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Total de Resultados: 10.000

Página 1 de 100

akg8909560 Capt. Thomas Hastings. Ruins of Crewkerne Abbey, May 1833Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etca , 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper, 23.8 × 33 cm. Inv. No. B1977.14.2451. New Haven, Yale Center for British Art.
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akg383542 Aztec / Mixtec, c. 1500. Pectoral (breast ornament) decorated with an image of the god Xiuhtecuhtli. Gold, 10,5 × 7,5 × 2 cm. Inv. Nr. 10-9676. Mexico City, Museo Nacional de Antropologia. Museum: Mexico City, Museo Nacional de Antropologia.
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akg184917 History / World War II / Naval warfare. - The crew of the German U-Boat 249. surrenders to the British Navy in Weymouth Bay: Commander Kock (foreground, right) and the British commander N.J.Weir. (2nd from left) in the tower of the captured U-Boat. Photo.
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akg199034 nach: Merian, Matthäus d. Ä.; 1593-1650. - "Saint Jean voit la nouvelle Jerusalem" (Johannes erblickt das Neue Jerusalem; - Offenbarung 21,9-27). Kupferstich, 1670, von Pierre Mariette. (1634-1716) nach Merian. Aus: L'Histoire du Vieux et du Nouveau Testament (..). Par le Sieur de Royaumont, Nouvelle edition, Paris (Jean Villette) 1723, S. 535. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg364839 Astrology:. Microcosms and Macrocosms. "Sol indiget luna, ut gallus gallina". Engraving by Matthaeus Merian the Elder. (1593-1650); colour added later. From: Michael Maier, Atalanta Fugiens, Oppenheim, 1618.
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alb8909560 Mantua-Mantova (Lombardy, Italy), Palazzo Ducale, Castello S.Giorgio, Camera degli Sposi (frescos, c.1465-74, by Andrea Mantegna; 1431-1506).-Interior view looking northwest: west wall with "Meeting between Ludovico III Gonazaga and his son Francesco", north wall with "Court of Ludovico III".-Photo.
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akg048426 Giotto di Bondone c. 1266-1337. "St. Francis in Front of the Sultan". (Ordeal of Fire; Legenda maior IX, 8). Fresco, c. 1295/1300. Assisi, S. Francesco (Upper church, nave, 1st bay, north wall). (Photo: Stefan Diller).
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akg839894 Te Hau-Ki-Turanga meeting house, built by the Ngati Kaipoho tribe in 1842. Detail of the portrait figure of Raharuhi Rukupo, the chief responsible for organising and directing the carving. The unique arrangement of moko tattoos allowed`the subjects of portrait sculptures to be identified. Country of Origin: New Zealand. Culture: Maori.
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akg1999430 Süddeutsch oder Wien, 3. Viertel 17. Jahrhundert. Dornenkrönung Christi. Elfenbein, Hartholz, schwarz gebeizt, 26 × 15,5 cm. Inv. Nr. Kap 325. Geistliche Schatzkammer, Wien, Kunsthistorisches Museum. Museum: Wien, Kunsthistorisches Museum. Author: ANONYMOUS.
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akg4744222 Buchmalerei, England, Abtei St. Albans(?), um 1200. - Wurzel Jesse / Initiale B). - (Initiale zur gegenüberliegenden Textzierseite: Psalm 1,1 ((B)eatus vir qui non abiit inconsilio impiorum / Wohl dem, der nicht wandelt im Rat der Gottlosen). Aus einem Psalter, sog. Psalter von Imola. Auf Pergament. Blattformat ca. 29 x 21 cm. Ms 100, folio 11 verso. Imola, Biblioteca comunale. Museum: Imola, Biblioteca Comunale. Author: ANONYMOUS.
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akg644915 African, San?, rock painting, c. 2000. years old. The so-called "White Lady" (Shaman priest with body painting; discovered 1918, incorrectly identified as a depiction of a woman of Phoenician or Cretan origin in 1955 by Henry Breuil). Copy after the original in Brandberg, Damaraland, Namibia. Museum: Windhuk (Namibia), Nationalmuseum.
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akg4470663 PREHISTORY Relief executed from Abbot Henri Breuil in 1947 of rupestri paintings recovered to Brandberg a region of the South the West of Africa. This important group of graffiti came calls from archeologi of the shipment the paintings of the 'white Checkers', here the detail of the figure that give the name to the group of paintings: the 'white Checkers'; they go back to the XIII-XIV century a.C.
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akg7942197 Muriel, Auguste (en 1829 - en 1877). Portrait de Mlle Lucile Tostée, actrice, entre 1860 et 1890. Photographie, Tirage sur papier albuminé. PH57094, Paris, Musée Carnavalet.
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alb15015639 Touched by His Noodly Appendage, the parody of Michelangelo's Creation of Adam has become an iconic image of the Flying Spaghetti Monster. Autor: Niklas Jansson.
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alb9109757 Joseph Mallord William Turner/ The Scarlet Sunset (ca. 1830-1840). Museum: Tate Gallery, London.
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alb3714008 The Voyage of Life: Youth. Dated: 1842. Dimensions: overall: 134.3 x 194.9 cm (52 7/8 x 76 3/4 in.) framed: 162.6 x 224.5 x 17.7 cm (64 x 88 3/8 x 6 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole.
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alb3710828 The Return. Dated: 1837. Dimensions: overall: 100.3 × 161.4 cm (39 1/2 × 63 9/16 in.) framed: 132.7 × 194.6 × 15.2 cm (52 1/4 × 76 5/8 × 6 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole.
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alb3705060 Masquerade Dance with Torches. Dated: probably 1516. Dimensions: sheet (trimmed to image): 22.7 x 25 cm (8 15/16 x 9 13/16 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.
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alb3714672 Temples of Juno, Lucina, and Concordia - Agrigentum, Sicily. Dated: 1842. Dimensions: sheet: 26.5 × 37.4 cm (10 7/16 × 14 3/4 in.). Medium: graphite with white gouache on brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Cole.
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alb3634434 Ornament Design. Artist: Anonymous, German, 17th century. Dimensions: sheet: 6 5/8 x 7 1/4 in. (16.8 x 18.4 cm). Former Attribution: Formerly attributed to Anonymous, German, 19th century. Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3730134 Achilles Dragging the Body of Hector. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pietro Testa.
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alb3623272 A Kitchen Scene. Artist: After David Vinckboons (Netherlandish, Mechelen 1576-1629 Amsterdam). Dimensions: sheet: 10 1/8 x 13 7/8 in. (25.7 x 35.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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alb3655940 Plate 3 from the 'Disparates': Ridiculous Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 7/16 × 13 3/4 in. (24 × 35 cm)Sheet: 13 in. × 18 11/16 in. (33 × 47.5 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.
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alb3653886 Madonna and Child. Artist: Carlo Crivelli (Italian, Venice (?), active by 1457-died 1495 Ascoli Piceno). Dimensions: Overall 14 7/8 x 10 in. (37.8 x 25.4 cm); painted surface 14 3/8 x 9 1/4 in. (36.5 x 23.5 cm). Date: ca. 1480.This perfectly preserved work is one of the artist's most exquisite pictures. Flemish painting may have inspired the remarkable precision of detail in the background, where turbaned figures (infidels) stroll. Trompe-l'oeil details are played against the doll-like prettiness of the Virgin. The apples and fly are symbols of sin and evil and are opposed to the cucumber and the goldfinch, symbols of redemption. Crivelli's signature is on what looks like a piece of paper attached to the watered-silk cloth with wax. Museum: Metropolitan Museum of Art, New York, USA.
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alb3655448 Oleanders. Artist: Vincent van Gogh (Dutch, Zundert 1853-1890 Auvers-sur-Oise). Dimensions: 23 3/4 x 29 in. (60.3 x 73.7 cm). Date: 1888.For Van Gogh, oleanders were joyous, life-affirming flowers that bloomed "inexhaustibly" and were always "putting out strong new shoots." In this painting of August 1888 the flowers fill a majolica jug that the artist used for other still lifes made in Arles. They are symbolically juxtaposed with Émile Zola's La joie de vivre, a novel that Van Gogh had placed in contrast to an open Bible in a Nuenen still life of 1885. Museum: Metropolitan Museum of Art, New York, USA.
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alb3610129 Plate. Culture: Italian, Venice. Dimensions: Diam. 11 1/8 in. (28.3 cm); H. 2 1/4 in. (5.7 cm.). Date: late 15th-early 16th century.The central medallion with a laurel-crowned bust of Julius Caesar is a later addition. Museum: Metropolitan Museum of Art, New York, USA.
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alb3611355 Symplegades. Artist: Cornelis Bloemaert (Dutch, Utrecht 1603-?1684 Rome); After Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Dimensions: sheet: 12 3/16 x 8 15/16 in. (31 x 22.7 cm)plate: 10 1/8 x 7 3/16 in. (25.7 x 18.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
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alb3616389 Two Young Peasant Women. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 35 1/4 x 45 7/8 in. (89.5 x 116.5 cm). Date: 1891-92.By virtue of their size, placement, and quiet dignity, these youthful laborers dominate the landscape setting--an open field near Pissarro's house at Éragny. Sympathetic to anarchist ideals, the artist wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France. He began this picture in summer 1891 and completed it in mid-January 1892, a month before the opening of a major exhibition of his work organized by his dealer Joseph Durand-Ruel. Many of the fifty paintings were sold from the show, but Pissarro kept this canvas and gave it to his wife. Museum: Metropolitan Museum of Art, New York, USA.
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alb3666181 Speculum Romanae Magnificentiae: Portraits of the Emperors from Julius Caesar to Rudolf II. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 16 7/8 x 22 1/8 in. (42.9 x 56.2 cm)plate: 13 15/16 x 19 1/8 in. (35.4 x 48.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1582.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 3, plate 97 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
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alb3726815 The Favorite of the Emir. Dated: c. 1879. Dimensions: overall: 142.2 x 221 cm (56 x 87 in.) framed: 198.12 × 281.94 × 19.69 cm (78 × 111 × 7 3/4 in.) framed weight: 102.059 kg (225 lb.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jean Joseph Benjamin Constant.
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alb4210731 Eugène Viollet-Le-Duc (French architect, 1814-1879). Nadar (Gaspard Félix Tournachon); French, 1820-1910. Date: 1878. Dimensions: 23.1 x 18 cm (image/paper); 34.3 x 36 cm (mount). Woodburytype, from the periodical "Galerie Contemporaine Littéraire, Artistique" (1878), volume 5. Origin: France. Museum: The Chicago Art Institute, USA. Author: Nadar (Gaspard Félix Tournachon).
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alb4137243 Julius Caesar, Perpetual Dictator, from Twelve Famous Greek and Roman Men. Boëtius Adamsz. Bolswert (Dutch, active in Flanders, 1580-1663); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1629-1635. Dimensions: 270 × 207 mm (image); 285 × 210 mm (sheet). Engraving on buff laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.
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alb4139518 Scene of Witchcraft and Devil Worship. Attributed to David Teniers the Younger (Flemish, 1610-1690); or Remigio Cantagalina (Italian, 1582-1656). Date: 1635-1690. Dimensions: 248 × 338 mm. Pen and brown ink with brush and brown wash, over traces of black chalk, on brown laid paper, laid down on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.
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alb4159417 After the Bath. Mary Cassatt (American, 1844-1926); printed by Leroy (French, active 1876-1900). Date: 1890-1891. Dimensions: 346 x 288 mm (image/plate); 433 x 301 mm (sheet). Color aquatint and drypoint from two plates on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.
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alb4150602 Caricature of Léon Manchon. Claude Monet; French, 1840-1926. Date: 1857-1860. Dimensions: 612 × 452 mm. Charcoal, with stumping and heightened with white chalk, on blue laid paper (partially discolored to yellowish gray). Origin: France. Museum: The Chicago Art Institute, USA.
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alb4142732 The Improvement of Morals. Daniel Nikolaus Chodowiecki; German, 1726-1801. Date: 1786. Dimensions: 212 x 335 mm (plate); 220 x 345 mm (sheet). Etching and engraving on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.
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alb4145664 Distant View of Niagara Falls. Thomas Cole; American, born England, 1801-1848. Date: 1830. Dimensions: 47.9 × 60.6 cm (18 7/8 × 23 7/8 in.). Oil on panel. Origin: United States. Museum: The Chicago Art Institute, USA.
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alb4145776 Charles Gounod. Jean-Auguste-Dominique Ingres; French, 1780-1867. Date: 1841. Dimensions: 299 × 233 mm. Graphite on ivory wove paper, discolored to cream. Origin: France. Museum: The Chicago Art Institute, USA.
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alb4105905 Peasant Kermis. Country kermis. Dating: c. 1665. Measurements: h 78 cm × w 106.5 cm. Museum: Rijksmuseum, Amsterdam. Author: David Teniers (II).
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alb11621592 Theo van Rysselberghe / 'Dario de Regoyos Playing the Guitar'. 1885. Oil on canvas mounted on panel. Museum: Museo del Prado, Madrid, España.
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akg5048410 Utagawa Kuniteru 1830-1874. Illustration of a Steam Locomotive Passing Shiodome in Tokyo (Tokyo Shiodome testudo jokisha tsuko zu), Print, 1872. Meiji period (1868-1912). Triptych of polychrome woodblock prints; ink and color on paper, 72.4 × 36.8 cm. Inv. Nr. JP3347. New York, Metropolitan Museum of Art.
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akg2427643 Ethnology / Kyrgyzstan:. "In the Tent of a Rich Kirghiz". Study. Painting, 1869-1970, by Wassily W. Werestschagin (1842-1904). Oil on canvas, 27 × 36.6 cm. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: VASILY V. VERESCHAGIN. WASSILI WASSILJEWITSCH WERESCHTSCHAGIN.
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akg044368 Illumination, Zurich, c. 1310-1340. Herr Hartmann von Aue. Parchment. Fr.: Große Heidelberger Liederhandschrift. (Codex Manesse). Heidelberg, Universitätsbibliothek, Cod. Pal. Germ. 848. Heidelberg, Universitätsbibliothek. Museum: Heidelberg, Universitätsbibliothek. Author: ANONYMOUS.
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akg829733 Tappert, Georg 1880-1957. "Schlafende mit Masken", 1918. (Aus der Folge zu Theodor Däubler: "Der Nachtwandler", Nr.3). Holzschnitt, 18,7 x 20,3 cm. Schloß Gottorf. Museum: Schlesw. -Holst. Landesmuseum., Schleswig.
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akg582161 Book illumination c. 1310-1340. Heinrich von Rugge (documented c. 1175/78) on galloping horse. Parchment. Fr.: Große Heidelberger Liederhandschrift. (Codex Manesse). Heidelberg, University Library. Cod. Pal. Germ. 848 fol. 122r. Heidelberg, Universitätsbibliothek. Museum: Heidelberg, Universitätsbibliothek. Author: ANONYMOUS.
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akg1674227 Arabische Welt / Schlacht bei Kerbela ( Irak), 10.Okt.680 / Sieg des Omajjaden-Kalifs Jasid I. über den Prophetenenkel Husayn). /-Die Schlacht bei Kerbela (Husayn auf weißem Pferd; links Musayn mit dem gefallenen Qasim ibn Hasan, dem Sohn seines Bruders Hasan ibn Ali).-/ Persische volkstümliche Malerei, 1900. Auf Leinwand.
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akg116712 Illumination, Zurich c. 1310-1340. Conrad the Pueller of Hohenberg (documented 1262-1315) persuiting a fleeing knight on horse. From: Große Heidelberger Liederhandschrift (Codex Manesse).Heidelberg, Universitätsbibliothek, Cod. Pal. Germ. 848. fol. 253r. Heidelberg, Universitätsbibliothek. Museum: Heidelberg, Universitätsbibliothek. Author: ANONYMOUS.
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akg1573929 Völkerkunde / Kirgisen (Turkvolk in Zentralasien). /-Kirgische Nomaden im Wakhan-Korridor im Pamir-Gebirge im Nordosten Afghanistans, Provinz Badachschan: Kirgisen in ihrer Jurte.-/ Foto, September 1967.
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akg1946893 s heute zu sehen sind.
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orz154515 GRABADO"ELOGIA VIRORUM ILLUSTRIUM"-RETRATO DE CESAR BORGIA, HERMANO DE LUCRECIA. Author: PAOLO GIOVIO. CARDENAL CESAR BORGIA. BORGIA CESAR / CESAR BORGIA. PAPA ALEJANDRO VI-HIJO.
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alb21123912 John Constable , Folly Bridge, Borrowdale, 1806 , graphite on paper, London, England.
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alb21123943 J. M. W. Turner, The Fall of Anarchy ( Death on a Pale Horse) , 1833-4 , Oil paint on canvas, London, England.
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alb21123915 J. M. W. Turner, Spithead: Two Captured Danish Ships Entering Portsmouth Harbour , 1807-9 , Oil paint on canvas, London, England.
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alb21123947 John Constable , A vivid Sunset, 1820 , Oil paint on paper laid on panel, London, England.
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alb21123917 John Constable , Helmingham Dell, 1800 , Graphite and wash on paper, London, England.
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alb21123935 John Constable , View toward the Rectory, East Bergholt, 1810 , Oil paint on canvas on panel, London, England.
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alb21123941 John Constable , Edge of a Heath by Moonlight, 1810 , Oil paint on canvas, London, England.
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alb21123929 John Constable , Falling Turnip Heads, East Bergholt, 1812-15 , Oil paint on canvas, London, England.
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alb21123923 John Constable , The Opening of Waterloo Bridge, seen from Whitehall Stairs, London, 18 June 1817 , 1819, Oil paint on canvas, London, England.
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alb21123905 John Constable ,detail of The Opening of Waterloo Bridge, seen from Whitehall Stairs, London, 18 June 1817 , 1819, Oil paint on canvas, London, England.
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alb21123903 John Constable , View along the River Brathay towards Skelwith Bridge, 1806 , Graphite on paper, London, England.
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alb21123946 J. M. W. Turner, Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves, exhibited 1846 , Oil paint on canvas, London, England.
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alb21123958 John Constable ,self-portrait, 1799-1804, pencil and black chalk heightened with white and red chalk, London, England.
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alb21123939 John Constable , The Glebe Farm, around 1830, Oil paint on canvas, London, England.
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alb21123938 John Constable , The River Stour at Sunset, Looking Towards Dedham, 1809-10 , Oil paint on paper, London, England.
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alb21123907 J. M. W. Turner, Sunrise with Sea Monsters ,c. 1845 , Oil paint on canvas, London, England.
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alb21123934 John Constable , View of the Stour near Dedham , 1822 , Oil paint on canvas, London, England.
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alb21123933 J. M. W. Turner, The Decline of the Carthaginian Empire (detail), 1817 , Oil paint on canvas, London, England.
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alb21123932 Ramsay Richard Reinagle, John Constable portrait , 1799, Oil paint on canvas, London, England.
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alb21123920 J. M. W. Turner, Mercury Sent to Admonish Aeneas , 1850 , Oil paint on canvas, London, England.
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alb21123906 Wooden palete belonging to John Constable , London, England.
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alb21123937 John Constable , The Valley of the Stour at Sunset, 1812 , Oil paint on canvas, London, England.
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alb21123959 John Constable, Fen Lane, East Bergholt , 1817 , Oil paint on canvas, London, England.
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alb21123956 John Constable , Flatford Mill from the Lock, exhibited 1812 , Oil paint on canvas, London, England.
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alb21123926 J. M. W. Turner, A Countrt Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney , 1807 , Oil paint on mahogany, London, England.
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alb21123957 John Constable , Willy Lott´s House, 1816 , Oil paint on paper laid on canvas, London, England.
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alb21123936 J. M. W. Turner, St Benedetto, Looking towards Fusina, 1843 , Oil paint on canvas, London, England.
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alb21123914 John Constable , View of Dedham from the Lane Leading from East Bergholt Church to Flatford, 1809-10 , Oil paint on paper laid on canvas, London, England.
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alb21123960 John Constable ,detail of The Opening of Waterloo Bridge, seen from Whitehall Stairs, London, 18 June 1817 , 1819, Oil paint on canvas, London, England.
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alb21123902 J. M. W. Turner, Shade and Darkness - the Evening of the Deluge , 1843 , Oil paint on canvas, London, England.
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alb21123916 J. M. W. Turner, Snow Storm:Hannibal and his army crossing the Alps , 1812 , Oil paint on canvas, London, England.
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alb21123940 J. M. W. Turner, Light and Colour (Goethe´s Theory) - the Morning after the Deluge - Moses Writing the Book of Genesis , 1843 , Oil paint on canvas, London, England.
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alb21123909 J. M. W. Turner, South view of Salysbury Cathedral from the Cloisters , 1802 , Watercolour on paper, London, England.
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alb21123954 J. M. W. Turner, Buttermere Lake, with part of Cromackwater, Cumberland, a Shower , 1798 , Oil paint on canvas, London, England.
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alb21123900 John Constable , Cloud Study, 1822 , Oil paint on paper, London, England.
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alb21123913 John Constable , Brighton Beach , 1824 , Oil paint on paper, London, England.
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alb21123930 John Constable , Salisbury Cathedral from the Bishop´s Grounds, Exhibited 1823 , Oil paint on canvas, London, England.
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alb21123942 John Constable , The Mill Stream, 1810-14 , Oil paint on canvas, London, England.
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alb21123955 John Constable,Sea Near Brighton , 1826 , Oil paint on card, London, England.
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alb21123931 Charles West Cope, J. M. W. Turner, 1828 , Oil paint on card, London, England.
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alb21123945 J. M. W. Turner, 1799 , Self-Portrait, oil on canvas, London, England.
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alb21123924 John Constable , Salisbury Cathedral from the Meadows, 1831 , Oil paint on canvas, London, England.
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alb21123948 J. M. W. Turner (and Thomas Girtin), Tivoli, Villa of Maecenas , 1794-97 , Graphite and Watercolour on paper, London, England.
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alb21123901 John Constable , Sir Richard Steele´s Cottage, Hampstead, 1832 , Oil paint on canvas, London, England.
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alb21123925 John Constable , Stonehenge, 1835 , Watercolour on paper, London, England.
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alb21123928 John Constable , Old Sarum, 1834 , Watercolour on paper, London, England.
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alb21123832 John Constable , Harwich Lighthouse, 1820 , Oil paint on canvas, London, England.
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alb21123839 John Constable, A Windmill near Brighton, 1824, oil paint on canvas, London, England.
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alb21123859 J. M. W. Turner, Keelmen Heaving in Coals by Moonlight (detail) , 1835 , Oil paint on canvas, London, England.
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alb21123843 John Constable , A sketch of East Berghold from East Berghold House , 1811 , Oil paint on canvas, London, England.
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Total de Resultados: 10.000

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