Pesquisando por: "%22local%3AN%2FA%22" - Fotoarena - Agência de fotojornalismo

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg290209 Poblet (Catalonia, Spain), Monasterio Sta. Maria de Poblet. (Cistercian monastery, founded in 1511; building completed during 14th century). Partial view: dormitory. Photo, undated.

alb5432988 SANDRA BULLOCK and CHANNING TATUM in LA CIUDAD PERDIDA (2022) -Original title: THE LOST CITY-, directed by AARON NEE and ADAM NEE. English title: THE LOST CITY.

alb5462521 AVA GARDNER in VENUS ERA MUJER (1948) -Original title: ONE TOUCH OF VENUS-, directed by WILLIAM A. SEITER. English title: ONE TOUCH OF VENUS. Portuguese title: VÊNUS, DEUSA DO AMOR.

alb2654212 MANSIÓN DIABÓLICA (1959) -Original title: HOUSE ON HAUNTED HILL-, directed by WILLIAM CASTLE. English title: HOUSE ON HAUNTED HILL. Portuguese title: A CASA DOS MAUS ESPÍRITOS.

alb266158 AVA GARDNER.

alb861722 AVA GARDNER. 1951.

alb266164 AVA GARDNER. 1952.

alb31529 Frank Sinatra and Ava Gardner at their wedding in Philadelphia. November 7. 1951.

alb3545977 EMILY BLUNT in UN LUGAR TRANQUILO (2018) -Original title: A QUIET PLACE-, directed by JOHN KRASINSKI. English title: A QUIET PLACE.

alb249212 JAMES MASON and AVA GARDNER in PANDORA Y EL HOLANDÉS ERRANTE (1951) -Original title: PANDORA AND THE FLYING DUTCHMAN-, directed by ALBERT LEWIN. English title: PANDORA AND THE FLYING DUTCHMAN.

alb3545978 EMILY BLUNT in UN LUGAR TRANQUILO (2018) -Original title: A QUIET PLACE-, directed by JOHN KRASINSKI. English title: A QUIET PLACE.

alb3545976 EMILY BLUNT and MILLICENT SIMMONDS in UN LUGAR TRANQUILO (2018) -Original title: A QUIET PLACE-, directed by JOHN KRASINSKI. English title: A QUIET PLACE.

alb1283301 PIERCE BROSNAN in ESCRITOR, EL [THE GHOST WRITER] (2010) -Original title: THE GHOST WRITER-, directed by ROMAN POLANSKI. English title: THE GHOST WRITER. Portuguese title: O ESCRITOR FANTASMA. Copyright: Editorial use only. No merchandising or book covers. This is a publicly distributed handout. Access rights only, no license of copyright provided. Only to be reproduced in conjunction with promotion of this film.

alb1146426 CLINT EASTWOOD in GRAN TORINO (2008), directed by CLINT EASTWOOD. English title: GRAN TORINO.

alb1194936 AVA GARDNER. 1953.

alb11604901 DJIMON HOUNSOU and LUPITA NYONG'O in UN LUGAR TRANQUILO: DIA 1 (2024) -Original title: A QUIET PLACE: DAY ONE-, directed by MICHAEL SARNOSKI. English title: A QUIET PLACE: DAY ONE. Portuguese title: UM LUGAR SILENCIOSO: DIA UM.

alb11604902 LUPITA NYONG'O and JOSEPH QUINN in UN LUGAR TRANQUILO: DIA 1 (2024) -Original title: A QUIET PLACE: DAY ONE-, directed by MICHAEL SARNOSKI. English title: A QUIET PLACE: DAY ONE. Portuguese title: UM LUGAR SILENCIOSO: DIA UM.

alb21495452 Giorgio Vasari / Lives of the Most Excellent Painters, Sculptors, and Architects. Lorenzetto Lotti (Lorenzetto).

alb2015916 Édouard Manet / 'The Fife Player', 1866, Oil on canvas, 160 × 97 cm. Museum: MUSEE D'ORSAY, BUDAPEST, France.

alb2068158 Bartolomeo Cavarozzi / 'The Holy Family with Santa Catalina', 1617-1619, Italian School, Oil on canvas, 256 cm x 170 cm, P00146. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAINT JOSEPH. JESUS. INFANT JESUS. VIRGIN MARY. SANTA CATALINA.

alb2069898 Pedro Berruguete / 'Saint Dominic Resurrects a Boy', 1493-1499, Spanish School, Oil on panel, 122 cm x 83 cm, P00610. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069194 Francisco de Goya y Lucientes / 'The Clothed Maja', 1800-1807, Spanish School, Oil on canvas, 95 cm x 190 cm, P00741. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068754 Francisco de Herrera el Mozo / 'The Triumph of Saint Hermenegild', 1654, Spanish School, Oil on canvas, 326 cm x 228 cm, P00833. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069192 Francisco de Goya y Lucientes / 'Duel with Cudgels', 1820-1823, Spanish School, Mural, 125 cm x 261 cm, P00758. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069537 Pedro Pablo Rubens / 'Saint Simon', 1610-1612, Flemish School, Oil on panel, 107,5 cm x 82,5 cm, P01655. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069151 Pedro Berruguete / 'Adoration of the Magi', 1493-1499, Spanish School, Tempera on canvas, 350 cm x 206 cm, P00125. Museum: MUSEO DEL PRADO, MADRID, SPAIN. INFANT JESUS. VIRGIN MARY.

alb2069279 Valero Iriarte / 'Don Quixote Drinking at an Inn', ca. 1720, Spanish School, Oil on canvas, 54 cm x 78 cm, P01162. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068417 Pedro Berruguete / 'Apparition of the Virgin to the Dominican Monastic', 1493-1499, Spanish School, Oil on panel, 130 cm x 86 cm, P00615. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070894 Jean Ranc / 'Charles III of a Spain, as a child', ca. 1724, French School, Oil on canvas, 145,5 cm x 116,5 cm, P02334. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070821 Francisco de Goya y Lucientes / 'Saturn devouring one of his sons', 1820-1823, Spanish School, Mural, 143,5 cm x 81,4 cm, P00763. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068024 Francisco de Goya y Lucientes / 'The Second of May 1808 in Madrid: the charge of the Mamelukes', 1814, Spanish School, Oil on canvas, 268,5 cm x 347,5 cm, P00748. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069237 Pedro Berruguete / 'Saint Dominic of Guzmán', 1493-1499, Spanish School, Oil on panel, 177 cm x 90 cm, P00616. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070586 Francisco de Goya y Lucientes / 'The Milkmaid of Bordeaux', 1825-1827, Spanish School, Oil on canvas, 74 cm x 68 cm, P02899. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070175 Pedro Berruguete / 'Saint Dominic Guzmán presiding over an Auto-da-fe', 1493-1499, Spanish School, Oil on panel, 154 cm x 92 cm, P00618. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070163 Valero Iriarte / 'Don Quixote in Knights Armour', ca. 1720, Spanish School, Oil on canvas, 54 cm x 78 cm, P01163. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb9533842 (Scene from Don Quixote). Date: 1816. oil on wood. Museum: Smithsonian American Art Museum.

alb3719245 Two Bunches a Penny, Primroses. Dated: 1793. Medium: color stipple engraving. Museum: National Gallery of Art, Washington DC. Author: Luigi Schiavonetti after Francis Wheatley.

alb343358 Perseus liberates Andromeda fresco from Pompeii, 1st Century AD. Museum: ARCHAEOLOGICAL MUSEUM, FLORENCIA, ITALIA. Perseus. Andromeda.

alb3682551 Don Quixote and Sancho Panza Entertained by Basil and Quiteria. Artist: Gustave Doré (French, Strasbourg 1832-1883 Paris). Dimensions: 36 1/4 x 28 3/4 in. (92.1 x 73 cm). Date: 1863?.Doré, best known as a printmaker and illustrator, often based his paintings on compositions originally created for book illustrations. This picture corresponds to an engraving that he made for an 1863 French edition of Cervantes's Don Quixote. The episode depicted is the visit paid by Don Quixote and his faithful groom to Basil and Quiteria, a young couple who had just been married owing to the knight's intervention. Museum: Metropolitan Museum of Art, New York, USA.

alb3710722 Saint Peter Speaks to the People about Christ. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Maerten van Heemskerck.

alb3712369 Henri de Toulouse-Lautrec. Dated: 1890. Medium: aquatint and (etching?). Museum: National Gallery of Art, Washington DC. Author: Charles Maurin.

alb3683289 The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: chameliers et porteurs de présents. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 20 9/16 × 11 1/4 in. (52.3 × 28.5 cm). Date: 1756.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.

alb3682348 The Chapel of the Enfants-Trouvés in Paris: Religieuse et petites filles regardant la crèche. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 22 7/16 × 11 1/8 in. (57 × 28.2 cm). Date: 1756.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.

alb3680758 Merry Company on a Terrace. Artist: Jan Steen (Dutch, Leiden 1626-1679 Leiden). Dimensions: 55 1/2 x 51 3/4 in. (141 x 131.4 cm). Date: ca. 1670.In this late painting of about 1673-75, Steen casts himself as the inebriated innkeeper on the left. The artist's second wife, Maria, probably modeled for the provocatively posed hostess (she wears an apron) in the center. Her glass and the fat man's jug are sexually suggestive, but the woman's familiarity with the young musician and the shape of his cittern suggest that he has more to offer her. The overdressed boy serves as a marginal remark about the adults' behavior: a bridled horse and a whip usually stand for Temperance, but not when hitched to a spoiled brat and his indignant dog. The man with a sausage pinned to his hat is Hans Wurst, a fool familiar from the comic stage. Steen wittily blends symbols and themes (for example, child-rearing and the Garden of Love) into an original creation, quite as the picture's style seems to blend oil and water by mixing the manners of Gerard ter Borch and Jacob Jordaens. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Steen.

alb3635347 Osiris offered by the Astronomer of the House of Amun, Ibeb. Dimensions: Statue above base H. 35 cm (13 3/4 in); W 12.2 cm (4 13/16 in); D 9 cm (3 9/16 in);Base H. 9.5 cm (3 3/4 in); W 13.4 cm (5 1/4 in); D 26.2 cm (10 5/16 in). Dynasty: Dynasty 21-24. Date: ca. 1070-712 B.C..This statuette was excavated at Hiba (or Teudjoi), a fortress town south of Herakleopolis, in Middle Egypt, and an important outpost at the northern limits of the Theban controlled part of the country from the late New Kingdom through the Third Intermediate Period. The site has not been thoroughly examined archaeologically, but the Theban High Priests (and sometime kings) seem to have had a residence at El-Hiba, and King Sheshonq I (r. ca. 945-924 B.C.) built a temple of Amun there. The statue is preserved on its original wood base, which bears a hieroglyphic inscription recording the name of the donor: "the Astronomer of the House of Amun Ibeb (Ibi), Son of the Astronomer of the House of Amun Ankhpekhered." The current glossy black surface is an artificial patination applied in the 1930s. Museum: Metropolitan Museum of Art, New York, USA.

alb3707375 Cap. Spessa Monti and Bagattino. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3635999 The Holy Family. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 8 1/4 x 7 1/8 in. (21 x 18.1 cm). Date: 1512-13.Dürer created only three prints in the medium of drypoint. Since the other two are dated 1512, this drypoint is presumed to date from the same time. The print was thus produced at the height of the artist's career, just prior to such famous "master prints" as the Melancholia and Knight, Death, and the Devil. Yet the composition harks back to one of the artist's earliest engravings, produced when Dürer was under the influence of the most prolific drypoint artist of the Renaissance, the Housebook Master.Produced by scratching the surface of the metal with a sharp needle, the image has the character of a delicate drawing. Apparently conceived in an experimental mode and never completed, the print is nonetheless highly evocative. The three ghostly figures who press into the space behind the Virgin and Child--Saint John, the Magdelene, and Nicodemus--do not belong to the story of Christ's childhood but, as witnesses to the Crucifixion, are a presentiment of his future suffering. The soft shadow produced by the drypoint burr shrouds the figures and deepens the melancholy atmosphere. Museum: Metropolitan Museum of Art, New York, USA.

alb3636540 The Chapel of the Enfants-Trouvés in Paris: Saint Vincent de Paul. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 20 11/16 × 11 3/16 in. (52.5 × 28.4 cm). Date: 1756.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.

alb3639346 The Chapel of the Enfants-Trouvés in Paris: L'Adoration des bergers. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 21 in. × 10 11/16 in. (53.3 × 27.2 cm). Date: 1752.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.

alb3707756 The Muleteer Attacking Don Quixote as He Lies Helpless on the Ground. Dated: 1780s. Dimensions: overall: 39.7 x 28.3 cm (15 5/8 x 11 1/8 in.). Medium: brush with brown and gray washes over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

alb3737123 Pompeiian Wall Decoration. Dimensions: sheet: 20.2 x 17.5 cm (7 15/16 x 6 7/8 in.). Medium: watercolor and gouache with gray and brown wash and pen and brown ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE BERNARDINO BISON.

alb3673773 Plate 46 from ' Los Caprichos': Correction (Correccion.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 5 13/16 in. (21.3 x 14.7 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3731840 Charles IV of Spain as Huntsman. Dated: c. 1799/1800. Dimensions: overall: 46.6 x 30 cm (18 3/8 x 11 13/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Workshop of Francisco de Goya.

alb3735234 Don Quixote Defeated by the Windmill. Dated: 1780s. Dimensions: overall: 41.7 x 29.7 cm (16 7/16 x 11 11/16 in.). Medium: brush with brown and gray washes over charcoal on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

alb3699697 Adolph Menzel. Dated: 1885. Dimensions: sheet: 29.1 x 21.8 cm (11 7/16 x 8 9/16 in.). Medium: charcoal and graphite touched with yellow pastel, on tan wove paper, incised for transfer. Museum: National Gallery of Art, Washington DC. Author: Karl Stauffer-Bern.

alb3737452 Don Quixote about to Strike the Helmet. Dated: 1780s. Dimensions: overall: 39.8 x 27.4 cm (15 11/16 x 10 13/16 in.). Medium: brush with brown and gray washes over charcoal on laid paper, laid down. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

alb3625413 Design for Wall Paneling and Ceiling in Pompeiian Style, Château de Deepdene. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 12 7/8 x 4 1/8 in. (32.7 x 10.4 cm). Date: 1875-79. Museum: Metropolitan Museum of Art, New York, USA.

alb3698058 Don Quixote Attacking the Biscayan. Dated: 1780s. Dimensions: overall: 41.4 x 28.7 cm (16 5/16 x 11 5/16 in.). Medium: brush with brown and gray washes over charcoal on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

alb3699945 Round and Sound, Five Pence a Pound, Duke Cherries. Dated: published 1795. Medium: colored stipple engraving. Museum: National Gallery of Art, Washington DC. Author: Anthony Cardon after Francis Wheatley.

alb3742870 Loup pris au piege (Wolf Caught in a Trap). Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry.

alb3607989 Don Quixote in His Study. Artist: William Frederick Lake Price (British, London 1810-1896 Lee, Kent). Dimensions: Image: 31.9 x 28 cm (12 9/16 x 11 in.)Mount: 42.6 x 33.3 cm (16 3/4 x 13 1/8 in.). Printer: J. Spencer. Date: 1857.This carefully staged tableau was among the most widely admired Victorian photographs. Price self-consciously sought to elevate the still-new medium to the level of "high art" by emulating the ambitious literary subjects, expressive gestures, and period details of grand history painting. Although this approach was largely overshadowed in subsequent years by one that championed qualities unique to photographic vision, theatrical staging has found renewed relevance in the work of many contemporary artists. Museum: Metropolitan Museum of Art, New York, USA. Author: William Frederick Lake Price.

alb3604436 The Lovesick Maiden. Artist: Jan Steen (Dutch, Leiden 1626-1679 Leiden). Dimensions: 34 x 39 in. (86.4 x 99.1 cm). Date: ca. 1660.Doctors were familiar targets of parody in Steen's native Leiden, the home of a famous medical school. Borrowing from the comic stage, Steen identifies the old man as a quack by his peculiar clothing, while the nature of the young lady's malady is suggested by the Cupid over the door, and other intimations like the open bed. The picture dates about 1660. Museum: Metropolitan Museum of Art, New York, USA.

alb3659358 L'accoudée. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 7.6 cm (4 3/8 x 3 in.). Date: 1856-57.To elongate her figure, the countess stood on a stool that is half- hidden under her dress. She would frequently use this trick of the trade. Museum: Metropolitan Museum of Art, New York, USA.

alb3610967 Don Quixote in the Sable Mountains. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and engraver: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 17 3/8 x 13 11/16 in. (44.1 x 34.7 cm). Subject: Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Date: October 20, 1782. Museum: Metropolitan Museum of Art, New York, USA.

alb3656452 The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers près d'un puits. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 20 1/2 × 11 1/8 in. (52 × 28.2 cm). Date: 1757.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.

alb3657806 Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm)Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3648114 The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: gardes et trompettes. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 20 11/16 × 11 3/16 in. (52.5 × 28.4 cm). Date: 1754.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. The print depicting the ceiling (Caviglia-Brunel, 2012, under *P.195, p.360) is missing from the Met's set. Museum: Metropolitan Museum of Art, New York, USA.

alb3649442 Don Quixote Attacking the Windmill. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 11 5/8 × 17 5/16 in. (29.5 × 44 cm). Lithographer: Alfred Ducôte (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 420. Subject: Daniel O'Connell (Irish, Cahirciveen, Kerry 1775-1847 Genoa); Sir Francis Burdett, 5th Baronet (British, 1770-1844). Date: December 11, 1835. Museum: Metropolitan Museum of Art, New York, USA.

alb3614247 Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: Sheet: 9 7/16 x 7 in. (24 x 17.8 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.

alb3649013 Design for Bathroom Ceiling, Hôtel Cahen d'Anvers. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 9 x 8 1/2 in. (22.9 x 21.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3649539 Plate 71 from 'Los Caprichos': When day breaks we will be off (Si amanece; nos Vamos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 11/16 x 5 7/8 in. (19.6 x 14.9 cm)Sheet: 11 9/16 × 8 1/4 in. (29.4 × 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3787378 Francisco de Goya y Lucientes / 'Death of the Alcalde of Torrejón, on the Stone seats in the bull-ring at Madrid'. 1814 - 1816. Wash, Etching, Aquatint, Burnisher, Burin, Drypoint on white laid paper. Museum: Museo del Prado, Madrid, España.

alb3788349 Francisco de Goya y Lucientes / 'Fierce Monster!'. 1814 - 1815. Red chalk on cream laid paper. Museum: Museo del Prado, Madrid, España.

alb3786985 Francisco de Goya y Lucientes / 'They already have a seat'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3787689 Francisco de Goya y Lucientes / 'Fierce Monster!'. 1814 - 1815. Etching, Burin, Drypoint on continuous cream paper. Museum: Museo del Prado, Madrid, España.

alb3787754 Francisco de Herrera The Younger / 'The Dream of Saint Joseph'. Ca. 1662. Oil on canvas. Museum: Museo del Prado, Madrid, España.

alb3721618 Title Page. Medium: etching finished with burin. Museum: National Gallery of Art, Washington DC. Author: Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry.

alb3787276 Francisco de Goya y Lucientes / 'Que sacrificio!'. 1797 - 1799. Etching, Drypoint, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3729297 The Family Concert (As the old sing, so the young twitter). Dimensions: sheet (trimmed to plate mark): 32.2 x 44.1 cm (12 11/16 x 17 3/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Schelte Adams Bolswert after Jacob Jordaens.

alb3722052 Saint Charles, Cardinal Borromeo. Dimensions: plate: 30.7 x 25.3 cm (12 1/16 x 9 15/16 in.) sheet: 32.5 x 26 cm (12 13/16 x 10 1/4 in.). Medium: etching, engraving, and stippling on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Morin after Philippe de Champaigne.

alb3661053 A Young Woman as a Shepherdess ("Saskia as Flora"). Artist: Govert Flinck (Dutch, Cleve 1615-1660 Amsterdam). Dimensions: Oval, 26 1/4 x 19 7/8 in. (66.7 x 50.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Govert Flinck.

alb3720474 Franca Trippa and Fritellino. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

alb3722464 The Artist's Sister Emilie. Dated: 1851. Dimensions: sheet: 31 x 24 cm (12 3/16 x 9 7/16 in.). Medium: black chalk and stumping with pastel on brown wove paper, corners pricked. Museum: National Gallery of Art, Washington DC. Author: ADOLPH MENZEL.

alb3725962 Don Quixote de la Mancha. Dated: c. 1855. Dimensions: image: 30.5 x 21.5 cm (12 x 8 7/16 in.) sheet: 40.4 x 28.5 cm (15 7/8 x 11 1/4 in.). Medium: color lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Célestin Nanteuil.

alb3664613 Relief from the North Wall of a Chapel of Ramesses I. Dimensions: H. 139.7 × W. 165.1 cm (55 × 65 in.). Dynasty: Dynasty 19. Reign: reign of Seti I. Date: ca. 1295-1294 B.C..On the North wall of his chapel at Abydos, Ramesses I is shown as the deceased king who has become one with the god Osiris. The dead king's image is seated, his hand stretched toward a small offering table. To the right of the table are piles of offerings and above these is an offering list. The small figures on the lower right are performing the rituals that accompanied the presentation of the offerings.Below the figure of Ramesses are a group of Nile gods, two of whom tie the symbols of Upper and Lower Egypt (the papyrus and lotus plants) around the hieroglyph that means union. On either side of these figures, other Nile gods bring vases of fresh water symbolizing "life, all happiness, all food, all provisions."Ramesses I, first king of Dynasty 19, came to the throne as an elderly man. This chapel and most other monuments dedicated to Ramesses were built or completed by his son and successor Seti I. Museum: Metropolitan Museum of Art, New York, USA.

alb3664899 The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers devant une chaumière. Artist: Etienne Fessard (French, Paris 1714-1777 Paris); After Charles Joseph Natoire (French, Nîmes 1700-1777 Castel Gandolfo). Dimensions: Sheet (Trimmed): 20 1/2 × 11 1/8 in. (52.1 × 28.3 cm). Date: 1757.From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoire's scenes were set into trompe l'oeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessard's suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin. Museum: Metropolitan Museum of Art, New York, USA.

alb3790509 Francisco de Herrera The Younger / 'The Immaculate Conception'. Ca. 1670. Oil on canvas. Museum: Museo del Prado, Madrid, España.

alb3668467 Chiyoda Castle (Album of Men). Artist: Yoshu (Hashimoto) Chikanobu (Japanese, 1838-1912). Culture: Japan. Dimensions: L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA. Author: Yoshu (Hashimoto) Chikanobu.

alb3790754 Francisco de Goya y Lucientes / 'Mummy?s Boy'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3790658 Francisco de Goya y Lucientes / 'All will fall'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3790784 Ludwid Theodor Zöllner (Lithographer) (After Reni, Guido); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Cleopatra'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

alb4137806 St Catherine (The Little Jewish Bride). Rembrandt van Rijn; Dutch, 1606-1669. Date: 1638. Dimensions: 108 x 78 mm (sheet trimmed within plate mark). Etching and drypoint on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

alb4169960 Poster. Lucian Bernhard; American, born Austria, 1883-1972. Date: 1917. Dimensions: 640 x 465 mm (image); 698 x 475 mm (sheet). Color lithograph in black and red on buff wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

alb4137936 Bacchic Scene. Flemish. Date: 1625-1675. Dimensions: 7.6 × 14/3 cm (3 × 5 5/8 in.). Ivory. Origin: Flanders. Museum: The Chicago Art Institute, USA.

alb4137217 Sancho Panza Being Tossed in a Blanket. Pierre Charles Trémolières; French, 1703-1739. Date: 1723-1724. Dimensions: 11 3/8 × 14 1/2 in. (28.9 × 36.8 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, USA.

alb4103886 Scene with Bacchantes. Dating: 1653. Measurements: support: h 63 cm × w 55.5 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob van Loo (mentioned on object).

alb4100451 The Horseman and the Beggar (Le cavalier et le mendiant). Dimensions: 44.8 cm x 62.1 cm, 26.7 cm x 37.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: LOUIS ANQUETIN.

alb4142689 What a Golden Beak!, plate 53 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 193 x 136 mm (image); 216 x 151 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.