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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg286579 Pharmazie / Arzneimittel. "Gaba beugt vor!" (Werbung für Gaba-Halspastillen). Plakat, 1927. Entwurf: Niklaus Stoecklin (1896-1982). Linolschnitt, 128 × 90,5 cm. Druck: Benno Schwabe & Co., Basel. Privatsammlung. Copyright: This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication. © Niklaus Stoecklin.

akg018033 Mussolini, Benito Italian dictator; Fascist leader. (Duce). Works: La dottrina del Fascismo. Cover of the Milan edition (Ulrico Hoepli) 1935.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg462431 Zürcher Veilchenmeister tätig um 1500 bis 1515. "Antonius-Retabel", um 1505-10. Ausschnitt: Die Heiligen Barbara (links), Antonius Abbas (Mitte) und Sebastian (rechts). Auf Tannenholz. Sammlung Würth.

akg1518072 Zürcher Veilchenmeister tätig um 1500 bis 1515. "Der Heilige Antonius Abbas". ehem. Mitteltafel des sog. "Antonius-Retabels". Auf Tannenholz, 97 × 97 cm. Inv. 6508. Schwäbisch-Hall, Johanniterhalle Slg. Würth. Museum: Schwäbisch-Hall, JohanniterhalleSlg. Würth.

akg1349770 Religion / Kirche / Prozession.-Semana Santa (Karwoche) in Valladolid ( Spanien).-Foto, 2000.

akg1349580 Volkskunde: Spanien.-Nijar (Almería): Mann und Frau.-Foto, 1984.

akg1065332 Maetzel-Johannsen, Dorothea; 1886-1930. "Tanzende", 1919. Linolschnitt, 24 x 17, 5 cm. Museum: Private Collection., Privatsammlung.

akg1663998 Publizistik / Almanache:. "Paris-Almanach". "EN VENTE CHEZ / tous les LIBRAIRIES / Texte de E. Goudeau / illustré par DILLON / Edité par SAGOT / (...) ". (Werbung für den Paris-Almanach). Plakat, 1894. Entwurf: Georges de Feure (1868-1943). Farblithographie, 79,5 × 60 cm. Druck: Bourgerie & CIE., Paris. Privatsammlung. Museum: PRIVATE COLLECTION.

akg1350176 Trade and Commerce / Street Trading.-Sevilla (Spain): a woman and child selling sweets.-Photo, undated.

alb255425 HELEN HAYES and GARY COOPER in ADIÓS A LAS ARMAS (1932) -Original title: A FAREWELL TO ARMS-, directed by FRANK BORZAGE. English title: A FAREWELL TO ARMS.

alb285718 HARRISON FORD in FRENÉTICO (1988) -Original title: FRANTIC-, directed by ROMAN POLANSKI. English title: FRANTIC. Portuguese title: BUSCA FRENÉTICA.

alb510934 DEBRA WINGER and SHIRLEY MACLAINE in LA FUERZA DEL CARIÑO (1983) -Original title: TERMS OF ENDEARMENT-, directed by JAMES L. BROOKS. English title: TERMS OF ENDEARMENT. Portuguese title: LAÇOS DE TERNURA.

alb285662 HARRISON FORD, JOHN MAHONEY and EMMANUELLE SEIGNER in FRENÉTICO (1988) -Original title: FRANTIC-, directed by ROMAN POLANSKI. English title: FRANTIC. Portuguese title: BUSCA FRENÉTICA.

alb424486 TOM HANKS and DAVID MORSE in LA MILLA VERDE (1999) -Original title: THE GREEN MILE-, directed by FRANK DARABONT. English title: THE GREEN MILE. Portuguese title: À ESPERA DE UM MILAGRE.

alb902271 DESAYUNO CON DIAMANTES (1961) -Original title: BREAKFAST AT TIFFANY'S-, directed by BLAKE EDWARDS. English title: BREAKFAST AT TIFFANY'S. Portuguese title: BONECA DE LUXO.

alb1082097 LAS CAJAS ESPAÑOLAS (2004), directed by ALBERTO PORLAN. English title: LAS CAJAS ESPAÑOLAS.

alb1577576 GARY COOPER in EL VIRGINIANO (1929) -Original title: THE VIRGINIAN-, directed by VICTOR FLEMING. English title: THE VIRGINIAN.

alb2036475 Portrait of Clara Wiek (1819-1896), pianist wife of Schuman. Watercolour.

alb2019362 Jean Auguste Dominique Ingres / 'Jupiter and Thetis', 1811, Oil on canvas, 327 x 260 cm. Museum: Musée Granet, AIX-EN-PROVENCE, France.

alb2019368 Vincent Van Gogh / 'The Siesta (after Millet)', 1889-1890, Oil on canvas, 73 x 91 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb2015438 El Greco / 'Christ driving the Traders from the Temple', c. 1600, Oil on canvas, 106 × 130 cm, NG1457. Museum: NATIONAL GALLERY, LONDRES, UK.

alb2042075 Concert at time of Bach, 1732, Engraving by Lipsia. Museum: Society Friends of Music, VIENA, AUSTRIA. JOHANN SEBASTIAN BACH.

alb2068561 Francisco de Goya y Lucientes / 'The Third of May 1808 in Madrid: The Executions on Principe Pio Hill', 1814, Spanish School, Oil on canvas, 268 cm x 347 cm, P00749. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069108 El Greco / 'Pentecost', ca. 1600, Spanish School, Oil on canvas, 275 cm x 127 cm, P00828. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069656 Francisco de Goya y Lucientes / 'Dead fowl', 1808-1812, Spanish School, Oil on canvas, 46 cm x 64 cm, P00752. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068094 Francisco de Goya y Lucientes / 'Self-Portrait', 1815, Spanish School, Oil on canvas, 45,8 cm x 35,6 cm, P00723. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068211 El Greco / 'The Trinity', 1577-1579, Spanish School, Oil on canvas, 300 cm x 179 cm, P00824. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

alb2069761 Francisco de Goya y Lucientes / 'Disparate de toritos. Lluvia de toros', 1887, Spanish School, Etching; aquatint on paper, 243 mm x 355 mm, G03070. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070918 El Greco (and workshop) / 'The Virgin Mary', ca. 1597, Spanish School, Oil on canvas, 52 cm x 41 cm, P00829. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb413760 Jean Auguste Dominique Ingres / 'Tu Marcellus Eris or Virgil Reading the Aeneid to Augustus', 1814, Oil on canvas. Museum: Musée Royaux des Beaux Arts de Belgique, BONN, Belgien. AUGUSTUS. VERGIL.

alb345746 Philippe Mercier / 'Portrait of Georg Friedrich Handel', 1720, 125 x 102 cm.

alb318574 In the laboratory of Mr. and Mme. Curie while taking a measurement of radioactivity. MARIE CURIE.

alb3681154 Hieroglyph ostracon. Dimensions: L. 11.5 × H. 6.8 × D. 3.6 cm (4 1/2 × 2 11/16 × 1 7/16 in.). Dynasty: Dynasty 18. Reign: reigns of Amenhotep II - Amenhotep III. Date: ca. 1427-1352 B.C..Ostraca (plural for ostracon) are potsherds used as surfaces on which to write or draw. The term is used, by extension, to refer to chips of limestone, which were employed for similar purposes. Despite their humble appearances, ostraca bear a wide range of images and texts, including administrative documents, literary texts, and depictions of royal and divine figures. The texts were mostly written with reed pen and ink of two colors, red and black, and inscribed in Hieratic, the cursive script of ancient Egypt throughout most of its periods. This ostracon bears ten identity markers referring to royal necropolis workmen. Museum: Metropolitan Museum of Art, New York, USA.

alb3713268 Boy with Toy Horse and Wagon. Dated: c. 1845. Dimensions: overall: 77 x 63.7 cm (30 5/16 x 25 1/16 in.) framed: 86.8 x 74 x 4.4 cm (34 3/16 x 29 1/8 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3711837 The Holy Family with Saint Anne and the Infant John the Baptist. Dated: c. 1595/1600. Dimensions: overall: 53.2 x 34.4 cm (20 15/16 x 13 9/16 in.) framed: 73 x 54.6 x 6.4 cm (28 3/4 x 21 1/2 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: El Greco (Domenikos Theotokopoulos).

alb3636453 Autumn; Study for an Engraving. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: 7 5/8 x 5 11/16 in. (19.4 x 14.4 cm). Date: n.d..This is the preliminary drawing for the third print in the series of seasons which Goltzius published around 1594. The strong pen and ink outlines and the tonal values indicated with wash were meant to guide the engraver, who was expected to translate the washes into patterns of burin lines. Jan Saenredam, who worked for Goltzius from around 1589 to 1601, was most likely the engraver of the print.Autumn is represented here by figures dressed in sixteenth-century garb. The wreath of vines on the head of the boy on the right, and the pointed ear of the man in the center (which is more pronounced in the final print), indicate that they are Bacchus, the ancient god of wine, and a satyr. Museum: Metropolitan Museum of Art, New York, USA.

alb3639804 A Giant Seated in a Landscape, sometimes called 'The Colossus'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm). Date: by 1818.One of Goya's most striking images, the implicit subject of this work is unclear. A giant seated in a landscape turns his head over his shoulder as if he has been disturbed from thought. Perhaps he had been awaiting the dawning of a new day and turns because the moment has come. The Spanish master produced this print using burnished aquatint to achieve subtle effects of light and dark--an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated to around 1800 or 'by 1818'. There is a close relationship between the print and the famous painting of the 'Colossus' in the Museo del Prado, Madrid. Both works show the same figure. The painting has always been attributed to Goya, but in 2008 it was assigned by the Prado Museum as a studio work and not by the master himself. There is no consensus and disagreement continues. The print is critical in the debate about the authorship of the painting. If the painting is a studio work then the artist borrowed the figure of Colossus from Goya's print. Given his imagination and originality, it seems highly unlikely that Goya would borrow the figure from someone else's painting to use in his print. Museum: Metropolitan Museum of Art, New York, USA.

alb3706841 Junction of Severn and Wye. Dated: published 1811. Medium: etching, mezzotint, and aquatint. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

alb3704236 Master Cleeves. Dated: 1850. Dimensions: overall: 41.3 x 30.3 cm (16 1/4 x 11 15/16 in.) framed: 56.5 x 46 x 3.8 cm (22 1/4 x 18 1/8 x 1 1/2 in.). Medium: aqueous medium on cardboard. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3706904 Señora Sabasa Garcia. Dated: c. 1806/1811. Dimensions: overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3701315 Le Barbe bleu Prussien... Dated: 1866. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3707293 Saint Jerome. Dated: c. 1610/1614. Dimensions: overall: 168 x 110.5 cm (66 1/8 x 43 1/2 in.) framed: 194.3 x 137.2 x 6.4 cm (76 1/2 x 54 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: El Greco (Domenikos Theotokopoulos).

alb3675517 The Golden Age. Artist: Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: 8 7/8 x 12 in. (22.5 x 30.5 cm). Date: 1605.The Utrecht painter Joachim Wtewael was among the most sophisticated of Netherlandish Mannerists, as is evident from this exquisite cabinet picture on copper, dated 1605. The subject is taken from the opening pages of Ovid's Metamorphoses (I, 89 ff.), which describe a time before the ages of silver, bronze, and iron when "spring was everlasting . streams of sweet nectar flowed," and mankind, "without a law," did right and lived contentedly. Museum: Metropolitan Museum of Art, New York, USA. Author: JOACHIM WTEWAEL.

alb3737180 Un cauchemar de M. Bismarck. Dated: 1870. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3731643 The Pig Butcher. Dated: 1844. Dimensions: sheet: 10.5 × 19 cm (4 1/8 × 7 1/2 in.) image: 9.7 × 8.1 cm (3 13/16 × 3 3/16 in.). Medium: etching with engraving on chinese paper. Museum: National Gallery of Art, Washington DC. Author: Charles Émile Jacque.

alb3737199 Night. Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3733699 Lady with a Lute. Dated: 1886. Dimensions: overall: 50.8 x 40 cm (20 x 15 3/4 in.) framed: 88.3 x 77.2 x 9.5 cm (34 3/4 x 30 3/8 x 3 3/4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Thomas Wilmer Dewing.

alb3737919 At Zelata [Alla Zelata]. Dated: c. 1898. Dimensions: sheet: 32 × 40 cm (12 5/8 × 15 3/4 in.) plate: 23 × 31.5 cm (9 1/16 × 12 3/8 in.). Medium: monotype in brown. Museum: National Gallery of Art, Washington DC. Author: POMPEO MARIANI.

alb3698612 The Outskirts of Florence, on the Way to Rome. Dated: c. 1764. Dimensions: sheet (trimmed to plate mark): 14.5 x 11.4 cm (5 11/16 x 4 1/2 in.). Medium: etching on laid paper [proof state]. Museum: National Gallery of Art, Washington DC. Author: Franz Edmund Weirotter.

alb3698153 The Idle 'Prentice turn'd away, and sent to Sea. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3698044 Woman Leaning Forward. Dated: 1890/1894. Dimensions: overall: 23.7 x 15.2 cm (9 5/16 x 6 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

alb3743899 The Burnish Sisters. Dated: 1854. Dimensions: overall: 90.2 x 101.8 cm (35 1/2 x 40 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3744999 A View of the Arno, Florence. Dated: 1874. Dimensions: overall: 24.9 x 17.5 cm (9 13/16 x 6 7/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: SIR EDWARD JOHN POYNTER.

alb3745194 The Presentation of the Virgin in the Temple. Dated: c. 1400/1405. Dimensions: painted surface: 44 × 32.3 cm (17 5/16 × 12 11/16 in.) overall: 45.7 × 33.8 × 0.6 cm (18 × 13 5/16 × 1/4 in.) framed: 48.2 x 36.8 x 4.1 cm (19 x 14 1/2 x 1 5/8 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA DI BARTOLO.

alb3742310 Baby in Blue. Dated: c. 1845. Dimensions: painted surface: 60.3 x 43.2 cm (23 3/4 x 17 in.) support: 60.6 x 43.7 cm (23 7/8 x 17 3/16 in.) framed: 74.6 x 57.5 x 3.2 cm (29 3/8 x 22 5/8 x 1 1/4 in.). Medium: oil on paper on wood. Museum: National Gallery of Art, Washington DC. Author: William Matthew Prior.

alb3603495 The Adoration of the Shepherds. Artist: El Greco (Domenikos Theotokopoulos) and Workshop (Greek, Iráklion (Candia) 1540/41-1614 Toledo). Dimensions: 43 1/2 x 25 5/8 in. (110.5 x 65.1 cm). Date: ca. 1612-14.This is a smaller version of an altarpiece by El Greco painted for the chapel in Santo Domingo el Antiguo in Toledo, where he was buried (the picture is now in the Prado, Madrid). It is likely that for this work the painter was helped by his assistants. Museum: Metropolitan Museum of Art, New York, USA.

alb3602488 Sacrificial Procession. Artist: Anonymous, French, 17th century. Dimensions: 4 1/16 x 13 1/16 in. (10.3 x 33.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3608055 Greeting (Begrüssung). Artist: August Macke (German, Meschede 1887-1914 near Perthes-les-Hurlus). Dimensions: block: 9 1/2 x 7 1/2 inches (24 x 19 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

alb3604306 Virgin and Child. Artist: Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville). Dimensions: 65 1/4 x 43 in. (165.7 x 109.2 cm). Date: ca. 1670-72.Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. This painting of the Madonna and Child formed part of the collection of the Marqués de Santiago, who owned a number of outstanding works by the artist. The popularity of Murillo's paintings of the Madonna and Child derives from his ability to endow a timeworn theme with a quality of intimacy and sweetness. The infant's attention has, in this picture, been momentarily diverted from nursing by the presence of the viewer. Museum: Metropolitan Museum of Art, New York, USA.

alb3656785 Isaac O'Brien L. McPherson. Artist: Charles Fraser (1782-1860). Dimensions: 3 13/16 x 3 1/8 in. (9.7 x 7.9 cm). Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

alb3652851 Allegory of the Trinitarian Order. Artist: Alessandro Tiarini (Italian, Bologna 1577-1668 Bologna). Dimensions: 8 1/8 x 6 9/16in. (20.6 x 16.6cm). Date: 1577-1668. Museum: Metropolitan Museum of Art, New York, USA.

alb3656681 Ia Orana Maria (Hail Mary). Artist: Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands). Dimensions: 44 3/4 x 34 1/2 in. (113.7 x 87.6 cm). Date: 1891.Before embarking on a series of pictures inspired by Polynesian religious beliefs, Gauguin devoted this, his first major Tahitian canvas, to a Christian theme, describing it in a letter of March 1892: "An angel with yellow wings reveals Mary and Jesus, both Tahitians, to two Tahitian women, nudes dressed in pareus, a sort of cotton cloth printed with flowers that can be draped from the waist. Very somber, mountainous background and flowering trees . a dark violet path and an emerald green foreground, with bananas on the left. I'm rather happy with it." Gauguin based much of the composition on a photograph he owned of a bas-relief in the Javanese temple of Borobudur. Museum: Metropolitan Museum of Art, New York, USA.

alb3619346 Saint Anthony Reading. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 3 7/8 × 5 5/8 in. (9.8 × 14.3 cm). Date: 1519. Museum: Metropolitan Museum of Art, New York, USA.

alb3611693 The Vision of the Seven Candlesticks, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb3788263 Francisco de Goya y Lucientes / 'No hay quien los socorra'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3729618 Suzanne Valadon. Dated: c. 1885. Dimensions: overall: 41.3 x 31.8 cm (16 1/4 x 12 1/2 in.) framed: 64.1 x 53.3 x 6 cm (25 1/4 x 21 x 2 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.

alb4210802 Apples. Henri Matisse; French, 1869-1954. Date: 1916. Dimensions: 46 × 35 in. (116.8 × 88.9 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb3661831 Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 22 5/8 in. (57.5 cm). Date: ca. 530 B.C..On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the oracle of Apollo; reverse, Dionysos, the god of wine, between satyr and maenadOn the lip, obverse and reverse, Herakles and the Nemean LionThe introduction of the red-figure technique is attributed to the workshop of Andokides. While we think of red-figure mainly in terms of drawing, it differs from black-figure also in the very different apportionment of glazed and unglazed surfaces on a vase. The preparation of these surfaces was probably the responsibility of the potter, and for this reason, the new technique is associated with a potter rather than a painter. On some works combining red-figure and black-figure, a single painter seems to have done both; here, however, two different artists are likely. The scene on the obverse depicts the hero Herakles with his club and the god Apollo with bow and arrows, struggling over the Delphic tripod, which Herakles sought to carry off. Museum: Metropolitan Museum of Art, New York, USA.

alb3664448 Christ Healing the Blind. Artist: El Greco (Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41-1614 Toledo). Dimensions: 47 x 57 1/2 in. (119.4 x 146.1 cm). Date: ca. 1570.El Greco painted this masterpiece of dramatic storytelling either in Venice or in Rome, where he worked after leaving Crete in 1567 and before moving to Spain in 1576. It illustrates the Gospel account of Christ healing a blind man by anointing his eyes. The two figures in the foreground may be the blind man's parents. The upper left portion of the composition is unfinished. El Greco painted two other versions of the subject, and seems to have taken this one with him to Spain. Museum: Metropolitan Museum of Art, New York, USA.

alb4210207 Setting Up the Bow-Net. Peter Henry Emerson; English, born Cuba, 1856-1936. Date: 1886. Dimensions: 26.9 × 22.2 cm (image/paper); 41 × 28.5 cm (album page). Platinum print, pl. XVIII from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200. Origin: England. Museum: The Chicago Art Institute, USA.

alb4137626 Portrait of a Sculptor. Jean Baptiste Santerre; French, 1651-1717. Date: 1700-1710. Dimensions: 81.3 × 65.4 cm (32 × 25 3/4 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb4159271 Woman in front of a Still Life by Cézanne. Paul Gauguin; French, 1848-1903. Date: 1890. Dimensions: 65.3 × 54.9 cm (25 11/16 × 21 5/8 in.). Oil on linen canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb4159864 Saint-Cloud. Childe Hassam; American, 1859-1935. Date: 1889. Dimensions: 180 x 275 mm. Watercolor on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4156535 Greco (Doménikos Theotokópoulos) (Candia 1541 - Toledo 1614). Christ with the Cross (ca. 1587 - 1596). Oil on canvas. 66 x 52.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156536 Greco (Doménikos Theotokópoulos) (Candia 1541 - Toledo 1614). The Annunciation (ca. 1596 - 1600). Oil on canvas. 114 x 67 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4100597 The Burial (L'enterrement). Dimensions: 30.1 cm x 38.9 cm, 26 cm x 35.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: FELIX VALLOTTON.

alb4105871 Butchering a Pig. Dating: 1648. Measurements: h 79.5 cm × w 99.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Victors.

alb4145780 Portrait of Isidoro Maiquez. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1802-1812. Dimensions: 82.3 × 63.3 cm (32 3/8 × 24 7/8 in.). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.

alb4145999 Portrait of Fred Adelbert Haywood. School of William Matthew Prior; American, 1806-1873. Date: 1848. Dimensions: 35.6 × 26 cm (14 × 10 1/4 in.). Oil on panel. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4129070 Saint Martin and the Beggar. El Greco (Domenikos Theotokopoulos); Greek, active in Spain, 1541-1614. Date: 1597-1600. Dimensions: 43 5/16 × 24 13/16 in. (110 × 63 cm); original painted surface: 42 5/16 × 22 7/8 in. (107.5 × 58 cm). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.

akg8636971 Partial view of the Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8398379 Head of Homer (Epimenides type) (Homere). Roman copy of a Greek original from the Mid-5th century BC. Sculpture, statue. Parian marble. - Museo Giovanni Barracco di Scultura Antica (Barracco Museum of Antique Sculpture, Musée Barracco de Sculptures Anciennes). The palazzo is also called 'Farnesina ai Baullari' or 'Piccola Farnesina' (Little Farnesina). The museum is featuring the antiquities acquired by the collector Giovanni Barracco, who donated his collection to the City of Rome in 1902. Rome, Italy. 2020.

akg8537987 Roman portrait of Homer (Homere). Greek poet (8th cent. BC). Copy after a Greek work of the 2nd. cent.BC. inv. MC 559. in the Hall of the Philosophers . - Palazzo Nuovo, Musei Capitolini. (Capitoline Museums ; Musées du Capitole; Museen Kapitolinischen). - Rome , Italy. 2020.

akg8537986 Roman portrait of Homer (Homere). Greek poet (8th cent. BC). Copy after a Greek work of the 2nd. cent.BC. inv. MC 558. in the Hall of the Philosophers . - Palazzo Nuovo, Musei Capitolini. (Capitoline Museums ; Musées du Capitole; Museen Kapitolinischen). - Rome , Italy. 2020.

akg8636960 The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. Apollo (Apollon) seated at the centre, plays the lyre surrounded by the nine Muses, protectresses of the arts, and by ancient and modern poets, among whom (at left) Homer (Homere) (blind), Virgil (Virgile) and Dante Alighieri (Durante degli Alighieri) are easily recognisable behind him. On the ceiling the female allegory representing Poetry. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8636965 Left to right: Dante Alighieri (Durante degli Alighieri,dit ), Homer (Homere) and Virgil (Virgile). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8636972 Left to right: Dante Alighieri (Durante degli Alighieri, dit ), Homer (Homere) Virgil (Virgile) and Publius Papinius Statius (Stace). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8636964 Left to right: Dante Alighieri (Durante degli Alighieri, dit), Homer (Homere) and Virgil (Virgile). Detail of The Parnassus (Le Parnasse, Parnass ). Painting by Raphael (Raffaello Sanzio, Raffael). The Parnassus is the dwelling place of the god Apollo and the Muses and the home of poetry, according to classical myth. - Painted in the Stanza della Segnatura (Room of the Signatura, Salle de la Signature, Saal der Signatur) between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello (Raphael Rooms, Chambres de Raphael, Stanzen des Raffael), in the Apostolic Palace in the Vatican. Vatican Museums. 2021.

akg8692009 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.

akg8692006 Statue of Laocoon and His Sons, also called the Laocoon Group. (Groupe du Laocoon, Laokoon-Gruppe). Attributed to three Greek sculptors from the island of Rhodes: Agesander, Athenodoros and Polydorus. - The figures are near life-size and the group is a little over 2 m in height, showing the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being attacked by sea serpents. There has been much debate over the date of the statue, which would seem to have been made around 40-30 B.C. inv. 1059. Vatican Museums (Pio Clementino Museum - Octagonal Courtyard). 2021.

akg8181712 Géographes, Géographie et Cartographie / 19e siècle. Marmocchi, Francesco Constantino (1805-1858). "Les voyages d'Ulysse et des Argonautes" (titre original : "viaggi d'Ulisse e degli argonauti"). (En rouge, les voyages d'Ulysse ; en jaune / orange, celui des Argonautes. Le bassin méditerranéen et le monde sont représentés tels que les grecs anciens les concevaient). in Geografia Primitiva de Greci Secondo Esiodo ed Omero, Atlante di geografia universale di Francesco Constantino Marmocchi, Florence, Vincenzo Batelli e Compagni éd., 1842. Collection privée.

akg8472705 Homer (Homere). Painting by Mattia Preti (1613-1699). Canvas. 1635c. - Gallerie dell'Accademia (Galeries de l'Académie ). Museum gallery of pre-19th-century art in the sestiere (district) of Dorsoduro. Venice (Venise, Venedig ). Italy. 2020.

akg8668891 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Penelope. Drawing and watercolour, 2020.

akg8668873 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. Scylla, a naiad changed into a sea monster with three heads of beasts that tears apart boats (Book XII). Drawing and watercolour, 2020.

akg8668877 Epoch of Odysseus. In a period of time when history is being made, the life of one person, named Odysseus, will mark the events of particular characteristics for years to come. Travels of need that are about to befall Odysseus and his warriors after the fall of Troy, a series of acts that the Gods arranged. The Nemesis (goddess of revenge) will follow him during his ten years of wandering. The suitors of Penelope (Book XXII). Drawing and watercolour, 2020.

akg5212706 Bertholet Flemalle I., 1614-1675. "Achilles Wounded by Paris". Oil on canvas, 98 x 70 cm. Inv. NM 428. Stockholm, National Museum.

akg5212705 Lairesse, Gerard de; 1641-1711. "Achilles Discovered Amongst the Daughters of Lycomedes". Oil on canvas, 150,5 x 181,4 cm. Inv. NM 494. Stockholm, National Museum. Museum: Stockholm, National Museum.

akg5214695 Aachen, Hans von; 1552-1615. "The Judgement of Paris". Oil on wood, 39 x 59 cm. Inv. NM 739. Stockholm, National Museum.