Pesquisando por: "FELICE A. BEATO" - Fotoarena - Agência de fotojornalismo

2R1JDJP Girl playing the samisen, a three-stringed plucked long-necked lute with a long narrow neck and a relatively small body, 1850, Japan, Historic, digitally restored reproduction from a 19th-century original / Mädchen spielt die Samisen, eine dreisaitige gezupfte Langhalslaute mit einem langen schmalen Hals und einem relativ kleinen Korpus, 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2R1JDJC Samurei, Samourai or two swords class, 1850, Japan, Historical, digitally restored reproduction from a 19th century original / Samurei, Samourai oder zwei Schwerter Klasse, 1850, Japan, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert

2WTBRGG Indian Staff Officers. Felice Beato, photographer (English, born Italy, 1832 - 1909) 1858–1860 Group of Occidental officers posing in front of a building. (Recto, mount) upper right, pencil: '10'; center right, black ink in Patrick Coghill's hand: 'The third figure from the right/standing is Major- Later Lt Colonel-/Kendal Coghill - CB Late 2nd Bengal/Fusiliers - Bengal Staff Corps+/XIXe Hussars.'; lower right, below image, pencil in Sir John Joscelyn Coghill's hand: 'Indian Staff Officers [space] Beato';

2J01D13 Untitled (Sphinx and Pyramid). Felice A. Beato (Italy, 1825-1908). Egypt, circa 1860. Photographs. Albumen silver print

2J007PN Shanghai Pagoda. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2J007TA Forest of Steles. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX6H Walled River and Bridge with Buildings Above. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3P Pavilion and Commericial Building at Water's Edge. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3A Temple Building, N. China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX45 Emperor's Summer Palace, Peking. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3C Cantonese Masonry Pagoda. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX2T General Store/Office in City of Song Tiang, Province of Wu. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX42 Walled River with Bridge and Houseboats. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX39 Untitled. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3G T'ien-ning Ssu T'a Pagoda, Peking. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3Y Twin Pagodas, Southern Sung Style. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX2J Crumbling Brick Pagoda, Sung Dynasty. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX2R Ruined Village, N. China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3B Footbridges and Elaborate Commercial Building, S. China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX3R Imperial Building behind High Wall. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX2M Portion of the Great Wall. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX2W Courtyard with Fortified Walls and Figures. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX27 Gate to Buddhist Sanctuary. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYX1Y Fortified Walls with Canal. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWYX River View with Seventeen Arch Bridge, Yuan Ming Yuan, Peking. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWYE Bridge with Houseboats, China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Gelatin silver print

2HYYWYM Imperial Summer Palace, Peking. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWY7 Three-arched Stone Bridge, S. China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWYN Tea Room on Water. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWYH Pagoda at Old Summer Palace, Yu-chuan Shan, Jade Spring Hill. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWYA Temple Complex with Axial Gates on Circular Base. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYWY8 Multi-storied Pagoda, N. China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYKGA Pavilion on Water, S. China. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HYYKAM Pai t' a, Miao-ying Ssu, Peking. Attributed to Felice A. Beato (Italy, 1825-1908). Italy, 1860. Photographs. Albumen silver print

2HJ3RA5 [Japanese Naval Officer][Studio Portrait: Japanese Man (Tateise Onogero) Standing Holding Hat and Sword] 1867 Attributed to Felice Beato The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri?first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 185

2HGYTGX [Japanese High Priest in Full Canonicals] 1869 Attributed to Felice Beato The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri?first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economi

2HHX8BJ [Dome of the Rock, Jerusalem] 1856–57 Felice Beato British, born Italy This detailed print showing the Dome of the Rock in Jerusalem provides a sense of the structure’s natural and architectural surroundings. Felice Beato depicted the religious site from a pilgrim’s point of view—walls and roads are given visual priority and stand between the viewer and the shrine. Holy sites such as this were the earliest and most common subjects of travel photography. Beato made multiple journeys to the Mediterranean and North Africa, and he is perhaps best known for photographing East Asia in the 1880s.. [D

2HHPPX7 [After the Capture of the Taku Forts] 1860 Felice Beato British, born Italy One of the first professional photographers to create an extensive documentation of China and Japan, Felice Beato was also a pioneer war photographer, reporting on scenes of massacre and devastation with a graphic matter-of-factness unknown prior to his images. Having opened a studio in Istanbul with his brother-in-law James Robertson, Beato covered with him the last battles of the Crimean War after the departure of Robert Fenton (see nos. 98 and 99). The two photographers went on to India to document the Indian Mutiny

2HN3PM5 The Chattar Manzil palace wall in Lucknow, India, which was destroyed by mutineers during the Indian Rebellion of 1857 (also known as the Sepoy Mutiny

2G4JCWE Saint Felix from Cantalice awakens a child to life; Il Beato Felice Capuccino Miracolosamente Resuscito Un fanciullino Morto. The holy felix of Cantalice, in Capuchin habt with charm bag, grabs the hand of a died child and brings the child to life. Next to the bed is the mother and a second grieving woman. On the left a second capuchin monk. Assignment in Latin in the undermaster.

2GGP73N Two women with a parasol, in traditional costume and footwear, Japan, taken between 1867 and 1869 by Felice A Beato.

2F62EWA Portrait of a Samurai

2DCDC17 Portrait of a Samurai

2X24FCA The Residency From the Front, Showing the Room in Which Sir Henry Lawrence was Killed by Felice A. Beato (British, 1830–1906) Publication date 1858

2X24FBC The Dilkoosha Palace by Felice A. Beato (British, 1830–1906) Publication date 1858

2X24FAT Small Mosque in the Kaiserbagh by Felice A. Beato (British, 1830–1906) Publication date 1858

2H103K0 Lucknow After the Siege: The Begum Kotie, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103J5 Lucknow After the Siege: The Great Gateway of the Kasierbagh, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103MR Lucknow After the Siege: Small Mosque in the Kaiserbagh, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103K1 Lucknow After the Siege: The Dilkoosha Palace, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103JH Lucknow After the Siege: Gateway Leading into the Residency, held by Captain Aitken, 13th Bengal Native Infantry, commonly called the Bailee Guard Gate, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103J1 Lucknow After the Siege: The Tomb of Saadat Ali in the Kaiserbagh Palace, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103JW Lucknow After the Siege: The Secundra Bagh, Showing the Breach and Gateway, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103J2 Lucknow After the Siege: Mosque, Inside Asaf-ud-Daula's Imambara, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103JJ Lucknow After the Siege: Gateway Leading into the Kaiserbagh, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103J0 Lucknow After the Siege: Jama Masjid Gate, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103J3 Lucknow After the Siege: The Shah Nyjuff or Najaf, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103JR Lucknow After the Siege: Shah Najaf, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103G0 Lucknow After the Siege: Bridge of Boats over the Gumti River near the Chattar Manzil and Fusseed Bakah or Old Palace, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FW Lucknow After the Siege: The Martinière School, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103GB Lucknow After the Siege: The Mucha Bawn, or the Old Citadel of Lucknow, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FJ Lucknow After the Siege: The Cawnpore Road in Lucknow, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103G3 Lucknow After the Siege: Battery Near the Begum Kotie, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103GF Lucknow After the Siege: The Musabagh, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FP Lucknow After the Siege: The Kudmsee Russol, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103GD Lucknow After the Siege: The Residency From the Front, Showing the Room in Which Sir Henry Lawrence was Killed, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103G6 Lucknow After the Siege: Gateway of the Small Emambara, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FE Lucknow After the Siege: The Martinière College, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103F6 Lucknow After the Siege: Bank's House, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103G9 Lucknow After the Siege: The Clock Tower in Front of the Bailee Guard Gate, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103G8 Lucknow After the Siege: Mess House of the 32nd Regiment, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103F5 Lucknow After the Siege: The Residency, Taken from the Redan Battery, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FX Lucknow After the Siege: Exterior of Asaf-ud-Daula's Imambara, or Tomb, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103F8 Lucknow After the Siege: The Small Imambara, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103GA Lucknow After the Siege: King's Palace, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FC Lucknow After the Siege: Major-General Sir Hugh Wheeler's Entrenchment at Cawnpore, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FF Lucknow After the Siege: The Muchee Bhawan Fort and the Gomti River Taken from the Stone Bridge, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FH Lucknow After the Siege: The Churchyard and Residency in the Distance, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103FR Lucknow After the Siege: The Iron Bridge, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103G4 Lucknow After the Siege, 1858. Felice A. Beato (British, 1830-1906). 38 albumen prints; each: 25.4 x 30.5 cm (10 x 12 in.).

2H103F3 Lucknow After the Siege: Gateway and Banquetting Room Inside the Residency, Used as Hospital by the Garrison, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103E7 Lucknow After the Siege: Bailee Guard Gate, Taken from the Inside, Showing the Clock Tower, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H103E3 Lucknow After the Siege: The Hoseinabad Emambara and the Tomb of Mahomed Ally Khan, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H102BP Lucknow After the Siege: Interior of the Secundra Bagh after the Slaughter of 2,000 Rebels by the 93rd Highlanders and 4th Punjab Regiment, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

2H102BR Lucknow After the Siege: Chutter Manzil Palace, with the King's Boat in the Shape of a Fish, 1858. Felice A. Beato (British, 1830-1906). Albumen print; image: 25.4 x 30.5 cm (10 x 12 in.).

RY6JBT Well of Joab, Jerusalem, 1857. James Robertson (British, 1813 (?)-aft 1865), Felice A. Beato (British, 1830-1906). Salt print from wet collodion negative; image: 25 x 29.7 cm (9 13/16 x 11 11/16 in.); mounted: 45.6 x 59.3 cm (17 15/16 x 23 3/8 in.); matted: 50.8 x 61 cm (20 x 24 in

RY5BTP Japanese Temple Graveyard, Shuntoji, Nagasaki, c. 1867. Felice A. Beato (British, 1830-1906). Albumen print; image: 24 x 29.3 cm (9 7/16 x 11 9/16 in.); matted: 35.6 x 45.7 cm (14 x 18 in

RH0H6B 31 January 2019, Bavaria, München: A man looks at reproductions of aluminum prints of the artist Felice Beato showing Japanese warriors in armor. These can be seen in the exhibition 'Samurai. Pracht des japanischen Rittertums' of the Ann and Gabriel Barbier-Mueller Collection. The exhibition can be seen from 01.02 to 30.06.2019 in the Kunsthalle Munich. Photo: Sina Schuldt/dpa

PR1862 Chinese view of a river and a bridge in a village including several Chinese people; Felice Beato, 1832

PR0PP3 Sacred Temple of Heaven Where the Emperor Sacrifices Once a Year in the Chinese City of Pekin, October 1860; Felice Beato

PR0PN0 Copy of a Sketch of Colonel Crealock's Engagement in India; Felice Beato, 1832 - 1909, India; 1858 - 1859

PR0PMC Photographic Copy of a Drawing of an Execution by Charles Wirgman; Felice Beato, 1832 - 1909, Japan; after

PR0PM8 Photographic Copy of a Drawing of a Japanese Man About to Be Beheaded by Charles Wirgman; Felice Beato

PR0PM7 Photographic Copy of a Drawing of Japanese Warriors by Charles Wirgman; Felice Beato, 1832 - 1909, Japan

PR0PMD Photographic Copy of a Drawing of an Execution by Charles Wirgman; Felice Beato, 1832 - 1909, Yokohama

PR0PMA Photographic Copy of a Drawing of the Head on a Table of a Beheaded Man by Charles Wirgman; Felice Beato

PR0PG1 A Gateway Leading into the Kaiserbagh Palace; Felice Beato, 1832 - 1909, Lucknow, Uttar Pradesh, India

PR0PG4 Ruins of a Sepoy Battery; Felice Beato, 1832 - 1909, Lucknow, Uttar Pradesh, India; 1858; Albumen silver

PR0PG6 Mosque Inside Asophoo Dowlah's Emambara, Now Used as a Hospital; Felice Beato, 1832 - 1909, Lucknow, Uttar

PR0PAM King Thibaw Min's School Now Used as a Church; Felice Beato, 1832 - 1909, Burma; 1888 - 1893; Albumen