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akg5739407 Norwegen, Finnmark; Stadt Alta, Alta Museum (UNESCO-Welterbe), Felsplattenfeld 6 und 7: fünf mystische, tropfenförmige Fransenfiguren (ca. 5000 - 4000 v. Chr.). Am Standort Alta-Museum in Hjemmeluft wurden nur 17 dieser Figuren entdeckt. Sei sind sehr selten und könnten Schmuck aus Bährenzähnen oder Bärenkrallen darstellen. Sie könnten aber auch Sonne oder Mond darstellen, ein Bündel Fische oder anderes. Manche glauben an Halsschmuck, andere an Schamanismus. Auf dem Felsritzungsfeld 6 und 7 befinden sich 590 Figuren, die 6000 bis 7000 Jahre alt sind. Sie repräsentieren Rentier, Bär, Elch, Wal, Hund/Wolf, Mensch, Einzäunung zur Jagd; Bärenhöhle; Bärenspur; Boot; Fransenfigur; Fußsohle, Objekte und sind heute in 23 bis 25 m über dem Meeresspiegel. Das Alta Museum nahe Alta bewahrt die Felszeichnungen und Felsritzungen, die ab 1950 am Alta-Fjord entdeckt wurden. Seit 1985 sind sie UNESCO-Welterbe. 1950 fand der Bauer Fredrik Falsen bei der Kartoffelernte einen Stein mit einer männlichen Figur, der als "Pippisteinen" (Pippistein) in die Geschichte einging und im Haus des Alta-Museums ausgestellt ist. Tausende weitere Funde auf Felsplatten folgten. Die Felsmalereien werden auf ein Alter von 5000 v. Chr. bis zur christlichen Zeitenwende 0 datiert und sind bis zui 7000 Jahre alt. Sie gelten als älteste Zeugnisse der Kulturgeschichte am Alta Fjord und nördlich des Polarkreis und dokumentieren zudem die Ur- und Frühgeschichte der Sami (Samen), von der Steinzeit bis in die Jetztzeit. Ausgestellt sind auch Sami-Trommel (17. Jh) oder der Nachbau eines bis zu 7000 Jahre alten Bootes aus Leder mit hölzernem Elchkopf. Zwei Wege erschließen das Open air-Gebiet, die ältesten Felsritzungen, bis 7000 Jahre alt, sind rot markiert, die jüngsten, ab 500 v. Chr. entstandenen nicht. An Platte 4, wo ein prähistorischer "Schattentanz" zur Aufführung kommt, sind Rentier, Elch, Heilbutt, Mensch und Boot abgebildet. Platte fünf zeigt die Anfänge, als sich alles um B.
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akg1657307 Militär / Kriegsgräber / Zweiter Weltkrieg.-Vorübergehend angelegter Soldatenfriedhof der US-Armee an der Nordküste von Sizilien (Italien).-Foto, um 1943/45.
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akg870260 2. Weltkrieg / Frankreich: Befreiung ("Libération") von Paris am 25. August 1944.-Parade der Alliierten (US-Truppen und franz. Panzertruppen von Gen. Leclerc) auf den Champs Elysées: Résistance-Kämpfer und Offiziere der Freien Französischen Kräfte.-Foto, 26.8.1944.
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akg1007166 History / world War II / posters and propaganda.-"That new `CORSAIR' that's for me! GET 'EM UP FOR YOUR NAVY!" (US Navy propaganda for the F4U Corsair fighter aircraft, which could also be used on aircraft carriers).-Poster, USA, undated (c.1942/43).
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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg321138 Niki de Saint-Phalle; French artist. Neuilly-sur-Seine 29.10.1930 - San Diego 22.5.2002. Niki de Saint-Phalle modeling a head in the garden of her residence "Auberge au Cheval Blanc" in Soisy-sur-École (Dép. Essonne, France). Photo, July 1979. Copyright: For editorial use only. © Niki de Saint Phalle. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. For editorial use only.
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akg246469 Iberian Peninsular / Conquest:. Battle of Higueruela (Sierra Elvira), 1 July 1431, between John II of Castile and the Moors (Tribute is imposed on Granada). "The Battle of Higueruela". Detail: footsoldier, drinking at river. Fresco, unknown painter, 2nd part of. 16th century. Overall dimensions 55 × 4m Escorial, Hall of Battles.
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akg1575173 2. Weltkrieg / Zusammenbruch der Ostfront: Sturm der 3. Weißrussischen Front der Sowjetarmee auf Königsberg ( 7./8. April 1945) und Kapitulation der Stadt am 9. April 1945.-Ein zerstörter befestigter Feuerpunkt nach den Kämpfen.-Foto, April 1945 (Juri Rschewzew).
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akg3335152 Botticelli, Sandro (born Alessandro Filipepi), 1445-1510, Italian painter. The Birth of Venus (detail: Head), c.1482. Tempera on canvas, 172.5 × 278.5 cm. Inv. no. 878. Florence, Galleria degli Uffizi. Museum: Florenz, Galleria degli Uffizi.
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akg4451158 CHINA'the Giglio d' Oro'o the way to compress with the fasciatura the Chinese feminine foot. Illustration of XIX the century.
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akg7973937 Lunel, Ferdinand (en 1857 - en 1933). Un repas en famille. Dessin. D. 16759, Paris, Musée Carnavalet.
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alb2069242 Diego Rodríguez de Silva y Velázquez / 'The Medici Gardens in Rome', 1629-1630, Spanish School, Oil on canvas, 48,5 cm x 43 cm, P01210. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2069098 Adam de Coster / 'Judith with the Head of Holophernes', 17th century, Flemish School, Oil on canvas, 144 cm x 155 cm, P01466. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb3739108 Adam de Coster. Dated: probably 1626/1641. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pieter de Jode II after Sir Anthony van Dyck.
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alb3730542 The Turmoil of Conflict (Joan of Arc series: IV). Dated: c. late 1909-early 1913. Dimensions: overall: 75.57 × 172.72 cm (29 3/4 × 68 in.) framed: 99.06 × 196.85 × 10.16 cm (39 × 77 1/2 × 4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
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alb3743637 Her Appeal to the Dauphin (Joan of Arc series: II). Dated: 1906. Dimensions: overall: 75.57 × 170.18 cm (29 3/4 × 67 in.) framed: 98.11 × 191.77 × 9.53 cm (38 5/8 × 75 1/2 × 3 3/4 in.). Medium: oil and gold leaf on canvas. Museum: National Gallery of Art, Washington DC. Author: LOUIS MAURICE BOUTET DE MONVEL.
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akg7691853 Monumental Effigy, in the Chancel of Ash Church, Kent, Tomb of a Knight in the St Nicholas Church at Ash in Kent, signed: Drawn & Etched by C.A. Stothard Jun, Published by C.A. Stothard Jun, Fig. 70, 61, after p. 54, Stothard, Charles Alfred Jun. (drawn, etched and publ.), Charles Alfred Stothard, Alfred John Kempe: The monumental effigies of Great Britain: selected from our cathedrals and churches, for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the Eighth: dedicated by permission to the Prince Regent. London: printed by J. M'Creery [...], 1817-1832.
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alb2068040 Diego Rodríguez de Silva y Velázquez / 'Felipe IV on Horseback', 1634-1635, Spanish School, Oil on canvas, 303 cm x 317 cm, P01178. Museum: MUSEO DEL PRADO, MADRID, SPAIN. PHILIP IV OF SPAIN.
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alb3726412 Reverend John Upton. Dated: published 1794. Medium: etching with stipple. Museum: National Gallery of Art, Washington DC. Author: after Jane Collyer.
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alb4146488 Portrait of a Man. Antonio Maria Esquivel; Spanish, 1806-1857. Date: 1843. Dimensions: 28 3/4 × 22 1/4 in. (73 × 56.6 cm). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.
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akg412221 Churriana bei Malaga, Retiro Garten / Figur und Kaskade © Markus Bassler Filmsize: Kleinbild/24 × 36 mm.
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alb18249155 Claude Monet/ Pastel Waterloo Bridge, 1901. Museum: NATIONAL GALLERY, WASHINGTON D. C., USA.
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alb3678375 Washington Reviewing the Western Army at Fort Cumberland, Maryland. Artist: Attributed to Frederick Kemmelmeyer (ca. 1755-1821). Dimensions: 22 3/4 x 37 1/4 in. (57.8 x 94.6 cm). Date: after 1795.On October 16, 1794, President George Washington called on the militia at Fort Cumberland, Maryland, to suppress a rebellion in western Pennsylvania. The conflict was precipitated by the 1792 excise laws regarding the sale of distilled spirits. The Scotch-Irish immigrants who made their living from the sale and barter of whiskey deemed the laws discriminatory, and their protests turned into full-scale riots. Upon Washington's arrival to review his troops, the resistance vanished. The episode went down in history as one of the crucial early tests of centralized government and as a reminder of Washington's power. Museum: Metropolitan Museum of Art, New York, USA. Author: Attributed to Frederick Kemmelmeyer.
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alb3607801 Terracotta Hadra hydria (water jar). Culture: Greek, Ptolemaic, Cretan. Dimensions: H.: 16 5/8 x 10 1/2 in. (42.2 x 26.7 cm). Date: 226-225 B.C..The inscription on the front gives the name of the deceased whose cremated bones were placed inside it. He was Hieronides of Phocaea, who died while leading an embassy to the royal court of Ptolemy III Euergetes (246-221 B.C.). Museum: Metropolitan Museum of Art, New York, USA.
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akg5589531 Zurbarán, Francisco de. 1598-1664. "La misa del padre Cabañuelas", 1638. Öl auf Leinwand, 290 × 222 cm. Guadalupe (Prov. Cáceres, Extremadura, Spanien), Real Monasterio de Santa Mará de Guadalupe (Hieronymitenkloster), Sakristei.
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dpa520085327 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
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dpa520107608 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
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dpa520107587 U.S. Vice President J.D. Vance, along with his wife and sons, attends the Good Friday mass in St. Peter's Basilica in Vatican City, Vatican on 18 April 2025., Credit:Stefano Costantino TTL / Avalon.
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alb28724143 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724146 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724149 SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724141 LAMORNE MORRIS in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724142 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724140 KAREN RODRIGUEZ in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724147 NICOLAS CAGE in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724145 LI JUN LI in SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724544 JOSH O'CONNOR in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
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alb28724542 EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
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alb28724148 SPIDER-NOIR (2026), directed by HARRY BRADBEER. English title: SPIDER-NOIR.
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alb28724545 COLIN FIRTH in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
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alb28724541 EMILY BLUNT in EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
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alb28724543 EL DIA DE LA REVELACION (2026) -Original title: DISCLOSURE DAY-, directed by STEVEN SPIELBERG. English title: DISCLOSURE DAY.
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alb261169 MARISOL in TOMBOLA (1962). English title: TOMBOLA.
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alb934584 BEATRIZ (1987), directed by GONZALO SUAREZ. English title: BEATRIZ.
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alb429837 ANDREW SHUE in MELROSE PLACE (1992), directed by ANSON WILLIAMS, RICHARD LANG and CHARLES CORRELL. English title: MELROSE PLACE.
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alb28737135 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489. General view of the courtyard.
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alb28737108 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights. The building was constructed in 1440 by Grand Master Jean de Lastic (1371-1454). It was extended between 1481 and 1489 by Grand Master d'Aubusson (Pierre d'Aubusson) (1423-1503) and served as the Main Hospital for the Knights of St John. The hospital was restored during the Italian occupation between 1913 and 1918, becoming a museum ever since. View of the hospital's main ward on the upper floor, where patients were accommodated. The beds were arranged along the walls, with curtains between them.
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alb28737113 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights. The building was constructed in 1440 by Grand Master Jean de Lastic (1371-1454). It was extended between 1481 and 1489 by Grand Master d'Aubusson (Pierre d'Aubusson) (1423-1503) and served as the Main Hospital for the Knights of St John. The hospital was restored during the Italian occupation between 1913 and 1918, becoming a museum ever since. View of the gallery on the upper floor, where patients were accommodated.
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alb28737129 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights. The building was constructed in 1440 by Grand Master Jean de Lastic (1371-1454). It was extended between 1481 and 1489 by Grand Master d'Aubusson (Pierre d'Aubusson) (1423-1503) and served as the Main Hospital for the Knights of St John. The hospital was restored during the Italian occupation between 1913 and 1918, becoming a museum ever since. View of the hospital's main ward on the upper floor, where patients were accommodated. The beds were arranged along the walls, with curtains between them.
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alb28737131 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights. The building was constructed in 1440 by Grand Master Jean de Lastic (1371-1454). It was extended between 1481 and 1489 by Grand Master d'Aubusson (Pierre d'Aubusson) (1423-1503) and served as the Main Hospital for the Knights of St John. The hospital was restored during the Italian occupation between 1913 and 1918, becoming a museum ever since. Colonnade gallery next to the courtyard.
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alb28737110 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489. View of the courtyard.
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alb28737115 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489. View of the courtyard, a stone lion sculpture from the 1st century BC stands out.
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alb28737128 Rhodes, Island of Rhodes, Greece. Argyrokastro Square. The Early Christian Baptistery is a notable feature. It is a marble baptismal font from the ruins of the Basilica of Agia Irini (Saint Irene) in the village of Arnitha, dating from the 6th century AD. It was placed in this location during the Italian occupation of the city. On the right-hand side of the image, the former Arsenal of the Knights of Saint John, which now houses the Decorative Arts Collection of Rhodes.
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alb28737133 Archaeological Museum of Rhodes, Greece. Housed in the former Hospital of the Knights, a building constructed between 1440 and 1489. View of the courtyard, a stone lion sculpture from the 1st century BC stands out.
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alb28729465 Reni Guido/ Sibilla. 1635 / 1636. Canvas. 74,2x58,3. Museum: Pinacota Nazionale di Bologna, BOLONIA, ITALIA.
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alb28727422 Autumn, from The Seasons. After a design by Charles Le Brun (French, 1619-1690); Woven at the workshop of Étienne Le Blond (French, 1652-1727) and Jean de La Croix (French, 1628-1712) at the Manufacture Royale des Gobelins; France, Paris. Date: 1700-1720. Dimensions: 540.07 x 384.81 cm (212 5/8 x 151 1/2 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Paris. Museum: THE CHICAGO ART INSTITUTE CHICAGO EEUU. Author: CHARLES LE BRUN.
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alb2070318 Émile Buland / 'Pope Innocent X', 19th century, French School, Etching; aquatint on paper, 338 mm x 270 mm, G05181. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Inocencio X.
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alb3716729 The Houses of Parliament, Sunset. Dated: 1903. Dimensions: overall: 81.3 x 92.5 cm (32 x 36 7/16 in.) framed: 107 x 117.5 x 8.8 cm (42 1/8 x 46 1/4 x 3 7/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET.
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alb3681147 Cuneiform tablet: administrative account of barley distribution with cylinder seal impression of a male figure, hunting dogs, and boars. Culture: Sumerian. Dimensions: 2.17 x 2.36 x 1.63 in. (5.5 x 6 x 4.15 cm). Date: ca. 3100-2900 B.C..Of the many legacies left by the ancient civilizations of southern Mesopotamia, the invention of writing is paramount. At the end of the fourth millennium B.C., written language developed in the region, first as pictographs and then evolving into abstract forms called cuneiform. The pictographs, like the ones on this tablet, are called proto-cuneiform and were drawn in the clay with a pointed implement. Circular impressions alongside the pictographs represented numerical symbols. Cuneiform (meaning wedge-shaped) script was written by pressing a reed pen or stylus with a wedge-shaped tip into a clay tablet. Clay, when dried to a somewhat hardened state, made a fine surface for writing, and when fired the records written on it became permanent.Early writing was used primarily as a means of recording and storing economic information. This tablet most likely documents grain distributed by a large temple, although the absence of verbs in early texts makes them difficult to interpret with certainty. In addition to the writing that appears on this tablet, the imagery of the cylinder seal, which was incompletely impressed on both faces and the edges of the tablet before it was inscribed, also records information. This seal apparently has not survived. The seal impression depicts a male figure guiding two dogs on a leash and hunting or herding boars in a reed marsh. He is the so-called priest-king, a male figure who can be identified by his dress and pose. Here he appears in his role as the good shepherd who protects flocks from wild predators.Adapted from, Art of the Ancient Near East: A Resource for Educators (2010). Museum: Metropolitan Museum of Art, New York, USA.
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alb3626362 Madonna and Child Enthroned with Saints Peter and Paul and Angels. Artist: Lippo Vanni (Lippo Vanni di Giovanni) (Italian, Sienese, active 1341-75). Dimensions: Overall, with engaged frame, 13 1/8 x 8 5/8 in. (33.3 x 21.9 cm); painted surface 11 3/4 x 7 3/8 in. (29.8 x 18.7 cm).The panel is a characteristic work by Lippo Vanni, who was the leading illuminator in Siena in the middle of the fifteenth century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3615600 Male and Female Attendants. Dimensions: H. 23 cm (9 1/16 in); w. 54 cm (21 1/4 in). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C..This relief, showing both male and female attendants, is an excellent example of the exaggerated softness and grace with which the human body was portrayed in the art of the Amarna Period. The slender, elongated limbs, the wide hips and thighs of the women, and the bulging bellies of the men are characteristic of the Amarna style. Museum: Metropolitan Museum of Art, New York, USA.
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alb3668566 Swiss Farm ('Hirtenhof'). Artist: Robert Zünd (Swiss, Lucerne 1827-1909 Lucerne). Dimensions: sheet: 11 13/16 x 16 1/8 in. (30 x 41 cm). Date: 19th-20th century. Museum: Metropolitan Museum of Art, New York, USA.
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akg2141746 Bécaud, Gilbert, born François Silly; French songwriter and composer; Toulon, 24.10.1927 - Paris 18.12.2001. Barbra Streisand visits Gilbert Bécaud in his dressing room after a performance at the Music Hall "Olympia" in Paris. Photo, undated, mid-1960s. Copyright: For editorial use only.
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akg897499 Rome (Lazio, Italy), St.Peter's Square-Piazza di S. Pietro (1656-67 designed by Gian Lorenzo Bernini).-General view (from St.Peter's).-Photo, 2007.
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akg897498 Rome (Lazio, Italy), St.Peter's Square-Piazza di S. Pietro (1656-67 designed by Gian Lorenzo Bernini).-General view (from St.Peter's).-Photo, 2007.
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akg288453 Fischer, Augustin; dt. Jesuitenpater, Hofkaplan, Berater und Leiter des Privatsekretariats Kaiser Maximilians von Mexiko; Ludwigsburg 1825-1887. Porträtaufnahme, undat., nach 1867. (Székely & Massak, Wien). Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg941473 Fontainebleau (Dep.Seineet-Marne, Ile de France, Frankreich), Schloss / Châde F. (erb. ab 1528 unter Franz I.), Galerie des Cerfs (Austattung unter Heinrich IV.; Wandmalerei um 1600 von Louis Poisson). /-Innenansicht mit Antikenkopien (Zeit Franz' I., ehemals im Park von Fontaineblau); im Vordergrund der Apollo vom Belvedere.-/ Foto.
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akg620209 Bonnard, Pierre. 1867-1947. "The Gulf of Saint-Tropez", 1912. Oil on canvas, 44 × 56 cm. Paris, Jacques Daber collection.
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akg329964 Bassano, Jacopo (Giacomo) da Ponte, called Bassano, 1510-1592. Workshop. "Landscape with the family of the sower, undat. Oil on canvas, 51 × 60cm. Cat. No. 405. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
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akg120518 Maximilian, Emperor of Mexico (1864-67), Austrian Archduke; 1832-1867. "The blessing of the emperor Maximilian of Mexico in the Capuchin church by the Cardinal (...) on 18 January". Wood engraving after the drawing by J. Schönberg From: Illustrirte Zeitung, 50th volume, no. 1285, Leipzig, February 15, 1868, S112. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg120514 Maximilian, Emperor of Mexico (1864-67), Austrian Archduke; 1832-1867. "Transfer of the corpse of the Emperor Maximilian of Mexico from the frigate Novara to the Molo in Trieste on January 16th". Wood engraving by C. Haase. From: Illustrirte Zeitung, 50th volume, no. 1284, Leipzig, February 8, 1868, p. 92. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg451824 Degas, Edgar. 1834-1917. "Répétition d'un ballet sur la scène". (Ballet rehearsal on stage), 1874. Detail. Oil on canvas, 65 × 81cm. R.F. 1978. Paris, Musée d'Orsay. Museum: Paris, Musee d'Orsay.
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akg1634282 Kahlo, Frida; 1907-1954. "Unheimliche Gespenster", um 1945. Tinte und Bleistift auf Papier (Tagebuchseite), beidseitig bezeichnet), 22,9 x 14,6 cm. The Vergel Foundation.
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alb28704910 Amphora with three loops, decorative technique of glazing, arabic period, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704961 Jacques Villon, Under the Tent, on the Beach, Blonville, 1906,. oil on canvas, Palace of the Normans (Palazzo dei Normanni), Palermo, Sicily, Italy, Europe.
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alb28704962 Cassatelle, Sicilian ricotta pastries, Mazara del Vallo, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704977 Edouard Vuillard, Garden at Amfreville, 1905-1907, oil on cardboard, Palace of the Normans (Palazzo dei Normanni), Palermo, Sicily, Italy, Europe.
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alb28704973 window in a wooden door crafted to house boats, Mazara del Vallo port, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704967 Mazara del Vallo ,traditional shipyard and fishing port by the river, Trapani, Sicily, Italy, Europe.
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alb28704975 College of the Jesuits, Mazara del Vallo, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704969 Dancing Satyr, bronze sculpture , alabaster eyes, school of Praxiteles, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704957 centuries-old trees in a garden on the seafront, Mazara del Vallo, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704974 seafront promenade and port, Mazara del Vallo, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704984 Mazara del Vallo ,traditional shipyard and fishing port by the river, Trapani, Sicily, Italy, Europe.
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alb28704972 penis from Dancing Satyr, bronze sculpture , alabaster eyes, school of Praxiteles, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704994 Cassatelle, Sicilian ricotta pastries, Mazara del Vallo, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704913 Dancing Satyr, bronze sculpture weighing over 100 kg, alabaster eyes, school of Praxiteles, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704908 ceramic Moor heads, Kasbah of Mazara del Vallo - Arab quarter, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704907 working on the street, Kasbah of Mazara del Vallo - Arab quarter, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704951 north african transport Spatheia, 5th century, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704979 corrugated achromatic transport amphora, 11th century AD, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704989 terracotta brazier, medieval times, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704906 College of the Jesuits, Mazara del Vallo, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704953 Robert -A. Pinchon, The Seine near Rouen at Twilight, 1905, oil on canvas, Palace of the Normans (Palazzo dei Normanni), Palermo, Sicily, Italy, Europe.
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alb28704912 Muslim woman crossing the alley, Kasbah of Mazara del Vallo - Arab quarter, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704960 Dancing Satyr, bronze sculpture weighing over 100 kg, alabaster eyes, school of Praxiteles, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704966 Dancing Satyr, bronze sculpture weighing over 100 kg, alabaster eyes, school of Praxiteles, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704988 shopping street (Garibaldi street), Kasbah of Mazara del Vallo - Arab quarter, free municipal consortium of Trapani, Sicily, Italy, Europe.
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alb28704981 penis from Dancing Satyr, bronze sculpture , alabaster eyes, school of Praxiteles, Museum of the Dancing Satyr, Mazara del Vallo, Trapani, Sicily, Italy.
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alb28704980 Mazara del Vallo ,traditional shipyard and fishing port by the river, Trapani, Sicily, Italy, Europe.
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