Pesquisando por: "A Head of a Man, (black chalk on paper)" - Fotoarena - Agência de fotojornalismo

2T8HPB1 GIOVANNI BATTISTA TIEPOLO school, study head of a bearded old man, sheet, 228 x 309 mm, red chalk on vergé paper, study head of a bearded old man, GIOVANNI BATTISTA TIEPOLO school, 18TH CENTURY, BAROQUE, DRAWING, red chalk on vergé paper, RED COLUMN, VERGET PAPER, RED CENTURY DRAWING, VENETIAN, STUDY, Inscribed lower right, in black pen, V

2T8HPAX GIOVANNI BATTISTA TIEPOLO ?, orGIOVANNI BATTISTA TIEPOLO school, study head of a man looking up to the left, ca. 1742 - 1743, sheet, 297 x 204 mm, black pen on vergé paper, study head of a man looking up to the left, GIOVANNI BATTISTA TIEPOLO ?, GIOVANNI BATTISTA TIEPOLO School; alternative, 18TH CENTURY, BAROQUE ROCOCO, DRAWING, Black pen on vergé paper, CHARCOAL?, CHALK?, VERGÉ PAPER, PEN DRAWING, CHARCOAL DRAWING?, CHALK DRAWING?, VENETIAN, STUDY, EXPRESSION STUDY, Inscribed lower left, with the pen in dark brown, originals del Sr. Giov Batta Tiepolo; top right, with the pen in light brown

2T8HJYN FRENCH, 18TH CENTURY, Downward-looking head with a ruff, ca. 1740, Sheet, 142 x 125 mm, Black, red and white chalk on brown vergé paper, Downward-looking head with a ruff, French, 18th century, Left hand of a man, 18th CENTURY, ROCOCO, DRAWING, Black, red and white chalk on brown vergé paper, CHALK, VERGÉ PAPER, CHALK DRAWING, TROIS CRAYONS, FRENCH, STUDY, Verso inscribed lower left in gray pen, Antoine Watteau

2T8HHJW GASPARE DIZIANI, depiction from Roman history, sheet, min. 185 x 222 mm, height max, 187 mm, brown pen over black pen on ribbed handmade paper, depiction from Roman history, GASPARE DIZIANI, head of a bearded man with a hat, back view of a man, part number / total, 58 / 126, 18TH CENTURY, BAROQUE, DRAWING, pen in brown over black pen on ribbed handmade paper, INK?, INK?, CHALK?, CHARCOAL?, COATING PAPER, HAND PAPER, PEN DRAWING, PEN DRAWING, CHALK DRAWING?, CHARCOAL DRAWING?, VENETIAN, COMPOSITION STUDY

2T8H987 JEAN-HONORÉ FRAGONARD ?, Head of a man with a white turban, 1774, sheet, 368 x 280 mm, brush in brown over black chalk, traces, on handmade paper, old mounted, Head of a man with a white turban, JEAN-HONORÉ FRAGONARD ?, 18 . CENTURY, CLASSICISM, DRAWING, brush in brown over black chalk, traces, on handmade paper, old mounted, INK?, INK?, CHALK, BUILD PAPER, BRUSH DRAWING, CHALK DRAWING, FRENCH, PICTURE DRAWING, PORTRAIT STUDY?, Inscribed lower left, by an unknown hand, with the pen in brown, Rome 1774 Fragonard; below the picture frame, in pencil, Honoré Fragonard, bottom right drystamp of

2T8H8TY NICOLAS GUIBAL, head of a young man to the right, sheet, 390 x 290 mm, red chalk, heightened with white, border line on all sides with the pen in black, on handmade paper, head of a young man to the right, NICOLAS GUIBAL, 18TH CENTURY, CLASSICISM, DRAWING, red chalk, heightened in white, border line on all sides with the pen in black, on handmade paper, RED WHITE, CHALK?, BUILD PAPER, RED WHITE DRAWING, WHITE HEIGHTENING, FRENCH, PORTRAIT STUDY

2T8H6X5 NICOLAS LANCRET, after APOLLONIOS OF ATHENS, back view of a male torso, Torso from the Belvedere, sheet, 227 x 185 mm, red and black chalk on paper, back view of a male torso, Torso from the Belvedere, NICOLAS LANCRET, inventor, after APOLLONIOS OF ATHENS, Head of a flautist, Head of a young man with a flat beret, three hands, two holding a drawing pencil and a compass, 18TH CENTURY 1ST CENTURY BC, DRAWING, Red and black chalk on paper, CHALK, PAPER, CHALK DRAWING, FRENCH, STUDY AFTER A SCULPTURE WORK

2T8H6XK NICOLAS LANCRET, head of a flautist, head of a young man with a flat beret, three hands, two holding a pencil and a compass, before 1730, sheet, 185 x 227 mm, red, black and white chalk on beige paper, head of a flautist, head of a young man with a flat beret, three hands, holding two drawing pencils and compasses, NICOLAS LANCRET, back view of a male torso, torso from the Belvedere, 18th CENTURY, ROCOCO, DRAWING, red, black and white chalk on beige paper, CHALK, PAPER, CHALK DRAWING, FRENCH, EXPRESSION STUDY

2T8H6NR JEAN-JACQUES DE BOISSIEU, Head of a laughing old man, sheet, 254 x 199 mm, red chalk, black chalk and brush in gray on paper, Head of a laughing old man, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING, red chalk, black chalk and gray brush on paper, RED CHALK, CHALK, INK?, INK?, PAPER, RED CHALK DRAWING, CHALK DRAWING, BRUSH DRAWING, FRENCH, IMAGE DRAWING, EXPRESSION STUDY, PORTRAIT STUDY?, Monogrammed lower right: [D]B [joined], Verso inscribed lower right, in pencil, 9''' 10''' - 7'' 8'''

2T8N7KB Head of a Smiling Young Man, en face, Gabriel Metsu (Leiden 1629–1667 Amsterdam), Drawing, Black chalk, on brownish light gray laid paper; cut to a round medallion., 5.8 x 5.8 cm, l. and Duke Albert of Saxe-Teschen

2T8N7KE Head of a young man looking down, in three-quarter profile to the right, Gabriel Metsu (Leiden 1629–1667 Amsterdam), Drawing, black chalk, on brownish light gray laid paper; cut to a round medallion., 5.5 x 5.5 cm, l. and Duke Albert of Saxe-Teschen

2T8N5A1 Lowered head of a bearded old man, facing left, Drawing, Black chalk, heightened with white chalk, over graphite pencil, on blue laid paper. Brownish edges of extensive water damage in the lower and upper area; small brown spots in the middle., 29.1 x 22.7 cm, l.l. Duke Albert of Saxe-Teschen

2T8N3T9 Head of an Old Man with a Full Beard and Bald Head (Study for a Neptune), Jacob Jordaens (Antwerp 1593 - 1678 Antwerp), c. 1640, drawing, black chalk, heightened with white chalk, on greenish-grey paper, 34.1 x 26.2 cm, l.b. Duke Albert of Saxe-Teschen, l.u. 'P P. Rubens' (by another hand

2T8N3TK Head of a bearded man, to the left, anonymous, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk, gray wash, heightened with opaque white, on gray-blue primed paper., 29 x 20.8 cm, l.l. Duke Albert of Saxe-Teschen

2T8N3RG Head of a bearded old man, in profile to the left, anonymous, drawing, black chalk, gray wash, traces of red chalk, on brownish-tinted paper, 11 x 10.4 cm, l.l. Duke Albert of Saxe-Teschen, r.r. '47' (written by someone else

2T8N3W0 Two head studies of a bearded old man, anonymous, drawing, black chalk and red chalk, heightened with opaque white, on brownish-tinted paper, 13.3 x 23 cm, l.l. Duke Albert of Saxe-Teschen

2T8MTJD Head of a bearded old man, Johann Matthias Schuster (Nuremberg 1715 - 1758 Berlin), around 1735, drawing, black chalk, heightened with white chalk, on blue paper, 44.1 x 34.1 cm, l.l. Duke Albert of Saxe-Teschen

2T8MMF0 Head of a bearded man, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk, sanguine on brown paper, 32.1 x 21.3 cm, Bolognese, School of Rem., II 30, Rubens, Rubens School

2T91AK3 Head of a Mustachioed Man, Three-Quarter View, 1817, Anne-Louis Girodet de Roussy-Trioson, French, 1767–1824, 7 5/8 x 7 1/4 in. (19.4 x 18.4 cm) (image, irregular)14 5/8 x 13 15/16 x 1 1/2 in. (37.15 x 35.4 x 3.81 cm) (outer frame), Charcoal, black and white chalk, with stumping on beige paper, France, 19th century, While this head study was likely drawn from life, the figure’s mustache distances him from the everyday world of Anne-Louis Girodet’s Paris. The drawing can be associated with the artist’s so-called Oriental heads or portraits—a group of late works picturing men from the Near East

2J051G6 Head of a Man [Nicholas Lanier?]. Guido Reni (Italy, Bologna, 1575-1642). Italy, circa 1625-1630. Drawings. Red and black chalk on gray paper

2J04W69 Head of a Man. France or Italy, 18th century. Drawings. Black and white chalk on blue paper

2J04RRG Head of A Bearded Man. Giovanni Angelo Canini (Italy, 1609-1666). Italy, 1596-1641. Drawings. Black chalk on pink/mauve prepared paper

2HH8AAK Head of a Bearded Man 1564–1644 Attributed to Francisco Pacheco Spanish. Head of a Bearded Man. Attributed to Francisco Pacheco (Spanish, Sanlúcar de Barrameda 1564–1644 Seville). 1564–1644. Black chalk and traces of white chalk on blue paper. Drawings

2HH2YM0 Head of a Bearded Man ca. 1565 School of Paolo Veronese Venice. Head of a Bearded Man. School of Paolo Veronese (Venice, ca. 1548–1588). ca. 1565. Black chalk, heightened with white, on greenish blue paper.. Drawings

2HHRDGF The Ascension of Christ (recto); Head of a Bearded Man Looking Down (verso) ca. 1737 Pierre Charles Trémolières French. The Ascension of Christ (recto); Head of a Bearded Man Looking Down (verso). Pierre Charles Trémolières (French, Cholet 1703–1739 Paris). ca. 1737. Black chalk and charcoal, stumped, heightened with white, on gray-blue paper (recto); black and red chalk, charcoal, stumped, heightened with white (verso). Drawings

2DT4F32 Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Study of head of bearded man for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Black chalk, graphite, Wove, 37.8 × 27.8 cm (14 7/8 × 10 15/16 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

2DRWXE4 Head of a Man, 17th century, Black chalk heightened with white, sheet: 16.1 × 12.5 cm (6 5/16 × 4 15/16 in.), French, 17th century, Works on Paper - Drawings and Watercolors

2DRA04W Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Study of the head of an old bearded man, for King Arthur’s Round Table, from The Quest of the Holy Grail (a series of 15 paintings for the Boston Public Library, completed in 1901), Black chalk, Cream laid, 61.4 × 47 cm (24 3/16 × 18 1/2 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

2DN71FD Study for 'A Lesson of Charity', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on light brown wove paper, Lowered head of an elderly man in three-quarter profile., USA, 1863, figures, Drawing

2DN6YN0 Study for a Tribute to Giorgio Vasari, Sante Pacini, Italian, 1735–1790, Pen and black and brown ink, brush and brown wash, black chalk on white laid paper, Minerva dictating to Story, who writes 'I STUR[ia]' in a book which the kneeling Saturnus holds on his black. A genius with two trumpets flies above. The setting is in a hall with a painter sitting upon a scaffolding and painting a fresco. Reverse: pen and chalk sketches of a man climbing a ladder and carrying a package on his head. Chalk outline of coffers of a ceiling., Italy, ca. 1781, figures, Drawing

2DN6M6R Two Soldiers and a Kneeling Woman, Eustache Le Sueur, French, 1616–1655, Black chalk, graphite on paper with prepared tan ground, Two standing soldiers in Roman uniform, left, gaze at a seated woman, upper right, kneeling. Her hands are clasped and her head is turned in an attitude of supplication. A faint sketch of a quarter-length drawing of a man wearing a hat appears on the lower left. The top corners are chamfered., Italy, 1800–20, figures, Drawing

2DN6J72 Studies (a) Three kneeling shepherds. (b) Two arms, Black chalk with white crayon on rough brown paper, A) Turned toward right. At left: sketch of the upper part of the body which is shown in front, with the head shown nearly in profile. At the centre, the man looks downward with the arms cross in front of his breast. At right: with raised hands and head shown in profile. B) On the reverse, two raised right arms with handles of swords separated by a sketch of a drapery. Possibly by same artist as -2059, Italy, 1725–1775, figures, Drawing

2DN67FT Male Head From a Plaster Cast, Daniel Huntington, American, 1816–1906, Black and white chalk, graphite on light brown wove paper, Head and neck of a man facing frontally. Source of light from upper left., Rome, Italy, 1840, figures, Drawing

2DN2YFT Study of Man's Head for 'A Lesson in Charity', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on buff paper, Study of the lowered head of an elderly man with a long beard, looking towards the left., Rome, Italy, 1863, figures, Drawing

2DN2P7W Young Man Pulling a Rope, Black and white chalk on blue paper, A man in three-quarter view is pulling a rope extending from the left. He leans back, muscles taut. More lightly drawn to right: a pair of crossing hands. Verso: A man is sitting with reclined torso and head; he is shown from the right front. The left foot is standing higher than the right one. The left leg is shown in profile., Italy, ca. 1700, figures, Drawing

2DMX95B Head of a Man in Turban, François Boucher, French, 1703 – 1770, Black and red chalk on paper, Shown from the front, the eyes of the main figure turn toward the left., France, 1757, portraits, Drawing

2DMWE78 Design for a Silk Damask, Black chalk, pen and black ink, brush and blue, black watercolor on paper, Shown are the central motif, the mask, the right half of the remaining design. A bust of a wild man emerges from a leaf. He carries with raised arms a bowl with a head hare, a dead peacock and fruits. A rinceau springs from the leaf. A running dog is shown in the lower spiral. Another sits upon the upper one. Above is a trophy of hunting weapons and objects with the mask of a horse in the center above., France, 1810–1830, Drawing

2DMW5J7 Project for the Outer Decoration of the Quater rails of a Ship with Alternative Suggestions, Black chalk, pen, ink, brush and grey watercolor, wash on French paper Verso: Red chalk on French paper, Three panels are shown flanked by sculptural figures of a mermaid, a kneeling man, Neptune, and a man with raised arms. The left panel is decorated with a landscape and below the landscape are two dolphins holding a shell. A merman supports the projecting end at right. The handrails above the panels are decorated with female and male nude figures and acanthus blossoms.

2DMERHA Decorative Motifs and the Head of a Woman, Black chalk, pen and ink, brush and grey watercolor washes, blotted red crayon, lead pencil on laid paper. On verso: red crayon on laid paper., Vertical rectangle. On left, two overdoors. On the top frame sits an entablature with brackets, two cornices of a pediment with suspended festoons. A mask is in the center and an escutcheon is at the very top. At the bottom left door frame,there is an entablature with a scrollwork pediment and a cherub on top. At the bottom right, three-quarter profile of a woman bust portrait whose head is covered

2DMNC10 Three Escutcheons with Alternative Suggestions, Francesco Vaccaro, Italian, 1636 - 1675, Black chalk, pen and ink, bistre wash, oxidized white heightening on paper, At top, a child’s head is in the top center of the escutcheon, which stands in front of a panel with an ovolo on top. Volutes of two alternative designs flank the entablature. At center, the left and the right halves show different, alternative designs. A foliated mask is in the top center. A putto stands at right. The escutcheon stands in a frame with a laurel molding. At bottom, a scrollwork escutcheon of two alternative designs

2DJ5XY7 Head and Shoulders of a Man Seated at a Table, Resting His Head on His Left Hand, Thomas Patch, 1725–1782, British, 1760s, Black chalk and red chalk on medium, slightly textured, cream laid paper bound in carta fiorentina, Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm) and Spine: 8 7/8 inches (22.5 cm), Grand Tour, portrait

2DHT231 Head of a Man, Attributed to Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), 1732, Black chalk, red chalk, and white chalk on medium, moderately textured, blue laid paper, Sheet: 16 7/8 x 11 1/8in. (42.9 x 28.3cm) and Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm), aristocrat, figure study, head, man, portrait, wig

2DHRY8D A Head Keeper, Windsor Castle, 1826, John Frederick Lewis, 1804–1876, British, 1826, Black chalk, red chalk, conté, graphite and white chalk on medium, slightly textured, beige wove paper, Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm), cloak, figure study, guns, keepers, man, top hat, whistle

2DCFFGH Alphonse Legros, (artist), French, 1837 - 1911, Head of a Man, Full Face, graphite and black chalk with brown wash, heightened with white, on laid paper, overall (approximate): 39.2 x 28.5 cm (15 7/16 x 11 1/4 in

2DMGD7Y Man in a Storm, Walter Appleton Clark, American, 1876–1906, Brush and green, grey, and black washes, with white chalk and graphite, on white watercolor paper, A man seen from the right, walking in a storm, his head bent into the wind and muffler flying., USA, 1899, figures, Drawing

2DME802 Head of an Elderly Bearded Man, Black chalk on cream paper, A head of an elderly, bearded, bald man, half-turned to the right. He has an intent, downward gaze., Italy, 1800–20, figures, Drawing

2DMD2C1 Design for Spandral Decoration, Brush and sepia wash, pen and brown ink, graphie, white gouache on paper; verso: pen and brown ink, black chalk on paper, Recto: top left and right, center left: spandrels showing Abraham raising or brandishing the knife and Isaac kneeling. The representation at top right which showed the coming of the angel and the head of the ram was obliterated by over painting with sepia. Bottom center, right: An indistinct nude figure in a spandrel. Bottom center, left, in opposite directions: Noah holding a small ark from which a dove flies.

2DMCHXG The Head of a Bearded Man, a Man on Horseback, Paolo Emilio Besenzi, Italian, 1624 - 1666, Black chalk, pen and ink, brush and bistre on paper, The head is in the upper left corner. It is turned toward the right, and shown in profile. The beard is floating horizontally. Below: The horse is shown from the left back, galloping toward the left. It stands upon the hind legs and turns the head toward the spectator. The rider in classical attire has a head similar to the upper one, Italy, ca. 1650, figures, Drawing

2DMAPT9 Design for an Ovoidal Painting: Strength, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and sepia wash, brush and oxidized white gouache on brown paper, A seated woman in armor carries shield, lance, and a laurel branch. Ovoid, caption, signature similar to those in 1931-65-50, except for 'Fortezza', '4'. On verso: a part of the head and of the thorax of a bearded man, bending forward in black crayon., Forli, Italy, ca. 1780, Drawing

2DMA450 Design for a Sculpture of a Prophet or Evangelist, Carlo Maria Giudici, Italian, 1723 - 1804, Black chalk on paper, Vertical rectangle. Part of a sheet of a drawing book with a design for a sculpture of a prophet or an evangelist. Figure of a bearded man, holding an open book, shown in three-quarter frontal view; the head in profile, turned toward the left., Milan, Italy, 1780–1800, sculpture, Drawing

MA8PH5 Black chalk drawing 'Head of a Young Apostle' (1518-1520) by Italian Renaissance painter Raphael on display at his retrospective exhibition in the Albertina Museum in Vienna, Austria. The drawing became the most expensive work on paper in the world after it was sold for £29.7 million on the Sotheby's in December 2012. The exhibition runs till 7 January 2018.

2HW5AG0 Art inspired by Head of a Man with Closed Eyes, 1563–1610, Black and red chalk on gray paper, 14 x 9-5/8 in. (35.5 x 24.4 cm), Drawings, attributed to Francesco Vanni (Italian, Siena 1563–1610 Siena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW5A7R Art inspired by Study for a Head of a Man, 1625–1713, Black chalk, on white paper, 9 5/8 x 8 1/4in. (24.5 x 21cm), Drawings, Attributed to Carlo Maratti (Italian, Camerano 1625–1713 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW58D0 Art inspired by The Ascension of Christ (recto); Head of a Bearded Man Looking Down (verso), ca. 1737, Black chalk and charcoal, stumped, heightened with white, on gray-blue paper (recto); black and red chalk, charcoal, stumped, heightened with white (verso)., 31 7/8 x 18 9/16 in. (81, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW58BC Art inspired by Head of a Bearded Man, ca. 1750, Black and red chalk, heightened with white on beige paper. Squared for transfer in graphite., 13 5/16 x 11 1/16 in. (33.8 x 28.1 cm), Drawings, Jean Restout le jeune (French, Rouen 1692–1768 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW577N Art inspired by Head of a Bearded Man, 1588/89–1623, Black chalk, red, yellow, and pink pastel, highlighted with white on gray-green paper, 13-/4 x 9-11/16 in. (34.9 x 24.6 cm), Drawings, Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice), Consecutively active in Rome, Mantua, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW5780 Art inspired by Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso), 1483–1548, Pen and brown ink, brush and gray wash (the man on horseback), red chalk (the man's head at upper right) (recto); black chalk on blue-washed paper (verso), 7-9/16 x 7-15/16 in. (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW5755 Art inspired by Head of a Bearded Man Looking to Upper Left, 1634–89, Black chalk, highlighted with white, on blue paper, 8 11/16 x 9in. (22 x 22.9cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW575R Art inspired by Head of a Bearded Man Looking to Upper Right, 1634–89, Black chalk on blue paper, 6 7/8 x 6 1/4in. (17.5 x 15.8cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW56EA Art inspired by Studies of a Man's Head and of His Hands, 1592–99, Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper, 11 x 16-1/4 in. (28 x 41.3 cm), Drawings, Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino), These large studies of heads and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW55TG Art inspired by Head of a Bearded Man Looking Left, early 18th century, Black chalk, stumped, red chalk, pink pastel, on beige paper., 11 7/8 x 8 15/16 in. (30.1 x 22.7 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXCWP Art inspired by Portrait of a Man, 17th century, Red chalk, pen and black ink, touches of brush and gray ink, silhouetted and pasted onto a rectangular sheet of paper tinted buff at back of head and gray at shoulders., 8 x 5 11/16 in. (20.3 x 14.4 cm), Drawings, Anonymous, French, 17th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXC67 Art inspired by Head of a Bearded Man., 1620–30, Black chalk, highlighted with white chalk, on blue-gray paper partly faded light brown, 13-3/8 x 9-9/16 in. (34.0 x 24.3 cm), Drawings, Domenichino (Domenico Zampieri) (Italian, Bologna 1581–1641 Naples, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXBF8 Art inspired by Head of a Man, n.d., Charcoal, stumped, black chalk, heightened with white, on beige paper, 20 1/4 x 16 5/16 in. (51.5 x 41.5 cm), Drawings, Claude Jean-Baptiste Hoin (French, Dijon 1750–1817 Dijon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCA2WY Head of a Man, n.d., Charcoal, stumped, black chalk, heightened with white, on beige paper, 20 1/4 x 16 5/16 in. (51.5 x 41.5

KC9MXG Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso), attributed to Marcello Fogolino, 1483–1548

KC9MEF Head of a Bearded Man., 1620–30, Black chalk, highlighted with white chalk, on blue-gray paper partly faded light brown, 13-3/8

2HW5F2P Art inspired by Head of a Bearded, Young Man in Profile Facing Right, 1545–55, Black chalk on light brown paper, 8 1/4 x 6 1/4 in. (21 x 15.8 cm), Drawings, Bronzino (Agnolo di Cosimo di Mariano) (Italian, Monticelli 1503–1572 Florence), This delicately drawn study portrays the bearded, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW555A Art inspired by Head of a Young Man in Profile, to the Left, 18th century, Charcoal and black chalk, heightened with white on beige paper, 6 x 5 1/16 in. (15.3 x 12.8 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW5406 Art inspired by Head of a Bearded Man, 1564–1644, Black chalk and traces of white chalk on blue paper, 4-1/4 x 3-5/16 in. (10.8 x 8.4 cm), Drawings, Attributed to Francisco Pacheco (Spanish, Sanlúcar de Barrameda 1564–1644 Seville, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXD06 Art inspired by Head of a Bearded Man, 1516–17, Black chalk on paper, 6 5/8 x 5 1/4in. (16.9 x 13.4cm), Drawings, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HTXBHA Art inspired by Head of a Bearded Old Man, 1500–1545, Black chalk. Tacked down to paper mount., 6 x 4 7/8 in. (15.2 x 12.4 cm), Drawings, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg)), Also attributed to Sebald Beham (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC9PJR Head of a Bearded Man, 1516–17, Black chalk on paper, 6 5/8 x 5 1/4in. (16.9 x 13.4cm), Drawings, Lorenzo Lotto (Italian, Venice

2HW6H71 Art inspired by Head of a Bearded Man, Looking up to the Right, n.d., Black chalk and white chalk, on blue paper, sheet: 18 1/4 x 9 7/16 in. (46.3 x 24 cm), Drawings, Bartolomeo Schedoni (Italian, Formigine 1578–1615 Parma, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2PMCAR9 Drawing, The Head of a Bearded Man, a Man on Horseback; Paolo Emilio Besenzi (Italian, 1624 - 1666); Italy; black chalk, pen and ink, brush and bistre on paper

H4KTWR Jacob Matham, Dutch (1571-1631), Head of a Man, black and red chalk on laid paper

EDYMH1 Jacob Matham, Dutch (1571-1631), Head of a Man, black and red chalk on laid paper

2E43708 Thomas Patch, 1725â€“1782, British, Head and Shoulders of a Man Seated at a Table, Resting His Head on His Left Hand, 1760s. Black chalk and red chalk on medium, slightly textured, cream laid paper bound in carta fiorentina. Grand Tour , portrait

2E473J9 John Frederick Lewis, 1804–1876, British, A Head Keeper, Windsor Castle, 1826, 1826. Black chalk, red chalk, conté, graphite and white chalk on medium, slightly textured, beige wove paper. cloak , figure study , guns , keepers , man , top hat , whistle

2E470EF Attributed to Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), Head of a Man, 1732. Black chalk, red chalk, and white chalk on medium, moderately textured, blue laid paper. aristocrat , figure study , head , man , portrait , wig

H4KT6K Alphonse Legros, Head of a Man Facing Left [recto], French, 1837-1911, black chalk on heavy laid paper

EDYK6H Alphonse Legros, Head of a Man Facing Left [recto], French, 1837-1911, black chalk on heavy laid paper

H4KT4G Alphonse Legros, Head of a Man, French, 1837-1911, black chalk on laid paper

EDYJJK Alphonse Legros, Head of a Man, French, 1837-1911, black chalk on laid paper

H4KK9W Italian 17th Century, Head of a Man, c. 1600, red and black chalk on laid paper

H4KK5R Dutch 17th Century, Head of a Young Man [recto], c. 1650, black chalk on laid paper

EDYDNR Dutch 17th Century, Head of a Young Man [recto], c. 1650, black chalk on laid paper

EDYDAP Italian 17th Century, Head of a Man, c. 1600, red and black chalk on laid paper

2TBKDMH Head of a Fallen Soldier, 1847.

2T9XG7N Head of a Man - by Giovanni Girolamo Savoldo

2T9XG7M Head of a Bearded Man - by Giovanni Girolamo Savoldo

2T7TBXM Gabriel Metsu Head of a young man with a lowered look, in a three -quarter profile to the right. Black chalk, on brownish light gray paper; tailored to a round medallion.

2T7TBXK Gabriel Metsu Head of a smiling young man, en face. Black chalk, on brownish light gray paper; tailored to a round medallion.

2T7N7DY Isaac Walraven A man with bald head. Red Chalk , heighted with white chalk, over black chalk, on yellow -brown paper; Remains of a grid with black chalk. 1729 , 1729

2T7N7C9 Isaac Walraven Head of a young man with energetic facial expression. Red Chalk , heighted with white chalk, over black chalk, on yellow -brown paper; Remains of a grid with black chalk. 1728 , 1728

2T7N304 Anonym Head of a bearded old man, in the profile to the left. Black chalk, gray -laved, traces of Red Chalk , on brownish tinted paper

2T7N312 Anonym Two head studies of a bearded old man. Black chalk and reddish, heighted with deck white, on brownish tinted paper

2T7N318 Jacob Jordaens Head of an old man with full beard and bald head (study for a Neptune). Black chalk, heighted with white chalk, on greenish gray paper around 1640

2T7N30H Anonym Head of a bearded man, to the left. Black chalk, gray -laved, heighted with deck white, on gray -blue primed paper.

2T7MXBE Johann Matthias Schuster Head of a bearded old man. Black chalk, heighted with white chalk, on blue paper around 1735