Pesquisando por: ""cidade_pt:Berlin"" - Fotoarena - Agência de fotojornalismo

ny280424161407 Competitors during a Hyrox event at Tempelhof, a former airfield in Berlin, March 20, 2024. Hyrox races, which have exploded in popularity since the end of the pandemic, combine running with several functional fitness movements, such as the farmer?s carry, the weighted lunge, and the burpee broad jump. (Maria Sturm/The New York Times/Fotoarena)

ny280424161707 Competitors at the sled pull station during a Hyrox event at Tempelhof, a former airfield in Berlin, March 20, 2024. Hyrox races, which have exploded in popularity since the end of the pandemic, combine running with several functional fitness movements, such as the farmer?s carry, the weighted lunge, and the burpee broad jump. (Maria Sturm/The New York Times/Fotoarena)

ny280424161506 The start of a Hyrox event at Tempelhof, a former airfield in Berlin, March 20, 2024. Hyrox races, which have exploded in popularity since the end of the pandemic, combine running with several functional fitness movements, such as the farmer?s carry, the weighted lunge, and the burpee broad jump. (Maria Sturm/The New York Times/Fotoarena)

ny280424161408 A competitor at the sandbag lunge station during a Hyrox event at Tempelhof, a former airfield in Berlin, on March 20, 2024. Hyrox races, which have exploded in popularity since the end of the pandemic, combine running with several functional fitness movements, such as the farmer?s carry, the weighted lunge, and the burpee broad jump. (Maria Sturm/The New York Times/Fotoarena)

ny050424194807 A large outdoor facade could cost six figures, Charlotte Specht of Basa Studio said. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny310324164507 A large outdoor facade could cost six figures, Charlotte Specht of Basa Studio said. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny050424191107 ?No Future,? a mural by Mr. Fairey in Berlin?s Schöneberg district on March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny310324165507 ?No Future,? a mural by Mr. Fairey in Berlin?s Schöneberg district on March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny050424200907 The East Side Mall in the Friedrichshain neighborhood of Berlin on March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny310324165706 The East Side Mall in the Friedrichshain neighborhood of Berlin on March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny080424102407 RETRANSMISSION TO CORRECT DATELINE AND ADD WALL IS PART OF LONGEST REMAINING PIECE OF THE BERLIN WALL Ñ Office buildings in the Friedrichshain neighborhood of Berlin, formerly part of East Berlin, where a section of the longest remaining piece of the Berlin Wall is seen, March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhoodÕs cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny050424201207 Office buildings in Friedrichshain, Germany on March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny010424190907 RETRANSMISSION TO CORRECT DATELINE AND ADD WALL IS PART OF LONGEST REMAINING PIECE OF THE BERLIN WALL Ñ Office buildings in the Friedrichshain neighborhood of Berlin, formerly part of East Berlin, where a section of the longest remaining piece of the Berlin Wall is seen, March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhoodÕs cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny310324163807 Office buildings in Friedrichshain, Germany on March 13, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny050424193607 A mural by Süsse Sünde in Kreuzberg, a Berlin district, on March 12, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny310324170906 A mural by Süsse Sünde in Kreuzberg, a Berlin district, on March 12, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny050424195007 A Lululemon ad in Kreuzberg, a Berlin district, on March 12, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny310324172706 A Lululemon ad in Kreuzberg, a Berlin district, on March 12, 2024. Brands, developers and even city officials are embracing the global appeal of street art, but the boom comes with questions about preserving a neighborhood?s cultural cachet. (Patrick Junker/The New York Times/Fotoarena)

ny070424171308 Maxim Biller, an author and one of GermanyÕs leading columnists, in Berlin, March 5, 2024. ÒYou have people who take the left position toward Israel,Ó he says, Òwithout even knowing that they are actually mixing up Israel and Jews.Ó (Andrew White/The New York Times/Fotoarena)

ny070424165808 Peaches, an electroclash musician and longtime Berlin resident, in the city on March 6, 2024. In her view Germany ÒcanÕt separate Israeli politics from Jewish feelings.Ó (Andrew White/The New York Times/Fotoarena)

ny110424215206 Author Deborah Feldman, who has been outspoken about German politics since the beginning of the Israel-Hamas war, in Berlin on March 5, 2024. Feldman, who wrote in ÒUnorthodoxÓ about leaving her Hasidic community in New York, has been touching a nerve in Germany, where she is now a citizen. (Andrew White/The New York Times/Fotoarena)

ny220224155806 Viewers crowd into the back of a taxi cab in Berlin to watch ÒTaxi Driver,Ó on Tuesday, Feb. 20, 2024. The TaxiFilmFest is partly a protest over the miserable state of BerlinÕs taxi industry. But itÕs also a celebration of the cabÕs iconic place in the urban cultural landscape. (Gordon Welters/The New York Times/Fotoarena)

ny220224155407 Viewers crowded into the back of a taxi cab in Berlin to watch ?Taxi Driver,? on Tuesday, Feb. 20, 2024. The TaxiFilmFest is partly a protest over the miserable state of Berlin?s taxi industry. But it?s also a celebration of the cab?s iconic place in the urban cultural landscape. (Gordon Welters/The New York Times/Fotoarena)

ny220224155706 A taxi cab in Berlin advertises ?TaxiFilmFest? on Tuesday, Feb. 20, 2024. The TaxiFilmFest is partly a protest over the miserable state of Berlin?s taxi industry. But it?s also a celebration of the cab?s iconic place in the urban cultural landscape. (Gordon Welters/The New York Times/Fotoarena)

ny220224155507 A sign on top of a taxi reads ?Taxi ist Kult,? in Berlin on Tuesday, Feb. 20, 2024. The TaxiFilmFest is partly a protest over the miserable state of Berlin?s taxi industry. But it?s also a celebration of the cab?s iconic place in the urban cultural landscape. (Gordon Welters/The New York Times/Fotoarena)

ny090224172807 The dissident and artist Ai Weiwei, at his studio in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224172706 The dissident and artist Ai Weiwei, at his studio in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224172507 The dissident and artist Ai Weiwei with ÒWater Lilies #2Ó (2022), a Lego-brick reinterpretation of MonetÕs masterpiece, at his show ÒKnow ThyselfÓ in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224173206 The dissident and artist Ai Weiwei with ÒWater Lilies #2Ó (2022), a Lego-brick reinterpretation of MonetÕs masterpiece, at his show ÒKnow ThyselfÓ in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224172207 The dissident and artist Ai Weiwei with ÒWater Lilies #2Ó (2022), a Lego-brick reinterpretation of MonetÕs masterpiece, at his show ÒKnow ThyselfÓ in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224173006 The dissident and artist Ai Weiwei, at his studio in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224171907 The dissident and artist Ai Weiwei, at his studio in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny090224172406 The dissident and artist Ai Weiwei, at his studio in Berlin on Feb. 1, 2024. AiÕs new graphic novel ÒZodiacÓ entwines recalled experience with legend and imagination. ÒThe publisher called it a memoir, but itÕs not,Ó he said. ÒMemory is subjective. We choose some things to remember and lots to forget.Ó (Maria Sturm/The New York Times/Fotoarena)

ny300124180606 Josephine Baker peforms on Broadway in the ÒZiegfeld FolliesÓ in the 1930s as part of ÒSlow Fade To Black: Josephine BakerÓ exhibition at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124175406 A 1920s portrait of Josephine Baker by George Hoyningen-Huene on display at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124180006 ÒSlipcoverÓ by Simone Leigh, one of many pieces of art in the ÒSlow Fade To Black: Josephine BakerÓ exhibition at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124180407 Klaus Biesenbach, left, and Kandis Williams, a co-curator, at the exhibition opening at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124175306 A visitor listens to an audio at ?Slow Fade To Black: Josephine Baker? exhibition at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124175807 People watch a video screen as part of the ÒSlow Fade To Black: Josephine BakerÓ exhibition at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124180206 The ÒSlow Fade To Black: Josephine BakerÓ exhibition at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny300124175606 Carrie Mae WeemsÕs diptych ÒSlow Fade To Black: Josephine BakerÓ frames the exhibition entrance at the Neue Nationalgalerie in Berlin on Jan. 25, 2024. Baker entertained Europe between the wars and still inspires artists and activists now, as a new exhibition in Berlin shows. (Andreas Meichsner/The New York Times/Fotoarena)

ny101223150308 Tea is prepared for customers at the vegan restaurant, where a tea master plays with fermentation techniques on everything from tofu to kombucha, in Berlin, Dec. 6, 2023. Berlin is bursting with creative vegan options, including Spanish tapas, Berliner-style doughnuts and even fast food. (Lena Mucha/The New York Times/Fotoarena)

ny101223150007 A dish featuring a maitake mushroom is plated at Oukan, a vegan restaurant in Berlin, Dec. 6, 2023. Berlin is bursting with creative vegan options, including Spanish tapas, Berliner-style doughnuts, and even fast food. (Lena Mucha/The New York Times/Fotoarena)

ny101223145906 A maitake mushroom is grilled for a dish at Oukan, a vegan restaurant in Berlin, Dec. 6, 2023. Berlin is bursting with creative vegan options, including Spanish tapas, Berliner-style doughnuts, and even fast food. (Lena Mucha/The New York Times/Fotoarena)

ny101223150306 Tran Mai Huy Thong at Oukan, his vegan restaurant in Berlin, Dec. 6, 2023. Berlin is bursting with creative vegan options, including Spanish tapas, Berliner-style doughnuts and even fast food. (Lena Mucha/The New York Times/Fotoarena)

ny101223150106 Some of the offerings at Alaska, a vegan tapas bar in the Neukölln neighborhood of Berlin, Dec. 5, 2023. Berlin is bursting with creative vegan options, including Spanish tapas, Berliner-style doughnuts, and even fast food. (Lena Mucha/The New York Times/Fotoarena)

ny131223171206 Diners at Alaska, a vegan tapas bar in Berlin, on Dec. 5, 2023. The German government faced a ?17 billion shortfall in its budget for next year. (Lena Mucha/The New York Times/Fotoarena)

ny101223150206 Customers at Alaska, a vegan tapas bar in the Neukölln neighborhood of Berlin, Dec. 5, 2023. Berlin is bursting with creative vegan options, including Spanish tapas, Berliner-style doughnuts, and even fast food. (Lena Mucha/The New York Times/Fotoarena)

ny141123200106 From left, Cal Hobbs, Andre Roberts and Alyssa Winkler practice taking Andre's blood pressure in a simulation lab at the Central Vermont Medical Center in Berlin, Vt., on Nov. 7, 2023. The medical center has teamed up with two local colleges on a program enabling hospital employees to train as nurses while working full time. (Hilary Swift/The New York Times/Fotoarena)

ny121123162006 From left, Cal Hobbs, Andre Roberts and Alyssa Winkler practice taking Andre's blood pressure in a simulation lab at the Central Vermont Medical Center in Berlin, Vt., on Nov. 7, 2023. The medical center has teamed up with two local colleges on a program enabling hospital employees to train as nurses while working full time. (Hilary Swift/The New York Times/Fotoarena)

ny141123195906 A trainee during a procedure practice using a dummy at Central Vermont Medical Center in Berlin, Vt., on Nov. 7, 2023. Vermont may be the face of a long-term U.S. labor shortage; employers are pulling out all the stops to attract workers as the stateÕs population grows older, offering a likely glimpse of the countryÕs future. (Hilary Swift/The New York Times/Fotoarena)

ny121123162607 A trainee during a procedure practice using a dummy at Central Vermont Medical Center in Berlin, Vt., on Nov. 7, 2023. Vermont may be the face of a long-term U.S. labor shortage; employers are pulling out all the stops to attract workers as the state?s population grows older, offering a likely glimpse of the country?s future. (Hilary Swift/The New York Times/Fotoarena)

ny311023160007 Conductor Daniel Barenboim performs with the academyÕs students at the Pierre Boulez Saal Concert Hall in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155206 Students perform for the first time since the Israel Hamas war began, at the Pierre Boulez Saal oncert Hall in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023154906 Conductor Daniel Barenboim performs with students at the Pierre Boulez Saal oncert Hall in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155406 The Barenboim-Said Academy, which was built in an old opera warehouse, in the heart of Berlin, on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155906 Roni Mann, who teaches philosophy and is the founding director of humanities at the Barenboim-Said Academy, in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155806 The Barenboim-Said Academy, which was founded by the Argentine Israeli conductor Daniel Barenboim with the intention of bringing together students from across the Middle East, in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155106 Frans Helmerson works with Naor Zadickario, right, who is from Israel, at the Barenboim-Said Academy, in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155606 Clockwise from top left: Kristina Georgieva, a Bulgarian violinist; Itamar Carmeli, an Israeli pianist; Katia Abdel Kader, a Palestinian violinist; and Roshanak Rafani, an Iranian percussionist, at the Barenboim-Said Academy in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023160206 Andrej Zust, right, teaches Kandil Mohammed during a horn lesson, at the Barenboim-Said Academy, in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny311023155506 A classroom at the Barenboim-Said Academy, which was founded by the Argentine Israeli conductor Daniel Barenboim with the intention of bringing together students from across the Middle East, in Berlin on Oct. 23, 2023. The Israel-Hamas war tests students from the Middle East studying music in Berlin. (Andreas Meichsner/The New York Times/Fotoarena)

ny031223152706 The decommissioned Tegel airport, a first stop in Germany for many Ukrainian refugees, in Berlin, Oct. 11, 2023. As Ukraine?s seemingly interminable war with Russia nears the end of its second year, the cruel dilemma of whether to put down roots or return to family and a desire to help rebuild faces the country?s many refugees that are scattered across Europe. (Lena Mucha/The New York Times/Fotoarena)

ny031223153006 Valerie Mykailova and her daughter Emily, who share a room with five other refugees at the decommissioned Tegel airport, in Berlin, Oct. 11, 2023. As Ukraine?s seemingly interminable war with Russia nears the end of its second year, the cruel dilemma of whether to put down roots or return to family and a desire to help rebuild faces the country?s many refugees that are scattered across Europe. (Lena Mucha/The New York Times/Fotoarena)

ny031223152606 A former baggage claim area at the decommissioned Tegel airport, now an information center for Ukrainian refugees, in Berlin, Oct. 11, 2023. As Ukraine?s seemingly interminable war with Russia nears the end of its second year, the cruel dilemma of whether to put down roots or return to family and a desire to help rebuild faces the country?s many refugees that are scattered across Europe. (Lena Mucha/The New York Times/Fotoarena)

ny181023191206 Visitors view a 360-degree panorama, showing the ancient city of Pergamon around 129 A.D., at the Pergamon Museum in Berlin, Sept. 20, 2023. The panorama will remain open, in a separate building, while the museum is closed. (Lena Mucha/The New York Times/Fotoarena)

ny181023190807 The Pergamon Museum in Berlin, Sept. 20, 2023. Although the altar room and north wing of the museum are set to reopen in 2027, other parts of the building will not be accessible for an additional decade. (Lena Mucha/The New York Times/Fotoarena)

ny181023191106 Andreas Scholl, the head of the Pergamon MuseumÕs antiquities collection, at the museum in Berlin, Sept. 20, 2023. ÒThe institution of the museum, as a product of the Enlightenment, is being questioned,Ó said Scholl. (Lena Mucha/The New York Times/Fotoarena)

ny181023190906 The Pergamon Altar at the Pergamon Museum in Berlin, Sept. 20, 2023. The Pergamon Altar has been off limits to visitors since 2014 Ñ next week, the whole museum will close until 2027. (Lena Mucha/The New York Times/Fotoarena)

ny170923152006 A demonstration against the soprano Anna Netrebko takes place outside the Berlin State Opera, where she was appearing for the first time since the start of the war in Ukraine, in Berlin, Sept. 15, 2023. The Russian star soprano appeared in her first staged opera in Germany since the Ukraine invasion, still under fire for her past support for President Vladimir Putin. (Lena Mucha/The New York Times/Fotoarena)

ny170923151806 A demonstration against the soprano Anna Netrebko takes place outside the Berlin State Opera, where she was appearing for the first time since the start of the war in Ukraine, in Berlin, Sept. 15, 2023. The Russian star soprano appeared in her first staged opera in Germany since the Ukraine invasion, still under fire for her past support for President Vladimir Putin. (Lena Mucha/The New York Times/Fotoarena)

ny170923151906 A demonstration against the soprano Anna Netrebko takes place outside the Berlin State Opera, where she was appearing for the first time since the start of the war in Ukraine, in Berlin, Sept. 15, 2023. The Russian star soprano appeared in her first staged opera in Germany since the Ukraine invasion, still under fire for her past support for President Vladimir Putin. (Lena Mucha/The New York Times/Fotoarena)

ny140923212406 Titus Engel conducts the orchestra during a rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. In Berlin, the Komische Oper is experimenting with its performance venues while its theater undergoes a multiyear renovation. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923212806 A rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. The stage has been outfitted with a 15-inch-deep swimming pool. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923212606 Gloria Rehm and G?nter Papendell during a rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. In Berlin, the Komische Oper is experimenting with its performance venues while its theater undergoes a multiyear renovation. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923213506 The mezzo-soprano Idunnu M?nch during a rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. M?nch plays Charon, based on the boatman from Greek mythology. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923213106 A rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. In Berlin, the Komische Oper is experimenting with its performance venues while its theater undergoes a multiyear renovation. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923212206 Gloria Rehm during a rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. Rehm portrays Death, tempting the lost sailors to give up. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923213006 A rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. ÒThe Raft of the MedusaÓ was created amid the political upheaval of 1968, but the director of the current production feels that it has grown more universal, and today can be read as a commentary on refugees. (Andreas Meichsner/The New York Times/Fotoarena)

ny180923153406 A rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. The show received a monumental staging by Tobias Kratzer for the Komische Oper in Berlin, set around and within a pool in a Tempelhof hangar. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923213306 A rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. The hangar, which has been used for art installations and sports in recent years, has 1,600 seats for the ÒMedusaÓ performances. (Andreas Meichsner/The New York Times/Fotoarena)

ny140923213706 A rehearsal of Komische OperÕs staging of Hans Werner HenzeÕs ÒThe Raft of the Medusa,Ó in a hangar at Tempelhof Airport in Berlin, Sept. 13, 2023. Starting with ÒThe Raft of the Medusa,Ó each of the next five Komische Oper seasons will open with a large-scale performance in the hangar. (Andreas Meichsner/The New York Times/Fotoarena)

ny110923224306 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 am. ET on Tuesday, Sept. 12, 2023.** The entrance to Fotografiska in Berlin, Sept. 7, 2023. The new Berlin branch of a Stockholm-based center for photography exhibitions, in a complex that also features luxury apartments, high-end office spaces and a shopping plaza, was once a utopian squat for artists and anarchists, and a symbol of post-reunification BerlinÕs heady, underground culture. (Lena Mucha/The New York Times/Fotoarena)

ny110923224308 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 am. ET on Tuesday, Sept. 12, 2023.** No exceptions for any reasons. EMBARGO set by source.** Some of the old facade of the Tacheles building is reflected in windows of a structure that is part of the new complex, in Berlin, Sept. 7, 2023. Fotografiska, a new branch of a Stockholm-based center for photography exhibitions, anchors a complex with luxury apartments, high-end office spaces and a shopping plaza where a post-reunification utopian squat for artists and anarchists once thrived. (Lena Mucha/The New York Times/Fotoarena)

ny110923224006 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 am. ET on Tuesday, Sept. 12, 2023.** Inside Fotografiska, which retains some the Tachele squatÕs look, in Berlin, Sept. 7, 2023. The new Berlin branch of a Stockholm-based center for photography exhibitions, in a complex that also features luxury apartments, high-end office spaces and a shopping plaza, was once a utopian squat for artists and anarchists, and a symbol of post-reunification BerlinÕs heady, underground culture. (Lena Mucha/The New York Times/Fotoarena)

ny110923224107 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 am. ET on Tuesday, Sept. 12, 2023.** No exceptions for any reasons. EMBARGO set by source.** From left: Marina Paulenka, Fotografiska BerlinÕs director of exhibitions; Yoram Roth, chairman of the Fotografiska group; and Yousef Hammoudah, the Berlin centerÕs executive director, at the Tacheles building in Berlin, Sept. 7, 2023. The new branch of a Stockholm-based center for photography exhibitions anchors a complex with luxury apartments, high-end office spaces and a shopping plaza where a post-reunification utopian squat for artists and anarchists once thrived. (Lena Mucha/The New York Times/Fotoarena)

ny110923223906 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 am. ET on Tuesday, Sept. 12, 2023.** No exceptions for any reasons. EMBARGO set by source.** Jochen Sandig, a co-founder of the Tacheles squat who now runs two art spaces, in Berlin, Sept. 7, 2023. The new branch of a Stockholm-based center for photography exhibitions anchors a complex with luxury apartments, high-end office spaces and a shopping plaza where a post-reunification utopian squat for artists and anarchists once thrived. (Lena Mucha/The New York Times/Fotoarena)

ny270823193006 Keri-Lynn Wilson, right, conducts the Ukrainian Freedom Orchestra, with soloist Valeriy Sokolov, at Schönhausen Palace in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of Beethoven?s Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny250823192407 Keri-Lynn Wilson, right, conducts the Ukrainian Freedom Orchestra, with soloist Valeriy Sokolov, at Sch?nhausen Palace in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of BeethovenÕs Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny270823192506 The Ukrainian Freedom Orchestra, which is in its second year of touring, performs at Schönhausen Palace in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of Beethoven?s Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny250823191406 The Ukrainian Freedom Orchestra, which is in its second year of touring, performs at Sch?nhausen Palace in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of BeethovenÕs Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny270823192107 The violinist Anna Bura, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of Beethoven?s Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny250823192106 The violinist Anna Bura, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of BeethovenÕs Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny270823192706 The violinist Kyrylo Markiv, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of Beethoven?s Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny250823191906 The violinist Kyrylo Markiv, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of BeethovenÕs Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny270823192806 The bass player Nazarii Stets, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of Beethoven?s Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny250823192206 The bass player Nazarii Stets, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of BeethovenÕs Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny270823193306 The cellist Denys Karachevtsev, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of Beethoven?s Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny250823191606 The cellist Denys Karachevtsev, with the Ukrainian Freedom Orchestra, in Berlin on Thursday, Aug. 24, 2023. As war in Ukraine continues, so does the Ukrainian Freedom Orchestra, with a version of BeethovenÕs Ninth Symphony tailored to the moment. (Andreas Meichsner/The New York Times/Fotoarena)

ny080923143808 The sculptor Nairy Baghramian in her studio in Berlin on July 13, 2023. With powerfully alive new works at the Met and MoMA, the Iranian-born artist is embracing the canon, the better to take it apart. (Mustafah Abdulaziz/The New York Times/Fotoarena)