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akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.

akg2128213 Wagner, Richard ; compositeur allemand ; 1813-1883. Oeuvre : L'or du Rhin (1er épisode (prologue) de la tétralogie "L'anneau du Nibelung" ; 1re 1869). Répétition pour la représentation à l'opéra de Paris, janvier 2013 (dir. mus. : Philippe Jordan ; mise-en-scène : Günter Kr"mer ; décor : Jürgen B"ckmann ; costumes : Falk Bauer) : scène avec Sophie Koch en Fricka et Thomas Johannes Mayer en Wotan. Photo, 26 janvier 2013. Copyright: For editorial use only.

akg214410 Wagner, Richard; composer; 1813-1883. Work: Siegfried (1871). "Siegfried". (Figure from the Bayreuth production, 16 August 1876). Colour lithograph aft. Karl Emil Doepler. (1824-1905). From: Der Ring des Nibelungen. Figurinen (..) von Carl Emil Doepler, Berlin 1889, Plate III, 25. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg212645 Wesendonck, Mathilde Writer, friend of Richard Wagner, Elberfeld 23.12.1828 - Traunblick on Traunsee 31.8.1902. Portrait. Painting by Johann Conrad Dorner. (1809-1866).

akg214392 Wagner, Richard; German composer, 1813-1886. Works: Götterdämmerung (Twilight of the Gods), (premiere 1876). "Hagen". (Figurine for the premiere in Bayreuth (Germany), 17.8.1876). Colour lithograph after Karl Emil Doepler (1824-1905). From: Der Ring des Nibelungen. Figurines. (..) by Carl Emil Doepler, Berlin 1889, plate IV, 40. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg314285 Wagner, Richard. German composer, 1813-1883. Works: "Tannhäuser und der Sängerkrieg auf der Wartburg. (Tannhäuser and the Singers' Contest at the Wartburg), premiere 1845. - Front cover of the piano score of R.Wagner's Tannhäuser freely arranged by Fritz Spindler, op. 94, Berlin (Adolph Fürstner) undated (c. 1865?). With illustrations to the text. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg101064 Wagner, Richard; Komponist; 1813-1883. Werke: Die Meistersinger von Nürnberg. (1868). - Textprobe "Schusterlied" in eigenhädniger Abschrift, beigelegt einem Brief an Mathilde Wesendonck, Dezember. 1861. -.

akg102105 Wesendonck, Mathilde novelist, friend of Richard Wagner, Elberfeld 23.12.1828 - Traunblick am Traunsee 31.8.1902. Portrait bust. Copy from a marble sculpture by Ludwig Keiser (1816-1890), Richard Wagner Museum Triebschen (Luzern, Switzerland). Bayreuth, Richard-Wagner-Museum. Museum: Bayreuth, Richard-Wagner-Museum.

akg329985 Literature / Song of Roland. - The death of Rolans in the Battle of Roncesvalles (778): Angels conveying his soul to heaven. Book illumination, French 1375/79. From the Grandes Chroniques de France. Ms. Français 2813, fol. 122 v, Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg100971 Wagner, Richard; German composer; 1813-1883. Works: Tristan and Isolde (premiere 1865). Handwritten text with explanations to the prologue of Tristan and Isolde, added to a letter to Mathilde Wesendonck; Paris, 15.12.1859.

akg100970 Wagner, Richard; Composer; 1813-1883. Works: Tristan and Isolde (prem. 1865). - "End of the introduction to Tristan and Isolde". Handwritten manuscript, enclosed in a letter to Mathilde Wesendonck, Paris, 15th December 1859.

akg346086 Varnay, Astrid; Swedish opera singer. (soprano). Stockholm 25.4.1918 - Munich. 4.9.2006. Varneay as Isolde in Richard Wagner's opera "Tristan and Isolde", at Bayreuth Festspiele in 1951. - Photo. Copyright: For editorial use only.

akg301580 Wagner, Richard Composer. 1813-1883. Works: Siegfried (1871). "Woman with armour, helmet and horse (Valkyrie) - Brünhilde". Painting, 1895, by Hans Thoma (1839-1924). Oil on paper, 48 × 34.5 cm. Privately owned.

akg300162 Wagner, Richard Composer Leipzig 22.5.1813 - Venice 13.2.1883. Portrait. Painting, c. 1870, by Franz von Lenbach. (1836-1904). Oil on canvas, 55 × 38 cm. Berlin, SMB, Alte Nationalgalerie. Museum: Berlin, SMB, Alte Nationalgalerie.

akg997050 akht depicting three ladies at a feast. The wear perfumed cones in their hair and elaborate necklaces. Country of Origin: Egypt. Culture: Ancient Egyptian. Dat.

akg418131 Rubens, Peter Paul 1577-1640. "Die Ermordung Achills", o. J. Tapisserie. Antwerpen, Rubenshuis. Museum: Antwerp, Rubenshuis.

akg013241 Wagner, Richard Composer, Leipzig 22.5.1813 - Venice 13.2.1883. Portrait. Painting, Biebrich 1862, by Caesar Willich (1825-1886). Leipzig, Stadtgeschichtliches Museum. Museum: Leipzig, Stadtgeschichtliches Museum.

akg013283 Wagner, Richard Composer, 1813-1883. "Wagner and his works". Phototype, c. 1910, after painting by Schweninsky (?), signature illegible, name not to be found in dictionnary of artists. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg121548 Revolution of 1905:. - Funeral of the Revolutionary activist N.E. Baumann, Nov. 1905, murdered by a police agent in Moscow, 31 Oct. 1905. - Demonstration on the day of the funeral: the funeral cortege. Photographic post card, Nov. 1905. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.

akg013426 Wagner, Richard, Komponist, 1813-1883. Werke: Tristan und Isolde (UA 1865). Szenenfoto aus dem 1. Akt einer Aufführung des Deutschen Opernhauses Berlin (Premiere: 18.1.1935). Insz.: Wilhelm Rode, Bühnenbild: Benno von Arent. Mit Luise Willer (Brangäne), Elsa Larcen (Isolde), Gotthelf Pistor (Tristan).

akg117640 re.: Homer, Grrek poet, 8th century BC. Works: Ilias. "Achilles is killed by Apollo's arrows". Colour print after a watercolour by Franz Stassen (1869-1949). From: Der Kampf um Troja, re-told by Fedor von Zobeltitz, Berlin (Ullstein & Co.) 1912. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte. Copyright: Additional copyrights must be cleared.

akg3657093 Wagner, Richard; Komponist; 1813-1883. Werke: Die Walküre (UA 1870). - "Wotan und Brünhilde". - Gemälde, 1876, von Hans Thoma (1839-1924). Öl auf Leinwand, 74 x 61 cm. Inv.Nr. SG 912. Frankfurt a. M., Städelsches Kunstinstit. Museum: Frankfurt am Main, Städelsches Kunstinstitut.

akg3801946 Wagner, Paul; 1852-1937. "Puppenwäsche", undatiert. (Kleines Mädchen verabreicht seiner kranken Puppe Medizin in Gegenwart eines Bernhardiners). Öl auf Leinwand, 75,5 x 50,5 cm. Privatsammlung. Museum: PRIVATE COLLECTION. Author: PAUL WAGNER (MALER).

akg7258568 O'Gorman, Juan, 1905-1982. "Recuerdo de los Remedios" (Memento f Los Remedios), 1943. Tempera on masonite, 46.5 × 72 cm. Constitutive Collection 1982. Inv. No. 28795. Mexico City, Museo Nacional de Arte.

akg7943977 Lauro, Jean-Baptiste, photographe. Portrait de Emma Crua (écuyère), avant 1895. Photographie, Tirage sur papier albuminé. PH48855, Paris, Musée Carnavalet.

alb29162752 TOM HOLLAND in SPIDER-MAN: SIN CAMINO A CASA (2021) -Original title: SPIDER-MAN: NO WAY HOME-, directed by JON WATTS. English title: SPIDER-MAN: NO WAY HOME.

alb29162753 JON WATTS and TOM HOLLAND in SPIDER-MAN: SIN CAMINO A CASA (2021) -Original title: SPIDER-MAN: NO WAY HOME-, directed by JON WATTS. English title: SPIDER-MAN: NO WAY HOME.

alb29132504 Marmion, a tale of Flodden Field, book, inscription: 'p.22', writer (clerical worker): Walter Scott, printer (person): Richard Barrett, London, publisher: Alfred William Bennett, 1866, writer (clerical worker), printer (person), pasteboard, biological material, paper, blotting paper, leather, textile materials, letterpress printing, albumen print, wood engraving, gold print, color on cut, height 202 mm x width 167 mm x thickness 38 mm, A tall ornate Gothic monument with a central spire and pointed arches stands in the middle of a city scene, framed by a rounded rectangular photographic vignette; surrounding the monument are low buildings and stairways, and the image is set against a pale background with additional blank margins above and below.

alb29132501 Portrait of David Ruhnken, print, Portrait of the German-Dutch classicist and philologist David Ruhnken., printmaker: Reinier Vinkeles (I), Amsterdam, 1786 - 1809, paper, etching, engraving, height 236 mm x width 158 mm, Print also used as a book illustration in: Wagenaar, Jan. Vaderlandsche historie, as a continuation of Wagenaar's Vaderlandsche historie. Vol. 1-43. Amsterdam: Johannes Allart, 1786-1809., Person, David Ruhnken, An oval framed engraved portrait of a man shown from the chest up, with light-colored hair styled back and curled at the sides, wearing a dark coat over a lighter waistcoat and a ruffled neckcloth, the face rendered with fine etched shading and a calm, neutral expression, set against a densely hatched oval background and surrounded by a textured rectangular border that includes a recessed panel beneath the oval.

alb29132506 Chased putti come back in through the window, Chassés par la porte, ils reviennent par la fenêtre, print, A woman chases a group of putti out the door. Another woman, who is sitting in a corner of the house crying, is comforted by putti coming in through the window. The proverb 'What is chased out the door comes back in through the window' means that some things simply cannot be changed., printmaker: Antoine Béranger, London, printer (person): Gottfried Engelmann, Paris, 1827, printer (person), paper, lithography, lithografie, height 357 mm x width 272 mm, cupids: 'amores', 'amoretti', 'putti', open door, weeping, open window, A shaded interior scene shows a woman in a long dress standing at an open window, one hand on the window frame and the other raised toward a cluster of small winged figures that hover outside the opening; light from outside falls across the floor and the woman's skirt. To the left, three seated women cluster together, two embracing while another leans toward them, and a small child or cherubic figure sits near them on a ledge. Additional winged cherub-like figures appear floating along the left wall and near the window opening. In the lower left foreground, a jug and a hooked staff rest on the floor beside a woven basket on a stand. The room has a tiled floor and plain walls with a framed doorway or panel beside the window, and a distant soft landscape is visible through the window beyond the floating figures.

alb29132557 Tin with a lid, Chinese, Qing dynasty, Qianlong period, 18th century. Cylindrical tin with a wide plate-like collar extending beyond the vessel walls and slightly rising at the rim. Domed lid with a handle in the shape of a decorative knob with openwork relief: a dragon in clouds, its head directed toward a pearl at the top of the handle. Exterior of the vessel box and collar decorated in cloisonné enamel with a multicolored red, blue, green, yellow, white small-flowered ornament - branches with rosettes, buds, and leaves - on a turquoise background. Lid decorated with a lotus tendril of four geometrically arranged flowers and surrounding branches; a multi-petal rosette at the center under the metal handle, all on a turquoise ground. Bottom filled with a rich multicolored composition of elements reminiscent of Buddhist symbols - a vajra and Dharma wheel forming the inner central rosette, with red and blue ribbons between the symbols. Interior of box and lid ungilded of enamel; all interior elements are gilded. Possibly used as a ritual incense box. Container; height 7.7 cm, diameter 15.1 cm; cloisonné enamel., A round decorative object with concentric raised rings and a central knob, covered in a repeating floral and vine pattern; the background color is predominantly light blue with visible accents of red, dark blue, green, white, gold, and black in the floral motifs and outlining, and the central knob and thin bordering elements are metallic gold.

alb29132575 View of Chandolin, Switzerland, Vue générale de Chandolin (Val d'Anniviers), page, photomechanical print, maker: A. Düeil, cliché maker: Meisenbach, Riffarth & Cie., Munich, c. 1892 - in or before 1897, A. Düeil, Meisenbach, cliché maker, Bavaria, paper, autotypie, height 75 mm x width 100 mm, prospect of village, silhouette of village, Chandolin, A vertically oriented page shows two sepia-toned landscape photographs framed with thin borders, one above the other, separated by blank space; the top photograph depicts a hillside village with clustered buildings and a church featuring a tall steeple rising near the foreground, sloping terrain with scattered structures and fenced paths leading down the hill, dark tree-covered ridges and distant mountains in the background, and a textured sky; the lower photograph shows a gently rolling landscape with trees in a grassy foreground, a winding road curving past farmhouses and clustered buildings, a larger building complex set on a rise amid trees, layered hills receding into the distance, and a partly cloudy sky.

alb29132577 Bitch feeding her young, Dogs in a landscape, print, Series number, 4, 8, In a landscape, a bitch is nursing her young. The print is part of an eight-part series of prints depicting dogs in a landscape., printmaker: Johan le Ducq, 1661, paper, etching, height 139 mm x width 173 mm, landscapes, dog, A detailed pen-and-ink landscape shows a reclining large animal in the foreground with its head raised and another smaller animal lying beside it, their fur rendered with dense crosshatching; behind them a rocky ledge slopes down into a valley containing scattered trees and bushes, leading to distant hills with layered ridges; to the right a steep cliff face topped with clustered trees rises, its rock textures shown with diagonal strokes; above, broad stylized clouds stretch across a lined sky.

alb29132512 Vase, Chinese, taotie iconography, Qing dynasty 1644-1911, 19th century, ceremonial/ritual vessel, bronze vessel, height 24 cm, diameter 13.1 cm, A single vase with a flared rim and a rounded body tapering to a narrow foot is shown against a plain light gray background, the vase surface appearing mostly dark brown with reddish tones and areas of lighter wear, a decorative band around the neck and a wider ornate band around the bulbous midsection feature intricate swirling patterns in shades of pale green, blue, yellow, and muted gold, the decorative motifs including symmetrical curving shapes and small circular elements, the vase has a glossy finish with subtle reflections and a soft shadow and faint reflection visible on the surface beneath it.

alb29132516 Portrait of an unknown man, possibly Degand, print, annotation: '1er état', printmaker: Auguste Danse (signed by artist), 1884, paper, etching, height 266 mm x width 207 mm, The person depicted is possibly notary Degand. This is based on an annotation in the bottom margin., anonymous historical person portrayed alone, A sepia-toned engraved portrait shows an older man from the chest up inside an oval frame, with combed back hair and full sideburns, a rounded face with a composed expression, a high-collared shirt and a bow tie beneath a dark suit jacket, textured shading lines throughout the image, and a plain light background outside the oval.

alb29132503 Monument with lyre, Mercury and putto with sheet music and trumpet, print, France, 1700 - 1800, printmaker, paper, etching, height 308 mm x width 217 mm, monument, statue, lyre, cithara, psaltery, (story of) Mercury (Hermes), notation of music, A tall rectangular stone monument with a blank central panel stands on a stepped base, topped by an ornate cornice featuring egg-and-dart molding and a carved band beneath. Atop the cornice two cherubic figures recline on either side of a lyre; the figure on the left holds a small horn and a tablet while the figure on the right holds a coiled staff and a tablet, and both wear draped cloth around their lower bodies. Behind the figures a semicircular halo radiates outward with evenly spaced hatched rays filling the background, and vertical fluted pilasters with braided decorative insets flank the monument. The surface shows fine engraved linework, subtle shading, and small scattered specks on the blank panel.

alb29132559 Dune landscape with a man with three baskets, Verscheyden Beaches and water views done by Jan Percelles, print, Series number, 13, 17, printmaker: Gillis van Scheyndel (I), Northern Netherlands, printmaker: Jan Porcellis, publisher: Johannes Pietersz. Berendrecht, Haarlem, 1618 - 1645, Noord-Nederland, paper, etching, height 74 mm x width 92 mm, dune coast, container made of plant material other than wood: basket, A monochrome line drawing shows a shoreline scene with a person crouched at the right edge holding a woven basket and facing left, wearing a striped garment and cap, with another basket at their feet; in the midground a small figure stands waist-deep in water holding a long pole, and small sailboats are visible on the water; the foreground has textured rocks and grasses, and the sky and water are rendered with many parallel horizontal lines and scattered short strokes, with a few flying birds near the horizon.

alb29132556 Beliani, page, photomechanical print, number: 'No. 26', photographer: Bourne & Shepherd, Nilgiris, photographer: Nicholas & Curths, cliché maker: anonymous, printer (person): Autotype Printing Company, London, c. 1863 - in or before 1873, printer (person), paper, collotype, photoprint, height 121 mm x width 99 mm, Print for page 215., adult man, A monochrome oval portrait of a bearded man shown from the torso up, with long hair pulled into a small top knot and a thick, full beard; he is draped in a plain cloth across his chest and a patterned textile over one shoulder, one arm folded across his body and the other arm partially visible, set against a light, softly shaded backdrop within a rectangular frame.

alb29132510 Teapot, art of Southeast Asia, Southeast Asia culture, 19th/20th century, Burma Myanmar, vessel, container, height 22.0 cm, diameter 14.3 cm, A rounded metal vessel with a bulbous body and a narrow neck that flares slightly into a short rim sits on a small pedestal base; the vessel has a removed lid topped by a decorative curved handle attached by two rounded mounts, and the surface shows a metallic sheen with subtle patina and small marks; visible colors include gold, brass, and muted ochre tones against a pale gray background.

alb29132508 Baroque spoon case with the Korczak coat of arms, coats of arms, Korczak coat of arms, baroque style. Leather cover embroidered with metal thread showing the Korczak coat of arms and SL monogram, tied with crimson cords. Very few cases of this type have been found; this one, along with the spoon for which it was made, is particularly rare. 1st half of the 18th century, Poland, possibly Lviv. Cutlery., A long narrow object with a tapered handle and a wider top, covered in worn brown material with visible texture, has a group of braided cords attached that are a faded reddish-purple color with some lighter threads, ending in frayed tassels; the edges of the top have reddish-purple stitching, and there are small areas of lighter brown and a touch of yellowish discoloration on the surface, all set against a neutral gray background.

alb29132509 Negotiation between representatives of Amsterdam and Count Willem Frederik at Hofstede Welna on the Amstel, 1650, Negotiation between two representatives of the Government of Amsterdam and Count Willem Fredrik of Nassau, in front of Hofstede Welna on the Amstel, in the year 1650, print, Negotiation between two representatives of the government of Amsterdam and Count Willem Frederik in front of Hofstede Welna on the Amstel. On the riverbank of the Statenjacht., printmaker: Simon Fokke, Amsterdam, after drawing by, publisher: Isaak Tirion, 1754 - 1755, paper, etching, height 173 mm x width 203 mm, Used as illustration in: Jan Wagenaar, Vaderlandsche historie, 21 parts, I. Tirion, Amsterdam 1755, vol. XII., Person, Willem Frederik Count of Nassau-Dietz, peace negotiations, Hofstede Welna, Period, 1650-07-29 - 1650-07-30, A detailed engraved scene shows a riverbank crowded with people, soldiers, and boats; tall trees rise on the left beside a cluster of buildings, while flags fly from masts and poles near the water; figures in historical clothing walk, converse, and board small rowed vessels along a wooden jetty, with one larger boat moored and rowboats visible farther out; a distant shoreline with windmills and spires appears across the water beneath a sky filled with finely engraved clouds and horizontal line shading.

alb29132507 Portrait of Karl Thomas Löwenstein-Wertheim-Rochefort, print, inscription: 'Löwenstein', printmaker: Martin Tyroff, Nuremberg, 1735 - 1779, Bavaria, paper, etching, engraving, height 238 mm x width 178 mm, Person, Karl Thomas Löwenstein-Wertheim-Rochefort, historical persons, armorial bearing, heraldry, musical instruments, group of musical instruments, armor, measuring-instruments, An ornate engraved portrait set within an oval frame surrounded by elaborate scrolling foliage and decorative flourishes, featuring a distinguished figure with styled hair and formal attire, wearing a cloak and ornate collar, one hand resting on a draped garment. Above the oval is a jeweled crown, and around the frame are botanical elements, fruits, and flowers. Flanking the portrait are martial objects including spears, banners, a shield with heraldic panels, and a suit of armor with a helmet. Below and to the sides are playful putti interacting with a globe and instruments, a roaring lion seated among cannonballs and artillery pieces, and various medals and ornate embellishments. A sculpted human head appears on a round shield, and additional decorative masks and garlands complete the densely detailed composition.

alb29132518 Dutch Polder (environs de Dordrecht), Polder landscape with windmills near Dordrecht, print, Three windmills and a small wooden hut stand by the water., inscription: 'Collectie August Allebé', printmaker: Jan Caramelli, Netherlands, after painting by Willem Roelofs (I), printer (person): Ruurt de Vries, publisher: Buffa en Zonen, Frans, Amsterdam, 1826 - 1881, printer (person), paper, tonal lithography, height 270 mm x width 365 mm, polder, reclaimed land, windmill in landscape, Dordrecht, A wide, monochrome landscape shows a flat marsh with tall grasses in the foreground and a reflective body of water stretching across the scene. Three traditional windmills stand along the horizon, their wooden structures and angled sails silhouetted against a cloudy sky, with the largest windmill positioned near the center and a smaller one visible between it and another to the right. Low, dark hedgerows and a solitary tree appear on the left horizon, and the water reflects the windmills and sky, creating darker vertical shapes in the foreground. Heavy, textured clouds fill much of the upper area, with lighter cloud formations nearer the horizon, and subtle variations in shading create a sense of depth across the landscape.

alb29132514 Enjoying through love, Monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet, print, book illustration, marriage print, Wedding print featuring a monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet. In the center, Juno is enthroned as the goddess of marriage. She is flanked by two statues of women, one of whom is depicted with two children. Above her are several putti, two of whom sit on either side of the monogram of the married couple. In front of Juno, two amoretti make offerings on the altar of love with burning hearts. On the left is the married couple. In the foreground are two obelisks: on the left a quiver and a bow, the attributes of Cupid, and on the right an obelisk with two burning torches as symbols of love. At the bottom, the wedding date in Roman numerals: 1701-09-21., printmaker: Laurens Scherm, Amsterdam, after design by Simon Schijnvoet, Northern Netherlands, after drawing by Jan Goeree, publisher: Hermanus de Wit, 1704, paper, etching, engraving, hand coloring, etching and engraving, hand-colored, height 236 mm x width 192 mm, Print also used in: Schijnvoet, Simon. Examples of the pleasure garden decorations, vol. 2., Person, Nicolaas de Vicq, Maria Jacoba van Riet, cupids: 'amores', 'amoretti', 'putti', (civil) marriage ceremonies, obelisk, needle, specific aspects, allegorical aspects of Juno, Juno as patroness, sacrifice, non-Christian religions, A richly detailed architectural interior with tall columns and draped curtains framing a central alcove that contains a seated figure on a raised throne under a scalloped shell canopy, flanked by sculpted reliefs and statues; decorative garlands, carved pilasters, and ornate pedestals fill the space, while cherubic children interact.

alb29132558 Judgment of Paris, print, number: '105', printmaker: Virgilius Solis, Nuremberg, publisher: Quad, 1524 - 1562, Bavaria, paper, engraving, etching, height 105 mm x width 152 mm, the Judgment of Paris (without Mercury), An engraved scene shows three nude women standing on grassy ground, each holding a long palm frond, with one woman shown from the back displaying feathered wings, another facing forward with hair piled and a headband, and the third stepping forward with loose hair; a reclining bearded man in armor reaches toward them while another armored figure lies on the ground at his feet, a horse stands behind the seated man near a tree, clouded foliage fills the background, and a small winged putto hovers above aiming a bow.

alb29132576 Jewel box, pietra dura technique; made of blackened wood, partly ebony; cuboid with chamfered corners supported on four gilded bronze volute legs decorated with a mascaron at the base. Edges of base and lid with profiled ebony strips. Decorated on side walls with six mosaic reserves and one plaque on the lid: front and back panels show two fruits on a branch; side panels show three fruits on a branch and an insect at the bottom. Corners feature cast gilded bronze garlands topped with medusa masks and plastic fruits made of semi-precious stones 7 pieces each. Hinged, profiled lid with a large plate showing three fruits on branches tied with a sash and an insect above; side walls decorated with gilded bronze garlands with plastic fruits; corners with gilded bronze shells; front with preserved keyhole. Dated to the early 18th century; attributed to Florence, Italy ; chest; height 34.5 cm, width 41.5 cm, depth 50.5 cm., A dark wooden octagonal chest with its lid open, showing concentric rectangular inlay patterns in gold on the inner lid and inner sides, sits on a light gray surface against a pale gray background. The exterior wood is deep brown to black with gold trim and ornate gilded corner mounts and feet in a decorative scroll design. The front panels feature inset oval medallions with painted fruit and foliage in colors including green, purple, pink, red, and orange, each surrounded by a blue and red border. Gilded decorative elements and clusters of light-colored, pearly stones or shell-like beads adorn the side corners, adding touches of gold and off-white. The interior surfaces reflect the same dark wood and gold linear decoration, and small metal hinges and hardware in a silvery tone are visible where the lid meets the body.

alb29132517 Lódz. Maurycy Poznanski's Palace . Interior of a bedroom, in the Art Nouveau style - view of the wall with wardrobes and exit to the orangery. Architecture, furniture, wardrobes, palaces, Art Nouveau, bedrooms, interiors, modernism; Pomian, Jan maker?. Photograph, print glued across the entire surface to decorative cardboard, c. 1900. Photography; photographic print: height 23.3 cm, width 29.2 cm; backing: height 35.1 cm, width 40.6 cm., The image shows an interior room with a large dark wooden wardrobe unit along one wall, featuring ornate top detailing and oval paneling, flanked by a cylindrical wooden cabinet. A wooden chair with a light-colored seat cushion sits in front of the wardrobe, and a second similar chair is placed near the corner. The floor has a patterned parquet design in shades of brown. To the left, tall glass doors open onto a space with visible large leafy plants in green. The walls are light-colored, and there is a dark wooden railing or wainscoting along the right wall. Overall visible colors include dark brown wood, light beige walls, a light-colored chair seat, green foliage, and muted gray tones from the photograph.

alb29132502 Head of a Ptolemaic prince, Diadems; probable portrait of Ptolemy XV Caesarion ruler of Egypt; 47-30 BC; Ptolemaic period end of the reigns of Caesarion and Cleopatra, Egypt. Egyptian sculpture; sculpture in stone; height 19.3 cm, width 13 cm, depth 17 cm, weight 7.532 kg. Description: head of a man with short hair tied with a headband crossed at the nape of the neck and falling at the ends to the neck. Short, wide strands of hair protrude from under the headband onto the forehead. The face is small with regular features, a straight nose widening significantly downward, prominent lips, a clearly emphasized chin, large deep-set eyes, prominent eyebrows, small ears close-fitting to the head. The upper fragment of the pilaster is visible at the back, with the head resting on it. With underlay 20.5; date circa 44-30 BC., A side view of a sculpted head in dark stone showing a profile with a rounded skull, a defined ear, and a prominent nose and lips; the surface has a textured, pitted appearance with lighter speckles and patches of beige and gray on the predominantly dark brown and black stone; a band around the forehead and short carved hair-like ridges are visible, and the base of the sculpture shows rougher, lighter gray and white areas.

alb29132500 Portrait of Jean-Charles-Pierre Lenoir, print, printmaker: Éléonore Lingée, after drawing by André Pujos, Paris, 1780 - 1788, paper, stippelwerk, height 282 mm x width 203 mm, Person, Jean-Charles-Pierre Lenoir, historical persons, A monochrome engraved portrait shows a bust-length figure of a man with styled hair and side curls, wearing a dark garment with visible folds and a light, pleated neck cloth, set within an oval frame. The oval frame is embellished at the top with a draped ribbon or cloth and is mounted on a textured rectangular plaque with a raised lower panel and two round fasteners on either side. The engraving technique produces fine crosshatching and stippling throughout, creating tonal shading on the figure's face, clothing, and the decorative frame.

alb29132519 Shabti, Mummy-shaped figurine, funerary gift, back supported by a pillar/pilaster. Legs missing. Arms crossed on the chest, right folded over the left. In the right hand, a hoe; in the left, a pickaxe. On the back, a bag slung by a single string over the left shoulder. On the head, a three-part smooth wig painted navy blue. Long braided beard. Not inscribed. 664-332 BC, Late Period, Egypt. Height 5.1 cm., A small carved object shaped like a simplified human figure with a rounded head and draped shoulders, showing a smooth surface with visible wear and small chips; the piece displays shades of blue and turquoise with darker blue accents around the head and vertical darker streaks along the shoulders, and a neutral grey background.

alb29132560 Bottle belly, glazed ceramic bottle, utility vessel decorated with cicadas, Persian Islamic art, 18th century, Iran; height 10.2 cm, diameter 14.1 cm., A small rounded ceramic vessel with a short foot and a narrow irregular opening, decorated with a repeating vertical pattern in blue on a pale cream background, showing areas of wear and slight discoloration; the surface has visible crackle and some brownish spots, and the object sits on a reflective pale gray surface against a soft light gray background.

alb29132505 In a garden, Louize and Willem listen to their father Reinhart and their mother making music, print, printmaker: Reinier Vinkeles (I), in or before 1792, paper, etching, engraving, height 235 mm x width 157 mm, Later state of print used in: Post, Elisabeth Maria. Reinhart, or Nature and Religion. 3 vols. 1st edition. Amsterdam: Johannes Allart, 1791-1792, vol. 3 (1792), 1798-1802, p. 250., garden, transverse flute, more than one musician with instrument, cithern, mandolin, guitar, balalaika, family, descendance, Dutch Guiana, A black and white engraving showing a wooded outdoor scene with detailed trees and foliage in the background and foreground, including a large curved tree trunk at the left and leafy branches arching overhead. In the center, a seated woman wearing a wide-brimmed hat and a long dress holds and plays a lute. Beside her, a seated man wearing a tall hat and a coat plays a flute. A small child stands to the left of the woman holding a long staff and looking toward the players. Another small child stands at the man's side on the right, reaching up toward him while holding a spray of flowers. Grass, low plants, and textured ground fill the foreground, and layers of shrubs and trees form a dense backdrop behind the figures.

alb29132511 1777-1778, Letter, historical correspondence. Time captured in script.

alb29132143 Fragment of a vice from a transport amphora with a stamp depicting the head of Heracles and the Greek inscription When Demetrios was astynome made by Mithradates., or workshop. Hellenistic period, Sinopean stamp on a stamped vice; head of Heracles iconographic; stamp impressions. Fragment of the spout and vice from a Sinopean amphora with the stamp of the astynome Demetrios I and the maker Mithradates. The spout is a not-very-massive roller bent outward. The vice is oval in cross-section, slightly flattened. Three-line stamp legend: first line contains the astynomic titulary; second line contains the name of the astynomeus Demetrios I in the generic form; third line contains the manufacturer Mithradates in the nominative. To the right of the legend is the head of Heracles, turned left. Attributed to M. Matera; dated 280-270 BC. Findspot: Myrmekion; origin: Sinope. Stamp, vice; height 7.1 cm, width 5.3 cm, depth 9.3 cm., A weathered curved ceramic fragment rests against a dark background, showing a rough, pitted surface with irregular edges and a broken rim. The object displays a range of pale earthy tones including beige, tan, light brown, and hints of reddish-brown, with darker speckles and small embedded gritty particles. The surface texture alternates between smoother worn areas and coarse, porous patches, and there are shallow carved or impressed marks visible without any legible content. One end of the fragment has a thicker, more uneven break with a darker interior, while the opposite side tapers into a smoother contour. The lighting creates soft shadows that emphasize the three-dimensional contours and the varied texture across the object.

alb29132157 Text sheet accompanying the fold-out caricature of Dumouriez, 1793, cartoon, text sheet, Text sheet accompanying the fold-out caricature of the fall of General Charles François Dumouriez. Four verses numbered No. 1-4. With handwriting on verso., printer (person), Northern Netherlands, paper, letterpress printing, text in letterpress, height 165 mm x width 120 mm, Person, Charles François Dumouriez, First Coalition War, France, Period, The image shows a portion of an aged printed page with multiple paragraphs of serif text in a language other than English. The paper has a yellowed, slightly spotted texture and visible fiber grain. Large bold headings appear at intervals, followed by smaller body text set in regular serif type. The ink tone varies slightly, with some letters appearing darker and others lighter. The left margin shows short horizontal impressions and the text columns are aligned flush left with ragged right edges. There are faint creases and small smudges on the paper surface. The overall appearance suggests an old printed document with clear typographic lines and occasional irregularities in ink distribution.

alb29132513 Dyeing stencil katagami with a plant twig motif karakusa, Taisho 1912-1926, ise-katagami stencil in chuban format, plant twig karakusa pattern, Japan, stencil; height 40.7 cm, width 25.2 cm, 1912-1926., The image shows a dark brown rectangular surface with a horizontal band of intricate white swirling, curling vine-like patterns across the upper half; the lower portion is mostly plain dark brown. The swirls vary in size and form a dense repeating ornamental design. The edges of the rectangle show a thin white border on two sides, and there are small lighter brown variations and tiny marks on the darker background. The visible colors are dark brown, white, and lighter brown.

alb29132154 Death of Cleopatra, Vinse, morendo, Cleopatra in vita, print, Cleopatra, Queen of Egypt, ends her life by allowing herself to be bitten by a poisonous snake. She sits with the snake biting her breast in her left hand, her gaze directed upwards., printmaker: Giovanni Francesco Mucci, Italy, after design by Guercino, 1530 - 1565, unknown, grantor of privilege, paper, engraving, height 288 mm x width 225 mm, death of Cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs, A detailed black and white line engraving of a seated woman with curly hair, shown from the waist up and turned slightly to one side, wearing a loosely draped garment that exposes one breast and falls in deep folds around her arms and lap, one hand resting on her chest near her breast while the other lies on the fabric, her face turned upward with a neutral expression, the background filled with fine horizontal lines on one side and lighter blank space on the other, and decorative trim visible along the neckline of her garment.

alb29132159 Double-sided gingerbread mould. Obverse: 16 images of various figures; reverse: 12 depictions. Figurative motifs include male figures, female figures, birds, zoomorphic motifs, floral decorations, figurative scenes, and historical costumes. Double-sided rectangular mould; on one side sixteen small images depicting various human figures, male and female, arranged in four equal rows, shown from the front and from the back. The other side: twelve elements including two male figures on a rooster, another in peasant costume, presented in two views front and back; four different elements of clothing; two pipes decorated with tassels; two birds sitting on a flower-filled crater; and a column decorated with a flower garland with two birds on top. Gingerbread mould, applied art, folk motifs. 18th-19th century. Province of Silesia 1742-1918. Height 29.8 cm; width 13.8 cm; depth 3.8 cm., A rectangular wooden panel with a natural brown wood tone carved with a variety of shallow relief shapes arranged in rows, including a few hat- or bonnet-like forms, a heart-shaped or pouch-like form, a V-shaped decorative collar, a narrow elongated shape with small flower-like indentations, and a vertical curving vine or ribbon with knotted elements; additional carved motifs include a few pedestal or urn shapes with floral and garland decorations, a group of bird or rooster figures with detailed feathers, two human figures standing with textured clothing and holding bundles, and a pair of symmetrical decorative elements resembling stylized floral baskets; the background wood shows subtle grain variations and wear, and the overall colors visible are shades of brown with slightly darker carved recesses and lighter worn highlights.

alb29132160 Vessel, Egyptian pottery/ceramic clay hand-made vessel, Old Kingdom c. 2686-c. 2181 BC, from Edfu; vessel height 33.5 cm, rim diameter 10.4 cm, body diameter 15.1 cm. References: form 2., A roughly cylindrical, tapered object with a textured, pitted surface in shades of brown, tan, beige, and hints of reddish-brown, set against a plain gray background; the surface shows irregular indentations, rough patches, and small holes, with areas of darker brown and subtle blackened spots, and the top edge appears uneven and slightly chipped.

alb29132155 Photo reproduction of a painting depicting Hermann and Dorothea returning home, Heimkehr beim Anzug des Gewitters, reproduction, page, photomechanical print, cliché maker: Friedrich Bruckmann, after painting by Arthur Georg von Ramberg, c. 1876 - in or before 1881, photographer, paper, collotype, photoprint, height 199 mm x width 139 mm, adolescent, young woman, maiden, youth, A grayscale illustration shows a young woman and a young man standing on a rocky ledge with foliage around them and a distant town below; the woman wears a full skirt, a blouse with a tied shawl at her shoulders, and her hair in braids, and she has one arm resting on the young man's shoulder; the young man wears a jacket, neck scarf, breeches, and holds a wide-brimmed hat at his side while looking forward; the ledge is made of rough stone steps with leaves and branches at the edges; tall leafy plants rise behind them and a church steeple and rooftops are visible in the distant lower right; the sky above is filled with large dramatic clouds.

alb29132142 Fairground Wind-cutter and wholesaler, A wind trader sits on a sack of shares held high only by the wind, 1720, The Great Tableau of Folly, cartoon, print, A wind trader with a windmill on his head sits on a sack of shares held high only by the wind, 1720. On the left in the tree a monkey with binoculars, on the right a cat flies through the air with balloons attached to its paws. In the caption a verse in Dutch. Print 4 in the series The Great Tableau of Folly with satirical cartoons on the Wind Trade or Stock Trading of 1720., printmaker, Northern Netherlands, paper, etching, height 277 mm x width 183 mm, Wind Trade of 1720, Period, A detailed ink engraving shows a central robed man with long curly hair and a wide-brimmed hat seated on a cloud, surrounded by other figures and animals; one companion stands behind him holding a pipe, another gestures toward the sky while a third points with a stick. To the left a monkey sits in a tree holding a long thin object, and above a face appears within a cloud blowing lines of air toward a flying bird and a small creature carried by balloons. A windmill silhouette appears near the top center. Below the cloud a pig and a hoofed animal stand beside a scroll-like sheet attached to the cloud, and a rectangular chest on the ground contains small animals with one rodent nearby. A bird walks on the ground near the chest. Decorative borders frame the scene and a large block of printed text occupies the lower portion of the page.

alb29132144 The Duke of Anjou attempts to provoke the Duke of Parma into a confrontation after the relief of Cambrai, 1581, print, historical print, August 18, 1581. Marching order of the troops of Anjou at Cambrai. On the left the legends AD and 1-9 and at the bottom left a cartouche with text in French, in the caption 3 lines in Dutch. Unnumbered and unprinted on the reverse., printmaker, Low Countries, paper, etching, height 114 mm x width 166 mm, This plate not after Hogenberg and also not included in Baudartius., Person, François-Hercule de Valois (Duke of Anjou), troop movements, transportation, Relief of Cambrai, Period, 1581-08-18, A detailed monochrome map-like engraving showing numerous rectangular and square block formations arranged across the page, each marked with densely hatched lines to indicate texture, interspersed with small clusters of tiny upright strokes resembling miniature trees or columns; along the top edge a winding river with irregular, wavy banks runs horizontally and is flanked by small drawings of towns and clustered buildings with steeples and rooflines; the left side shows a larger fortified town with towers and walls beside the river and a vertical column of handwritten script beneath it, while the rest of the page is filled with scattered blocks, rows of short horizontal lines suggesting artillery pieces, tiny flaglike shapes, and multiple lines of small handwritten labels and notes arranged around the graphic elements, with a bordered rectangular cartouche of text near the lower left and a wide band of handwriting running along the bottom edge.

alb29132199 Deity of Longevity Shouxing/Shoulao holds a long traveling staff and a peach of immortality; his robe is decorated with cloud motifs, lingzhi mushrooms, and cranes in medallions. At his feet stand a servant with a vessel, a deer, and a crane. Stone/ceramic sculpture with peaches, figurines, cranes, and animals; Chinese, Qing dynasty 1644-1911, 19th century, height 54.2 cm., A carved wooden figure viewed from the back showing a robed person standing on a faceted base, holding a gnarled staff in one hand; a smaller figure stands beside the larger figure and an animal with a curved neck is positioned near the base; the carving has a deep reddish-brown wood tone with darker brown areas and small lighter-colored decorative inlays or spots, and the background is a uniform pale gray.

alb29132151 Man leaning on his elbow, print, printmaker: Jacob Hoolaart, Dordrecht, 1728 - 1789, paper, etching, etching in brown, height 63 mm x width 48 mm, leaning figure, A sepia-toned ink drawing shows a seated figure wearing a wide-brimmed hat and a long cloak, with the head bowed and partially obscured by the hat's brim. The figure's hands are visible near the torso, one grasping the cloak and the other positioned slightly above, with hatched shading indicating folds and texture. Curved contour lines and crosshatching define the cloak's drapery and the shadowed areas along the figure's side. The background is plain with a narrow double border framing the image, and variations in paper tone and subtle speckling are visible across the surface.

alb29132150 Strainer with a handle in the form of a swan's head;, swans iconography; tools. Wide, flattened container with a hemispherical strainer and a flat handle ending in a bird's head. 2nd half of the 4th century BC. Etruria. Vessel. Height 23.1 cm; width 11.3 cm; depth 4 cm; weight 0.14 kg., A flat metal object with a long handle and a round, shallow bowl is shown against a pale gray background; the metal surface is mottled with brown, dark brown, and bronze tones with areas of darker corrosion and some greenish-blue patina near the curled end of the handle, the handle itself is textured and tapers to a hooked curled tip, and the bowl has a concentric perforated pattern at its center with a few irregular missing sections and rough, pitted edges.

alb29132148 Woman sitting on a wall with arms outstretched, page, photomechanical print, copyright notice: 'C', maker: Adelaide Hanscom Leeson, c. 1906 - in or before c. 1916, pasteboard, paper, photoaquatint, height 133 mm x width 122 mm, Print on unnumbered page. Adelaide Hanscom Leeson manipulated her glass negatives to create a painterly effect., adult woman, sitting figure, arm stretched sidewards - AA - both arms or hands, A sepia-toned image of a woman in a flowing light dress seated on a brick wall, one arm extended outward and the other resting behind her on the wall, with her head turned to the side and hair styled back; behind her is a large tree trunk and leafy branches, and in the background there are tall, narrow trees and a softly textured landscape, while the foreground shows grass beneath the wall.

alb29132147 Portrait of the poet Jean Baptist Houwaert, print, Portrait of the poet Jean Baptist Houwaert. Half-length in an oval, facing right. In the four corners female personifications of four liberal arts: Rhetoric, Music, Arithmetic, and Geometry., printmaker: Johannes Wierix, Antwerp, c. 1583, paper, engraving, height 158 mm x width 122 mm, Person, Jan Baptist Houwaert, 'Arithmetica' (, quadrivium), 'Aritmetica' (Ripa), 'Rhetorica', 'Eloquentia' (, trivium), 'Rettorica' (Ripa), 'Musica' (, 'Musica' (Ripa), 'Geometria' (, 'Geometria' (Ripa), A detailed engraved portrait shows a bearded man in profile within an ornate oval frame, wearing patterned armor and a ruffled collar with a draped sash across his chest; the oval is surrounded by decorative scrollwork and small sculpted figures, including two seated female figures at the top holding a book and a lyre, and two seated female figures at the bottom engaged with a tablet and a globe while various scientific and decorative objects lie near them; the border includes columns, floral motifs, and a small shield with a lion emblem beneath the oval.

alb29132153 Daruma, unknown sculptor, Japanese, Meiji period 1868-1912, ceramics figurine of a male Buddhist monk Daruma wearing headgear and a long, flowing robe covering the head, late 19th century, Seto, Japan; height 21.2 cm, A small carved figure made of dark brown material stands centered against a smooth light gray background, showing a robed person with a rounded head and a solemn facial expression, draped garments with flowing folds that wrap around the body, subtle highlights and deeper brown shadows on the surface, and a glossy finish that creates a faint reflection beneath the base.

alb29132145 Carlstad, Christinehambn, View of Karlstad and Kristinehamn, Suecia Antiqua et Hodierna, print, album page, printmaker: Johannes Jacobsz van den Aveele, Stockholm, supervision: Erik Jönssen Dahlberg, 1699, paper, etching, height 272 mm x width 335 mm, city-view in general, 'veduta', Karlstad, Kristinehamn, A wide panoramic engraving shows two horizontal cityscapes separated by a blank band, each depicting a waterfront town with clustered buildings and prominent church steeples rising above rows of houses, surrounded by distant rolling hills and tree lines; the upper scene includes a long bridge crossing a body of water with ships and boats moored and sailing nearby, timber buildings and leafy trees in the foreground, and a coat of arms above the town, while the lower scene shows a dense arrangement of rooftops along the shore, small vessels in the water, wooded foreground hills with people and animals, and tall slender trees framing parts of the view.

alb29132152 Sawdust container, gift, Paderewski, Ignacy Jan 1860-1941, Chinese art, Chinese, Qing dynasty 1644-1911, cloisonné enamel, fantasy beasts, cicadas, base with four inserts, 19th century, China, vessel; height 8.5 cm, diameter 9.7 cm, A small conical metal object sits upright on a reflective surface, showing a colorful enamel pattern against a black background with a gold rim at the top and bottom. The surface features ornate swirling motifs and stylized shapes in colors including blue, red, yellow, green, white, and purple. The design includes symmetrical, mask-like forms and curving decorative elements that repeat around the object. The reflection of the object is visible on the surface below, mirroring the same colors and patterns. The background is a plain gray.

alb29132146 Central nave of Notre-Dame in Paris, Paris - Église Notre-Dame, la Nef, photograph, Part of Photo album with sights in Paris, Versailles and the Bois de Boulogne., number: '25', Paris, c. 1900, photographer, pasteboard, paper, albumen print, albumendruk, height 155 mm x width 97 mm, parts of church interior: nave, Notre-Dame (Paris), A sepia-toned interior photograph of a large Gothic cathedral nave viewed from the rear toward the altar, showing tall pointed ribbed vaults and a long central aisle flanked by many rows of wooden chairs, high arcaded side aisles with clustered columns and ornate capitals, elevated balconies along the upper aisles, large arched windows at the far end admitting light, multiple decorative chandeliers suspended along the nave, carved stone screens and railings at the foreground, and symmetrical architectural details lining both sides of the central space.

alb29132156 La Complaisance, Woman pulling another woman on a sled, Russian traditions and customs, Divers Ajustements et Usages de Russie, print, Series number, 10, In a winter landscape, a woman pulls another woman on a sled. On the left, an old man and an old woman walk in front of a house. On the right, a man walks on the ice., printmaker: Jean Baptist Leprince, 1764, paper, etching, height 204 mm x width 253 mm, Part of a ten-part series on Russian traditions and customs., skates (winter sports), sledge, sleigh (winter sports), A sepia-toned etching shows a snowy village scene with several people and buildings. In the foreground a seated woman in a dress and headscarf sits on a sled while another woman in a cloak and hood stands holding a rope attached to the sled. To their left two men wrapped in cloaks and head coverings stand close together near a fence and a house with a chimney and bare tree branches behind it. To the right a man walks away pulling a small sled with an object on it toward a cluster of houses and a distant church with onion domes under a cloudy sky.

alb29132158 Portrait of Balthasar Gerards, print, Portrait of Balthasar Gerards. Below the portrait, the assassination of William of Orange committed by him., printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, etching in red, height 142 mm x width 107 mm, Print used in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Vol. V., Person, Balthasar Gerards, Assassination of William of Orange, A monochrome engraved portrait shows a man with short wavy hair, a mustache and pointed beard wearing a ruffled collar and a buttoned garment, depicted inside an ornamental circular frame set against a patterned rectangular background, and below the portrait a framed vignette depicts two figures in flowing clothing engaged in a fencing or swordplay scene.

alb29137151 Fabric fragment, fragments of a larger textile object, patterned silk fabrics. Pale red pink lampas with a white patterned weft - a unilateral two-tone damask. Background: light red/pink warp satin; overlays in plain and liseré weaves with a white weft tied in a weft weft-faced weave; reverse side in plain weave. Repeat rapport composed of small flowers, fanciful leaves, and miniature lace motifs forming an ornament on the leaves; motifs typical of bizarre fabrics inspired by lace. Another fragment likely part of the same fabric shows a pale red stripe with a white pattern weft. Subreport: plain weaves pink warp/pink weft and white weft weaves. Colors: pink background with white decorative patterning. Hem width: 0.4 cm. Rapport: length 64.5 cm; width 24.5 cm. Overall fabric height 73 cm, width 31 cm. Early 18th century, France., A rectangular piece of worn fabric with a faded floral and paisley woven pattern rests against a dark background; the textile shows frayed edges and several long horizontal tears and areas of threadbare thinning, with loose fibers along its top and sides. The woven design includes floral motifs, curved paisley shapes, and ornamental borders that repeat across the surface, and there are patches where the weave has distorted or been worn away. Visible colors include muted peachy-pink, pale rose, light beige, subtle gold, and small areas of darker brownish tones, set against a deep black background.

alb29137146 Portrait of Louis Artan de Saint-Martin, print, annotation: '2me etat', printmaker: Louise Danse (signed by artist), 1891, paper, etching, drypoint, intaglio printmaking technique, height 199 mm x width 275 mm, Person, Louis Artan de St.Martin, anonymous historical person depicted alone, A sepia-toned sketch of a seated man shown from the waist up, resting his head on his hand with his elbow bent and fingers near his cheek. He has wavy hair, a mustache, and a beard, and his gaze is directed slightly downward and to the side. He wears a jacket over a collared shirt and a loosely tied necktie. Dense, expressive crosshatching surrounds and defines his hair and the background, while finer lines render the folds and texture of his clothing and the contours of his face and hand. The image has an overall aged paper tone with visible sketch marks and shading strokes.

alb29137136 Denarius, Antoninus Pius 86-161; Roman Emperor 138-161 issuer. Obverse: Head of Antoninus Pius bare, right; legend IMP T AEL CAES HA DRI ANTONINVS. Reverse: Minerva standing left, holding Victoria in her outstretched right hand and a spear in her lowered left hand spear head upward, shield resting on the ground; legend AVG PIVS PM TR P COS DES II. Date: 138. Place of origin: Rome, Roman Empire. Media: coin. Diameter: 16.0-18.0 mm. Weight: 2.81 g. Axis: 180°., A worn round coin with an uneven edge showing a raised profile of a bearded man facing right; the surface has textured, pitted areas and patches of darker brownish rust and lighter gray metal tones, with a few smoother, slightly shiny spots and an overall aged, tarnished appearance.

alb29137150 Maria met dem säugenden Jesuskinde, Mary with Christ at the Breast, print, printmaker: Jenö Doby, after painting by Correggio, publisher: Gesellschaft für vervielfältigende Kunst, Vienna, 1844 - 1907, printer (person), Lower Austria, paper, chine collé, engraving, etching, height 313 mm x width 249 mm, Mary sitting or enthroned, the Christ-child on her knee (Christ-child to Mary's left), Christ-child suckling, or beginning to suck, eg Mary uncovering her breast, Madonna representations, A seated woman with a serene expression cradles an infant against her chest while another young child leans toward them; the woman wears draped robes and a head covering and looks down at the child she holds, the infants are depicted nude with soft rounded forms and curly hair, one infant rests across the woman's lap with a relaxed pose while the other reaches toward a cloth or tray held near them, the scene is rendered in fine tonal lines creating subtle shading and textured fabric folds against a dark, plain background.

alb29137137 Portrait of Pope Adrian VI, print, Medallion with the portrait of Pope Adrian VI. Below it his tomb., printmaker: Reinier Vinkeles (I), Amsterdam, printmaker: Cornelis Bogerts, after drawing by Jacobus Buys, 1783 - 1795, paper, etching, height 114 mm x width 80 mm, Print used in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Vol. III., Person, Adrian VI, grave, tomb, A detailed engraved portrait shows a bust of a bald man in profile facing left, framed within a circular medallion; he wears ornate patterned robes with decorative swirls and a clasp at the chest, and his facial features include a prominent nose and a visible ear. The circular frame sits above a rectangular architectural structure resembling a tomb or monument, which contains a sculpted recumbent figure draped in cloth on an elevated platform, and below that a rounded sarcophagus flanked by two small seated cherubic figures. The background is filled with finely hatched lines and crosshatching that create shading and texture across the image.

alb29137165 Hunters catch a badger at its den at night, Hunting for gentlemen, print, printmaker: Johann Elias Ridinger, Augsburg, 1729, Bavaria, paper, etching, height 375 mm x width 420 mm, forest, wood, beasts of prey, predatory animals: badger, hunt, mammals, animals (lures, hunting), A detailed monochrome engraving of a wooded landscape at night showing dense trees, rocky cliffs, and a small waterfall with flowing water; a crescent moon and stars are visible in the sky; a group of figures appear throughout the scene, including a person standing near the water with a stick and a bag, a figure crouched on a rocky ledge, and another figure partly hidden behind foliage; animals resembling dogs are present near the standing person and another animal lies on a rock; foreground vegetation includes tree trunks, branches, ferns, and undergrowth, and the composition emphasizes textured shading and fine engraved line work across rocks, foliage, and figures.

alb29137147 Sestertius depicting Julia Mamaea ca. 180-235 and Alexander Severus 208-235; Roman emperor 222-235. Obverse/legend references imperial titles and hierarchy of power. Reverse: personification Felicitas. Iconography associated with Julia Mamaea 180-235. Date: 222-235 CE. Place of creation: Rome, Roman Empire. Object: coin sestertius. Measurements: diameters 25.0 mm and 29.0 mm; weight 18.4 g., A round, slightly irregular dark object with a rough, textured surface showing worn raised areas and shallow depressions, predominantly black and dark brown with patches of reddish-brown; the central area features a faint, low-relief depiction of a seated humanlike figure holding a long, thin vertical object in one hand and a shorter object in the other, with indistinct surrounding shapes and a few shallow grooves near the lower edge.

alb29137139 Allegory of arts and sciences with four putti, print, printmaker: Abraham Delfos, Leiden, 1741 - 1820, paper, etching, height 59 mm x width 85 mm, cupids: 'amores', 'amoretti', 'putti', (story of) Mercury (Hermes), A detailed engraving shows four winged childlike figures among textured clouds, each with curly hair and draped cloth; one figure hovers holding a small box toward another seated figure who faces slightly away and holds a cluster of arrows against a book; a third figure sits on a dark cloud reading an open book with a feathered quill poised above the pages; the fourth figure stands on a cloud holding rolled scrolls and looking outward; rays of light and fine linework suggest movement in the sky and around the figures, and a small winged staff appears near the top.

alb29137168 Jacob with his family on their way home, Paintings in the Loggia by Raphael, print, Series number, 24, 52, printmaker: Orazio Borgianni, Italy, after painting by Raphael, Vatican City, 1615, paper, etching, height 163 mm x width 191 mm, A detailed black and white line drawing shows a group of people and animals moving through a rocky landscape with trees on the hills in the background. Several figures ride on camels and horses while others walk alongside, some carrying children or holding reins. The riders and walkers wear draped garments and hairstyles gathered at the back or top of the head. The animals display detailed heads, necks, and legs with visible harnesses. Rocks, winding paths, and layered hills form the terrain, and clusters of rounded trees fill the horizon. The composition is framed by a plain border.

alb29137154 Hunchback puppet, Figurine hollow inside. Hunchbacked torso with a large head in a pointed cap set on a short neck. Elongated face with a large hooked nose and a large full-lipped mouth. Large bulging eyes with traces of white paint on the pupils. Torso wrapped in a cloak forming a thick fold around the neck and covering the right arm raised toward the chin. Left arm bent, resting at the waist. Opening on the side under the elbows for attaching legs. Opening at top of cap for attaching strings. Traces of polychrome with white paint on the torso. 1st century BC, Hellenistic period. Found at Myrmekion; origin Pantikapaion. Terracotta figurine, height 8.6 cm, width 5.5 cm, depth 4.6 cm., A small weathered clay figurine photographed from the back sits on a smooth surface against a plain background; the figurine has a rounded, tapered head and broad shoulders with a short, flared base, showing a rough, pitted texture and visible cracks and chips. The colors visible are gray, brown, tan, and muted reddish tones, with lighter off-white patches where the surface is worn. The background and surface are shades of gray, and a soft shadow appears beside the figurine.

alb29137159 Vessel with hieratic inscription, Egyptian pottery ceramic clay vessel, Old Kingdom, ca. 2686-ca. 2181 BC, Edfu find site. Comparative material: Petrie, Dendera, pl. XVI,2; Hope, Akhmim, fig. 7, type AIVa 2bi; Reisner, Mycerinus, p. 212, fig. 64 3,4; Brunton, Qau and Badari, pl. LXXXI type 77N - earlier dated to the IVth-Vth Dynasty; Mace, Naga ed-Der II, figs. 87.11-14, 16-25; Reisner, Naga ed-Der III, fig. 28-33; Petrie, Abydos II, pl. XLIII, 79-80; Keiser, Avila, Dreyer, Jaritz, Laskowaska-Kusztal, MDAIK 40, fig. 9b. Vessel height 15.1 cm; rim diameter 5.6 cm; body diameter 8.2 cm., A large, rounded clay vessel with a narrow neck and flared rim suspended against a plain background; the surface shows a rough, textured appearance with small pits and irregularities and mottled coloration in shades of brown and tan with darker brown spots and flecks, and subtle variations of lighter beige in places.

alb29137157 Embroidered Y-shaped chasuble pretext with a depiction of Christ on the cross, surrounded by a stylized plant ornament. Predominant colors: gold, blue, green, and white. Embroidery on silk fabric plain weave with gold metal thread and colored silk threads. Gold cross, surrounded by gold, green, and blue branches. The body of Christ embroidered with white threads that have almost completely fallen out. Metal thread embroidery: laid, held with silk yarn. Silk embroidery stitches: Cologne, split, flat. 16th century, Poland. Fabrics. Length 103 cm, width 46 cm., Iconography: Christ Crucified; function: liturgical vestment church paraments, sacred art; motifs: flowers, leaves, plant ornaments., A long, vertically oriented beige fabric piece with a textured weave is laid flat against a pale lavender-gray background; the fabric widens near the top into a cross-like shape with squared horizontal extensions and a central upward tab, while the lower portion narrows into a long rectangular tail, and a small stitched detail is visible near the lower edge.

alb29137144 Letter to Philip Zilcken, letter, writer (clerical worker): Bobette van Gelder, Amsterdam, in or before 1928-07-09, writer (clerical worker), materials by function, paper, ink, writing (processes), pen, height 425 mm x width 425 mm, Person, Philip Zilcken, traveling, tourism, family life, drawing, printed matter, Paris, Ottoman Empire, North Africa, Egypt, Provence-Alpes-Côte d'Azur, Cairo (city), Cannes, Nice, Monte Carlo, Hyères, Antibes, Côte d'Azur, Sudan, Deauville, Le Touquet-Paris-Plage, A sheet of aged, off-white paper covered with flowing dark ink handwriting in varying sizes, with a dense block of cursive lines across the center and lower areas and larger, bolder script near the top; faint impressions of writing are visible showing through from the reverse, and the paper shows subtle creases and small spots of discoloration.

alb29137161 Shepherd with flock of sheep on a country road, Etude de Moutons, page, photomechanical print, inscription: 'Agrandissement d'un Phototype obtenu par la Photo-Jumelle', inscription: 'Bulletin du Photo-Club de Paris', photographer: Thuillier, cliché maker: Dujardin, c. 1888 - in or before 1893, Thuillier, Dujardin, photographer, clichémaker, paper, photoaquatint, height 108 mm x width 149 mm, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, sheep, herd, flock, A black and white photograph of a tree-lined dirt path with tall trees on both sides and dappled light through the leaves, showing a man walking toward the camera wearing a cap, jacket, trousers, and carrying a long stick, with a flock of sheep following behind him and a dog walking ahead on the path, framed by trunks and foliage and bordered by light-colored margins.

alb29137166 Netsuke in the shape of Shôki and an oni; maker, Japanese; Edo period 1603-1868, 1st half of the 19th century; materials: carved netsuke sculpture; subject: Shôki mythology and a demon oni; dimensions: height 4.5 cm, width 3.0 cm; function: figurine/netsuke., A small carved figure in warm brown and reddish-brown tones sits against a smooth gray background; the carving depicts an elderly bearded man with a pronounced nose and detailed facial lines, wearing a hat and carrying a textured basket or bundle on his back that holds a compact carved creature with a rounded face and prominent features; the figure shows carved patterns on clothing and hair, with darker brown recessed lines emphasizing the details and lighter brown highlights on raised surfaces, and a soft shadow falls beneath the sculpture on the gray surface.

alb29137164 Village view with church, print, inscription: '3e etat 1e Epreuve nr 3', printmaker: Aristide de Biseau (signed by artist), 1854 - 1883, paper, etching, drypoint, etching and drypoint, height 275 mm x width 198 mm, street, church (exterior), city-view, and landscape with man-made constructions, A narrow dirt street winds between rough buildings with thatched and sloped roofs, leading toward a tall church tower with a pointed spire rising above leafy trees; a lone small figure stands on the street facing the tower, and the scene is rendered in fine, detailed pen strokes with textured sky and foliage.

alb29137167 Old woman in profile, print, printmaker: Jean Jacques de Boissieu, France, 1770, paper, chine collé, etching, stipple work, etching and stipple work on chine collé, height 239 mm x width 180 mm, old woman, historical persons (portraits and scenes from the life), A detailed ink drawing of an older person in three-quarter profile facing right, wearing a headscarf that wraps around the head and neck and drapes over the shoulders, with deep etched lines and shading defining facial wrinkles, a downturned mouth, prominent nose, and heavy eyelids; the clothing shows flowing folds and crosshatching, and the background is filled with fine, textured hatch marks.

alb29137162 Portrait of George Martin Lane, GM Lane, page, photomechanical print, c. 1870 - in or before 1875, paper, collotype, photoprint, height 162 mm x width 127 mm, Person, George Martin Lane, historical persons, professor, A sepia-toned portrait of a seated man shown from the waist up wearing a dark suit jacket with a rounded lapel, a waistcoat, a white shirt, and a bow tie; he has short, neatly combed hair and a full beard and mustache, and he looks directly toward the camera with a neutral expression; the background is plain and slightly textured, and the portrait is framed by a wide light-colored margin.

alb29137142 Cista container decorated with a depiction of the Dioscuri and Athena. Cylindrical vessel made of sheet metal, decorated with an engraved depiction of the Dioscuri and Athena, 8 figures preserved. Under the rim and at the lower edge are bands of engraved plant decoration. Concave bottom. Legs in the shape of predator's paws, ending in sirens. Slightly convex lid, made of sheet metal, decorated with an engraved depiction of two hippocampi. Trace of a handle in the centre. 4th century BC, Praeneste Italy. Vessel; metal; weight 1.132 kg; height 24.5 cm; diameter 20 cm bottom, diameter 22 cm top., A cylindrical metal container with a rounded lid stands on a neutral background, showing a mottled surface of dark brown and green patina with areas of bright green corrosion and touches of reddish-brown; the lid is darker with subtle variations and a small hole at the rim. The body features a few raised circular rivet-like elements and traces of etched or scratched linear patterns amid the green patches. The container rests on a group of decorative tripod feet shaped like stylized animal paws and small seated figures, which exhibit a mix of green corrosion and brown metal tones. The overall surface shows worn, textured areas and irregular discoloration in shades of brown, green, and hints of reddish hues.

alb29137138 Impression de Pluie sir le Lac de Chiem, View of the Chiemsee, page, photomechanical print, inscription: 'Association belge de Photographie 1889.', photographer: Hugo Henneberg, Chiemsee, cliché maker: Blechinger & Leykauf, Vienna, c. 1894 - in or before 1899-04, printer (person), Bavaria, Lower Austria, paper, photoaquatint, height 113 mm x width 159 mm, lake, A wide grayscale landscape showing a large expanse of sky filled with soft, billowy clouds above a low, dark horizon, with a strip of water reflecting the sky and a foreground of tall, thin grasses and reeds silhouetted against the lighter surface, and a darker rounded cluster of vegetation near the horizon line.

alb29137148 Bowl, Bowl with a conical shape and a ring-shaped foot. Straight rim, slightly flaring outward, irregular. Vessel made entirely on the wheel of Nile clay type ND Vienna System. Surface even, covered with glaze before firing. On the inner and outer surfaces of the rim there is a narrow approx. 0.5 cm black band of decoration. The remainder of the vessel is red. Traces of polish on the surface. The glaze is slightly worn in places-possible traces of use. Good condition-minor clay chips on the rim, abrasions over the entire surface. Analogies: Egypt's Golden Age no. 51, p. 78, ca. 1550-ca. 1425 BC; New Kingdom, early 18th Dynasty. Possible findplaces: Edfu, Deir el-Medina. Vessel; height 5.3 cm; diameter 15.1 cm rim; diameter 3.1 cm bottom., A shallow, wide bowl viewed from the side with a rounded rim and tapered base, showing a weathered surface in shades of reddish-brown and dark brown along the rim, with small areas of lighter beige and gray wear, subtle horizontal striations on the exterior, and a plain neutral gray background.

alb29137156 Terracotta figurine of a veiled woman, Dancers, molded female figurine in the Tanagra style, fine-grained red clay. Figure of a standing woman in contrapposto wearing a long chiton and a himation covering the head, lower face, and upper torso. Both arms bent - right hand placed in front on the breasts, left behind on the back. Probably the figure of a masked dancer. Condition: base stamped, head glued. 3rd century BC, Tanagra Greece. Sculpture; height 15.9 cm, width 4.8 cm., A standing statue of a robed figure rendered in a brownish material against a plain gray background, showing draped clothing with a hooded head and covered face, visible folds and pleats in the garment, a posture with one arm bent behind the back creating a gathers at the waist, textured surface with worn and slightly uneven areas, and subtle variations of brown and tan tones contrasted with the neutral gray backdrop.

alb29137140 Opening page of a calendar, written in French, featuring a miniature of seasonal activity., 1440 - 1460., France. Eating & drinking activity related to strawberries.

alb29137163 Five composite consoles, decorated with scrollwork, grotesques and mascarons, Architectura, ornamental print, book illustration, page, Numbered: 32. Print is part of a book., printmaker: Wendel Dietterlin (I), Strasbourg (France), publisher: Bernhard Jobin, 1593 - 1595, paper, etching, color on edge, etching with purple on edge, height 250 mm x width 180 mm, Print used in: Dietterlin, Wendel (I). Architectura de quinque columnarum simmetrica distributione et variis eorundem or namis: Liber I. Strasbourg: Bernhard Jobin, 1593., ornament, festoon, garland, mask, mascaron, column, pillar, architecture, other architectural details, 'Laub- und Bandelwerk', composite order, A detailed ink drawing of ornate architectural ornamentation fills the image, showing vertical panels with carved bracket-like elements and decorative corbels. The designs include symmetrical scrolls, stylized foliage, and mask-like faces set into elaborate cartouches. Each bracket features layered moldings and platforms with fluted and beaded textures, and some include ribboned garlands and pendant tassel motifs. The shading is rendered with fine parallel and cross-hatched lines, creating depth on the stone-like surfaces. A central hanging ornament with curling forms and a face is flanked by matching complex brackets, and smaller ornamental details such as volutes, rosettes, and acanthus leaves appear throughout the composition. The overall palette is monochrome with the inked lines standing out against a light background.

alb29137141 Six microscopic enlargements of minerals, page, photomechanical print, Image 1 is titanite, 2 is sanidine, 3 is sanidine, 4 is orthoclase, 5 is phonolite and 6 is phonolite., number: '1, 6', number: 'Tafel XXIII', photographer: Emil Cohen, Greifswald, cliché maker: J. Grimm, Offenburg, c. 1880 - in or before 1885, Baden-Württemberg, Mecklenburg-Vorpommern, paper, collotype, photoprint, height 233 mm x width 149 mm, minerals and metals, A vertically oriented page shows six circular grayscale microscope images arranged in three rows and two columns, each circle containing varied textures and patterns; the top left circle displays angular crystalline shapes and cloudy mottling, while the top right circle shows a layered, featherlike structure with speckled areas along its edge. The middle left circle features a central square-like bright area surrounded by a grainy field with scattered rounded spots, and the middle right circle contains concentric hexagonal banding with irregular dark patches at the perimeter. The bottom left circle shows several irregularly shaped pale fragments set against a darker granular background, and the bottom right circle contains an elongated segmented pale object with fine lines across it on a darker speckled ground. The background of the page is a light, slightly textured off-white.

alb29137155 Jug, ceramics, Egyptian pottery. Medium-sized clay jug with a biconical body, widest at about half its height; wide shoulders; wide, almost cylindrical neck widening toward the spout neck about one-third of total height. Profiled, irregular spout, slightly raised and extended on one side forming a small spout; spout nearly triangular in cross-section with a ~1 mm cylindrical bulge on the outer profile. Bottom almost flat, very slightly rounded. Made of Nile clay NB1?; neck likely made separately and attached to the shoulders. Outer surface leveled, covered with engobe and polished; inner surface leveled except for neck, which is also engobed and polished. Color reddish-brown. Well preserved; rim slightly chipped in two places and engobe worn in places on outer surface. Dated to the 6th Dynasty; origin Edfu. Dimensions of a comparable type: height 20.5 cm, rim diameter 8.5 cm, body diameter 17.3 cm, bottom diameter 10.9 cm. Analogous example in the Louvre E 16586. References: Reisner, Mycerinus, Cambridge 1931, pp. 218-220, fig. 69, type XV-XX, ca. 2686-2181 BC; Old Kingdom., A single earthenware vessel sits against a flat neutral background, showing a rounded body that tapers toward a narrow neck and a slightly flared rim with an irregular edge; the surface displays a worn, matte texture with small pits and scuffs, and the visible colors are terracotta brown with variations of darker brown and hints of muted gray on the body and rim.