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Étienne-François, comte de Stainville, duc de Choiseul, 1719-1785, ...

Data da imagem: 20/07/2014
Cod. da imagem: E59H2T
Crédito: FALKENSTEINFOTO/ Alamy/ Fotoarena

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Data da imagem: 20/07/2014

Cod. da imagem: E59H2T

Crédito: FALKENSTEINFOTO/ Alamy/ Fotoarena

Étienne-François, comte de Stainville, duc de Choiseul, 1719-1785, a French military officer, diplomat and statesman, Étienne-François de Choiseul d’Amboise, 1719-1785, ein französischer Staatsmann

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Charles Marquis Cornwallis

Data da imagem: 01/02/2014
Cod. da imagem: c0191763
Crédito: British Library / Science Photo Library/ Science Photo Library/ Fotoarena

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Data da imagem: 01/02/2014

Cod. da imagem: c0191763

Crédito: British Library / Science Photo Library/ Science Photo Library/ Fotoarena

Engraving of Charles Marquis Cornwallis, 18th century general in the Army in the American Revolutionary War, and later Governor General of India. From a painting by J.S. Copley R.A, Artist: Stodart, George J. (d.1884) Illustrated by George J Stodart.

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Marc Antoine René de Voyer, marquis de Paulmy and 3rd marquis ...

Data da imagem: 30/11/2012
Cod. da imagem: DJ2KKG
Crédito: ark 2013/ Alamy/ Fotoarena

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Data da imagem: 30/11/2012

Cod. da imagem: DJ2KKG

Crédito: ark 2013/ Alamy/ Fotoarena

René-Louis de Voyer de Paulmy, marquis d’Argenson, (born Oct. 18, 1694, Paris, France—died Jan. 26, 1757, Paris), French minister of foreign affairs under King Louis XV from 1744 to 1747. The son of a lawyer, he received legal training and, from 1720 to 1724, served as intendant (royal agent) in Hainaut. As patron of the Club de l’Entresol in Paris, he discussed the political concepts of the Enlightenment with Voltaire and other philosophes. In November 1744, several months after France had officially entered the War of the Austrian Succession (1740–48) on the side of Prussia, Argenson was appointed Louis XV’s foreign minister. Aspiring to reestablish French hegemony in Europe, he tried unsuccessfully to implement his own doctrinaire schemes for international arbitration. His plans were directed against Spain, Austria, and Russia; but his program was undermined by Louis’s own secret diplomacy—about which the minister was not informed—and by court intrigues. By failing to press the diplomatic advantage that resulted from the victory over the Austrians at Fontenoy (May 1745), he left himself open to criticism. In January 1747 he was compelled to resign. As president of the Académie des Inscriptions et Belles-Lettres, Argenson spent the rest of his life in literary pursuits. His Journal et mémoires (published 1859–67) forms one of the major sources for the literary and political history of Louis XV’s reign.

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Marc Antoine René de Voyer, marquis de Paulmy and 3rd marquis ...

Data da imagem: 30/11/2012
Cod. da imagem: DJ2KKF
Crédito: ark 2013/ Alamy/ Fotoarena

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Data da imagem: 30/11/2012

Cod. da imagem: DJ2KKF

Crédito: ark 2013/ Alamy/ Fotoarena

René-Louis de Voyer de Paulmy, marquis d’Argenson, (born Oct. 18, 1694, Paris, France—died Jan. 26, 1757, Paris), French minister of foreign affairs under King Louis XV from 1744 to 1747. The son of a lawyer, he received legal training and, from 1720 to 1724, served as intendant (royal agent) in Hainaut. As patron of the Club de l’Entresol in Paris, he discussed the political concepts of the Enlightenment with Voltaire and other philosophes. In November 1744, several months after France had officially entered the War of the Austrian Succession (1740–48) on the side of Prussia, Argenson was appointed Louis XV’s foreign minister. Aspiring to reestablish French hegemony in Europe, he tried unsuccessfully to implement his own doctrinaire schemes for international arbitration. His plans were directed against Spain, Austria, and Russia; but his program was undermined by Louis’s own secret diplomacy—about which the minister was not informed—and by court intrigues. By failing to press the diplomatic advantage that resulted from the victory over the Austrians at Fontenoy (May 1745), he left himself open to criticism. In January 1747 he was compelled to resign. As president of the Académie des Inscriptions et Belles-Lettres, Argenson spent the rest of his life in literary pursuits. His Journal et mémoires (published 1859–67) forms one of the major sources for the literary and political history of Louis XV’s reign.

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AFTER MARY BEALE

Cod. da imagem: alb3646069
Crédito: Album / Metropolitan Museum of Art, NY/ Fotoarena

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Cod. da imagem: alb3646069

Crédito: Album / Metropolitan Museum of Art, NY/ Fotoarena

Portrait of George Savile, Marquis of Hallifax. Artist: After Mary Beale (British, Barrow, Suffolk baptised 1633-1699 London). Author: Related to work by Thomas Birch (British, 1705-1766). Dimensions: Plate: 10 3/4 × 9 1/4 in. (27.3 × 23.5 cm) Sheet: 16 1/4 × 10 3/16 in. (41.3 × 25.8 cm). Engraver: Jacob Houbraken (Dutch, Dordrecht 1698-1780 Amsterdam). Publisher: John and Paul Knapton (British, active 1735-89). Series/Portfolio: Thomas Birch, The Heads of Illustrious Persons of Great Britain. Sitter: George Savile, 1st Marquis of Halifax (British, 1633-1695). Date: 1740. Museum: Metropolitan Museum of Art, New York, USA.

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COPY AFTER JAN GOSSART (CALLED MABUSE)

Cod. da imagem: alb3647912
Crédito: Album / Metropolitan Museum of Art, NY/ Fotoarena

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Cod. da imagem: alb3647912

Crédito: Album / Metropolitan Museum of Art, NY/ Fotoarena

Virgin and Child. Artist: Copy after Jan Gossart (called Mabuse) (Netherlandish, ca. 1522). Dimensions: Overall 17 7/8 x 13 5/8 in. (45.4 x 34.6 cm); painted surface 17 1/4 x 13 in. (43.8 x 33 cm). In his Schilder-Boeck (Book on Picturing) of 1604 Karel van Mander wrote about Jan Gossart: " . . . when in the service of the marquis de Veere, Mabuse [Gossart] painted an image of Mary in which the face was painted after the marquis' wife and the little child after her child . . . " This painting may be a replica of Gossart's lost original portrait of Anna van Bergen, the wife of Adolf of Burgundy, marquis de Veere, and their son, Hendrik, in the guise of the Virgin and Child. As such, Anna aspired to emulate the standard of ideal virtue and motherhood exemplified by the Virgin. Museum: Metropolitan Museum of Art, New York, USA.

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ANTONIO MANCINI

Cod. da imagem: akg1558490
Crédito: Album / The National Gallery, London / akg/ Fotoarena

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Cod. da imagem: akg1558490

Crédito: Album / The National Gallery, London / akg/ Fotoarena

Antonio MANCINI:. The Marquis Giorgio Capranica del Grillo (1849 -1922) was for many years a gentleman of the Court of Queen Margherita of Italy, the Queen Mother. His mother was Adelaide Ristori, the actress. The portrait was painted in Rome in 1889 but apparently post-dated 1899 in 1904. Oil on canvas, 205.7 × 109.2 cm, 1889. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

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JEAN-BAPTISTE PERRONNEAU

Cod. da imagem: akg5214699
Crédito: Album / akg-images/ Fotoarena

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Cod. da imagem: akg5214699

Crédito: Album / akg-images/ Fotoarena

Perronneau, Jean-Baptiste; c. 1715 - 1783. "The Marquis de Marigny". Pastel on paper, 64 x 50 cm. Inv. NMB 1986. Stockholm, National Museum.

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NICOLAS POUSSIN

Cod. da imagem: akg1559146
Crédito: Album / The National Gallery, London / akg/ Fotoarena

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Cod. da imagem: akg1559146

Crédito: Album / The National Gallery, London / akg/ Fotoarena

Nicolas POUSSIN:. To escape Pharaoh's order to kill Israelite boys Moses was placed in an ark of bullrushes upon the Nile. Here he is discovered by Pharaoh's daughter (in yellow), who is attended by her maidens and by the baby's sister Miriam (in white), who cradles the child. Old Testament (Exodus 2: 3-9).Painted in 1651 for Monsieur Reynon, a silk merchant in Lyon, this is the latest and grandest of Poussin's three versions of the subject. The other two are in the Louvre, Paris. It may have been the pair to Poussin's 'Christ healing the Blind' (Paris, Louvre). The Gallery's picture once belonged to the Marquis de Seignelay, whose widow is portrayed in Mignard's portrait in the National Gallery ('The Marquise de Seignelay and Two of her Sons'), and later to Clive of India. Oil on canvas, 115.7 × 175.3 cm, 1651. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

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GILBERT STUART

Cod. da imagem: alb3610139
Crédito: Album / Metropolitan Museum of Art, NY/ Fotoarena

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Cod. da imagem: alb3610139

Crédito: Album / Metropolitan Museum of Art, NY/ Fotoarena

Louis-Marie, Vicomte de Noailles. Artist: Gilbert Stuart (American, North Kingston, Rhode Island 1755-1828 Boston, Massachusetts). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1798. Brother-in-law of the marquis de Lafayette, the vicomte de Noailles (1756-1804) worshiped the idea of democracy. Of noble French family, he nevertheless sympathized with the American cause and served in the Revolutionary War. Later, he played an important role in the abolition of the old regime in France; always a supporter of reason and law, however, he fled from the Terror and came to this country in the spring of 1793. In Philadelphia, he met Stuart, who painted this imposing portrait of him at full length, though on a small canvas. Noailles's dashing figure dominates the richly varied scene, which is enlivened by a tumultuous sky and a troop of cavalry charging in strict formation. Museum: Metropolitan Museum of Art, New York, USA.

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MAN RAY

Cod. da imagem: akg3977007
Crédito: Album / akg-images/ Fotoarena

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Cod. da imagem: akg3977007

Crédito: Album / akg-images/ Fotoarena

To: Sade, Donatien-Alphonse-François, Marquis de French writer, 1740-1814. "Portrait imaginaire de D.A.F. de Sade" (Imaginary portrait of D.A.F. de Sade), 1938. Painting, 1938, by Man Ray (1890-1976). Oil on canvas with painted wood, 54 × 46.7 cm. Inv. 85-021 D. Houston, The Menil Collection. Museum: Houston, The Menil Collection. Copyright: This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. © Man Ray.

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DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ

Cod. da imagem: alb2069837
Crédito: Album/ Fotoarena

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Cod. da imagem: alb2069837

Crédito: Album/ Fotoarena

Diego Rodríguez de Silva y Velázquez / 'The Surrender of Breda or The Lances', 1635, Spanish School, Oil on canvas, 307 cm x 367 cm, P01172. Museum: MUSEO DEL PRADO.

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TIZIANO

Cod. da imagem: alb2068160
Crédito: Album/ Fotoarena

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Cod. da imagem: alb2068160

Crédito: Album/ Fotoarena

Vecellio di Gregorio Tiziano / 'The Marquis of Vasto Addressing his Troops', 1540-1541, Italian School, Oil on canvas, 223 cm x 165 cm, P00417. Museum: MUSEO DEL PRADO.

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ANTONIO DE PEREDA

Cod. da imagem: alb2070709
Crédito: Album/ Fotoarena

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Cod. da imagem: alb2070709

Crédito: Album/ Fotoarena

Antonio de Pereda y Salgado / 'The Rescue of Genoa by the II Marquis of Santa Cruz', 1634-1635, Spanish School, Oil on canvas, 290 cm x 370 cm, P07126. Museum: MUSEO DEL PRADO.

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PETER PAUL RUBENS

Cod. da imagem: akg276626
Crédito: Album / akg-images/ Fotoarena

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Cod. da imagem: akg276626

Crédito: Album / akg-images/ Fotoarena

Leganès, Marquis de (Don Diego Messia). Spanish general during the wars against Frace; 1580 (?) -1655. Portrait. Drawing, undated, (c. 1625-27) by Peter Paul Rubens (1577-1640). Black and red chalk, 38 × 27.5 cm. Vienna, Graphische Sammlung Albertina. Museum: Wien, Graphische Sammlung Albertina.

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PETER PAUL RUBENS

Cod. da imagem: akg384792
Crédito: Album / akg-images/ Fotoarena

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Cod. da imagem: akg384792

Crédito: Album / akg-images/ Fotoarena

Guzmán, Diego Messia Felipe de, Marquis of Leganés; Spanish State Council, Commander of the Spanish artillery and cavalry in the southern Netherlands, Art collectors and patrons. 1580-1655. Portrait. Painting, circa 1630, by Peter Paul Rubens (1577-1640). Oil on canvas 117 × 89 cm. Westphalia, private collection.

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GEORGE J STODART

Cod. da imagem: alb4087813
Crédito: Album / British Library/ Fotoarena

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Cod. da imagem: alb4087813

Crédito: Album / British Library/ Fotoarena

Engraving of Charles Marquis Cornwallis, 18th century general in the Army in the American Revolutionary War, and later Governor General of India. From a painting by J.S. Copley R.A. Charles Marquis Cornwallis. (1738-1803). Artist: Stodart, George J. (d.1884). Source: P3177.

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Cod. da imagem: alb4095347
Crédito: Album / British Library/ Fotoarena

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Cod. da imagem: alb4095347

Crédito: Album / British Library/ Fotoarena

The first quadrille at Almack's. The Reminiscences and Recollections of Captain Gro. J. C. Nimmo: London, 1892 [1891]. Four figures dancing at the club Almack's: Marquis of Worcester; Lady Jersey; Clanronald Macdonald and Lady Worcester. Image taken from The Reminiscences and Recollections of Captain Gronow 1810-1860. With portrait and 32 illustrations from contemporary sources by J. Grego, etc. Originally published/produced in J. C. Nimmo: London, 1892 [1891]. . Source: 10816.d.20, opposite 32. Language: English.

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F JUKES

Cod. da imagem: alb4060462
Crédito: Album / British Library/ Fotoarena

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Cod. da imagem: alb4060462

Crédito: Album / British Library/ Fotoarena

Figures by a water mill in the foreground; the River Lagan in the middle ground; the city of Belfast in the distance. A View of BELFAST &c. from CROMACK Water Mill. : To The Most Noble The Marquis of Donegall &c. &c. This Plate is inscribed by his Lordship's obliged humble Servt Thomas Thompson. Belfast : Published Decr 1 1805, by T. Thompson No6 High Street., [December 1 1805]. Aquatint and etching with hand-colouring. Source: Maps K.Top.51.41.d. Language: English. Author: Jukes, F.

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Cod. da imagem: iblsce04735328
Crédito: BAO/ imageBROKER/ Fotoarena

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Cod. da imagem: iblsce04735328

Crédito: BAO/ imageBROKER/ Fotoarena

Thomas Robert Bugeaud, Marquis de la Piconnerie, duc d 'Isly, 15 October 1784, June 1849, Marshal of France and led the conquest of Algeria, woodcut, France, Europe

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