Pesquisando por: "ALBERTO DURERO" - Fotoarena - Agência de fotojornalismo

2T8M5E9 Dürer's ellipse compass, anonymous, probably late 16th century, drawing, pen and ink in brown ink over red chalk drawing, 30 x 20.1 cm, below bottom 'circinus cum quo, oualis figura, formabitur from, alberto durero invent[us]'; verso: 'Taken from Dürer's work 24, IV 1900 Glück

2HJ1T2H Epitome in Divae Parthenices Mariae Historiam ab Alberto Durero [Life of the Virgin] 1511 Chelidonius Austrian. Epitome in Divae Parthenices Mariae Historiam ab Alberto Durero [Life of the Virgin] 347467

2G27A40 Portrait of Erasmus; Imago Erasmi Roterodami AB Alberto Durero Ad Vivam Effigiem Deliniata. Portrait of erasmus, writing, standing on a reader at a table on which a vase is with flowers. A tablet on the wall with Latin text behind the table.

2G27A2P Portrait of Erasmus; Imago Erasmi Roterodami AB Alberto Durero Ad Vivam Effigiem Deliniata. Portrait of erasmus, writing, standing on a reader at a table on which a vase is with flowers. A tablet on the wall with Latin text behind the table.

2G2769X Portrait of Erasmus; Imago Erasmi Roterodami AB Alberto Durero Ad Vivam Effigiem Deliniata. Portrait of erasmus, writing, standing on a reader at a table on which a vase is with flowers. A tablet on the wall with Latin text behind the table.

2G1557W Portrait of Erasmus; Imago Erasmi Roterodami AB Alberto Durero Ad Vivam Effigiem Deliniata. Portrait of erasmus, writing, standing on a reader at a table on which a vase is with flowers. A tablet on the wall with Latin text behind the table.

2G13R23 Portrait of Erasmus; Imago Erasmi Roterodami AB Alberto Durero Ad Vivam Effigiem Deliniata. Portrait of erasmus, writing, standing on a reader at a table on which a vase is with flowers. A tablet on the wall with Latin text behind the table.

2WR027P 'Self-portrait', 1498, DÜRER, ALBRECHT, Alberto Durero, Prado Museum, Madrid, Spain, Europe

2WPK13E 'Jesus among the Doctors', 1506, Alberto Durero, Thyssen Bornemisza Museum, Madrid, Spain , Europe

2TAHBJG The Trinity (The throne of grace). Ca. 1511. Woodcut, engraving by Abrecht Durer in 1511. Nuremberg. Germany.

2TAHBJC Saint Francis receiving the stigmata. Ca. 1503. Woodcut, engraving by Abrecht Durer (1471-1528) . Nuremberg. Germany.

PR1J8F Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii

PR1J8B Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii

PR1J8E Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii

PR1J8G Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii

PR1J8A Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii

PR1J8C Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii

2HW5G5X Art inspired by Epitome in Divae Parthenices Mariae Historiam ab Alberto Durero Life of the Virgin, 1511, Woodcuts, 17 5/16 × 11 7/8 × 7/16 in. (43.9 × 30.1 × 1.1 cm), Books, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC4A2R Epitome in Divae Parthenices Mariae Historiam ab Alberto Durero Life of the Virgin, Albrecht Dürer, 1511

PCP5BE Fassadendetails nach der Renovierung 2016, Westseite, Huldigung an Albrecht Dürer

MPT60G View of the Val de Cembra (Wehlsch pirg), c1500-1528. Artist: Albrecht Durer.

MPW4GG A Youth kneeling before a Potentate, c1490s. Artist: Albrecht Durer.

CEEDT2 Nürnberg, Dürerhaus, Wohnhaus von Albrecht Dürer

CEEDT0 Nürnberg, Dürerhaus, Wohnhaus von Albrecht Dürer

CEEDRG Nürnberg, Dürerhaus, Albrecht Dürer, Bildnismedaillon aus Metall

DGH66C Albrecht Dürer, Knight, Death and the Devil, a copperplate engraving. Germany, signed and dated AD 1513

2GDCA02 Title: Self Portrait with Gloves Creator: Albrecht Duerer Date: 1498 Medium: Oil on canvas Dimension: 52x41 cms Location: Museo Nacional del Prado

AF0R00 Nürnberg, Dürerhaus,

T0J7R9 'Albrecht Durer', (c1852). Creator: Wolff.

T0J7RB 'Albert Durer', (c1850). Creator: Francis Croll.

RM15HN 'De Flucht Nach Ägypten', ('The Flight into Egypt'), 1503-1504. Creator: Albrecht Durer.

RM15HW 'Christi Abschied von seiner Mutter.', ('Christ Taking Leave of His Mother'), 1504-1505. Creator: Albrecht Durer.

P9JNT5 Self Portrait by Albrecht Dürer (1471 - 1528), Dutch painter.

2X2304G Jesus Among the Doctors, 1506.

2X22PXA The Holy Trinity, 1511.

2X22PT6 Christ before Annas. From: The small Passion., c.1508-1509.

2X22PTC Samson fighting with the lion, 1496-1497.

2X22JR5 Hercules, c.1498.

2X22JPR Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly.

2X22JPX St. Eustace, c.1501. Showing St Eustace kneeling before a stag with a crucifix between its antlers. St Eustace was a Roman general Placidus who encountered a large stag while out hunting. He pursued the beast but found, when it stopped, that it had an image of the crucified Christ between its antlers and spoke in Christ's voice. The encounter led to Placidus/Eustace’s conversion to Christianity. Eustace was one of the Fourteen Holy Helpers, a group of saints who were the subject of particular veneration in Germany and who were believed to assist in cases of illness and at the time of de

2X22JPF The Virgin on the crescent with a sceptre and a starry crown, 1516. The Virgin stands on a crescent moon, holding Christ in her arms (he holds an apple). She holds a sceptre, and wears a high crown topped with stars. Light streams out from behind her in an aureole or mandala. This reflects the 'woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars', often identified with the Virgin, in the Book of Revelations (12:1).

2X22JMK Cardinal Albrecht of Brandenburg (The large cardinal), 1523. Cardinal Albrecht (Albert) of Brandenburg (1490-1545) was Elector and Archbishop of Mainz from 1514 to 1545, and Archishop of Magdeburg from 1513 to 1545. His sale of indulgences (Church pardons for sins) to repay loans to the Fugger banking family, and to sustain his lavish lifestyle, infuriated Martin Luther and provoked him to write his 95 Theses which led to the Reformation.

2X22JMB Nemesis (the Great Fortune), c.1502. A powerful, middle-aged female figure, nude and winged, is placed on a globe and moves suspended between the clouds, overlooking a broad valley landscape. The latter has been identified as the village of Klausen (Chiusa) in the Valle d'Isarco in the Tyrol. The subject comes from the Latin poem Manto (Mantle) the Italian humanist Poliziano. The poem combines the goddesses of Revenge (Nemesis) and Fortune (Fortuna).

2X22C6J Sudarium Spread Out By An Angel, 1516.

2X22C68 The Prodigal Son, c1496.

2X22C6H Madonna Crowned By An Angel, 1520.

2X22C6T Saint George On Horseback, 1505-08.

2X22C69 The Bagpiper, 1514.

2WRGY2Y Albert Durer's house, Nuremberg, 1864. '...we must hasten down the Dürer Strasse, and make a reverent salaam before the house of Albrecht Dürer. There it stands, little altered externally from what it was when he - painter, sculptor, and engraver - went in and out at its door. Time deals more gently with man's works than with man. He is not here, but the whole place bears the impress of his spirit. It may be fancy - it cannot be fact - but there seems to be a strange repose around the spot where the great and good have been born or have died...And who, knowing what the genius of Albe

2TBM0KG Saint Jerome in his Study (image 1 of 2), 1514.

2TBKWWA Giovanni Bellini and Albrecht Dürer are celebrated by Venetian artists, 1856. Among the passengers in a gondola are Albrecht Dürer (with hood, beard and long hair to the left under the canopy). Next to him in yellow is Giovanni Bellini. In black opposite Dürer is Titian. With this staged imaginary meeting of the most famous painters of their time, Jacopo d'Andrea evokes the outstanding era of Venetian painting in the 16th century. In the background is the Campanile on St. Mark's Square, and the Doge's Palace. The painting was commissioned by the Austrian imperial house.

2TBKJYX Abduction of Proserpine on a Unicorn, n.d.

2T6CY15 The Last Supper, 1511. Page from Passio Domini Nostri Jesu (The Passion of Jesus).

2T6CBR1 The Visitation, between 1505 and 1515.

2T6C0FT Hieronimus Holzschuher, 1843. Germany, 1843.

2RRHWN1 Adam and Eve.

2RRHWMG Albrecht Dürer, unknown date. German artist and printmaker, (1471-1528).

2RRHRH3 Five artists, early-mid 19th century. Master painters of the 16th, 17th and 18th centuries: Nicolas Poussin, Rafael, Peter Paul Rubens, Albrecht Dürer and Rembrandt.

2R8YERK Willibald Pirckheimer (1470-1530), 1524-1600. Copy after Albrecht Dürer.

2R8Y3J5 Triptych with Virgin and Child, Saint John the Evangelist (left wing) and Mary Magdalene (right wing), c.1505-c.1525. The Virgin, seated beneath an ornate canopy in the centre panel, is supporting the Christ Child, who is seated on a cushion on a stone balustrade. The latter is holding a goldfinch, a symbol of his Passion, which is tied by a chain to a small majolica vase decorated with Christ’s monogram which holds red roses and lilies-of the-valley - symbols of Mary’s virginity. St John the Evangelist is shown on the left wing as an apostle, young and beardless. He is recognisa

2R49PAT Venus and the Three Graces, 1497-1596. Earlier ascribed to Albrecht Dürer (1471-1528) and copy after Albrecht Dürer (1471-1528).

2R49PC5 Portrait of the Artist, 1486-1795. Copy after Albrecht Dürer (1471-1528)

2R49PBE Portrait of the Artist, 1486-1689. Copy after Albrecht Dürer (1471-1528)

2P1BBT6 Stultifera navis (Ship of Fools), 1st August, 1497.

2MBG5KJ A Pastoral Landscape with Shepherds Playing a Viola and Panpipes, 1496/1497.

2MBG5NA An Oriental Ruler Seated on His Throne, 1523.

2MBG5M6 Hanns Dürer, Brother of Albrecht Dürer, probably 1510.

2MBG5MD The Entombment, 1504.

2MBG55T Tuft of Cowslips, 1526.

2MBG56C An Oriental Ruler Seated on His Throne, c. 1495.

2MBG57E An Oriental Ruler Seated on His Throne, c. 1495.

2MBG56N Young Woman in Netherlandish Dress, 1521.

2MBG57A Male Nude with a Lion [verso], c. 1500.

2MBG57K The Centaur Family, 1505.

2MBG586 Female Nude Praying, 1497/1500.

2MBG580 The Virgin Annunciate, 1495/1499.

2MBG56A Male Nude Holding a Mirror [recto], c. 1500.

2MBG01H The Crucifixion called the Sword Pommel of Maxmilian.

2MBFYF3 The Dream of the Doctor, 1481/1497.

2MBFB0N Virgin and Child in a Landscape.

2MBF69M Three Lansquenets, 1780.

2KFKK52 The Michelfeldt Tapestry (Allegory on Social Injustice), first part of three, 1526. From a tapestry in Schloß Michelfeld on the Rhine in Germany. Attributed to Albrecht Dürer.

2KFKEMT A Chained Monkey, 1559/1596.

2KFKEMG Feast Calendar in Pictures and Songs, Sacred and Secular (Fest-Kalender in Bildern und Liedern, Geistlich und Weltlich), 1834–39. Poem entitled 'Albrecht Durer', with illustrations.

2KFKDGD St. Bartholomew, n.d.

2KFJ8G5 Albrecht Durer, after 1520.

2KFJ8AF The Crucifixion with the Virgin and Saint John.

2KFJ73X The Great Cannon.

2KFHYT8 The Flight into Egypt.

2KFFJ2E Albrecht Durer, after 1520.

2KFFHRP The Crucifixion with the Virgin and Saint John.

2KFFG8N The Great Cannon.

2KFF9J8 The Flight into Egypt.

2K5D463 The Crucifixion, late 15th-early 16th century. Centre panel of a triptych. Christ between the thieves whose souls are taken by a devil and an angel; group of holy women to the right of Christ, soldiers on his left; Mary Magdalene, on her knees, hugs the foot of the cross. (La Crucifixion ; scènes de la vie et de la Passion du Christ).

2K5D46A The Crucifixion: scenes from the life and passion of Christ, late 15th-early 16th century. Triptych. Christ between the thieves whose souls are taken by a devil and an angel; group of holy women to the right of Christ, soldiers on his left; Mary Magdalene, on her knees, hugs the foot of the cross. Left panel, from top to bottom: the kiss of Judas, Christ in front of Pilate, the road to Calvary. Right panel: the entombment, Christ at the gate of Limbo, the resurrection. (La Crucifixion ; scènes de la vie et de la Passion du Christ).

2K5D45Y Scenes from the life and passion of Christ, late 15th-early 16th century. Right panel of a triptych, from top to bottom: the entombment, Christ at the gate of Limbo, the resurrection. (La Crucifixion ; scènes de la vie et de la Passion du Christ).

2J3H4YB Pictures from the late King of Holland's Collection - Saint Hubert, painted by Albert Durer, 1850. 'A most exquisitely finished little picture, in beautiful preservation. 3800 florins. [The subject-matter is now identified as Saint Eustace, not Saint Hubert, although the two saints' legends are very similar and are therefore often confused.] The long-announced sale of the rich Gallery of the late King William II. commenced on Monday last, and has excited an unprecedented interest throughout Europe ; and since it has been open for inspection, the Hague has had a succession of visitors from almo

2HT8FRE Saint Jerome in His Study, c. 1566.

2HT8FRK Sudarium Displayed by Two Angels, c. 1568.

2HT8CXA Knight, Death, and Devil, 1564.