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Oscars Preparations

People pose for photos on Hollywood ...
Data da imagem: 23/02/2019
Cod. da imagem: ny230219193304
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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People pose for photos on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles.

Data da imagem: 23/02/2019

Cod. da imagem: ny230219193304

People pose for photos on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

People pose for photos on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles, Feb. 23, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

Pedestrians walk past a cutout of an ...
Data da imagem: 23/02/2019
Cod. da imagem: ny230219193003
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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Pedestrians walk past a cutout of an Oscars statue left by the comedian Franklin Marshall III on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles.

Data da imagem: 23/02/2019

Cod. da imagem: ny230219193003

Pedestrians walk past a cutout of an Oscars statue left by the comedian Franklin Marshall III on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

Pedestrians walk past a cutout of an Oscars statue left by the comedian Franklin Marshall III on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles, Feb. 23, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

Oscars super fan Vivianne Robinson, ...
Data da imagem: 23/02/2019
Cod. da imagem: ny230219193204
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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Oscars super fan Vivianne Robinson, right, takes a photo with comedian Franklin Marshall III on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles.

Data da imagem: 23/02/2019

Cod. da imagem: ny230219193204

Oscars super fan Vivianne Robinson, right, takes a photo with comedian Franklin Marshall III on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

Oscars super fan Vivianne Robinson, right, takes a photo with comedian Franklin Marshall III on Hollywood Boulevard before the 91st annual Academy Awards, in Los Angeles, Feb. 23, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

Workers remove a plastic sheet ...
Data da imagem: 23/02/2019
Cod. da imagem: ny230219170803
Crédito: Noel West/ The New York Times/ Fotoarena

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Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Data da imagem: 23/02/2019

Cod. da imagem: ny230219170803

Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Crédito: Noel West/ The New York Times/ Fotoarena

Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles, Feb. 23, 2019. (Noel West/The New York Times/Fotoarena)

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Oscars Preparations

Workers remove a plastic sheet ...
Data da imagem: 23/02/2019
Cod. da imagem: ny230219170604
Crédito: Noel West/ The New York Times/ Fotoarena

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Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Data da imagem: 23/02/2019

Cod. da imagem: ny230219170604

Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Crédito: Noel West/ The New York Times/ Fotoarena

Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles, Feb. 23, 2019. (Noel West/The New York Times/Fotoarena)

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Oscars Preparations

Workers remove a plastic sheet ...
Data da imagem: 23/02/2019
Cod. da imagem: ny230219171005
Crédito: Noel West/ The New York Times/ Fotoarena

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Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Data da imagem: 23/02/2019

Cod. da imagem: ny230219171005

Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Crédito: Noel West/ The New York Times/ Fotoarena

Workers remove a plastic sheet covering the red carpet during preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles, Feb. 23, 2019. (Noel West/The New York Times/Fotoarena)

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Oscars Preparations

A tourist from Japan takes a selfie ...
Data da imagem: 22/02/2019
Cod. da imagem: ny220219183804
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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A tourist from Japan takes a selfie outside the site of the 91st annual Academy Awards, the Dolby Theater in Los Angeles.

Data da imagem: 22/02/2019

Cod. da imagem: ny220219183804

A tourist from Japan takes a selfie outside the site of the 91st annual Academy Awards, the Dolby Theater in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

A tourist from Japan takes a selfie outside the site of the 91st annual Academy Awards, the Dolby Theater in Los Angeles, Feb. 22, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

A person in costume as Spider-Man ...
Data da imagem: 22/02/2019
Cod. da imagem: ny220219183904
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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A person in costume as Spider-Man greets people outside the site of the 91st annual Academy Awards, the Dolby Theater in Los Angeles.

Data da imagem: 22/02/2019

Cod. da imagem: ny220219183904

A person in costume as Spider-Man greets people outside the site of the 91st annual Academy Awards, the Dolby Theater in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

A person in costume as Spider-Man greets people outside the site of the 91st annual Academy Awards, the Dolby Theater in Los Angeles, Feb. 22, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

Preparations for the 91st annual ...
Data da imagem: 22/02/2019
Cod. da imagem: ny220219184005
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Data da imagem: 22/02/2019

Cod. da imagem: ny220219184005

Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles, Feb. 22, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

Preparations for the 91st annual ...
Data da imagem: 22/02/2019
Cod. da imagem: ny220219184004
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Data da imagem: 22/02/2019

Cod. da imagem: ny220219184004

Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles, Feb. 22, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Oscars Preparations

Preparations for the 91st annual ...
Data da imagem: 22/02/2019
Cod. da imagem: ny220219184104
Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

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Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Data da imagem: 22/02/2019

Cod. da imagem: ny220219184104

Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles.

Crédito: Patrick T. Fallon/ The New York Times/ Fotoarena

Preparations for the 91st annual Academy Awards, outside the Dolby Theater in Los Angeles, Feb. 22, 2019. (Patrick T. Fallon/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

An escalator that delivers visitors to ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219193404
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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An escalator that delivers visitors to the 49-foot-tall painting "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia

Data da imagem: 18/02/2019

Cod. da imagem: ny210219193404

An escalator that delivers visitors to the 49-foot-tall painting "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

An escalator that delivers visitors to the 49-foot-tall painting "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

The only discernible black figure, in ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219193204
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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The only discernible black figure, in a red shirt on a horse, in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia

Data da imagem: 18/02/2019

Cod. da imagem: ny210219193204

The only discernible black figure, in a red shirt on a horse, in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

The only discernible black figure, in a red shirt on a horse, in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

A depiction of Troup Hurt's House at a ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219193904
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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A depiction of Troup Hurt's House at a decisive moment with United States troops poised to overwhelm Confederate forces in "The Battle of Atlanta," created by the American Panorama Company in 1886," ...

Data da imagem: 18/02/2019

Cod. da imagem: ny210219193904

A depiction of Troup Hurt's House at a decisive moment with United States troops poised to overwhelm Confederate forces in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia,

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

A depiction of Troup Hurt's House at a decisive moment with United States troops poised to overwhelm Confederate forces in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. White Southerners interpreted the painting differently, preferring to emphasize the valor of their soldiers defending their position. The exhibition unravels truth from fiction. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

One of 128 plaster soldier figures ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219194004
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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One of 128 plaster soldier figures added during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia,

Data da imagem: 18/02/2019

Cod. da imagem: ny210219194004

One of 128 plaster soldier figures added during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia,

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

One of 128 plaster soldier figures added during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

Maj. Gen. John A. Logan depicted ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219193604
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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Maj. Gen. John A. Logan depicted leading a United States counterattack on his black horse in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center ...

Data da imagem: 18/02/2019

Cod. da imagem: ny210219193604

Maj. Gen. John A. Logan depicted leading a United States counterattack on his black horse in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia.

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

Maj. Gen. John A. Logan depicted leading a United States counterattack on his black horse in "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

"The Battle of Atlanta," created by ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219193703
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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"The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia.

Data da imagem: 18/02/2019

Cod. da imagem: ny210219193703

"The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia.

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

"The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

Some of the 128 plaster soldier ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219194203
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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Some of the 128 plaster soldier figures added during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia,

Data da imagem: 18/02/2019

Cod. da imagem: ny210219194203

Some of the 128 plaster soldier figures added during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia,

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

Some of the 128 plaster soldier figures added during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

The plaster soldier standing is ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219192704
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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The plaster soldier standing is modeled on Charles K. Henderson, a surviving Confederate veterans in his 90s when the soldiers were added in the 1930s to "The Battle of Atlanta," created by the ...

Data da imagem: 18/02/2019

Cod. da imagem: ny210219192704

The plaster soldier standing is modeled on Charles K. Henderson, a surviving Confederate veterans in his 90s when the soldiers were added in the 1930s to "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

The plaster soldier standing is modeled on Charles K. Henderson, a surviving Confederate veterans in his 90s when the soldiers were added in the 1930s to "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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Atlanta Cyclorama Review

Some of the 128 plaster soldier ...
Data da imagem: 18/02/2019
Cod. da imagem: ny210219193304
Crédito: Diwang Valdez/ The New York Times/ Fotoarena

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Some of the 128 plaster soldier figures added by the Atlanta sculptors Joseph V. Llorens and Weis Snell during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama ...

Data da imagem: 18/02/2019

Cod. da imagem: ny210219193304

Some of the 128 plaster soldier figures added by the Atlanta sculptors Joseph V. Llorens and Weis Snell during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia,

Crédito: Diwang Valdez/ The New York Times/ Fotoarena

Some of the 128 plaster soldier figures added by the Atlanta sculptors Joseph V. Llorens and Weis Snell during a 1934-36 restoration of "The Battle of Atlanta," created by the American Panorama Company in 1886," at the Atlanta History Center in Georgia, Feb. 18, 2019. The colossal painting, once claimed to depict a Confederate victory, has carried an evolving meaning. Now, a spectacular re-installation at the Atlanta History Center unravels its complex tale. (Diwang Valdez/The New York Times/Fotoarena)

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