Pesquisando por: "%22local%3AN%2FA%22" - Fotoarena - Agência de fotojornalismo

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg253686 Segantini, Giovanni, 1858 - 1899, Italian painter. "L'evocazione creatrice della musica" (The creative evocation of music), 1897. Oil on canvas, 78.5 x 129.5 cm (with frame). Gift of Mr and Mrs J. Heusser-Staub. Kunsthaus, Zurich, Switzerland. Museum: Zürich, Kunsthaus.

akg282462 Society, Life and Death. France. "La danse macabre des femmes / La Chamberière, la Recommenderesse" (The women's dance of death: The housekeeper, the wife of the general). Woodcut, 10.2 x 15.5 cm. From the series: La danse macabre des femmes, 1491. (With verses by Martial d'Auvergne).

akg282461 Society, Life and Death. France. "La danse macabre des femmes / "La nouvelle Mariée, la Femme grosse" (The women's dance of death: The newly married woman, the pregnant woman). Woodcut, 10.2 x 15.5 cm. From the series: La danse macabre des femmes, 1491. (With verses by Martial d'Auvergne).

akg679656 Hansen, Monika Schauspielerin; geb. 1943.-Monika Hansen während einer Probenpause von "Im Weißen Rößl am Wolfgangsee" in der Bar Jeder Vernunft in Berlin-Wilmersdorf.-Foto, 1994.

akg052447 Morales, Luis de. 1508/09 - 1586. "Christ with the Cross". Oil on canvas, 74 × 59.5cm. Havanna, National Museum of Art. Museum: Havanna, National Museum of Art.

akg942314 Brueghel, Jan 1568-1625. "Äneas und die Sibylle von Cumae in der Unterwelt", um 1600. (Vergil, Aeneis VI, 269-282). Öl auf Kupfer, 26,4 x 36,2 cm. Inv.-Nr. 553. Museum: Szepmüveszeti Muzeum., BUDAPEST.

akg954589 Römisch, 50-79 n.Chr.-Wandmalerei "Bankett".-Fresko, 68 x 72 cm. Fundort: Haus V 2, 4, Pompeji. Inv.Nr. 120031. Museum: Museo Nazionale Archeologico., NEAPEL.

akg825311 Avercamp, Hendrick 1585-1634. "Winter scene at Yselmuiden", c. 1613. Oil on wood, 47 × 73 cm. Inv. Basz 4. Stiftung Baszanger, Geneva, Musée d'Art et d'Histoire. Museum: Geneva, Musée d'Art et d'Histoire.

akg601270 Mykene, >Schatzhaus des Atreus< (Kuppelgrab, erbaut um 1250 v. Chr.), Blick aus dem Eingang des Kuppelgrabes in den Dromos. Argolis (Griechenland, Peloponnes). Mykene, Peloponnes, Griechenland.

akg928783 Egyptian wall painting, New Kingdom, 18th dynasty, C15th BC.-Men weighing grain.-Wall painting from the tomb of Nakht, scribe and priest under Thutmose IV, wall A. Luxor-Thebes, necropolis of Shaykh abd al-Qurnah.

akg180370 Gutenberg, Johannes, c.1397 - 1468, German blacksmith, goldsmith, printer, and publisher and. inventor of mechanical movable type printing. Initials "U" and "A". Type printing and illumination. From: 42-lined Latin bible ("Gutenberg Bible") in Missal script, two columned; completed c.1455 in Mainz. Initial "U (Usque adeo), Introduction John's 2. Epistle, and initial "S", John's 2. Epistle. Berlin, Staatsbibliothek Preußischer Kulturbesitz. Museum: Berlin, Staatsbibliothek Preußischer Kulturbesitz.

akg598181 Larnaca, Republic of Cyprus, excavations of the ancient city of Kition, temple district (12th century BC). Exterior view: temple district. Photo.

akg458448 Czestochowa (Haute-Silésie, Pologne), monastère de Jasna Góra, sanctuaire marial de la Vierge de Czestochowa - Kaplica Matki Boskiej Czestochowskiej (lieu de pèlerinage où l'on vénère l'icône de la "Vierge noire" miraculeuse). Fidèle devant la chapelle de la Vierge : l'icône voilée.

akg124139 Helmuth Count von Moltke; Prussian Field Marshal (1858-88 Chief of the Prussian General Staff); Parchim 26.10.1800. - Berlin, 24.4.1891. Portrait shot, around 1870.

akg434368 Theater / Tanztheater.-Szene aus der Produktion der Tanzfabrik Berlin "Fragile Circumstances" von Kurt Koegel und Ka Rustler.-Foto, 1989.

akg4203105 Preparing for the Pilgrimage of Virgen de la Victoria procession in Malaga, Spain. Copyright: For editorial use only. For editorial use only.

akg1938926 Maeda Chikara. "Rain Is Over" (Der Regen ist vorbei), 2011. Farben auf Papier, 100 x 100 cm. Museum: Adachi Museum of Art., YASUGI.

akg7973231 Gabriel, Jacques Ange (Paris, 1698 - 1782). Choisy : plan général de la Paroisse avec toutes les parties adjaçantes suivant le dernier projet, vers 1747. Dessin. D. 7113, Paris, Musée Carnavalet.

akg7971129 Gabriel, Jacques Ange (Paris, 1698 - 1782). Choisy : projet du Potager et Ménagerie Fleuriste et Orangerie., entre 1698 et 1782. Dessin. D. 7116, Paris, Musée Carnavalet.

alb21932720 101 DÁLMATAS (1996) -Original title: 101 DALMATIANS-, directed by STEPHEN HEREK. English title: 101 DALMATIANS. Portuguese title: 101 DÁLMATAS.

alb17041713 CAZA DE BRUJAS (2025) -Original title: AFTER THE HUNT-, directed by LUCA GUADAGNINO. English title: AFTER THE HUNT. Portuguese title: DEPOIS DA CAÇADA.

alb2094436 GLENN CLOSE in 101 DÁLMATAS (1996) -Original title: 101 DALMATIANS-, directed by STEPHEN HEREK. English title: 101 DALMATIANS. Portuguese title: 101 DÁLMATAS.

alb254253 LEX BARKER and BRENDA JOYCE in TARZÁN Y LA FUENTE MÁGICA (1949) -Original title: TARZAN'S MAGIC FOUNTAIN-, directed by LEE SCHOLEM. English title: TARZAN'S MAGIC FOUNTAIN.

alb250573 LOUIS JOURDAN and GREGORY PECK in AGONÍA DE AMOR (1947) -Original title: THE PARADINE CASE-, directed by ALFRED HITCHCOCK. English title: THE PARADINE CASE. Portuguese title: O CASO PARADINE.

alb280704 CHARLES COBURN, MARILYN MONROE and JANE RUSSELL in LOS CABALLEROS LAS PREFIEREN RUBIAS (1953) -Original title: GENTLEMEN PREFER BLONDES-, directed by HOWARD HAWKS. English title: HOWARD HAWKS' GENTLEMEN PREFER BLONDES. Portuguese title: OS HOMENS PREFEREM AS LOIRAS.

alb9992 HORA PUNTA 3 (2007) -Original title: RUSH HOUR 3-, directed by BRETT RATNER. English title: RUSH HOUR 3. Portuguese title: A HORA DO RUSH 3.

alb340137 KIRK DOUGLAS and CAROLYN JONES in EL ÚLTIMO TREN DE GUN HILL (1959) -Original title: LAST TRAIN FROM GUN HILL-, directed by JOHN STURGES. English title: LAST TRAIN FROM GUN HILL. Portuguese title: DUELO DE TITÃS.

alb902566 ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973), directed by D. A. PENNEBAKER. English title: ZIGGY STARDUST AND THE SPIDERS FROM MARS. Portuguese title: ZIGGY STARDUST AND THE SPIDERS FROM MARS.

alb423563 AUDREY HEPBURN and ALBERT FINNEY in DOS EN LA CARRETERA (1967) -Original title: TWO FOR THE ROAD-, directed by STANLEY DONEN. English title: TWO FOR THE ROAD. Portuguese title: UM CAMINHO PARA DOIS.

alb1913549 ZAC EFRON and TAYLOR SCHILLING in CUANDO TE ENCUENTRE (2012) -Original title: THE LUCKY ONE-, directed by SCOTT HICKS. English title: THE LUCKY ONE. Portuguese title: UM HOMEM DE SORTE.

alb2036562 Henri Matisse / 'Jazz: Horse', 1943-1944. Museum: Centre Georges Pompidou, BUDAPEST, France.

alb2942463 Portrait of king Charles VII of France (1403-1461). 85x70 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France. Author: JEAN FOUQUET. KARL VIII. VON FRANKREICH.

alb2068549 Diego Rodríguez de Silva y Velázquez / 'Adoration of the Magi', 1619, Spanish School, Oil on canvas, 203 cm x 125 cm, P01166. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAINT JOSEPH. INFANT JESUS. VIRGIN MARY.

alb3680758 Merry Company on a Terrace. Artist: Jan Steen (Dutch, Leiden 1626-1679 Leiden). Dimensions: 55 1/2 x 51 3/4 in. (141 x 131.4 cm). Date: ca. 1670.In this late painting of about 1673-75, Steen casts himself as the inebriated innkeeper on the left. The artist's second wife, Maria, probably modeled for the provocatively posed hostess (she wears an apron) in the center. Her glass and the fat man's jug are sexually suggestive, but the woman's familiarity with the young musician and the shape of his cittern suggest that he has more to offer her. The overdressed boy serves as a marginal remark about the adults' behavior: a bridled horse and a whip usually stand for Temperance, but not when hitched to a spoiled brat and his indignant dog. The man with a sausage pinned to his hat is Hans Wurst, a fool familiar from the comic stage. Steen wittily blends symbols and themes (for example, child-rearing and the Garden of Love) into an original creation, quite as the picture's style seems to blend oil and water by mixing the manners of Gerard ter Borch and Jacob Jordaens. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Steen.

alb3632892 Autumn Ivy. Artist: Ogata Kenzan (Japanese, 1663-1743). Culture: Japan. Dimensions: Image: 8 3/8 x 10 7/8 in. (21.3 x 27.6 cm)Overall: 44 7/8 x 22 1/4 in. (114 x 56.5 cm). Date: after 1732.Although ceramics were his forte, Kenzan occasionally tested his skills as a painter, and there is a rugged energy to his works on paper that effectively complements his idiosyncratic, expressive calligraphy. This image recalls a famous episode from the tenth-century Ise Stories (Ise monogatari) in which the protagonist encounters an itinerant monk along an ivy-strewn path on Mount Utsu.Kenzan's freely inscribed waka (thirty-one syllable Japanese poem) reads:Kakaru shimowaga aki naranumatsukaze ychiru o urami no tsuta no momijibaThough not yet winds through the pinesblow all around and I dread they'll scatterthe crimson leaves of ivy. --Trans. John T. Carpenter. Museum: Metropolitan Museum of Art, New York, USA.

alb3631674 The Fortune-Teller. Artist: Georges de La Tour (French, Vic-sur-Seille 1593-1653 Lunéville). Dimensions: 40 1/8 x 48 5/8 in. (101.9 x 123.5 cm). Date: probably 1630s.While an old gypsy crone tells his fortune, a naive youth is robbed by her accomplices, a subject popular among Caravaggesque painters throughout Europe in the seventeenth century. La Tour's painting can be interpreted as a genre or theatrical scene, or as an allusion to the parable of the prodigal son. The inscription on the painting includes the name of the town where La Tour lived, Lunéville in Lorraine. Museum: Metropolitan Museum of Art, New York, USA.

alb3703428 The Raising of Lazarus. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Francesco Denanto.

alb3701735 Socrate chez aspasie. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3629008 "Fourth Month" from Fujiwara no Teika's "Birds and Flowers of the Twelve Months". Artist: Ogata Kenzan (Japanese, 1663-1743). Culture: Japan. Dimensions: Image: 6 5/16 x 8 15/16 in. (16 x 22.7 cm)Overall with mounting: 43 1/4 x 19 in. (109.9 x 48.3 cm)Overall with knobs: 43 1/4 x 20 5/8 in. (109.9 x 52.4 cm). Date: 1743.Kenzan, brother of the painter and designer Ogata Korin (1658-1716), is best known as a potter but was also a gifted painter and calligrapher. This small painting was separated from a group of twelve representing plants and animals symbolic of the twelve months, each inscribed with two poems. The poems were taken from the Shuiguso, a collection of verse by the influential poet and calligrapher Fujiwara Teika (1162-1241). The poems from the fourth month refer to unohana (deutzia flowers) and to the hototogisu, a bird related to the cuckoo. They read:Shirotae no koromo hosu cho natsu no kite kakine mo tawa ni sakeru u no hana Hototogisu Shinobu no sato ni sato nare yo mada u no hana no tsuki matsu goro Robes of white clothshould be aired out, they say,just when summer arrivesand deutzia flowers in bloomcause the hedge to droop.In the village of Shinobuwhere the cuckoo dwells,its cry is now heard,while we await next monthwhen deutzia flowers bloom. Museum: Metropolitan Museum of Art, New York, USA.

alb3624189 Cloître Saint-Amand, Rouen. Artist: Edmond Bacot (French, 1814-1875). Dimensions: 34.5 x 26.5 cm (13 9/16 x 10 7/16 in.). Date: 1852-53.In December 1852 Bacot, a man of independent means living in Caen, briefly visited the island of Jersey bringing resources gathered by the republicans of Caen and Bayeux for Victor Hugo and the exile community. He also carried with him photographs of the Gothic monuments of Normandy, pictures that Hugo described as "marvels." During the following year, Bacot sent additional photographs to the writer, including this one, about which Hugo wrote: "The old Gothic house is a particularly miraculous thing; mass and detail, strength in the shadows and perfection in the highlights, everything is there. I congratulate the sun for having a collaborator such as you." By photographing in strong sunlight and with a long lens, Bacot transformed the half-timbered walls and overhanging eaves of the cloister into patches of deep shadow and patterns of light. Such photographs articulated a highly romanticized view of the medieval--a view deeply colored by Hugo's own writings and poetic drawings of Gothic architecture. Museum: Metropolitan Museum of Art, New York, USA.

alb3653455 Joseph-Antoine Moltedo (born 1775). Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 29 5/8 x 22 7/8 in. (75.2 x 58.1 cm). Date: ca. 1810.Corsican by birth, Moltedo was an enterprising businessman and inventor, agent to the French clergy at the Vatican, and director of the Roman post office from 1803 until 1814. Painted during one of the most productive periods of Ingres's nascent career, this refined portrait belongs to a series of commissions he received from French officials in Napoleonic Rome. They are distinguished by the inclusion of Roman views as backdrops--in this case the Appian Way and the Colosseum--as well as by stormy gray skies, a Romantic conceit that serves as a foil to the calm and secure expressions of the men portrayed. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN AUGUSTE DOMINIQUE INGRES.

alb3604577 Diana and Actaeon (Diana Surprised in Her Bath). Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 61 5/8 x 44 3/8 in. (156.5 x 112.7 cm). Date: 1836.From its imposing size to its refined execution, this painting is elegant testimony to Corot's ingenuity: the landscape appears surprisingly natural, yet it is painstakingly composed. The narrative, from Ovid's Metamorphoses, recounts the fate of a young hunter Actaeon as he encounters the naked figure of the goddess Diana and her nymphs enjoying a woodland bath. Diana, in a fit of embarrassed fury, splashes water on the unwitting hunter, transforming him into a deer. There is a marked difference between the general tight handling of paint and tonal contrasts, and the background on the left, which is sketchy and silvery in tone, typical of Corot's late style. A year before the artist died, he was asked to repaint this passage as a courtesy to the picture's new owner. Museum: Metropolitan Museum of Art, New York, USA.

alb3647997 On the Hill Side (Strayed Sheep). Artist: After William Holman Hunt (British, London 1827-1910 London). Dimensions: Image: 7 in. × 9 13/16 in. (17.8 × 24.9 cm)Sheet: 10 9/16 × 14 1/4 in. (26.8 × 36.2 cm). Engraver: Charles Cousen (British, Horton, Bradford 1815-1889 Weston-super-Mare). Date: 1852-58. Museum: Metropolitan Museum of Art, New York, USA.

alb3122102 Retrato de Luis Buñuel. (1900-1983). Cineasta español vinculado a la Generación del 27. Museum: Colección Luis Buñuel. Author: SALVADOR DALI.

alb3727234 The Lighthouse at Honfleur. Dated: 1886. Dimensions: overall: 66.7 x 81.9 cm (26 1/4 x 32 1/4 in.) framed: 94.6 x 109.4 x 10.3 cm (37 1/4 x 43 1/16 x 4 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GEORGES SEURAT.

alb3720012 The Mother and Sister of the Artist. Dated: 1869/1870. Dimensions: overall: 101 x 81.8 cm (39 3/4 x 32 3/16 in.) framed: 128.3 x 108.6 cm (50 1/2 x 42 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Berthe Morisot.

alb4213156 Océanie - La Mer (Oceania - The Sea). Designed by Henri Matisse (French, 1869-1954); Produced by Zika Ascher, Ltd. (English, founded 1946); England, London. Date: 1948. Dimensions: 173.2 x 287.4 cm (68 1/8 x 152 1/2 in.). Linen, plain weave; screen printed. Origin: London. Museum: The Chicago Art Institute, USA.

alb4175734 The Knife Thrower, from Jazz. Henri Matisse (French, 1869-1954); printed by Edmond Vairel (French, 20th century); published by Tériade for Éditions Verve (French, 1943-1975). Date: 1947. Dimensions: 422 × 327 mm (sheet, folded); 422 × 655 mm (sheet, unfolded). Color pochoir with gouache on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4173976 Dove in Flight. Pablo Picasso; Spanish, 1881-1973. Date: 1950. Dimensions: 520 x 675 mm (image); 565 x 762 mm (sheet). Lithograph on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

alb4175591 The Nightmare of the White Elephant, from Jazz. Henri Matisse (French, 1869-1954); printed by Edmond Vairel (French, 20th century); published by Tériade for Éditions Verve (French, 1943-1975). Date: 1947. Dimensions: 421 × 327 mm (sheet, folded); 421 × 654 mm (sheet, unfolded). Color pochoir with gouache on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4175750 The Codomas, from Jazz. Henri Matisse (French, 1869-1954); printed by Edmond Vairel (French, 20th century); published by Tériade for Éditions Verve (French, 1943-1975). Date: 1947. Dimensions: 427 × 327 mm (sheet, folded); 427 × 652 mm (sheet, unfolded). Color pochoir with gouache on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4175804 Pierrot's Funeral, from Jazz. Henri Matisse (French, 1869-1954); printed by Edmond Vairel (French, 20th century); published by Tériade for Éditions Verve (French, 1943-1975). Date: 1947. Dimensions: 421 × 327 mm (sheet, folded); 421 × 654 mm (sheet, unfolded). Color pochoir with gouache on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4175855 Circus, from Jazz. Henri Matisse (French, 1869-1954); printed by Edmond Vairel (French, 20th century); published by Tériade for Éditions Verve (French, 1943-1975). Date: 1947. Dimensions: 423 × 325 mm (sheet, folded); 423 × 649 mm (sheet, unfolded). Color pochoir with gouache on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4174803 The Wolf, from Jazz. Henri Matisse (French, 1869-1954); printed by Edmond Vairel (French, 20th century); published by Tériade for Éditions Verve (French, 1943-1975). Date: 1947. Dimensions: 421 × 326 mm (sheet, folded); 421 × 650 mm (sheet, unfolded). Color pochoir with gouache on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

alb4153898 Yabu Street at the foot of Atago Hill (Atagoshita yabukoji), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)". Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1857. Dimensions: 35.7 x 23.9 cm (14 1/16 x 9 3/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4208819 A Sharpshooter's Last Sleep, Gettysburg, Pennsylvania. Alexander Gardner; American, born Scotland, 1821-1882. Date: 1863. Dimensions: 17.7 x 22.9 cm (image/paper); 31.2 x 44.8 cm (album page). Albumen print, pl. 40 from the album "Gardner's Photographic Sketch Book of the War, vol. 1" (1866). Origin: United States. Museum: The Chicago Art Institute, USA.

alb4103820 Adoration of the Magi. Dating: 1705 - 1760. Measurements: h 30.5 cm × w 40 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Gasparo Diziani (attributed to). Sebastiano Ricci (rejected attribution).

alb4148993 Figure of Phryne. Jean-Jacques Pradier (Attributed to); French, 1792-1852. Date: 1840-1850. Dimensions: H. 21.6 cm (8 1/2 in.). Ivory. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean-Jacques Pradier.

alb4141618 Dish with Design of Landscape with Blossoming Trees. Ogata Kenzan; Japanese, 1699/1712. Date: 1699-1712. Dimensions: 1 × 4 3/8 × 7 1/2 in. Glazed stoneware. Origin: Japan. Museum: The Chicago Art Institute, USA.

alb4105932 The Regents of the Spinhuis and Nieuwe Werkhuis, Amsterdam. The Regents of the Spinhuis (House of Correction) and the Nieuwe Werkhuis (New Workhouse) in Amsterdam, 1669. Dating: 1669. Measurements: h 225 cm × w 390 cm. Museum: Rijksmuseum, Amsterdam. Author: KAREL DUJARDIN.

akg204799 Polnische Revolution 1830/31. Erhebung polnischer Truppen gegen den Oberbefehl des russischen Großfürsten Konstantin, 29. Nov. 1830-9. Sept. 1831. "Einnahme des Arsenals in Warschau" durch die Aufständischen, 1830. Gemälde, 1831, von Marcin Zaleski. (1796-1877). Öl auf Leinwand, 52 × 79,7 cm. Warschau, Muzeum Narodowe. Museum: Warschau, Muzeum Narodowe.

akg254816 Spinello Aretino, byname for Spinello di Luca Spinelli; c. 1336 - 1410. "Saint Benedict receives the King of the Goths, Totila, and prophesies his destiny", aft. 1387. Fresco. 15th picture of a cycle with scenes from the life of Saint Benedict. Florence, S.Miniato al Monte, sacristy, south wall, lower row, left.

akg103819 re: Louÿs, Pierre; French poet; Ghent. 10.12.1870 - Paris 4.6.1925. Copulating couple. Photograph, unsigned, circa 1900 (sold on the Paris antiques market in 1994 identifying the man as Pierre Louÿs with a prostitute. The identification is not certain; the connection may be that Louÿs was the photographer or collector). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg928725 Ägyptisch, Neues Reich, 18.Dynastie, Zeit Thutmosis' IV., um 1390 v.Chr.-Drei Musikantinnen mit Doppelflöte, Laute und Harfe.-Ausschnitt aus dem "Schönen Fest vom Wüstental" (Talfest). Wandmalerei im Grab des Nacht/Nakht (TT 52), Theben-West (Ägypten), Gräberfeld von Scheich Abd el-Qurna.

akg414551 Monet, Claude 1840-1926. "Le bassin aux nymphéas, le soir". (The Waterlily pond in the Evening), c. 1916-22. (Waterlily pond in the artist's garden in Giverny). Diptych. Oil on canvas, each section 200 × 300 cm Inv. No. 1952/64. Zurich, Kunsthaus. Museum: Zürich, Kunsthaus.

akg1095712 5240. GOLD COATED GOAT WITH HIS FORELEGS LEANING ON A TREE, REMINISENT OF THE GOAT GOD SENT TO ABRAHAM AT THE SACRIFICE OF ISAAC. UR, 25TH. C. BC.

akg7680529 Plan and elevation of Brunoy house, Facade and floor plan Hôtel de Brunoy in Paris, Pl. 49, after p. 204, p. 305, Landon (direxit), J. G. Legrand; C. P. Landon: Description de Paris et de ses édifices: avec un précis historique et des observations sur le caractère de leur architecture, et sur les principaux objets d'art et de curiosité qu'ils renferment. Seconde édition, corrigée avec soin dans toutes ses Parties, et considérablement augmentée. Bd. 2. Paris. Strasbourg. Treuttel et Würtz, 1818.

akg7948844 Bingham, Robert Jefferson (Leicestershire, 1824 - Bruxelles, 1870). Portrait de Joseph Méry (1798-1865), littérateur, poète et polémiste., entre 1860 et 1890. Photographie, Tirage sur papier albuminé. PH53812, Paris, Musée Carnavalet.

alb254069 KEENAN WYNN in ¿TELÉFONO ROJO?, VOLAMOS HACIA MOSCÚ (1964) -Original title: DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB-, directed by STANLEY KUBRICK. English title: EDGE OF DOOM. Portuguese title: DR. FANTÁSTICO.

alb325804 PENELOPE CRUZ in TODO SOBRE MI MADRE (1999), directed by PEDRO ALMODOVAR. English title: ALL ABOUT MY MOTHER. Portuguese title: TUDO SOBRE A MINHA MÃE.

alb360648 TRISTÁN ULLOA and SILVIA LLANOS in LUCÃA Y EL SEXO (2001), directed by JULIO MEDEM. English title: SEX AND LUCIA. Portuguese title: LÃºCIA E O SEXO.

alb845229 ERIC NENNINGER, MARIEH DELFINO, GARIKAYI MUTAMBIRWA, TRAVIS SCHIFFNER, AL SANTOS, NICKI AYCOX and JOSH HAMMOND in JEEPERS CREEPERS 2 (2003) -Original title: JEEPERS CREEPERS II-. English title: JEEPERS CREEPERS II. Portuguese title: OLHOS FAMINTOS 2.

alb844415 BETTE DAVIS, GEORGE SANDERS, MARILYN MONROE and ANNE BAXTER in LA MALVADA (1950) -Original title: ALL ABOUT EVE-, directed by JOSEPH L. MANKIEWICZ. English title: BEST PERFORMANCE. Portuguese title: A MALVADA.

alb724436 TOY STORY (1995), directed by JOHN LASSETER. English title: TOY STORY. Portuguese title: OS RIVAIS.

alb453835 ELISHA CUTHBERT and EMILE HIRSCH in LA VECINA DE AL LADO (2004) -Original title: THE GIRL NEXT DOOR-, directed by LUKE GREENFIELD. English title: THE GIRL NEXT DOOR.

alb12273635 JEAN SIMMONS, RICHARD BURTON and VICTOR MATURE in EL MANTO SAGRADO (1953) -Original title: THE ROBE-, directed by HENRY KOSTER. English title: THE ROBE. Portuguese title: O MANTO SAGRADO.

alb1295101 TONY CURTIS. 1950.

alb1311513 HUMPHREY BOGART, ANN SHERIDAN and ERIN O'BRIEN-MOORE in LA LEGIÓN NEGRA (1937) -Original title: BLACK LEGION-, directed by ARCHIE MAYO. English title: BLACK LEGION. Portuguese title: LEGIÃO NEGRA.

alb16104602 The Birth of Saint John the Baptist, by Artemisia Gentileschi, was part of a six-painting portrayal of Saint John's life, 184 cm x 258 cm, P00149. Museum: Museo del Prado, Madrid, España. Saint John the Baptist.

alb1242986 HEATHER O'ROURKE in POLTERGEIST (1982), directed by TOBE HOOPER. English title: POLTERGEIST. Portuguese title: POLTERGEIST - O FENÔMENO.

alb2019453 François Gérard / 'Cupid and Psique', 1798, Óleo sobre lienzo, 186 x 132 cm. Museum: MUSEE DU LOUVRE, BUDAPEST, France. Author: FRANÇOIS GERARD. CUPID. PSYCHE (MYTHOLOGY).

alb2071002 Agustín Esteve y Marqués (Copy Francisco de Goya y Lucientes) / 'Carlos IV, rey de España, en traje de coronel de los Guardias de Corps', 1799-1800, Spanish School, Oil on canvas, 207 cm x 127 cm, P00727. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9529774 A variation of the scheme of -1532 and of -1551, representing a coffered vault. Women are seated beside urns below. A mask between figures is shown on top of the pointed arch. In the center is a view at an entablature and a balustrade. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb417152 Gustave Dore, Dante's Inferno, Canto XVII New Terror I conceived from Milton's Paradise Lost. Illustrations by Gustave Doré, 1885. JOHN MILTON.

alb3680760 Saint John the Baptist; Saint Lucy. Artist: Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469-died 1523 Fontignano). Dimensions: Each 63 x 26 3/8 in. (160 x 67 cm).These two panels are from an enormous, double-sided altarpiece on the high altar of the church of Santissima Annunziata, Florence. Begun by Filippino Lippi in 1502, it was completed after his death by Perugino. The altarpiece had the form of a Roman triumphal arch, with large scenes flanked by Perugino's standing saints, which are notable for the subdued coloring and subtle treatment of light. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

alb3717338 Saint Jerome in the Wilderness. Dimensions: overall: 14.3 x 20 cm (5 5/8 x 7 7/8 in.). Medium: pen and iron gall ink and gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3632005 La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable). Artist: Anonymous, French, 18th century. Dimensions: sheet: 6 1/8 x 8 7/8 in. (15.5 x 22.5 cm). Date: June 25, 1791. Museum: Metropolitan Museum of Art, New York, USA.

alb3637920 The Holy Family with Saints Anne and Catherine of Alexandria. Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Dimensions: 82 1/2 x 60 3/4 in. (209.6 x 154.3 cm). Date: 1648.A masterpiece of the artist's maturity, this painting combines the naturalism and quality of physical presence associated with Caravaggio with the elevated formal language of Raphael. Spanish by birth, Ribera lived all of his adult life in Rome and Naples, which was ruled by a Spanish viceroy. During his early years in Rome, he adopted Caravaggio's practice of working directly from posed models and this has enabled him to give vibrant presence to figures inhabiting a sacred realm. Museum: Metropolitan Museum of Art, New York, USA.

alb3709971 The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Dated: 1827. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

alb3631106 The Annunciation. Artist: Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm). Date: ca. 1450.This Annunciation is exceptional for its bird's-eye view and outdoor setting. Sheltered in the doorway of a church and greeted by Gabriel, Mary is presented not only as the recipient of the message of the Incarnation, but also as the personification of the Church (Ecclesia). The architecture, which is part Romanesque (right) and part Gothic (left), refers to the coming of Christ and the transition from Judaism to Christianity. A fragment of a larger composition, the picture is notable for its meticulous observation of plant life and was formerly ascribed to Van Eyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3708014 The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate. Dated: 1827. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

alb3675397 Koshikibu no Naishi (999-1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 11 in. (27.9 cm); W. 8 1/8 in. (20.6 cm). Date: ca. 1768.Immortalized in the "Hyakunin Isshu" is the poetic exchange envision here between the lady-in-waiting Koshikibu and the courtier Fujiwara Sadayori. Both had been summoned to a poetry contest. Here, Koshikibu responds to his teasing suggestion that she needs help from her absent mother, the famous poetess Izumi Shikubu, with brilliant repartee. Her response takes the form of an impromptu poem that includes a triple pun on the famous scenic places Oeyama, Ikuno, and Ama no hashidate:Oeyama ikuo michi mo to kerebamada fumi mo mizu Ama no hashidate.Both Mount Oe and the road to Ikuno are far away.I've never been there,nor has word come from Ama no hashidate. Museum: Metropolitan Museum of Art, New York, USA.

alb3677727 Woman Admiring Plum Blossoms at Night. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: Image: 12 3/4 x 8 1/4 in. (32.4 x 21 cm).In this print, one of Harunobu's most poetic images, a nymphlike beauty dressed in an elegant kimono stands holding a lantern and gazing dreamily at the plum blossoms. The image of admiring plum blossoms at night is a classical theme in the East Asian poetic tradition, and Harunobu's lyrical rendition has much in common with the art of the Heian period (794-1185). The stylized shape of the cloud at the top of the print reinforces the classical references. Harunobu and his patrons from the elite merchant and samurai classes in the capital, Edo (now Tokyo), admired the literary and cultural tradition of Kyoto, which was the capital during the Heian period. In this print the artist applied one of the techniques of embossing uncolored areas. To emphasize their softness, the inner layers of the kimono and tabi socks worn by the woman are raised on the paper. Museum: Metropolitan Museum of Art, New York, USA.

alb3679914 The Adoration of the Magi. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Bernardino Passeri (Italian, active Rome, ca. 1577-85). Dimensions: sheet: 7 13/16 x 5 3/4 in. (19.9 x 14.6 cm). Date: ca. 1585. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS. After Bernardino Passeri.

alb3673999 Two Girls Looking at a Monkey on a Leash. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: H. 10 1/4 in. (26 cm); W. 7 13/16 in. (19.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3738559 Portrait of a Male Donor. Dated: c. 1455. Dimensions: overall: 42 x 21.2 cm (16 9/16 x 8 3/8 in.) framed: 54.3 x 35.5 x 9.2 cm (21 3/8 x 14 x 3 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETRUS CHRISTUS.

alb3736714 The Baptism of Christ. Dimensions: overall: 13.8 x 20.2 cm (5 7/16 x 7 15/16 in.). Medium: pen and iron gall ink and gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: PAUL TROGER.

alb3697626 Studies for a Scene from Dante's "Inferno". Dimensions: sheet: 22.7 x 18.5 cm (8 15/16 x 7 5/16 in.). Medium: pen and brown ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: GEORGE HAYTER.

alb3697475 Wealth and Benefits of the Spanish Monarchy under Charles III. Dated: 1762. Dimensions: overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.