162307 Looming next to vitrines filled with engagement rings are Daniel ArshamÕs ÒBronze Eroded Venus of ArlesÓ (2022), at left, and Anish KapoorÕs ÒRandom Triangle MirrorÓ (2016) at right, on the third floor of the Tiffany flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny280324162407 Sarah CharlesworthÕs ÒUnidentified Man, Ankara, TurkeyÓ (1980), an appropriated image of a man falling from a building, in the Tiffany Gallery, at itÕs flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny280324162506 Julian SchnabelÕs ÒPeter MarinoÓ (2022) and Franois-Xavier LalanneÕs ÒGrands Mountons de Peter,Ó 2004, in the Tiffany Gallery, at itÕs flagship store on Fifth Avenue in New York on March 7, 2024. Turrell. Hirst. Basquiat: This 10-story palace is filled with famous names, for a heady fusion of relevant, and discomfiting, contemporary art and retailing. (Jeenah Moon/The New York Times/Fotoarena)

ny040424151007 The Rubin Museum of Art, housed in what was once the women?s wear wing of Barneys New York, in Manhattan, Jan. 31, 2024. The Rubin, with its Tibetian-centered collection that is mostly ancient and mostly religious, will leave its wonderful physical space in October and transition to being, in its own vague words, a ?museum without walls.? (Jeenah Moon/The New York Times/Fotoarena)

ny311223180906 A silvery moon costume in front of Sonia Delaunay's archway and ÒLuna LunaÓ sign at the revival of Luna Luna, in the Boyle Heights neighborhood of Los Angeles, Dec. 16, 2023. A long-lost art amusement park that was created in 1987 in Hamburg, Germany, by some of the most famous artists of the day has been resurrected in Los Angeles. (Chantal Anderson/The New York Times/Fotoarena)

ny191223232106 A silvery moon costume in front of Sonia Delaunay's archway and ?Luna Luna? sign at the revival of Luna Luna, in the Boyle Heights neighborhood of Los Angeles, Dec. 16, 2023. A long-lost art amusement park that was created in 1987 in Hamburg, Germany, by some of the most famous artists of the day has been resurrected in Los Angeles. (Chantal Anderson/The New York Times/Fotoarena)

ny030324235007 The mausoleum of Henry Herman Westinghouse at Woodlawn Cemetery in New York, Oct. 28, 2023. Many artworks commissioned by the rich and powerful for their final resting places have rarely been seen by the living for the last century. (Jeenah Moon/The New York Times/Fotoarena)

ny030324235806 Brianne Van Vorst, a conservator with Liberty Stained Glass Conservation, checks the fit of a partially reassembled window in the 1901 mausoleum of Robert Dunlap at Woodlawn Cemetery in New York, Oct. 28, 2023. Many artworks commissioned by the rich and powerful for their final resting places have rarely been seen by the living for the last century. (Jeenah Moon/The New York Times/Fotoarena)

ny030324234906 The 1894 mausoleum of Jos? Maria Mu?oz, a Panamanian-born New York merchant and son of a Spanish general, at Woodlawn Cemetery in New York, Oct. 28, 2023. Many artworks commissioned by the rich and powerful for their final resting places have rarely been seen by the living for the last century. (Jeenah Moon/The New York Times/Fotoarena)

ny030324235307 Brianne Van Vorst, a conservator with Liberty Stained Glass Conservation, inspects the outside of the window in the 1880s mausoleum of Christian Herter, a founder of the renowned Herter Brothers interior decoration firm, at Woodlawn Cemetery in New York, Oct. 28, 2023. Many artworks commissioned by the rich and powerful for their final resting places have rarely been seen by the living for the last century. (Jeenah Moon/The New York Times/Fotoarena)

ny071223165506 FILE Ñ Edgar Degas, ÒFamily Portrait (The Bellelli Family),Ó 1858-69, at the Metropolitan Museum of Art in New York on Aug. 18, 2023. (Jeenah Moon/The New York Times/Fotoarena)

RC2YV1ABTZ9K A local resident visits 'Experiencia Moon', an artwork installation by British artist Luke Jerram of a seven-meter diameter moon model that showcases high resolution detailed images of the lunar surface, in Santiago, Chile, July 3, 2023. REUTERS/Ivan Alvarado

RC2YV1AK4UHD Local residents visit 'Experiencia Moon', an artwork installation by British artist Luke Jerram of a seven-meter diameter moon model that showcases high resolution detailed images of the lunar surface, in Santiago, Chile, July 3, 2023. REUTERS/Ivan Alvarado

RC2YV1AM9G9D A man visits 'Experiencia Moon', an artwork installation by British artist Luke Jerram of a seven-meter diameter moon model that showcases high resolution detailed images of the lunar surface, in Santiago, Chile, July 3, 2023. REUTERS/Ivan Alvarado

RC2YV1AUTGTR A worker welcomes visitors to 'Experiencia Moon', an artwork installation by British artist Luke Jerram of a seven-meter diameter moon model that showcases high resolution detailed images of the lunar surface, in Santiago, Chile, July 3, 2023. REUTERS/Ivan Alvarado

RC2YV1AQUUDD A local resident visits 'Experiencia Moon', an artwork installation by British artist Luke Jerram of a seven-meter diameter moon model that showcases high resolution detailed images of the lunar surface, in Santiago, Chile, July 3, 2023. REUTERS/Ivan Alvarado

ny200323160206 Nathan Davis, left, and Clara Warnaar play against a backdrop of visual artworks by Douglas R. Ewart at the Chelsea Factory in New York, March 17, 2023. George E. LewisÕs tenure with the International Contemporary Ensemble began with a tribute to the multitalented artist Douglas R. Ewart. (Jeenah Moon/The New York Times/Fotoarena)

ny210323212805 **EDS.: RETRANSMISSION TO CORRECT SPELLING OF ARTWORK** Douglas R. EwartÕs ÒEye of HorusÓ (2017-18) at the Chelsea Factory in New York, March 17, 2023. George E. LewisÕs tenure with the International Contemporary Ensemble began with a tribute to the multitalented artist Douglas R. Ewart. (Jeenah Moon/The New York Times/Fotoarena)

ny170323173906 The revised wall text for ÒRed SunsetÓ (circa 1905-08) by Arkhyp Kuindzhi (Arkhip Ivanovich Kuindzhi) at the Metropolitan Museum of Art in Manhattan on Friday, March 17, 2023. A year into the war, institutions face pressure to note the Ukrainian roots of artworks and artists long described as Russian. (Jeenah Moon/The New York Times/Fotoarena)

ny170323174106 ÒRed SunsetÓ (circa 1905-08) by Arkhyp Kuindzhi (Arkhip Ivanovich Kuindzhi) at the Metropolitan Museum of Art in Manhattan on Thursday, March 16, 2023. The revised wall text reflects the complexity of the artistÕs roots: his Ukrainian name now appears first, followed by his Russian name. (Jeenah Moon/The New York Times/Fotoarena)

ny170323173605 A woman views a pastel by Edgar Degas, center, at the Metropolitan Museum of Art in Manhattan on Thursday, March 16, 2023. In February, the museum changed the name of the pastel to ÒDancer in Ukrainian DressÓ from ÒRussian Dancer;Ó on Friday, March 17, another Degas, not on view, was also renamed on the Met website. (Jeenah Moon/The New York Times/Fotoarena)

ny091122231606 Georges SeuratÕs ÒLes Poseuses Ensemble (Petite version)Ó (1888) is auctioned during the Paul Allen sale at ChristieÕs in Rockefeller Center in New York, on Nov. 8, 2022. A museumÕs worth of masterworks from the Microsoft co-founderÕs collection are offered in a two-part sale to benefit charity. (Jeenah Moon/The New York Times/Fotoarena)

ny121222140306 Jesse Louis-Rosenberg with the ÒYellow Moon GyroidÓ sculpture, which is made from the same type of panels as the Puzzle Cell Lamp, but with 93 pieces instead of 18, at Nervous System Studio in Palenville, N.Y., Oct. 7, 2022. In upstate New York, two algorithmic artists make wooden puzzles inspired by natural forms. (Tony Cenicola/The New York Times/Fotoarena)

ny151223143507 FILE Ñ The Bodhisattva Avalokiteshvara Seated in Royal Ease, a Khmer era artwork said to date from the 10th or 11th century, on display at the Metropolitan Museum of Art in New York on July 27, 2022. It is among the most heralded of the objects being returned to Cambodia and Thailand by the museum. (Jeenah Moon/The New York Times/Fotoarena)

ny151223143706 FILE Ñ Three Cambodian artifacts that are being returned are displayed at the Metropolitan Museum of Art in New York on July 27, 2022. The Metropolitan Museum of Art said Friday, Dec. 15, 2023, that it had agreed to return 16 major Khmer era artworks to Cambodia and Thailand. (Jeenah Moon/The New York Times/Fotoarena)

ny270723173406 Exhibition catalogs of artwork, miniaturized and etched onto nickel-based NanoFiche for a trip to the moon, at the home of Samuel Peralta, a semiretired physicist and author, in Mississauga, Ontario, July 14, 2023. Peralta created the Lunar Codex, an archive of contemporary art, poetry, magazines, music, film, podcasts and books by 30,000 artists, writers, musicians and filmmakers in 157 countries, that will be headed to the moon aboard unmanned rockets. (Brendan George Ko/The New York Times/Fotoarena)

ny080422160206 At ÒJean-Michael Basquiat: King Pleasure,Ó works by the artist and personal effects including his books and trench coat, at the Starrett-Lehigh Building in Manhattan, April 4, 2022. The exhibition features more than 200 artworks and artifacts from BasquiatÕs estate, most of which have never been seen. Here, at right: ÒUntitled,Ó a 1984 painting in acrylic and oil stick; top left: ÒUntitled (King Size Soft Pack)Ò; bottom left: ÒUntitled (Moon).Ó (Flo Ngala/The New York Times/Fotoarena)

ny101220151904 FILE -- Gerhard Richter?s ?October 18, 1977,? a series of 15 paintings of the Baader Meinhof gang at the Museum of Modern Art in New York, Nov. 9, 2020. The MoMA rehang was cited by New York Times critics as among the year's best moments in art. (Jeenah Moon/The New York Times/Fotoarena)

ny140121164004 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE JAN. 15, 2021. --FILE - ÒAmerika VIII,Ó by Tim Rollins, at the Museum of Modern Art in New York, Nov. 9, 2020. Studio K.O.S. continues the legacy of the Õ80s art collective that grew up, entered museums and regrouped in Hoboken, N.J. (Jeenah Moon/The New York Times/Fotoarena)

ny050320200304 Visitors at the Armory Art Show in Manhattan, March 4, 2020. This year's exhibit, on Pier 90 and Pier 94, features lots of painting rather than complicated installations or technology, and a sizable amount of activist art. (Jeenah Moon/The New York Times/Fotoarena)

ny050320195804 A work by Omar Ba, ?Untitled? (2020) hangs on a wall in the Galerie Templon display area at the Armory Art Show in Manhattan, March 3, 2020. This year's exhibit, on Pier 90 and Pier 94, features lots of painting rather than complicated installations or technology, and a sizable amount of activist art. (Jeenah Moon/The New York Times/Fotoarena)

ny050320200104 An installation view of Whitfield Lovell?s ?The Spell? series of hand-drawn images, paired with vintage objects, at the DC Moore display area at the Armory Art Show in Manhattan, March 3, 2020. This year's exhibit, on Pier 90 and Pier 94, features lots of painting rather than complicated installations or technology, and a sizable amount of activist art. (Jeenah Moon/The New York Times/Fotoarena)

ny050320195904 Works by Austin Lee, from left: ?Lion Painting?; Tulip Lookers (Sculpture); and ?Tulip Lookers (Painting),? in the Jeffrey Deitch display area at the Armory Art Show in Manhattan, March 3, 2020. This year's exhibit, on Pier 90 and Pier 94, features lots of painting rather than complicated installations or technology, and a sizable amount of activist art. (Jeenah Moon/The New York Times/Fotoarena)

ny271119175704 Participants use iPhones to experience artworks as part of [AR]T Walk, a joint venture from Apple and the New Museum in New York, Nov. 19, 2019. Augmented reality and virtual reality are opening doors to new experiences for artists and the public. (Jeenah Moon/The New York Times/Fotoarena)

ny101019230904 Claude Monet's "Water Lilies", exhibited at the Museum of Modern Art, in New York, Oct. 7, 2019. MOMA is reopening on Oct. 21 after a $450-million, 47,000-square-foot expansion, and a collection rehang featuring a more diverse array of art. (Jeenah Moon/The New York Times/Fotoarena)

ny101019230704 Margarete Schütte-Lihotzky, "Frankfurt Kitchen from the Ginnheim-Höhenblick Housing Estate, Frankfurt am Main, Germany? (1926-27), exhibited at the Museum of Modern Art, in New York, Oct. 7, 2019. MOMA is reopening on Oct. 21 after a $450-million, 47,000-square-foot expansion, and a collection rehang featuring a more diverse array of art. (Jeenah Moon/The New York Times/Fotoarena)

ny101019230404 Vincent van Gogh "The Starry Night", 1889 and Henri Rousseau's "The Sleeping Gypsy", 1897, exhibited at the Museum of Modern Art, in New York, Oct. 7, 2019. In the foreground are gnarly ceramic bowls by George Ohr of Biloxi, Miss. (Jeenah Moon/The New York Times/Fotoarena)

ny101019230504 Vincent van Gogh "The Starry Night", 1889 and Henri Rousseau's "The Sleeping Gypsy", 1897, exhibited at the Museum of Modern Art, in New York, Oct. 7, 2019. MOMA is reopening on Oct. 21 after a $450-million, 47,000-square-foot expansion, and a collection rehang featuring a more diverse array of art. (Jeenah Moon/The New York Times/Fotoarena)

ny301019011803 David Tudor?s sound installation ?Rainforest V (variation 1),? inside the Studio of the newly reopened Museum of Modern Art, in New York, on Sept. 27, 2019. Tudor?s installation is coming alive through performances by the artists who helped make it. (Jeenah Moon/The New York Times/Fotoarena)

ny260719135204 A signed, first-edition copy of "African Game Trails: An Account of the African Wanderings of an American Hunter Naturalist" by Theodore Roosevelt is displayed at the Rally Rd. showroom in New York on July 24, 2019. Rally Rd. sells cars, artwork and other luxury items as securitized investments. (Jeenah Moon/The New York Times/Fotoarena)

ny260719135404 From left, Max Niederste-Ostholt, Chris Bruno and Rob Petrozzo of Rally Rd. at the company's offices in New York on July 24, 2019. Rally Rd. sells cars, artwork and other luxury items as securitized investments. (Jeenah Moon/The New York Times/Fotoarena)

ny200619182304 Left to right, "Red on Red" by Carmen Herrera, "The Flag" by Nicolas Dumit Estevez, "Intervals, boundaries and territories #7" by Ivelisse Jimenez, "Tigre, Tigre" by Tony Bechara and "Fex Selec 4000 no. 94" by Arnaldo Morales. at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art. Jeenah Moon/The New York Times/Fotoarena)

ny200619182204 ?Shorty working at the C&R Statuary Corporation? by Rigoberto Torres, at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619182704 ?Yellow Plantains? by Francisco Oller, at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619181604 "El Puerto Rican Passport" designed by Adál Maldonado, at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619181904 "Piragua Cart" by Edgar Ruiz Zapata, at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619182004 ?The Flag,? a mixed-media installation by Nicolás Dumit Estévez that represents Dominican New York, at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619183005 ?Homage to Tony Peña? ? a gold-leafed baseball nestled in a mink-lined glove ? is Freddy Rodriguez?s tribute to the Dominican baseball catcher, at El Museo del Barrio in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619181804 A display of Taíno artworks from the collection of El Museo del Barrio including vomiting sticks, pestles, petaloid celts, and more, in New York, June 16, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619182804 ?The Mystic? by Marcos Dimas, at El Museo del Barrios in New York, June 15, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny200619182504 Posters made by various artists from 1971-1977 at Taller Boricua Gallery within the Julia de Burgos Performance and Arts Center. in New York, June 15, 2019. The exhibition ?Culture and The People: El Museo del Barrio, 1969-2019? is a golden anniversary survey of art from the collection of a New York museum that is in the process of being torn apart. (Jeenah Moon/The New York Times/Fotoarena)

ny100719181704 FILE -- "Starry Night" (1889) by Vincent van Gogh at the Museum of Modern Art in New York on May 29, 2019. The moon in art has changed from symbol to something real, but that hasn?t changed our will to see it. (Jeenah Moon/The New York Times/Fotoarena)