Pesquisando por: "Abbe de Saint-Non" - Fotoarena - Agência de fotojornalismo

2T91FKM The Grand Staircase of the Villa d'Este at Tivoli, 1760, Jean-Honoré Fragonard, French, 1732–1806, 32 1/4 x 41 1/4 in. (81.92 x 104.78 cm) (sight)44 1/2 x 53 1/2 x 3 1/2 in. (113.03 x 135.89 x 8.89 cm) (outer frame), Oil on canvas, France, 18th century, The talented, versatile French painter Jean-Honoré Fragonard was a gifted landscapist. He took up landscape in earnest during his five years in Italy, including one memorable summer ensconced at the Villa d’Este in Tivoli, which his patron the Abbé de Saint-Non had rented for the season. The villa’s dramatic, picturesque gardens

2HWDBE0 La Danse de L’Ours (The Dance of the Bear), after Abbe de Saint-Non, after Frangonard. Etcher: Charles-Nicolas Varin, French, 1741–1812After: Jean-Honoré Fragonard, French, 1732–1806

2HJ31CW Saint Celestine V Renouncing the Papacy, after Mattia Preti 1761 Jean Honoré Fragonard French In March 1761, just before returning to Paris from a five-year stint as a pensioner at the French Academy in Rome, Fragonard was sent to Naples by his friend and patron, Jean-Claude-Richard, the abbé de Saint-Non (1727–1791), to make copies after works of art. He made at least five copies after sections of Mattia Preti's ceiling in the Church of San Pietro a Maiella. One of Preti's major commissions, the ceiling depicted scenes from the lives of Saint Catherine and Saint Celestine V, set into various

2HJ2ET0 Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 18th century Jean Claude Richard, Abbé de Saint-Non French. Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 369406

2HJ2DRH View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding 18th century Jean Claude Richard, Abbé de Saint-Non French. View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding 399187

2HJ1KJF The Disciples at the Tomb 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. Of the sixteen, ten were based on Venetian models. This plate, based on a black chalk drawing, excerpts four figures from a vast composition by Jacopo Tintoretto (Jacopo Robusti) (Italian, 1519-1594), Saint Roch in Prison, Visited by an Angel, in the church of San Rocco, Venice.. The Disciples at the Tomb 369311

2HJ1671 Two Women with Children 1766 Jean Claude Richard, Abbé de Saint-Non French. Two Women with Children 394669

2HJ139A Entrance to the Grotto of Posillipo n.d. After Hubert Robert French Located on the route from Naples to Pozzuoli, the Grotto of Posillipo was a popular destination for travelers to Italy in the eighteenth century. Hubert Robert visited the site in 1760, on a trip he took with the abbé de Saint-Non (1727-1791). The studies he made there are today documented only by a watercolor held in a private collection (London, Christie’s, December 12, 1985, lot 324) and an etching by Clément-Pierre Marillier and Emmanuel J. N. de Ghendt for Saint-Non’s Voyage pittoresque ou description des royaumes de Napl

2HHH6CY Venus and Cupid 1766 Jean Claude Richard, Abbé de Saint-Non French. Venus and Cupid 394767

2HHCA5C The Banquet of Anthony and Cleopatra ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. Of the sixteen, ten were based on Venetian models, including this one after Giovanni Battista Tiepolo (Italian, 1696-1770). To create the compositon, Fragonard merged excerpts from two adjacent frescoes by Tiepolo in the Palazzo Labia, Venice. From Tiepolo's work, he took the scene of the Banquet of Anthony and Cleopatr

2HHC6MK The Last Supper ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. Of the sixteen, ten were based on Venetian models, including this one after Sebastiano Ricci (Italian, 1659-1734). Ricci's original canvas, made for the church of Corpus Domini does not survive, so we cannot be sure to what degree Fragonard may have altered or simplified his canvas. According to contemporary guidebooks, Ricci's painting was

2HHC641 Mythological Scene, possibly Diana Seducing Callisto ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. Of the sixteen, ten were based on Venetian models, including this print inspired by a painting by the seventeenth-century artist Pietro Liberi (Italian, 1605/14-1687). Liberi's canvas, today in the Royal Collection Trust (RCIN 405705) is more closely cropped; Fragonard added space above and below the fig

2HHAM31 The Two Sisters 1770 Jean Claude Richard, Abbé de Saint-Non French Saint-Non, who held a degree in theology, took minor religious orders. Later he became an amateur artist, writer, and traveler and a congenial figure in Paris society. He was a friend and patron of Jean Honoré Fragonard (1732–1806), whom he met in Rome and with whom he traveled back to France in 1761. The Abbé’s gifts, as demonstrated here, were those of a highly skilled copyist. The pastel reproduces, with slight variations, a Fragonard painting also in The Met's collection as it looked before it was cut down to half its origi

2HH9MKY Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 18th century Jean Claude Richard, Abbé de Saint-Non French. Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 369407

2HH950E La Jeu de la Palette 1766 Jean Claude Richard, Abbé de Saint-Non French A patron of the arts and also a printmaker, Saint-Non made etchings based on drawings by many of France's leading artists, which he published in suites entitled, Griffonis (1755–78). About 1765, he developed aquatint as a tonal process he could employ to suggest ink washes in his prints after the drawings of his friends Fragonard and Hubert Robert.. La Jeu de la Palette 344154

2HH8JYX Saint Catherine of Alexandria ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This composition is based on a painting of Saint Catherine touched by divine love by Mattia Preti (Italian, 1613-1699). It was one of five paintings by Preti Fragonard copied in the church of San Pietro a Maiella in Naples in March, 1761.. Saint Catherine of Alexandria 369313

2HH7E8D Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 18th century Jean Claude Richard, Abbé de Saint-Non French. Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 369408

2HH5DDC Saint Luke ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This composition derives from a pendentive in the church of Santi Apostoli in Naples by Giovanni Lanfranco (Italian, 1582-1647). Fragonard had visiting Naples in the company of Jean Robert Ango in March, 1761.. Saint Luke. Jean Honoré Fragonard (French, Grasse 1732–1806 Paris). ca. 1764. Etching, first state of two. Prints

2HH55AM Ancient Scene with a Funeral Ceremony for an Actor ca. 1777 Louis Jean Desprez Acquired in 1971 as the work of Louis Jean Desprez, the drawing was re-attributed to Louis Félix de La Rue in 1977. In 2017, the attribution reverted to Desprez based on Marie-Anne Dupuy-Vachey's identification of the drawing as one commissioned from the artist by the abbé de Saint-Non for his publication, Voyage Pittoresque. The sheet is described in a manuscript by Vivant Denon as representing the funerary cermony following the death of a celebrated actor (Dupuy-Vachey, M.-A., Vivant Denon et le 'Voyage pittoresqu

2HH4Y30 Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci 1761 Jean Honoré Fragonard French Directly following his study at the French Academy in Rome, Fragonard traveled in Italy making sketches after Italian artworks for the abbé de Saint-Non, who later had them etched in reverse in his 'Recueil de Griffonis.' Here Fragonard copied frescoes painted by Annibale and Agostino Carracci over fireplaces in adjacent rooms in the Palazzo Sampieri-Talon, Bologna. The attributions recorded in Fragonard's inscriptions have been reversed by modern scholarship

2HH4BN1 Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 18th century Jean Claude Richard, Abbé de Saint-Non French. Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 369409

2HH3Y80 Venus and Cupid Jean Claude Richard, Abbé de Saint-Non French. Venus and Cupid 394746

2HH3P75 Angel Holding a Palm and a Crown ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This plate is based on his copy after a fresco by Ludovico Carracci (Italian, 1555-1619) in the cathedral in Piacenza, Triumphant Angels with Symbols of the Virgin Mary. Fragonard's delicate use of the etching needle to suggest texture and light endows Ludovico's ponderous composition with a new vitality.. Angel Holding a P

2HH0JK2 The Sacrifice of Polyxena, after Pietro da Cortona ca. 1759–70 Jean Robert Ango This black chalk drawing is a copy after a painting by Pietro da Cortona of 1623-24, formerly in the Sacchetti palace and now in Pinacoteca Capitolina, Rome (inv. 153). Ango is a largely forgotten French artist who made a living in eighteenth-century Rome by producing chalk copies for patrons. This was one of many acquired by the abbé de Saint Non, who would later publish a compendium of etchings after the paintings and antiquities he had seen in Italy.The museum owns a related drawing, The Infant Moses before Phar

2HGTFJ4 The Two Sisters ca. 1769–70 Jean Honoré Fragonard French A print by Gérard Vidal (1742–1801) documents that this painting was originally about twice its current size: the Polchinelle doll’s body lay limp between the legs of the toy horse, which sat on wheels pushed by the older girl. Fragonard’s painting may have been a portrait, but it is just as likely to have been a more general depiction of childhood, not unlike the subjects pioneered in France by Chardin. In 1770, Fragonard’s patron and friend, the Abbé de Saint-Non, created a pastel copy of the full composition also in The Met’s collecti

2HGP113 Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 18th century Jean Claude Richard, Abbé de Saint-Non French. Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 369404

2HGP115 Recueil de Griffonis, de Vues, Paysages, fragments antiques et sujets historiques...s..i..n..d.. 1780 Designed by Jean Claude Richard, Abbé de Saint-Non French. Recueil de Griffonis, de Vues, Paysages, fragments antiques et sujets historiques...s..i..n..d.. 356016

2HJ4XB8 The Stubborn Donkey 1770 Jean Claude Richard, Abbé de Saint-Non French. The Stubborn Donkey 369402

2HHYGBN Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile 1781–86 Written by Jean Claude Richard, Abbé de Saint-Non French. Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile 365649

2HHWT2B The Circumcision ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. Of the sixteen, ten were based on Venetian models, including this one after Jacopo Tintoretto (Jacopo Robusti) (Italian, 1519-1594). In copying Tintoretto's painting in the Scuola Grande di San Rocco, Fragonard focused on the central scene, reducing the number of figures, suggesting a more intimate space.. The Circumcision 399390

2HHTDBT Tempio di Serapide a Pozzuoli 1767 Jean Claude Richard, Abbé de Saint-Non French. Tempio di Serapide a Pozzuoli 344155

2HHTDBD La Cour de Ferme (1762) 1762 Jean Claude Richard, Abbé de Saint-Non French. La Cour de Ferme (1762) 369398

2DT7RPM Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Hubert Robert, French, 1733–1808, Duc Napolitain, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 4 1/4in.), Made in France, French, 18th century, Works on Paper - Prints

2DT7RP9 Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Hubert Robert, French, 1733–1808, Prince Napolitain prennant le frais Sur le bord de la Mer, Etching, platemark: 13.35 × 10.8 cm (5 1/4 × 4 1/4in.), Made in France, French, 18th century, Works on Paper - Prints

2DT7RPW Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Hubert Robert, French, 1733–1808, Maitre de Chapelle Napolitain se promenant au Mole, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 4 1/4in.), Made in France, French, 18th century, Works on Paper - Prints

2DT7R4C Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Hubert Robert, French, 1733–1808, Cavalier napolitain voulant se donner un ton francois, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 4 1/4in.), Made in France, French, 18th century, Works on Paper - Prints

2DT7R3T Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Hubert Robert, French, 1733–1808, Laquais napolitain portant l’epée de son maitre à la promenade, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 4 1/4in.), Made in France, French, 18th century, Works on Paper - Prints

2DRJA89 Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Jean-Honoré Fragonard, French, 1732–1806, After: Lodovico Carracci, Italian, 1555–1619, Louis Carrache dans le palais Favi a Bologne (Lodovico Carracci in the Palazzo Fava , Bologna), Aquatint, platemark: 15 × 20.4 cm (5 7/8 × 8 1/16in.), French, 18th century, Works on Paper - Prints

2DRJA85 Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Jean-Honoré Fragonard, French, 1732–1806, After: Polidoro da Caravaggio, Italian, ca. 1499–ca. 1543, Polidore de Caravage au Vatican a Rome et Raphael Salles du Vatican (Polidoro da Caravaggio in the Vatican and Raphael, Vatican Stanze), Aquatint, platemark: 15 × 20.4 cm (5 7/8 × 8 1/16in.), French, 18th century, Works on Paper - Prints

2DRF3BE Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727–1791, After: Hubert Robert, French, 1733–1808, L’un des plus fameux pailletes de Naples, ca. 1763, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 4 1/4 in.), Made in France, French, 18th century, Works on Paper - Prints

2DRAFAC Etcher: Charles-Nicolas Varin, French, 1741–1812, After: Jean-Honoré Fragonard, French, 1732–1806, La Danse de L’Ours (The Dance of the Bear), after Abbe de Saint-Non, after Frangonard, Engraving and etching, states 1-4, platemark: 13.3 × 15.2 cm (5 1/4 × 6 in. ) (each), Made in France, French, 18th century, Works on Paper - Prints

2DCFT5X Jean-Claude-Richard, Abbé de Saint-Non, (artist), French, 1727 - 1791, Carlo Cignani, (artist after), Italian, 1628 - 1719, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Title Page: Oval Design from the Church of San Michele de Bosco, Bologna, Fragments choisis dans les Peintures et les Tableaux les plus intéressans des Palais et des Églises de l'Italie, Troisième suite... Bologne, (series), 1772, etching and aquatint

2DCFT5M Jean-Claude-Richard, Abbé de Saint-Non, (artist), French, 1727 - 1791, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Carlo Cignani, (artist after), Italian, 1628 - 1719, Title Page: Oval Design from the Church of San Michele de Bosco, Bologna, Fragments choisis dans les Peintures et les Tableaux les plus intéressans des Palais et des Églises de l'Italie, Troisième suite... Bologne, (series), 1772, etching, with sepia wash

2C89GP6 Jean-Honoré Fragonard (1732-1806). L'abbé de Saint-Non en costume espagnol. Entre 1765-1772. 94 X 74 cm

2WYRXEM 'Fantasy Figure. Portrait of the Abbé de Saint-Non (1727–1791)', 1769, Jean-Honoré Fragonard (1732-1806), Musée du Louvre, Paris, France, Europe

PEJM24 Abbe de Saint-Non, Fragonard, Jean Honore

2HW62R0 Art inspired by La Cour de Ferme (1762), 1762, Etching, sheet: 8 1/16 x 11 5/16 in. (20.4 x 28.8 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62PN Art inspired by Vue prise dans les jardins de la Ville d'Est a Tivoli, 1764, Etching, sheet: 5 7/8 x 7 3/8 in. (15 x 18.8 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW58AR Art inspired by Entrance to the Grotto of Posillipo, n.d., Brush and brown wash, over a red chalk counterproof with traces of black chalk. Framing lines in pen and brown ink., 18 1/4 x 13 in. (46.4 x 33 cm), Drawings, After Hubert Robert (French, Paris 1733–1808 Paris), Anonymous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC90G3 Entrance to the Grotto of Posillipo, After Hubert Robert, n.d

KC4ARH La Cour de Ferme (1762), Jean Claude Richard, Abbé de Saint-Non, 1762

KC31AP Vue prise dans les jardins de la Ville d'Est a Tivoli, Jean Claude Richard, Abbé de Saint-Non, 1764

2HW5EF4 Art inspired by La Jeu de la Palette, 1766, Aquatint printed in brown ink, 8 9/16 x 11 1/8 in. (21.7 x 28.3 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), A patron of the arts and also a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW552K Art inspired by Saint Celestine V Renouncing the Papacy, after Mattia Preti, 1761, Black chalk, over a black chalk counterproof, 7 11/16 x 7 5/8 in. (19.5 x 19.3 cm.), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Mattia Preti (Il Cavalier Calabrese) (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW5523 Art inspired by Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, 1761, Black chalk, framing lines in pen and brown ink, 8 1/16 x 11 9/16 in. (20.4 x 29.3 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC9HNC Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, Jean Honoré Fragonard

KC9HND Saint Celestine V Renouncing the Papacy, after Mattia Preti, Jean Honoré Fragonard, 1761

KC5B6M La Jeu de la Palette, Jean Claude Richard, Abbé de Saint-Non, 1766

2HW5EF2 Art inspired by Tempio di Serapide a Pozzuoli, 1767, Aquatint printed in brown ink, Overall: 10 11/16 x 13 7/16in. (27.1 x 34.2cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), after Hubert Robert (French, Paris 1733–1808 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC3N3A Tempio di Serapide a Pozzuoli, Jean Claude Richard, Abbé de Saint-Non, 1767

2HW8JJM Art inspired by The Two Sisters, 1770, Pastel on paper, laid down on canvas, 31 5/8 x 25 in. (80.3 x 63.5 cm), Pastels & Oil Sketches on Paper, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), Saint-Non, who held a degree in theology, took minor religious orders, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW7E22 Art inspired by View of the gardens at the Villa d'Este in Tivoli, cyprus trees to right, a staircase leading to the villa at left, two statues at center of the staircase, three figures in the garden at right, 1764, Etching, sheet: 7 3/8 x 9 15/16 in. (18.7 x 25.2 cm), Prints, After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW7E0X Art inspired by View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding, 18th century, Etching, sheet: 7 3/16 x 9 3/8 in. (18.3 x 23.8 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW7795 Art inspired by Venus and Cupid, Aquatint in brown ink, sheet: 10 3/8 x 12 3/4 in. (26.3 x 32.4 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW7794 Art inspired by Two Women with Children, 1766, Aquatint in brown ink, sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.4 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW779R Art inspired by Venus and Cupid, 1766, Aquatint in brown ink, sheet: 9 13/16 x 12 5/8 in. (24.9 x 32 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCB7G6 View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center

KCB7G3 View of the gardens at the Villa d'Este in Tivoli, cyprus trees to right, a staircase leading to the villa at left

KCBCTA Venus and Cupid, Jean Claude Richard, Abbé de Saint-Non, 1766

KCBCTB Venus and Cupid, Jean Claude Richard, Abbé de Saint-Non

KCBCN3 Two Women with Children, Jean Claude Richard, Abbé de Saint-Non, 1766

KC7AXK The Two Sisters, Jean Claude Richard, Abbé de Saint-Non, 1770

2HW62RW Art inspired by Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 6 7/16 x 8 3/16 in. (16.3 x 20.8 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62PW Art inspired by Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 6 7/8 x 5 11/16 in. (17.4 x 14.5 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62PY Art inspired by Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etchings, Each print approximately:, Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean Honoré Fragonard, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62R2 Art inspired by The Stubborn Donkey, 1770, Etching and aquatint, Sheet: 9 7/16 x 12 5/16 in. (24 x 31.2 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62PP Art inspired by Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 8 1/8 x 5 7/8 in. (20.6 x 15 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW62RH Art inspired by Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etchings, Each print approximately:, Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After Jean Honoré Fragonard, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCBNX7 Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie

KCBMWF The Stubborn Donkey, Jean Claude Richard, Abbé de Saint-Non, 1770

KCB4YK Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie

KCB4YJ Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie

KCB4YG Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie

KCB4YH Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie

PBMTCB Abbé de saint-Non — Fragonard.

PBMM19 Abbé de saint-Non — Fragonard.

P5C8YF 52 Abbé de saint-Non — Fragonard

JFP90E Abbé de saint-Non Fragonard

2B8JE9B p.4 volume 2 Jean-Claude Richard, abbé de Saint-Non (1727-1791)/ Hubert Robert pour le dessin / Guttenberg pour la gravure. Voyage pittoresque ou description des royaumes de Naples et de Sicile, volume 2. 'Vue d'invention des fouilles d'Herculanum', p.4, volume II, (imprimé à Paris). Livre, maroquin rouge et doré. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.

2B8JE98 p.64, n°16 volume I Jean-Claude Richard, abbé de Saint-Non (1727-1791) / Berteaux pour le dessin / Nicollet pour la gravure. Voyage pittoresque ou description des royaumes de Naples et de Sicile, volume 1/'Vue de la Ville de Naples prise au bord de la mer', p. 64, n°16 volume I, (imprimé à Paris). Livre, maroquin rouge et doré. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.

2E726FH File picture of the pupils of Saint Joseph school in Lyon, France, in the classe 5J, where Abbe Pierre (Henri Groues) appears. Photo via Vincent Dargent/ ABACAPRESS.COM

2E726GJ File picture of the pupils of Saint Joseph school in Lyon, France, in the classe 5J, where Abbe Pierre (Henri Groues) appears. Photo via Vincent Dargent/ ABACAPRESS.COM

2EHK3H8 Papyrus plants and other flora typical of Sicily - Saint-non Jean Claude Richard Abbé De - 1786.

H4N0JM Jean-Claude-Richard, Abbé de Saint-Non after Hubert Robert (French, 1727 - 1791), Interior of a Roman Villa, 1765, etching

EDTCXN Jean-Claude-Richard, Abbé de Saint-Non after Hubert Robert (French, 1727 - 1791), Interior of a Roman Villa, 1765, etching

2WKETXW The Two Sisters Jean Claude Richard, Abbé de Saint-Non 1770

2WDX9DF Abbé de SAINT-NON - AQUATINTE FEMME HERCULANUM ITALIE 02.

2WDX9CE Abbé de SAINT-NON - AQUATINTE FEMME HERCULANUM ITALIE 01.

2W9WDM2 Tempio di Serapide a Pozzuoli 2001 by Jean Claude Richard, Abbe de Saint-Non

2W954K1 Venus and Cupid 1947 by Jean Claude Richard, Abbe de Saint-Non