Pesquisando por: "%22local%3AN%2FA%22" - Fotoarena - Agência de fotojornalismo

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

orz171331 Gregorio Marañón jailed. Gregorio Marañón y Posadillo (19 May 1887 in Madrid – 27 March 1960 in Madrid) was a Spanish physician, scientist, historian, writer and philosopher. MARAÑON GREGORIO (1887-1960).

orz171332 ESCULTURA DEL DOCTOR GREGORIO MARAÑON. Author: VICTORIO MACHO ROGADO (1887-1966). MARAÑON GREGORIO (1887-1960).

orz171299 PORTRAIT OF DOCTOR GREGORIO MARAÑON WITH DOCTOR JUDERIAS. JUDERIAS ALFREDO. MARAÑON GREGORIO (1887-1960).

orz171183 Gregorio Marañón y Posadillo (19 May 1887 in Madrid – 27 March 1960 in Madrid) was a Spanish physician, scientist, historian, writer and philosopher. MARAÑON GREGORIO (1887-1960).

orz056544 RETRATO DEL VICEALMIRANTE CHILENO DON JUAN WILLIAMS REBOLLEDO (1825-1910) LUCIENDO SU UNIFORME DE GALA CON CONDECORACIONES Y BANDA DE HONOR EN 1915. Author: RAMON PONCE ARIAS (1875-1962).

orz018001 Gregorio Maranon (1887-1960), Spanish physician and writer, here in his laboratory.. March 1960. MARAÑON GREGORIO (1887-1960).

alb10596228 GEORGE CHAKIRIS in WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb302631 GEORGE CHAKIRIS in WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb302615 NATALIE WOOD and RICHARD BEYMER in WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb414049 WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb277573 DEMI MOORE in ACOSO SEXUAL (1994) -Original title: DISCLOSURE-, directed by BARRY LEVINSON. English title: DISCLOSURE. Portuguese title: ASSÉDIO SEXUAL.

alb1724650 WEST SIDE STORY (1961), directed by ROBERT WISE. English title: WEST SIDE STORY. Portuguese title: AMOR, SUBLIME AMOR.

alb2069373 Francisco de Goya y Lucientes / 'Disparate conocido. ¡Qué guerrero!', 1815-1819, Spanish School, Etching; aquatint on paper, 246 mm x 356 mm, G03067. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069194 Francisco de Goya y Lucientes / 'The Clothed Maja', 1800-1807, Spanish School, Oil on canvas, 95 cm x 190 cm, P00741. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068710 Francisco de Goya y Lucientes / 'Saint Barbara', ca. 1773, Spanish School, Oil on canvas, 97,2 cm x 78,5 cm, P07794. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070263 Francisco de Goya y Lucientes / 'Boys with Mastiffs', 1786, Spanish School, Oil on canvas, 112 cm x 145 cm, P02524. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070171 Francisco de Goya y Lucientes / 'The painter Francisco Bayeu', 1795, Spanish School, Oil on canvas, 112 cm x 84 cm, P00721. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2068340 Francisco de Goya y Lucientes / 'The Family of Carlos IV', 1800, Spanish School, Oil on canvas, 280 cm x 336 cm, P00726. Museum: MUSEO DEL PRADO, MADRID, SPAIN. CARLOS IV DE ESPAÑA.

alb2069757 Francisco de Goya y Lucientes / 'The Holy Family', 1775-1780, Spanish School, Oil on canvas, 203 cm x 143 cm, P00746. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070781 Francisco de Goya y Lucientes / 'Disparate puntual. Una reina del circo', 1815-1819, Spanish School, Etching; aquatint on paper, 246 mm x 356 mm, G03068. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3716134 Caritas. Dimensions: plate: 13.1 x 9.5 cm (5 3/16 x 3 3/4 in.) sheet: 27 x 19.2 cm (10 5/8 x 7 9/16 in.). Medium: etching and drypoint on thin laid paper [second edition impression probably printed circa 1920-1930]. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3718023 Por que? (Why?). Dated: published 1863. Medium: etching, lavis, drypoint, burin, and burnisher. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3639804 A Giant Seated in a Landscape, sometimes called 'The Colossus'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm). Date: by 1818.One of Goya's most striking images, the implicit subject of this work is unclear. A giant seated in a landscape turns his head over his shoulder as if he has been disturbed from thought. Perhaps he had been awaiting the dawning of a new day and turns because the moment has come. The Spanish master produced this print using burnished aquatint to achieve subtle effects of light and dark--an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated to around 1800 or 'by 1818'. There is a close relationship between the print and the famous painting of the 'Colossus' in the Museo del Prado, Madrid. Both works show the same figure. The painting has always been attributed to Goya, but in 2008 it was assigned by the Prado Museum as a studio work and not by the master himself. There is no consensus and disagreement continues. The print is critical in the debate about the authorship of the painting. If the painting is a studio work then the artist borrowed the figure of Colossus from Goya's print. Given his imagination and originality, it seems highly unlikely that Goya would borrow the figure from someone else's painting to use in his print. Museum: Metropolitan Museum of Art, New York, USA.

alb3683423 Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 15/16 in. (21.4 × 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3684226 Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 3/4 in. (21.4 x 14.6 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3635156 Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3639656 Plate 12 from the 'Tauromaquia': The crowd hamstrings the bull with lances, sickles, banderillas and other arms. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 x 13 3/4 in. (25 x 35 cm)Sheet: 9 3/4 × 17 5/16 in. (24.8 × 44 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3631509 Manuel Osorio Manrique de Zuñiga (1784-1792). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1787-88.The sitter is the son of the Count and Countess of Altamira. Outfitted in a splendid red costume, he is shown playing with a pet magpie (which holds the painter's calling card in its beak), a cage full of finches, and three wide-eyed cats. In Christian art birds frequently symbolize the soul, and in Baroque art caged birds are symbolic of innocence. Goya may have intended this portrait as an illustration of the frail boundaries that separate the child's world from the forces of evil or as a commentary on the fleeting nature of innocence and youth. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3637567 'God Save Us from Such a Bitter Fate'; a bandit threatening a woman and a child with a knife: folio 41 from the Black Border Album 'E'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.7 cm). Date: ca. 1816-20. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3636831 Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/2 in. × 6 in. (21.6 × 15.2 cm)Sheet: 9 1/2 × 7 1/16 in. (24.2 × 18 cm). Series/Portfolio: Los Caprichos. Date: 1799, posthumous impression. Museum: Metropolitan Museum of Art, New York, USA.

alb3637659 Plate 49 from 'The Disasters of War' (Los Desastres de la Guerra): 'A woman's charity.' (Caridad de una muger.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/16 × 8 3/16 in. (15.4 × 20.8 cm)Sheet: 9 13/16 × 13 1/2 in. (25 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1811-12 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3630019 Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/16 x 5 7/8 in. (20.4 x 14.9 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3639305 Plate 5 from the 'Disparates': Flying Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9 9/16 × 13 15/16 in. (24.3 × 35.4 cm)Plate: 13 1/16 × 18 13/16 in. (33.1 × 47.8 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3630094 Plate 35: The Batavians Become Afraid and Begin Peace Talks, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm Societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 3/8 × 8 1/8 in. (16.2 × 20.6 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

alb3701936 Margaret of Austria Receiving the Homage of Cardinals and Prelates. Dated: 1612. Medium: etching on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

alb3700512 Disparate desordenado (Disorderly Folly). Dated: in or after 1816. Medium: etching, aquatint and drypoint. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3706904 Señora Sabasa Garcia. Dated: c. 1806/1811. Dimensions: overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3634368 Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: after 1814-15 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3672929 Plate 22 from the 'Tauromaquia':Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm)Sheet: 12 3/16 × 17 7/16 in. (30.9 × 44.3 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3739108 Adam de Coster. Dated: probably 1626/1641. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pieter de Jode II after Sir Anthony van Dyck.

alb3678380 Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.' (Al cementerio.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/8 × 8 1/16 in. (15.5 × 20.5 cm)Sheet: 9 7/8 × 13 7/16 in. (25.1 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1811-12 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3730780 Eleven Different Studs and Twenty-Three Ornaments. Dated: 1593. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

alb3734437 El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body). Dated: in or before 1816. Medium: etching, aquatint, drypoint and burin [first edition impression]. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3627511 Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm)Sheet: 12 1/16 × 17 1/2 in. (30.6 × 44.5 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3603132 Tiburcio Pérez y Cuervo (1785/86-1841), the Architect. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 40 1/4 x 32 in. (102.2 x 81.3 cm). Date: 1820.After recovering from a serious illness in 1819-20, Goya painted this portrait of one of his close friends. The sitter was an architect, and responsible for the design of the medical school on the Calle de Atocha in Madrid. He was elected to the Academy of Fine Arts of San Fernando in 1818. This is perhaps one of the most engaging of Goya's male portraits. Pérez's rolled-up sleeves and slight smile suggest a directness and warmth that are rare in the artist's oeuvre. Museum: Metropolitan Museum of Art, New York, USA.

alb3746556 Quien mas rendido? (Which of Them Is the More Overcome?). Dated: published 1799. Medium: etching, aquatint, and drypoint. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

alb3628021 Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants,. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 in. × 14 in. (24.8 × 35.5 cm)Sheet: 12 x 16 15/16 in. (30.5 x 43 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3650290 Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 11/16 × 8 1/4 in. (14.5 × 21 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810-20, published 1863.After Napoleon's invasion of Spain in 1807 and 1808 brought about the abdication of the Spanish king, violent protests against the French erupted in Madrid. The uprising of May 2, 1808, marked the start of the armed Spanish resistance, which dragged on in guerrilla warfare until 1814. During the war, Goya documented his horror and outrage at the atrocities committed by soldiers and patriots in his series of 80 prints 'The Disasters of War'. Never before had a story of man's inhumanity been told so compellingly, every episode reported with compassion, honesty and respect for the victims. Not until 1863, thirty-five years after Goya's death, was the first of seven posthumous editions of the Disasters published by Spain's Royal Academy, which in 1862 purchased all eighty etched copperplates. Museum: Metropolitan Museum of Art, New York, USA.

alb3655185 Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3659471 Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 11/16 × 8 7/16 in. (14.5 × 21.5 cm)Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3609448 Barbarous Entertainment (Barbara dibersion). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 15/16 × 8 5/8 in. (17.7 × 21.9 cm)Sheet: 12 3/8 × 14 7/8 in. (31.4 × 37.8 cm)Sheet (Unfolded sheet): 12 3/8 × 17 13/16 in. (31.4 × 45.3 cm). Date: 1800-1804. Museum: Metropolitan Museum of Art, New York, USA.

alb3650326 Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm)Sheet: 13 3/16 × 18 7/8 in. (33.5 × 48 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

alb3659241 Plate 4 from the 'Disparates': Simpleton. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 14 5/8 × 19 15/16 in. (37.2 × 50.6 cm). Date: ca. 1816-23 (published between 1854-63).Posthumous but prior to the first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3659144 Plate 77 from 'Los Caprichos':What one does to another (Unos á otros.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 5 7/8 in. (21.3 x 15 cm)Sheet: 11 5/8 × 8 5/16 in. (29.5 × 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3659947 Nativity. Artist: Claude Gillot (French, Langres 1673-1722 Paris). Dimensions: image: 7 11/16 x 4 3/4 in. (19.6 x 12 cm), trimmed to image. Engraver: Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

alb3645335 Plate 27 from 'The Disasters of War' (Los Desastres de la Guerra): 'Charity.'(Caridad.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3657207 Plate 10 from the 'Disparates': The horse abductor. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 13 1/16 × 17 9/16 in. (33.1 × 44.6 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3657806 Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm)Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3643419 Plate 14 from the 'Tauromaquia': The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm)Sheet: 11 15/16 × 17 3/16 in. (30.4 × 43.7 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

alb3645370 Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): 'Bitter to be Present.' (Amarga presencia.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 1/2 × 6 3/4 in. (13.9 × 17.1 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3640801 Plate 15 from the 'Disparates': Clear Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 x 13 7/8 in. (24.5 x 35.3 cm)Sheet: 13 1/16 x 18 11/16 in. (33.2 x 47.5 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

alb3649539 Plate 71 from 'Los Caprichos': When day breaks we will be off (Si amanece; nos Vamos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 11/16 x 5 7/8 in. (19.6 x 14.9 cm)Sheet: 11 9/16 × 8 1/4 in. (29.4 × 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3787136 Francisco de Goya y Lucientes / 'War (Album H, 15)'. 1824 - 1828. Pencil on grey laid paper. Museum: Museo del Prado, Madrid, España.

alb3787125 Francisco de Goya y Lucientes / 'Bitter presence'. 1810 - 1814. Wash, Etching, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3640605 Violinist and Little Organgrinder. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 5 15/16 × 5 1/16 in. (15.1 × 12.9 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

alb3645467 Plate 3 from 'The Disasters of War' (Los Desastres de la Guerra): 'The same. (Lo mismo'.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/4 × 8 9/16 in. (15.8 × 21.8 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3787064 Francisco de Goya y Lucientes / 'Charity'. 1810. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787091 Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper. Museum: Museo del Prado, Madrid, España.

alb3787093 Francisco de Goya y Lucientes / 'Desastre 11. Neither do these'. 1814 - 1815. Wash, Etching, Burin, Drypoint on paper. Museum: Museo del Prado, Madrid, España.

alb3787110 Francisco de Goya y Lucientes / 'Folly of fear'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper. Museum: Museo del Prado, Madrid, España.

alb3787378 Francisco de Goya y Lucientes / 'Death of the Alcalde of Torrejón, on the Stone seats in the bull-ring at Madrid'. 1814 - 1816. Wash, Etching, Aquatint, Burnisher, Burin, Drypoint on white laid paper. Museum: Museo del Prado, Madrid, España.

alb3786969 Francisco de Goya y Lucientes / 'Even thus he cannot make her out'. 1797 - 1799. Etching, Aquatint, Drypoint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3787395 Francisco de Goya y Lucientes / 'Plaza partida'. 1825. Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

alb3787016 Francisco de Goya y Lucientes / 'Even worse (Disasters of War, 22)'. 1810. Wash, Etching, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3788246 Francisco de Goya y Lucientes / 'Here comes the bogey-man.'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3788205 Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3788458 Francisco de Goya y Lucientes / 'Poor little things!'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3788208 Francisco de Goya y Lucientes / 'Satan?s desperation'. 1816 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3788216 Francisco de Goya y Lucientes / 'And His House Catches Fire'. 1797 - 1799. Etching, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3787452 Francisco de Goya y Lucientes / '¿Que alboroto es este?'. 1814 - 1815. Etching, Aquatint, Burnisher, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787629 Francisco de Goya y Lucientes / 'Loyalty'. 1815 - 1819. Etching, Aquatint, Burnisher, Retroussage on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3788441 Francisco de Goya y Lucientes / 'This is the worst of it!'. 1814 - 1815. Etching, Burnisher on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787407 Francisco de Goya y Lucientes / 'The Fire Eater'. 1816 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3787220 Francisco de Goya y Lucientes / 'Exhortation'. 1815 - 1819. Red wash, Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3787298 Francisco de Goya y Lucientes / 'Quien lo creyera!'. 1797 - 1799. Etching, Japanese chisel, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3787632 Francisco de Goya y Lucientes / 'What courage!'. 1810 - 1814. Etching, Aquatint, Burnisher, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787983 Francisco de Goya y Lucientes / 'Hapless Mother!'. 1812 - 1814. Etching, Aquatint, Burnisher, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

alb3787276 Francisco de Goya y Lucientes / 'Que sacrificio!'. 1797 - 1799. Etching, Drypoint, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb3669831 Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y á otra.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm)Sheet: 9 7/8 × 13 7/8 in. (25.1 × 35.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3723022 Diana. Dated: 1787. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

alb3729380 Drunken Silenus Supported by Two Fauns. Dated: 1650s. Dimensions: plate: 29.6 x 19.5 cm (11 5/8 x 7 11/16 in.) sheet: 38.5 x 26.8 cm (15 3/16 x 10 9/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Michel Dorigny.

alb3664856 Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 6 in. (21.5 x 15.3 cm)Sheet: 11 5/8 x 8 1/4 in. (29.6 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3668916 Plate 5: Bruno Appointed Leader of the Caninefates, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 5/16 × 8 1/16 in. (16 × 20.5 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

alb3666969 Plate 10 from 'Los Caprichos': Love and death (El amor y la muerte). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 6 in. (21.3 x 15.2 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3667583 Plate 5 from 'The Disasters of War' (Los Desastres de la Guerra): 'And they are like wild beasts.' (Y son fieras.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 in. × 8 1/8 in. (15.2 × 20.7 cm)Sheet: 9 11/16 × 13 7/16 in. (24.6 × 34.1 cm). Series/Portfolio: The Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

alb3660072 A dwarf (Un Enano)Portrait of El Primo. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 8 7/16 x 6 1/16 in. (21.5 x 15.4 cm)Sheet: 15 11/16 × 11 1/4 in. (39.8 × 28.6 cm). Series/Portfolio: Etchings after Velazquez. Sitter: El Primo (Diego de Acedo). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

alb3667212 Two putti above, their legs ending in scrollwork, a bat below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 7/16 × 2 9/16 in. (16.3 × 6.5 cm). Series/Portfolio: 'Ornaments or Grotesques' (Ornamenti o Grottesche). Date: ca. 1650-56. Museum: Metropolitan Museum of Art, New York, USA.

alb3669741 Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra): 'These too.' (Tambien estos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/2 × 9 1/4 in. (16.5 × 23.5 cm)Sheet: 9 15/16 × 13 9/16 in. (25.2 × 34.4 cm). Series/Portfolio: The Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.