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akg130882 History / Germany / Pensions. The signs of social reform: The retired minister / The retired worker. (Caricature criticising social legislation in the German Reich). From: Der Wahre Jacob, Nr. 352, Stuttgart (J.H.W.Dietz) 16th January 1900, p. 3155. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg130993 re: Bismarck, Otto von; German statesman. (chancellor 1871-90); 1815-1898. - "The Iron Chancellor. A Dream of the Junker and Stirrer." (Caricature: Count Klinkowström as a representation of the continuation of Bismarck's politics). Drawing, anon. From: Der Wahre Jacob, No. 357, Stuttgart. (J.H.W.Dietz) 27 March 1900, p. 3209. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Author: ANONYMOUS.

akg159434 Grieg, Nina (née Hagerup) cantatrice norvégienne (soprano), mariée au compositeur Edvard Grieg ; 1845-1935. - Nina Grieg avec le compositeur et pianiste Fridtjof Backer-Gröndahl.-.

akg941479 Foujita, Tsugouharu 1886-1968. "La Dompteuse et le lion" (Dompteuse und Löwe), 1930. Öl auf Leinwand, 147 x 91 cm. Inv.Nr.8279. Museum: Musée du Petit Palais., Genève.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg1636270 Geschichte: Deutschland / Germania.-" Deutschland".-Farblithographie, um 1900, nach Zeichnung von F. Schoen ( Fritz Schoen, geb.1871(?)). Sammelbildchen der Firma Palmin H. Schlinck Cie. Hamburg. Bild Nr.3 der Serie 107 "Die Hauptländer Europas". Aus einem Album.

akg1029312 Künstler / Künstler und Modell.-Modellwettbewerb in einem Restaurant in Montparnasse (Paris, Frankreich); im Hintergrund Tsugouharu Foujita, Marianne Oswald und Gerard Philipe.-Foto, 1952.

akg4446909 SCHOOL Teachers and pupils of a primary school in the late forties posing for a group photo in the school yard. From a window, some students of another class follow the scene. Italy 1948.

akg7279766 SCHOOL Photography souvenir of a female elementary class: 2B. The students wear all the classic white apron distinguished by a light ribbon. In the center of the first row a pair of twins appropriately posed by the photographer in order to create a choreographic mirror effect. The single teacher, posing as smiling as all the girls, managed the entire class of more than 35 students, an event not rare in the baby boom years, with the schooling set for the achievement of the diploma of eighth grade or (alternatively ) at the age of 14. The numerous successive reforms of the school have begun a period of experimentation that has led to an evolution of teaching, also decreasing the number of students per class and adding one or more colleagues alongside the owner, in order to guarantee to all schoolchildren opportunities to study, and to discourage school leaving in accordance with the increase in the age of the obligation. Group photo in the schoolyard, Milan 1968.

akg7279767 SCHOOL Photography souvenir of a female elementary class: 5B. The students wear all the classic white apron distinguished by a light ribbon. In the first row in the middle two twins. The girls smile all or almost, just like the teacher who smiles but who, unlike her pupils, does not look in the car. The weather is cheerful, even a little girl babe takes out her tongue in a mocking expression. The single teacher alone managed the entire class of 30 students, a case not uncommon in the baby boom years, with the schooling set for the achievement of the eighth grade diploma or (alternatively) at the age of 14 years. The numerous successive reforms of the school have begun a period of experimentation that has led to an evolution of teaching, also decreasing the number of students per class and adding one or more colleagues alongside the owner, in order to guarantee to all schoolchildren opportunities to study, and to discourage school leaving in accordance with the increase in the age of the obligation. Group photo in the schoolyard, Milan 1971.

alb5496196 OBSESION (1943) -Original title: OSSESSIONE-, directed by LUCHINO VISCONTI. English title: OSSESSIONE. Portuguese title: OBSESSÃO.

alb2579577 FURIA (1936) -Original title: FURY-, directed by FRITZ LANG. English title: FURY. Portuguese title: FURIA.

alb19951436 ZOOTROPOLIS 2 (2025) -Original title: ZOOTOPIA 2-, directed by BYRON HOWARD and JARED BUSH. English title: ZOOTOPIA 2.

alb414082 DENISE TE LLAMA (1995) -Original title: DENISE CALLS UP-, directed by HAL SALWEN. English title: DENISE CALLS UP. Portuguese title: DENISE ESTÁ CHAMANDO.

alb352953 TINA TURNER in MAD MAX 3 (1985) -Original title: MAD MAX III: BEYOND THUNDERDOME-, directed by GEORGE MILLER. English title: MAD MAX III. Portuguese title: MAD MAX ALÉM DA CÚPULA DO TROVÃO.

alb3217268 TERESA PALMER, GABRIEL BATEMAN and ALEXANDER DIPERSIA in NUNCA APAGUES LA LUZ (2016) -Original title: LIGHTS OUT-, directed by DAVID F. SANDBERG. English title: LIGHTS OUT.

alb3217270 TERESA PALMER and ALEXANDER DIPERSIA in NUNCA APAGUES LA LUZ (2016) -Original title: LIGHTS OUT-, directed by DAVID F. SANDBERG. English title: LIGHTS OUT.

alb2001220 Luca Giordano / 'The rape of Proserpina', 1684-1686, Fresco. Museum: Palazzo Medici-Riccardi, Florence. PLUTO. PROSERPINA. PERSEPHONE.

alb2069198 Hendrik van Balen; Jan Brueghel 'el Viejo' / 'The Four Elements', ca. 1615, Flemish School, Oil on panel, 62 cm x 105 cm, P01399. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068525 Hendrik van Balen; Jan Brueghel 'el Viejo' / 'Cybele and the Seasons in a Garland of Fruit', Before 1618, Flemish School, Oil on panel, 106 cm x 75 cm, P01414. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070490 Hendrik van Balen / 'Adoration of the Magi', Flemish School, Oil on panel, 136 cm x 102 cm, P06174. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3715833 Hendrick van Balen. Dated: probably 1626/1641. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Paulus Pontius after Sir Anthony van Dyck.

alb3681532 Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/4 x 6 in. (24.7 x 15.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3717899 Woman with a Fan. Dated: c. 1878/1879. Dimensions: overall: 85.5 x 65.1 cm (33 11/16 x 25 5/8 in.) framed: 108.6 x 88.9 cm (42 3/4 x 35 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

alb3630891 The Singer in Green. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 23 3/4 x 18 1/4 in. (60.3 x 46.4 cm). Date: ca. 1884.A sale catalogue of 1898 evocatively described the performer pictured in this pastel: "Skinny and with the graceful moves of a little monkey, she has just sung her ribald verses and, with a gesture that conceals an entreaty behind her smile, is inviting applause." With her small eyes, high cheeks, and low brow, the model recalls Marie von Goethem, the working-class girl who posed for Degas's sculpture The Little Fourteen-Year-Old Dancer. The singer's dress, rendered in vivid yellow, turquoise, and orange, reflects the artist's experimentation with saturated hues and color contrasts in the mid-1880s. Museum: Metropolitan Museum of Art, New York, USA.

alb3636737 Cosimo III de' Medici (1642-1723), Grand Duke of Tuscany. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Culture: Italian, Florence. Dimensions: Overall (confirmed): 39 1/8 × 31 × 16 7/8 in., 391 lb. (99.4 × 78.7 × 42.9 cm, 177.4 kg). Date: ca. 1680-82.These meltingly carved busts of father and son (see also 1993.332.2) are surely the finest examples of the portrait style of G. B. Foggini, the leading sculptor of the Florentine Baroque. While strong echoes of Bernini date the creation of the pair to shortly after the younger artist's return from Rome, they already exhibit Foggini's talent for the depiction of material opulence that earned him the post of Medici court sculptor. Dynamic contrasts abound: the fragile lace cravats and lavish mantles (emulating modes of the contemporary French court) set off the realistically depicted faces. They in turn provide their own study in contrasts: the commanding pose and classic Habsburg physiognomy of the balding father serve as counterpoint to the sweet, somewhat unformed face of the youth, overwhelmed by a delirious cascade of curls. Foggini's artistic genius inaugurated the final flourish of Medici patronage. These busts, modeled from life, were followed by a series portraying other family members, all intended to promote the political aspirations of the fading dynasty. Their acquisition served to link our major series of Roman Baroque portrait busts to a growing collection of stunning small-scale Florentine sculptures of that period. Museum: Metropolitan Museum of Art, New York, USA.

alb3681178 Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), Princesse de Broglie. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 47 3/4 x 35 3/4 in. (121.3 x 90.8 cm). Date: 1851-53.Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist's final commission. Ingres captures the shy reserve of his subject while illuminating through seamless brushwork the material quality of her many fine attributes: her rich blue satin and lace ball gown, the gold embroidered shawl, and silk damask chair, together with finely tooled jewels of pearl, enamel, and gold. The portrait was commissioned by the sitter's husband, Albert de Broglie, a few years after their ill-fated marriage. Pauline was stricken with tuberculosis soon after completion of the exquisite portrait, leaving five sons and a grieving husband. Through Albert's lifetime, it was draped in fabric on the walls of the family residence. The portrait remained in the de Broglie family until shortly before Robert Lehman acquired it. Museum: Metropolitan Museum of Art, New York, USA.

alb3635175 Ferdinando de' Medici (1663-1713), Grand Prince of Tuscany. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Culture: Italian, Florence. Dimensions: Overall (confirmed): 38 3/4 × 28 7/8 × 14 in., 337 lb. (98.4 × 73.3 × 35.6 cm, 152.9 kg). Date: ca. 1680-82.These meltingly carved busts of father (1993.332.1) and son are surely the finest examples of the portrait style of G. B. Foggini, the leading sculptor of the Florentine Baroque. While strong echoes of Bernini date the creation of the pair to shortly after the younger artist's return from Rome, they already exhibit Foggini's talent for the depiction of material opulence that earned him the post of Medici court sculptor. Dynamic contrasts abound: the fragile lace cravats and lavish mantles (emulating modes of the contemporary French court) set off the realistically depicted faces. They in turn provide their own study in contrasts: the commanding pose and classic Habsburg physiognomy of the balding father serve as counterpoint to the sweet, somewhat unformed face of the youth, overwhelmed by a delirious cascade of curls. Foggini's artistic genius inaugurated the final flourish of Medici patronage. These busts, modeled from life, were followed by a series portraying other family members, all intended to promote the political aspirations of the fading dynasty. Their acquisition served to link our major series of Roman Baroque portrait busts to a growing collection of stunning small-scale Florentine sculptures of that period. Museum: Metropolitan Museum of Art, New York, USA.

alb3634341 Designs for a Funerary Monument with Stairs (Recto). Various Funerary Monument Designs (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3633784 The Annunciation. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 34 x 31 1/2 in. (86.4 x 80 cm). Date: ca. 1525.Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. The altarpiece and the woodcut on the wall, for example, show Old Testament prophets as prefigurations of New Testament themes. Influenced by Italian art, Joos appropriated a new canon of beauty, a new repertory of rhetorical gesture, and a striking grace of movement in his figures. Museum: Metropolitan Museum of Art, New York, USA.

alb3636537 Maine Coast. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: 30 x 40 in. (76.2 x 101.6 cm). Date: 1896.William Howe Downes, Homer's first biographer, had firsthand knowledge of the coast at Prouts Neck, Maine. He described this canvas as follows: "The design is of a rigid simplicity. We are looking seaward from the cliffs at Prouts Neck on a day of storm. At our feet the dark ledges are streaming with milky retreating foam, and just beyond them a monster wave raises its huge bulk as it comes shoreward with an exuberant look of tremendous power. Still further out to sea, in the gray mist, loom the oncoming lines of wave upon wave, until the horizon loses itself in a far turmoil of dimly seen billows.". Museum: Metropolitan Museum of Art, New York, USA.

alb3632086 Table or Basin Supported by Male Sirens (recto); Sketch for the Same Subject (verso) . Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 5/16 x 4 in. (8.4 x 10.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3706955 Allegorie sur l'Erection de la Statue de Louis XV (Allegory on the Establishment of a. Dated: c. 1763. Dimensions: image: 23.5 x 23.2 cm (9 1/4 x 9 1/8 in.) plate: 31.6 x 24 cm (12 7/16 x 9 7/16 in.). Medium: etching with traces of roulette and engraving. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.

alb3701152 Holy Family with Infant Saint John. Dimensions: overall (approximate): 26.6 x 41.8 cm (10 1/2 x 16 7/16 in.). Medium: pen and brown ink with brown wash on brown paper. Museum: National Gallery of Art, Washington DC. Author: LUCA CAMBIASO.

alb3707140 The Martyrdom of Saint Lawrence. Dimensions: sheet (lunette): 38.8 x 24.5 cm (15 1/4 x 9 5/8 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: LUCA CAMBIASO.

alb3679805 Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 3/4 x 7 7/8 in. (29.9 x 20 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3678164 Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (Recto). Studies for Figural Ornament (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 15/16 x 8 3/8 in. (30.3 x 21.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3673922 Design for an Entrance Portal. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 1/16 x 5 7/8 in. (15.4 x 15 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3673827 Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence) (family and workshop). Dimensions: sheet: 14 x 14 1/2 in. (35.6 x 36.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3670417 Design for Suspended Censer. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 1/2 x 3 3/8 in. (11.4 x 8.5 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3678722 Designs for a Palmette Motif with Tendrils (recto); studies for a Male Figure and Decorative Sculpture (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 13/16 x 3 7/8 in. (7.2 x 9.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3676254 Design for a Statue consisting of a Satyr and Satyress Lifting a Vase. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 15/16 x 3 1/16 in. (17.6 x 7.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3622133 Dancer Adjusting Her Slipper. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: Sheet: 13 x 9 5/8 in. (33 x 24.4cm). Date: 1873.Between 1873 and 1874, Degas made several studies of dancers adjusting their shoes, shown in different poses and from different angles. These drawings served as preparatory studies for his ballet scenes of the same period. Squared for transfer, the figure in this study was used in the 1874 pastel Dancers Resting (private collection); her tenuously held pose characterizes Degas's approach to his models. The same dancer, shown in three-quarter view, also appears in The Rehearsal of the Ballet Onstage in the Museum's collection (29.160.26). Museum: Metropolitan Museum of Art, New York, USA.

alb3739422 A Monstrance with Two Angels Supporting a Chalice. Dimensions: overall: 42.3 x 23.7 cm (16 5/8 x 9 5/16 in.). Medium: black chalk and pen and brown ink, partially squared in black chalk, on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Foggini.

alb3730470 Young Girl at a Window. Dated: c. 1883-1884. Dimensions: overall: 100.3 x 64.7 cm (39 1/2 x 25 1/2 in.) framed: 133.99 × 96.52 × 12.7 cm (52 3/4 × 38 × 5 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: MARY STEVENSON CASSATT.

alb3622192 Design for a Helmet with a Sphinx presented in 3/4 View. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 x 3 7/16 in. (17.8 x 8.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3627008 The Dance Lesson. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 25 3/8 x 22 1/8 in. (64.5 x 56.2 cm). Date: ca. 1879.Degas made various adjustments to this composition, presumably to accommodate the violinist in his final design. He added strips of paper at the top and to the right, and there is evidence to suggest that he may have altered the dancer's pose. A pastel study for the musician is in the Museum's collection (19.51.1). The present work was formerly owned by Gustave Caillebotte, who probably bought it from or soon after the Impressionist exhibition of 1879. In 1894 he bequeathed it to Renoir, who sold it shortly thereafter. Museum: Metropolitan Museum of Art, New York, USA.

alb3621379 Design for the Base of a Vessel with Two Satyrs. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 7/8 x 3 3/4 in. (9.9 x 9.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3621345 Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/4 x 5 7/8 in. (24.7 x 15 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3622076 Allegory of Louis XV as Patron of the Arts with Paintings and Sculpture from the Salon of 1769. Artist: Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris). Dimensions: Sheet: 8 3/8 × 5 5/8 in. (21.3 × 14.3 cm). Date: ca. 1769.Saint-Aubin made copious sketches of works shown at the Salon, and this drawing features a compilation of several paintings and sculptures on view at the exhibition of 1769. All the sculptures depicted here have been identified and confirmed as having been on display, though the proportions of many objects have been manipulated. Rather than a painstaking recreation of the works on view, this drawing represents Saint-Aubin's rumination on artistic production: allegorical figures of the arts descend upon clouds to honor King Louis XV as a great patron, presenting his portrait to the viewer. Museum: Metropolitan Museum of Art, New York, USA.

alb3622608 The Last Judgment. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 48 3/4 x 34 in. (123.8 x 86.4 cm). Date: ca. 1520-25.This majestic scene is divided into heavenly and earthly zones, which are linked by two hovering angels blowing trumpets. Christ appears at the moment of judgment in a burst of light and color, surrounded by clouds and putti and flanked by the apostles. He blesses the saved, shown at lower left, while Saint Michael shepherds the damned into hell burning in the distance at the right. The nudes in the foreground reflect the artist's study of prints after Raphael's designs, and the figure of Christ seems to be inspired by the famous ancient sculpture of the Laocoön. Museum: Metropolitan Museum of Art, New York, USA.

alb3620202 Two Studies for Helmet Designs Presented En Profil. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 3/8 x 6 13/16 in. (18.8 x 17.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3629690 Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 5/16 x 9 3/4 in. (28.7 x 24.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3622378 Design for a Pedestal (recto); Design for the Plan of a Monument (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 5 1/4 x 3 11/16 in. (13.3 x 9.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3625836 Design for a Sculpture consisting of a Satyr and Satyress holding a Vase. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 7/16 x 4 1/2 in. (18.9 x 11.4 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3626097 Design for a Helmet with an Elaborate Plume. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 15/16 x 4 15/16 in. (17.6 x 12.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3623084 Design for a Cartouche. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 15/16 x 2 3/4 in. (10 x 7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3623590 Outline of the Design for a Two-Handled Vase. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 5/16 x 2 3/8 in. (10.9 x 6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3622475 Design for a Proscenium or Alcove. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 9/16 x 5 11/16 in. (11.6 x 14.5 cm)(irregular borders). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3624094 Design for a Fountain with Two Water-Spouting Lions (recto); Sketch for Triumph of Galatea [?] (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 5 15/16 x 5 3/4 in. (15.1 x 14.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3740973 Forest of Fontainebleau. Dated: 1834. Dimensions: overall: 175.6 x 242.6 cm (69 1/8 x 95 1/2 in.) framed: 196.9 x 262.9 cm (77 1/2 x 103 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

alb3743296 A Rake's Progress: pl.2. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

alb3746851 Young Woman with Peonies. Dated: 1870. Dimensions: overall: 60 x 75 cm (23 5/8 x 29 1/2 in.) framed: 83.8 x 99.4 x 7.6 cm (33 x 39 1/8 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Frederic Bazille.

alb3741054 A Reliquary of Saint Sigismondo. Dated: 1719. Dimensions: sheet: 48 x 30.1 cm (18 7/8 x 11 7/8 in.). Medium: pen and brown ink over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Foggini.

alb3745815 Autumn. Dated: c. 1740/1750. Dimensions: overall: 108.4 x 151.5 cm (42 11/16 x 59 5/8 in.) framed: 132.1 x 175.7 x 10.2 cm (52 x 69 3/16 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CORRADO GIAQUINTO.

alb3602535 Design for the Crowning Decorations of a Gate (recto); Sketches of Stone Blocks with Measurements (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 3/16 x 7 15/16 in. (10.6 x 20.1 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3742391 A Young Woman Reading. Dated: c. 1866/1868. Dimensions: overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.) framed: 81.3 x 94.6 cm (32 x 37 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GUSTAVE COURBET.

alb3604906 Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 7/8 x 7 3/4 in. (17.5 x 19.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3608672 In the Meadow. Artist: Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). Dimensions: 32 x 25 3/4 in. (81.3 x 65.4 cm). Date: 1888-92.Between 1888 and 1892 Renoir painted a number of works in which the same pair of girls--the blonde wearing a white frock and the brunette a pink one--engage in leisurely pastimes. Here, they pick flowers; the same models appear at the piano in a painting now in the Museum's Lehman Collection (1975.1.201). These intimate genre scenes, which celebrate youthful innocence, found a ready market in the early 1890s. Museum: Metropolitan Museum of Art, New York, USA. Author: AUGUSTE RENOIR.

alb3606362 Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 3/8 x 6 in. (18.7 x 15.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3606390 Design for a Term shaped like a Winged Female Figure. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 5/8 x 1 1/2 in. (11.7 x 3.8 cm)(irregular borders). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3607350 Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 1/2 x 3 11/16 in. (6.4 x 9.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3606039 Design for a Console or Capital with a Cherub. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 2 7/16 x 1 15/16 in. (6.2 x 5 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3608241 Design for Suspended Censer. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9/16 x 5 1/16 in. (1.5 x 12.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3606040 Design for a Cup or Reliquary Composed of a Shell and S-Volute. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 11 1/8 x 5 13/16 in. (28.3 x 14.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3605919 Satyr and Satyress Seated on a Pedestal Supporting a Vase. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 5/8 x 4 5/16 in. (19.3 x 10.9 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3608035 The Gulf Stream. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: 28 1/8 x 49 1/8 in. (71.4 x 124.8 cm). Date: 1899.Back in Prouts Neck, Maine, after one of his winter visits to the Bahamas, Homer painted this dramatic scene of imminent disaster. A man faces his demise on a dismasted, rudderless fishing boat, sustained by only a few stalks of sugarcane and threatened by sharks and a distant waterspout. He is oblivious to the schooner on the left horizon, which Homer later added to the canvas as a sign of hopeful rescue. Some art historians have read The Gulf Stream as symbolic, connecting it with the period's heightened racial tensions. The painting has also been interpreted as an expression of Homer's presumed sense of mortality and vulnerability following the death of his father. Museum: Metropolitan Museum of Art, New York, USA.

alb3606076 Design for a Frame Decorated with a Shell Motif. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 x 2 11/16 in. (10.2 x 6.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3607605 Designs for Bed Alcoves (Recto). Studies for a figure of St. John the Baptist and a Bed Alcove (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: Sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3604546 Female Mask Surrounded by Tendrils. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 6 1/4 x 10 in. (15.9 x 25.4 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3604380 Design for a Ewer with Neptune on his Chariot. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 10 11/16 x 6 15/16 in. (27.2 x 17.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3604079 Boy with a Greyhound. Artist: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: 68 3/8 x 40 1/8 in. (173.7 x 101.9 cm). Date: possibly 1570s.This portrait was purchased by the great American collectors Harry and Louisine Havemeyer from the noble Martinengo family of Brescia, who believed it to represent a young man related to them from the Colleoni family of neighboring Bergamo. The painting, probably dating to the 1570s, hung in the Martinengo villa and its conception recalls Veronese's illusionistic frescoes in other Veneto villas, in one of which members of the family are shown as though entering the space of the viewer through an open door.The sky, painted in a fugitive smalt blue, has lost most of its color. Museum: Metropolitan Museum of Art, New York, USA.

alb3605065 Design for the Base of a Vessel with Three Dolphins. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 3 7/16 x 3 1/8 in. (8.7 x 8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3653374 The Love Song. Artist: Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: 45 x 61 3/8 in. (114.3 x 155.9 cm). Date: 1868-77.Burne-Jones associated this painting with a refrain from a Breton folk ballad: "Alas, I know a love song, / Sad or happy, each in turn." Drawing inspiration from the gothicizing Pre-Raphaelite movement, the artist conjured a twilight scene with a richly romantic, medieval air, enhanced by allusions to Italian Renaissance art, from the warm, dewy colors to the gracious figures and original frame, which recalls sixteenth-and-seventeenth-century Venetian designs. When the picture was first exhibited at the Grosvenor Gallery, London, in 1878, the novelist Henry James admiringly compared it to "some mellow Giorgione or some richly-glowing Titian.". Museum: Metropolitan Museum of Art, New York, USA.

alb3653424 Ceiling Design. Artist: Matías Arteaga y Alfaro (Spanish, Villanueva de los Infantes 1633-1703 Seville). Dimensions: 6-5/16 x 10-1/2 in. (16.0 x 26.7 cm). Date: 1633-1703. Museum: Metropolitan Museum of Art, New York, USA.

alb3651891 Terracotta krateriskos (small mixing bowl). Culture: Etruscan. Dimensions: H. 9 1/2 in. (24.1 cm). Date: ca. 300 B.C..The distinctive ring handles are in the form of two snakes whose heads and tails are modeled carefully in relief. Snakes were often connected with death and rebirth in the ancient Mediterranean world. At least one vase of this specific type is known to have been used as a cremation urn. Museum: Metropolitan Museum of Art, New York, USA.

alb3650208 Design for an Epitaph. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 3/8 x 5 15/16 in. (23.8 x 15.1 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3657925 Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 8 1/16 x 5 9/16 in. (20.4 x 14.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3654290 Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 4 1/16 x 4 9/16 in. (10.3 x 11.6 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3653532 Coin (Crown) Showing John George III, Duke of Saxony. Culture: German. Dimensions: H. 1 3/4 in. (4.5 cm); W. 1 13/16 in. (4.6 cm); thickness 1/16 in. (0.2 cm); Wt. 1.1 oz. (31.2 g). Date: 1683. Museum: Metropolitan Museum of Art, New York, USA.

alb3650187 Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 1 5/8 x 4 5/16 in. (4.2 x 11 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3615762 Dancer with a Fan. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 21 7/8 x 19 1/4 in. (55.6 x 48.9 cm). Date: ca. 1890-95.This is a study for the second figure from the left in Degas's pastel of the 1890s Ballet Dancers in the Wings (Saint Louis Art Museum). In the background is a brightly colored stage flat. Museum: Metropolitan Museum of Art, New York, USA.

alb3617005 Design for a Tomb of Epitaph (recto); An Unfinished Variation of a Tomb or Epitaph (verso). Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 9 7/16 x 8 1/8 in. (23.9 x 20.7 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3617163 Studies for a Kneeling Figure of Christ and Altar Fronts. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 8 1/8 x 5 7/8 in. (20.7 x 14.9 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3599890 Terracotta oinochoe (jug). Culture: Etruscan. Dimensions: H. 8 1/16 in. (20.5 cm). Date: ca. 300 B.C..The type, which clearly imitates more expensive metal vessels, is associated with Volterran workshops. In this case, a definite source of inspiration was Gnathian pottery from Southern Italy. Like this jug, Late Gnathian oinochoai are often ribbed and have elegantly curved handles that terminate in a satyr-head attachment and decorative borders in added color at the shoulder. Museum: Metropolitan Museum of Art, New York, USA.

alb3617560 Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top. Artist: Attributed to Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 1/4 x 5 9/16 in. (18.4 x 14.2 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3610579 Design for a Vase with Handles, Decorated with a Festoon. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 13 1/16 x 8 5/16 in. (33.2 x 21.1 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

alb3615674 Alessandro Vittoria (1524/25-1608). Artist: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: 43 1/2 x 32 1/4 in. (110.5 x 81.9 cm). Date: ca. 1580.In this portrait the features of the greatest Venetian sculptor of the later sixteenth century, Alessandro Vittoria, are recorded by the greatest painter of his generation, Veronese. Vittoria is shown with the model for one of his most famous statues, the Saint Sebastian, carved in 1561-62 for the church of San Francesco della Vigna in Venice. This figure was later cast by Vittoria twice as a bronze statuette--one of these belongs to the Metropolitan. Vittoria had portraits of himself holding his own sculpture painted by eminent artists at various times in his life; five were hung near the studio in his house where they could be seen by clients and visitors. This portrait was done around 1580 when the sitter was about fifty-five. Museum: Metropolitan Museum of Art, New York, USA.

alb3615878 Young Woman with Ibis. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 39 3/8 x 29 1/2 in. (100 x 74.9 cm). Date: 1860-62.Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857-58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860-62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon (Musée d'Orsay, Paris). Museum: Metropolitan Museum of Art, New York, USA.