Pesquisando por: "KITAGAWA UTAMARO" - Fotoarena - Agência de fotojornalismo

2WR86K0 Images of insects, Churui gafu (title on object), Meiji reprint of the prints from parts one and two of Utamaro`s insect book, published as one volume. Light blue cover with grass pattern; white title strip; 18 pages: pages one and two, table of contents; 15 prints, each on two pages, with images of insects on flowers and plants; last two pages, colophon. Stored in a green-brown box., print maker: Kitagawa Utamaro, Umezawa Minokichi, publisher: Okura Magobei, print maker: Edo, Tokyo, publisher: Tokyo, 1892, paper, color woodcut, height 248 mm × width 175 mm

2TCPGBE Japan: 'The three beauties O-Hisa, O-Kita and O-Hina'. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1792. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

2TCTBC4 'Hairdressing' from the Serie Eight Views of Famous Teahouse Beauties. By Kitagawa Utamaro. Edo period, 18th century

2T2EWY6 Kitagawa Utamaro, Two Geishas and a Tipsy Client, woodcut print in ink and colour on paper, circa 1805

2T7801B Bijinga. Courtesan Akashi of the Tamaya, kamuro Uraji and Shimano, from the series Seven Komachis of Yoshiwara. 1792-1793 by Kitagawa Utamaro (d. 1806

2RWXJ61 Fond of Things from the series Eight Views of Favorite Things of Today's World by Kitagawa Utamaro (c. 1753-1806), color woodblock print, late 1790s

2RTAPB5 Japan: 'Abalone Divers / The Abalone Fisherwomen'. Ukiyo-e woodblock triptych print by Kitagawa Utamaro (c. 1753 - 31 October 1806), c. 1797-1798. The title would appear to be a double entendre, as few 'abalone divers' would have dressed, let alone looked, like these 'bijin' beauties. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

2RPMC31 Japan: 'The Fickle / Coquettish Type'. Ukiyo-e woodblock print from the series 'Ten Physiognomies of Women' by Utamaro Kitagawa (c. 1753 - 31 October 1806), c. 1792-1793. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

2RN18Y3 Japan: Midnight - Mother and Sleepy Child. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1790. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

2WHM7T5 Kitagawa Utamaro

2RCEYWJ The Courtesan Ichikawa of the Matsuba Establishment by Kitagawa Utamaro (c. 1753-1806), colour woodcut, late 1790s

2R1J4K1 Young couple making love on a summer sleeping mat, Kama Sutra, eroticism, sex, erotic illustration from 1850, Japan, Historical, digitally restored reproduction from a 19th century original / Junges Ehepaar, das sich auf einer Sommerschlafmatte liebt, Kamasutra, Erotik, Sex, erotische Darstellung aus dem Jahre 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2R1J4JY Prostitute kissing with young man, Kama Sutra, eroticism, sex, erotic image from 1850, Japan, Historical, digitally restored reproduction from a 19th century original / Prostituierte küsst mit jungem Mann, Kamasutra, Erotik, Sex, erotische Darstellung aus dem Jahre 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2R1J4K5 Young civilian daughter with lover at a shamisen, Kamasutra, erotic, sex, erotic illustration from 1850, Japan, Historic, digitally restored reproduction from a 19th century original / Junge Ziviltochter mit Liebhaber an einem Shamisen, Kamasutra, Erotik, Sex, erotische Darstellung aus dem Jahre 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2R1J4K0 Married man and widow, Kama Sutra, eroticism, sex, erotic image from 1850, Japan, Historical, digitally restored reproduction from a 19th century original / Verheirateter Mann und Witwe, Kamasutra, Erotik, Sex, erotische Darstellung aus dem Jahre 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2R1J4JD Geisha and lover at free standing screen, Kama Sutra, eroticism, sex, erotic image from 1850, Japan, Historical, digitally restored reproduction from a 19th century original / Geisha und Geliebter an freistehendem Paravent, Kamasutra, Erotik, Sex, erotische Darstellung aus dem Jahre 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2R9HFJC Kitagawa Utamaro, Couple with a Standing Screen, woodcut print in ink, circa 1797

2R60C5E Kitagawa Utamaro, The Courtesan Ichikawa of the Matsuba Establishment, woodcut print in colour, 1796

2RCJPB9 Caterpillar and bees, 1788, by Kitagawa Utamaro

2R3XE9H Kitagawa Utamaro

2J809F5 Dance of the Beach Maidens

2J7YFFP Fishing

2T91TH5 (Three Women with Bills for Sweets), c. 1789-1801, Kitagawa Utamaro; Publisher: Yamaguchiya Chūsuke, Japanese, 1753 - 1806, 15 1/8 × 10 3/16 in. (38.4 × 25.8 cm) (image, sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th-19th century

2T91PN2 Lady Descending from a Court Carriage, c. 1801-1804, Kitagawa Utamaro; Publisher: Izumiya Ichibei, Japanese, 1753 - 1806, 14 15/16 × 29 1/8 in. (38 × 74 cm) (image, sheet, vertical ōban triptych)37 × 19 × 1 1/2 in. (93.98 × 48.26 × 3.81 cm) (outer frame), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

2T91P03 Woman Making a Flower Arrangement, c. 1802, Kitagawa Utamaro, Japanese, 1753 - 1806, 15 3/8 x 19 1/2 in. (39 x 49.5 cm) (image), Ink, color, and gofun on paper, Japan, Nikuhitsu ukiyo-e

2T91P0N Portrait of Tomimoto Toyohina, 1795-1796, Kitagawa Utamaro; Publisher: Ōmiya Gonkurō, Japanese, 1753 - 1806, 15 3/8 × 10 3/16 in. (39 × 25.8 cm) (image, sheet, vertical ōban)23 × 19 × 1 1/2 in. (58.42 × 48.26 × 3.81 cm), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, Tomimoto Toyohina was a much sought-after geisha (entertainer) who performed narrative ballads accompanied by the shamisen. She was one of several non-prostitute beauties, including teahouse waitresses, whom Utamaro depicted repeatedly in the early to mid 1790s. Here she wears a headdress called agebōshi

2T91NTP Prostitute Hanaōgi of the Ōgiya House, 1793-1794, Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō, Japanese, 1753 - 1806, 14 1/2 × 9 5/8 in. (36.9 × 24.5 cm) (image, sheet, vertical ōban)23 × 19 × 1 1/2 in. (58.42 × 48.26 × 3.81 cm) (outer frame), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, Hanaōgi (literally, 'flower fan') may well be the most frequently depicted woman in ukiyo-e. In fact, Hanaōgi was a pseudonym used by several generations of prostitutes from the Ōgiya house, one of the most exclusive brothels in the Yoshiwara. This print represents Hanaōgi IV

2T91MGP Kitchen Scene, 1794-1795, Kitagawa Utamaro; Publisher: Uemura Yohei, Japanese, 1753 - 1806, 14 5/16 × 19 5/8 in. (36.3 × 49.9 cm) (image, sheet, vertical ōban diptych)22 7/8 × 28 7/8 × 1 1/2 in. (58.1 × 73.34 × 3.81 cm) (outer frame), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, In addition to picturing the great beauty and perfection of the 'Floating World's' greatest courtesans, Utamaro also rendered women of various classes, sometimes engaged in mundane tasks. In this print he shows women stoking a stove, peeling potatoes and washing dishes

2T91M2M Chiyo from Kaga Province, c. 1801-1804, Kitagawa Utamaro; Publisher: Murataya Jirōbei, Japanese, 1753 - 1806, 20 1/2 × 9 5/16 in. (52 × 23.7 cm) (image, sheet, nagaban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

2T91M31 Masako from Mino Province, c. 1804, Kitagawa Utamaro; Publisher: Murataya Jirōbei, Japanese, 1753 - 1806, 20 9/16 × 9 3/16 in. (52.3 × 23.3 cm) (image, sheet, nagaban), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th-19th century, Executed in the rare, long format (nagaban), this print depicts a prostitute and her attendant playing with a child who could be hers from a previous love affair. The poem reads

2T91KYC Standing Prostitute, 18th century, Kitagawa Utamaro, Japanese, 1753 - 1806, 47 1/4 x 17 11/16 in. (120 x 45 cm) (image)81 7/8 x 19 11/16 in. (208 x 50 cm) (mount) 56 cm w w/rollers, Ink and color on paper, Japan, Nikuhitsu ukiyo-e

2T91K5G Creation of the World, 1784, Kitagawa Utamaro; Author: Tōrai Sanna, Japanese, 1753 - 1806, 8 9/16 x 5 3/4 x 3/16 in. (21.8 x 14.6 x 0.4 cm), Woodblock printed book; ink on paper, Japan, 18th century

2T91J7X A Young Man and Three Women and Oxcart in Front of Mimeguri Shrine, c. 1781-1806, Kitagawa Utamaro; Publisher: Maruya Jinpachi, Japanese, 14 1/4 × 9 1/8 in. (36.2 × 23.2 cm) (image, sheet, ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th-19th century

2T91J63 Matsuō's Wife Chiyo from the Play 'Tenarai kagami', 1806, 1st month, Kitagawa Utamaro; Publisher: Nishimuraya Yohachi, Japanese, 14 7/16 × 9 5/8 in. (36.7 × 24.4 cm) (image, sheet, ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

2T91J6B Ebisu God Cooking a Red Snapper, 19th century, Kitagawa Utamaro; Publisher: Iwatoya Kisaburō, Japanese, 1753 - 1806, 14 3/8 × 9 3/4 in. (36.5 × 24.7 cm) (image, sheet, ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

2T91J4H Prostitute Zetō of Ebiya House, 19th century, Kitagawa Utamaro; Publisher: Maruya Jinpachi, Japanese, 14 5/16 × 9 13/16 in. (36.3 × 25 cm) (image, sheet, ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century

2T91J5C A Footman (Yakko) Mocking A Trap for Fox, c. 1781-1806, Kitagawa Utamaro, Japanese, 1753 - 1806, 13 5/8 x 9 in. (34.6 x 22.9 cm) (image, sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th-19th century

2T91BNK Asazuma-bune, Fan-seller, and Poetic Epithets, 1793, Kitagawa Utamaro; Publisher: Tsuruya Kiemon, Japanese, 1753 - 1806, 15 1/8 × 10 1/8 in. (38.4 × 25.7 cm) (image, sheet, ōban)23 × 19 × 1 1/2 in. (58.42 × 48.26 × 3.81 cm) (outer frame), Woodblock print (nishiki-e); ink and color on paper with mica, Japan, 18th century

2T91B0N Adventures of the Liar Manpachi, vol.1, 1780, Kitagawa Utamaro, Japanese, 1753 - 1806, 3/16 x 5 x 6 7/8 in. (0.5 x 12.7 x 17.5 cm), Woodblock printed book; ink on paper, Japan, 18th century

2T910B6 The Prostitute Agemaki, the Ruffian Hero Sukeroku, and Hige no Ikyū, c. 1798-1800, Kitagawa Utamaro; Publisher: Yamaguchiya Chūsuke, Japanese, 1753 - 1806, 14 3/4 × 10 in. (37.4 × 25.4 cm) (image, sheet, ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th-19th century, The game played here is kazu-ken, a numbers game that originated in China. In this game, players make numbers from zero to five with their right hands, while predicting and then calling out the combined number from all players. The loser has to drink a cup of sake

2T90WGW Fancy-free Type, 1792-1793, Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō, Japanese, 1753 - 1806, 14 15/16 × 9 3/4 in. (38 × 24.8 cm) (image, sheet, vertical ōban)23 × 19 × 1 1/2 in. (58.42 × 48.26 × 3.81 cm) (outer frame), Woodblock print (nishiki-e); ink and color on paper with mica, Japan, 18th century, After producing a few successful books, Utamaro and the publisher Tsutaya launched an innovative type of bijin-ga (pictures of beautiful women) series. It was the first to feature women in half-length portraits, a format previously reserved for yakusha-e (actor prints).

2T90WH2 Prostitute Konosumi, 1793-1794, Kitagawa Utamaro; Publisher: Tsutaya Jūzaburō, Japanese, 1753 - 1806, 14 11/16 × 9 3/4 in. (37.3 × 24.7 cm) (image, sheet, ōban)23 × 19 × 1 1/2 in. (58.42 × 48.26 × 3.81 cm) (outer frame), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century, Wearing luxurious tortoiseshell hairpins and a fancy comb, the woman depicted here is a prostitute. The fan held in front of her chest is embellished with a view of Shinagawa bay, where the pleasure quarter at which she works is located. The poem inscribed on the fan describes her reputation as a beauty

2T90BWE Picture Book: Flowers of Words, 1818, Kitagawa Utamaro, Japanese, 1753 - 1806, 8 3/4 × 6 × 3/16 in. (22.23 × 15.24 × 0.48 cm), Woodblock printed book; ink on paper, Japan, 19th century

2T906DE Yoshiwara Picture Book of New Year’s Festivities, vol. 2, 1804, Kitagawa Utamaro; Author: Jippensha Ikku; Publisher: Kazusaya Chūsuke; Carver: Fuji Issō; Printer: Kakushōdō Tōemon; Assistant: Kitagawa Hidemaro, Japanese, fl. 1800-1810s, 5/16 x 6 1/4 x 8 15/16 in. (0.8 x 15.9 x 22.7 cm), Woodblock printed book; ink and limited color on paper, Japan, 19th century, This book, from a two-volume set, depicts annual events and ceremonial scenes in Edo's licensed pleasure quarter, known as the Yoshiwara. The niwaka festival depicted here was one of the most extravagant of these occasions.

2T2F75D Mother and her Children in Front of a Freestanding Screen of a Chinese Lion Kitagawa Utamaro ????? Japanese Toriyama Sekien ???? Japanese Toriyama Sekich?jo ????? Japanese 1786 In this domestic scene, an oversize freestanding screen features a “Chinese lion” (karajishi), monstrous in size but completely lacking in ferocity, scratches its head with its hind paw while holding a large white peony in its mouth. The picture-within-a-picture was executed in bold, thick ink outline strokes by Toriyama Sekien, a Kano trained artist. The aristocratic lady and her two children reacting in awe to the dyn

2J04EMT Niwaka Festival, Yoshiwara, Performance of Flower Viewing Dance. Kitagawa Utamaro (Japan, 1753-1806). Japan, circa 1798. Prints; woodblocks. Color woodblock print

2J032XX Preparing Raw Fish. Kitagawa Utamaro (Japan, 1753-1806). Japan, circa 1798-1799. Prints; woodblocks. Color woodblock print, mica

2J028GJ Picture Book of Selected Insects, vol. II. Kitagawa Utamaro (Japan, 1753-1806). Japan, 1788. Books. Color woodblock printed book

2J0280F Picture Book of Selected Insects: Brocade cover. Kitagawa Utamaro (Japan, 1753-1806). Japan, 1788. Books. Brocade on boards

2J027HJ Lovers under a Futon; Opening Image to an Erotic Set. Kitagawa Utamaro (Japan, 1753-1806). Japan, circa 1800. Prints; woodblocks. Color woodblock print

2J027E9 Tsukasa of Ōgiya. Kitagawa Utamaro (Japan, 1753-1806). 1805, twelfth month. Prints; woodblocks. Color woodblock print

2J01JDJ Appearing Again: The Courtesan Naniwaya Okita. Kitagawa Utamaro (Japan, 1753-1806). Japan, circa 1795-1796. Prints; woodblocks. Color woodblock print

2J01JBX Ōtomo no Kuronushi. Kitagawa Utamaro (Japan, 1753-1806). circa 1804. Prints; woodblocks. Color woodblock print

2J01JC2 Picture of the Middle Class. Kitagawa Utamaro (Japan, 1753-1806). circa 1794-1795. Prints; woodblocks. Color woodblock print

2J01JC5 Niwaka Performance: Zensei Kogane no Hana. Kitagawa Utamaro (Japan, 1753-1806). circa 1800. Prints; woodblocks. Color woodblock print, chuban size

2J01JAY Rules of Conduct in the Pleasure Quarters. Kitagawa Utamaro (Japan, 1753-1806). 1804. Prints; woodblocks. Pair of pages from a color woodblock printed book

2J01GJ1 Drying and Stretching Cloth. Kitagawa Utamaro (Japan, 1753-1806). circa 1797-1798. Prints

2J01068 Poet Sōjō Henjō. Kitagawa Utamaro (Japan, 1753-1806). early 1790s. Prints; woodblocks. Color woodblock print

2J00W79 Preparing Raw Fish. Kitagawa Utamaro (Japan, 1753-1806). circa 1798-1799. Prints; woodblocks. Color woodblock print, mica

2J00W7J Shinohara of the Tsuruya, kamuro Wakaba and Chieda. Kitagawa Utamaro (Japan, 1753-1806). circa 1805. Prints; woodblocks. Color woodblock print

2J00W73 Woodblock Printer, Distributing New Prints. Kitagawa Utamaro (Japan, 1753-1806). 1803. Prints; woodblocks. Color woodblock print, center sheet oft triptych

2J00W75 Souvenir Print from Ōtsu: Benkei with Weaponry and a Demon with a Samisen. Kitagawa Utamaro (Japan, 1753-1806). late 18th century. Prints; woodblocks. Black and white woodblock print

2J00W6P Enjoying the Cool in a Garden. Kitagawa Utamaro (Japan, 1753-1806). circa 1790. Prints; woodblocks. Color woodblock print, one sheet of a triptych

2HYYY73 Courtesan Hanamurasaki of Tamaya. Kitagawa Utamaro (Japan, 1753-1806). Japan, 1794. Prints; woodblocks. Color woodblock print

2HYYY5C Woman Exhaling Smoke from a Pipe. Kitagawa Utamaro (Japan, 1753-1806). Japan, circa 1792-1793. Prints; woodblocks. Color woodblock print

2J08NW1 東京国立博物館. Ueno Hakubutsukan. Tokio National Museum. Kitagawa Utamaro (喜多川歌麿) ( 1753 - 1806) (ukiyo-e). Xylography.

2HWJ630 O-Karu, Kanpei and Hara Goemon: Forty-Seven Ronin Act VI. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWD4N5 Mother and Child. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC5F1 Night Pass in the Snow. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC58P Aoi-Hime Calling Upon Rokujo-hime. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC582 Futamigaura Beach at the New Year’s Sunrise. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC54Y Kawabiraki Night Festival: View of Sumida River. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC500 Clever Woman: Through the Parents’ Moralising Spectacles. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC4TP Mother, father, baby and rabbit: Seven Eyes Watching Together. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC4T0 Mother with nursing baby and attendant. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC4M5 Awabi Shell Divers at Enoshima. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC4M3 Waitresses at a tea house (Ebisu-ya) :Twelve prints of beautiful women. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC3EW Woman and Baby. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWC395 The Loyal League of Forty-seven R?nin (Ch?shingura), Act VI. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYWC Souvenirs from Ebb Tide. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYP3 Miyahito of the Tea House ?gi-ya. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYJ3 The Beauty Ohisa. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYH2 Okita, a Teahouse Girl. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYD2 The Mosquito Net. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYD5 Persimmon Gatherers. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBYD7 Mitate Immortal Poets. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBY6X Parody of Yoritomo Releasing Cranes (Mitate Yoritomo h?kaku). Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBX7J Needlework. Artist: Kitagawa Utamaro, Japanese, 1753–1806

2HWBWYY Female Immortal. Artist, attributed to: Kitagawa Utamaro, Japanese, 1753–1806

2HJ4R81 Women Worshipping the Rising Sun between the Twin Rocks at Ise Kitagawa Utamaro Japanese. Women Worshipping the Rising Sun between the Twin Rocks at Ise 37341

2HJ4J4B Japanese Bush Warbler 1754–1806 Kitagawa Utamaro Japanese. Japanese Bush Warbler 57081

2HJ4E0W Erotic Print Kitagawa Utamaro Japanese. Erotic Print 56714

2HJ4B76 Erotic Print Kitagawa Utamaro Japanese. Erotic Print 56712

2HJ4B3D Two Ladies, Each with a Portion of a Lacquered Mirror 1790s Kitagawa Utamaro Japanese Utamaro selectively used reflection to reinforce narrative and to emphasize themes. In this print, a standing woman holds up a mirror to a seated woman. Ironically, Utamaro chose to show the standing woman's reflection in the lacquered back of the mirror rather than the seated woman's in the mirror itself. The image involves a dual relationship: two women hold halves of the same object and perform a similar action. Their mimicking of each other duplicates the role of the mirror, which Utamaro placed between t

2HJ48TB A Woman Playing with a Young Boy ca. 1804 Kitagawa Utamaro Japanese. A Woman Playing with a Young Boy 37006

2HJ453X 'Hanazuma of Hyōgoya, Kenbishi of Sakagami” from the series The Peers of Saké Likened to Select Denizens of Six Houses (Natori zake rokkasen: Hyōgoya Hanazuma, Sakagami no Kenbishi) ca. 1794 Kitagawa Utamaro Japanese This print combines a portrait of a beautiful courtesan with an advertisement for sake to create a witty and iconic image about pleasure. The sake cup, seen on its side at the upper right, bears the name of the series. The tablets at the upper right and left read, respectively, 'Kenbishi,' the name of the sake brand, and 'Hanazuma,' the name of the courtesan.Utamaro pared the comp

2HJ43RB The Hour of the Ox (1 A.M.–3 A.M.) ca. 1794 Kitagawa Utamaro Japanese. The Hour of the Ox (1 A.M.–3 A.M.) 45013

2HJ438T Fishing late 18th century Kitagawa Utamaro Japanese. Fishing 639385

2HJ3WKT Boating Party with Children Swimming late 18th century Kitagawa Utamaro Japanese. Boating Party with Children Swimming 42697

2HJ3TK2 Last page of the Book of Shells 1790 Kitagawa Utamaro Japanese. Last page of the Book of Shells 37304