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Total de Resultados: 1.467

Página 1 de 15

20230914_zia_c218_006 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_005 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_010 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_009 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_007 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_008 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_004 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_011 September 14, 2023, Brisbane, Queensland, Australia: This image shows: Hamacantha (Vomerula) melliflura...A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_002 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230914_zia_c218_003 September 14, 2023, Brisbane, Queensland, Australia: A team of scientists from the Queensland Museum has made a remarkable discovery, of four rare, delicate sponges found in the depths of the ocean. These sponges were located on seamounts off the coast of Queensland and Tasmania, rising from four kilometres below the ocean's surface to just one kilometre down..Dr. Merrick Ekins, the Queensland Museum Network Collection Manager specialising in Sessile Marine Invertebrates, described these sponges as having razor-sharp spicules that elegantly form intricate rosettes..''These exquisite sponges mark the first documented instances of the genus Hamacantha (Vomerula) within the Australian Exclusive Economic Zone,'' Dr. Ekins exclaimed..The discovery of these four new species has expanded the known species within the subgenus Vomerula to a total of 26..Hamacantha (Vomerula) novacula is a fragile, lace-like, encrusting sponge was discovered attached to a rock, boasting a pristine white and translucent appearance. It earned the name Hamacantha (Vomerula) novacula, in reference to its remarkably sharp fimbria, resembling a shaving knife. ''Novacula'' is derived from Latin and translates to ''sharp knife.'' Hamacantha (Vomerula) melliflura is another delicate, lace-like, encrusting sponge, Hamacantha (Vomerula) melliflura, was christened for its resemblance to honey's flowing nature and the honeycomb-like texture adorning its surface. ''Melliflura'' signifies ''flowing with honey.''.Hamacantha (Vomerula) ridleyi is a fragile, encrusting sponge showcases a smooth surface devoid of visible oscules. It was bestowed with the name Hamacantha (Vomerula) ridleyi in honor of Stuart Ridley, a prolific describer of numerous minute deep-water sponge species documented during the HMS Challenger and HMS Alert expeditions..Hamacantha (Vomerula) levii is a round and slender specimen characterized by its rough surface, Hamacantha (Vome (Credit Image: © Cover Images/Zuma Press/Fotoarena)
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20230507_shn_z03_239 May 7, 2023 - Bolivia - An astronaut aboard the International Space Station captured this photograph of Salar de Coipasa and neighboring Salar de Uyuni in the Bolivian Andes. Visible from low Earth orbit, the salt flats display stark white hues that contrast with the darker surrounding rock. Various volcanic cones are scattered through the image, such as Cerro Tetivilla, which divides the two salt lakes; Wila Pukarani, located within the Coipasa Salt Flat; and Paryani, on the northern edge of Coipasa. In recent years, Andean salt flats have been the subject of climate and space-based analog studies, serving as a proxy for Earth's climate history and the Martian environment. Salt textures tell the story of the landscape's climatic and geologic history, while saltwater brines and hydrated clays beneath the salt crust are of interest to both Earth and Mars scientists. (Credit Image: © NASA Earth/ZUMA Press Wire/ZUMAPRESS.com)
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20220919_zaa_s197_314 September 19, 2022, South Konawe, South East Sulawesi, Indonesia: A view of the rock mountain drilling process in marble stone quarry in north moramo. Mountains in the northern Moramo area can be used for various things, including marble and ornamental stone. Marble in this area also gives the appearance of various textures, namely subidioblastic and xenoblastic textures (Credit Image: © Andry Denisah/SOPA Images/Zuma Press/Fotoarena Wire)
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ny070522134905 Adrian D?hler, a cartographer at SwitzerlandÕs Federal Office of Topography, or Swisstopo, at work in Wabern, a suburb of Bern, on Jan. 25, 2022. Illustrations of mountains are made up of hundreds of short, yet expressive lines, called hachures.ÊSubtle changes in style and texture reflect different types of rock. (Lucia Buricelli/The New York Times/Fotoarena)
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ny190319175404 Brice Marden outside his studio in Tivoli, New York, Dec. 28, 2018. The moss covering the rocks behind him have long been the source of his palette and textures. Many assumed he would slow down after his cancer diagnosis but instead he has become more prolific than ever. ?I have been able to work through it all. It hasn?t made me hurry things up. It hasn?t made me work any differently. It?s just been an extra thing to think about.? (Lauren Lancaster/The New York Times/Fotoarena)
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1028_14_CLK3082 The towers of mount Civetta are reflected in the water of Lake Coldai. Dolomites. Veneto. Italy. (Photo by: ClickAlps/REDA&CO)
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00917551 geography / travel, USA, Utah, Bryce, Bryce Canyon,
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1016_03_62437 Pumice stone is light and brittle with a spongy texture. It is often used to soften the skin of the feet and hands. This igneous rock is riddled with tiny air pockets because the lava that formed it was full of gases. Pumice is so light that it can do what no other rock can: float on water!
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41620248 A view of the rock mountain drilling process in marble stone quarry in north moramo. Mountains in the northern Moramo area can be used for various things, including marble and ornamental stone. Marble in this area also gives the appearance of various textures, namely subidioblastic and xenoblastic textures (based on individual crystal shapes). Photo Credit: Andry Denisah / SOPA Images/ Sipa/ Fotoarena
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ibxuzg10216463 Texture of a boulder with moss and lichen
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ibxuzg10216885 The texture of natural stone, sandstone, limestone, granite
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ibxlar10334353 A close-up of an assortment of natural-colored stones and pebbles creating a textured surface
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alb4159650 Sunshine and Shadow, Prout's Neck. Winslow Homer; American, 1836-1910. Date: 1894. Dimensions: 385 x 546 mm. Watercolor, with rewetting and blotting, over graphite, on thick, rough-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4159485 Two Boys Watching Schooners. Winslow Homer; American, 1836-1910. Date: 1880. Dimensions: 227 x 340 mm. Watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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akg6102503 Ulrich von Bettendorf, died 1451. - Tombstone of Ulrich von Bettendorf and his wife Elisabeth von Nippenburg (died 1454) with alliance coat of arms Bettendorf-Nippenburg. - Relief, anonymous, around 1451. Sandstone. From a series of tombtones from the predecessor of the 1755/56 newly built church. Nußloch (Rhein-Neckar-Kreis, Baden-Württemberg), St. Laurentius-Kirche / St. Lawrence's Church, southern outer wall.
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ibxdzm09247196 Dry scented lavender sea salt Wooden spoon on wooden board Spabehandlung concept
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ibxdzm09237692 Composition of handmade soap lavender scented bath sea salt glass cover on wooden board spraying treatment concept
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ibxdzm09244625 Bundle of dry lavender handmade soap jar with scented bath salts on black background spa concept
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ibxdzm09244184 Handmade soap bar with aromatic sea salt on a black background Health concept
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ibxdzm09247194 Dry lavender sea salt Wooden spoon on a wooden board Spre treatment concept
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ibxdzm09244620 Bunch of dried lavender handmade soap aromatic crystal bath salts on black background spa concept
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iblfpe09941166 Pieces of rock sugar crystal over black background
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iblfpe09941165 Pieces of rock sugar crystal over black background
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alb2334315 Askja Volcano, lava flow, detail of solidified lava, Sudur-Thingeyjarsysla, Iceland.
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alb3607084 Rouen Cathedral: The Portal (Sunlight). Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 39 1/4 x 25 7/8 in. (99.7 x 65.7 cm). Date: 1894.Monet painted more than thirty views of Rouen Cathedral in 1892-93. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Monet later finished the works in his studio at Giverny, carefully adjusting the pictures both independently and in relation to each other. Hence, most are signed and dated 1894, as is this example. In 1895, Monet exhibited twenty of his cathedral pictures at Galerie Durand-Ruel in Paris. This one was titled Le Portail (Soleil), or The Portal (Sunlight). Museum: Metropolitan Museum of Art, New York, USA.
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alb1514817 Roman civilization. Cinerary urn bearing the name of the deceased. Location: Treviso, Museo Civico (Art Museum).
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alb3606314 The Descent of Man into the Vale of Death, from The Grave, a Poem by Robert Blair. Artist: Luigi Schiavonetti (Italian, Bassano del Grappa 1765-1810 London); After William Blake (British, London 1757-1827 London). Dimensions: plate: 9 1/2 x 5 5/16 in. (24.1 x 13.5 cm)sheet: 10 13/16 x 6 1/4 in. (27.5 x 15.9 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: March 1, 1813. Museum: Metropolitan Museum of Art, New York, USA.
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alb2307167 Cutting of mineral with circular saw.
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alb3187806 cueva del Dragón de Wawel, bajo la colina de Wawel, Cracovia,Polonia, eastern europe.
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alb9834802 old rusty fridge, old Ripoll winery, Llucmajor, . Majorca, Balearic Islands, Spain.
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alb5080269 Sketch of Chudleigh Rocks, Devon, Capt. Thomas Hastings, 17781854, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 inches (23.8 × 33 cm).
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alb2305804 Jordan - Petra (UNESCO World Heritage List, 1985) - Particular of a tomb in sandstone.
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alb5083337 Patie and Peggy, Print made by David Allan, 17441796, British, born in Scotland, after David Allan, 17441796, British, born in Scotland, Published by Watt & Baillie, active 1808, British, 1808, Etching and aquatint on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm), Plate: 10 3/8 x 8 1/16 inches (26.3 x 20.4 cm), and Image: 9 x 7 1/16 inches (22.9 x 18 cm), agriculture, breeches, cane, cattle, coat, comforting, costume, cows, dog (animal), dress, fichu, genre subject, gesture, grazing, hills, illustration, landscape, love, man, pastoral, peasants, plaid, poem, rocks (landforms), rural, sash, shepherd, shepherd's crook, stream, tam-o'-shanter, trees, tub, weeping, woman, Europe, Scotland, United Kingdom.
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alb5081441 Druidical Stone at Strather, near Barvas, Isle of Lewis, William Daniell, 17691837, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm), boats, grazing, labor, landscape, men, peat, sea, sheep, shovel, stone, woman, working, Barvas, Isle of Lewis, Scotland, United Kingdom, Western Isles.
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alb5101592 Views in the Levant: Corner of a Stone Building with Palm Tree at Right, Willey Reveley, 17601799, British, ca. 1785, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, laid paper, mounted on thick, smooth, brown, wove paper, Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm), architectural subject, buildings, corner, palm tree, shadow, stone, Levant.
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alb5102069 The Poems of Thomas Gray, Design 107, 'Elegy Written in a Country Church-Yard.', William Blake, 17571827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), angel, book, children, church, dirt, grave, horse (animal), keg, literary theme, men, mourning, plow (agricultural equipment), reading, religious and mythological subject, road, shawl, shawls, shovel, shroud, spires, stone, text, trees, women.
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alb5109606 View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground, Isaac Weld, 17741856, Irish, between 1795 and 1797, Pen in black ink, gray wash, and graphite on medium, slightly textured, cream, wove paper, mounted on, thick, slightly textured, cream, wove paper, Mount: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm) and Sheet: 3 9/16 × 5 7/8 inches (9 × 14.9 cm).
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alb5106140 Valley of Stones, Lynton, Devon, Thomas Rowlandson, 17561827, British, undated, Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper, Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm) and Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm), cliffs, horses (animals), landscape, rocks (landforms), stones, valley (landform), Devon, England, Europe, Lynton, United Kingdom, Valley of Stones, Valley of the Rocks.
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alb5094074 Visions of the Daughters of Albion, Plate 6, 'And none but Bromian . ', William Blake, 17571827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm), Plate: 6 3/4 x 4 1/2 inches (17.1 x 11.4 cm), and Spine: 14 inches (35.6 cm), chain, literary theme, men, nudes, rocks (landforms), shackle, shore (landform), sky, sun, text, water, women.
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alb5110598 Ariccia, Print made by John Robert Cozens, 17521797, British, between 1783 and 1789, Soft-ground etching on moderately thick, slightly textured, beige laid paper, Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm), church, dome, horse (animal), landscape, men, palazzo, path, road, rocks (landforms), Ariccia, Church of Santa Maria dell'Assunzione, Europe, Italy, Lazio, Palazzo Chigi, Roma.
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alb3728945 Near Blair Athol. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.
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ibxcpi09494232 Small waterfalls among the rocks and vegetation in Biribiri in Diamantina, Minas Gerais, Brasil
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ibxcpi09165008 Studio shoot of brazilian green tourmaline raw crystal with white background, Brasil
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ibxcpi09164360 Small creek with clear waters and casacade running through the rocks of the mountains of Minas Gerais, Brazil, Minas Gerais, Brasil, South America
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ibxcpi09163893 Corroded and rusty gears and piping from old machinery for processing iron ore in Minas Gerais, Brazil, Brasil, South America
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ibxcpi09164357 Small creek with clear and yellow waters running through the rocks of the mountains of Minas Gerais, Minas Gerais, Brasil
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ibxcpi09164138 Small stones on the shore with the foam of the waves during tropical sunset, Brasil
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ibxcpi09164848 Texture of drops of sea water splashing into the air when waves crash against rocks, Brasil
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ibxcpi09164358 Small creek with clear waters running through the rocks of the mountains and forests of Minas Gerais, Minas Gerais, Brasil
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ibxcpi09160011 Small river and cascade between the rocks and the arid vegetation of the Biribiri environmental reserve in Diamantina, Minas Gerais, Brasil
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ibxcpi09163942 Corroded and rusty gears and pipes of old machinery for processing iron ore abandoned in Minas Gerais, Brazil, Brasil, South America
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alb9705417 curtain of Swarovski crystals and fossilized skeleton of Siberian woolly rhinoceros (Coelodonta antiquitatis), Sa Bassa Blanca Museum (msbb). Yannick Vu and Ben Jakober , Alcudia, Majorca, Spain.
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alb9602763 cueva de la Mare de Deu, cala de Portals Vells, Calvia, Mallorca, balearic islands, spain, europe.
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alb9600795 cueva del Agua, - cueva de la Virgen de Tíscar -, parque natural sierras de Cazorla, Segura y Las Villas, Jaen, Andalucia, Spain.
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alb5087962 The Arrival of Ferries at London Bridge (?), unknown artist, after Thomas Rowlandson, 17561827, British, formerly Thomas Rowlandson, 17561827, British, undated, Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper, Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm), boats, bridge approach, building, ferries, genre subject, men, stairs, stone, water, women, England, Europe, London, London Bridge, Thames, United Kingdom.
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alb5107166 Loch Scavaig, Isle of Skye, William Daniell, 17691837, British, ca. 1819, Watercolor with gouache and scraping over graphite on medium, slightly textured, cream wove paper, pasted on very thick, slightly textured, cream card, Mount: 9 1/8 × 13 3/8 inches (23.2 × 34 cm) and Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm), bay (body of water), boats, cliffs, figures, geology, island, landscape, mountains, rocks (landforms), sailboats, seagulls, waterfall, Europe, Highland, Isle of Skye, Loch Scavaig, Scotland, United Kingdom.
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alb5102064 The Rocky Bank of a River, John Ruskin, 18191900, British, ca. 1853, Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm), hills, landscape, river, riverbank, rocks (landforms), trees.
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alb5106403 Joshua Commanding the Sun to Stand Still, John Martin, 17891854, British, 1827, Mezzotint, published state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm), Chine collé: 22 7/16 × 30 9/16 inches (57 × 77.6 cm), Plate: 22 3/4 × 30 inches (57.8 × 76.2 cm), and Image: 17 3/16 × 26 7/8 inches (43.7 × 68.3 cm), battle, Bible, chariot, city, cliff, commander, daylight, flag, gate, hail, horse, Joshua orders the sun and the moon to stand still over Gibeon and Aijalon until the Amorites who had besieged the city of Gibeon are routed, king (person), marching, moon, mountain, prayer, rain, religious and mythological subject, river, rock, shield, spear, staff, storm, sun, tree.
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alb5099586 Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall, Willey Reveley, 17601799, British, ca. 1785, Watercolor, and pen and black ink on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, brown, wove paper, Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm), architectural subject, building, inscription, stone, wall, wood, Levant.
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alb5079886 Visions of the Daughters of Albion, Plate 1, Frontispiece, William Blake, 17571827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 3/4 x 4 5/8 inches (17.1 x 11.7 cm), and Spine: 14 inches (35.6 cm), cave, chains, clouds, literary theme, men, nudes, rocks (landforms), sea, shackles, sun, vines, women.
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alb5103019 Bristol High Cross, Print made by Samuel Buck, 16961779, British, and Nathaniel Buck, active 17271753, 1734, Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper, Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm), Plate: 18 7/8 x 11 9/16 inches (48 x 29.4 cm), and Image: 17 15/16 x 11 1/16 inches (45.5 x 28.1 cm), architectural subject, basket, children, Christian, clouds, cross (motif), dog (animal), field, gesturing, gold, grass, kings, men, monument, pointing, sculptures, statues, stone, watching, women, wrought iron.
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alb5100644 Landscape in Wales with Castle, Lake, and Rocky Foreground, pupil of John Varley, 17781842, British, 1815, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 18 1/4 inches (17.8 × 46.4 cm), boat, castle, hills, lake, landscape, mountains, rocks (landforms), sailboat, trees, Cymru, Europe, United Kingdom, Wales.
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alb5091710 Bay Scene in Moonlight, John Warwick Smith, 17491831, British, 1787, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 13 3/8 x 19 7/8 inches (34 x 50.5 cm), bay (body of water), boats, child, clouds, lake, landscape, man, moon, nighttime, rocks (landforms), ship, sky, woman.
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alb5112082 The Three Witches from Macbeth: Though the Bark Cannot be Lost..., Mary Hoare, 17531820, British, ca. 1781, Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper, Mount: 13 3/8 x 11 5/16 inches (34 x 28.8 cm), Contemporary drawn border: 11 11/16 x 11 5/16 inches (29.7 x 28.8 cm), and Sheet: 13 1/4 × 11 1/4 inches (33.7 × 28.6 cm), bark, boat, cave, cloaks, clouds, coast, flags, gesturing, literary theme, Macbeth, Act I, Scene III, magic, marine art, masts, meteorology, old, plays by William Shakespeare, pointing, rocks (landforms), ropes, sails, science, sea, ship, shore (landform), singing, skirts, storm, The Tragedy of Macbeth, witches, women.
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alb5111904 Group of Peasants with Musical Instruments, Attributed to John Absolon, 18151895, British, undated, Watercolor, gouache, graphite, pen, and brown ink on moderately thick, moderately textured, cream wove paper, Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm), bonnets, branches, children, dog (animal), genre subject, gesture, guitar, hats, horn (musical instrument), landscape, leisure, men, mountains, music, musical instruments, peasants, pointing, pool, reflections, rocks (landforms), tambourine, trees, water, women.
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alb5093592 The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe, William Dickinson, 17461823, British, after Sir Joshua Reynolds RA, 17231792, British, Published by William Dickinson, 17461823, British, 1774, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 15 3/8 x 11 inches (39 x 28 cm) and Image: 13 1/4 x 11 inches (33.7 x 28 cm), boy, buttons, child, coat, cuffs, earl, gaze, grass, hills, landscape, portrait, posing, rocks (landforms), ruff, solemn, trees, vest, youth.
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alb5086964 Gowland's Cascade, Gap of Dunloh, 6 September 1841, Capt. Thomas Hastings, 17781854, British, 1841, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm) and Binding: 10 1/4 inches (26 cm), cascade, hills, landscape, mountains, people, road, rocks, waterfall, Gap of Dunloe, Ireland, Killarney.
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alb5083266 A Castle at the Edge of a Lake, Rev. William Gilpin, 17241804, British, between 1762 and 1783, Gray wash, yellow wash, and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 3 7/8 × 5 1/2 inches (9.8 × 14 cm), castle, hills, lake, landscape, rocks (landforms).
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alb5082997 Valley of Rocks, Lynton, North Devon, Francis Oliver Finch, 18021862, British, undated, Watercolor, with pen, in brown ink, gouache, graphite and scratching out on moderately thick, slightly textured, cream, wove paper, Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm), figures, horses (animals), landscape, road, rocks (landforms), valley (landform), wagon, water, Devon, England, Europe, Lynton, United Kingdom, Valley of Rocks.
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alb5083720 Burial of Sarah, John Martin, 17891854, British, 1833, Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card, Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm) and Sheet: 3 3/8 x 5 7/16 inches (8.6 x 13.8 cm), burial, candles, cave, death, figures, funeral, kneeling, mourning, praying, religious and mythological subject, rocks (landforms), Sarah's burial in the cave of Machpelah, shrouds, tomb, torches, Ad Daffah al Gharbiyah, Asia, Cave of the Patriarchs, Hebron, Israel.
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alb5080451 Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome, Carlo Labruzzi, 17481817, Italian, undated, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 14 3/4 x 21 1/8 inches (37.5 x 53.7 cm), architectural subject, cityscape, ruins, statues, stone, Arch of Constantine, Colosseum, Italy, Lazio, Roman Forum, Rome.
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alb5087718 The Crucifixion, Print made by William Faithorne, 1656ca. 1701, British, Published by Edward Cooper, active 1682 died 1725, British, undated, Mezzotint on medium, slightly textured, beige laid paper, Sheet: 7 3/8 × 4 1/2 inches (18.7 × 11.5 cm) and Image: 6 7/8 x 4 1/2 inches (17.5 x 11.5 cm), apple, blood, buildings, Christ on the cross on Golgotha (alone, without bystanders), clouds, cross (object), crown, crown of thorns, crucifixion, dying, Passion cycle, religious and mythological subject, serpent, specific types of crucified Christ (in non-narrative context) - DD - Christ beardless, stone, thorns, wound.
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alb5090384 Chapel of St. Michael's Mount, Capt. Francis Grose, 17311791, British, 1786, Watercolor and pen and ink on medium, slightly textured, cream laid paper, Sheet: 10 1/4 x 16 1/2in. (26 x 41.9cm) and Sheet: 10 1/2 × 16 5/8 inches (26.7 × 42.2 cm), architectural subject, chapel, church, cliff, rocks (landforms), seashore, water, Cornwall, England, Mount's Bay, United Kingdom.
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alb5090626 View of Lichfield, The Birth Place of Dr. Samuel Johnson, Edward Francis Finden, 17911857, British, after Clarkson Stanfield, 17931867, British, Published by John Murray, 18021892, British, 1835, Etching and line engraving on moderately thick, slightly textured, beige wove paper, Sheet: 6 1/4 x 9 5/16 inches (15.9 x 23.7 cm) and Image: 3 3/4 x 5 7/8 inches (9.5 x 15 cm), bonnet, branches, buildings, cathedral, church, city, cityscape, clouds, fences, fishing, genre subject, hats, lake, landscape, leisure, path, peasants, pitcher, river, road, rocks (landforms), stream, talking, trees, woods, England, Lichfield, Staffordshire, Trent, United Kingdom.
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alb9565727 brick wall, Dessau, Federal Republic of Germany.
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alb9565701 pebble beach , pebble tapestry, Migjorn, Majorca, Balearic Islands, Spain.
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alb9468129 Scholar's Rock, 19th century, 4 9/16 x 9 1/8 x 4 3/8 in. (11.59 x 23.18 x 11.11 cm) (including stand), Ying stone, China, 19th century, Found in Ying-te, Kwantung province, as well as Kwangsi province in south China, ying stone is softer than ling-pi and typically full of complex furrows with twisted lines and intricately textured surfaces. Notable for their diverse shapes, these stones appear to embody a thousand hills and valleys and are well suited for representing a scenic landscape. This type of scholar's rock is usually referred to as a 'close-up view mountain.' Such stones were treasured for the impression they created of a miniature mountain range and they were treasured display objects in a scholar's studio.
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alb9430649 Spring and Summer right of a pair of Landscapes of the Four Seasons, mid 16th century, Kano School, Japanese, 67 5/8 x 150 in. (171.77 x 381 cm), Ink, light color, and gold on paper, Japan, 16th century, By the 1500s, Japanese painters had become adept at producing landscapes based on the imagined mountains and rivers of China. They based their works on prototypes produced by famous painters from Chinese antiquity, including Ma Yuan (c. 1160/651225) and Xia Gui (active c. 11951230). Stylistically, however, the Japanese approachparticularly that of artists associated with the Kano housewas more decorative, especially when applied to the large format of folding screens. Painters sharply outlined their trees and rocks and textured them with rhythmic patterns of dots and dashes. They also applied washes of gold for dramatic effect.
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alb9418283 Scholar's Rock, 19th century, 6 9/16 x 17 1/2 x 8 7/16 in. (16.67 x 44.45 x 21.43 cm) (including stand), Ying stone, China, 19th century, This intricately wrinkled and textured ying stone is a classic example of a 'distant view mountain' rock. Deep crevices traverse the rock's middle giving it the impression of several mountain peaks separated by gorges. The white calcite inclusion approximates the look of a mountain glacier. Miniature mountain landscapes form a sub-category of scholar's rocks. More reflective of the natural environment than the dramatically convoluted and perforated ling-pi and tai-hu scholar's rocks, they were perfect for studios that lacked views of a distant landscape.
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alb9416195 Boating on a Snowy Evening, early 19th century, Yokoi Kinkoku, Japanese, 1761 - 1832, 52 3/8 × 22 9/16 in. (133.03 × 57.31 cm) (image), Hanging scroll; ink and color on paper, Japan, 19th century, Yokoi Kinkoku painted in a rapid and spontaneous manner and was especially successful in capturing the vibrancy of mountains and rocks. Toward the end of his life he became a wandering Buddhist priest of the Jdo (Pure Land) school. Irregularly and richly shaped, the mountains go high up in the painting. Black ink dotting and lively outlines give the rocks a rich texture.
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alb3741405 The Source of the Arveron. Dated: published 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Henry Edward Dawe.
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alb9351934 Rhode Island Coast: Conanicut Island, William Trost Richards, American, 1833-1905, Transparent watercolor with touches of opaque watercolor on cream, moderately thick, slightly textured wove paper, ca. 1880, 10 x 14 7/16 in., 25.4 x 36.7 cm, 1880, 19th century, Atlantic Ocean, boulders, coast, coastal, Coastal community, Conanicut Island, East Coast, Eastern Seaboard, New England, rhode island, rocks, rocky, shore, water, watercolor, William Trost Richards.
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alb3665877 Study No. 1: Mr. Thomas Way. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 3/8 × 4 11/16 in. (18.7 × 11.9 cm)Sheet: 13 7/16 x 9 9/16 in. (34.1 x 24.3 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.
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alb3651821 The Butcher's Dog. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 1/8 × 5 3/16 in. (18.1 × 13.1 cm)Sheet: 12 5/16 x 8 1/2 in. (31.3 x 21.6 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.
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alb1887765 Prehistory - Bronze Age. Rock carvings in Kalnes, Norway.
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alb3619704 The Hermit (Il solitario). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 37 3/4 x 38 in. (95.9 x 96.5 cm). Date: 1908.Sargent based this painting on sketches he had made in Val d'Aosta, in the foothills of the Alps, in northwestern Italy. Although he seems to have been preoccupied with rendering the sundappled landscape in textured brushstrokes, he also included two deer (contrived from a stuffed specimen) and a male figure that evokes religious personages such as Saint Jerome. Yet, when approving The Hermit as the translated title of the picture, Sargent wrote to the director of the Metropolitan, "I wish there were another simple word that did not bring with it any Christian association, and that rather suggested quietness and pantheism.". Museum: Metropolitan Museum of Art, New York, USA.
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alb4159344 Pape moe. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 354 × 255 mm. Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
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alb3902463 On the Washburn. Date/Period: Ca. 1815. Painting. Watercolor. Height: 273 mm (10.74 in); Width: 391 mm (15.39 in). Author: J. M. W. Turner.
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alb3902437 Landscape with Waterfall. Date/Period: Ca. 1796. Drawing. Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper. Height: 276 mm (10.86 in); Width: 391 mm (15.39 in). Author: J. M. W. Turner.
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alb3898815 A Horse Affrighted by a Lion. Date/Period: 1777. Animal art. Etching and line engraving on medium, slightly textured, cream laid paper. Height: 375 mm (14.76 in); Width: 483 mm (19.01 in). Author: George Stubbs.
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alb5080946 A View of the Salfatara, a Remarkable Mountain Near Naples, Print made by unknown artist, (de Bois), Published by John Bowles, 17011779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of moderately thick, moderately textured, blued white laid paper, Mount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm), Sheet: 8 11/16 x 11 5/16 inches (22 x 28.7 cm), Plate: 7 13/16 x 9 7/8 inches (19.8 x 25.1 cm), and Image: 7 1/16 x 9 1/2 inches (18 x 24.2 cm), buildings, capes (outerwear), cliffs, cloaks, coats, costume, explorers, genre subject, Grand Tour, horses (animals), houses, landscape, men, mountains, paths, rocks (landforms), science, smoke, staffs (walking sticks), streams, sulfur, travelers, volcano, Campania, Italy, Napoli, Pozzuoli, Solfatara.
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